Igra sudbine, Epizoda 1229,Igra sudbine 1230 ,Igra sudbine 1229,Igra sudbine Epizoda 1230, Igra sudbine Epizoda 1229,Epizoda 1230 Igra sudbine ,Epizoda 1229 Igra sudbine
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TVTranscript
00:00The story of a woman who lost her son
00:13It's about a family tragedy in which her son was involved.
00:18And?
00:20She's worried about her son.
00:23And she thinks that person is going to hurt him.
00:27And she's sure that he's not guilty.
00:31Okay, and what's the problem?
00:34Well, the problem is in the victim.
00:37Who could possibly be the culprit.
00:40It's about him.
00:45We just need you two.
00:49And we're so happy to see you two here.
00:54There's no end to happiness.
00:56And what are you two talking about?
00:59About some fish.
01:02What fish? You mean girls?
01:05No, no, no. About sharks and barracudas.
01:09Well, okay, because if you're thinking about girls,
01:12I think that Maldives is not the best place.
01:15I smell powder. I don't know what you think.
01:18It looks like you're nervous.
01:21I'm pretty nervous.
01:23Why?
01:25Because of the powder.
01:27You're making fun of me now.
01:30What's wrong with you? I can't look at every step.
01:33Wherever I turn, there's some powder.
01:35Look, Olga, I have a great solution.
01:38Really? Let me hear it, because I don't have one.
01:40Let Marijana do it. It's her job.
01:42Marijana doesn't do it properly.
01:45There's a fantastic bakery here.
01:49I don't eat burek.
01:51You don't eat burek?
01:53I don't eat burek either.
01:55Well, neither do I, but we can switch to tea.
01:58I'm sorry.
02:00I mean, it's okay for me to switch to tea,
02:03but I'm sorry about the burek.
02:05It doesn't matter.
02:07I mean, we still don't know each other.
02:09Okay, explain to me why you didn't take that job.
02:12I got bored.
02:14I got bored.
02:16How could you get bored with such a job?
02:19I accepted the job,
02:21as soon as Kuma asked me to help her.
02:24Before she told me to work in UNI.
02:27I don't want to work behind your back,
02:29that's why I came to tell you to work in UNI.
02:32I attended a conversation between Biljana and Barbara.
02:36Okay, how does that have anything to do with anything?
02:38Barbara is a private detective, you know that yourself.
02:41Okay, and?
02:43Biljana asked Barbara to investigate the woman
02:45you hit with a car because of whom you ended up in court.
02:48Even though that woman said
02:50she was going to give up the criminal case.
02:52Are you in the past, or...?
02:55Yes.
02:57Mom, you know I've never been in the past,
03:00I've never gone back to coffee.
03:03You're not, Vukasin, you don't exist.
03:06But maybe that day turned into something else.
03:10No, no.
03:13I got some interesting information,
03:16so...
03:18I think you could help me with your answers,
03:22and I'll send it to you.
03:24What's the offer?
03:25I'll be honest with you.
03:27Please.
03:28It wouldn't matter to us if we came to visit the magazine.
03:31I think that was the original idea of the purchase.
03:33I understand you, but...
03:35No, listen to me.
03:37Go ahead.
03:39That magazine is on our plot.
03:41It would be stupid not to find the magazine.
03:44Listen to me.
03:45No, you listen to me.
03:47We're ready to make a special deal
03:50if we buy the magazine so that the acquisition is complete.
03:53Senka, I totally understand you, but that's impossible.
03:56You didn't hear the offer until the end.
03:57And I'm not interested.
03:59I totally forgot, I'm sorry.
04:01I have so much work that I'm completely lost.
04:04I see.
04:05Just to finish this, then I'll bring it to you, okay?
04:07No, no, sit down, please.
04:09I want to talk to you.
04:13I don't believe you, Juni.
04:15That's right.
04:16But that's stupid.
04:17You have no reason not to believe her.
04:19And even if you don't believe her, you can't do that.
04:22Even if I see that she's problematic?
04:25I can't stand these talks anymore.
04:28I'm really trying, but I can't achieve everything.
04:31Marjana, the windows are not cleaned for a month.
04:34There's so much dust that we practically leave traces behind.
04:37I'm trying to clean the windows, but it doesn't work.
