industry,industry hbo eric,industry season 3,ken leung industry,gee money industry,industry hbo harper,industry hbo yasmin,marisa abela industry,industry hbo season 3,myha'la herrold industry,industry season 3 teaser,industry season 3 trailer,industry season 3 trailer hbo,industry hbo season 3 trailer,jungle muzik larry,music,g money,geemoney,nba youngboy diss,gee money,ken leung,young boy,gee money diss nba,hbo series,hbo trailer,hbo youtube industry season 1,industry season 2,industry season 3,industry season 1 hbo,industry season 1 recap,industry season 1 trailer,industry,industry season 1 tv trailer,industry season 1 trailer 2020,industry recap,industry trailer 1,industry season 1 official trailer,industry trailer,industry s01 trailer,entertainment,david jonsson,freya mavor,ken leung,lena dunham,drama,trailer,tv trailer,rotten tomatoes tv,hbo,2020 trailers,2020 tv trailers
Category
😹
FunTranscript
00:00The story that doesn't come out of the heart, is dishonest.
00:03Ayush, not with your heart, think with your brain.
00:07Brain.
00:08Sir, I'm thinking with my brain, that's why I'm telling you that...
00:11Hey, Rommel, come, come, sit, sit.
00:14Will you eat something?
00:15No, sir.
00:16I'm just eating and filling my stomach.
00:18Wow, what a line.
00:20That's why I say, writer is God and God is writer.
00:24Ayush, I'm telling you, the story that doesn't come out of the heart, is dishonest.
00:29Ayush meet Rommel, Rommel meet Ayush.
00:35Premchand.
00:36Oh.
00:37Okay, so I've decided that I'll make a film with Ayush's script for the first half of Bade Bhaijaan
00:45and Rommel's script for the second half of Tedi Medi.
00:49Sir, sir, sir.
00:50Sir, my script is out and out drama.
00:53Sir, ours is comedy.
00:55So, it's a drama.
00:57Drama and comedy is a drama.
00:59Now see, Ayush, your script's first half is crisp like wadi.
01:04And Rommel, your script's second half is spicy like sambar.
01:11So, we'll dip this wadi in sambar and then mix such a chutney of drama and emotion
01:23that the audience in the theatre will lick their fingers and run away.
01:27Sir, if we could get two days to think, then we…
01:31Yes, sir, the idea is interesting and it's rocking like you.
01:34If we could think for a day or two, we'd be confident like you.
01:40Those who think a lot, their brains get soft.
01:44And sambar is cold.
01:46Don't think too much, focus on the business.
01:49Quickly go and write a new draft of the script.
01:52Because from today, our industry is going to meet a new Sareem and Javed.
02:22Yo, yo, yo.
02:35Bounce on up, yo, yo, yo.
02:45Bounce on up, yo, yo, yo.
02:49Bounce on up, yo, yo, yo.
02:58So, Prasit Roy's Top That is your sixth film in the last five years as a dialogue writer.
03:03Mr. Prasit has directed films like Pari and series like Paatal Lok.
03:07How was your experience writing for him?
03:09Prasit is a very collaborative person. It was wonderful to work with him.
03:13Do you write alone or does someone else write with you?
03:17No, I'll write alone. No one will hold my hand and make me write.
03:20No, I know. I mean some collaboration, you know.
03:22Like the story is someone else's, but someone else does the screenplay.
03:28By the way, in your film Ek Larki Diwani Si, someone else gets the story credit on the IMDb page.
03:33I know you mean Aishwarya.
03:38She didn't do any work. She just goes to the IMDb and edits the credits.
03:43Apparently she does that.
03:45Is that why you two broke up?
03:48There should be a relationship to break up.
03:50We weren't like Pes Bhupati Jatin Lal or Salim Javed.
03:54Something must have happened that caused you guys to not talk to each other.
04:02Hello. Yes, what did he say?
04:04He was saying you've edited IMDb pages for yourself and put story credits.
04:09Who are you listening to? Are you mad? I don't do all this.
04:13Yes, but I have some admirers who know how much I contributed to that film.
04:17So, let's do it.
