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El Precio de Amarte Capitulo 32 Completo HD
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El Precio de Amarte Capitulo 32 Completo HD
Transcript
00:00:00Ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
00:00:31Hi Martin, can I talk to you?
00:00:33No, who are you?
00:00:36I'm Rodrigo Sartes, I work at your mother's caballeria.
00:00:39Yes, he works with my grandmother.
00:00:42Let me talk to him.
00:00:43Please, thank you.
00:00:52Arminda, Amelia is not in her room.
00:00:56Daughter, I'm looking for you, where are you?
00:00:59Can you explain to me what this is?
00:01:01What are you doing with my cell phone?
00:01:02What is this video?
00:01:03Give me my cell phone.
00:01:04Why did Rodrigo do that, mom?
00:01:06We are thinking of a murder.
00:01:08Jorge threatened me from the moment he arrived in town.
00:01:12And he told me that if I didn't give him money, he was going to tell you the whole truth.
00:01:15So, since I didn't want to give him the money, he approached you to pressure me.
00:01:18Did you have anything to do with that?
00:01:20With his accident?
00:01:21Of course not, that guy is a criminal and owes a lot of accounts.
00:01:25No, he threatened to kill me.
00:01:27And I asked Rodrigo for help.
00:01:29You asked him to kill him?
00:01:30Of course not, I just asked him to get me out of the problem.
00:01:32I never thought he was going to solve it like that.
00:01:34I was also very disconcerted when I saw this video.
00:01:37But daughter, let's practice.
00:01:39The fact is, this guy is a criminal who needed to be dead.
00:01:44Rodrigo only protected us.
00:01:46I can't believe what you're telling me.
00:01:48I can't believe it.
00:01:49Amelia, where are you going?
00:01:50We are talking.
00:01:56Martin, forgive me for not telling you from the beginning that I was falling in love with your mother.
00:02:01But that's love, it caught us by surprise.
00:02:06That.
00:02:07It's your fault my mom left my dad.
00:02:10And none of what you tell me helps me.
00:02:12Martin, I come to apologize to you and also ask you to please let me be your mother's boyfriend.
00:02:18No, of course not.
00:02:20Because both are liars.
00:02:22No, of course not.
00:02:23Because both are liars.
00:02:25They told me they were friends and it wasn't true.
00:02:27No, yes, yes, we were friends.
00:02:28We were friends, but suddenly friendship became love.
00:02:33When you grow up, you will understand.
00:02:37Yes, but you just wanted to beat my mom.
00:02:40That's why you got close to me, you never wanted to be my real friend.
00:02:43No, Martin, no, on the contrary.
00:02:45I have always been your friend and I have shown it to you.
00:02:48I want us to continue being friends, please.
00:02:52Give me a chance.
00:02:54Yes.
00:02:55You know what?
00:02:57If my mom wants to stay with you, let her stay.
00:02:59I don't care.
00:03:01I'm going to be with my dad and I'm never going back to the farm.
00:03:06Alfonso.
00:03:08What happened, Candy?
00:03:09Can I show you something?
00:03:10Yes, of course.
00:03:11Come, come, come.
00:03:23Sandra!
00:03:25Yes, sir.
00:03:26Why did you take my son out of the house?
00:03:28Martin, listen.
00:03:29I'm sorry, I went out.
00:03:30Get in now, no going out.
00:03:32I told you to stay in there.
00:03:33Yes, sir.
00:03:35And what are you doing here?
00:03:37I had to talk to your son.
00:03:38What do you have to talk to my son?
00:03:40If you and Amelia have defrauded his trust,
00:03:42you are a bastard, Rodrigo.
00:03:44You made a fool of yourself.
00:03:46You are a bastard.
00:03:48You are a bastard.
00:03:49You defrauded his trust.
00:03:50You are a bastard, Rodrigo.
00:03:52You made a fool of yourself in front of me.
00:03:53You assured me that there was absolutely nothing between you and my wife.
00:03:57And look at the result.
00:03:58Mine with Amelia has just begun.
00:04:00When you were together, I had nothing with her.
00:04:05Get out now.
00:04:06Get out!
00:04:08And don't ever come back.
00:04:20Very good, Candy.
00:04:21I loved it.
00:04:22Oh, thank you.
00:04:23I loved it, I loved it.
00:04:24I had taught Rosette.
00:04:25She told me she was going to talk to you,
00:04:26but I wanted you to see it live and everything.
00:04:28I loved it.
00:04:29Well, count on it.
00:04:30Your number will be in the repertoire show.
00:04:31No.
00:04:32Oh, thank you.
00:04:34Thank you, thank you, thank you.
00:04:41I just read the judge's answer.
00:04:43Leave Miss Tavares free under bail
00:04:46and give her temporary custody.
00:04:49Gina is going to love it.
00:04:51But she can't move out of town,
00:04:53she can't change homes,
00:04:55she has to stay where she is.
00:04:59Okay.
00:05:00Yes.
00:05:01Yes, because the social worker will make recurring visits
00:05:04to see how the child is doing.
00:05:05Okay.
00:05:06Okay.
00:05:07Thank you very much, Inspector.
00:05:09It is important that you are well.
00:05:11With the silver.
00:05:12Please.
00:05:13But why?
00:05:14Trust me.
00:05:16Oh, but I don't know.
00:05:17Come on.
00:05:18No, no, no, no.
00:05:19You're going to do it in detail.
00:05:20I promise you, trust me.
00:05:21Oh, Janney.
00:05:22Art, art in your life.
00:05:24You're such an artist.
00:05:27Hey, I went to see the bride.
00:05:30And with work I got three words out of her.
00:05:33That's weird, isn't it?
00:05:34That she's not talking about those magnificent gifts
00:05:36for once in her life.
00:05:38She was very bad.
00:05:40And all her dreams had faded,
00:05:43she felt very lonely.
00:05:45Well, no more rhyme.
00:05:46She looked for it talking badly about me.
00:05:49I told you she was going to fall into karma,
00:05:50if I don't tell you.
00:05:51Let's see, Janney.
00:05:54Wait, wait.
00:05:56Listen, please.
00:05:58I want you to understand that before we were very friends.
00:06:01We were always there.
00:06:03We even made a pact.
00:06:05So right now, let's see, I understand.
00:06:07I swear I understand everything.
00:06:09I am the first one who defended you.
00:06:11But I want you to also understand that part.
00:06:14Well, but do you agree that I didn't do anything?
00:06:16Yes, yes, yes.
00:06:17And that if she wants to be my friend again,
00:06:18she's the one who has to get close to me.
00:06:20I'm already doing enough with reconciling her with Tavoy
00:06:23because Alfonso asked me to.
00:06:25Because who?
00:06:26Because Alfonso asked me to.
00:06:28How did Alfonso ask you?
00:06:30That's another topic.
00:06:31First, I want to know.
00:06:32No, no, no.
00:06:33Right now, Flash and I don't want to know about Alfonso.
00:06:38What happened, girl?
00:06:39Aren't you going to fix yourself?
00:06:40Ah, princess.
00:06:42Since you broke up with Tavoy,
00:06:44you've been like this, all down.
00:06:46Let's see, that mediocre manipulator has nothing to do with it.
00:06:50Okay?
00:06:51Well, then tell me what you have.
00:06:54I don't like to see you like this, all down.
00:06:57Well, it's not going to be my dream to be famous anymore.
00:07:00Didn't you have a lot of followers?
00:07:03Don't a lot of people look for you
00:07:04so you can guess their future, doll?
00:07:06Yes, but I'm going to end up living in this town, Lucho.
00:07:10Let's see.
00:07:12I wasn't going to tell you.
00:07:14But just to see you smile, I swallow my prejudices.
00:07:19Rosetta spoke asking about you.