04:40What do you think?
04:43Either you have a problem, or you just can't achieve everything.
04:47I don't know.
04:48You tell me what it is.
04:51What is he like?
04:53Pavle?
04:54Yes.
04:55I can tell you that he's a very nice guy.
04:57He's very cultured.
04:59He wants to be educated.
05:01Okay, it's possible that he's cultured, educated, nice.
05:05But it's obvious that his mother had some bigger problems with him,
05:11which she hired a detective for.
05:16Do you want to say that the magazine was never a part of the deal?
05:20Never.
05:23Then, obviously, we made a mistake.
05:26Obviously, I became the owner.
05:29Mom, you can't do that. That's not normal.
05:32Pavle, I'm worried, and that's completely normal.
05:35I'm tired of this conversation, really.
05:38If you're not going to tell me anything, I'll have to find out myself.
05:41All in all, I wanted to make sure that you're okay.
05:43I'm okay, here, do you see me? Is something missing?
05:48That woman is suspicious of me, suspicious.
05:50Mom, you know her, she has nothing to be suspicious of you.
05:54And everything is suspicious to you.
05:56That's not your thing, you're not interested.
05:58Well, I'm interested.
06:03Excuse me, do you have a minute?
06:06Of course, sit down.
06:14Tell me.
06:16I give up.
06:19Okay.
06:25I'm sorry, did I bother you?
06:27Not at all, come in.
06:30Hey, we didn't expect you, where are you from?
06:35We have a problem.
06:41Okay.
06:43If it's not a problem, I'd like to know who the buyer is.
06:46Of course it's not a problem. The buyer is Miki Tambura.
06:59The buyer is Miki Tambura.
07:29The buyer is Miki Tambura.
07:59The buyer is Miki Tambura.
08:01The buyer is Miki Tambura.
08:03The buyer is Miki Tambura.
08:05The buyer is Miki Tambura.
08:07The buyer is Miki Tambura.
08:09The buyer is Miki Tambura.
08:11The buyer is Miki Tambura.
08:13The buyer is Miki Tambura.
08:15The buyer is Miki Tambura.
08:17The buyer is Miki Tambura.
08:19The buyer is Miki Tambura.
08:21The buyer is Miki Tambura.
08:23The buyer is Miki Tambura.
08:25The buyer is Miki Tambura.
08:27The buyer is Miki Tambura.
08:29The buyer is Miki Tambura.
08:31The buyer is Miki Tambura.
08:33The buyer is Miki Tambura.
08:47You are my new colleagues.
08:49I know you won't eat burek, but I'd like to tell you
08:53that I am at your disposal.
08:55I can buy you any food you want.
08:57As far as I am concerned,
08:59there is no need because I bring food from home.
09:01Maria, we pay attention to nutrition.
09:03I pay attention to nutrition.
09:05Nutrition is the most important thing in life.
09:07Well, we all pay attention, obviously,
09:09but in different ways.
09:11Here, for example,
09:13you look like you like burek.
09:15Well, yes, burek, yes.
09:17I mean, you are from the army,
09:19but there is a difference.
09:21Whose seed pudding is your favorite?
09:23Whose seed?
09:25Yes, yes, yes.
09:27Whose seed?
09:29Yes, whose is a very healthy and popular
09:31product from Latin America.
09:33Aha, and you both eat it, right?
09:35Yes.
09:37But I often make a salad with salmon,
09:39avocado,
09:41and pour it over with olive oil.
09:43Cold-squeezed.
09:45At least not a donkey with a blister.
09:47I only avoid potatoes, it's not good for the skin.
09:49Aha, so you can eat pommes frites.
09:51No, no, no.
09:53No, no, no, no, no, no.
09:55He can eat a batat.
09:57Batat, what is it?
09:59Batat.
10:01Yes, it is nutritionally complete.
10:03Well, if you want a complete meal,
10:05you can have a flatbread,
10:07a burmanska, or something like that.
10:09You can, you can, but
10:11only if it is 100% organic
10:13beef and to be in that
10:15sheep's milk.
10:17No, no, no, no, no, no, no.
10:19No, no, no, no, no, no, no.
10:21No, no, no, no, no, no, no.
10:23Yes, yes.
10:25I don't understand myself at all.
