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00:00I'm not an alcoholic. Not anymore.
00:03Once an alcoholic, always an alcoholic.
00:06Well, you, Ivan, shouldn't pass by the alcohol shop.
00:10You shouldn't stop at the bar.
00:12But you shouldn't lick the alcohol.
00:14Well, bar, I'm begging you not to talk to me in that tone.
00:17You know, I'm not an alcoholic.
00:19I'm not an alcoholic.
00:21I'm not an alcoholic.
00:23I'm not an alcoholic.
00:25I'm not an alcoholic.
00:27I'm begging you not to talk to me in that tone.
00:30You know?
00:31Ah, I'll talk to you how I want.
00:34I have the right to.
00:36You know who gave it to me?
00:38Me, myself.
00:39And don't act like a victim here.
00:43Where are you from?
00:44I just came back from a drink, on a break from work.
00:48Is it forbidden?
00:50It's not forbidden, just a drink.
00:52Then you should go to work now.
00:55I think I don't have any patients at the moment.
00:58Or do you have a job offer?
01:00I'm sorry, Una, this is my wife Gabriela.
01:03Gabriela, this is Una.
01:05Ah, nice to meet you.
01:07Likewise.
01:09Why do I have the impression that we've known each other for a long time?
01:14Listen, you know that the business club is in a serious downturn.
01:18I don't see the point in giving money to something where there is no return.
01:21Well, the point is that it's not all in the minus and plus.
01:24Maybe, but the math here is clear as day.
01:27That's what I'm talking about. It's not all in the math.
01:30The business club is good for the image company.
01:32That's what I'm talking about.
01:34It's for the birth of children.
01:36Children?
01:37Who are you going to get them from?
01:39Well, the birth of a child exists to point out the mistakes you make.
01:44Whatever.
01:46I'm not the worst man in the world, Mom.
01:49You really aren't.
01:50Who said that?
01:51You're a good man.
01:52But, you have your bad habits.
01:55Okay, which ones don't I have?
01:58I should get going.
01:59No, no, no, Gabriela just left.
02:01Me?
02:03Aren't you going to invite me for a drink?
02:05You interrupted us in the middle of the conversation, Gabriela.
02:07Okay, relax. I didn't even plan it, I was with my friends.
02:11Whatever.
02:12A drink on a break and back to work.
02:16Enjoy.
02:18I understood you perfectly.
02:21Thank you for coming.
02:23I'm worried.
02:24I'm worried, Ivan.
02:25Someone in this family has to do it.
02:27And I'm obviously the one.
02:33That means he took that space for his new job.
02:36What?
02:37I mean, it looks like he took that space for his new job.
02:40So, Miki Tambura has a new business, right?
02:43Yes.
02:44That's what they told me.
02:45How did you get that information?
02:47What kind of business?
02:49What do you think Milor can do?
02:51He can do whatever he wants.
02:52It's not his job.
02:54Okay.
02:55It turned out that I accused you of being a bully.
02:58And it wasn't like that.
02:59Okay, it doesn't matter.
03:01It doesn't matter?
03:02It doesn't matter.
03:03I just wanted to draw your attention to some things that need to be done.
03:07Okay, I understand.
03:09I know it's hard for you here with us.
03:11Especially since we're all here.
03:13No, no, I like to work for you.
03:15Where are you, Milo?
03:16Finally, the three beautiful women are entering this place together.
03:20You're cool.
03:21You're cool.
03:24What are you doing?
03:25Nothing, we're enjoying ourselves.
03:27What? Where are you going?
03:29We're going to sit there.
03:30Why?
03:31We're going to sit there.
03:32Why don't you sit here at the table?
03:35We want to sit at that far table.
03:37Why?
03:38Why what?
03:39Because we want to talk a little.
03:42You can talk here, I won't stop you.
03:45I know, but we want to talk about some women's stories.
03:48I would like to have a nice relationship.
03:51Of course, there are no problems.
03:54So, we made up?
03:56We never argued.
03:58Can we have a coffee?
04:00Yes.
04:01Okay.
04:02I'm sorry, but I'm here, I want a coffee.
04:05What is this, a survey?
04:07A product test.
04:09Wait, you have to calm down.
04:12We're not at work.
04:14I am.
04:15Please.
04:17This is my new project.
04:24I'm not sure if I want to sue for molestation.
04:27Let's finish.
04:31You know, I'm not sure if I want to sue for molestation.
04:36I totally understand, it's nice.
04:39You have to think well if you want to sue or not.
04:43I'm thinking, but I'm not sure if I still love him.
04:47Okay, slowly.
04:49It's serious.
04:50So, you already accepted Luka's offer?
04:53Yes.
04:55Well, okay, congratulations.
04:58You'll get out of work.
05:00I know.
05:02Unfortunately, we won't go anywhere for drinks, except here.