04:18I believe you. But by the way, he was so insulting.
04:21He stopped the car in the middle of the road and he asked me to get out.
04:24Can you believe that?
04:25And on top of that, he has the audacity to invite me to his screening.
04:29I told you he's like that.
04:32Listen, Prasit has called me too. Will you go?
04:35No, I have an event. I need to attend that. So, no.
04:39Listen, I have to leave for the screening. I'll talk to you later.
04:42Okay, bye-bye.
04:51Bro, it's saved in the credits.
04:53Otherwise, that actor would have ruined it.
04:56God!
04:57He's the same Ayush Verma.
05:03What's going on between you and Rumil?
05:05Deepak Tijori and I are Aamir Khan.
05:07The winner is the one who wins.
05:08Now, what's done is done.
05:09And I'm really excited for your film.
05:11Okay, I'll leave now.
05:12Yes, please.
05:18Hi.
05:19Hey.
05:21How are you?
05:22Are you married?
05:23Are you wearing a suit?
05:25What's the difference between a screening and a wedding?
05:28You're right.
05:32How are you?
05:34All good.
05:37I've heard a lot about you.
05:41Hope you're doing okay now.
05:45Yes, everyone's fate is not like yours.
05:47You should get the result of someone else's hard work.
05:49Why don't you write dialogues for TV serials?
05:52There's a lot of melodrama in it.
05:56Wow!
05:57Dialogues by Rumil Jha.
05:59How long will you keep talking to someone else?
06:02Do you want to write your own screenplay?
06:04Before touching the father.
06:06Son, before touching the son.
06:08Okay, okay.
06:09Before touching the father.
06:10Correct.
06:12Before touching the son.
06:15Talk to the father.
06:16Sir, what a line!
06:17I mean, there's so much depth in every line.
06:20Nice.
06:21I mean, what's the thought?
06:22What's your process?
06:24Nothing much.
06:25Just open the laptop and write.
06:27Genius.
06:28What are you doing next?
06:29You know, let's do something together.
06:31Let's make it path-breaking, sir.
06:32If I were you, I would've signed it.
06:35Vadhvani art is a big name.
06:36And moreover, money.
06:37Listen.
06:38Yes.
06:39Why don't you meet her?
06:41She owns Tez Crypto's zone.
06:44No, man.
06:45It's written in your CV that you're from Bombay.
06:47I told you to meet my sister.
06:51You've written here,
06:52installed solar power,
06:53cloth drying,
06:54hostel premises.
06:55What else should I do?
06:56Who's going to dry the clothes outside?
06:59We've already told the party
07:01about this talent balance.
07:03The minister's daughter is handling everything.
07:05The party's leaders are coming
07:07as the chief guest.
07:09That's wonderful.
07:10Then my photo with them in the media...
07:14Our photos will also be there.
07:19How was it?
07:21What did you think?
07:22The location is solid.
07:24And the camera is amazing.
07:26And the BGM too.
07:28Yeah, yeah.
07:29BGM was so good.
07:30I even remembered the title theme.
07:31What do you think about the opening?
07:33Opening, I feel...
07:35I mean...
07:40Okay, okay.
07:42The real story is in the second half.
07:45Snacks have arrived with candies.
07:47Now India's first Oscar winner.
07:49I mean,
07:50there's an Oscar at home.
07:51I mean,
07:52there's a global reputation.
07:54Not just that,
07:55there's a huge global reputation
07:56and a lot of responsibility too.
07:58You know...
08:00Actually, I'm cool there.
08:01Actually, I'm cool there.
08:02You know, the whole world looks at me
08:03as a flag-bearer of Indian cinema.
08:06So...
08:07This one is not my scene, thanks.
08:11But...
08:12Why don't you go to him?
08:14No.
08:15He just wants to do an action film.
08:17Yeah, tell me about it.
08:20Then go to him.
08:22There's no road trip in my film.
08:24There is.
08:26Do one thing.
08:27Go to him.
08:29This will fall on your head in a second.
08:31Go to him.
08:33He'll make your film.
08:35I went to him.
08:36His team and my views don't match.
08:39I've told you so many times.
08:40Films are made in pairs.