10:27I mean, maybe goat yoghurt
10:29with wholemeal rice and
10:31100% organic white meat.
10:33Yes, and celery with broccoli.
10:35Yes, that's great, yes.
10:37I really don't understand anything,
10:39it's completely strange to me.
10:41There is no problem.
10:43No, no, we'll teach you.
10:45You don't have to teach me.
10:47Here, we'll open the computer.
10:49There are hungry people.
10:51I'll come later, you can,
10:53but I can't right now.
10:57No, no, I'm not sick.
10:59I'm good, I'm good.
11:01I have to hurry.
11:03Thank you very much.
11:05Goodbye.
11:15The next day.
11:23How are you doing, Skatka?
11:25Wait, take it easy, take it easy.
11:27Sorry, Svetlana, sorry.
11:29Did we hurt you in any way, or what?
11:33No, you didn't hurt me,
11:35but Olga said I didn't do it right.
11:37That's good, that's so terrible.
11:39Yes, it is, honestly.
11:41Look, I know Olga well.
11:43I don't know. She knows how to be responsible, but I'm sure she didn't have any ulterior motives.
11:48But it's not about how she told me, it's about what she said.
11:52Look, Marijana, Olga and I noticed that the house is not in the best order.
11:58But I know it's not.
11:59Well, if you know what you're doing, then don't try too hard and everything will be okay.
12:02I can't reach it because there are a lot of you, you know?
12:05Aha.
12:06When Samuna and Andrija lived here, everything was a mess.
12:10None of us wants everything to be over.
12:15I don't even have a minute of rest, I never sat down, you know?
12:18As soon as you hang up, I think I'm taking the blame.
12:21Well, I have work to do.
12:25Anyway, I really can't reach it.
12:41Come on, can we have a day without problems?
12:43Okay.
12:44What's the problem?
12:45I'll tell you everything if it's not a problem to sit down.
12:48Yes, yes, sit down.
12:49Please sit down, sorry.
12:50And?
12:55Well, I wouldn't want to burden you with new problems now.
12:57I know a lot about chaos, but I wouldn't want it not to be a serious situation.
13:03Okay, I believe you.
13:04Tell me, what's the problem?
13:07The business club is the problem.
13:11Did someone make an incident or what?
13:16The business club has been a problem for some time now.
13:19And as time goes by, that problem is getting bigger and bigger.
13:23I mean, I know you probably have that information, but...
13:27I just felt the need to come and talk about it.
13:32Well, let's be open.
13:34We have to talk about it, right?
13:36Yes.
13:41TAMBOR
13:49Miki Tambor is the owner?
13:50Yes.
13:51Do you know who he is?
13:54The owner of Fame?
13:55So you know him?
13:57Tell me.
13:59I didn't even know him before this.
14:02And what is Miki Tambor going to do in that big magazine?
14:04I have no idea, believe me, I didn't even ask, and I'm not interested.
14:09So, the offer was big.
14:11The one that doesn't refuse?
14:14Yes.
14:15That's all.
14:19Thank you for the information.
14:21Goodbye.
14:22Goodbye.
14:24TAMBOR
14:36Can you think about it one more time?
14:40Well, honestly, I need a job.
14:43But obviously, I don't fit in here.
14:45I don't know if it's my character or the way I work.
14:49They brought me here, Una and Andrija.
14:51Maybe it's okay for me to leave now, when they're not here.
14:54Look, Marijana, you have to talk to Luka and Aleks about that.
14:58But...
14:59They are the owners here, and I haven't asked them anything in a long time.
15:04I understand.
15:05If I ask you something, I'd tell you not to refuse.
15:10What do you think about making that decision until I talk to Luka and Aleks?
15:16About what?
15:18Maybe we'll find a solution, huh?
15:22Thank you, that would be wonderful.
15:24Okay, now go make me some coffee, so I can get some rest.
15:28No, no, I don't have time, I have to work.
15:31I told you.
15:32Okay.
15:48You know the best situations in a business club, so tell us, why is it a minus?
15:54Well, there are more things.
15:55Are there more things? What's the most important thing?
15:57What's the cause of the problem?
15:59Well, for example, a lack of staff, or employees.
16:03And who's missing?
16:05Everyone.
16:06Everyone's missing.
