Igra sudbine, Epizoda 1228,Igra sudbine 1228 ,Igra sudbine 1229,Igra sudbine Epizoda 1228, Igra sudbine Epizoda 1229,Epizoda 1228 Igra sudbine ,Epizoda 1229 Igra sudbine
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TVTranscript
00:00I'm Bojan.
00:14Boba, nice to meet you.
00:15Nice to meet you, nice to meet you.
00:16Malja.
00:17Bojan, nice to meet you.
00:18You can call him Debeljko.
00:20I mean, he likes it more.
00:21He's an old guard.
00:24But he didn't prove his worth here,
00:27unlike some, like me, and then...
00:31You don't have the laziness to switch to old colleagues.
00:34What do you mean, old colleagues?
00:35Old colleagues.
00:36I'm as old as this company, which is old.
00:38This is new.
00:39Did you see the new inscription at the entrance?
00:40New name, everything.
00:41It's not a neck, it's a neck.
00:43No, no, I don't mind if you like it.
00:46I have a job.
00:47No, you like it, whoever wants it.
00:49Him, to him, anyone.
00:51You can do all that, you're a free woman.
00:54But I would just like you to be...
00:59...empty.
01:02You had a short period of time,
01:05two really catastrophic bad experiences with a gunman.
01:14Believe me, it doesn't even come out of my head.
01:16Well, that.
01:18But...
01:19I'm empty, I don't care.
01:21Really?
01:23I can't talk about the wedding,
01:25because I'm talking and I'm tired already.
01:27Milo, I haven't even said anything yet.
01:29You will.
01:30What am I going to say?
01:31How do you know what I'm going to say?
01:32I have a ball in the bag, so I looked at it a little.
01:34Oh, don't.
01:35What if the ball is wrong?
01:36The ball is not wrong,
01:37and maybe you're right.
01:39Maybe it's better not to do anything at all.
01:41Milo, come on, sit down, sit down.
01:43What's wrong with you?
01:44Why are you in such a hurry?
01:45I'm not in a hurry,
01:46but it's better for me to say some things
01:48than to listen to you.
01:50What things?
01:51Bad news.
01:52And what if they're not bad?
01:54Well, they're bad.
01:55And what if they're not?
01:57What if the news is actually good?
01:59Actually, great.
02:01Impossible.
02:02Milo.
02:03What?
02:04We have a couple.
02:05Don't worry.
02:06Yes.
02:08Hello.
02:09Dr. Vučković.
02:10It's me.
02:11Tell me, what's the problem?
02:12Help.
02:13Yes, yes.
02:14Breathe.
02:15Good, good, good.
02:16Just breathe.
02:17Slowly.
02:18It's hard.
02:19I hear you.
02:20Just breathe.
02:21We'll solve everything.
02:22My heart, my heart is beating.
02:24I understand.
02:25Tell me, for starters,
02:26did you take your regular therapy?
02:28Of course.
02:29Ah, okay.
02:30Come on, hurry up to your mother's.
02:32She must have missed you a lot.
02:34He's gone.
02:36And you, sit down.
02:38How is she?
02:41I said sit down.
02:42Yes.
02:44How is she?
02:47She?
02:49She's good.
02:50She's good.
02:53Her leg hurts a little, and that.
02:56It's not easy, you know?
02:59It's not easy.
03:01And how is she,
03:03like this?
03:05Besides those legs and all.
03:07She has a lot of pain.
03:09A lot of pain.
03:10You know, I think
03:11you should
03:13postpone all this for a while.
03:17I did all this too fast.
03:20You know,
03:21that business with the Bayaders,
03:23my arrival in Belgrade,
03:25big expenses,
03:27no income,
03:28for now,
03:29I have to tell you.
03:31Luka,
03:33what I'm saying to you
03:35doesn't mean I'm a small-time farmer.
03:38What do you mean, small-time farmer?
03:40What are you asking me?
03:43Did I ask you about the guy who hit you?
03:46I'm not asking you.
03:47That's a different question.
03:58I think mom is looking for you.
04:10Knock, knock, knock.
04:12Come in.
04:15Hi, Luka.
04:17Barbara.
04:20Who are you?
04:22I have to tell you something.
