Category
📺
TVTranscript
01:00I wonder why, I wonder how, but I'm afraid to see.
01:13I was getting stronger every day.
01:16I'm facing the way I fall.
01:19And I'm not sure how far I'll go.
01:22I won't be able to do it anymore.
01:27Come on, Franny.
01:28Make with the directions.
01:29It's second on the left.
01:30What's the matter?
01:31Having second thoughts?
01:32No.
01:33Then why don't we raise the dead?
01:34That's the whole object of the exertion.
01:35It's the next alleyway, on the corner on the right.
01:36Come on!
01:38Come on.
01:39Get up.
01:40Come on.
01:41Get up.
01:42Come on.
01:43Get up.
01:44Get up.
01:45Get up.
01:46Get up.
01:47Get up.
01:48Get up.
01:49Get up.
01:50Get up.
01:51Get up.
01:52Get up.
01:53Get up.
01:54Get up.
01:55Get up.
01:56Get up.
01:57Get up.
01:58Get up.
01:59Get up.
02:00Get up.
02:01Get up.
02:02Get up.
02:03Get up.
02:04Get up.
02:05Get up.
02:06Get up.
02:07Get up.
02:08We're moving.
02:11Come on, get out of the way.
02:12Get out of the way.
02:13No one can get out of your way.
02:14That's right.
02:15Get your act together.
02:16Why are we waiting?
02:18Why are we waiting?
02:20Why are we waiting?
02:24Nice one.
02:26Any chance of a fry up, Franny?
02:28So where is it, Franny?
02:30This door?
02:32To the Netherworld.
02:34Woo!
02:36Over there in the corner.
02:37You'll have to move the table.
02:39We need pieces of paper for the letters.
02:41Come on.
02:42Come on, you bugger.
02:48All hope, abandon ye who enter here.
02:53You got shut down there as a kid.
02:55It was only for a few minutes.
02:57It felt like a lifetime.
02:59No wonder you thought you saw a ghost.
03:00I've written out the letters for Annie.
03:04You're not scared, are you?
03:06Of course not.
03:07For God's sake, what self-respecting spirit
03:09would want to be seen with a bunch like us?
03:11Hello.
03:11Hello.
03:12Oh, shit.
03:16Come on, Franny.
03:25Maybe it'll give us our finals results.
03:28Nothing as bad as that.
03:30Too late anyway.
03:31They're probably already in the pub.
03:33Someone's trying to get through.
03:39We're right over the central line.
03:41Ah!
03:42Ah!
03:43Well done, Susie.
03:45You've summoned up a tube train.
03:46Now try for a cross-channel ferry.
03:50Six to summon and one to control.
03:56Come on, Franny.
04:04Mm.
04:12No, we have a Frenchman here.
04:13Shh.
04:33Non omnis moria.
04:37Who can remember their Latin?
04:40It's a line from Horace.
04:43It means, I shall not altogether die.
04:48Wait, there's more.
04:55Huh?
04:56What is it?
04:57What's she saying?
04:58Huh?
05:02Prophecy.
05:04It wants to prophesy.
05:28Oh.
05:46Francesca, people want to order.
05:49Yes, sir.
06:05What would you like?
06:08We've got orange, freshly squeezed orange, Fanta,
06:12Coke, lemonade, milkshakes, milkshake.
06:17We've got vanilla, raspberry, lime, chocolate, chocolate.
06:25And you'd like?
06:35Espresso.
06:55No!
07:01No!
07:25No!
07:26No!
07:27No!
07:28No!
07:29No!
07:30No!
07:31No!
07:32No!
07:33No!
07:34No!
07:35No!
07:36No!
07:37No!
07:38No!
07:39No!
07:40No!
07:41No!
07:42No!
07:43No!
07:44No!
07:45No!
07:46No!
07:47No!
07:48No!
07:49No!
07:50No!
07:51No!
07:52No!
07:53No!
07:54Good night.
07:55Good night.
07:56Miss Monsanto, you can't possibly
07:58manage that on your own here.
07:59Good night, Declan.
08:00Come off it.
08:01I'm only offering a helping hand.
08:03That's what worries me.
08:04Listen, I know you archaeologists
08:05are far too high-minded to fraternize
08:07with us mere librarians.
08:09It's rubbish.
08:10Well, slow down then.
08:17Whoever he is, he can wait.