08:43You don't have to fight alone.
08:45You're right.
08:46Oscar winner Ganesh.
08:48Hi.
08:49Thanks.
08:50Hi, how are you?
08:51Very good. How are you?
08:52So nice to see you.
08:53You disappeared after the meeting.
08:56It's not like that.
08:58Your test was mind-blowing.
09:00It was a great test.
09:01I liked it so much.
09:03But the studio was adamant.
09:05I casted Sania in this.
09:09I mean Malhotra.
09:13It's okay.
09:14You liked the test, right?
09:16My job is done.
09:18By the way, meet Ayush.
09:20He's a great writer.
09:21He's the biggest writer of the future.
09:23He's the director of Andheri.
09:25Ayush, meet Sania.
09:27Of course, I know her.
09:28My mom is a big fan of your serial.
09:32Please tell her that I'm not like Jeevika.
09:35And if my lost husband comes back,
09:37I'll never get him married again.
09:40But actually, I saw your short Dishni.
09:42And I thought you were great in it.
09:45I've been telling Adhiraj to make a feature.
09:48It'll be amazing.
09:49Adhiraj has actually taken to your advice.
09:52They're planning for a feature in October, I think.
09:55Bombay Fables is producing it.
09:57I don't understand.
09:58Why does everything start in October in our industry?
10:00Well, I can start whenever I want.
10:03I'm a global citizen now.
10:04Correct.
10:07I'm getting a call. I'll see you.
10:10Thanks.
10:19Ayush.
10:20Mr. Huster.
10:23He's an actress.
10:25I think he's a human being.
10:28Yo, Sumit.
10:29Bro.
10:30Can I tell you something?
10:32Prosit wants a commercial writer like you.
10:36He wants a film like Rocky Rani.
10:38This won't work in an art film.
10:40Shocking.
10:41Hey!
10:42Hey, guys.
10:43Epic film.
10:45Sir, wash your hands first.
10:58Hi.
11:02I'm sorry about the other day.
11:04What day?
11:07For the birthday party.
11:09I'm sorry.
11:12Yeah, whatever.
11:16Actually, I wanted to pitch a script to you.
11:21Yeah, cool. Send it to me.
11:23I'll read it.
11:25rockyhandsome89 at email.com
11:28Who reads?
11:30Where will you read?
11:32Well, listen.
11:33I'm not here to prove anything to you.
11:35But I'm a voracious reader.
11:36I always read, okay?
11:38It's my work.
11:41Where does anyone read?
11:43Tell me.
11:45Who reads?
11:49Only writers?
11:51Only when it's time to write.
11:55Who else reads?
11:57I myself send 100 emails every month.
11:5910 out of them are read by someone.
12:01But no one reads the script.
12:06Even if the film is made,
12:08there are two directors and a teach assistant director.
12:10That too for scheduling.
12:14Everyone wants to hear the script.
12:16No one wants to read the script.
12:18People don't even have 2.5-3-4 hours to read the script
12:21People don't even have 2.5-3-4 hours to read the script
12:24Do you know that there are 500 films made every year in our country?
12:27Out of which 7 make money and 5 get critical acclaim.
12:30Do you know what happens with 488?
12:32They get abused by the audience.
12:34And you know why?
12:36Because no one here fucking reads.
12:43Okay, listen.
12:45You have two minutes.
12:47Shoot.
12:49Okay.
12:51So, the story starts.
12:54You wear your Gucci suit.
12:56You make your Minty sit in your Mercedes.
12:59You guys kiss.
13:01And then you decide that you are not going back to your wedding.
13:04The end.
13:07Bro, this is brilliant.
13:09Thanks.
13:10What are you doing tomorrow?
13:11I...
13:13So, you come to office.
13:14What do you want to do today?
13:15I'll get you a meeting with your dad.
13:17I'll just sign you as a director.
13:19No, I don't want to be a director.
13:21You just make my script.
13:23You don't want to be a director?
13:25No, we can decide the director once everything is locked.
13:27Okay, cool. Done.
13:30Now that the germs have been exchanged, let's do the numbers.
13:33Yeah.
