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FunTranscript
00:00What's the matter, Piyush?
00:02We are not in the mood to re-enact any film right now.
00:05Sir, I mean, our script is really good.
00:09Just listen to it once.
00:10Your mood will change, sir.
00:13You know what?
00:15I'll listen to it. I'll like it.
00:16Yes, sir.
00:17Then I'll introduce you to brother-in-law.
00:19If he likes it, then we'll talk about the actor.
00:21And if he doesn't like it, then we'll talk about the film.
00:23Okay?
00:24Okay, sir.
00:25Okay, sir.
00:26Okay, sir.
00:27I'll introduce you to brother-in-law.
00:28If he likes it, then we'll talk about the actor.
00:30And if he doesn't like it, then we'll talk about the film.
00:32And the budget for your film will be 25 crores including PNA.
00:35And the maximum budget for Day 1 is 3 crores.
00:37The loss is on the table.
00:38Yes, sir. But...
00:39Sir, what if our script is so good that your Day 1 itself is 7 CR?
00:45Then the table will also be a profit according to your maths.
00:49Right?
00:50You guys are sitting here, right?
00:51Yes.
00:52He was also sitting here once.
00:53What's his name? The one with curly hair.
00:55Sufi Director.
00:59Imtiaz Ali?
01:01Yes.
01:02He always used to come here.
01:04I told him not to come.
01:05If he's not in the mood, then he's not here.
01:14I was so hungry.
01:15They didn't even offer me a safe puri.
01:17If there was a big star, then he would have been getting dinner from the Taj.
01:21People say that good ideas come empty handed.
01:25I have a new idea. Do you want to hear it?
01:28What kind of ideas do you have?
01:31Sometimes even the wrong train takes you to the right station.
01:34Tell me the film.
01:36Lunchbox?
01:37Correct. Now listen to the idea.
01:39An innocent girl is stuck in a patriarchal house with a narrow-minded husband and a horrible family.
01:47It's a little too English.
01:49I'll translate it later. Don't break the flow now.
01:52Listen to the idea.
01:53An innocent girl is stuck in a patriarchal house with a narrow-minded husband and a horrible family.
02:02And then she decides to kill all of them one by one in such a way that all the deaths seem accidental.
02:12And we'll name it, A Crazy Girl.
02:24Yo, yo, yo.
02:33Bouncing up, yo, yo, yo.
02:43Yo, yo, yo.
02:45Bouncing up, yo, yo, yo.
02:52Bouncing up, yo, yo, yo.
03:01Bouncing up, yo, yo, yo.
03:06Bouncing up, yo, yo, yo.
03:15Doki's PR is a pain in the ass.
03:18Yeah, man. I had to call him at 4 in the morning.
03:20I got there at 7.
03:22Forget all this. Are you guys going to Shara and Jhanvi?
03:32Diksha, what the fuck is this?
03:35Why have you sent me here at the same time as Rambo?
03:37Don't you know I can't stand him?
03:41Fuck it now.
03:43I'm going inside.
03:44Just make sure all these pages cover me before Rambo.
03:49Bye.
03:51You want me to make Rambo call Kamal and make him cross the border?
03:56Chill, bro.
04:01He's family.
04:03Yeah, that's what I'm talking about.
04:06He likes the caterer more, right?
04:08Why don't you write to him?
04:10Dad, there are some issues with that.
04:12We'll discuss it when we get back.
04:24Your dedication is amazing, sir.
04:26Rocky Bhadwani looking at Rocky Bhadwani.
04:29Very nice.
04:42Let's tell your dad.
04:44Not your dad.
04:46Let's tell your mom.
04:47Why mom, bro?
04:49She only likes the end credits of my films.
04:52That's it.
04:53Rocky.
04:55Your mom's affection can cut off your father's fatherhood.
05:02The whole wedding hall is decorated.
05:04All the guests are very happy.
05:06Suddenly we see that Titu is not with Minty.
05:08Then we realize that Titu has made a huge sacrifice for his love.
05:13I think Shahrukh Khan must have made such a huge sacrifice.
05:17We cut to a close of Titu.
