Dobreishee Sozdanie (1981) Erot.c Movie

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00:00:00International Cinematographica presents

00:00:09Carmen Russo and Saverio Marconi

00:00:16Films by Riccardo Cezani

00:00:20The Kindest Creation

00:00:27Films were also shot by Sado Palmetto,

00:00:33Umberto Rao, Julian Jenkins,

00:00:40Geoffrey Coplestone, Renato Cicchetto,

00:00:47Libero Sansovini, Calogero Buta,

00:00:54and Gianfranco Barra.

00:00:59Screenplay by Franco Buccieri and Roberto Leone.

00:01:05Screenplay by Franco Buccieri, Roberto Leone, and Riccardo Cezani.

00:01:11Screenplay by Franco Cupini,

00:01:14Costume Artist by Gabriele Calaiori.

00:01:18Editing by Enzo Meniconi.

00:01:24Composer by Stelvio Cipriani.

00:01:31Cameraman by Pasqualino Fonetti.

00:01:41Production by Lider Film,

00:01:44produced by Pino Burricchi.

00:01:49Director by Riccardo Cezani.

00:02:01Tickets, please.

00:02:03Sister!

00:02:05Excuse me.

00:02:07Ticket.

00:02:09Ah, yes, the ticket.

00:02:11Please show me the ticket.

00:02:13You know,

00:02:15he's not here.

00:02:17The train has left.

00:02:19So I'm not here.

00:02:21It's a crime to travel without a ticket.

00:02:24Anyone who can't show his ticket to the controllers

00:02:28must pay a fine five times higher than the price.

00:02:33Do you want to punish me so severely?

00:02:38It's the law.

00:02:40Either pay or show.

00:02:44So?

00:02:48Will you show it to me?

00:02:51Then I'll write it down.

00:02:54No, no, wait.

00:02:56I remembered.

00:02:58I had a ticket.

00:03:00But where did I put it?

00:03:02Maybe here?

00:03:04Oh, no.

00:03:06I'm so confused.

00:03:09I never know where I put my things.

00:03:12Can I help you?

00:03:16You're very kind.

00:03:18Maybe he's here?

00:03:21No, probably here.

00:03:23Look.

00:03:25Look here.

00:03:26Let me see.

00:03:29Like this.

00:03:31Where did you put it?

00:03:33Not here.

00:03:34No.

00:03:36Oh, sister.

00:03:38You're so beautiful.

00:03:40Let me touch you, sister.

00:03:44I'm not strict.

00:03:46I'm very kind.

00:03:48You're so persistent.

00:03:52What is this?

00:03:54No, Nadine.

00:03:56Why are you honking?

00:03:58No.

00:04:00Damn it.

00:04:02Why are you honking?

00:04:04What do you want?

00:04:06How many times can I tell you

00:04:08I want to go to the most interesting place.

00:04:10Don't you know how it goes?

00:04:12How do I know?

00:04:13Am I a prophet?

00:04:16No, of course you're not a prophet.

00:04:18Do you know who you are?

00:04:20You're a witch.

00:04:22One hundred thousand.

00:04:26What are you checking?

00:04:28Don't you trust me?

00:04:30It's good to trust, but it's even better not to trust.

00:04:32You're doing it on purpose.

00:04:34Don't be upset.

00:04:36Everything will be fine next time.

00:04:38I've prepared a surprise for you.

00:04:40Tell me when you come back.

00:04:42Tell me how you'll dress.

00:04:44Bye.

00:04:46Nadine, help me change.

00:04:48The wild angels are coming.

00:05:06Ouch!

00:05:30Who did you bring it to?

00:05:36Stop.

00:05:38Hello.

00:05:40Colonel Vesely Vittorio is on leave.

00:05:422nd Airborne Battalion, 3rd Platoon.

00:05:44Please allow me to report.

00:05:46Colonel, today is not your day.

00:05:48It's urgent.

00:05:50What's the urgency?

00:05:52You're on vacation this week.

00:05:54The doctor told you that.

00:05:56But it's urgent.

00:05:58Senorina is not here anyway.

00:06:00Can I wait?

00:06:02No.

00:06:04Good luck, Colonel.

00:06:06Yes, sir.

00:06:08March!

00:06:24I must call him.

00:06:28Come, O Lucifer, on your wings.

00:06:44Come, O Lucifer, on your wings.

00:06:58Come, O Lucifer, on your wings.

00:07:06Lucifer?