13:42Hey, Ayush.
13:43Ayush.
13:44How are you?
13:45I'm good.
13:46How are you guys?
13:47Good.
13:48What's going on?
13:49Nothing much. Just the same show.
13:50College Romance.
13:52Forget the show.
13:54Just write a film.
13:55Only then will you feel better.
13:57We are working on it.
13:58Let's see.
13:59Sir, all the best.
14:00Thanks, sir.
14:01See you.
14:14Whom are you flirting with?
14:19Why?
14:21Are you jealous?
14:22Please.
14:25I'm not flirting.
14:27I have a fan.
14:29I'm talking to her.
14:36Ayush.
14:37Hmm.
14:40I think you should move on from Dhoom Gharaka.
14:44It's a great script and everything.
14:46But, like you keep saying,
14:48it's not in his fate.
14:50How can I just move on?
14:53I've been trying to make it for so many years.
14:56And you know how personal that script is for me.
14:57Because of my ex, Preeti.
15:01And now our spec is getting ready.
15:03I'm pretty sure Lexil will greenlight this.
15:06Sarfar is a difficult script to get right.
15:09And it will take time.
15:13Maybe till then,
15:14you should work on something simpler on the side.
15:19Okay.
15:20Ms. Jamia, tell me your next bright idea.
15:22I'll sell it.
15:2340% mine.
15:2560% yours.
15:26Because you'll keep 10% to sell as our agent.
15:29You know me. Tell me your idea.
15:31Ayush.
15:32In my idea, the protagonist is female.
15:34You know it.
15:35All my ideas are from a female point of view.
15:37I know you think I'm a commercial sell-out.
15:40But I can work on your vogue ideas if you want.
15:44You leave it.
15:46Even your Dhoom Dhada looks like a feminist film.
15:48Is it not?
15:49It's not.
15:50Obviously.
15:51Okay, leave that.
15:53Listen to the idea.
15:57So the story is of a 20-something year old female creator.
16:01She's ambitious.
16:02She's fierce.
16:04But she's a little rude.
16:06She wants to be the best creator in the whole world.
16:08And she's doing quite well for herself.
16:10But then she meets this couple
16:12who are rich like Adani and Ambani.
16:15And they ask her to be the caterer for their wedding.
16:19But a week before the wedding,
16:22she loses her sense of smell.
16:25And then she has to be nice to all her co-workers.
16:28Especially this male chef who's really good at his job.
16:32So it's a coming-of-age journey juxtapositioned with a love story of two people
16:37who are polar opposites to each other.
16:43Wow, this is really interesting.
16:46What's the title?
16:47Swaad Anusaar.
16:49Swaad Anusaar.
16:51Damn good, man.
16:52Yeah?
16:53It's really good.
16:54Write a two-pager for this.
16:55Let's pitch it to Rupesh.
16:57Swaad Anusaar.
16:59There's a party at WTF tonight.
17:00On my behalf.
17:02You'll pay for it.
17:03You'll pay for it.
17:07Okay.
17:13Where's Jeev?
17:24Director, get him to act with a stone.
17:26I'll get him to act with a stone, Namjot.
17:28But how do I get him to act with these Instagram actors?
17:31Mr. Adhiraj Bose!
17:33How are you?
17:34Hello, hello.
17:35How are you?
17:37Very good.
17:38Usual hustle.
17:39So, what brings you here?
17:40Are you here alone?
17:41Or are you here for a work meeting?
17:43Is someone with you?
17:44Wait a second, man.
17:45So many questions.
17:46It feels like someone's shooting bullets with a stinger.
17:49Hilarious.
17:50But tell me, long time.
17:51What's up?
17:52I know, long time.
17:53Nothing.
17:54I came here for a meeting.
17:55So I thought I'd grab a cup of coffee.
17:56But forget all that.
17:57Tell me, when's Tishnagi's announcement?
18:01Just working on the final draft now.
18:04We'll do it as soon as it's locked.
18:07I hope you'll give your lead actress a chance to give input on the script.
18:11I mean, I know I'm no superstar yet.
18:13But my script sense is good.
18:15You know that.
18:17Just hang on.