05:19A tear drops down from his left eye.
05:22The end.
05:27I like it.
05:30I actually like it a lot.
05:32It really is a good script.
05:34Thanks, ma'am. I mean, ma'am.
05:36We are glad that you like it.
05:38So ma'am, how many stars out of five for us then?
05:42Son, you know I don't believe in giving stars in my reviews anymore.
05:47You know that, right?
05:49Not anymore.
05:50Not anymore.
05:53Ma'am, just get this film made.
05:55I am sure after this film, Rocky is going to be the next big thing.
06:00Definitely.
06:02Jaggi, darling, please come to the living room.
06:05Coming, Sheela.
06:07What's going on?
06:11Look at this.
06:13What a lovely script this boy has written.
06:17I think you should get this.
06:19Yeah, and Ayush, tell dad.
06:21How now Rocky is the real star of the film.
06:24I think you mean Titu.
06:26Titu is my character, right?
06:27Yeah, of course.
06:30This is looking very sweet.
06:33What happened to the salty one?
06:36Salty one?
06:38You know, the one with salt and cooking.
06:42As per taste.
06:44As per taste. Sir, actually, the script is not ready yet.
06:48So, I am not ready for this.
06:50Nor is the market.
06:52Jaggi, darling, it's a good script.
06:54If you like it, it won't work for sure.
06:57Look at Rambo. He is giving hit after hit and killing it.
07:01Try to understand.
07:03I am not Rambo. I am Rocky.
07:06I do not care about box office.
07:08He never gets good reviews anyway.
07:10Reviews? I don't want your reviews.
07:14I want business at the box office.
07:17You make your body. I will handle the script.
07:19Jaggi, just help the poor boy out.
07:23And you learn to talk to your father properly, please.
07:26No, no, no, mom.
07:28I don't want to talk to him only.
07:30I am telling you guys.
07:32Dhoom Dhadaka will definitely be made.
07:35And no one's father can stop it from being made.
07:37Your father will stop it.
07:39Let's see. I will get an outsider producer to make it.
07:41And if I don't get it, I will sell my farmhouse in Panvel.
07:43I will sell a house. But I will make a movie, dad.
07:46What is your problem?
07:48Why do you keep threatening me all the time?
07:50That farmhouse is not yours. It's mine.
07:53I pay the maintenance bill for it.
07:55I also pay for your maintenance.
07:56Tell me one thing.
07:58Who is this producer who is investing money on you?
08:01I have to think a hundred times before producing your movie.
08:06Who is it?
08:08I will see you, mom.
08:21Wait.
08:23I will give it to you if you ask for it.
08:27Wait, brother.
08:29What are you doing?
08:40Let's pitch the script to Ira Bajaj.
08:43Ira Bajaj?
08:45Ira has made four films with Sultan.
08:48And she has a five film contract with Amazon.
08:50She is co-producing a movie called Nazdikia with my dad.
08:53Yeah, we are working on it right now.
08:54DD is absolutely off her alley.
08:57Dhoom Dhadaka is on like a fucking Donkey Kong.
09:01Yeah? Yeah.
09:03Brother, have some water.
09:06Actually, I had an idea.
09:09What?
09:11If Ira is making it, then...
09:14Why don't we take a fresh face opposite you?
09:17As in you will be the bigger name on the poster then?
09:20Someone like a television star.
09:22Someone like a...
09:24Sania Sen.
09:26Sania?
09:28Sania is good.
09:29Right?
09:30Yeah.
09:32Come on, hold my bag.
09:33What?
09:34Get on with it.
09:36How much time do we have?
09:37Half an hour.
09:38Didn't you take my name?
09:40I told you to hurry up.
09:47That man, Jeevika's lost husband, Parth, right?
09:50His real name is Arjun Shandilya.
09:52He's been living in a rented house since his serial ended.
09:55He's trying to get into films.
09:57His favourite film is Thamasha and Black Friday.
09:59He drinks coffee at Blue Dukai.
10:01He does networking in Mami.
10:02He studied from NYU and has a sea-facing flat in Warsaw.
