Guns for Hire (2015) Full Movie
Category
🎥
Short filmTranscript
00:00:00I think it is.
00:00:14Is it running?
00:00:15Yeah, go.
00:00:16Wait, no.
00:00:17Hang on a minute.
00:00:18Action.
00:00:19So, where should we start, you think?
00:00:23Just introduce yourself and tell me about your company.
00:00:29You want to do a push-up or something?
00:00:31No.
00:00:32Okay.
00:00:33Okay.
00:00:34Hi, I'm Beetle Boyan.
00:00:40That's stupid.
00:00:41It's not.
00:00:42It's cool.
00:00:43Do it again.
00:00:44Hi there.
00:00:45I'm Beetle Boyan and I'm going to be your guide on the fascinating journey through the
00:00:48world of cold-blooded killing.
00:00:52Tell me about yourself, Beetle.
00:00:54I don't want to kill somebody.
00:00:58I know I do.
00:00:59Well, sorry.
00:01:00Not a hit man, you say?
00:01:03Well, that's not a problem.
00:01:05Just follow instructions in my easy-to-follow video and you, too.
00:01:11Yeah, that sounds weird.
00:01:14How many times do we have to do this?
00:01:15What do you think?
00:01:16We got time?
00:01:17Until you do it.
00:01:18Until I want to buy the video.
00:01:19Hi there.
00:01:20My name is Beetle Boyan and I'm here with the first ever of its kind instructional video
00:01:27for hit man.
00:01:28Ever want to kill someone?
00:01:29I know I do.
00:01:31It's easy.
00:01:32Just follow the instructions in my video and you, too, could be a hit man.
00:01:37That was really good.
00:01:45This is some really, really great stuff here, Beetle.
00:01:47I mean, it's just downright entertaining all the way around.
00:01:52You know what I like about it the most, though?
00:01:55That even though the footage is several years old, there is no statute of limitations on
00:02:00murder.
00:02:04You know what that is?
00:02:06Let me jog your memory.
00:02:09Dead body in your loft about seven years ago?
00:02:13No?
00:02:14Nothing?
00:02:15Well, based on the evidence at the time, we couldn't charge you with a crime.
00:02:22That's all changed now, hasn't it?
00:02:25You're still not ringing the bell, huh?
00:02:28Okay.
00:02:29Maybe this will help.
00:02:36Why don't you tell me about your relationship with Athena Clendon?
00:02:45How about Carla Garrett?
00:02:47You care to explain that one to me?
00:02:50So you don't want to talk about Athena?
00:02:53You don't want to talk about Carla?
00:02:56Well, maybe we should talk about Kyle Sullivan, hmm?
00:03:00How about we talk about the time when you knocked him unconscious?
00:03:05Did your connection to Kyle kind of slip your mind when you were giving your statement to
00:03:09the police?
00:03:14Look, we got him now, okay?
00:03:18And I gotta do everything I can to keep this guy locked up.
00:03:22So here's the deal.
00:03:25You tell me everything you know, and I'll do what I can in getting this first-degree
00:03:29murder charge reduced.
00:03:32Can I ask you a question, Randy?
00:03:35It's Detective Holt.
00:03:38Do you see handcuffs on my wrists?
00:03:41No.
00:03:42Okay, then.
00:03:44Okay, then.
00:03:46I think we can both agree that I am not under arrest.
00:03:49Correct?
00:03:51And I think we both know that's because you can't charge me with anything,
00:03:55unless you can prove it.
00:03:58Oh, I intend to. Believe me, I do.
00:04:01You see, when we brought Kyle Sullivan down and we went through his stuff,
00:04:05I think you're gonna be surprised to know that he had an awful lot of information lying around.
00:04:09But what I think you're gonna be more surprised about, Beatle,
00:04:13is that some of that evidence tells a very compelling story about you.
00:04:19I like to call it the Adventures of Beatle.
00:04:22And it all begins April the 27th, 2006.
00:04:28The day you met Athena Clendon.
00:04:43April the 27th, 2006
00:05:13April the 27th, 2006
00:05:24April the 27th, 2006
00:05:33April the 27th, 2006
00:05:36April the 27th, 2006
00:05:47April the 27th, 2006
00:05:57April the 27th, 2006
00:06:06April the 27th, 2006
00:06:17April the 27th, 2006
00:06:27April the 27th, 2006
00:06:36April the 27th, 2006
00:06:47April the 27th, 2006
00:06:57April the 27th, 2006
00:07:06April the 27th, 2006
00:07:30Wait, it's four o'clock in the morning.
00:07:33Do you think that you should stay and just get some rest?
00:07:38Got it, Ron. See you next week.
00:07:54Shut... shut up!
00:08:03April the 27th, 2006
00:08:08The Red Hot Action starts tonight at eight,
00:08:11followed by an all-new episode of...
00:08:14Isn't that the truth, Phil?
00:08:17Well, that is Thursday, April 27th...
00:08:20Shit!
00:08:33No! No, no, no, no, no, no, no!
00:08:36Shit! Shit!
00:08:39Have a nice trip, buddy.
00:09:03April the 27th, 2006
00:09:14Okay, so what's the total for all the parking tickets?
00:09:22What? No.
00:09:25No, I'm still here. Are you sure that's right?
00:09:28I mean, I know it's eight tickets, but...
00:09:31I mean, you could feed a family of four for three fucking months with that kind of money.
00:09:36No, I'm not...
00:09:38Don't get snippy with me.
00:09:41Ma'am.
00:09:43According to Athena's bank statements at the time,
00:09:46she had approximately negative $27.38 to her name.
00:09:50But Athena didn't get the money from you, did she?
00:09:53She got it from Kyle.
00:09:55You know, the guy that you beat the shit out of?
00:09:59I really don't get where you're going with this, Randy.
00:10:02It's Detective Holt.
00:10:04And where I'm going is Count Sullivan.
00:10:10So, it's come to this, has it?
00:10:13You know I'll pay you back.
00:10:15I know you will. I know you will.
00:10:17You realize, of course, that you're going to have to pay it back in more ways than one.
00:10:20You know my situation, Kyle.
00:10:22Yeah, well, I know if you were still managing the store for me, you wouldn't need to be borrowing any money.
00:10:25Yeah, and from what I understand, they give you free room and board in prison.
00:10:28So you're probably right.
00:10:30Meanwhile, I have a regular legal job as a courier,
00:10:32and my car is sort of an integral part of that.
00:10:35You gonna help me or not?
00:10:37Why should I?
00:10:39I don't know.
00:10:41Kyle, why don't you think of it as workman's comp
00:10:44from this crick I'm getting in my neck from looking the other way?
00:10:47Well, you know, Athena, I'd be happy to rub that out for you myself.
00:10:51Oh, just calm down, Tennessee Pops.
00:10:55Sit down.
00:10:59Should I make it out to Cash?
00:11:01No, to the city.
00:11:03I don't have time to cash.
00:11:05They're gonna tell my car at 3.
00:11:14I'll call on you tonight.
00:11:19Nix!
00:11:21Hey, um...
00:11:23I have a boot on my car.
00:11:25We don't take shakes.
00:11:27Oh, but, um, I just...
00:11:29We don't take shakes!