16:08Well, I mean, because I can't manage, to manage, to understand the finances,
16:13I really don't have the knowledge for all that.
16:15I see.
16:16Yes, well, that's justified, but...
16:18What should we do?
16:19Well, let's bring in people, what should we do?
16:21Yes, for example, to bring in someone who understands the finances,
16:25to make a financial cut, first of all.
16:28Well, when that problem is solved, then we'll see how that club will work,
16:32when it's not in a minus.
16:34Okay, I see.
16:35So, we need people and someone for the finances.
16:38Yes.
16:39And the offer?
16:40I mean, we should definitely enrich that.
16:42Absolutely.
16:43I wanted to propose that.
16:44Honestly, I would do that, and I want to do that, but somehow...
16:48I have to be more relaxed.
16:49I see.
16:50Okay, well, we'll see what we can do.
16:54Thank you for telling us.
16:56And it's clear to you that instant solutions are not good for our job.
16:59So, we'll think about it, and we'll call you.
17:01We promise that we'll take care of this problem.
17:03Yes.
17:04Well, no, somehow I think it's up to the business club.
17:07Okay.
17:08Yes.
17:10See you.
17:11See you.
17:14Oh, man...
17:26You can go.
17:28Hey, where are you, Pancica?
17:30Here I am.
17:32Here's your coffee.
17:34What kind of soul made coffee for me?
17:37No, no, how?
17:39What does she think of me?
17:41Oh, I made coffee for you.
17:44And you're going to make me lunch.
17:49It's your favorite.
17:52It's your most beautiful.
17:55What's wrong with you?
17:57They used to call me to every event in the city,
18:00to make me prettier, to make me bigger,
18:02because I was the most beautiful and the most interesting.
18:06And now you're all looking for me to make you meat,
18:10cook, fry, cook and stew.
18:14You can stew, I like that too.
18:16Well, I'm going to stew.
18:19Oh, man, if you only knew,
18:21you're not just making me prettier,
18:24you're making my life prettier.
18:26Well, yes.
18:27You're making me prettier.
18:34Easy there.
18:36Serbs.
18:39Okay, let's talk about the picture.
18:42What happened now?
18:45I thought we wouldn't talk about it.
18:47I really wanted to shut up.
18:49You wanted to shut up.
18:51Yes, but I can't.
18:53I can't.
18:55Then talk.
18:59Panči, come on, talk.
19:01It has something to do with me.
19:04Vukašin came.
19:06Okay.
19:07He wanted to talk to me.
19:10Indiscreetly.
19:12Indiscreetly.
19:13Indiscreetly.
19:15Yes.
19:17Well...
19:20Come on, woman, talk, please.
19:22Just say it.
19:24Yes.
19:27Vukašin came to inquire
19:31about your Pavlo.
19:34The one who hit you with a car.
19:42Vukašin came to inquire about your Pavlo.
19:46The one who hit you with a car.
19:49The one who hit you with a car.
20:12Come in.
20:23Come in.
20:26Hello.
20:27Hello.
20:31Sit down, Barbara.
20:38Why did you call me?
20:42You know very well why I called you.
20:46What did I do now?
20:49Nothing.
20:52Nothing.
20:54I'm kidding.
20:57I called to tell you
21:00I was at Pančeta's and talked to her.
21:03And?
21:05A lot of noise, no one is waiting.
21:08Nothing?
21:09Nothing.
21:10Are you sure?
21:12He talked to her.
21:14She said she had no intention
21:18to file a complaint against Pavlo.
21:21So, that's it.
21:24My heart is broken.
21:27Thank you, Vukašin.
21:28I have to...
21:30I'll call Biljan and tell him to hurry up.
21:33I'm calling.
21:34Here, go.
21:36I'll call you later.
21:41Wait.
21:53Why is he asking about Pavlo?
21:56I don't understand.
21:57Look, Vukašin was passing by.
22:02He came to see you on purpose.
22:08What?
22:10Vukašin found out that Pavlo's mother
22:14hired a detective to follow you.
22:16But...
22:18He's not with him, why?
22:22Don't kill the speaker.
22:24I'm just passing on information I found out.
22:27I think that mother is afraid
22:30that you, her son, Pavlo,
22:32the one who hit you with a car,
22:34are not guilty.
22:37Thank you for offering yourself.