00:07:21She wants you to sing in El Tropicaloso.
00:07:23Oh, that junkie doesn't even know when to open.
00:07:27Let's see.
00:07:28Look at me.
00:07:29I've already passed the test.
00:07:32I've already passed the test.
00:07:37You'll know the rest.
00:07:46Rodrigo.
00:07:47Yes?
00:07:48Thank you for everything you're doing for me.
00:07:51Without you, I wouldn't have been able to get out of this problem.
00:07:54Yes, don't worry.
00:07:55The important thing is that you're free
00:07:57and you can legally take care of Gina
00:07:59while her father recovers.
00:08:01Yes.
00:08:02I promise I'll pay you for the bail as soon as I can.
00:08:04No, don't worry.
00:08:06Well, I have to go, but you're at home.
00:08:09Okay.
00:08:13I miss you so much.
00:08:14I miss you too, honey.
00:08:17Well, I'm leaving.
00:08:18Have a good day.
00:08:19Have a good day.
00:08:20Bye.
00:08:24After all the trash that Eduarda told Martin about me,
00:08:27he doesn't even want to see me.
00:08:28Our grandson can't understand
00:08:30that you have a relationship with his grandmother's sister
00:08:33and that you're expecting a baby.
00:08:35But I can imagine how he told her,
00:08:37as if she were the victim.
00:08:39I understand that you are worried about Rosetta's safety
00:08:42and that you want to protect Eduarda's,
00:08:44but going to live at her house only complicated things.
00:08:47You don't know how I feel that Martin thinks the worst of me.
00:08:51Give him time.
00:08:53Wait for the waters to calm down.
00:08:55He's a good boy and he'll forgive you.
00:08:59What would you do without a friend like you?
00:09:01Don't even say it.
00:09:03We all make crazy love.
00:09:06Not you.
00:09:07You are the most equanimous guy I know
00:09:10and who knows how to stay away from problems.
00:09:12No, no, no.
00:09:13Not so much.
00:09:15I think I'm accidentally involved in one.
00:09:20I'm very interested in a woman
00:09:23who is still in love with her ex-husband.
00:09:29Excuse me, is Rodrigo here?
00:09:31No, I haven't seen him.
00:09:32Did you send him a message?
00:09:33No, what I have to talk to him about,
00:09:35I can't send him a message.
00:09:36Can you tell him that we'll see each other
00:09:38in the same place as always, please?
00:09:39Of course.
00:09:40Shall I go with you?
00:09:41No.
00:09:42Let's go.
00:09:58I don't know if it was the coexistence
00:10:01or seeing her cry every day,
00:10:04but it doesn't matter.
00:10:07All I know is that I like her,
00:10:09and a lot,
00:10:10and I can't help it.
00:10:12Welcome to the club, friend.
00:10:16And what are you going to do?
00:10:19Well, nothing.
00:10:20All I want is for Juliana to be happy,
00:10:25to get over her divorce.
00:10:27I'll be there for her,
00:10:31listening to her,
00:10:33attending to her.
00:10:37Son, I asked you not to receive anyone
00:10:39much less Rodrigo.
00:10:41Well, I didn't want to tell him
00:10:43that we're not friends anymore, Dad.
00:10:46But I told you,
00:10:48Rodrigo wasn't trustworthy.
00:10:50You shouldn't have fallen in love with him.
00:10:52You don't know how much it hurts me
00:10:54to see how he disappointed you.
00:10:56Well, he was super nice.
00:10:59I even thought he loved me a lot.
00:11:02Well, you saw that all that was a lie.
00:11:06That was only to win your mother over.
00:11:10Well, yes, but it still makes me sad.
00:11:14Son, I can ask you not to trust him again.
00:11:18He was never your friend.
00:11:22Can I ask you something?
00:11:25Yes.
00:11:26Do you think I have to tell my grandmother
00:11:28everything that happened,
00:11:29and why I left the farm?
00:11:31No, no, don't worry.
00:11:33I'll take care of that.
00:11:34I'll tell her.
00:11:35No, you know what?
00:11:36You'd better not tell her
00:11:37because she's very upset with everything that happened.
00:11:40What are you talking about?
00:11:42Don't you know?
00:11:43No.
00:11:44It's just that Aunt Rosita
00:11:46is going to have a baby with my grandfather.
00:11:49So that's true?
00:11:52Yes.
00:11:59Honey, I talked to Martin
00:12:00and he explained to me that he can't...
00:12:01Don't come near my son again, murderer!
00:12:04No!
00:12:11Very well, son.
00:12:14Although I think
00:12:15we should warn your grandmother.
00:12:18I'm going to silence your mom's side
00:12:20with that guy.
00:12:22Thank you, Dad.
00:12:24Hey,
00:12:26how are we going to tell her
00:12:27that I came to live here with you?
00:12:30Well,
00:12:32I'll see what I can come up with
00:12:33so I don't hurt anyone,
00:12:35not even your mom.
00:12:37Because you know,
00:12:40I still love her,
00:12:41despite everything.
00:12:44And one day she will understand
00:12:45that we should never,
00:12:48that we should never divorce.
00:12:53I love you.
00:12:54I love you more, Dad.
00:13:02I saw Jorge Nieto in the video.
00:13:04He was on his knees,
00:13:05he was defenseless,
00:13:06and you didn't touch his heart to kill him.
00:13:09Say something!
00:13:10Say something, please!
00:13:11Things...
00:13:12Things got out of control.
00:13:14I'm not a murderer, Amelia!
00:13:15And you're not!
00:13:16And you don't know
00:13:17how much I regret
00:13:18falling in love with you,
00:13:19having trusted you, Rodrigo.
00:13:21No, Amelia, I love you.
00:13:22Don't touch me.
00:13:25I can't
00:13:26because I see you
00:13:27and I see you with the gun
00:13:28and I see you
00:13:29and I see you
00:13:30and I see you
00:13:31shooting that man.
00:13:32I promise you,
00:13:33I promise you
00:13:34that things will clear up.
00:13:36Yes.
00:13:37Don't you have any remorse?
00:13:40You killed my dad, Rodrigo!
00:13:42All I knew at that moment
00:13:43was that
00:13:45I had threatened
00:13:46your mother to death.
00:13:47That's all, Amelia.
00:13:48Please!
00:13:49I had a lot of things
00:13:50to clear up with him.
00:13:51You could have
00:13:52denounced him, Rodrigo.
00:13:55You have no morals
00:13:57and I don't love you
00:13:58near me.
00:13:59And I don't love you
00:14:00near my son!
00:14:12Good, Norberto.
00:14:13We just have to make sure
00:14:14that the fertilizer
00:14:15is biodegradable.
00:14:16Yes, boss.
00:14:17I'll make sure of that.
00:14:18What are you doing in my land?
00:14:20Taking care of our crops
00:14:21because for better or for worse
00:14:22we're still partners.
00:14:24Francisco is forbidden
00:14:25to enter the farm.
00:14:26We're partners, Eduarda.
00:14:27You can't forbid me anything.
00:14:28Are you waiting
00:14:29to call your people
00:14:30to get him out?
00:14:31I can't, ma'am.
00:14:32He's the boss
00:14:33and he's in charge
00:14:34of the harvest.
00:14:41Don't worry, Mr. Francisco.
00:14:43As long as you're here,
00:14:45I'll listen to you.
00:14:46I know.
00:14:47Thank you, Norberto.
00:14:51Did Alfonso
00:14:52really give you
00:14:53a single one?
00:14:54Oh, yes!
00:14:55He told me I could
00:14:56have a single one!
00:14:59Hey, did you know
00:15:00that no one here
00:15:01gets a single one?
00:15:02I mean,
00:15:03we all dance together.