00:11:31The lady on the phone.
00:11:33We don't take shakes.
00:11:37The lady on the phone said you did.
00:11:41I'm sorry, but, um,
00:11:43what do her DMV issues have to do with me?
00:11:46I want to talk about your doctor.
00:11:48Who?
00:11:50Your shrink.
00:11:52I want to talk about Dr. Van D'Arc.
00:11:54Okay.
00:11:56I would appreciate it if you'd apologize
00:11:58to my secretary before you leave today.
00:12:00Why?
00:12:02I think you know why.
00:12:04Can I help you?
00:12:06I very seriously doubt it.
00:12:08You can't go in there. He's with a patient.
00:12:10And you cannot smoke!
00:12:12Now, have a seat.
00:12:14Now, help me.
00:12:18We'll come back to that.
00:12:20So you were making trouble
00:12:22while Athena was having her own problems.
00:12:24I mean,
00:12:26what makes you think that I have that kind of cash
00:12:28just lying around?
00:12:30Does it seem like I've been lobotomized
00:12:32in the past six months?
00:12:38Turn around.
00:12:40Turn around.
00:12:44You know, you have a really nice ass, Athena.
00:12:46You should think about wearing sugar dresses.
00:12:52Okay.
00:12:54You turn around.
00:12:56Now,
00:12:58why don't you take my car?
00:13:00You're gonna be coming back here anyway, right?
00:13:02Yeah.
00:13:04Yeah, good. Okay.
00:13:06It's yours.
00:13:08So she goes to this guy for cash
00:13:10and gets the keys to the car?
00:13:12Uh-huh.
00:13:14The car that later breaks down and bingo,
00:13:16he calls a tow truck, you.
00:13:18A tow truck.
00:13:20So now I'm a tow truck driver, not an assassin?
00:13:22Well, every assassin has a cover, right?
00:13:24Yes, and you were saying?
00:13:26Oh, yeah.
00:13:28So I went to go kill this guy today, right?
00:13:30And before I did,
00:13:32I sort of said that I thought
00:13:34that he might deserve it.
00:13:36And then I got to thinking about it later
00:13:38and I realized that
00:13:41it wouldn't be a nice thing to say,
00:13:43so I felt bad.
00:13:45I want to stop you right there, Rhonda.
00:13:47Don't say it!
00:13:49Let's not get distracted from the matter at hand.
00:13:51Why do you insist on this fantasy
00:13:53of being an assassin?
00:13:55It's not a fantasy. It's true.
00:13:57No, it's not.
00:14:01Personally,
00:14:03I think an assassin sounds better
00:14:05than a tow truck driver.
00:14:07So now you're admitting to being an assassin.
00:14:09You tell me.
00:14:13Nicks!
00:14:19I'm back.
00:14:21I have the cash.
00:14:39$819.23.
00:14:41$819.23.
00:14:43$819.23.
00:14:45Shit.
00:14:51I had to pay the meter.
00:14:53I must have miscalculated.
00:14:55This is all the money
00:14:57I have in the world.
00:14:59I had to borrow it to pay this.
00:15:01I'm sorry you had to pay the whole thing.
00:15:03Are you serious?
00:15:05It's ten cents.
00:15:07I'm sorry you had to pay the whole thing.
00:15:15You're not sorry, are you?
00:15:17You certainly should be, but you're not.
00:15:19Not at all, are you?
00:15:21No.
00:15:23Nicks?
00:15:25No. This is funny.
00:15:27You think this is funny?
00:15:29You think it's funny that my car has a gaudy hunk of orange metal on it right now
00:15:31and the only way for me to get it off
00:15:33before it gets towed
00:15:35is $819
00:15:37from a man I'm already
00:15:39indebted to for the rest of my natural life.
00:15:41You think it's funny that I got here
00:15:43first thing this morning. I waited two freaking hours
00:15:45only to have you tell me
00:15:47I have to have cash when I called before
00:15:49to make sure you take checks
00:15:51and I was told that you do.
00:15:53Is there some sort of humor in the fact that it's now
00:15:55almost four o'clock in the afternoon
00:15:57and for all I know, you've towed my fucking car
00:15:59already and you can't help me out
00:16:01with ten fucking cents
00:16:03when I'm already paying
00:16:05$819 to you
00:16:07goddamn highway robber.
00:16:09Where's the fucking punchline, asshole?
00:16:11Because I'm obviously not too quick
00:16:13on the pickup today.
00:16:15Oh.
00:16:17I'm sorry.
00:16:19You had
00:16:21to pay the whole thing.
00:16:23Does anyone have a dime I can borrow?
00:16:25Doesn't have to be
00:16:27a dime. Um,
00:16:29two nickels?
00:16:31Nickel and five pennies?
00:16:33Anybody? Please?
00:16:35Sorry.
00:16:37Here, señorita.
00:16:41Stay nuts.
00:16:55Look, I'll grant you
00:16:57I do enjoy a little artistic
00:16:59flair here and there.
00:17:01It helps me fill in the occasional gap,
00:17:03you know what I mean?
00:17:05I actually think it makes things more interesting.
00:17:09For example, the DMV
00:17:11may have been a bit more like...
00:17:13Seriously, we don't take jacks.
00:17:17As opposed to my version,
00:17:19which you have to admit
00:17:21is far more entertaining, right?
00:17:29Here you are
00:17:31picking up a payment.
00:17:35Payment for what?
00:17:37For a hit, of course.
00:17:39Oh. Because I'm an assassin.
00:17:41Well, aren't you?
00:17:43What does the evidence say?
00:17:45You know that park
00:17:47has had security surveillance cameras
00:17:49in operation for over a decade
00:17:51and they take a shot every 45 seconds?
00:17:53Oh, and please, if you will,
00:17:55Beatle, note the timestamp
00:17:58right there.
00:18:00You gotta fucking love
00:18:02those things, right?
00:18:04They're absolutely incredible
00:18:06in placing a certain individual
00:18:08in a certain spot at a certain time
00:18:10doing a certain thing.
00:18:14And in some cases,
00:18:16committing a certain crime.
00:18:18It's certainly detailed.
00:18:20Oh, yeah.
00:18:22So while I may be guilty
00:18:24of peppering in a little artistic flair
00:18:26the one thing
00:18:28that you can be sure of
00:18:30is that where the facts are concerned
00:18:32the parts that really matter
00:18:34I absolutely have
00:18:36all the evidence I need
00:18:38to take this to a court of law.
00:18:46Care to explain
00:18:48this receipt to me?
00:18:52I'll tell you
00:18:54what I think happened.
00:18:58Kyle's car breaks down
00:19:00and he calls the towing company.
00:19:02You.
00:19:04You show up.
00:19:06You see he's giving her a hard time.
00:19:08He's got his hands around her neck
00:19:10and he's strangling her.
00:19:12So you decide to knock him out, right?
00:19:20What did you use?
00:19:22A tire iron? A wrench?
00:19:24Come on, Beetle.
00:19:26Am I getting warm?
00:19:32Beetle Boyan
00:19:34towing slash assassination?
00:19:38You, the mighty assassin,
00:19:40you bust up Kyle and you whisk away
00:19:42your damsel in distress, Athena.