08:19If you wanted a date, you didn't have
08:20to go and join an orchestra.
08:22I'm just doing a favor for a friend.
08:25But I don't know why I have to explain myself to you.
08:27You're worse than my father.
08:28Well, I'll take that as an invitation to meet the folks.
08:31Must be love after all.
08:33Will you?
08:38Max?
08:40Max?
08:51Depart from platform 10 B.
09:01This post service is to make a bow over the ears
09:03and now ready for boarding at platform 4.
09:07Please wait for this service.
09:15No, no, no.
09:16Edward?
09:17I hate you.
09:18I hate you.
09:19Are you all right?
09:21You see what happens?
09:22I'm sorry about that.
09:24Let me give you a hand.
09:25Oh, no, I don't.
09:29Yes.
09:32I should carry this.
09:37I've been to the zoo today.
09:39Did you like it?
09:40I got to ride on a camel.
09:41Did you know a camel could kill you?
09:51Where would you like to sit?
09:52Oh, no, this isn't our train.
09:54Oh.
09:55Well, we're on the other one.
09:56Ladies and gentlemen, this train will
09:58Ladies and gentlemen, this train will
10:00shortly be departing for York.
10:02Any customers not wishing to board,
10:04please leave the train now.
10:05Thank you very much.
10:06Pleasure.
10:29Why didn't you ask his name?
10:31What's the point?
10:33He's probably married anyway.
10:35Well, his wife might have dropped dead.
10:37You never look on the bright side, Franny.
10:39If you see him again, you go for it.
10:43Clemmie.
10:44Stop that.
10:47Now.
10:51I saw Max Gabriel today.
10:54What's wrong with him?
10:56You've not heard?
10:58He's got leukaemia.
11:09Here we are.
11:10Balding, 50.
11:12Not fat if stomach held in.
11:15Nice bottom.
11:16Washes quite regularly.
11:18Oh, yuck.
11:20Female.
11:21Seeks to delight in Midlands.
11:24Bit out of your area, that.
11:26Distressed student.
11:28Urgently needs funds.
11:30Girl with cello.
11:32Are you the girl seen struggling
11:34down the platform of King's Cross Station
11:36carrying a cello on Thursday?
11:38Do you mind?
11:41Good luck.
11:44May I?
11:45Sure.
11:46Thanks.
11:57What an advertisement.
11:59I didn't get a chance to talk to him.
12:02He was getting another train.
12:04He definitely wasn't a weirdo, I could tell.
12:07Just don't tell your father that I knew anything about it.
12:10He has enough on his plate,
12:12leaving this place and everything.
12:14I wish he didn't take it so hard.
12:16Father's fault.
12:17He is so good.
12:18He is determined to show your father
12:20that he can build a business
12:22just as well in the New Zealand.
12:24He can build a business just as well in the new place.
12:27But I wish he did not insist
12:29on taking every last thing in this place with us.
12:32When they told us our lease was up,
12:34I thought it meant we could lease all new.
12:36But no.
12:37Now, is there anything in the cello, Luigi?
12:39No, but better to check.
12:47There's a light.
12:48It's there somewhere.
12:54It's there somewhere.
13:25Hello?
13:26Hi.
13:27How was the concert?
13:29Oh, um, I don't play.
13:32I was just carrying it for a friend.
13:34Look, I, um, I kept thinking about you.
13:37I hope you don't mind.
13:39Um, I'm amazed I saw the ad.
13:42It was Deborah's idea.
13:45Um, before we say anything else,
13:50I was wondering...
13:52I'm not, um, I'm not attached to anyone.
13:55Oh.
14:04Go on, tell me more.
14:06There's nothing left to tell.
14:07Please, please, please.
14:09We've talked about nothing but me all evening.
14:11That's because you're an incredible, wonderful,
14:13beautiful woman.
14:15Stop it.
14:16I'm not a beautiful woman.
14:18Beautiful woman.
14:19Stop it.
14:23Let's change the subject.
14:25I don't know anything about you.
14:27Well, my name is Oliver Hawkin,
14:29and I'm a fortune teller.
14:33What?
14:34No, I'm just trying to make it sound more interesting
14:36than it actually is.
14:37Now, I'm a statistician.
14:39I try and predict the risk level for the insurance business.
14:42No, not with a crystal ball, just a boring old calculator.
14:47Don't believe a word of it, darling.
14:51Seb!
14:52Well, look at you.