00:07:12Who is it?

00:07:20Who's there?

00:07:22It's me again.

00:07:24Colonel Vesely Vittorio is on leave.

00:07:26I'm reporting.

00:07:28It's impossible to resist.

00:07:30There will be an explosion soon.

00:07:32I'm going to the reception.

00:07:34Colonel, I don't give a damn.

00:07:36You're uneducated.

00:07:38Even if I'm uneducated, you'll be punished.

00:07:40And please go away from here.

00:07:42It's impossible.

00:07:44Senorina is not here.

00:07:46Can I wait?

00:07:48No.

00:07:50Good luck, Colonel.

00:07:52I'll try.

00:07:54March!

00:08:04Did the doll scare you?

00:08:06No, on the contrary.

00:08:08It was so exciting, wasn't it?

00:08:10Especially when you passed this truck on the right.

00:08:24Now I'm going to deal with you, doll.

00:08:54I'm going to kill you.

00:08:56I'm going to kill you.

00:08:58I'm going to kill you.

00:09:00I'm going to kill you.

00:09:02I'm going to kill you.

00:09:04I'm going to kill you.

00:09:06I'm going to kill you.

00:09:08I'm going to kill you.

00:09:10I'm going to kill you.

00:09:12I'm going to kill you.

00:09:14I'm going to kill you.

00:09:16I'm going to kill you.

00:09:18I'm going to kill you.

00:09:20I'm going to kill you.

00:09:22I'm going to kill you.

00:09:24I'm going to kill you.

00:09:26I'm going to kill you.

00:09:50Are you there?

00:09:52Yes.

00:09:54Wake up, wake up, wake up, Sonya.

00:10:01What is it?

00:10:04Soboyon.

00:10:05It's good for you.

00:10:07It has a lot of vitamins.

00:10:09No, you drink so much Marsala.

00:10:12But Marsala tonifies.

00:10:14You need it, otherwise your work will be wasted.

00:10:17But come on, we're not working.

00:10:19We're having fun.

00:10:20You complain all the time that you would like to be with a normal guy,

00:10:24to be in love, in bed, like all people in the world.

00:10:28Eh?

00:10:29Well?

00:10:30Yes, I would like that.

00:10:34There are no more real men.

00:10:38Romantic times are over, my dear.

00:10:42Passed.

00:10:44And we adapt.

00:10:47Maximum result with minimal effort.

00:10:52You can't say that.

00:10:54For them, sex is...

00:10:57They are children.

00:10:59Yes.

00:11:01Children.

00:11:03The better, and I will remain untouched.

00:11:08If they knew that we were driving them away.

00:11:12Listen, Nadine.

00:11:14I'm an incorrigible romantic, you know.

00:11:17It's a pity.

00:11:19With this body you could make so much money.

00:11:21I know what I could do with my body, but I won't do it.

00:11:25My body will belong to only one.

00:11:28But who is he?

00:11:30Is he already there?

00:11:31No, not yet.

00:11:44Hello, senorina.

00:11:54As usual?

00:11:55Yes, thank you.

00:11:56Excuse me, but this is my cappuccino.

00:12:16Don't you understand?

00:12:21Excuse me, senorina.

00:12:23I was reading and got distracted.

00:12:27Take mine.

00:12:29Yes, yes, please take mine.

00:12:31Please.

00:12:36Please, cappuccino for senorina.

00:12:40Can I offer you a brioche?

00:12:45Excuse me.

00:12:47But look.

00:12:48What are you doing?

00:12:50You stained my clothes.

00:12:52I'll fix it.

00:12:53What are you doing?

00:12:54Water, water.

00:12:55Here.

00:12:56You're spoiling my clothes.

00:12:58What do you think you're doing?

00:13:00You've dirty my clothes.

00:13:02What kind of humiliation is this?

00:13:04Don't worry.

00:13:05You've already done enough.

00:13:07See you.

00:13:08When, senorina?

00:13:12Eh, baran.

00:13:16How dare you?

00:13:17We don't know each other.

00:13:18I'll introduce myself.

00:13:48I'll introduce myself.

00:14:18Good morning.

00:14:31Good morning.

00:14:32Come on.

00:14:38Please.

00:14:47Oh, good morning, Miss Lizette.

00:14:49Good morning, sir.

00:14:52Please, sit down.

00:14:59Such a beautiful girl.

00:15:01Thanks.

00:15:06What time is it?