04:23Come in.
04:30Are you feeling better?
04:31How's your head?
04:32How's your leg?
04:33Much better.
04:34Much better, good.
04:36That's it,
04:37this is his,
04:38this is also his.
04:40Nothing,
04:41I'm going,
04:42we'll be in touch if you need anything.
04:44See you.
04:47Bye.
04:48Bye.
04:53What were you talking about?
04:55Nothing.
04:58We were talking,
04:59talking,
05:01talking about Akica,
05:02asking her,
05:04how are you,
05:06about the leg,
05:07like,
05:08human.
05:11What's the situation?
05:12I got a taxi!
05:13Good.
05:14Bravo.
05:15Are you ready?
05:16I don't think I'll ever be ready,
05:17but let's go.
05:18Think about it this way,
05:19the next time we meet,
05:21you'll be a mother.
05:22That sounds wonderful.
05:24Thank you, doctor.
05:25You're welcome,
05:26always.
05:27Anytime.
05:28And good luck.
05:29Bye.
05:41Here she is,
05:42and she says
05:43my life is interesting,
05:45but if she only knew
05:46how much I envy you.
05:50No, no,
05:51Kaja asked me to be her friend.
05:53Wonderful.
05:54But wait,
05:55Mile asked Luka
05:56to be his friend.
05:57He's teasing me.
05:58Yes, yes.
05:59Wait, wait,
06:00Mile and Kaja are getting married?
06:02No, no,
06:03you're twins.
06:04You knew that
06:05and you didn't tell us?
06:06You knew that
06:07and you didn't tell us?
06:08I was like a joker.
06:09No, no,
06:10you're my joker.
06:12Hey,
06:13how are you?
06:15And where are the fish?
06:17Huh?
06:18Where?
06:39Life is written in novels
06:43They say that life is not fair
06:48Sometimes it wins,
06:49but often it fails
06:52And everything is unknown
06:54except
06:56destiny
07:02Like in love and in war
07:05There are no rules
07:10You only have one life
07:13and one chance
07:15to become someone
07:17Because the star
07:19shines
07:23Destiny plays
07:25like a wheel of fortune
07:28Sometimes it wins,
07:30sometimes it doesn't
07:33Like in love and in war
07:37There are no rules
07:42Destiny plays
07:44like a wheel of fortune
08:03Like in love and in war
08:17You sit down,
08:18and I'll listen.
08:22I was at a party with my cousin.
08:25She's my family's cousin.
08:28We're very close.
08:30And
08:32she asked me
08:33to help her.
08:35She needs my
08:36detective service.
08:38Ok,
08:39and what is it about?
08:42Well, it's about
08:43a family tragedy
08:45in which her son was involved.
08:47And?
08:49She's worried about her son
08:52and thinks that
08:54that person will
08:55blame him.
08:57And she's sure
08:58that he's not guilty.
09:00Ok,
09:01and what's the problem?
09:03Well, the problem is
09:04the victim
09:06who might blame him.
09:09It's about
09:10him.
09:26First of all,
09:27you made a good impression.
09:28You reminded me
09:29that I need to learn
09:30how to lock
09:31the front door.
09:32And secondly,
09:33what are you talking about?
09:36I was present
09:37in the conversation
09:38between Biljana and Barbara.
09:39Ok,
09:40what does it have to do
09:41with anything?
09:42Barbara is a private detective.
09:43You know that yourself.
09:44Ok,
09:45and?
09:46Biljana asked Barbara
09:47to investigate the woman
09:48who hit her car
09:49and that's why
09:50she ended up in court.
09:52Even if that woman
09:53said that she would
09:54give up the crime.
09:56Wait, wait, wait.
09:57Why is she doing that?
09:58She can't do that.
09:59I don't know what to tell you.
10:00That's how it is
10:01when you're in love.
10:02But she can't do that.
10:03She only
10:04initiated my life.
10:05Hey.
10:06I can't believe it.
10:27Hey,
10:28I think
10:30we need you two.
10:32Well,
10:33we're really happy
10:34to see you two
10:35here.
10:37There's no end to happiness.
10:39And what are you two
10:40talking about?
10:42About some fish,
10:43I don't know.