14:55Oh!
14:56I hardly recognised you with your clothes on.
14:59Who's this?
15:01This is Oliver, a friend of mine.
15:05Still with the relics?
15:07Yeah.
15:08No kids or weddings?
15:10No.
15:11Not yet.
15:13Did you hear about Max?
15:14Oh, dear.
15:16Max and Jonathan in the same month.
15:18I couldn't get to the funeral, but I did send some flowers.
15:21But Max hasn't...
15:22No, Jonathan's.
15:25Oh.
15:27Didn't you know?
15:29God, I'm sorry.
15:32He was in Washington.
15:34He got mugged and they shot him.
15:37Out on an apex and back in a box.
15:39That's awful.
15:41Jonathan...
15:42Seb!
15:43I've got to go.
15:45I wish I could chat for longer.
15:49Let's keep in touch, Franny.
15:53Life is too short.
15:55Thank you very much.
16:14I've called a taxi for you.
16:16I'm sorry.
16:17It was all going so well.
16:19It doesn't have to end here.
16:21I invited you down to spend the weekend with us.
16:25Would you have said yes?
16:27Ask me.
16:51Bruno...
16:53Where are you?
16:59Bruno...
17:01Where are you staying?
17:18Where are you?
17:22Do you hear me?
17:27Do you hear me?
17:29I want you to hear me.
17:31Do you hear me?
17:33Bruno...
17:35Bruno, where are you?
17:37Where are you?
17:42Fred!
17:51Number 26, Franny.
18:21Come on.
18:41I could kill you.
18:43Why?
18:44You live here.
18:46Mostly in this part.
18:48Keep it going.
18:50It's about time. I've been waiting ages.
18:52Mrs Bigbone says you can call the estate office when you get back.
18:55Did she say what about?
18:57Lord of the Manor stuff.
18:59I'd better get up there. Half an hour.
19:01I promise.
19:03I'm sure Edward can look after me.
19:19Do you like it here?
19:21Yes, I do.
19:23Good. I had to twist Daddy's arm to make him see you again.
19:26What do you mean?
19:28He thought you were nice, but he's very shy.
19:30So what did you do?
19:32I told him to put the advertisement in.
19:34He didn't think it would work.
19:36Do you know what that's called?
19:38It's lavender.
19:40An anirachnid purpurea.
19:42And that's auriculatum.
19:44It's a plant.
19:46And that's auriculatum.
19:52Do you study Latin?
19:54I like the sound of the words.
19:56This is the chapel. What religion are you?
19:58I'm a Catholic.
20:00Really?
20:02All my family are.
20:04I expect you can still come in.
20:06That's our family motto over the door.
20:08Omnis moria.
20:10It means...
20:12I shall not altogether die.
20:17DOOR SLAMS
20:24Every Marquess of Sheffield's buried here.
20:26Except for one.
20:28Your dad. He's not dead yet.
20:30I mean, the second Marquess.
20:32Nobody knows where he is.
20:34Shock everyone, then disappear forever.
20:36It's the kind of life to have.
20:43Here's my mother.
20:45Are you planning to sleep with my daddy?
20:47Daddy?
21:13So...
21:15This is the story with the second Marquess.
21:17Oh, right.
21:19So what's Edward been telling you, then?
21:21Why?
21:23Well, you see, the second Marquess was the black sheep
21:25to end all black sheep.
21:27He was a Satanist, a Sadist,
21:29and a paedophile. And those were his good points.
21:31So which one's he?
21:33Oh, no, there's no portrait.
21:35No, no.
21:37They burned them all when he was murdered.
21:39That's the reason the whole family
21:41had to move out of London.
21:43What did Edward
21:45actually say?
21:47There's no need to worry, Oliver. We were just talking.
21:49He showed me the chapel.
21:51I sometimes think he has
21:53an unhealthy fascination for the gory detail.
21:55That's what children are like,
21:57weren't you?
21:59Yeah, I suppose so.
22:01I probably worry too much.
22:03Maybe I'm the one
22:05who needs a shrink.
22:07It's all right. It's just something that happened
22:09after his mother died.
22:11Behavioral problem.
22:13I'm assured it's all part of the grieving process.
22:17Let's talk about you.
22:21I'm...
22:23really very ordinary.
22:25Really?
22:41♪
23:03♪
23:11♪
23:41♪
23:57I saw somebody die when I was in France.