18:20Actually, we should have called you.
18:22Why?
18:24Pamela Hills loved your script and the cast, right?
18:26Yeah, that's there.
18:27It's just that they want to cast a star in the lead role.
18:31Nawaz said no. What?
18:33No, no. He's on.
18:35But he wants us to cast a popular face opposite him.
18:40So, I'm also popular only, no?
18:42I've got 2.2 million followers on Instagram.
18:45That's fair.
18:46You know, actually, Navjot, the producer that's sitting behind,
18:50he's just insisting that we cast a star kid in the female lead.
18:55I mean, I'm obviously trying to push for you,
18:57but you know how things are here, right?
19:00I'm a new director and I'm still a college student.
19:03Who's going to listen to me?
19:05It's being really tough.
19:13Okay.
19:15Call me at the premiere.
19:17But Swadhanusar, what an amazing idea!
19:21Amazing!
19:23Now it's not just mine, it's ours.
19:29Why didn't I get you earlier?
19:32I had to work with scoundrels like Romesh.
19:36They stole my idea and made their career.
19:38And you.
19:41You're a scoundrel.
19:42They stole my idea and made their career.
19:44And you.
19:48Just look at it from a different lens.
19:51That because of you, his career was made.
19:57Okay.
19:58His career was made.
20:01And what about me?
20:04How long do I have to roam around with the tag of an unbelieved writer?
20:08How long do I have to get pushed around in autos?
20:10You'll get what you deserve.
20:13Don't stop believing in yourself.
20:16And I believe in you.
20:19You're so sweet.
20:21I'm not used to being so sweet.
20:24Okay.
20:25What would I do without you?
20:27Okay.
20:29But listen.
20:31Don't do to me what Romesh did to you.
20:35I'm telling you, I'll sue you.
20:37Sher Khan does business with honesty.
20:42Tell me a film.
20:44Sanjeev.
20:48To Swaad Anusaar.
20:50To Swaad Anusaar.
20:55Rocky.
20:56Fourth Floor.
21:00You know, whenever I feel sad or low in life,
21:04I go and sit in front of Mannat.
21:07I want to say something to myself.
21:09SRK is the source of my energy.
21:12You know what I do when I feel sad?
21:14What?
21:17I hit the gym.
21:20It's the most peaceful, serene, amazing, away from the clutter place.
21:26Look here.
21:27Look here.
21:28The abs are showing.
21:29Touch it.
21:30Feel it.
21:32Once they're fully there, then we'll shoot.
21:36Sir.
21:38Sir, it's been a month. Get the invoice out.
21:41You posted against the government again, right?
21:44Sir, someone else did it in my name.
21:45Shut up.
21:47If you post anything before the script submission,
21:50deduct Rs. 4 lakhs for each post.
21:52But sir, my entire fee is Rs. 8 lakhs.
21:55Rs. 15,000 for each post.
21:57And I'll put a clause in your agreement.
21:59You have to support every movement.
22:02Who will support your script, you idiot?
22:06Uncle.
22:08My lion.
22:09How are you?
22:11Good.
22:12Very good, uncle.
22:13Who's this kid?
22:15He's a writer.
22:16Very talented.
22:18Did you bring him to meet Mandy?
22:19No, not Mandy.
22:20Today, I'm meeting dad.
22:22After the last flop, entry to the fourth floor is banned.
22:24You know that, right?
22:26Sir, Titu kisses Minty.
22:29And we see in the backdrop that there's a fire at the altar.
22:33And Titu and Minty
22:34are going to take your wedding rounds.
22:37We cut to the wide shot.
22:38All the relatives are going to take water buckets
22:40and extinguish the fire.
22:41And the end.
22:46Brilliant, man.
22:48Too good.
22:49Mind-blowing.
22:53Son.
22:55Will you wait outside for two minutes?
22:57I'll be right back.
22:59Yes, Ayush.
23:02I'll call you.
23:05Dad.
23:07This is exactly what we need.
23:10This is the script that we need for our revival.
23:13It's the most amazing...
23:15Look, it's better if we make the Cambodian film
23:18that I've brought for you.