10:06Are you writing a biopic on him?
10:08How and why do you know so much about him?
10:11I know everyone.
10:13I know him because he was writing a ghost story in a Crime Matter episode.
10:17I met him there.
10:18I've been following him since then.
10:20But why is he in a police uniform?
10:22Hi.
10:24I'm Manisha.
10:25You're Ayush Verma, right?
10:26Yes.
10:27Actually, I wanted some writing advice from you.
10:30I'm a little busy right now.
10:33You can message me on social media.
10:34I'll reply.
10:35Okay, thank you.
10:36Please check your Others folder.
10:39I do it every day.
10:41Bye.
10:43Others folder?
10:45Yes, we have fans too.
10:47Not just actors.
10:51Listen.
10:53Rocky wants me to meet a new producer.
10:56I want to make a film about a ghost story.
10:59Okay.
11:02But let's finish Saif Ali's Dark Frost first.
11:06Yes, please.
11:08Take as much time as you want.
11:11Do not stress.
11:13Just the way you like it.
11:15Don't taunt me.
11:16Why shouldn't I?
11:17Why shouldn't I?
11:19A greenlit film.
11:20An all-expense paid trip to Goa.
11:21Both are out of the question.
11:22Don't taunt me.
11:25Think about it.
11:27It would have been so much fun.
11:29In Goa.
11:30Sitting on a shack.
11:31Drinking beer.
11:33Yes, brother.
11:35What is up?
11:36India's answer to Sorkin.
11:38What a face you've made.
11:40Are you cutting a sale for pocket money?
11:43I'm just acting.
11:44Kashyap has signed me up for his next film.
11:46Really?
11:47Get it stitched from Jairwala.
11:49Wait, wait.
11:50Let me guess.
11:51You've got the role of a cop.
11:53Smart.
11:55I'm Gayatri, by the way.
11:57I'm Arjun, all the way.
11:59Are you single?
12:00One second.
12:01Are you trying to flirt with me?
12:02Brother,
12:03I'll have to do all this to get your attention.
12:06Since my show has been off-air,
12:08stop giving me footage.
12:09Zero.
12:10Zero.
12:11Genuinely busy.
12:12Useless.
12:13But honestly,
12:14I wanted to talk to you.
12:15I want to narrate a story.
12:16Funding is done.
12:17It's from Dubai.
12:18It's just that we're looking for a good writer.
12:20And who's a better writer than you?
12:23Forget the story.
12:24Give me an idea.
12:25Deadline is dancing on my head like Zohra Habibi.
12:28Tell her.
12:30He's actually really busy.
12:31It's difficult for me to meet him.
12:34Okay. Fair enough.
12:35I'll be quick. Bye.
12:36So, my story is about this girl
12:37who's based in Kolkata.
12:39And she's a sex worker
12:40who's never had an orgasm.
12:41Her love story
12:42is with this encounter specialist cop
12:44who's going through a bad marriage.
12:46For two minutes,
12:47understand this girl's plight.
12:49All the men in her life
12:50are so insensitive to her needs
12:52that she's never had an orgasm.
12:54Despite that being her job.
12:58You're really nice.
13:00Looking at your attitude,
13:01I thought you'd brought
13:02a remake of a Tamil film.
13:04Let's meet on Monday and discuss.
13:06Day after tomorrow.
13:07No, next Monday.
13:09Let's hear it now.
13:11I have to go to a meeting.
13:13The table's ready.
13:15See you.
13:16Okay, brother. Fine.
13:17Don't shake my hand.
13:19Bye.
13:21Hello, hello, hello.
13:23Meet my bros.
13:24Ayush.
13:25And of course,
13:26the legend,
13:27Siddharth Singh Gupta, sir.
13:28I've seen his work in IMD.
13:30Good stuff.
13:34So, what are we waiting for?
13:35Let's do the narration.
13:36I have a meeting with
13:37Sultana at his farmhouse.
13:38So, please.
13:39So,
13:40they look at each other.
13:41Titu kisses Minty.
13:43Looks like everything
13:44is going to be fine.