00:15:09It is half past four now.

00:15:14What kind of weather is it?

00:15:23It is...

00:15:27It is raining.

00:15:30No, no, Miss Lizette.

00:15:32You're wrong.

00:15:34You're wrong.

00:15:36My dear student.

00:15:39It is raining outside.

00:15:40There is no rain, as you said.

00:15:41But there is a warm spring sun.

00:15:47I hate certain educational methods.

00:15:50But sometimes they are necessary.

00:15:53They are necessary to expose one's faults.

00:15:58Yes, to expose.

00:16:01And to reveal.

00:16:03Oh, what a beautiful word.

00:16:07To expose one's faults.

00:16:15Professor, if I am wrong, it is fair that I should be punished.

00:16:21Yes, you are wrong.

00:16:23As always.

00:16:24Yesterday, today, tomorrow.

00:16:27I want you to severely punish me.

00:16:30But where?

00:16:31Where?

00:16:32But you want to.

00:16:33I have goosebumps.

00:16:36Then let's lie down on the couch.

00:16:40I am here.

00:16:42Here.

00:17:06Oh, Miss Lizette.

00:17:08In English.

00:17:10Lips should move faster.

00:17:24Miss Lizette, I ask you to study more next time.

00:17:29Up to page 37.

00:17:32Oh, of course, Professor.

00:17:35But maybe you want something else from me.

00:17:40Oh, my gentle girl.

00:17:43But I have already received everything.

00:17:46I promise you, I will cope, Professor.

00:17:51You have a desire.

00:17:54And...

00:17:56If you try, I'm sure...

00:18:00Oh, my darling.

00:18:04Oh, my darling.

00:18:06Oh, my darling.

00:18:07Oh, my darling.

00:18:09Miss Lizette.

00:18:11Okay, Professor.

00:19:04Oh, my darling.

00:19:07Oh, my darling.

00:19:10Oh, my darling.

00:19:13Oh, my darling.

00:19:16Oh, my darling.

00:19:19Oh, my darling.

00:19:22Oh, my darling.

00:19:25Oh, my darling.

00:19:28Oh, my darling.

00:19:31Oh, my darling.

00:19:34Oh, my darling.

00:19:37Oh, my darling.

00:19:40Oh, my darling.

00:19:43Oh, my darling.

00:19:46Oh, my darling.

00:19:49Oh, my darling.

00:19:52Oh, my darling.

00:19:55Oh, my darling.

00:19:58Oh, my darling.

00:20:00Oh, my darling.

00:20:04Oh, my darling.

00:20:08Oh, my darling.

00:20:14Oh, my darling.

00:20:18Yes!

00:20:21Gaston, here is the wine.

00:20:23Yes, Madam.

00:20:25Your Majesty, I have chosen Chateau de Cannes of 1958,

00:20:29the exquisite ambrosia to ennoble your Nito with a pink color.

00:20:35Gaston, how many times do I have to tell you

00:20:38that such phrases are suitable for gentlemen, not for servants?

00:20:43I beg you, Your Excellency, to forgive me,

00:20:46but this is out of respect,

00:20:48the insurmountable respect that I have for your kindness.

00:21:01He gives it to me with a cork. Thank you.

00:21:05Maybe Your Majesty would like to sit more comfortably?

00:21:10Gaston, what is this?

00:21:13Supreme du canard sauté à la Gervaise

00:21:17with two pyjamas, Your Highness.

00:21:20And this?

00:21:23Charlotte à la crème et au frangois sauvage de montagne.

00:21:28I have prepared it with my own hands for your kindness.

00:21:34Gaston!

00:22:22Charlotte à la crème et au frangois sauvage de montagne

00:22:27with two pyjamas, Your Highness.

00:22:30And this?

00:22:32Charlotte à la crème et au frangois sauvage de montagne

00:22:37with two pyjamas, Your Highness.

00:22:40And this?

00:22:42Charlotte à la crème et au frangois sauvage de montagne

00:22:47with two pyjamas, Your Highness.

00:22:50And this?

00:22:52Charlotte à la crème et au frangois sauvage de montagne

00:22:57with two pyjamas, Your Highness.

00:23:00And this?

00:23:02Charlotte à la crème et au frangois sauvage de montagne

00:23:07with two pyjamas, Your Highness.

00:23:10And this?

00:23:12Charlotte à la crème et au frangois sauvage de montagne

00:23:17with two pyjamas, Your Highness.