00:15:04In fact,
00:15:05we even dress the same
00:15:06when we dance.
00:15:08Oh, no, no, no.
00:15:09I don't know.
00:15:10Talk to Alfonso
00:15:11because he's the partner
00:15:12and he already said yes.
00:15:14Tell him.
00:15:15Don't tell me.
00:15:20Ma'am, I don't understand
00:15:21why he showed
00:15:22Jorge Nieto's video
00:15:23to his daughter.
00:15:24I didn't show it to him.
00:15:25It was an accident.
00:15:26He saw it by mistake.
00:15:27It's not in my best interest
00:15:28for anyone to know.
00:15:30Yes, but...
00:15:31But what excuse
00:15:32did he give his daughter?
00:15:34I told the truth.
00:15:36Since Jorge arrived
00:15:37to this town,
00:15:38he's been threatening me
00:15:39and blackmailing me.
00:15:40I told you
00:15:41and you decided
00:15:42to kill him.
00:15:43But how?
00:15:44That's what happened
00:15:45because I never told you
00:15:46to kill him.
00:15:47That was your decision.
00:15:48No, it was also
00:15:49his responsibility.
00:15:50I'm sorry.
00:15:51I'm sorry.
00:15:52I'm going to talk to my daughter
00:15:53so she doesn't report you.
00:15:54Don't worry about that.
00:15:55No, that's not
00:15:56what worries me.
00:15:57What worries me
00:15:58is my image.
00:15:59What is Amelia going to think
00:16:00about me?
00:16:01Why do you care
00:16:02what Amelia thinks
00:16:03about you?
00:16:05Look, you did what you had
00:16:06to do.
00:16:07If my daughter doesn't
00:16:08understand her,
00:16:09it's her problem.
00:16:14We have to change
00:16:15the patient's blood sugar
00:16:16to 205.
00:16:17Yes.
00:16:18It's diabetic, right?
00:16:19Do what the doctor
00:16:20asked you to do.
00:16:21Yes.
00:16:22Amelia, what's wrong?
00:16:24What happened?
00:16:25I'm about to lose my son
00:16:27because of a guy
00:16:28who's not worth it.
00:16:29But why?
00:16:30Tell me.
00:16:38Hi, Rodri.
00:16:40Hi.
00:16:42Why don't you wash your hands?
00:16:45We came from the street.
00:16:47Yes.
00:16:49Son,
00:16:51come with me.
00:16:54Okay.
00:17:02Martin left the house
00:17:03very disappointed
00:17:04because I let him down.
00:17:06Because I lied to him.
00:17:08Don't regret loving,
00:17:09my friend.
00:17:10Yes, I regret it.
00:17:12I regret every kiss,
00:17:13every caress.
00:17:16Because his hands...
00:17:18His hands...
00:17:19His hands what?
00:17:20His caresses are poison
00:17:21for me.
00:17:23I shouldn't have given myself
00:17:24to Rodrigo.
00:17:25Are you going to leave him
00:17:26just to please Martin?
00:17:29Yes.
00:17:30Why? What happened?
00:17:31What made you
00:17:32make that decision?
00:17:33Nothing.
00:17:35I just realized
00:17:36that loving Rodrigo
00:17:37is the worst decision
00:17:38I've ever made in my life.
00:17:41Damn Eduarda.
00:17:43Why did she have to show
00:17:44Amelia the video?
00:17:45I mean, how could she?
00:17:47I don't know.
00:17:48Because she didn't want
00:17:49her to know.
00:17:51Maybe
00:17:52Amelia found out by accident.
00:17:55Now Amelia thinks
00:17:56I'm a murderer, dad.
00:18:02Look, son.
00:18:03I think the best thing
00:18:04is for you to tell her the truth.
00:18:06Tell her who you are
00:18:07and that you made up
00:18:08all this lie
00:18:09to win her mother's trust.
00:18:11I can't.
00:18:12I have to convince her
00:18:13that I'm not
00:18:14that person
00:18:15she thinks I am.
00:18:18That our love,
00:18:20our love
00:18:21is stronger than anything.
00:18:26I don't know what to do, dad.
00:18:28I don't know what to do.
00:18:34Honey, don't put
00:18:35Rodrigo and Martin
00:18:36on a scale.
00:18:37You deserve the love
00:18:38of both of them.
00:18:41I have to go to Tomas' house.
00:18:43I have to find my son.
00:18:45Thank you, honey.
00:18:48Honey.
00:18:52Tomacho.
00:18:53How are you?
00:18:54Hey, you're still
00:18:55in the corporation.
00:18:56I want to ask you
00:18:57a big, big,
00:18:58really a big favor.
00:18:59Look, I need you
00:19:01to dig there
00:19:02in the files
00:19:03and find me
00:19:04the information
00:19:05you can have
00:19:06of Jorge Nieto.
00:19:08Addresses,
00:19:09relatives.
00:19:10I need to locate him.
00:19:12Please.
00:19:15I owe you one.
00:19:22I think you should
00:19:23take my mom's word
00:19:24and get the producer
00:19:25out of the ranch, dad.
00:19:27It would be better for you
00:19:28to have your offices
00:19:29in the village.
00:19:30I'm not going to give them
00:19:31that pleasure.
00:19:32What are you doing here?
00:19:33I told you I didn't want
00:19:34to see you again
00:19:35in my ranch.
00:19:36Please, son,
00:19:37let me talk to your mother
00:19:38alone.
00:19:39Yes, of course.
00:19:40Mom, don't mix things up.
00:19:41Don't talk to me.
00:19:42Leave us alone.
00:19:43One thing
00:19:44are your personal matters
00:19:45and another is the producer.
00:19:46I'm going to come
00:19:47as many times as I want.
00:19:48And you know why?
00:19:49Because if you give them
00:19:50the order that I can't come in,
00:19:52I'm going to tell our children
00:19:53that they never extorted you,
00:19:55but you were the one
00:19:56who asked a loan
00:19:57from some mobsters
00:19:58to finance your failed
00:19:59electoral campaign,
00:20:01putting us all in danger.
00:20:03And you keep doing it
00:20:04while you don't give
00:20:05those people
00:20:06what they're asking for.
00:20:07And that mistake
00:20:08I've paid very expensive
00:20:09with your betrayal.
00:20:10And I'm glad
00:20:11you pay somehow.
00:20:13Sooner or later
00:20:14you will realize
00:20:15that divorcing us
00:20:16and dividing what we have
00:20:17between us
00:20:18will be the best thing.
00:20:31Hello.
00:20:32Oh, hello.
00:20:34How are you?
00:20:36You look great.
00:20:37You got a facial.
00:20:39Do you want some coffee?
00:20:40You must feel tired
00:20:42and overwhelmed.
00:20:43Sit down, sit down.
00:20:45I'll make it for you.
00:20:46No need to thank me, honey.
00:20:54I think your mom
00:20:55is going crazy.
00:20:56What did she do to you this time?
00:20:58She's making a coffee.
00:21:01And not only that,
00:21:02she's dancing and singing.
00:21:07Do you think
00:21:08we already infected her
00:21:09with our love?
00:21:10Yes.
00:21:15Mr. Francisco.
00:21:16What is it, Arminda?
00:21:17I heard that
00:21:18Mr. Ivan took Martin
00:21:19from the farm.
00:21:21He took him?
00:21:22Ivan can't do that.
00:21:23Look, I think
00:21:24Martin called his dad
00:21:25to come get him,
00:21:26but my daughter
00:21:27is desperate.
00:21:29I went to see
00:21:30if I could convince him
00:21:31to come back with us.
00:21:33Thanks for letting me know, Arminda.
00:21:34Yes, Mr. Francisco.
00:21:37Tell him it's only
00:21:38going to be two minutes.
00:21:39Please.