13:45Then our dacoit uncle,
13:46who doesn't have
13:47butter chicken with chicken,
13:48takes out a gun from his pocket
13:49and fires it.
13:51Follows the scene
13:52with utter chaos.
13:54Titu and Minty
13:55look at their
13:56dysfunctional families
13:58and run away
13:59from their own wedding.
14:00The end.
14:06I like it.
14:07I really like it.
14:09I mean,
14:10usually,
14:11I get stuck
14:12in the middle of the narration.
14:13They're so boring.
14:14But yours,
14:16yours was cute.
14:17Meera, you know what?
14:18What are your best qualities?
14:20This.
14:21Your lack of feedback
14:22and lack of interference.
14:24I'm telling you,
14:25if all the producers
14:26in Bombay become like you,
14:27the films won't stop.
14:28They'll keep being made.
14:29Thanks, Rocky.
14:30You can praise me later.
14:31Siddharth sir,
14:32what do you feel?
14:33I loved the script.
14:34I have a couple of pointers.
14:35The script will be solid
14:36in two sessions.
14:37Sure, sir.
14:38By the way,
14:39I have a request.
14:40The pace of this film
14:41should be faster
14:42than your web series.
14:43Yeah, sir.
14:44Yeah.
14:46Web series?
14:48Kali Kali Aankhya Na Pal.
14:49I've seen them both.
14:53I have not directed them.
14:56Are you not Siddharth Sen Gupta?
14:57I am.
14:58Of course, I am Siddharth Sen Gupta.
14:59Okay.
15:00But I haven't directed
15:01that series.
15:04Who's directed those series?
15:06Siddharth
15:07Sen Gupta
15:08with space.
15:09And I am
15:10Siddharth
15:11without space.
15:12Without space.
15:14Basically, the confusion is
15:15that I have been kidnapped many times
15:17thinking that I am
15:18that Siddharth Sen Gupta.
15:20But I am Siddharth Sen Gupta
15:21who has directed Good Luck.
15:23You've directed Good Luck?
15:24That's even better.
15:25Is it?
15:26Yes, of course.
15:27You can speak to Jhanvi.
15:28Jhanvi
15:29and you.
15:31You'll set the screen on fire.
15:32What do you say?
15:34Ira,
15:35what I was saying is
15:36we both thought
15:37that I think
15:38we should take a newcomer in it.
15:39Listen, listen.
15:41I can't miss so much in one film.
15:42Two newcomers.
15:43Not happening.
15:44No, no, no.
15:45Who's the second newcomer, Ira?
15:48Rocky, you and the girl.
15:50Ira, I've done
15:51five projects as a lead.
15:54Yeah, darling.
15:56But
15:57you're the newcomer
15:58for the box office.
16:01But, anyways,
16:02don't worry about it.
16:03We'll figure that out
16:04once we have
16:05the budget and recovery in place.
16:06Right?
16:07That's not immediate, right?
16:08We can take time with that.
16:09Yeah, yeah.
16:10So, Ira,
16:11we're doing it, right?
16:13If I'm speaking
16:14budget and recovery,
16:16we're definitely making it.
16:18Lovely, Ira.
16:19Fabulous.
16:20Good one, Rocky.
16:21Yeah?
16:22By the way...
16:23Thank you so much.
16:24Oh.
16:26By the way,
16:27when is Kali Kali Aankhi season 2
16:28coming out?
16:29Ira, good luck, Jenny.
16:30Oh, yeah.
16:31Sorry.
16:32Jhanvi.
16:33The
16:34climax?
16:35You changed it, right?
16:37No, man.
16:38It's exactly the same.
16:40Did you do something that day?
16:44Yes, sir.
16:45It's Ayush.
16:46Wrong number.
16:47Ayush from Dhoom Radha.
16:48Oh, the writer Ayush?
16:49Yes.
16:50How sweet.
16:51Sir, the thing is
16:52a small indie producer
16:53from Delhi
16:54liked my script.
16:56He said
16:58your NOC
16:59would be needed
17:00before making it.
17:01My love,
17:02you're like my family.
17:04I can't leave my script
17:05for you.
17:06What are you saying?