23:19Let's make that.
23:20All this Cambodian and French and Tamil
23:22and all these remakes are enough.
23:23If you bring this every time, it doesn't work.
23:25People want path-breaking cinema.
23:27New content.
23:28Original content.
23:29People want that.
23:30If you don't want to come with me, it's okay.
23:32I'll send my farmers to Panvel.
23:35Hey!
23:36This Aram Nagar is not right for you.
23:40Stop acting.
23:42Become a producer like me.
23:43Stop acting?
23:45Yes.
23:46This is what I do, Dad.
23:47This is what I know.
23:48I'm an actor from my heart, Dad.
23:50Why don't you have a little vision
23:52that this could be our bonafide blockbuster?
23:55Our Tanu and Manu can do it.
23:56This is a small film.
23:57Make it big.
24:00Kangana benefited from Tanu and Manu.
24:03You're right.
24:05Actually, you don't have a problem with Tanu and Manu.
24:07You don't have a problem with the script either.
24:08You have a problem with me.
24:10Because the script I brought before this was wrong for you.
24:12Why?
24:13I'll bring another writer.
24:14You won't like that either.
24:15Didn't I make a film for you before?
24:17Come on.
24:18My career is still there.
24:20You just want me to go home.
24:21You made a film.
24:23Why are you getting emotional?
24:24You make films too.
24:25You say it straight.
24:26You don't want to make a film.
24:27Okay, wait a minute.
24:28I just don't...
24:29I'm going to put him in jail.
24:37Son,
24:40your script
24:42is for girls.
24:44Thank you so much, sir.
24:46Even today, no one can understand a woman's voice.
24:50I was thinking that if you back this project,
24:53we can get a bigger name like Deepika opposite Rocky.
24:55Look,
24:56your writing is great.
24:59Apart from this,
25:00if you have anyone else
25:03who has the main character of Rocky,
25:08then tell me.
25:09I don't have anyone.
25:12Honestly,
25:13I don't have.
25:15I love Dhoom Dada.
25:19It's mind-blowing.
25:20And we will make it at some point.
25:22You and me.
25:23But you know,
25:25right now in this situation,
25:29it's right.
25:31So anything,
25:32anything original,
25:34amazing,
25:35close to your heart,
25:36you want to say something,
25:38you know, anything.
25:39Heart-breaking.
25:40Just say it.
25:42If you have
25:43your best,
25:46latest idea,
25:48tell me.
25:49I will sign you today.
25:51Today.
25:52Ayush, come on.
25:53This is your Kashyap moment.
25:54Come on.
25:55Give it.
25:56Sir, one more idea.
25:58It's a story of a 25-something
26:00good-looking caterer.
26:02He is fierce,
26:03ambitious,
26:04but a little rude.
26:06He wants to be the best
26:07caterer in the world.
26:10And he meets a couple.
26:11They talk to each other.
26:13And he offers him
26:15to cater at his wedding.
26:16And that couple turns out
26:17to be of Adani-Ambani level.
26:19Okay, listen.
26:20Because the meeting is with Rocky,
26:21I flipped the gender.
26:23Protagonist is now a guy.
26:25Rest of the story is the same.
26:28But
26:29it's just a thought now.
26:32How will you write the entire script
26:33so soon?
26:35Great people like Basudha
26:37make films without a script.
26:39We will get time and money
26:40to make a great script.
26:45I suppose.
26:46Yes.
26:48Let's go.
26:49But do you think Rocky
26:50will be able to pull off
26:51the character as an actor?
26:55Yes.
26:57Does she act as well?
26:59No.
27:00I can't.
27:02Okay.
27:04Sir, are you thinking
27:05of making this film
27:06for OTT or theatre?
27:08OTT people are like
27:09Mumbai's winter.
27:11They will leave before
27:12Pura arrives.
27:14Tell me one thing.
27:15According to your taste,
27:16when will you give
27:17the first dialogue draft?
27:20Do one thing.
27:21Both of you
27:22go to Goa to write.
27:23I will sponsor
27:24your ticket and stay.
27:25It will take two weeks.
27:27Sir, two weeks
27:28would be unrealistic.