23:59It was a girl.
24:01Swimming. Motorboat went right over her.
24:03Did it upset you?
24:05I didn't really know her.
24:07Then I saw my friend Dominic get three of his fingers cut off.
24:09He trapped them in a car door
24:11and they couldn't get it open.
24:13You're making my toes curl.
24:15No, it's true. I was there.
24:17I didn't say you weren't.
24:21I'm always seeing bad things happening to people.
24:23Sometimes I dream it.
24:25Then I find out that it's actually happened.
24:27Isn't that spooky?
24:29Imagination's a powerful thing.
24:31I don't imagine it. I keep records.
24:39Edward,
24:41is this something that started
24:43when your mum died?
24:45These are the plum trees.
24:47Victorias are the best.
24:49They edible?
24:53Ripe ones are.
24:57Have any of your friends died?
24:59Yes.
25:01That was nothing to do with you.
25:05Don't worry, Edward. There's nothing wrong with you.
25:07But what was it before you met me or after?
25:11Ow!
25:13Ow!
25:15There's a wasp in it.
25:17You know, it doesn't look as bad
25:19as it probably feels.
25:21I hope not.
25:23I'll call the doctor.
25:25You're not allergic or anything, are you?
25:27Well, I'll call him anyway.
25:29Not the best way to end the weekend, is it?
25:31I hope it hasn't put you off.
25:33I'll be back in a minute.
25:37Okay.
25:57Max?
26:07Max?
26:13Right, come on, children.
26:15Put your coats on.
26:17Your mummy's going to be here soon.
26:37Come on.
27:07Max?
27:31Come on.
27:33Come on, children.
27:35I don't know what I'm doing.
27:37I don't know what I'm doing.
27:39I don't know what I'm doing.
27:41I don't know what I'm doing.
27:43I don't know what I'm doing.
27:45I don't know what I'm doing.
27:47I don't know what I'm doing.
27:49I don't know what I'm doing.
27:51I don't know what I'm doing.
27:53I don't know what I'm doing.
27:55I don't know what I'm doing.
27:57I don't know what I'm doing.
27:59I don't know what I'm doing.
28:01I don't know what I'm doing.
28:03I don't know what I'm doing.
28:05I don't know what I'm doing.
28:07I don't know what I'm doing.
28:09I don't know what I'm doing.
28:11I don't know what I'm doing.
28:13I don't know what I'm doing.
28:15I don't know what I'm doing.
28:17I don't know what I'm doing.
28:19I don't know what I'm doing.
28:21I don't know what I'm doing.
28:23I don't know what I'm doing.
28:25I don't know what I'm doing.
28:27I don't know what I'm doing.
28:29I don't know what I'm doing.
28:31Night?
28:33And Susie?
28:39What happened?
28:41The virus damaged her eyes.
28:43She's completely blind now.
28:45See? Three of us left.
28:49Out of what?
28:51Out of the people at the séance.
29:01I know all about the scrapbook, so don't worry about it.
29:06But he'd cut a piece out about someone I knew.
29:09If it's a bizarre death, he clips it. I've been through it all with the doctors.
29:14It's supposed to be his way of trying to make sense out of something...
29:18senseless.
29:20You see, no child should ever have to see...
29:24what he saw.
29:28He watched his mother die.
29:32Can you talk about it?
29:34Well, she was on her way to meet us, and...
29:39and she was killed crossing the road.
29:45It was all over in a second.
29:48I wasn't even sure if Edward had taken it all in.
29:51He was very young.
30:31No!
30:38No!
30:44Mum!
30:46Mum!
31:00Oh, Edward.
31:03I thought you were at school.
31:05School's finished. My aunt brought me last night.
31:08Daddy's going to take him back to Meston. He's gone to get the papers.
31:11Did you hear us come in?
31:14You haven't got any underwear on.
31:16I know.
31:17Won't you get cold?
31:19I didn't expect you to be here.
31:45I wish you were coming back with us.
31:47I can't, Edward. There are things I have to do.
31:51I still wish you were coming. I can tell you things.
31:55I'm sorry.
31:57I'm sorry.
31:59I'm sorry.
32:01I'm sorry.
32:03I'm sorry.
32:05I'm sorry.
32:07I'm sorry.
32:09I'm sorry.
32:11I'm sorry.
32:14I heard about your mother.
32:17I'm so sorry.
32:19It was a long time ago.