17:08Thank you, sir.
17:09I was scared for no reason.
17:11I knew you'd never
17:12break my heart.
17:13Don't worry, son.
17:15I'll give you
17:16the NOC.
17:18Then you can
17:19have fun.
17:20Thank you so much, sir.
17:22Where are you now, sir?
17:23At the gym, son.
17:25Stay fit, sir.
17:26Just stay fit.
17:35What's up, bro?
17:38I called you
17:39next Monday.
17:40What are you doing now?
17:41It's Monday after three hours.
17:42And Rupesh called me.
17:44How do you know Rupesh?
17:46Last year,
17:47I got him a Dubai trip
17:48sponsored.
17:49We've been friends since then.
17:51This is for you.
17:52Really?
17:53Should I close it?
17:54Yes, close it.
17:55So,
17:56how's work?
17:58There's a lot of work.
18:01Don't talk about work.
18:02Sit.
18:03I'll be right back.
18:07Your writer is here.
18:10My man!
18:11Bro!
18:13How's it going?
18:14All good.
18:15Ayush bhai, this is K.
18:16He's my manager.
18:17Next, Aarukh Khan
18:18is going to introduce me to him.
18:20K, this is Ayush bhai.
18:22One of the best writers
18:23on the scene right now.
18:24That's him.
18:25You've a crusher.
18:27When you say Ayush Verma,
18:29I've heard shit loads about you
18:30actually from a lot of people.
18:33What?
18:34I've heard shit loads about you
18:36from a lot of people.
18:38Aren't you the OG Verso
18:40hustler?
18:41He's got this 60-40 deal going on.
18:43That's him?
18:44Yeah.
18:45You want me to rep you?
18:46Rep as in represent?
18:47No, bro.
18:49This is not Hollywood.
18:50I'm my own agent.
18:52You know why they call me K, buddy?
18:54No, bro.
18:55Why do they call you K?
18:57K for kindness.
18:58K for compassion.
18:59K for critical thinking.
19:03You know, right?
19:04You're changing all the spellings
19:05from your mind.
19:06K for convenience.
19:08K, my man!
19:11You're going.
19:13Listen, we have to talk about that.
19:14Absolutely.
19:15Enjoy, man. Enjoy.
19:16Do I have a choice?
19:17Yeah.
19:19What's your name?
19:20I'm not an example.
19:22I'm a K for useful.
19:24Ever since you've come into my life,
19:26I've been at peace.
19:27So, what do you do?
19:29You know what it means?
19:30I really don't.
19:31What does it mean?
19:32It's reflection.
19:33It has a point.
19:35Listen, bro.
19:36You know that
19:37a writer's day starts with hope
19:40and ends with experience.
19:42Experience.
19:43So, in this business of experience,
19:46when there's a corporate downfall,
19:48you get stuck in the creative process.
19:51In fact, I used to perform a lot
19:52until three years ago.
19:54Where?
19:55In college campuses?
19:56Open mics?
19:57Open mics.
19:58You need someone
19:59to represent you at some point.
20:01Okay.
20:02All my legal,
20:03contract,
20:04invoice,
20:05follow-up,
20:06everything is done by K.
20:07And I only focus on the creative process.
20:09That's great.
20:11So, Tarun,
20:12are you happy?
20:13Guys, guys, guys.
20:14Attention, please.
20:15K for creativity.
20:16Words from a modern poetess.
20:24He has a lot of work.
20:27Something that
20:28he's desperate to do.
20:32And something
20:34that may be useless for him now.
20:37But he has a lot of work.
20:41He says
20:42one life
20:44is worth a hundred lives.
20:47But in every one of his works,
20:49there's the courage of a hundred lives.
20:53Now, it's just a distance
20:54to reach the end of a life.
20:57That's why he may be right
20:58that
21:00he has a lot of work.
21:08Open the door.
21:09I'll open it.
21:12Oh, hello.
21:13What's up?
21:14Hi.
21:15How are you?
21:16I'm good. You made it?
21:17Yeah.
21:19Hi.
21:21What are you doing here?