00:21:40I'm sorry, Mrs. Amelia,
00:21:42but the boy doesn't want to see you.
00:21:45Let me through, please.
00:21:47I'm sorry.
00:21:48I have orders
00:21:49not to let you through.
00:21:50Besides,
00:21:51the boy doesn't want to see you.
00:21:52Excuse me.
00:22:07My love.
00:22:08Did you find out
00:22:09I'm your baby's father?
00:22:10No.
00:22:11If you get in the way
00:22:12between Federico and me,
00:22:13you're going to have to
00:22:14face the consequences.
00:22:16My love always
00:22:17belonged to Renata.
00:22:18You're going to regret it, Federico.
00:22:21Renata, no!
00:22:24You're a murderer!
00:22:25MONDAY TO FRIDAY, 6.30PM
00:22:27It looks like Rafael
00:22:28is getting better.
00:22:29First sale!
00:22:30But his boss
00:22:31is demanding.
00:22:32Medina doesn't trust him
00:22:33because he sold a car
00:22:34because he needs money.
00:22:35And his colleagues
00:22:36will support him.
00:22:37He shouldn't be
00:22:38so demanding
00:22:39with Mr. Medina.
00:22:40It's the first sale.
00:22:41Until the money
00:22:42doesn't stop.
00:22:43MONDAY TO FRIDAY,
00:22:442.30PM
00:22:45On Las Estrellas.
00:22:47I had to stop running away.
00:22:48Face my fears
00:22:49so I wouldn't get hurt.
00:22:51How sad, right?
00:22:52An unfortunate accident.
00:22:54I couldn't take it anymore.
00:22:55Get ready for stories
00:22:56that will tear your heart
00:22:57apart
00:22:58with some stellar
00:22:59murderous women.
00:23:01Starting October 26th.
00:23:03With Las Estrellas.
00:23:04I was just protecting him.
00:23:06Welcome.
00:23:08She's back!
00:23:15It's him!
00:23:16I can't believe it.
00:23:17It's El Chavo!
00:23:18I'm your fan!
00:23:19Because we know
00:23:20how to make you laugh.
00:23:21Premieres on Las Estrellas
00:23:22this Wednesday
00:23:23and available on VX.
00:23:26The Center for Artistic Education
00:23:28invites you to the
00:23:30Juvenil Convocatoria 2024.
00:23:32Look for the bases
00:23:34at lasestrellas.tv.
00:23:36We're waiting for you.
00:23:38This is your chance.
00:23:40Televisa Univision.
00:24:00And voice actors in the same space of analysis.
00:24:03Monday, October 14th.
00:24:05When we finish,
00:24:06with Las Estrellas.
00:24:08Good morning starts
00:24:09with dance and fun.
00:24:10At 9,
00:24:11advice, guests
00:24:12and all the excitement
00:24:13of the stars
00:24:14dance today.
00:24:15Barbarity!
00:24:16That's how we start.
00:24:18And when we finish,
00:24:19famous reports,
00:24:20cooking and more
00:24:21only on Cuéntamelo Ya.
00:24:22The first actor,
00:24:23Sergio Corona,
00:24:24continued with his companions.
00:24:26From Monday to Friday
00:24:27with Las Estrellas.
00:24:31The Center for Artistic Education
00:24:33invites you to the Juvenil Convocatoria
00:24:352024.
00:24:38What we have today
00:24:39in the news.
00:24:40They return to classes
00:24:41in Guerrero.
00:24:42Some schools in Acapulco
00:24:43are still closed
00:24:44due to lack of water.
00:24:45Without clues
00:24:46of the activist
00:24:47Mije Sandra Dominguez
00:24:48who disappeared in Oaxaca.
00:24:49And judges react
00:24:50to the Senate's tumble
00:24:51to decide the positions
00:24:52of the Judicial Power
00:24:53that will be elected in 2025.
00:24:54Details
00:24:55in Punto de las 10.30.
00:24:57The Center for Artistic Education
00:24:58invites you to the Juvenil Convocatoria
00:24:592024.
00:25:00Some schools in Acapulco
00:25:01are still closed
00:25:02due to lack of water.
00:25:03Without clues
00:25:04of the activist
00:25:05Mije Sandra Dominguez
00:25:06who disappeared in Oaxaca.
00:25:07And judges react
00:25:08to the Senate's tumble
00:25:09to decide the positions
00:25:10of the Judicial Power
00:25:11that will be elected in 2025.
00:25:12Details
00:25:13in Punto de las 10.30.
00:25:14The Center for Artistic Education
00:25:15invites you to the Juvenil Convocatoria
00:25:162024.
00:25:17Details
00:25:18in Punto de las 10.30.
00:25:19The Center for Artistic Education
00:25:20invites you to the Juvenil Convocatoria
00:25:212024.
00:25:22Details
00:25:23in Punto de las 10.30.
00:25:24The Center for Artistic Education
00:25:25invites you to the Juvenil Convocatoria
00:25:262024.
00:25:27Details
00:25:28in Punto de las 10.30.
00:25:29The Center for Artistic Education
00:25:30invites you to the Juvenil Convocatoria
00:25:312024.
00:25:32Details
00:25:33in Punto de las 10.30.
00:25:34The Center for Artistic Education
00:25:35invites you to the Juvenil Convocatoria
00:25:362024.
00:25:37Details
00:25:38in Punto de las 10.30.
00:25:39The Center for Artistic Education
00:25:40invites you to the Juvenil Convocatoria
00:25:412024.
00:25:42Details
00:25:43in Punto de las 10.30.
00:25:44The Center for Artistic Education
00:25:45invites you to the Juvenil Convocatoria
00:25:462024.
00:25:47Details
00:25:48in Punto de las 10.30.
00:25:49The Center for Artistic Education
00:25:50invites you to the Juvenil Convocatoria
00:25:512024.
00:25:52Details
00:25:53in Punto de las 10.30.
00:25:54The Center for Artistic Education
00:25:55invites you to the Juvenil Convocatoria
00:25:562024.
00:25:57Details
00:25:58in Punto de las 10.30.
00:25:59The Center for Artistic Education
00:26:00invites you to the Juvenil Convocatoria
00:26:012024.
00:26:02Details
00:26:03in Punto de las 10.30.
00:26:04The Center for Artistic Education
00:26:05invites you to the Juvenil Convocatoria
00:26:062024.
00:26:07Details
00:26:08in Punto de las 10.30.
00:26:09The Center for Artistic Education
00:26:10invites you to the Juvenil Convocatoria
00:26:112024.
00:26:12Details
00:26:13in Punto de las 10.30.
00:26:14The Center for Artistic Education
00:26:15invites you to the Juvenil Convocatoria
00:26:162024.
00:26:17Details
00:26:18in Punto de las 10.30.
00:26:19The Center for Artistic Education
00:26:21One, two, three.
00:26:23Surprise!
00:26:26For me?
00:26:27Of course!
00:26:28I'm going to learn from you
00:26:29and together we're not going to lose
00:26:30a single clue.
00:26:33Who's the Mask?
00:26:34World premiere this Sunday
00:26:358.30pm
00:26:36on Las Estrellas.
00:26:38The first hours of the day
00:26:39also bring the first stories
00:26:40that you need to know.
00:26:42Agile, precise and punctual.
00:26:43This way you'll know all the information
00:26:45in the news.
00:26:46Because what happens in Mexico
00:26:47and the world is here.
00:26:49I'm Carlos Furtado
00:26:50and I'll be waiting for you
00:26:51in the news,
00:26:52your newscast from Enemaz.
00:26:53Sunday, Friday, 5.50am
00:26:54on Las Estrellas.
00:27:19You don't need words
00:27:24because it's obvious
00:27:25that nothing will be like before.