22:39I really wanted to ask you to...
22:43Tell me.
22:45You have to go to court with me
22:47and give an official statement
22:49that you don't want to hurt me.
22:55I have to go to court
22:58and give an official statement
23:01that I don't want to hurt you,
23:03and I have to go to court
23:05and give an official statement
23:07that I don't want to hurt you.
23:09Something like that.
23:12Okay.
23:14And what's the end of it?
23:18And what?
23:19That's it?
23:20Do you agree?
23:21Do you want to?
23:24Why wouldn't I agree?
23:28Wait.
23:29It's that big, mysterious problem you came here for.
23:34Actually, it is.
23:35But I really didn't want to hurt you
23:37after everything you've been through.
23:39Okay, that's true.
23:42I've been walking around a lot lately.
23:45In court.
23:47The divorce, and now this.
23:52Thank you for looking at this so lightly.
23:56You're a nice guy, you know?
23:58I really didn't want to drag you into this,
24:01to hurt you, man.
24:04Okay, fine.
24:06I'll figure something out somehow.
24:13I really appreciate it.
24:15Will you stop thanking me?
24:18Wait a minute, Mr. Pančević.
24:20Did I do everything they asked?
24:22Yes.
24:23Did I go to court?
24:24Yes.
24:25Did I file a report?
24:26Yes.
24:27Did I say I wouldn't blame him?
24:29Yes.
24:30And now what?
24:31What does he want from me?
24:33I really don't know.
24:35I don't know, and I don't really understand
24:38what Pavlo's mother wants.
24:40But you'll have to clear that up with Pavlo.
24:46So?
24:47What are your future plans?
24:49For now?
24:50Well, for now,
24:52we're going to take off this weird leg.
24:56What about you?
24:59That's a really tough question for me.
25:01You started with a tough question.
25:03Yes.
25:04Can I call you later,
25:06if and when I have a bigger life plan?
25:09What's bigger than what you already have?
25:11For now, you have a life.
25:13Yes.
25:14Unlike me.
25:16See, I really think your life is fulfilled.
25:19How is that?
25:20How?
25:21You have a child,
25:22you're a PR agent at a big agency,
25:25and what do I have?
25:26I only have my job and nothing else.
25:28Okay, I think you're exaggerating.
25:30You have a family,
25:31you have a mother, you have a sister.
25:33I do, yes.
25:34If you're a fan of possessive parental relationships,
25:37then I'd have a lot to tell you.
25:39You're really exaggerating.
25:40I think there are some nice and interesting sides to that.
25:43I don't think it's that bad.
25:45I agree.
25:46There's that too.
25:47You're right.
25:48I'm always right.
25:52Golubica.
25:54My voice actor.
25:57Without you,
25:59I wouldn't have been able to live, mom.
26:01Andja, the guardian.
26:05There he is.
26:06He showed up.
26:10What kind of people are you, man?
26:13Just look at that.
26:17The Guardian
26:27What should I tell him?
26:30Just tell him not to throw money at private detectives
26:34for no reason.
26:36It's not a problem.
26:38They'll pay us back.
26:39We're the family of the guard.
26:41Yes.
26:43You see, she has too much of a protective attitude towards that child.
26:49Is there a reason for that?
26:51I mean, does she have too much protection, or is she just, you know,
26:57attached to her child?
26:59I don't know. I don't know. We haven't seen each other for a long time.
27:01We really never touched on that topic.
27:07What is it?
27:09What are you doing here?
27:12God knows what I'm going to tell her.
27:14Do you think she could be dangerous for him?
27:17Well, she can't be dangerous, but...
27:22I heard that she was married to a powerful man.
27:27Do you think she could hurt my Pavel?
27:32I'm worried about everything.
27:34Poor son. Who knows what's going to happen.
27:37Calm down. Calm down.
27:39How can I calm down?
27:41My son is in danger. Who knows what kind of danger he's in.
27:44Calm down.
27:46You shouldn't bring up false conclusions.
27:48What's wrong with you?
27:53Wait, wait.
27:57Best friends, uncle, and you haven't seen each other.
28:00What's going on?
28:01Okay, Vukasin, we live separate lives.
28:03She has two children, and I don't belong here.
28:06We haven't touched on her son.
28:08I don't know what to tell you.