10:45What kind of fish?
10:46You mean girls?
10:47No, no, no.
10:48About sharks
10:49and barracudas.
10:51Ok,
10:52because if you think
10:53about girls,
10:54I think that Maldives
10:55is not the best place.
10:57We're fully aware of that.
10:58Ok, ok.
10:59Maybe,
11:00but since we're already here,
11:01maybe we can
11:02find some girls
11:03here.
11:05They say
11:06we're single men.
11:07Are we single?
11:08Single.
11:09We're single men.
11:10We're single men.
11:11And precisely because
11:12we're single,
11:13we came here
11:14to catch girls.
11:15Wonderful.
11:16Well, you were lucky.
11:18Well, thank you.
11:20And what are you two
11:21doing here?
11:23Celebrating.
11:24Celebrating
11:25that you're single.
11:27Birthday.
11:28Or...
11:29Or that you're spiritual.
11:30I mean,
11:31I'm not single,
11:32that's why I'm telling you.
11:33You're not single,
11:34right?
11:35You're not single.
11:36What do you mean?
11:37I'm not single.
11:38I'm her...
11:39...
11:40...
11:41...
11:42...
11:43...
11:44...
11:45...
11:46...
11:47...
11:48...
11:49...
11:50...
11:51...
11:52...
11:53...
11:54...
11:55...
11:56...
11:57...
11:58...
11:59...
12:00...
12:07Alright,
12:08explain to me
12:09why you took on
12:10that job?
12:11I got bored of it.
12:13I got bored of it.
12:14How could you
12:15get bored
12:16of that job?
12:17I took on the job
12:18with which
12:19the boss asked me
12:20to help her.
12:22Before she told me
12:23She told me to work in the UN.
12:25I don't want to work behind your back.
12:27That's why I came to tell you to work in the UN.
12:35Okay.
12:37I think it's awful.
12:38But you did a good job.
12:40By the way, how do you know...
12:42I know what you're thinking about me.
12:44And for a reason.
12:46And I know everything I did, but...
12:49Okay, I told you.
12:51Everything's fine.
12:52You did a good job.
12:55Lukašin...
12:57Please.
12:58I don't want you to doubt me anymore.
13:02I'm sorry to interrupt...
13:05your love affair with my Marina.
13:09What do you want from me?
13:13I want us to have a serious talk.
13:17About what?
13:18Everything.
13:21Are you planning to protect me from this man?
13:26We'll talk about that later.
13:29So?
13:30Let's get down to business.
13:34I know you accepted the offer from the police
13:37to be their interrogator.
13:40I also know you worked for Ritter.
13:44And you worked for me in the case.
13:49I worked for you.
13:50What are you talking about?
13:52That I used you as a puppet for Ritter.
13:56And I hope you won't be mad at Marina for being a part of it.
14:03But what I'm most interested in...
14:09Do you ever want to start leading a normal life?
14:17Or are you going to continue acting like a puppet?
14:22I'm trying to find a way to lead a normal life.
14:28If that's the case, then it's simple.
14:31You just have to stick to us.
14:34That's it.
14:36I'm in a hurry.
14:37Bye, Barbie.
14:47I'm going to doubt you for the rest of my life.
14:51For the rest of my life.
14:53Simply because you're a barbarian.
14:58But I have to thank you for doing the right thing this time.
15:04And what now?
15:05Now?
15:06With her.
15:07What now?
15:08Nothing for now.
15:11I'll help you with that.
15:13I'll go to Panchetta and talk to her.
15:17I'll ask her what she thinks about this.
15:22You're welcome.
15:34Okay, Pavle, calm down.
15:38You should be used to being a puppet.
15:42You know how it is.
15:43I know.
15:44But this is too much now.
15:46I agree.
15:48On the other hand, I'm a little uninterested in the whole situation.
15:53Yes, thank you.
15:54I really don't know where such ideas come from.
15:57I don't know.
15:58Besides, there's nothing else to investigate.
16:00She and I were in court, we finished everything, the case is solved.
16:03Well, okay.
16:05Then you don't have a single problem.
16:07Except for the constant problem with the possessive mother.
16:37THE POSSESSIVE MOTHER
16:53Hello.