00:19:44I gotta be getting warm now,
00:19:46right, Beetle?
00:19:48You know what I think, Beetle?
00:19:50What?
00:19:52I think you were sweet on Athena.
00:19:58So, uh,
00:20:00how much do you charge?
00:20:02Depends.
00:20:04On what?
00:20:06On what you're looking for.
00:20:08I give a discount for child molesters,
00:20:10wife beaters, the occasional pimp.
00:20:12Also you have to factor in travel,
00:20:14method of execution, risk, yada yada yada.
00:20:16What about me?
00:20:18What about you?
00:20:20How much for you to kill me?
00:20:26You ever mess with a kid?
00:20:28No.
00:20:34This should answer any questions you might have.
00:20:40You put this in writing?
00:20:42Yeah.
00:20:44How else are you gonna know what you're getting yourself into?
00:20:47What if you get caught?
00:20:49Are you afraid they'll find this?
00:20:51Well, if I get caught, then it won't really matter, will it?
00:20:55So, Athena Klendon.
00:20:59Any relation to the multi-billion-dollar
00:21:01software company Klendon?
00:21:03Martin Klendon
00:21:05is my father.
00:21:07He disowned me years ago.
00:21:11Is that why you wanna die?
00:21:13No.
00:21:15It's really none of your business, is it?
00:21:19Now my curiosity has peaked.
00:21:21Oh, I'm so sorry about your bad luck.
00:21:23Okay, ladies, what's it gonna be?
00:21:25How's the eggs florentine here?
00:21:27You got a death wish?
00:21:31Uh, I guess I'll have
00:21:33one of these, then.
00:21:35One of what, hon?
00:21:37The little
00:21:39eggy dealy here.
00:21:41We got umpteen egg dishes here, sweetheart.
00:21:43What about this one?
00:21:47I left my glasses in my other apron.
00:21:53The egg-stra
00:21:55mega del-egg-table
00:21:57speg-egg-tacular.
00:22:03And you?
00:22:05Um, nothing, thank you.
00:22:13Eggs florentine
00:22:15would be a hell of a lot cheaper than me.
00:22:17Uh, probably.
00:22:19But I can't afford it.
00:22:21So, how are you
00:22:23planning on paying for me, then?
00:22:25Well, I have a life insurance policy.
00:22:27It's one thing my parents didn't take away from me,
00:22:29so I figure
00:22:31I change it, make you the beneficiary.
00:22:33More than cover
00:22:35your fee.
00:22:37You just have this all figured out, don't you?
00:22:39I need a place to stay while I work out the details.
00:22:41As soon as, uh,
00:22:43Kyle wakes up from the coma you put him in,
00:22:45he's gonna come looking for me.
00:22:47And?
00:22:49He'll kill me.
00:22:53Well, it seems
00:22:55like you'd be saving us both a lot of trouble, then,
00:22:57if you just went home and got knocked up for free.
00:22:59Not like that. Not by him.
00:23:01What difference does it make who does it?
00:23:03You serious?
00:23:05Yeah. I mean, who cares, as long as the job gets done.
00:23:07I do.
00:23:09I'm asking you why.
00:23:11Because I hate him.
00:23:13And I don't want my last moments on this earth to be spent anywhere near him.
00:23:15I just...
00:23:17I can't think of a worse tragedy than that.
00:23:21What makes you think spending your last moments with me
00:23:23is gonna be any better?
00:23:27I like you.
00:23:39Andy, I'm really confused.
00:23:43Detective Holt.
00:23:45What's this first-degree murder charge
00:23:47you're threatening me with?
00:23:49Don't play stupid.
00:23:51Is the possibility of a death sentence
00:23:53not enough for you, huh?
00:23:55The death penalty for killing who?
00:23:57Okay, let me get this straight.
00:23:59Are you saying
00:24:01that this story so far is not true?
00:24:03I'm not saying anything.
00:24:09Bruce?
00:24:15Bummer.
00:24:17Look, boss,
00:24:19you can't get too far without cash or a car.
00:24:21Just find the gypsy. You'll find Athena.
00:24:23Actually, boss, I think the proper term
00:24:25would be Roma or Romany, not gypsy.
00:24:27Yeah, you see,
00:24:29it's a common misconception
00:24:31stemming from the erroneous conjecture
00:24:33that the Roma, or Romany, if you will,
00:24:35originated in Rome.
00:24:37Roma, or Romany, if you will, originated in Egypt.
00:24:39Recent studies have shown, in fact...
00:24:41Bruce, just find them.
00:24:45Oh, and, Bruce,
00:24:47don't touch either of them.
00:24:49Bring them both back here.
00:24:51I want to help this time.
00:25:07♪
00:25:10♪
00:25:36You in some kind of a coma or something?
00:25:40Seriously, should I be looking for a piece of candy
00:25:42or a wallet to shove in your mouth?
00:25:44Maybe one of those long-ass needles
00:25:46to plunge into your chest?
00:25:48Hello?
00:25:52Why do you have a wall
00:25:54full of dead spiders?
00:25:58Oh, yeah.
00:26:00Those.
00:26:02I keep them there as kind of a warning
00:26:04to any other spiders that might wander through here.
00:26:06That way they can glimpse their fate
00:26:08and decide whether or not they want to hang around
00:26:10to meet it.
00:26:12Oh, and did it ever occur to you,
00:26:14maybe after the fourth or fifth time,
00:26:16that your plan wasn't working out so well?
00:26:18What do you mean?
00:26:20Are you serious?
00:26:22There's got to be 97 spiders on this wall.
00:26:24And?
00:26:26And they don't understand.
00:26:28They're spiders.
00:26:30How do you know they don't understand?
00:26:32Are you some very unusual spider psychic?
00:26:34Are their perished souls speaking to you right now, Miss Cleo?
00:26:36I'm looking at the wall, and I'm taking a wild stab
00:26:38in the dark here. I'm guessing if they understood
00:26:40your twisted little warning sign,
00:26:42you probably wouldn't be a part of it right now.
00:26:44So, in your infinitely wise
00:26:46logic that I'm obviously too cabbage-headed
00:26:48to grasp, you're saying that if those spiders
00:26:50knew that I was going to kill them, then they wouldn't
00:26:52be in my house, right?
00:26:54Now you're catching on.
00:26:56Because if they knew, and they stayed,
00:26:58that would make them what?
00:27:00What would that make them?
00:27:02So there's a wall
00:27:04full of dead spiders.
00:27:06What does that have to do with anything?
00:27:08It has to do with you, Beadle.
00:27:10Your character.
00:27:12You're a killer, and you enjoy killing things.
00:27:14So this is just me
00:27:16letting you know that I know.
00:27:18I see it.
00:27:20And I'm going to make sure a jury sees it.
00:27:22So,
00:27:24you think that I kill things
00:27:26because I enjoy it?
00:27:28Maybe. Then again, maybe not.
00:27:30I don't know.
00:27:32No, I'm not a psychiatrist. I'm a cop.
00:27:34The point is,
00:27:36you entered into a contract with Athena Clendon
00:27:38to kill her.
00:27:44Changed that life insurance policy yet?
00:27:46Yes.