32:30I think I might have been there when it happened.
32:34I know. You were the waitress.
32:38Daddy hasn't remembered.
32:40I haven't told him.
32:42Why not?
32:43I don't want to upset him. It might scare him off you.
32:47And you wouldn't want that?
32:50I don't know how to explain it.
32:53I do have these bad thoughts about people sometimes.
32:57And then things... things just happen.
33:06You've got to give me an honest answer, Edward.
33:11Some of these thoughts seem to be about people I know.
33:17Have you ever had them about me?
33:22I don't mean them.
33:24It's like...
33:27Like they come from someone else.
33:31Do you know who?
33:34Frances.
33:37Frances Holkin.
33:39The second Marquess.
33:42Her name is Maria.
34:09This is the only hawk I'm going to have on this site.
34:12I think there's some books and silverware up in Oxford.
34:15Most of the stuff has either stayed with the family or found its way home.
34:19I don't know.
34:21I don't know.
34:23I don't know.
34:25I don't know.
34:27I don't know.
34:29I don't know.
34:31I don't know.
34:33I don't know.
34:35I don't know.
34:37Most of the stuff has either stayed with the family or found its way into private hands.
34:41But this is the piece that belonged to the second Marquess.
34:44It's a maleficarum, an instruction manual for satanic rituals.
34:48Date of around 1650.
34:51Family tradition held that it was written on human skin.
34:55Is that true?
34:56I don't know.
34:57The second Marquess was executed by Cromwell's soldiers in the cellar of his own home.
35:02The same room he used for satanic rituals and rogering young boys.
35:06What coloured him? Do you know what that means?
35:08Like Edward II.
35:10Thereby proving that the way to a man's heart truly is through his stomach.
35:13At least when you're using a poker.
35:16I should imagine he went down cursing.
35:19This book was discovered in, if you'll pardon the expression, the family seat.
35:23Hidden in one of the walls by the brother who'd inherited.
35:26Turned up when the house had to be demolished after the fire.
35:30But the house is still standing.
35:32It was a country house. This was the townhouse. It stood in the city.
35:36Where in the city?
35:38Pulterer's alley.
35:41What?
35:55Phoebe.
35:59Oh, my God.
36:03I'm so sorry.
36:13Oh, Miss Hawkins won't be ready for visitors for a while yet.
36:16Are you her sister?
36:19No.
36:20She's still coming around from the anaesthetic.
36:22Oh, Fanny. Fanny.
36:24Really, she's in no state.
36:26Fanny.
36:28Won't zip.
36:31Fine, Susie.
36:33Ask her about the prophecy.
36:37He's going to try and get us all.
36:43Please. If you'll just come with me.
36:49Right. Fine. See you.
37:01Car to the main doors, please, Jo.
37:03City airport in 20 minutes.
37:10Um, Mr. Holland, please.
37:18Mr. Langston Holland's office.
37:31I'll go up.
37:33Excuse me, miss, you need a pass.
37:35It's all right. He knows who I am.
37:44Hello, young man.
37:46What are you doing here?
37:48Mr. Holland.
37:50Ah!
37:52What are you doing here?
37:54Mr. Holland.
37:56Ah!
38:05Ah!
38:23I don't want to do this.
38:25I don't know as much as you think.
38:27You knew enough to run the sale, Susie.
38:29You were in charge.
38:31And what was that? It was a glass and some cards.
38:33It was a game.
38:35You didn't think so at the time.
38:37And I don't believe you think so now.
38:40Six of us are dead or damaged.
38:43And I'm the next one in line.
38:46I'm the next one in line.
38:49And I'm the next one in line.
38:52You said all our futures were in the message.
38:56If only you could work out how.
38:59Oh, God almighty, you've got enough to go on now.
39:03What's supposed to happen to me?
39:05I don't know. I don't want to know.
39:07I'm scared, Franny.
39:13I remember I couldn't work it out.
39:16Nothing I could see in it made any sense except for mine.
39:20And you know what that was, just one word.
39:23Dark.
39:25But it wasn't wrong, Susie.
39:28He was telling us what he was going to do to us.
39:31We're the ones who let him out.
39:34Edward's the source of his power
39:36and Hawkins using him to get rid of all the witnesses.
39:40Then what?
39:42Then there'll be nothing to stop Francis Hawkins
39:45coming back into this world.
40:00What do you want to ask?