00:27:27I have to see how to ruin
00:27:28your filthy plans.
00:27:29You're going to be mine.
00:27:31Juan Carlos just escaped
00:27:32from prison.
00:27:33He wants revenge.
00:27:34That's why
00:27:35Gran Final
00:27:36tomorrow
00:27:37at 1.30pm.
00:27:39Finish your day
00:27:40well informed.
00:27:42And the most outstanding
00:27:43of the day.
00:27:44The tricolor
00:27:45with returns,
00:27:46with new faces
00:27:47and above all
00:27:48with the task
00:27:49of having the experience
00:27:50of Javier Aguirre.
00:27:51Come to
00:27:52Contacto Deportivo
00:27:53Tuesday, Thursday and Friday
00:27:55at 11.30pm
00:27:56on Las Estrellas.
00:28:18My love.
00:28:19Have you already proven
00:28:20that I'm your baby's father?
00:28:21Really?
00:28:23If you interfere
00:28:24between Federico and me,
00:28:25you're going to have to
00:28:26face the consequences.
00:28:27My love always
00:28:28belonged to Renata.
00:28:29You're going to regret it,
00:28:30Federico.
00:28:32Renata, no!
00:28:35You're a murderer!
00:28:36Tuesday, Friday,
00:28:376.30pm
00:28:38on El Ángel de Aurora.
00:28:40Happiness seems far away.
00:28:42I can also make Julio Cesar
00:28:43go crazy.
00:28:44Stop playing with me, Angel.
00:28:45Do you want to marry me?
00:28:47But hope
00:28:48always waits.
00:28:50We came to marry Julio Cesar.
00:28:52That boy is Angel.
00:28:53Angel is Gabriel?
00:28:55Tuesday, Friday,
00:28:564.30pm
00:28:58Wake up!
00:28:59Information and stories
00:29:00to start your day well.
00:29:02Analysis to understand
00:29:03what's behind
00:29:04every event
00:29:05in Mexico and the world.
00:29:08With all the entertainment,
00:29:10sports,
00:29:11and climate.
00:29:12Wake up!
00:29:13A newscast from NMAS.
00:29:14Tuesday, Friday,
00:29:157.00am
00:29:16with Las Estrellas.
00:29:45They're cornered.
00:29:47You murdered Juan Pablo.
00:29:48You killed him.
00:29:50And the truth
00:29:51may not be on your side.
00:29:52What are you doing here?
00:29:53Will there be justice
00:29:54for the fugitives?
00:29:56Grand Finale
00:29:57this Friday,
00:29:588.30pm.
00:29:59A table
00:30:00where sports and politics
00:30:01are debated
00:30:02at the same level.
00:30:03Third grade sports.
00:30:05A program from NMAS
00:30:06with a political,
00:30:07economic,
00:30:08and social focus
00:30:09on sports in Mexico
00:30:10and the world.
00:30:11And voice references
00:30:12in the same space
00:30:13of analysis.
00:30:14Monday, October 14th
00:30:15when you finish on time
00:30:16with Las Estrellas.
00:30:18I had to stop running
00:30:19and face my fears
00:30:20so I wouldn't get hurt.
00:30:22That's sad, isn't it?
00:30:23An unfortunate accident.
00:30:25I couldn't take it anymore.
00:30:27Prepare for stories
00:30:28that will break your heart
00:30:29with some stellar
00:30:31murderous women.
00:30:33Starting October 26th
00:30:34with Las Estrellas.
00:30:36I was just protecting him.
00:30:43I was protecting him.
00:30:44I was protecting him.
00:30:45I was protecting him.
00:30:46I was protecting him.
00:30:47I was protecting him.
00:30:48I was protecting him.
00:30:49I was protecting him.
00:30:50I was protecting him.
00:30:51I was protecting him.
00:30:52I was protecting him.
00:30:53I was protecting him.
00:30:54I was protecting him.
00:30:55I was protecting him.
00:30:56I was protecting him.
00:30:57I was protecting him.
00:30:58I was protecting him.
00:30:59I was protecting him.
00:31:00I was protecting him.
00:31:01I was protecting him.
00:31:02I was protecting him.
00:31:03I was protecting him.
00:31:04I was protecting him.
00:31:05I was protecting him.
00:31:06I was protecting him.
00:31:07I was protecting him.
00:31:08I was protecting him.
00:31:09I was protecting him.
00:31:10I was protecting him.
00:31:11I was protecting him.
00:31:12I was protecting him.
00:31:13I was protecting him.
00:31:14I was protecting him.
00:31:15I was protecting him.
00:31:16I was protecting him.
00:31:17I was protecting him.
00:31:18I was protecting him.
00:31:19I was protecting him.
00:31:20I was protecting him.
00:31:21I was protecting him.
00:31:22I was protecting him.
00:31:23I was protecting him.
00:31:24I was protecting him.
00:31:25I was protecting him.
00:31:26I was protecting him.
00:31:27I was protecting him.
00:31:28I was protecting him.
00:31:29I was protecting him.
00:31:30I was protecting him.
00:31:31I was protecting him.
00:31:32I was protecting him.
00:31:33I was protecting him.
00:31:34I was protecting him.
00:31:35I was protecting him.
00:31:36I was protecting him.
00:31:37I was protecting him.
00:31:38I was protecting him.
00:31:39I was protecting him.
00:31:40I was protecting him.
00:31:41He doesn't let me see him everyday.
00:31:43He wants to spend longer here.
00:31:47Amelia refused and so he started to live with me.
00:31:53This is your house.
00:31:54Bring him in.
00:32:00I won't force my son to do anything that he doesn't want.
00:32:04Is that how you punish Amelia?
00:32:06I won't discuss that with you.
00:32:07I'm not going to argue with you.
00:32:09I just came to pick up his clothes and some of his things.
00:32:13If you'll excuse me.
00:32:16Iván!
00:32:17Iván!
00:32:19Hi, Cristina.
00:32:20Hi.
00:32:21Where's Alfonso?
00:32:22Oh, he went to pick you up at the restaurant.
00:32:25Hey, no, no, no, wait, wait, wait.
00:32:27I'm so glad to see you.
00:32:28It's just that...
00:32:30You need to talk to your boyfriend.
00:32:32I'm really worried because he's been doing a lot of favoritism among the dancers.
00:32:36What are you talking about?
00:32:37Yes.
00:32:39He gave a solo to Candy.
00:32:41She's going to dance alone.
00:32:44I've been here for a long time.
00:32:48There you go.
00:32:49Yes.
00:32:52What are you saying, baby?
00:32:53Iván came and started taking all of Martín's clothes out of his drawer.
00:32:58What are you doing, Iván?
00:33:00Can't you see?
00:33:01Martín asked me to pick up his things.
00:33:03I broke up with Rodrigo.
00:33:05You know very well that Martín is the most important thing in my life.
00:33:07And please, bring him back, Iván.
00:33:09I'm not going to do it, Amelia.
00:33:11And you know why?
00:33:12Because I don't trust you.
00:33:14You cheated on your son and me by getting involved with that idiot.
00:33:18That's why!
00:33:30It's almond.
00:33:31Try it.
00:33:33What I'm saying is that Rosetta is always in charge of the organization of the show, right?
00:33:39And then the girls have been rehearsing for years,
00:33:41and I don't think it's fair that you come and put Candy...
00:33:44If you saw how she dances, you wouldn't have seen her, right?
00:33:46That woman is Candela.
00:33:48Well, Candy, Candela.
00:33:50She's going to be a hit.
00:33:51You'll see.
00:33:52Trust me.
00:33:53You're interested in promoting her, aren't you?
00:33:56It's not going to happen.
00:33:57No?
00:33:58No, of course not.
00:33:59I think that woman is going to bring a lot of clients.