05:06What's there?
05:07What's there, right?
05:26I met Pavlo's girlfriend.
05:33Oh, don't be surprised.
05:36Take a seat.
05:38Are you okay?
05:39I'm fine.
05:41Where are you from?
05:44We have a potential problem.
05:46Yes.
05:48Sit down.
06:02I'm sorry.
06:03It's okay.
06:04I'm sorry.
06:05I'm sorry.
06:06I'm sorry.
06:07I'm sorry.
06:08I'm sorry.
06:09I'm sorry.
06:10I'm sorry.
06:11I'm sorry.
06:12I'm sorry.
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06:15I'm sorry.
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06:18I'm sorry.
06:19I'm sorry.
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06:25I'm sorry.
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07:00I'm sorry.
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07:45I'm sorry.
07:46I'm sorry.
07:47I'm sorry.
07:48I'm sorry.
07:49I'm sorry.
07:50I'm sorry.
07:51I'm sorry.
07:52I'm sorry.
07:53I'm sorry.
07:54I'm sorry.
07:55I'm sorry.
07:56I'm sorry.
07:57I'm sorry.
07:59I don't know what he did to me but…
08:01He was drinking with Una.
08:03With Una?
08:07How is that possible?
08:08But didn't they invite you to meet them?
08:11No.
08:12I saw them in the town.
08:13Do they date?
08:16No they are enjoying on the streets while flirting.
08:19How did they work for you?
08:22I told you, as if they were flirting.
08:25That's all I needed.
08:29What?
08:31Well, to see that girl, that woman of dubious morals,
08:36she was pretending, cheating, pretending...
08:41Mom, I have to tell you something.
08:48You look to me as if you would like Pavle to never be with a single girl.
08:55What are you talking about?
08:59You know very well what I'm talking about.
09:10Well, you promised me.
09:12What?
09:15You promised me that you wouldn't do dirty business anymore.
09:18Okay, so?
09:20So what?
09:21What are you doing?
09:23Magazine.
09:25Did you buy a magazine from Cannes Capital?
09:28Come on, sit down.
09:30I won't.
09:31Sit down, if you want to talk.
09:33I can't listen to you while you're thinking about your head.
09:35Sit down.
09:38Who told you that?
09:40That's the least important thing right now.
09:43Did you buy a magazine or not?
09:45I did.
09:46And?
09:47What's the problem?
09:51What's the problem?
09:58You know what, guys?
10:00As soon as you arrived,
10:02unannounced at this time,
10:04it's clear to me that there is a potential problem.
10:08Yes.
10:09Yes.
10:11What have you done now?
10:13What's the problem?
10:15We didn't make the problem.
10:17We made the problem.
10:19You?
10:20Well, that's something new now.
10:23What's it about?
10:27Well, someone made a problem for us,
10:29who also made a problem for you many times in your life.
10:33He extends the list of those people.
10:35Yes, this is your friend, Miki Tambura.
10:37Yes.
10:39Tambura.
10:40Yes.
10:45Well, Tambura always made problems and confused.
10:49And, of course, he always confuses someone behind their back.
10:52What did he do?
10:54Well, nothing new.
10:55He confused us, too.
10:57He told them what we were doing.
11:00What happened?
11:02We were filming.
11:03Do you want me to tell you?
11:04Yes.
11:05Yes.
11:20Where do you get the right to address me like that
11:23and to constitute such nonsense?
11:26What kind of nonsense is that?
11:29It's not true that I wouldn't want Pavle to have someone.
11:32Above all, I would like him to be happy.
11:35But that Una, she can only bring him some trouble.
11:40What do you mean?
11:43Mom, your possessiveness towards Pavle goes beyond all boundaries.
11:46I'm not possessive.
11:49That's why you brought a private detective into the house
11:51to find out everything you can about a woman there.
11:54I mean, you see that I was obviously right.
11:57You see that there is something between him and that woman.
12:03Do you hear yourself?
12:05Are you aware of how you sound?
12:08Do you want to say that I'm crazy?
12:10I don't know.
12:11But sooner or later you will have to realize
12:13that your little prince has his own life,
12:15which, I imagine, even girls understand.
12:19Do you know what that means?
12:22It means that he won't be able to belong to you for the rest of his life.
12:26Your expectation that he will hold on to your skirt for the rest of his life
12:29is really abnormal.
12:31And painful.
12:33I am extremely surprised by your behavior.
12:36I find it very unpleasant.
12:38What, have you decided to insult me?
12:41Come on, Mom.
12:43Why would I do that?
12:45I just decided to tell you the truth.
12:48Well, your truth has left me speechless.
12:52Well, there you go.
12:54And we have experienced that.
12:57To leave a plant speechless.
13:14You don't see any problem in buying a magazine
13:17from a company that owns Cannes Capital?
13:20No, I don't see any problem.