40:04I want my prophecy.
40:07I want to know what he has planned for me.
40:12One.
40:18Two.
40:24Six.
40:2626.
40:28Does that mean anything?
40:31I'm frightened, Franny. It's very close.
40:36It's all right.
40:38Ah!
40:43Ah!
41:06It's all right.
41:08What happened?
41:10It's not me, Franny. Not me.
41:15It's you.
41:23PHONE RINGS
41:25Yes?
41:27It's Francesca.
41:29Look, Edward's gone missing. I thought it might be him.
41:32You called the police?
41:34Yeah, they're here now.
41:36I won't keep you. I know you'll be worried.
41:39I've got to say something.
41:41Um, come over.
41:43I can't.
41:45We're all in danger, Oliver.
41:48Francis Hawkins been using Edward.
41:52But he's been getting to him through me.
41:56I'm the one who's possessed.
41:59I'm his way back into the world.
42:02And I've got to stop him.
42:06Goodbye, Oliver.
42:09Come on, girl. Let's settle this.
42:39Come on.
43:09GUNSHOTS
43:27Non omnis moria.
43:29It means...
43:31I know what it means.
43:40I can't imagine a worse place to play the Ouija.
43:46All that hideous energy latent in these walls.
43:51And seven children whom you know better,
43:54pulling it all into focus.
43:56I'm sorry.
43:59For everything.
44:01Don't judge yourself, Francesca.
44:03It's not for you to take the blame alone.
44:06What will we do?
44:10We're going to say a requiem mass for the soul of Francis Hawkins.
44:14At work? Just a few prayers?
44:20As compared to what?
44:22The power of seven drunks and a wine glass?
44:27I think we're in with a chance.
44:33Tube train.
44:36Central line.
44:40TUBE TRAIN
44:48The consciousness of a young child
44:50is not fully developed until at least the age of seven.
44:53Here, the evil forces saw a child who was not only young,
44:57but was also a direct descendant of the second Marquis.
45:00By using you as a channel,
45:02it could slowly enter the mind of that child,
45:05test the boy out without him realising,
45:07until he became used to it,
45:09accepting him as a part of himself.
45:14Then what?
45:16Then there would come a point
45:19where he no longer had any need for you.
45:31Are you ready, Francesca?
45:38SIGHS
45:49Protect us, O Lord, we beseech thee.
46:08Protect us, O Lord, we beseech thee.
46:18Hear us, O Lord, as we humbly beg your mercy,
46:22that the soul of your servant, Francis Edward Alwyn Hawkins,
46:27whom you have called from this life,
46:29may be brought by you to a place of peace and light.
46:38Receive, O Lord, the soul of your servant, Francis,
46:41for whom your blood was shed.
46:43Grant him eternal rest
46:46and perpetual light shine upon him.
46:53For God, it is your nature to have mercy and to spare.
46:57Grant your servant, Francis,
47:00eternal rest...
47:08THUNDER RUMBLES
47:23COUGHS
47:30Father Spode!
47:32He's in here with us!
47:35Father Spode!
47:43Protect us, O Lord, we beseech thee.
47:46Lamb of God, you take away the sins of the world.
47:50Have mercy on us.
47:52May this mingling of the body and blood of our Lord Jesus Christ
47:56bring eternal life to us who receive it.
48:00This is the blood of Christ.
48:02Grant that our brother Francis may take his seat with Christ
48:05at his eternal banquet, who lives and reigns for ever and ever.
48:11Father...
48:13Edward...
48:14It's not only evil that can work its way through my life...
48:17Walk its way through the lives of others, Franny.
48:30COUGHS
48:42It's all right now, isn't it, Franny?
49:00When's Edward coming home, Mummy?
49:03He'll be home at the end of term.
49:05He'll play with you then.
49:07He won't. He never wants to.
49:10When Daddy dies, will Edward be a lord?
49:13When your dad dies, it won't be for a long time, Charles.
49:19Then Edward will inherit the title.
49:22What if Edward dies before that happens?
49:26Nothing's going to happen to Edward, Charles.
49:31Would I have to be Lord Sheffield, then?
49:35Charles, end of subject.
49:38What would the next lord have to be called?
49:43What do you mean?
49:45Say it would be me. What number would I be?
49:4926.
49:51You'd be the 26th Marquess of Sheffield.
49:56CRASH
50:26CRASH
50:32CRASH