28:10Okay, I get it.
28:13She's never seen it as a problem.
28:16I get it, Urena.
28:20Okay, I'll call her.
28:23So she doesn't have to worry.
28:25Call her.
28:27I'll call her now.
28:36So, this is basically a printer.
28:39The most important thing is this button here.
28:44You press this button, and it prints.
28:46Do you understand?
28:48You press the button, and it prints.
28:50That's how it works, you know?
28:52And now, when you run out of toner.
28:54Toner.
28:55I mean, paint.
28:57Paint.
28:58Okay, paint.
28:59And now, when you run out of paint.
29:01And now, when you run out of paint.
29:04I mean, paint.
29:06And now, when you run out of paint.
29:08And I'm sure you'll run out of paint.
29:10He's going to tell you that.
29:13How?
29:14He's smart, you know?
29:16He's going to tell you that,
29:18by taking out a sheet of paper
29:20with a gray shadow on it.
29:22That's like a saving measure.
29:24You mean, you're going to tell him
29:26that he can save money here?
29:28Yes, something like that.
29:30You see?
29:32He's smart.
29:34And now, when you run out of toner.
29:36I mean, when he runs out of toner.
29:38You can't panic.
29:40You can't say, oh, there's no toner.
29:42I hope, I hope.
29:44No, no.
29:46But calmly, nicely.
29:48You come in, open the door.
29:50You take out the toner.
29:52You fill it up.
29:54You put the toner back in,
29:56and you close the door.
29:58Can you do that?
30:00Yes.
30:02I mean, you're free.
30:04Everything I'm telling you,
30:06translate it into the language you understand.
30:08Use the terminology that's closest to you.
30:10Then, for example,
30:12if you want to print just a small number of papers,
30:14just a few papers,
30:16you have to tell him that.
30:18How?
30:20Well, not to tell him,
30:22but to explain to him,
30:24to get him to understand.
30:26Because the printer is smart.
30:28He has to have all the information
30:30before he starts working.
30:32Did you understand everything?
30:34Well, yes.
30:36Go ahead.
30:38When the toner is hungry,
30:40and the printer is smart,
30:42he's smart,
30:44and I have to feed him.
30:46He has to be thirsty.
30:48When he's thirsty,
30:50as they say,
30:52the sheep are thirsty.
30:54Then he'll start working.
30:56Am I here somewhere?
31:00That absolutely
31:02doesn't make any sense.
31:04What do you mean it doesn't make sense?
31:06Everything has to do with food.
31:08It doesn't make any sense, Bojan.
31:10Did you listen to anything
31:12that I've been talking to you for 45 minutes?
31:14Did you listen to anything?
31:16I listened to you. I understood everything.
31:18What did you understand?
31:20You got lost somewhere.
31:22I got lost when you told me
31:24about the machine.
31:26God, why are you punishing me?
31:28When I fired you,
31:30I went to every Friday.
31:32Why did I deserve to get this
31:34after such an organized gala?
31:36From the cobbler to the magician.
31:40We have to come up with a plan
31:42for the business club.
31:44First, we have to figure out
31:46what the minus is.
31:48Yes.
31:50We have a serious problem.
31:52There's no problem
31:54without two problems.
31:56There's no problem.
31:58What are you talking about?
32:00Irma told us
32:02that the business club
32:04also has a serious problem.
32:06We have to work on the minus.
32:08That is a problem,
32:10but we'll deal with it another time.
32:12This is a serious problem.
32:14You're a magician, I suppose.
32:16Yes.
32:18I was at a meeting with the owner.
32:20What did he do?
32:22Nothing.
32:24The owner of the magazine
32:26is no longer the owner of the magazine.
32:28The owner of the magazine
32:30is not the owner of the magazine.
32:32He sold the magazine.
32:36You're not fair at all.
32:38There must be something
32:40I do better than the gala.
32:42No, there isn't.
32:44The gala looks like a million dollars.
32:46It looks like a bomb.
32:48Secondly, the gala doesn't do anything stupid.
32:50Thirdly, the gala can do
32:52three tasks
32:54and not mess them up.
32:56The gala is miles away from you.
32:58It's light years away.
33:00The gala doesn't know
33:02how to deal with food
33:04and can't share it.