21:22Actually, I was wondering
21:23what I was doing here.
21:25There's a party of strugglers
21:26on Yari Road
21:27without Ayush Verma.
21:28What party?
21:29Also,
21:30by the way,
21:31this is
21:32my house.
21:35Oh.
21:36Yeah.
21:37Okay.
21:38Yeah.
21:40Arjun called me.
21:42Arjun?
21:43My path.
21:44Yeah.
21:46And
21:47I was around
21:48so I didn't think much
21:49and I came.
21:50Good.
21:51Good that you didn't think much.
21:52Come.
21:53Let me get you some wine.
21:54Yeah.
21:55Sure.
21:58In this city,
21:59if there's work,
22:00there's the world.
22:01Personal,
22:02professional,
22:03family.
22:04Everything
22:05is connected to that.
22:08All these years,
22:09I've only understood
22:10one truth
22:11of this city.
22:14That everything is a lie.
22:18But there's another truth.
22:21That everybody's
22:22looking for love.
22:25Some get it,
22:26some don't.
22:30Do you miss home?
22:35I used to.
22:36I don't anymore.
22:37Why?
22:39What's new?
22:43No.
22:44Ever since I've met you,
22:45it feels like
22:46there's family in Bombay too.
22:54Should I come home then?
22:56On Rakhi day.
22:58No, actually
22:59I have a meeting on Rakhi day.
23:01I'm free on Valentine's day.
23:03See,
23:04now we'll meet
23:05without planning.
23:07This is a sign from the universe.
23:08Jeevika Joshi?
23:10You're here?
23:11Hi.
23:12Hi.
23:13I used to do
23:14the dialogues
23:15for your serial,
23:16Dil Le Gai Kudi.
23:18Oh!
23:19Wait, you are
23:20D. Romil Jha?
23:23You've turned us into
23:24Taj Mahal.
23:25Is Shahjahan upset?
23:28So, what's been up?
23:29Are you still doing
23:30Daily Soaps
23:31or are you planning to make a film?
23:33I've been dreaming
23:34about making a film.
23:36If you want,
23:37I can set up a meeting
23:38with ALR for you.
23:41Anand L. Rai.
23:43I'm in talks
23:44to direct a series for them.
23:45So...
23:46Sania,
23:47I don't know
23:48how I came up with this.
23:49I told you about
23:50that film with Rocky?
23:51Yeah.
23:52Yeah, it's been greenlit.
23:53Oh, wow!
23:54Congratulations!
23:55Yeah, yeah, we're making it.
23:57Who's producing it?
23:58Ira Bajaj.
23:59You must've heard of him.
24:00Hmm.
24:01His name
24:02and his name too.
24:04See,
24:05this is the problem
24:06with our industry.
24:07If a woman
24:08becomes successful
24:09in our industry,
24:10people can't digest it.
24:11Sexism is a big problem
24:12in this industry.
24:13Correct.
24:15In fact, ageism
24:16for that matter.
24:17So true.
24:18Well, it was
24:19good to meet you.
24:20Same here.
24:21And for the next time,
24:22just Romil Jha will do.
24:24Done.
24:25Bye.
24:26See you.
24:27Have dinner before you leave.
24:28Just Romil Jha.
24:30By the way,
24:31Rupesh loves you a lot.
24:32He specially ordered
24:33Sambar Vada for you.
24:34Oh, lovely.
24:36Cheers.
24:37Cheers.
24:38Sambar Vada
24:39with tomato sauce.
24:43Actually,
24:44I'd like to send you the script.
24:46You read it and tell me.
24:47What do you think?
24:48Give me feedback.
24:50Sure.
24:51I'll read.
24:52Yeah.
24:54Bye.
25:18What?
25:19Has he gone nuts?
25:20I'm not giving him
25:21a private jet.
25:22For what?
25:23No.
25:24If he's doing the film,
25:25he's doing it
25:26on my terms and conditions.
25:27Got it?
25:29Okay, I'll speak later.
25:30Solve this out.
25:32So, Ayush,
25:33I did my calculations.
25:34Hmm.
25:35And your script
25:36requires a decent budget.