00:27:50Takes seven to ten business days before it's final.
00:27:52Seven to ten
00:27:54business days, huh?
00:27:56Why?
00:27:58The assassination fee is one thing, but room and board
00:28:00Two weeks.
00:28:02We're going to have to work something out here.
00:28:04I told you. I don't have any money.
00:28:06Okay? And just because
00:28:08my last name is Clendon, don't think you'll
00:28:10see a dime of their money either.
00:28:12You could chop off my tits and send them
00:28:14to them in an empty ding-dong box.
00:28:16They wouldn't even send you a quarter and a pack of chewing gum.
00:28:18So, whatever's going through your head right now-
00:28:20Roll your house. Reel it in.
00:28:22Nobody's talking about medieval torture here.
00:28:24Not even talking about money, for fuck's sake.
00:28:27Oh.
00:28:31Now I get
00:28:33my gaydar isn't quite as acute as it used to be,
00:28:35but it
00:28:37makes sense.
00:28:39Before you embarrass yourself even further,
00:28:41I'm not talking about sex, either.
00:28:45You don't want money. You don't want sex.
00:28:47Right.
00:28:49Well, not from you, anyway.
00:28:51What do you mean, not from me?
00:28:53I happen to be a very attractive woman
00:28:55who most people would cut their right arm off
00:28:57to be with when I was in high school.
00:28:59Why is everything an amputation with you?
00:29:01Every other sentence out of your mouth,
00:29:03some unfortunate asshole is losing a body part.
00:29:05It's a little weird.
00:29:07Okay. What do you want me to do?
00:29:09Because I'm not sticking around here if it's not kosher.
00:29:11I need you to help me with my infomercial.
00:29:15Infomercial?
00:29:17Of course. That would have been my next guess.
00:29:21So, we have a deal?
00:29:23Yeah. Yeah, I think I can handle that.
00:29:25Good.
00:29:27So we can talk about this further when I get back from my strike.
00:29:39Why do you want to die again?
00:29:41Nice try.
00:29:43So now you've actually got your next hit
00:29:45living with you,
00:29:47not to mention she's helping you out with your business.
00:29:49Of being an assassin.
00:29:51Yes, exactly.
00:29:53But what does any of this have to do with Bruce?
00:29:57I want to talk about Carla.
00:30:01Bandy, you're all over the place.
00:30:03It's Detective Holt.
00:30:05This isn't making any sense.
00:30:07Then start making sense, Beadle.
00:30:09It's up to you to make sense, not me.
00:30:11I know my story.
00:30:13I know my case.
00:30:15I've been working on this for seven years now.
00:30:17So you start making sense.
00:30:21Okay.
00:30:23Tell me about the last time you saw Carla.
00:30:33Okay.
00:30:35All right, who are you
00:30:37and what have you done with my favorite trick?
00:30:39Well, I don't know.
00:30:41I mean, you know, it's like you're not
00:30:43here or something. Is everything okay?
00:30:45I don't know.
00:30:47That's what I was sitting here trying to figure out.
00:30:49Well, you are not
00:30:51only just sitting here.
00:30:53You happen to be
00:30:55sitting here with the most talented
00:30:57mouth this side
00:30:59of the Continental Divide.
00:31:15Jesus!
00:31:17Can you fucking pretend to have
00:31:19some sort of sexual etiquette or something?
00:31:21Act like you're having fun.
00:31:31All right, look, you know,
00:31:33don't get it twisted or anything, because I...
00:31:39I like you a lot, but you're
00:31:41still gonna have to pay me, so...
00:31:45You like me?
00:31:49Sure.
00:31:53That's strange.
00:31:55Okay.
00:31:57I'll buy it. Why?
00:32:03That's the, um...
00:32:05the second time
00:32:07this week that somebody said that to me.
00:32:11The first time
00:32:13was the first time.
00:32:17I don't understand. Ever.
00:32:19I'm in my life.
00:32:23Are you shitting me?
00:32:27No.
00:32:29But you don't.
00:32:37What was your relationship with Athena Clendon?
00:32:39I really don't think that's any of your business.
00:32:45Friends?
00:32:47Maybe a little more than friends?
00:32:55You know, the bartender
00:32:57at St. Mary's
00:32:59said you two were getting a little cozy together.
00:33:05Really cozy together.
00:33:09It's very interesting
00:33:11kind of stuff they have here at your bar.
00:33:15Yeah.
00:33:17It's, you know,
00:33:19the local dive bar.
00:33:21Right.
00:33:25Well, cheers.
00:33:27Cheers.
00:33:29You should do that more often.
00:33:31Smile.
00:33:33Okay.
00:33:35I'll try to do that more.
00:33:39Okay.
00:33:49Okay, beetle boy.
00:33:51Where, oh, where can you be?
00:34:03I see London.
00:34:05I see France.
00:34:09I'm so full of lies
00:34:11I can't swallow the truth.
00:34:17And I hurt so much
00:34:19that I can't see straight.
00:34:21I'm telling you out of here, sweetheart.
00:34:25I just need a little something
00:34:27to go away.
00:34:29Two o'clock.
00:34:33So have you ever, uh,
00:34:35been in a relationship?
00:34:39Yes, I have.
00:34:41Well, I meant a serious
00:34:43relationship.
00:34:45Very serious.
00:34:47Did it end badly with him or something?
00:34:49Her.
00:34:51Um.
00:34:55She was
00:34:57into this whole kind of
00:34:59subculture thing that was happening in Portland
00:35:01at the time and
00:35:04I just
00:35:06wanted to make her happy.
00:35:10What kind of subculture?
00:35:14Would you like to bite?
00:35:16Oh.
00:35:18Wow.
00:35:20Was that a bad thing?
00:35:22With fangs.
00:35:24Oh, wow.
00:35:26What a weird.
00:35:28Yeah, that's really weird.
00:35:30It kind of sounds like a great way
00:35:32to get AIDS, too.
00:35:40Wow.
00:35:42It's a bill for the blowjob.
00:35:44$2.50 if you want to go all the way.
00:35:46Anything else you want to incorporate is obviously extra.
00:35:50Um, I'm as flexible
00:35:52as your wallet is.
00:35:54So, uh, if you have any kinky shit
00:35:56you want to do, just make sure you can pay for it.
00:36:02So,
00:36:04what's it gonna be?
00:36:06You and me need to have a little chit-chat.
00:36:08No!
00:36:10No!
00:36:12No!
00:36:14Oh!
00:36:16Oh!
00:36:18Thank you, Katie.
00:36:20You're welcome.
00:36:22You're so sweet.
00:36:24Mm.
00:36:28So beetle.
00:36:30How are you gonna kill me?
00:36:34Um...
00:36:38I'm working on that.
00:36:40Oh.
00:36:42Yeah, I'll figure it out.
00:36:44You'll figure it out?
00:36:46Yeah.
00:36:48Well, let me know.
00:36:50Okay.
00:36:52I told you already.
00:36:54I don't know who you're fucking talking about!
00:36:56Well, my dear,
00:36:58that is just really, really
00:37:00unfortunate for you.
00:37:02Oh.
00:37:10You know,
00:37:14I would imagine that
00:37:16in your line of work,
00:37:18physical perfection
00:37:20is almost a...