33:06Even when the gala was here,
33:08I didn't have the salary.
33:10What salary?
33:12Those are black days.
33:14It's good for you.
33:16It's not good at all.
33:18I want to find a girl.
33:20How can I look like this?
33:22I look like four bats in one.
33:24I'll never find a girl.
33:26I'll die here in the lobby.
33:28Look,
33:30girls don't care about physical appearance.
33:32They don't care about men.
33:34They only care about brains.
33:36If you die,
33:38don't worry.
33:40I'll always be there for you.
33:42The first thing you said
33:44doesn't make any sense.
33:46The second thing you said
33:48is very comforting.
33:50Thank you very much, colleague.
33:52You're nervous today.
33:54It's like you're not happy
33:56that I came back to the company.
33:58No, it's not that.
34:00I'm happy.
34:02I'm happy.
34:04But objectively,
34:06I'd be happier if the gala was here.
34:08You'd be happier if the gala was here?
34:10Yes.
34:12You're not happy that I'm here.
34:14No, I'm happy.
34:16I'm happy.
34:18I'd be happier if the gala was here.
34:20Is there anything
34:22I'm better at than the gala?
34:24Please, think about it.
34:26Anything.
34:30There isn't.
34:32I'm sorry, but there isn't.
34:34The gala can't compare to you.
34:36Do you understand?
34:38The gala represents you.
34:40Let me give you a piece of advice.
34:42Maybe you should
34:44take a closer look at the gala.
34:46Take a closer look?
34:48How?
34:50Take a closer look.
34:52Come on.
35:06What are we going to do now?
35:08I'm sorry, Luka, but that's not all.
35:10What else can happen?
35:12I managed to get information
35:14from the former owner,
35:16who is now the owner of the magazine.
35:18The person you know and worked with.
35:20Okay, tell us who he is.
35:22What?
35:24Miki Tambura.
35:26So, that guy
35:28is 100%
35:30working for us.
35:32100%.
35:34Senka, thank you
35:36for the information
35:38and I'd like to ask you to stay with Luka
35:40so we can talk.
35:42Of course.
35:50Are you sure
35:52you're a smart guy?
35:54What are we doing here?
35:56I don't know what to think.
35:58Miki Tambura.
36:00Hi.
36:04Hi.
36:06Where have you been?
36:08I have to ask you.
36:10How is it to work with Dobric?
36:12Do you want to kill him?
36:14More than once a day.
36:16Why are you so nervous?
36:18About Dobric?
36:20Well, you're the one
36:22I'm most nervous about.
36:30Do you want to kill him?
36:32More than once a day.
36:34Why?
36:36She's a strange woman.
36:38She likes to pretend.
36:40And divorce?
36:42I think
36:44there's something suspicious.
36:46Do you want to kill him?
36:48More than once a day.
36:50Why?
36:52Because he's the one
36:54I'm most nervous about.
36:56Do you want to kill him?
36:58More than once a day.
37:00Why?
37:02Because he's the one
37:04I'm most nervous about.
37:06Do you want to kill him?
37:08More than once a day.
37:10Why?
37:12Because he's the one
37:14I'm most nervous about.
37:16Do you want to kill him?
37:18More than once a day.
37:20Why?
37:22Because he's the one
37:24I'm most nervous about.
37:26Do you want to kill him?
37:28More than once a day.
37:34Hi.
37:36Hello.
37:38Where were you?
37:40I was just here.
37:42Why didn't you wait for us?
37:44I thought we had a problem.
37:46I thought we had a problem.
37:56I thought you guys were here to see our show,
37:58I thought you guys were here to see our show,
38:00and he's actually here.
38:02We've been..
38:04We've been coming for hours.
38:06We've been coming for hours.
38:08We're going to relax a little.
38:10I was just talking to it
38:12and I've been thinking
38:14we need to discuss
38:16get it all organized
38:18and then talk about
38:20how we can
38:22open the doors
38:24It's not a good idea to do that, but please, don't worry, he won't, I mean, it sounds stupid, but he won't find anything about you.
38:55What's going on?
38:57I'm not a whore for you to clean the floor with me!
39:16Oh, hello, Sofia. Please, have a seat.
39:21Why did you call me?
39:24I'm not a whore for you to clean the floor with me!
39:39Open up!
39:54You