16:54Hello.
16:55What are you doing?
16:57I'm cleaning the dust, I don't know what you think.
17:00Well, it looks like you're a little upset.
17:03Well, I am.
17:04A lot.
17:05Why?
17:06Because of the dust.
17:09Now you know.
17:11What's wrong with you?
17:12I can't see how there's dust everywhere I turn.
17:16Look, I have a great solution for that.
17:19Really, let me hear it, because I don't have one.
17:21Let Marijana do it, it's her job.
17:23Marijana doesn't do it the right way.
17:26Oh, who are you, a cleaner?
17:28You know everything, don't you?
17:30I'm not a cleaner.
17:31I don't know if you liked the toilet this morning.
17:34It's not a month's worth of cleaning.
17:36It's not a woman's job to do the cleaning.
17:39You just said it's her job.
17:41Okay, let's suggest it.
17:44No, no, no, we're not going to suggest it.
17:46We're going to talk about it seriously.
17:48Okay.
18:01Cheers!
18:02Cheers!
18:03Cheers!
18:04Cheers!
18:05Don't spill it, don't spill it.
18:07There's going to be money, there's going to be money.
18:09When we're talking about money, we're celebrating
18:12the fact that Bojan Debeljko, so to speak,
18:15got a job at Cannes Capital,
18:18and now the two of us are working in the lobby together.
18:21Really?
18:22I can't believe it.
18:23Wait, aren't you my colleague, you know,
18:27from hospitality?
18:29I was, but I got fired in the meantime,
18:33so I had to get a job at Cannes Capital.
18:36Because of you.
18:37So, yeah.
18:38Excuse me, just a moment.
18:40Bojan?
18:41Can you show a little more enthusiasm,
18:44a little more enthusiasm when you talk about that new job?
18:47Not like this.
18:48How can I be enthusiastic and change jobs
18:51and get a job?
18:52It's not the same thing.
18:54Okay, but you're forgetting the most important factor.
18:56What factor?
18:57I don't know what I'm forgetting.
18:59You're forgetting me, Bojan, you're forgetting me.
19:01Because it sounds like you're there on some forced job,
19:04you know, like you're on a punishment.
19:06Okay, okay, I didn't mean it like that at all.
19:09Maybe you didn't mean it, but that's what it sounded like.
19:11Okay, I'm really sorry, I'm sorry.
19:13Okay, I accept your apology, but please don't do it again.
19:16I'm sorry.
19:17Do you talk to each other like that at work, too?
19:19No.
19:20We've talked a hundred times at work.
19:24Come on, let's drink.
19:25Come on, let's drink.
19:26My colleague, Bojan.
19:28Bojan, my colleague.
19:30Cheers, cheers.
19:32Come on, let's drink.
19:33Come on.
19:34Hey, let's eat.
19:36I can't.
19:39I can't.
19:49Okay, okay, we'll do that.
19:51Just don't get nervous about nonsense.
19:53It's not nonsense.
19:54We have to react to things like this.
19:56Okay, we'll talk to her.
19:58No, we won't talk to her.
19:59I want to talk to her.
20:01Look, maybe it would be best if Luka and Aleks were there, you know?
20:05Yes, they really don't like to talk at work,
20:07but to talk to Marjan about things like this.
20:09Okay, then I'll talk to her.
20:12Hey, I'm sorry, but you're not capable.
20:14Really.
20:15Excuse me?
20:16Why am I not capable?
20:17Because you don't notice that the house is in chaos.
20:19Everything is perfectly fine with you.
20:21Okay, I don't notice, but you notice,
20:23and I want to help you.
20:24What?
20:25Great.
20:26Then you take this cloth in your hand and clean it.
20:28Come on.
20:29What?
20:30Me, to clean?
20:31Yes, I'll talk to her,
20:32and you, if you want to help, clean.
20:34I'll talk to her.
20:35Oh, God.
20:36Here, you can go upstairs.
20:54Why do women drink coffee while talking?
20:57So they don't fall asleep while talking.
21:01Okay.
21:04Okay.
21:09Black.
21:12Vukas,
21:14you're the only man who comes into this house
21:17so I don't feel it.
21:18You're like a ghost.