27:30Let's take it step by step.
27:32We can give you an outline
27:33in two weeks, sir.
27:35Yes.
27:36Hurry up.
27:38We want to shoot it in October.
27:40It will be done, sir.
27:41It will be done.
27:42I will talk to her.
27:44Sir, let's talk
27:45about the commercials.
27:47I love your attitude.
27:49Do one thing.
27:50Roshan is sitting
27:51in the next room.
27:52Let's meet him.
27:53Okay.
27:54It's Mother's Day today.
27:55It's Tuesday too.
27:56Tuesday is auspicious
27:57for new work.
27:59Go and meet him.
28:01Sir.
28:02I think we need to be
28:03clearer on the timelines.
28:04We don't want to
28:05overcommit and under deliver.
28:07And I feel
28:08the protagonist
28:09has to be female
28:10for the story to work better.
28:12Gayatri, we will talk
28:13about this later.
28:14Let's talk later.
28:15Wait a minute.
28:17Whose story is this?
28:18Is it yours?
28:19Actually, sir,
28:20we did it together.
28:21The first credit
28:22and 60% is mine
28:23according to our deal.
28:25Then this girl's
28:27additional screenplay
28:28will also get credit.
28:29Keep watching
28:30how fast India is growing.
28:32They have a reservation
28:33in the parliament now.
28:34Right?
28:35Yeah, bro.
28:36And you know,
28:37we guys at least
28:38here are very particular
28:39about credits.
28:40Ever since these OTT guys
28:41came, you guys know
28:42they don't give credit
28:43to anyone.
28:44They don't give credit
28:45to the producers.
28:46You guys have become
28:47writers.
28:48You guys are used to
28:49fighting and protesting.
28:50But where do producers
28:51get credit?
29:15Gayatri.
29:17Let's talk.
29:19How are you?
29:20What do you mean
29:21how am I?
29:22Without asking me,
29:23you pitched my idea.
29:25You flipped the gender.
29:27If you decide
29:28something,
29:29how can we work
29:30together as a team?
29:31I am not your assistant.
29:32You always talk
29:33about writers'
29:34fair treatment.
29:35So now it's your turn
29:36to do the right thing.
29:37I was doing
29:38the right thing
29:39for the both of us.
29:41Such a big production
29:42where you don't
29:43even get a meeting.
29:44You were getting a film
29:45because of me.
29:46You were getting a film
29:47because of the idea
29:48which is mine.
29:49Don't gaslight me
29:50into believing something
29:51which you also know
29:52isn't true.
29:57You know,
29:58just because you have
29:59helped me,
30:00doesn't mean that
30:01you get to take me
30:02for a ride.
30:03Think about it.
30:04If someone had
30:05done this to you,
30:06how would you feel?
30:15No.
30:16You are right.
30:18I should have handled
30:19the situation a little better.
30:21I am sorry.
30:23I am genuinely
30:24sorry from the bottom of my heart.
30:27I wanted to
30:28work on a
30:29paid project together.
30:30So I threw away the idea.
30:32I didn't know
30:33that this would spread
30:34and I never do it.
30:36Let's do one thing.
30:40Let's not do
30:41Swaad Anusaar with these guys.
30:42It's such a good idea.
30:43I don't want to waste
30:44this opportunity.
30:45It's your idea.
30:46Take your time.
30:47Develop it.
30:48And whenever you think
30:49it's ready,
30:50we will pitch it to Rupesh.
30:51But what about my terms?
30:54First credit is yours
30:56and 50-50 remuneration.
30:59And whenever this idea
31:00is made,
31:01the protagonist will be a female.
31:02You have my word.
31:03Okay.
31:05In life,
31:06we don't wait
31:07because we don't know
31:08which path we should take.
31:09We wait because
31:11we know
31:12which path
31:14we should take.
31:16Asshole.
31:17Why are you abusing me?
31:18I just apologized.
31:20I am hungry.
31:22I can't even eat
31:23in such a big production house.
31:27Ayush.
31:28Yes.
31:29Let's go.
31:33You knew I would come.
31:34There are brownies in the fridge.