00:34:01Oh.
00:34:02I mean, I'm seeing this as a businessman.
00:34:04Oh, Alfonso, it's not that big of a deal.
00:34:06It's not like the great artist you're discovering right now isn't going anywhere.
00:34:09And you know what?
00:34:10If I'm not giving you ideas about the great businessman facet you're living right now,
00:34:13then I'd better go.
00:34:14Can I take this?
00:34:15Excuse me.
00:34:21Eight.
00:34:22Eight.
00:34:23Six and two are eight, yes.
00:34:25Fortune.
00:34:26Let's see.
00:34:27It says,
00:34:28La Brigada Internacional Contra el Fraude te descubre.
00:34:31Wait a minute.
00:34:32I'm going to answer this emergency.
00:34:33Kike?
00:34:34I have to go here.
00:34:35La Brigada what?
00:34:36Internacional Contra el Fraude te descubre.
00:34:38Go to jail.
00:34:39Yes?
00:34:40Hello, my favorite doctor.
00:34:42I invite you to dinner, but do you pay?
00:34:46I would love to, but I can't.
00:34:49I'm at home with my son.
00:34:51Well, bring him.
00:34:52I know him.
00:34:54No, no.
00:34:55That's not a good idea.
00:34:56I'll call you tomorrow, okay?
00:34:58See you.
00:35:02Hello.
00:35:04Hello.
00:35:05All good?
00:35:06Did the doctor get bored of you?
00:35:09He has things to do.
00:35:13Don't tell me.
00:35:14How not?
00:35:15Well, I don't understand why you and Tina don't get along.
00:35:17They're cute.
00:35:19The truth is, I don't know what it is.
00:35:22But well, because we know him and we know it's not good for you.
00:35:26And does the man you're seeing suit you?
00:35:31Oh, don't think I haven't noticed that you go out every night.
00:35:36And I highly doubt that he's going to count stars.
00:35:39It's just that...
00:35:44I'm dating a man who just got a divorce.
00:35:48And he doesn't want his ex to find out.
00:35:51You see?
00:35:52You and Tina talk bad about Ivan and tell me so much.
00:35:55And he doesn't care that he sees the whole town together.
00:35:58No, no, no.
00:35:59What happens is that he doesn't want his ex to find out because he doesn't want him to hurt.
00:36:03Instead, what Ivan does is exhibit you so that his ex finds out.
00:36:07Do I explain the difference?
00:36:15I'm telling you this because I love you.
00:36:18Ivan treats you as if you were a trophy.
00:36:22A prize. He's just showing off.
00:36:25And you're worth a lot more than that.
00:36:32Comfortable?
00:36:33Yes.
00:36:34Take your arms out.
00:36:37Hey, I loved playing with my grandfather and you.
00:36:40And that's how it's going to be every night, son.
00:36:44I'll always spoil you.
00:36:46I love you, Martin.
00:36:48I love you.
00:36:50And I love you, dad.
00:36:53Martin thinks the worst of Rodrigo and me after he saw us kissing.
00:36:57Ivan is just taking advantage of the situation.
00:36:59Daughter, at least he didn't kill you.
00:37:02Imagine your mother's face finding out about his love.
00:37:05No, no, that's over.
00:37:07Please don't mention Rodrigo to me again.
00:37:10He's not the person you say he is.
00:37:13My God, my daughter.
00:37:18Why don't you take advantage of the fact that Martin has already gone to sleep?
00:37:22And you're going to have dinner with Candy.
00:37:24She's the one who called you, right?
00:37:25I can stay to take care of my grandson.
00:37:28No, dad, thank you very much.
00:37:31I want to be with my son and convince him that this house is the best place for him.
00:37:36Well, you can be a good father and go out to dinner with Candy.
00:37:40She's a pretty girl.
00:37:42I know.
00:37:43I know, but it has nothing to do with Amelia, dad.
00:37:47Amelia is your past.
00:37:49And Candy can be your future.
00:37:53Dad, I had a hard day.
00:37:59I'm going to rest.
00:38:19Hello?
00:38:20Hello, Tomas. How is Martin?
00:38:22Armina told me that Ivan took him to your house.
00:38:24Your grandson is fine. He's already gone to sleep.
00:38:27Tell me what's going on.
00:38:29Why doesn't Ivan keep his promises with Amelia?
00:38:32Look, it's better if your daughter explains it to you.
00:38:37And regarding Martin, I think the best thing would be for us to stay out of it.
00:38:42And for them to fix it.
00:38:44Really, it's the best.
00:38:47Thank you, Tomas.
00:38:55I'm glad you're here.
00:38:58And that face?
00:39:00Problems with Amelia.
00:39:02Problems that I'm going to solve.
00:39:05Because ours can't end like this.
00:39:09I mean, how did it end?
00:39:12No wonder she looked so affected when she came to get Kate to the hospital.
00:39:17Yes.
00:39:18I'm going to sleep.
00:39:19Yes, but don't you want to have dinner?
00:39:21Let's see, Ro.
00:39:23I'm here to listen to you.
00:39:24Can you tell me?
00:39:27I'm very tired, Olga.
00:39:30Another time, okay?
00:39:31I'm fine. Rest.
00:39:34Me too.
00:39:43Are you calmer now? We have to talk.
00:39:45Mom, I have nothing to talk to you about.
00:39:47You should have kicked Rodrigo out of the ranch.
00:39:49I'm never going to fire him.
00:39:51And even less because he got into a problem to get me out of another one.
00:39:54Mom, what are you saying?
00:39:55Daughter, don't report him.
00:39:57Please leave.
00:39:58I want to be alone.
00:39:59Leave!
00:40:00Okay.
00:40:01But please don't do anything crazy.
00:40:04And you know what?
00:40:05Now go agreeing with Ivan about the times to see Martin.
00:40:09Because if Martin agreed to move in there,
00:40:13it was because of your arguments.
00:40:14Mom, leave.
00:40:17Leave.
00:40:35I thought you weren't coming, Doctor.
00:40:37The important thing is that I'm already here, Pereira.
00:40:39I want you to investigate if Amelia is still seeing the idiot Rodrigo.
00:40:44As always, you know.
00:40:48Okay, Doctor.
00:41:01Since I got to this place,
00:41:03I didn't imagine I would find a woman like you.
00:41:18Yes.
00:41:19Yes, Cara.
00:41:20What a shame that you have already rented the house.
00:41:22Yes, but anyway, thank you for letting me know.
00:41:25Bye.
00:41:26Olga.
00:41:28Were you going to leave?
00:41:29Yes.
00:41:30I don't want to bother you anymore.
00:41:31But it's not a bother, right, son?
00:41:34No, not at all.
00:41:35Besides, the commissioner said you can't leave here.
00:41:40Yes.
00:41:41I hope the case is solved soon so they give me the definitive custody of Gina.
00:41:45And so we can move in.
00:41:47Of course.
00:41:48Yes.
00:41:49You can stay as long as you need.
00:41:52Well, I'm leaving.
00:41:54Okay.
00:41:55Have a good day.
00:41:56Excuse me.
00:41:57Bye.
00:42:03Well, in one of those, fate is giving you a second chance.
00:42:08Let's see if you can nestle in Rodrigo's heart.
00:42:18Hello, Nana.
00:42:19Son!
00:42:20What?
00:42:21How did you end up with Amelia?
00:42:24Well, yes, Nana.
00:42:25Now she thinks I'm the worst.
00:42:28Well, yes, she told me.
00:42:29But what did you do to her?
00:42:31Well, to gain Eduardo's trust, I had to pretend that ...
00:42:35What?
00:42:37Well, I pretended ...
00:42:38What?
00:42:39Calm down.
00:42:40I pretended to kill Jorge Nieto.