21:20Professional, what can I tell you?
21:22That's how I was born.
21:24I know you, Tico.
21:25I know you, you know me.
21:28Would you like some coffee?
21:31Why not?
21:35Are you in the hallway?
21:39Yes.
21:40Marica, you know I've never been in the hallway.
21:43I've never been back for coffee.
21:46You're not, Vukas,
21:47you don't have a sense of security.
21:49But maybe that day has turned into something else.
21:53No, no, no.
21:54No, no, no, no.
21:56I've got some interesting information
22:01and I think you could help me with some of your answers
22:05so I can unravel it.
22:07Here, come on.
22:08I've turned into Vukas.
22:12According to my knowledge,
22:15the mother of the man who hit Una with a car
22:20Okay.
22:22hired a private detective
22:25to spy on Una.
22:29What's there to spy on Una?
22:33The woman is afraid
22:35that Una might be able to blame that man.
22:40No, that's all because people have gone completely mad.
22:44And they're not.
22:46I know, but I have to check.
22:49Yes.
22:50What do you know about that?
23:13Marina, is the tea ready?
23:15Yes.
23:18Oh, I totally forgot. I'm sorry.
23:20I have so much work to do, I'm all messed up.
23:24I see.
23:25Let me just finish this and I'll bring it to you.
23:27No, no, sit down, please.
23:28How can I sit down when...
23:30Sit down, I want to talk.
23:33About what?
23:36I wanted to draw your attention to a few things.
23:40What things?
23:43The cleanliness of the house.
23:46I'm really trying, but I can't do everything.
23:48Marijana, the windows haven't been cleaned for a month.
23:51There's so much dust that we're practically leaving traces behind.
23:54I just cleaned them.
23:56No, don't.
23:58What do you mean?
24:01Either you have a problem or you just can't do everything.
24:05I don't know, you tell me what it is.
24:12I don't know.
24:19Look, Pukasin, that story about Una,
24:24and that case,
24:26it's a mess, like an old cauldron of brandy.
24:31You know, Una and Pavle went to court,
24:35and it's all settled.
24:38Is it?
24:39Yes.
24:40And how?
24:42What do you mean?
24:43How did they settle it?
24:45What do you mean, how did they settle it?
24:47What are you talking about?
24:49They went to court,
24:51and Una said she wouldn't charge him.
24:55Don't worry, it's all over.
24:59How do you know all this?
25:06Una lives here, right?
25:08Yes.
25:09No, Pavle came for her,
25:11and they went to court together.
25:13Did they?
25:14Yes.
25:15And how is he?
25:16Pavle?
25:17Yes.
25:18Well, I can tell you he's a very nice guy.
25:20He's very cultured.
25:22You can see he's well-educated.
25:24Well, it's possible that he's cultured and well-educated,
25:28and nice,
25:29but it's obvious that his mother had some bigger problems
25:34with what the detective hired.
25:37And today he can hire a private detective, whoever he wants.
25:42Thank you so much for such a delicate opinion of my profession.
25:46I didn't say anything bad, Vukasin,
25:48I'm just saying that you shouldn't worry so much.
25:51Don't worry.
25:52Don't worry.
25:53I don't know what to do.
25:56What don't you know?
25:58Wait, I'll tell you.
26:00Here.
26:02See, I only filled in four words.
26:06Enough.
26:07I told you to start. What's wrong with you?
26:09Double beat.
26:10He won't.
26:11Please.
26:12What can I say?
26:14Well, to be honest, I've never worked for so many people.
26:19Do you think you can't do it?
26:23I'm trying.
26:25It doesn't look enough.
26:28Well, I really don't know what to say.
26:31Maybe it would be fair to say you can't.
26:35But I'm trying.
26:37Well, it doesn't look enough.
26:39Maybe it's a matter of organization.
26:42Maybe you didn't organize yourself well.
26:45No, I don't think it's a matter of organization,
26:47because I think anyone else in my place would have the same problem.
26:50Marijana, anyone else in your place would find a way to stop him.
26:55Or he would ask for help.
26:57I'm not trying and I'm not taking the blame.
26:59I just can't do it.
27:01Okay.
27:02I just want to ask you to put a little more effort into all this in the future.