00:23:20And this?

00:23:22Charlotte à la crème et au frangois sauvage de montagne

00:23:27with two pyjamas, Your Highness.

00:23:30And this?

00:23:32Charlotte à la crème et au frangois sauvage de montagne

00:23:37with two pyjamas, Your Highness.

00:23:40And this?

00:23:42Charlotte à la crème et au frangois sauvage de montagne

00:23:47with two pyjamas, Your Highness.

00:23:50And this?

00:23:52Charlotte à la crème et au frangois sauvage de montagne

00:23:57with two pyjamas, Your Highness.

00:24:00And this?

00:24:02Charlotte à la crème et au frangois sauvage de montagne

00:24:07with two pyjamas, Your Highness.

00:24:10And this?

00:24:12Charlotte à la crème et au frangois sauvage de montagne

00:24:17with two pyjamas, Your Highness.

00:24:20And this?

00:24:22Charlotte à la crème et au frangois sauvage de montagne

00:24:27with two pyjamas, Your Highness.

00:24:30And this?

00:24:32Charlotte à la crème et au frangois sauvage de montagne

00:24:37with two pyjamas, Your Highness.

00:24:40And this?

00:24:42Charlotte à la crème et au frangois sauvage de montagne

00:24:47with two pyjamas, Your Highness.

00:24:50And this?

00:24:52Charlotte à la crème et au frangois sauvage de montagne

00:24:57with two pyjamas, Your Highness.

00:25:00And this?

00:25:02Charlotte à la crème et au frangois sauvage de montagne

00:25:07with two pyjamas, Your Highness.

00:25:32Charlotte à la crème et au frangois sauvage de montagne

00:25:37with two pyjamas, Your Highness.

00:26:02Charlotte à la crème et au frangois sauvage de montagne

00:26:07with two pyjamas, Your Highness.

00:26:10Charlotte à la crème et au frangois sauvage de montagne

00:26:15with two pyjamas, Your Highness.

00:26:18Charlotte à la crème et au frangois sauvage de montagne

00:26:23with two pyjamas, Your Highness.

00:26:26Charlotte à la crème et au frangois sauvage de montagne

00:26:31with two pyjamas, Your Highness.

00:26:34Charlotte à la crème et au frangois sauvage de montagne

00:26:39with two pyjamas, Your Highness.

00:26:42Charlotte à la crème et au frangois sauvage de montagne

00:26:47with two pyjamas, Your Highness.

00:26:50Charlotte à la crème et au frangois sauvage de montagne

00:26:55with two pyjamas, Your Highness.

00:26:58Charlotte à la crème et au frangois sauvage de montagne

00:27:03with two pyjamas, Your Highness.

00:27:06Charlotte à la crème et au frangois sauvage de montagne

00:27:11with two pyjamas, Your Highness.

00:27:14THE END

00:27:37The dress is beautiful.

00:27:41Oh, congratulations, Signorina.

00:27:44You made a wonderful choice.

00:27:47Come in.

00:27:48Excuse me.

00:27:50Come in. When do you need it?

00:27:52What are you saying?

00:27:53I mean, when is the ceremony?

00:27:55What ceremony?

00:27:57The wedding.

00:27:58You are getting married.

00:28:00Very well.

00:28:01I mean, you see...

00:28:03Fiorella!

00:28:05I understand.

00:28:06Your husband still has to decide.

00:28:08Yes. I mean, no.

00:28:13I still have to meet him.

00:28:14What?

00:28:15As soon as I meet him, he will recognize me.

00:28:18And I will recognize him.

00:28:20Do you think I can interest him?

00:28:23Of course, I am sure of that.

00:28:25But do you have anything to interest a man?

00:28:29What is it?

00:28:30Eyes?

00:28:31Hair?

00:28:32Hands?

00:28:33I would say everything in general.

00:28:36But I am not interested in your place.

00:28:42Goodbye and thank you. See you soon.

00:29:07Good day.

00:29:08Good day.

00:29:09I would like to see the white shoes on the heel.

00:29:12The one on the right?

00:29:13Yes.

00:29:14What size?

00:29:1537.

00:29:16Here you are.

00:29:24Signorina!

00:29:26Signorina, do you remember me?

00:29:29No.

00:29:30I am...

00:29:31Cappuccino!

00:29:33Cappuccino!

00:29:35Cappuccino!

00:29:36And then...

00:29:37Do you remember me?

00:29:39At the bar?