00:42:42Oh my God, how could you?
00:42:46But how can it be?
00:42:48No, no, no.
00:43:16You don't need words.
00:43:21Because it is evident that nothing will be the same as before.
00:43:24I have to see how to ruin your dirty plans.
00:43:27You're going to be mine.
00:43:28Juan Carlos just escaped from prison.
00:43:30He wants revenge.
00:43:31For her, it only leads to a grand finale tomorrow at 1.30 pm.
00:43:36The first hours of the day also bring the first stories to know.
00:43:40Agile, precise and punctual.
00:43:41So you will know all the information in the news.
00:43:45Because what happens in Mexico and the world is here.
00:43:47I'm Carlos Furtado and I'll be waiting for you in the news.
00:43:49A newscast from NEMAS.
00:43:50Friday, Friday, 5.50 am.
00:43:53With the stars.
00:43:57These are the news in point.
00:43:59The National Republican Convention in Miwoki is a celebration of identity.
00:44:03They have reported an increase in the number of rescues of people in danger of drowning in the sea.
00:44:07The authorities are still looking for the source of this contamination.
00:44:10Every night your meeting point with the information.
00:44:13In point.
00:44:1410.30 am.
00:44:15For the stars.
00:44:16A table where sports and politics are debated at the same level.
00:44:20Third degree sports.
00:44:22A NEMAS program with a political, economic and social approach to sports in Mexico and the world.
00:44:28And voice references in the same space of analysis.
00:44:32Monday, October 14 at finish in point.
00:44:34For the stars.
00:44:36The good days begin with dance and fun.
00:44:39At nine.
00:44:40Advice, guests and all the emotion of the stars dance today.
00:44:43Barbarity!
00:44:45That's how we start.
00:44:46And at the end.
00:44:47Famous reports.
00:44:48Cozine and more only in Cuéntamelo Ya.
00:44:50The blessings of the first actor Sergio Corona continued with his companions.
00:44:55From Monday to Friday with the stars.
00:44:56Urges someone to replace Toña.
00:44:59I can't be doing the chores at home.
00:45:01Then get someone to help us.
00:45:05Leandra, Alessandra.
00:45:06Hello.
00:45:07Do you want to see me?
00:45:08If you want something to eat.
00:45:09But my carrot, Brian.
00:45:12At 40 and 20 we know how to make you laugh.
00:45:14This Thursday at the end of the noti.
00:45:37Who is Mrs. Garcia?
00:45:49She is our mother.
00:45:51And she only wants the best for us.
00:45:53Yes, her way.
00:45:56Look at the size of that mansion.
00:45:59How far would you go for the love of your daughters?
00:46:02The daughters of Mrs. Garcia.
00:46:04Starts November 11th.
00:46:059.30 at night.
00:46:07Haydee has it all.
00:46:09Success, money and a happy family.
00:46:11Although only in appearance.
00:46:13Now her cuddles require her to meet her real father.
00:46:17She must rebuild her family.
00:46:19Keep her company afloat.
00:46:20And discover that the most convenient thing is to love again.
00:46:23Pops for convenience.
00:46:25October 21st, 8.30 at night.
00:46:27Wake up.
00:46:28Information and stories to start your day well.
00:46:30The analysis to understand what is behind each event in Mexico and the world.
00:46:37With all the entertainment, sports and the climate.
00:46:41Wake up.
00:46:42A newscast from NMAS.
00:46:43Monday to Friday, 7 to 9 in the morning.
00:46:45With the stars.
00:46:47She doesn't need to be presented.
00:46:49I am Leonor San Jose.
00:46:50For the good, she is ruthless.
00:46:52We don't let San Jose fall so easily.
00:46:55And for the bad, she is an authentic villain.
00:46:57I forgave her life 30 years ago.
00:46:59But I'm sure this time I won't stop.
00:47:02Meet her in Amor Amargo.
00:47:04Starts November 4th, 6.30 in the afternoon.
00:47:07The first hours of the day also bring the first stories to know.
00:47:10Agile, precise and punctual.
00:47:12This way you will know all the information in the news.
00:47:15Because what happens in Mexico and the world is here.
00:47:18I am Carlos Hurtado and I wait for you in the news.
00:47:20Your newscast from NMAS.
00:47:21Monday to Friday, 5.50 in the morning.
00:47:23With the stars.
00:47:27These are the news in point.
00:47:29The National Republican Convention in Miwoki is a celebration of identity.
00:47:33They have reported an increase in the number of rescues of people in danger of drowning in the sea.
00:47:37The authorities are still looking for the source of this contamination.
00:47:41Every night your meeting point with the information.
00:47:43In point. 10.30.
00:47:45For the stars.
00:47:47End your day well informed.
00:47:49And the most outstanding of the day to day.
00:47:52The tricolor with returns, with new faces.
00:47:55And above all with the task of having the experience of Javier Aguirre.
00:47:58Enter in sports contact.
00:48:01Tuesday, Thursday and Friday.
00:48:03At 11.30 at night.
00:48:05With the stars.
00:48:07Who is Mrs. Garcia?
00:48:09She is our mother.
00:48:11And she only wants the best for us.
00:48:13Yes?
00:48:15In her own way.
00:48:17Look at the size of that mansion.
00:48:19How far would you go for the love of your daughters?
00:48:22The daughters of Mrs. Garcia.
00:48:24Starts on November 11.
00:48:269.30 at night.
00:48:27Aidee has it all.
00:48:29Success, money and a happy family.
00:48:31Although only in appearance.
00:48:33Now her cuddles require her to meet her real father.
00:48:37She must rebuild her family, keep her company afloat.
00:48:40And discover that the most convenient thing is to love again.
00:48:43Pops for convenience.
00:48:45October 21, 8.30 at night.
00:48:47Urges someone to replace Toña.
00:48:50I can't be doing the housework.
00:48:52Then get someone to help us.
00:48:54Ta-da!
00:48:55Leandra, Alessandra.
00:48:56Hello.
00:48:57Do you want to eat me?
00:48:58What?
00:48:59If you want something to eat.
00:49:00But my carrot, Brian.
00:49:02In 40 and 20 we know how to make you laugh.
00:49:05This Thursday at the end of the noti.
00:49:07My love, have you already proven that I am the father of your baby?
00:49:10Really?
00:49:11If you interpose between Federico and me, you will have to face the consequences.
00:49:16My love always belonged to Renata.
00:49:18You're going to regret it, Federico.
00:49:21Renata, no!
00:49:24You're a murderer.
00:49:25Monday to Friday, 6.30 in the afternoon.
00:49:27A table where sports and politics are debated at the same level.
00:49:31Third degree sports.
00:49:33A program of N+.
00:49:34With a political, economic and social approach to sports in Mexico and the world.
00:49:39And referent voices in the same space of analysis.
00:49:42Monday, October 14, at the end of the noti.
00:49:45Por las Estrellas.
00:49:48El Centro de Educación Artística.
00:49:51Te invita a la Convocatoria Juvenil 2024.
00:49:55Busca las bases en lasestrellas.tv.
00:50:01Te esperamos.
00:50:03Esta es tu oportunidad.
00:50:05Televisa Univision.
00:50:07Subtitulado por Accesibilidad TVE.
00:50:37My son, you're in trouble.
00:50:39I know.
00:50:40But I hope our love will be able to overcome this situation.
00:50:44But Amelia has her convictions.
00:50:46You have to explain everything to me now.
00:50:50Oh, Mom.
00:50:53I'm here for my son.
00:50:54I want to take him to school.
00:50:56I don't want to go with her.
00:50:59Can I talk to him alone, please?
00:51:02Sure, of course.
00:51:15My love, I'm done with Rodrigo.
00:51:18I want you to go back to the farm, please.
00:51:21I don't believe you.