00:37:22physical perfection
00:37:24is almost a...
00:37:26prerequisite.
00:37:28What do you think?
00:37:30Would that be a safe assumption
00:37:32to make?
00:37:46What's that?
00:37:48Oh, this little thing.
00:37:50It's just a little acid.
00:37:54A big whoop.
00:38:00No!
00:38:04No!
00:38:08All right, let me tell you something.
00:38:10This is only gonna hurt for...
00:38:14No!
00:38:16Oh, my goodness.
00:38:19Oh, my goodness.
00:38:21It's gonna be fucking excruciating.
00:38:23No!
00:38:29Just be open your mouth and say,
00:38:31Oh, my God.
00:38:33No!
00:38:35And now you want to be silent.
00:38:39Okay?
00:38:41No!
00:38:43No!
00:38:45No!
00:38:47Yeah, you know what?
00:38:49That's gonna leave a fucking scar.
00:38:51No!
00:38:53No!
00:39:03You want to get killed,
00:39:05do that again, okay?
00:39:15You okay?
00:39:25Thanks.
00:39:33Ew, what is that?
00:39:35It's warm milk.
00:39:37Isn't milk supposed to be cold?
00:39:39What happened?
00:39:41Did your mom ever give you warm milk when you were a kid?
00:39:47I don't know.
00:39:49I don't remember my mom.
00:39:51But I'd like to think she's not a complete tard,
00:39:53so I'll go with no.
00:39:55You don't remember your mom?
00:39:59No.
00:40:01Why?
00:40:03It's just sad.
00:40:05I mean, no wonder you're...
00:40:07No wonder I'm what?
00:40:11You have to admit
00:40:13that you're not exactly normal, Beatle.
00:40:17I'm not one of the sheep.
00:40:19Yeah, right.
00:40:21Thank God.
00:40:23It's like
00:40:25you're all like an army
00:40:27of fucking robots.
00:40:29Sad?
00:40:31I can't imagine living like that.
00:40:33Wait, where do you get off
00:40:35telling me what I'm like?
00:40:37You don't even know me.
00:40:39I don't need to know you.
00:40:41You're one of them. That's all I need to know.
00:40:43As opposed to what? As opposed to being like you?
00:40:45I'll pass. Thanks.
00:40:47No. As opposed to being yourself.
00:40:49Try thinking for yourself for once.
00:40:51I do think for myself. Thank you very much.
00:40:53You think you do, but you don't.
00:40:55That's the trap.
00:40:57Say cheese.
00:41:05Oh.
00:41:07This is just the before picture.
00:41:11I got something
00:41:13I want to show you.
00:41:15I got it right here.
00:41:17You're gonna love this.
00:41:21Take a look.
00:41:23What do you think?
00:41:25I know.
00:41:27I realize it's just my first try
00:41:29and it needs a little improvement.
00:41:31What I need to do is
00:41:33pull something different right here.
00:41:41I couldn't quite hear you.
00:41:49Hmm.
00:42:03There, there.
00:42:05Now.
00:42:09Is there something you'd like to say to me?
00:42:11Because now
00:42:13would be the time.
00:42:15You know where I found
00:42:17this little psychotic book of horrors, Beetle?
00:42:19No.
00:42:21I can't say that I do.
00:42:23I found it in a box with this camera in it.
00:42:25Your camera.
00:42:27You know,
00:42:29if you don't speak to me, I can't help you.
00:42:32Is that what you're doing here?
00:42:34You're helping me?
00:42:36Yeah. I'm trying to.
00:42:38Whatever you think, I'm not out to get you.
00:42:40Okay?
00:42:42In fact, I think you and I
00:42:44are very similar.
00:42:46Hmm.
00:43:08Look at this.
00:43:10Oh, good. You're up.
00:43:12What?
00:43:14I didn't know I had all this food.
00:43:16Oh, believe me, you didn't.
00:43:18You. You had a can of pork and beans
00:43:20circa 1936
00:43:22and a box of baking soda in the fridge
00:43:24and I gotta admit, I was tempted by the pork and beans
00:43:26because I'm pretty sure that can showed all signs of botulism.
00:43:28But then I realized
00:43:30there's another benefit connected with my new
00:43:32outlook on life.
00:43:34I can eat whatever I want. Isn't that fabulous?
00:43:36So I decided, over the course of the next week,
00:43:38I'm gonna try something new
00:43:40every single day. I am throwing
00:43:42caution to the wind when it comes to calorie intake.
00:43:46Sit. Eat. I made this for both of us.
00:43:48You did?
00:43:50Of course I did, sweetie. I may not be counting calories,
00:43:52but my stomach's only so big.
00:43:56What? You just called me sweetie?
00:43:58Oh. So I did.
00:44:00It just came out. I've decided not to edit myself.
00:44:06You're gonna get a kick out of this, too.
00:44:08I got all these groceries for free.
00:44:10Really? I just winged that one.
00:44:12Flush the grocer in the ten items or less aisle.
00:44:14No, but I'll remember that for next time.
00:44:16All I did was
00:44:18fill up my cart and walk out of the store.
00:44:20About fifteen people watched me do it, too.
00:44:22It was like their brains couldn't process
00:44:24that somebody would just walk out of the store
00:44:26with a cart full of groceries she didn't even pay for.
00:44:32What? What's wrong? It's not good?
00:44:34Uh, no.
00:44:36I'm just not used to all this.
00:44:38Used to what, honey?
00:44:44Everything.
00:44:48Nothing.
00:44:50Eat.
00:44:54Wow.
00:44:58She really cared for you, didn't she?
00:45:00That must have felt good, right?
00:45:03And now she's cooking me breakfast,
00:45:05she's calling me baby
00:45:07and honey and sweetie and...
00:45:09And then, last night,
00:45:11she hugged me.
00:45:13I mean, it's all too much.
00:45:17So let me get this straight.
00:45:19You came bursting into my office
00:45:21claiming to have a serious emergency.
00:45:23Well, just to go on and on for the last half hour
00:45:25about the fact that another human being
00:45:27treated you kindly.
00:45:29That's not true.
00:45:31I treated you kindly.
00:45:33Thanks for the instant replay, Doc.
00:45:35Now I know you were paying attention,
00:45:37but that does nothing to help me.
00:45:39Help you with what?
00:45:41You have a friend. That's a good thing.
00:45:45You're showing a range of emotions
00:45:47that far exceed the neutral indifference
00:45:49that you've exhibited for years.
00:45:53You're making progress.
00:45:55I don't see what the problem is.
00:45:57She hired me to kill her.
00:45:59Oh, shit.
00:46:01We are back to this again?
00:46:03She did.
00:46:05I have to kill her in less than a week.
00:46:07Well, I guess you should enjoy it
00:46:09while it lasts, then.
00:46:11It's hard for you to open up, isn't it?
00:46:13Why do you think that is?
00:46:17I don't think.
00:46:19I know.
00:46:27Bruce, it's been two days.
00:46:29I don't think that I need to tell you
00:46:31the amount of shit that you will be in
00:46:33if I don't get my delivery.
00:46:37Say cheese.
00:46:43Let me explain to you what's gonna happen here.