25:37Okay.
25:38So, Rocky
25:39will have to say bye to the film.
25:40That guy is
25:41the box office poison.
25:44But...
25:46How can we
25:47say bye to Rocky?
25:48He's the one
25:49who introduced us.
25:50And trust me,
25:51it's because of him
25:52that Dhoondhara is being made.
25:53Bhairav,
25:54I know that.
25:55But you know,
25:56I spoke to every top actress.
25:58From Deepu,
25:59to Alia,
26:00to Kiara,
26:01to Kriti,
26:02and even your director's
26:03favourite, Chandni.
26:04You know the one thing
26:05in common?
26:06They all love your script.
26:09But they hate Rocky.
26:14Fareera,
26:15this is unethical.
26:16Please tell Siddharth sir.
26:18He'll refuse Rocky.
26:19Please.
26:20I called Siddharth.
26:21I found out after talking
26:22for five minutes
26:23that he's not the real one.
26:24Now even I'm freaking confused
26:25that who's the real one
26:26and who's the fake one.
26:27Both are real, Ira.
26:28Bhairav...
26:29Ayush,
26:30whatever.
26:31Doesn't matter.
26:32The point is
26:33that no director is going
26:34to burn his bridges
26:35with the Vatwanis.
26:36Okay?
26:37First thing.
26:38And the second is,
26:39I can't talk to him.
26:40He's like a father figure.
26:41Chucky uncle,
26:42I just can't fuck with him,
26:43you know.
26:45But you?
26:47What about me?
26:49You can do it, maybe.
26:52Maybe worth a shot.
26:57Ayushman has read
26:58and loved your script.
27:00So it would be better for you
27:01to move away from Rocky.
27:02Right?
27:05Ayushman read the script?
27:07And loved it.
27:12I did my college in Delhi.
27:14My gang and I
27:15had a great time.
27:17Oh, that's why.
27:18That's why.
27:19That's why your tongue
27:20is so clean.
27:22And you don't play with Hindi
27:23like a Bengali.
27:25Hey!
27:26Say,
27:27he's a cheap kid.
27:29Subtitle.
27:30Hi!
27:31You're Jeevika, right?
27:32Yes.
27:33Actually, my brother
27:34is a big fan of yours.
27:35Can you take a selfie
27:36with us?
27:37A selfie?
27:39With the back camera.
27:40Yeah.
27:42Smile.
27:46Thank you so much.
27:51That's amazing.
27:52I thought
27:53the fans of TV stars
27:54are either in Saipuri
27:55or Malad.
27:57Hello.
27:59My fans
28:00are all organic.
28:02I didn't get them
28:03like your
28:04Juhu Bandra fans.
28:09You know,
28:11Navishka Malhotra
28:12and I were testing
28:13for the same series.
28:16She could not even
28:17learn her lines.
28:19Refused to audition.
28:22And where I've already
28:24done this character
28:26in four TV shows
28:27and six ads,
28:29for that too,
28:30I have to give four
28:31rounds of auditions.
28:34Sher said it right.
28:37Where our dreams come true,
28:39that's where their struggle
28:40starts.
28:47Audition.
28:49Audition?
28:50Are you fucking crazy?
28:52Rocky rocks
28:53not auditions.
28:54Exactly.
28:56That's what I said
28:57to Siddharth and Ira ma'am.
28:58I mean, come on.
28:59How many projects
29:00have you done?
29:01Are you kidding?
29:02Not all.
29:03Look at the range of products.
29:04So many different
29:05types of projects.
29:07For you and me,
29:08I'm a spoiled college student.
29:09Yeah.
29:10In Power Plan,
29:11I'm a spoiled cop.
29:12Yeah.
29:13In Love Ka Bharta,
29:14I'm a spoiled businessman.
29:15Yeah, that was fun.
29:17Yeah.
29:18Yeah.
29:19I mean, you know
29:20how PR works, right?
29:22People will tweet
29:23and make fun of it.
29:24It'll become a meme.
29:25Listen,
29:26Jaggi Wadhwani's son?
29:28Is he not good enough?