00:29:40No.

00:29:41And then there was a mess.

00:29:43But now I...

00:29:44Look!

00:29:45Now I remember you.

00:29:52Yes.

00:29:53Not bad shoes.

00:29:55I will think about it and come back.

00:29:57Leave the shoes and go to hell!

00:29:59Signorina!

00:30:00Signorina!

00:30:01Look at these people.

00:30:03Signorina!

00:30:06Signorina!

00:30:07Signorina!

00:30:08Signorina!

00:30:27No, no.

00:30:28It's okay.

00:30:29What?

00:30:30Nothing.

00:30:31Everything is fine.

00:30:35We have to develop the formula.

00:30:59They must be connected.

00:31:01What are you doing?

00:31:05Nothing, professor.

00:31:07How can I see her again?

00:31:09Who, I'm sorry?

00:31:11I'm sorry, professor, I'm sorry.

00:31:14Do you see, professor?

00:31:17I met a girl and I can't find her.

00:31:21Believe me, it's love at first sight.

00:31:23How can I be?

00:31:25In what?

00:31:28Do you see that house?

00:31:31You'll find her there.

00:31:58I'm going to get you.

00:32:10I'm going to get you.

00:32:27I'm going to get you.

00:32:45What the hell are you doing?

00:32:47Are you blind?

00:32:48Look what you've done.

00:32:49I'll pay you.

00:32:50I'll pay you.

00:32:51You'll pay me with the mandalas from the museum.

00:32:57You'll pay me with the mandalas from the museum.

00:33:27I'm sorry.

00:33:45I'm sorry.

00:33:47Excuse me, what's going on?

00:33:52They're rehearsing.

00:33:53What are they rehearsing?

00:33:54The opera.

00:33:56Can I have a look?

00:33:58Yes, if you want.

00:34:02Pier Giovanni! Pier Giovanni!

00:34:04I can't understand anything here.

00:34:06Where should I throw it?

00:34:08Over there?

00:34:10Okay, okay.

00:34:26♪

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00:35:12♪

00:35:16We need to go to the observatory.

00:35:18♪

00:35:22Damn it!

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00:40:44Pippo!

00:40:48Hello! How are you?

00:40:52You are forced to work again today.

00:40:56What are you eating?

00:41:00What are you giving him?

00:41:04You don't know that this is not allowed?

00:41:08But from you one harm.

00:41:12And even to the animals.

00:41:16Yes, I'm a little crazy.

00:41:20I would say dangerous for myself and for others.

00:41:24Bye, Pippo.

00:41:28What is it?

00:41:32Eat a carrot.

00:41:36Signorina, are you a zoologist?

00:41:40In what sense?

00:41:44In the scientific sense.

00:41:48And I'm a star.

00:41:52Are you a movie agent?

00:41:56I'm not a movie agent, I'm not a gastronomist.

00:42:00I look at the stars. The stars are in the sky.

00:42:04So you are a scientist.

00:42:08Excuse me.

00:42:26You are the most beautiful zoologist I have ever met in my life.

00:42:56His name is Filippo Maria. He is an astronomer.

00:43:00Singers, professors, astrologers.

00:43:04Astronomer Nadine is the one who looks at the sky,

00:43:08studies the stars, the sun.

00:43:12Maybe he is interested in magic?

00:43:16No, I understand. He does not pay.

00:43:20Filippo Maria is so sensitive, so modest, so tender.

00:43:24But he does not have money.

00:43:28If we change the parallel in the traversal sector

00:43:32at 45 degrees for 35 seconds,

00:43:36we will get the spectrographic orbit of the alphabet Centaurus

00:43:40in the constellation of the Lion.

00:43:44What happened to you?

00:43:48I wanted to give you this.

00:43:52My name is Filippo Maria.

00:43:56I have to go.

00:44:00When will we meet again?

00:44:08Love is mine.

00:44:12You are the most beautiful thing in the world.

00:44:16I love you.

00:44:20I love you.

00:44:30Dear professor, there is also a limit in love.

00:44:34It is not fashionable to kill yourself because of love.

00:44:38No, this is a misunderstanding.

00:44:42I was just distracted.

00:44:46Do you understand?

00:44:50But the witnesses say that you left the observatory.

00:44:54This is not true, Mr. Commissar.

00:44:58It is forbidden to swim there.

00:45:02But I got out of there.

00:45:06Yes, you know that such a thing could cost you 6 months in prison.