00:46:45I'm gonna very slowly
00:46:47peel the toenail
00:46:49off your broken toe,
00:46:51which will undoubtedly jar that injury a bit,
00:46:53while at the same time
00:46:55creating an altogether new one.
00:46:59See, the pain's basically gonna be focused
00:47:01on one area of your body,
00:47:03but it will be
00:47:05two different torments, if you will.
00:47:09What I want you to do
00:47:11is I want you to tell me
00:47:13if you can feel both injuries at once
00:47:15or if you can only feel one thing at a time.
00:47:17Okey-dokey, artichokey?
00:47:19All right.
00:47:21Here we go.
00:47:25What can I do for you today?
00:47:27Enjoying the view?
00:47:29Oh, come on, don't let the fact that I know
00:47:31what you're thinking stop you from thinking it.
00:47:33Ma'am?
00:47:35You really gonna mentally fuck my brains out
00:47:37and then refer to me as ma'am?
00:47:39Are you Catholic?
00:47:41Sorry?
00:47:43Are you a Catholic?
00:47:45Um, yeah, I suppose.
00:47:47Okay, you know what, then do yourself a favor, Hugh.
00:47:49Don't lie to me, okay?
00:47:51I mean, you've already got enough pointless guilt
00:47:53to finish that sentence.
00:47:55You're just gonna be in confessional
00:47:57a few minutes longer than necessary.
00:47:59By the time you're done with all your Hail Marys
00:48:01and Our Fathers,
00:48:03that's like a good five minutes
00:48:05you could have spent jerking off.
00:48:07Anywho, my friend gave me a thousand bucks
00:48:09and told me to find the best video camera I can.
00:48:11Suggestions?
00:48:13Shall we move on to the next foot now?
00:48:15Oh!
00:48:17You gotta say something, man.
00:48:19Oh!
00:48:21Oh, Jesus.
00:48:23What you got?
00:48:25Her file
00:48:27is in the desk.
00:48:29In the desk.
00:48:31As much as
00:48:33I'm enjoying the psychological
00:48:35and somewhat entertaining side
00:48:37to this case, I wanna focus
00:48:39on this right here, Beatle.
00:48:41Okay? Because this
00:48:43right here is the evidence
00:48:45that proves you're a killer.
00:48:47You wanna start
00:48:49cooperating?
00:48:51And remember, I'm not just the spokesperson.
00:48:53I'm also a client.
00:48:55And by the time you see this infomercial,
00:48:57Beatle Boyan will have yet another
00:48:59satisfied customer.
00:49:03Do you get it?
00:49:05Because I'm gonna be dead?
00:49:07Right.
00:49:09Well...
00:49:13Beatle.
00:49:16You're not
00:49:18thinking about pussying out on me, are you?
00:49:20No. No, because that
00:49:22would not be cool, because we have a deal.
00:49:24Yes, yes, we have a deal. So you're gonna hold up
00:49:26your end of the bargain? Yes.
00:49:28Can we just move on, please? As long as
00:49:30we're clear. Yes, we're clear.
00:49:32I will kill you, you will be dead.
00:49:34Okay?
00:49:36Good. Let's do it again.
00:49:42I think it's time for you to start admitting
00:49:44how you felt about this girl.
00:49:46Why do we keep
00:49:48going back to Athena when this is supposed to be about me
00:49:50being, what, the killer of this guy named Bruce?
00:49:52Because I need a motive.
00:49:54Now, I think you killed
00:49:56Bruce because he was onto
00:49:58Athena. Okay. So...
00:50:00I'm going to kill Athena.
00:50:02How many times have you found yourself
00:50:04in the awkward position of having
00:50:06to ask a complete stranger in a
00:50:08public restroom to provide you
00:50:10with toilet paper? Really?
00:50:12What?
00:50:14You have how much
00:50:16time left and you're really gonna spend it
00:50:18watching television? I'm broke.
00:50:20So?
00:50:22So unless you're offering to take me
00:50:24out on a date, I don't really have any options.
00:50:30You'd go out on a date with me?
00:50:34What, you mean
00:50:36if you approached me in a bar?
00:50:38Yeah, if I approached you
00:50:40in a bar and I asked you out, what would you say?
00:50:42I'd probably say yes.
00:50:48Really? Yeah.
00:50:50If that, uh...
00:50:54sexy sort of badass thing happened.
00:50:58Wow.
00:51:00Who knew?
00:51:02Of course, I'd have to tell you I have AIDS and
00:51:04you'd probably retract the offer, so really
00:51:06this conversation's pointless, isn't it?
00:51:10Yeah.
00:51:28Will you go out with me tonight?
00:51:32Yes.
00:52:10How am I doing so far?
00:52:12Good.
00:52:14As far as I can tell.
00:52:16This is my first date,
00:52:18so I kind of want to make sure I do it right.
00:52:22Wait, are you serious?
00:52:24You've never been on a date before?
00:52:28Never.
00:52:30How?
00:52:32Being a boy on his first date.
00:52:34I feel so privileged.
00:52:36Gotta be something to be said for it.
00:52:38I'm not really sure what it is, but...
00:52:44Does that mean you've never...
00:52:46What?
00:52:48You know.
00:52:50Oh, God, no.
00:52:52Of course I have.
00:52:54Well, I don't know. Have you never dated?
00:52:56I have a girl.
00:52:58Oh.
00:53:02What does that mean you have a girl?
00:53:04What does that mean you have a girl?
00:53:06Are you in a relationship?
00:53:08Are you kidding?
00:53:10She's a stripper.
00:53:12We see each other once a week.
00:53:14It's a mutually
00:53:16beneficial situation.
00:53:18She's a hooker.
00:53:20Okay, that's one way to put it.
00:53:28Okay, do you guys have one of those weird relationships
00:53:30where one or both of you has feelings
00:53:33for the other one?
00:53:35Why are we still talking about this?
00:53:37It's really insignificant.
00:53:39Because sometimes people get really attached
00:53:41and it turns into this whole big thing.
00:53:43Athena, I've never been attached to anyone before my life.
00:53:45Before you, I've never felt anything for anyone.
00:53:57They have
00:53:59excellent tortilla soup here.
00:54:01Try it if you've never had it.
00:54:03Tortilla soup. It's good. It sounds...
00:54:05good.
00:54:07Good.
00:54:09Uh, excuse me.
00:54:11Uh-huh.
00:54:17Hi, I'd like to place an order for delivery, please.
00:54:31Okay.
00:54:55Okay, so just wait here.
00:55:01Okay.
00:55:21You know, I totally couldn't find that light switch.
00:55:23Who the hell are you?
00:55:25Bruce.
00:55:27Athena.
00:55:29Looking lovely as always.
00:55:31We'll see if we can't change that, shall we?
00:55:33Beetle. Beetle, we have to go.
00:55:35He'll kill us.
00:55:37Now, now, Athena, no one's gonna get killed.
00:55:39I'm just gonna take you both over to Kyle's
00:55:41and see what happens after that.
00:55:43Okey-dokey.
00:55:45Hold it right there. Don't move.
00:55:47Or what?
00:55:49Huh? What you gonna do?
00:55:53Beetle, come on.
00:55:55Beetle!