00:51:24It was a mistake to be interested in him.
00:51:27But if I have to choose between you two,
00:51:29I choose you a thousand times.
00:51:32About everything.
00:51:35Well, I'm fine with my dad.
00:51:38Okay.
00:51:40My love, I'll wait for you as long as you need.
00:51:44But I want you to know that I love you.
00:51:47With all my heart.
00:51:50And I look forward to your return.
00:52:05We're all going to fill out this form.
00:52:07Ma'am, I'm sorry, can I come in?
00:52:09I'm late.
00:52:10Come in, Gina.
00:52:12We're all going to copy the form
00:52:13and we're going to give each one an example.
00:52:15Copy it well, okay?
00:52:16What happened to your sister?
00:52:17I already fixed everything for you.
00:52:19And I'm staying with Olga.
00:52:20Today I have my first therapy with your mom.
00:52:22That's great.
00:52:23Remember you told me you were going to help me.
00:52:25Yes, I'll help you.
00:52:26Okay.
00:52:28Gina.
00:52:30Yes?
00:52:32Gina.
00:52:33Martin.
00:52:35Silence, please.
00:52:36Let's see, are you going to start filling out the form?
00:52:38No, no, no, I'm sorry.
00:52:39Copy it.
00:52:40Copy it, come on.
00:52:47What are you doing here?
00:52:49Well, Amelia, first of all,
00:52:50I want you to know that Jorge Neto was a criminal.
00:52:52I don't care.
00:52:54My mom and you should report him.
00:52:56Don't take justice into your own hands.
00:52:58That's a crime and they're going to pay for it.
00:53:00And what are you going to do?
00:53:01Are you going to report me?
00:53:02Would you be able to put me in jail?
00:53:03Yes, I'm capable.
00:53:04Because you were capable of killing.
00:53:06Amelia, I know you're upset about everything that happened,
00:53:09but Amelia, understand, I have feelings, I have...
00:53:12No, no, you don't have them.
00:53:14No, exactly because I have them, I did what I did.
00:53:18Get out.
00:53:19Get out, Rodrigo.
00:53:20I don't want to see you again.
00:53:24Amelia, don't believe everything you see, please.
00:53:30Get out.
00:53:36Look, I don't like telling lies like adults do.
00:53:41And even if you don't want to be my friend anymore,
00:53:43I'm going to tell you what happened to me, okay?
00:53:45What happened?
00:53:49I had an accident.
00:53:52And that's why I can't run or play soccer like everyone else.
00:53:57And even if I walk a little,
00:54:00I have to use the wheelchair.
00:54:04And that's why you think I'm not going to be your friend anymore?
00:54:09Yes.
00:54:10Well, no, look, you and I are always going to be friends.
00:54:15Look.
00:54:22Ma'am,
00:54:24Amelia doesn't love me.
00:54:27Well, better like this.
00:54:30Give her space.
00:54:31And don't worry, she's calmer.
00:54:33I don't think she'll report you.
00:54:35Look, ma'am, even if I end up in prison,
00:54:37I'm not going to involve you.
00:54:39I'll say it was a personal matter.
00:54:42That's going to stop Amelia too.
00:54:45She knows she can hurt me too.
00:54:48Of course.
00:54:50And you know what, Rodrigo?
00:54:51I think I'm going to give you more work in the production company.
00:54:55Of course, tell me.
00:54:56With pleasure.
00:54:57I need you to be the bridge between Francisco and me.
00:55:00I don't want to see him again or talk to him.
00:55:03Count on it, ma'am.
00:55:14I love you.
00:55:16I love you.
00:55:28Are you sure?
00:55:29Yes, doctor.
00:55:30Well, I didn't hear what they said,
00:55:32but Panegua noticed that Mrs. Amelia was very angry.
00:55:36For me, she fired Rodrigo from the cavalry.
00:55:39Well, don't trust her, Pereira.
00:55:41They may be pretending.
00:55:43You keep an eye on Amelia and Rodrigo.
00:55:45Let me know everything.
00:55:46I want to know absolutely everything they do, is that clear?
00:55:50Yes, doctor.
00:55:51Good.
00:55:58Alfonso, how are you?
00:56:02Hey, the other day Rosetta proposed to me
00:56:04if she wanted to open in the reopening of El Tropicaloso.
00:56:07Oh, I didn't know.
00:56:08How good.
00:56:09Good luck.
00:56:10I mean, she didn't ask me personally.
00:56:12I mean, she sent Chanat and I said yes.
00:56:14I hope you don't have any problems.
00:56:16Well, my aunt Rosetta is in charge of everything in El Tropicaloso.
00:56:19If she decided it, it's very good.
00:56:21Congratulations.
00:56:27Tabo.
00:56:29Do you mind if I buy you a drink?
00:56:33Well, I was going to go back to the stationery.
00:56:35A quick coffee here, ten minutes.
00:56:37I want to tell you something that only you would understand.
00:56:41Let's go.
00:56:45How are you?
00:56:46Good.
00:56:47And Amelia, where is she? I need to talk to her.
00:56:50I can imagine, why?
00:56:51Rodrigo already told you?
00:56:52Yes, he already told me.
00:56:53I just don't understand why they do those nonsense.
00:56:55Now my daughter has a split head.
00:56:57Look, Rodrigo is willing to give up everything
00:56:59just to save this relationship.
00:57:01What worries me is that those two love each other so much
00:57:04and that they can't be happy.
00:57:06I have to convince Amelia not to report Rodrigo.
00:57:10No.
00:57:11Let's see, wait a minute.
00:57:12I'm going to call her.
00:57:13Yes.
00:57:18My girl.
00:57:20Where are you?
00:57:21No, no, I'm in town.
00:57:23I'm going to do something, even if it breaks my soul.
00:57:30I think he's going to report him.
00:57:31No, no, no, no.
00:57:33I have to do something, I have to do something.
00:57:40You've gotten on my nerves with Chanate's jealousy.
00:57:43I hired Candy because she dances great,
00:57:45not because I like her.
00:57:47Relax, Ponchito.
00:57:49Maybe she just wants to be sure
00:57:51that she's the only one in your life.
00:57:52Well, if I show her every day, she knows.
00:57:55Well, maybe she wants something else.
00:57:59Something else? What?
00:58:01I don't know, that you assure her a future together.
00:58:06You think?
00:58:08Yes.
00:58:13Grandma, they told me you were waiting for me.
00:58:16Yes, hello.
00:58:19I'm very sad, honey, because you're not at the farm.
00:58:23Are you coming back today?
00:58:24No, Grandma, I want to be with my dad.
00:58:28But Ivan can go see you every day.
00:58:30You don't have to be with Tomas.
00:58:32Well, I want to be there, Grandma.
00:58:36Okay, but just for a few days, okay?
00:58:40I love you so much.
00:58:42Me too.
00:58:44Yes, I like it.
00:58:45And with all the lights,
00:58:46I want it to look happy.
00:58:48Grandma! Grandma!
00:58:49I want it to look happy.
00:58:50What happened?
00:58:51Hello, good afternoon.
00:58:52Come here.
00:58:53Oh, what happened?
00:58:54I want you to help me.
00:58:55I have a surprise for Jeanette.
00:58:56Something spectacular.
00:58:57She'll never forget it, okay?
00:58:59Okay!
00:59:00Okay?
00:59:01Of course!
00:59:02Okay.
00:59:10Good afternoon.
00:59:11Good afternoon.
00:59:12Good afternoon.
00:59:13I need to see the commissioner.
00:59:16I want to file a report.
00:59:28Would you like to spend the rest of our lives together?
00:59:31No, no, no.
00:59:35Hector Zarate is not your father.
00:59:37What kind of stupidity is that?
00:59:42You really didn't know.