00:45:10But please do not kill me.

00:45:14I was not myself.

00:45:18I was chasing a girl.

00:45:22This will never happen again.

00:45:26Calm down.

00:45:30I want to believe you.

00:45:34And how can you doubt the words of your cousin?

00:45:38Your blood cousin.

00:45:42Okay.

00:45:46This time I say hello to your cousin.

00:45:50And I do not recommend you to chase girls anymore.

00:45:54I let you go.

00:45:58But do not swim where it is forbidden to swim.

00:46:06Goodbye.

00:46:12Guard!

00:46:16Guard!

00:46:20Look.

00:46:42I'm sorry, sir.

00:46:46But the butterfly is over.

00:46:50No, not the hotel.

00:46:54This is a beautiful building.

00:46:58The hotel is not suitable.

00:47:02I have to make a gift.

00:47:06I'm looking for something nice.

00:47:10I'm looking for something nice.

00:47:14I'm looking for something nice.

00:47:18I'm looking for something nice.

00:47:22I'm looking for something nice.

00:47:26I'm looking for something nice.

00:47:30I'm looking for something nice.

00:47:34I'm looking for something nice.

00:47:38I'm looking for something nice.

00:47:42I'm looking for something nice.

00:47:46I'm looking for something nice.

00:47:50I'm looking for something nice.

00:47:54I'm looking for something nice.

00:47:58I'm looking for something nice.

00:48:02I'm looking for something nice.

00:48:06I'm looking for something nice.

00:48:10I'm looking for something nice.

00:48:14I'm looking for something nice.

00:48:18I'm looking for something nice.

00:48:22I'm looking for something nice.

00:48:26I'm looking for something nice.

00:48:30I'm looking for something nice.

00:48:34What a relief!

00:48:39My God, what a relief!

00:48:45I've missed you.

00:48:47I've missed you too.

00:48:51I've missed you so much.

00:48:53I've missed you too.

00:48:56But I don't feel so good!

00:48:59I can't breathe!

00:49:01But I am trembling!

00:49:03They all survive in their own little colony.

00:49:08Marcello!

00:49:10Oh, my darling!

00:49:12Marcello!

00:49:13No!

00:49:15No!

00:49:17You must go!

00:49:20I have to stop my love!

00:49:21Marcello!

00:49:22Oh, my darling!

00:49:23Marcello!

00:49:24I have to stop my love!

00:49:27You must go!

00:49:29I will die!

00:49:30No!

00:49:31No!

00:49:32.

00:50:02I live alone, and I live with my dear husband, no, this is an old friend, her name is Nadya,

00:50:31but I call her Nadya, thank God, otherwise I would be scared, you see, I only thought about you these days,

00:50:42yes, you are an open book for me, you see, I think I know everything about you, let me guess, yes, let's try, I'm sure you like to travel, at least I think so, to travel,

00:51:09I think you like trains, yes, I guessed, it allows you to enjoy the landscapes under the soft knocking of wheels, then you do sports, and you like English, yes, English,

00:51:38I guessed this, you also like good music, yes, especially opera, I know that, and good cuisine, yes, when I said that you are an open book for me, I was not mistaken, you see, Lizette, I know you like my own pockets,

00:52:05Lizette, maybe you will consider me abnormal, but I wanted to tell you, excuse me, oh my God, Damiano, grandson, Filippo Maria, no, no, quiet, do not be afraid, help,

00:52:35help, the road, oh Damiano, go to your grandmother, how scared I was, thank God, Filippo, Filippo, Filippo, Filippo Maria, Filippo, Lizette,

00:53:05I wanted to tell you for a long time, speak, I will not say a word, I wanted to say that I am in love with you, please believe me, I believe, Lizette, I wanted to say this for a long time, but I could not get the courage, I want to marry you,

00:53:35wait, darling, now I will call someone to remove the door, now I will return, she loves me, she loves, she loves, she loves,

00:53:53no, as I already told you, everything happened when I gave the plush bear, I have nothing against plush bears, but at first you almost killed the child, then you began to gnaw at the visitor of the park and fell head down from a tree, an unworthy occupation for an astronomer,

00:54:22you see, Lizette loves me, listen, for the sake of your own good, for the sake of the good of all humanity and the good of your respected cousin, honored on the Revle,

00:54:43try not to be a tarzan in the parks under my jurisdiction, say hello to your cousin and get out of my life, go away, goodbye doctor

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