27:09Don't be mad, I'm telling you this with the best intentions.
27:13Yes, I understand, thank you.
27:15Okay, I need you to understand.
27:17Can I go now?
27:18Of course.
27:32I'm sorry.
27:39Are you normal? Just tell me, please.
27:41What are you talking about?
27:43No, no, no, this time you overreacted.
27:45Is it possible that you hired a private detective to follow Una?
27:50First of all, lower your tone.
27:52And secondly, you're acting like I hired someone to...
27:56steal.
27:57No, how would you call it?
27:59I hired our maid, Barbara.
28:01She's working on it.
28:02Why not?
28:03Why not?
28:04That woman is going to Una.
28:07She's just investigating a little.
28:09Nothing more.
28:10Mom.
28:11Mom, you can't do that.
28:12That's not normal.
28:14Pavle, I'm worried.
28:15And that's completely normal.
28:17I'm tired of that excuse.
28:19Really.
28:20Well, if you're not going to tell me anything.
28:22I have to find myself.
28:23I just wanted to make sure you were okay.
28:25I'm fine.
28:26Do you see me?
28:27Is something missing?
28:30I suspect that woman.
28:31I suspect.
28:32Mom, you know her.
28:33She has nothing to suspect you of.
28:35And everything she gives you is suspicious.
28:37That's not your thing.
28:38You don't care.
28:39Well, I do care.
28:40I do care.
28:41How is that?
28:42That she doesn't sue you.
28:43And she doesn't chase you criminally.
28:45And you, there, as they say,
28:47accidentally get a call from the court.
28:49How?
28:50Biljana, that thing is solved.
28:51It's over.
28:52Yes, yes.
28:53I don't know why you're still dealing with it.
28:54Yes, yes, yes.
28:55It seemed solved the first time.
28:57So now you have to go to court.
28:59Yes.
29:17Yes?
29:18Good day.
29:19Good day.
29:20Good day.
29:22Am I bothering you?
29:23No, no, not at all.
29:26I wanted to ask you if you'd like me to make you a burek.
29:30There's a fantastic bakery here in the corner.
29:34If you'd like to come.
29:35I don't eat burek.
29:37You don't eat burek?
29:38No.
29:39You eat burek?
29:40Well, neither do I.
29:41But we can switch to tea.
29:44I'm sorry.
29:46I mean, it's okay for me to switch to tea.
29:49But I'm sorry about the burek.
29:51It doesn't matter.
29:53We still don't know each other.
29:55It doesn't matter.
29:56The intention is important.
29:57Yes, that's right.
29:58I agree that the intention is the most important thing.
30:00I think it's extremely important that people eat properly at work.
30:04Which leads me to the second reason why I'm here.
30:07And that is?
30:08That is to tell you that I'm traditionally in charge of getting food.
30:13So I want to tell you that I'm at your disposal.
30:26I'm glad you took the time for me.
30:29I was surprised by your invitation.
30:32I'll get straight to the point.
30:34We found out that your magazine was not a part of the acquisition we recently made.
30:40It was not a mistake.
30:42No?
30:43You should have read the contract carefully.
30:47So you did that on purpose?
30:49No, no, no.
30:50I just didn't intend to sell the magazine.
30:55Aha.
30:57So you want to say that the magazine was never a part of the acquisition?
31:01Never.
31:03Yes, then obviously we made a mistake.
31:07Obviously.
31:08I'm still the owner.
31:10Of course.
31:11I mean, don't get me wrong.
31:13We don't want to take anything that's not ours.
31:15You can't.
31:16Of course.
31:18I'd like to talk to you about something.
31:22About what?
31:24I'd like to give you a suggestion.
31:41Give me your hand.
31:43Mom, I'm begging you.
31:45Stop pushing your nose where it doesn't belong.
31:50You know...
31:52Many sons would be grateful to have a mother who cares so much.
31:57I'm not sure.
31:58Mom, this is not normal for me.
32:00What's normal for you?
32:02It's not normal for someone to go around and hire a private detective.
32:05It's like we're in a movie.
32:07People do that.
32:09People.
32:10When they're interested, they come and ask.
32:13As if I told you.
32:14Have you tried?