29:30Why is he not auditioning?
29:32Fuck.
29:34Fuck.
29:38Bro, you know what?
29:39If people are just
29:40going to give me that
29:41Jaggi Wadhwani's son
29:42tag for life,
29:43let's prove them wrong.
29:44Okay.
29:45So let's do it.
29:46Yeah.
29:47I'll audition.
29:50What if we
29:51take Rocky only?
29:53We can ask him to
29:54put in his own money.
29:56People can think.
29:57It's not a bad idea.
29:59I know,
30:00the game you're thinking
30:01of making,
30:02he won't be able to make it.
30:04Ganesh!
30:11What's this?
30:12You're advanced,
30:13but boom dhadaka.
30:16I'll only make it.
30:20But,
30:21what about Rocky?
30:23Who will mess with his dad?
30:25Look at that, sweetie.
30:26You'll only have to handle.
30:28Now you have my money.
30:29Am I sure of it?
30:30You both?
30:32Kiran, how will I do it?
30:33You...
30:34Listen,
30:35Ayushman has gone to Chandigarh
30:36for a week
30:37for a family wedding.
30:38So,
30:40yeah.
30:41I'll freshen up and come.
30:43See you.
30:45See you.
31:06Is it going to be
31:07in the papers now?
31:08Yeah.
31:10Of course.
31:12Let me call you back.
31:13Bye.
31:30Congratulations, brother.
31:32Get up.
31:34There's a leak about your movie.
31:36What?
31:40You planted it, right?
31:43You planted it, right?
31:45No, I didn't do it.
31:49Congrats.
31:53Don't worry, son.
31:56Trust in yourself.
31:59I'm sure something better
32:00is going to come your way.
32:03I know that.
32:05I know that.
32:07I know that.
32:09I didn't see it coming.
32:13I didn't see it coming.
32:18Rocky, Vadhvani was signed
32:19and Siddharth Sengupta is directing
32:21and Ira Bajaj is producing.
32:23But,
32:24Ayushman wants to do it.
32:34Hello.
32:35Hi.
32:36Hi.
32:37Congratulations, Mr. Hanuman.
32:38No, Ira.
32:39Congratulations to all of us.
32:40Okay, listen.
32:42For the script,
32:43I can't pay you more than 30 lakhs.
32:44And out of which,
32:45I can only give you a 20% advance.
32:46So, don't even try and negotiate.
32:49So, you'll give me
32:50a cheque for 4 lakhs?
32:51No, darling.
32:52I'll give you a cheque for 6 lakhs.
32:54You'll give me a cashback
32:55of 2 lakhs.
32:56Okay, alright.
32:58When do I sign the contract, Ira?
33:00Monday.
33:01Monday works for you.
33:02Just come to the office
33:03and we'll put pen to paper.
33:05Okay.
33:06See you.
33:08Yes!
33:36Yo!
33:37Yo!
33:38Yo!
33:54Yo!
33:55Yo!
33:56Yo!
33:57Yo!
33:58Yo!
33:59Yo!
34:00Yo!
34:01Yo!
34:02Yo!
34:03Yo!
34:04Yo!
34:05Yo!
34:06Yo!
34:07Yo!
34:08Yo!
34:09Yo!
34:10Yo!
34:11Yo!
34:12Yo!
34:13Yo!
34:14Yo!
34:15Yo!
34:16Yo!
34:17Yo!
34:18Yo!
34:19Yo!
34:20Yo!
34:21Yo!
34:22Yo!
34:23Yo!
34:24Yo!
34:25Yo!
34:26Bounce on up, yo, yo, yo
34:49Yo, yo, yo
34:57Bounce on up, yo, yo, yo
35:08Yo, yo, yo
35:17Bounce on up, yo, yo, yo
35:27Bounce on up, yo, yo, yo
35:32Bounce on up, yo, yo, yo
35:52Yo, yo, yo
35:56Bounce on up, yo, yo, yo
36:10Yo, yo, yo
36:19Bounce on up, yo, yo, yo
36:26Bounce on up, yo, yo, yo
36:31Bounce on up, yo, yo, yo