31:36There is vanilla ice cream too.
31:43Yo.
31:44Yo.
31:45Yo.
31:46Yo.
31:47Yo.
31:48Yo.
31:49Yo.
31:50Yo.
31:51Yo.
31:52Yo.
31:53Yo.
31:54Yo.
31:55Yo.
31:56Yo.
31:57Yo.
31:58Yo.
31:59Yo.
32:00Yo.
32:01Yo.
32:02Yo.
32:03Yo.
32:04Yo.
32:05Yo.
32:06Yo.
32:07Yo.
32:08Yo.
32:09Yo.
32:10Yo.
32:11Yo.
32:12Yo.
32:13Yo.
32:14Yo.
32:15Yo.
32:16Yo.
32:17Yo.
32:18Yo.
32:19Yo.
32:20Yo.
32:21Yo.
32:22Yo.
32:23Yo.
32:24Yo.
32:25Yo.
32:26Yo.
32:27Yo.
32:28Yo.
32:29Yo.
32:30Yo.
32:31Yo.
32:32Yo.
32:33Yo.
32:34Yo.
32:35Yo.
32:36Yo.
32:37Yo.
32:38Yo.
32:39Yo.
32:40Yo.
32:41Yo.
32:42Yo.
32:43Yo.
32:44Yo.
32:45Yo.
32:46Yo.
32:47Yo.
32:48Yo.
32:49Yo.
32:50Yo.
32:51Yo.
32:52Yo.
32:53Yo.
32:54Yo.
32:55Yo.
32:56Yo.
32:57Yo.
32:58Yo.
32:59Yo.
33:00Yo.
33:01Yo.
33:02Yo.
33:03Yo.
33:04Yo.
33:05Yo.
33:06Yo.
33:07Yo.
33:08Yo.
33:09Yo.
33:10Yo.
33:11Yo.
33:12Yo.
33:13Yo.
33:14Yo.
33:15Yo.
33:16Yo.
33:17Yo.
33:18Yo.
33:19Yo.
33:20Yo.
33:21Yo.
33:22Yo.
33:23Yo.
33:24Yo.
33:25Yo.
33:26Yo.
33:27Yo.
33:28Yo.
33:29Yo.
33:30Yo.
33:31Yo.
33:32Yo.
33:33Yo.
33:34Yo.
33:35Yo.
33:36Yo.
33:37Yo.
33:38Yo.
33:39Yo.
33:40Yo.
33:41Yo.
33:42Yo.
33:43Yo.
33:44Yo.
33:45Yo.
33:46Yo.
33:47Yo.
33:48Yo.
33:49Yo.
33:50Yo.
33:51Yo.
33:52Yo.
33:53Yo.
33:54Yo.
33:55Yo.
33:56Yo.
33:57Yo.
33:58Yo.
33:59Yo.
34:00Yo.
34:01Yo.
34:02Yo.
34:03Yo.
34:04Yo.
34:05Yo.
34:06Yo.
34:07Yo.
34:08Yo.
34:09Yo.
34:10Yo.
34:11Yo.
34:12Yo.
34:13Yo.
34:14Yo.
34:15Yo.
34:16Yo.
34:17Yo.
34:18Yo.
34:19Yo.
34:20Yo.
34:21Yo.
34:22Yo.
34:23Yo.
34:24Yo.
34:25Yo.
34:26Yo.
34:27Yo.
34:28Yo.
34:29Yo.
34:30Yo.
34:31Yo.
34:32Yo.
34:33Yo.
34:34Yo.
34:35Yo.
34:36Yo.
34:37Yo.
34:38Yo.
34:39Yo.
34:40Yo.
34:41Yo.
34:42Yo.
34:43Yo.
34:44Yo.
34:45Yo.
34:46Yo.
34:47Yo.
34:48Yo.
34:49Yo.
34:50Yo.
34:51Yo.
34:52Yo.
34:53Yo.
34:54Yo.
34:55Yo.
34:56Yo.
34:57Yo.
34:58Yo.
34:59Yo.
35:00Yo.
35:01Yo.
35:02Yo.
35:03Yo.
35:04Yo.
35:05Yo.