32:16Maybe I exaggerated a little, but I really had the best intention.
32:21Mom.
32:22If your best intentions lead you to go around and ask about my life,
32:27then what can I tell you?
32:28As if we're strangers.
32:30I don't believe that.
32:32That's it.
32:33But that's stupid.
32:35You have no reason not to believe her.
32:37And even if you don't believe her, you can't do that.
32:40Even if I see that she's problematic?
32:43I can't stand this conversation anymore.
32:45Mom, I grew up a man.
32:47And I can't stand this relationship with you anymore.
32:54When are you going?
32:55I'm going, mom.
32:56I'm going.
32:57I'm going to take a little break from you.
32:59How?
33:00In the middle of the story?
33:03Mom, it's not in the middle.
33:05This, between you and me, has been going on for a long time.
33:09Too long.
33:10I can't take it anymore.
33:12Bye.
33:17Bye.
33:34What's the offer?
33:35I'll be honest with you.
33:37Please.
33:38It wouldn't matter to you if we came to visit the store.
33:41I mean, that was the original idea of the purchase.
33:43I understand you, but...
33:45You have to...
33:46No, listen to me.
33:47Go ahead.
33:48That magazine is on our plot.
33:51And it's completely stupid that the magazine is not ours, right?
33:54You listen to me.
33:55No, you listen to me.
33:57We are ready to make a special deal.
33:59If we bought that magazine, the acquisition would be complete.
34:02Senka, I understand you completely, but that's also impossible.
34:05You haven't heard the offer to the end.
34:07And I'm not interested.
34:08Not because I don't want to sell it, but because I can't.
34:11Of course you can, the question is, do you want to?
34:14The magazine is sold.
34:16Excuse me?
34:17Last week.
34:19Excuse me, do you have a minute?
34:44Of course.
34:45Sit.
34:52Tell me.
34:55I give up.
35:15I'm sorry, did I bother you?
35:17I'll come in later.
35:21We didn't expect you, where are you from?
35:24No problem.
35:30All right.
35:32If it's not a problem, I would like to know who bought the magazine.
35:35Of course it's not a problem.
35:37The buyer is Miki Tambur.
35:41Man, if you only knew.
35:44You don't make me look better.
35:46You don't make my life look better.
35:48Well, yes.
35:49You don't.
35:56Easy there.
35:58Serbs.
36:01All right.
36:03Come on, say the picture.
36:04What happened now?
36:08I thought I wouldn't tell you about it.
36:10I wanted to keep quiet.
36:12You wanted to keep quiet.
36:25Look, Marijana, Olga and I noticed that the house is not in the best order.
36:30But I know it's not.
36:32Well, if you know, then don't try too hard and everything will be OK.
36:35I can do it because there are a lot of you, you know?
36:39When Samuna and Andrija were alive, everything was in such a mess.
36:43None of us wants everything to be over.
36:47I don't even have a minute of rest.
36:49I never sat down, do you understand?
36:51It seems to me that you all think I'm taking the blame.
37:07You can stay here for a day, no problem.
37:09What's the problem?
37:11I'll tell you everything, but it's not a problem to sit down.
37:13Yes, sit down.
37:14I'm sitting, I'm sorry.
37:16And?
37:35Why did you call me?
37:39You know very well why I called you.
37:43What did I do now?
37:59What is it?
38:00It's not with you.
38:01Why?
38:03Why are you killing the speaker?
38:05I'm sorry.
38:06I'm just passing on the information I've learned.
38:21You can handle those procedures.
38:23Do you understand?
38:24So I feed him, right?
38:27Yes.
38:28As if you were feeding him.
38:30You are free to translate everything I tell you into the language you understand.
38:34And use the terminology that suits you.
38:50So the offer was great.
38:52The one that doesn't refuse.
38:55Yes, I understand.
39:11He wanted to talk to me.
39:13Indiscreetly.
39:16Indirectly?
39:18Yes.
39:23Come on, woman, speak up, please.
39:25Indiscreetly or verbally, just say it.
39:27Yes.
39:42Yes?
39:45We have a serious problem.
39:48Well, where is one problem that would not have two problems?
39:50There is no problem.
39:51What are you talking about?