00:55:57Maybe you ought to call her Rhonda.
00:55:59That'll get her attention.
00:56:01Oh, really?
00:56:03You haven't told her yet?
00:56:05Oh, did I let the cat out of the bag?
00:56:07Shame on me.
00:56:11Let go of her.
00:56:13What do you suppose the chances are
00:56:15of you actually hitting me with that bullet
00:56:17without accidentally hitting your bestest friend
00:56:19in the whole world here in the process?
00:56:21I said let go of her.
00:56:23You know what?
00:56:25I'm feeling pretty fucking lucky.
00:56:27I'm gonna call you Bluff.
00:56:29Stop it! Let her go!
00:56:31Make me actually surprised
00:56:33you haven't heard the story.
00:56:35It's a really good one.
00:56:37One more step and I'll shoot you.
00:56:39I guess I'll tell her the story myself.
00:56:41It goes a little something like this.
00:56:43Once upon a time,
00:56:45there was a little girl named Rhonda.
00:56:47She was a little girl.
00:56:49Once upon a time,
00:56:51there was this crazy girl...
00:56:53The end.
00:56:59Are you okay?
00:57:01Call the cops.
00:57:03Beatle, what are you talking about?
00:57:05Call the cops.
00:57:07Beatle, you don't want the cops here.
00:57:09This is an apartment complex.
00:57:11People notice things like gunshots.
00:57:13Work with me here, please.
00:57:15Okay.
00:57:18I'm sorry.
00:57:22I'm sorry.
00:57:24It's okay. I'm calling.
00:57:26I'm calling right now.
00:57:34Thank you, Ms. Glendon.
00:57:36We'll be in touch.
00:57:42Well, as far as I can tell,
00:57:44this is an open-shut case.
00:57:46Trespassing,
00:57:48self-defense,
00:57:50what have you.
00:57:52But I will need you to stay in town
00:57:54until the official investigation's over.
00:57:56You understand?
00:57:58Okay, great. Here's my card.
00:58:00If you have any questions, feel free to call me.
00:58:08Yeah, I don't understand, please.
00:58:10What?
00:58:12Don't. Okay.
00:58:16You weren't expecting Kyle
00:58:18to clear out Bruce's things
00:58:20and put it in storage for seven years now,
00:58:22were you?
00:58:24Including your video camera
00:58:26that he took from your towing office,
00:58:28which features a taped confession
00:58:30about being an assassin.
00:58:32So where's the tape showing me saying that?
00:58:34You really think we don't have it?
00:58:36Hmm?
00:58:38Anyway, you think the tape's gonna make or break this case?
00:58:40I mean, look around you.
00:58:42This file on its own.
00:58:44All a fantasy.
00:58:46And besides, we got you taking payments
00:58:48for those hits.
00:58:52This could be anyone.
00:58:54But it's not, Beetle.
00:58:56It's you, isn't it?
00:58:58Now, I've been very patient here, all right?
00:59:00But I'm starting to get very tired
00:59:02with this conversation, Beetle.
00:59:04Yeah, me too.
00:59:06Yeah?
00:59:08Why are you getting tired?
00:59:10Because of the way that you have this story in your head.
00:59:12You already have me tried
00:59:14and convicted,
00:59:16and it feels like nothing I say
00:59:18is gonna convince you otherwise.
00:59:20So why should I bother?
00:59:22Try me.
00:59:26I think there's a chance
00:59:28that you believe
00:59:30it's possible, just possible,
00:59:32that things
00:59:34happen differently
00:59:36than the way that you presented them here.
00:59:38That there might be another explanation
00:59:40for why things
00:59:42are the way they are.
01:00:10♪ ♪
01:00:28Mm!
01:00:30Shh, shh.
01:00:32Shh, shh, it's okay.
01:00:34It's all right.
01:00:36It's a nightmare.
01:00:38It's okay.
01:00:40It's okay.
01:00:42Here.
01:00:47Drink some of this.
01:01:01Here.
01:01:09Here.
01:01:17Who's Miranda?
01:01:22I have no idea.
01:01:26What? I've never heard of her.
01:01:29You know what? If you're not going to be honest with me...
01:01:33What?
01:01:36What?
01:01:38Something reeks.
01:01:46I don't smell anything.
01:01:48Are you kidding me?
01:01:52No.
01:01:54Okay, so I'll break out some mistle.
01:01:56What are you doing? You have to get whatever's down there out of there.
01:01:59This is not pretty.
01:02:01There's nothing down there!
01:02:09I'm sorry.
01:02:13All right, look.
01:02:15It's where I keep my money stashed.
01:02:17Money doesn't smell like that.
01:02:19Well, that's all it is, babe. I don't know what to tell you.
01:02:24I feel like I'm being tricked around here.
01:02:26I don't know. You're not.
01:02:28Jesus, paranoid much?
01:02:32What's going on, Beatle?
01:02:34Huh?
01:02:37Who's Rhonda?
01:02:39Why are you not telling me?
01:02:41What?
01:02:42For the love of all things holy is under the bed.
01:02:48Fine.
01:02:52No! Get away from there! Get away!
01:02:54Get off of me!
01:02:56Shit! Get the fuck off of me, Beatle!
01:02:59What's under the bed, huh? What are you hiding?
01:03:01Look at this, Athena!
01:03:03Get the fuck off of me!
01:03:09You thought...
01:03:11My shrink gave me that shit.
01:03:13He thinks I have a problem, but I don't.
01:03:15So can we drop this now?
01:03:17Why would he think you have a problem that you don't have?
01:03:20I don't know. He also doesn't think I'm an assassin.
01:03:22But as you and I both know, that's not true either.
01:03:25I actually don't have any proof that you're an assassin.
01:03:30You hired me to kill you, remember?
01:03:32And I'm still very much alive, aren't I?
01:03:37Fine.
01:03:39Screw you.
01:03:41If you want to believe, I don't need the shit from you.
01:03:43If you want to believe some asshole you've never even met before over me,
01:03:46then there's nothing I can do about it, is there?
01:03:48And maybe you can go hide out for a while.
01:03:50I don't know.
01:03:52There's nothing I can do about it, is there?
01:03:54And maybe you can go hide out from your little wannabe Tony Soprano fuckwad
01:03:57at Dr. Van Der Ark's house,
01:03:59because I sure the fuck don't want you here!
01:04:01You know what, Beatle? I'm just trying to figure out who the fuck you are.
01:04:03Well, go figure it out somewhere else!
01:04:05Do you know what the books say? Do you know what these books say, Beatle?
01:04:07These books say that you might be acting out a fantasy life,
01:04:10that you might not even know you're doing it!
01:04:12Please! What are you saying, sweetheart?
01:04:14Are you calling me a liar, huh?
01:04:17Or maybe I'm just an idiot who's too retarded
01:04:19to know the difference between real life and a fucking fantasy!
01:04:22Or maybe, maybe...
01:04:24Maybe you're just plain calling me crazy.
01:04:26Is that it?
01:04:28Do you think I'm fucking crazy? Huh?
01:04:30Because that's a laugh coming from you, little miss.
01:04:33I like to pretend I'm a vampire
01:04:35and suck AIDS blood out of my girlfriend's neck.
01:04:37Yeah, that's fucking funny.
01:04:39Yeah, I'm the fucking crazy one here!
01:04:45What's under your fucking bed, Beatle?
01:04:49Money.
01:05:06Show me.
01:05:08Show me, Beatle!
01:05:10This isn't fucking money, Beatle.
01:05:12This is fucking trash!
01:05:14This is garbage! Do you see that?
01:05:16Do you see that? Come!
01:05:18Show me! Show me!
01:05:20This is fucking garbage, Beatle!
01:05:22Look! Look in there!
01:05:24Look! Huh?
01:05:26Fucking trash!
01:05:28Trash!
01:05:32Look at me.
01:05:39You're not really an assassin, are you?
01:05:43Say it.
01:05:45I want to hear you say it.
01:05:47I want to hear you say,
01:05:49I'm not really an assassin.
01:05:53Beatle...
01:05:59I don't even know your name.
01:06:04Wait!
01:06:06What?
01:06:11Do you know, last night...
01:06:13Last night, I was actually considering staying here with you.
01:06:17For a minute, I...
01:06:19I actually thought, you know what?
01:06:21This could be...
01:06:23This could be enough to change everything.
01:06:25I could deal with this situation.
01:06:27I could.
01:06:29But obviously, you can't.
01:06:31I'm not gonna sit around and watch you live a lie.
01:06:33It's just something I don't have the time or the energy to do
01:06:35for someone who won't even tell me your name.
01:06:37I'm sorry.
01:06:43I'm sorry.
01:06:51You're not an assassin.
01:06:54No.
01:07:02Who are you?
01:07:05Who do you think I am?
01:07:13Who do you think I am?
01:07:43Who do you think I am?
01:08:14This is you.
01:08:39Who is this girl, Wren?
01:08:41Who is this girl, Randy?
01:08:45It's Detective Holt.
01:08:49Who is this girl, Randy?
01:08:51Detective Holt!
01:08:53Detective Holt! Detective Holt!
01:08:55Detective Holt!
01:08:57Do you recognize the girl?
01:08:59I've just taken down one of the biggest criminal masterminds
01:09:01in modern history
01:09:03and I demand a little respect from you now.
01:09:05Okay?
01:09:07I've got him with all the evidence I had
01:09:09and I'm gonna get you with the same evidence right here.
01:09:11It's here, right in front of me.
01:09:19Where's the tape?
01:09:21Where did you put the tape?
01:09:23There is no tape, Randy.
01:09:25What do you mean there's no tape?
01:09:27Where's the tape? It was right here.
01:09:29There never was a tape, Randy.
01:09:31There was a tape in there.
01:09:33You stole it and that's another offense.
01:09:35There was never a tape.
01:09:39Hello, Randy?
01:09:43What are you doing here?
01:09:45You can't be in here.
01:09:47What's going on?
01:09:49What are you doing here? You can't be in here.
01:09:51I'm here to help.
01:09:53No, wait a minute. Who let you in?
01:09:55You can't be in here.
01:09:57I'm here to help.
01:09:59Let's just talk.
01:10:01Whoa, whoa, whoa.
01:10:03You can't be in here.
01:10:05It's okay. I just want to help you.
01:10:07You can't be in here. You're going to have to leave.
01:10:09You two can't be in the same room together.
01:10:11I'm just going to talk.
01:10:13You've got to leave. No, no. I'll just be a minute.
01:10:15It's okay. Randy, why don't you just come over here
01:10:17and have a conversation with us, okay?
01:10:19I don't know what's going on here.
01:10:21I don't know why they let you in here.
01:10:23Randy, we're your doctors.
01:10:25What the fuck are you talking about?
01:10:27We're your doctors and we're here to help you.
01:10:29What the fuck are you talking about?
01:10:33I'm a cop.
01:10:35I'm a cop
01:10:37and I keep people safe.
01:10:39That's what I do.
01:10:41I protect people, okay?
01:10:43And I make sure nobody dies.
01:10:45Like Kyle Sullivan?
01:10:49The drunk driver that killed your family?
01:10:51What are you talking about?
01:10:53That you murdered?
01:10:55I'm not a murderer.
01:10:57Because he killed your wife?
01:10:59Carla?
01:11:01And your daughter?
01:11:05Remember that?
01:11:07I'm a detective.
01:11:09I don't kill people.
01:11:11It's true.
01:11:21This is your wife, Carla.
01:11:23She and your daughter were killed
01:11:25when Kyle Sullivan crashed into your car
01:11:27while driving drunk.
01:11:31This is insane.
01:11:35I don't know who this is in this picture,
01:11:37but it's not me, Randy.
01:11:39I'm your doctor.
01:11:41I'm Dr. Richards.
01:11:43We are both your doctors.
01:11:49You're Beetle.
01:11:51No.
01:11:53Beetle is the part of yourself that's a murderer.
01:11:59But I think I know who you are.
01:12:01You're Athena Clendon.
01:12:03No, I'm not Athena Clendon.
01:12:05I'm Dr. Charlotte Lind.
01:12:07I'm your doctor.
01:12:09And this picture, it's from my I.D. card.
01:12:11You see that?
01:12:15Athena is the part of yourself
01:12:17that wants to die.
01:12:27This is you, Randy.
01:12:29And this is your wife, Carla.
01:12:33And this...
01:12:35is your daughter.
01:12:37Rhonda.
01:12:59I don't understand anything.
01:13:03It's okay.
01:13:09I'm a cop.
01:13:11No, Randy, you're not a cop.
01:13:13You're an engineer.
01:13:17And this is your family.
01:13:19My family?
01:13:21Yeah.
01:13:29It's okay, Randy.
01:13:31I don't remember this.
01:13:33We're here to help.
01:13:37You just have to trust us.
01:13:59Okay.
01:14:29You guys are good.
01:14:33Really good.
01:14:37But I know the truth.
01:14:39I'm not gonna stop
01:14:41until everybody else does.
01:14:47I'm gonna have to ask you to leave,
01:14:49Miss Clendon.
01:14:51I'm in the middle of a police investigation,
01:14:53and this is an interrogation room,
01:14:55and you two cannot be in here at the same time.
01:14:59So if you don't mind...
01:15:05Okay, Detective.
01:15:07Can I borrow you for a moment?
01:15:09It's okay.
01:15:11Go ahead.
01:15:13I'll wait for you.
01:15:17I'll finish this later.
01:15:19Okay.
01:15:21Okay.
01:15:29It's been a long day today.
01:15:31Next time, okay?
01:15:33We'll get there.
01:15:35Yeah, we will.
01:15:39Good job, Detective.
01:15:41What do you got, Detective?
01:15:49We were closed.
01:15:51Maybe next week?
01:15:53Yes.
01:15:55Maybe next week.
01:15:57Maybe next week.
01:15:59Where do you think he gets this
01:16:01crazy idea that Beetle and Athena are together?
01:16:05Seems, um...
01:16:07pretty consistent in story,
01:16:09don't you think?
01:16:11It's always my favorite part.
01:16:13You should do that one.
01:16:15Yes.
01:16:17Come on. Let's go home.
01:16:19Come on. Shira.
01:16:23After you.
01:16:27After you.
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