13:22And what do you think you're doing with that magazine?
13:25You see, it's none of your business.
13:27Oh, you think you're going to end up in jail?
13:30Listen, I'm sick and tired of those jails.
13:32Look, I'm not going to let you do what you want.
13:35Easy.
13:36Do you understand?
13:37Easy.
13:38Just take it easy.
13:41You came here to teach me how to do my job.
13:46I bought that magazine because it was on sale.
13:49And I paid for it.
13:51Legally.
13:53Everything I do,
13:55but everything I do, you associate with crime.
13:58What's wrong with you, man?
14:00Is this some kind of professional deformity?
14:03Or are you trying to heal traumas from childhood,
14:05so you're taking my side?
14:07I can't talk to you about that.
14:10Look.
14:11Either give the magazine back to the gangsters,
14:14or forget about me.
14:17Let's go.
14:35While Andrija Bošnjak was running Cancapital,
14:38he bought a company.
14:39And that was the biggest acquisition of that period.
14:42Okay.
14:44Within the scope of that company,
14:46there was a magazine,
14:48which was not included in the transaction
14:50during the acquisition.
14:52What do you mean, it wasn't included in the transaction?
14:54Well, that's how the contract says.
14:56The magazine doesn't belong to the company.
14:58We thought it did.
14:59Didn't you read the contract?
15:01We read the contract,
15:02but we didn't expect to see that part.
15:05You two created a problem.
15:08Okay, we did.
15:10Yes.
15:13And now what?
15:15I mean, what about the magazine?
15:17Nothing.
15:18It turned out that the magazine is not ours.
15:21So we decided to find a new owner
15:24and get the magazine back from him, but...
15:28But what?
15:29But it turned out that he sold the magazine to someone else.
15:34Who?
15:36I told you.
15:37Tambur is the owner.
15:40Tambur?
15:43That's not funny.
15:46It's not funny.
15:57Well, I'm done talking.
15:59We can go.
16:01I'm not going yet.
16:02I want to stay a little longer.
16:04You've already started working overtime.
16:06I have to get to know the place.
16:09Okay, I'll see you tomorrow.
16:11I mean, I won't see you.
16:13Okay.
16:14Bye.
16:15Bye.
16:16Good luck.
16:17Bye.
16:31Hello.
16:32Hello.
16:33Do you want something to drink?
16:34I'm wet, I won't drink alone.
16:37I work, I don't drink.
16:39I work, too.
16:41I understand.
16:43Vanja Milatović.
16:45Deputy Financial Director at Cannes Capital.
16:48Irma Latas.
16:50Nice to meet you.
16:52Sorry, I'm not informed. I don't know what you do.
16:55Well, I got a job to help you run a business club.
16:59Of course, financially.
17:08Tamburo didn't just buy a magazine in our company.
17:12He's definitely going to achieve something.
17:14He wants to.
17:15He knows what he wants.
17:16He's working for us.
17:18That's why they came to you, to tell us what to do with him.
17:23I'm used to you coming to me whenever you have a problem.
17:27We didn't make a problem.
17:29It doesn't matter.
17:31As soon as you get into something, you come to me.
17:34I solve it like I have a magic wand.
17:37That's right.
17:38We came to you.
17:39Come to Debeljko, he'll solve it.
17:41You're a man of magic.
17:43You solve problems.
17:44Vuki, you always solve everything.
17:46You're a white ninja.
17:52I'd like to help you guys, but I don't know how.
17:56This situation is beyond my power.
17:59You can't help us.
18:01Do you have any advice or suggestion?
18:05I have advice and suggestion.
18:07The advice is to read the contract to the end,
18:11even in small letters.
18:14Do you have another one?
18:15No.
18:16As for the right side of this situation,
18:21there's only one solution.
18:24What solution?
18:26Go to Tambur and try to get the warehouse from him.
18:33It's legal.
18:46It depends on what the bosses say.
18:49I've been to Luka and Aleks' place,
18:51and I gave them a problem.
18:53He said he'd send help.
18:55And the help has arrived.
18:58I'm sorry I'm confused.
19:00I didn't know the help would come so soon.
19:02No, Luka realized the situation very seriously.
19:06I'm glad.
19:07It's important to react while we can.
19:09Don't worry.
19:10We'll find a solution.
19:14Why didn't you tell me you'd come?
19:16It was a challenge.
19:17You know I don't have a lot of work.
19:19I came on my own.
19:21It's okay.
19:22It's important that you're here.
19:24It's an informal dinner,
19:26but I'm working from tomorrow.
19:28I'm far from finance.
19:31I'm not an expert.
19:32That's okay.
19:33It's important that you guide me.
19:35Whatever you need, I'm here.
19:37For starters, let's have a drink.
19:40Okay.
19:41I'll have a lemonade.
19:42Great.
19:52I'm sorry.
20:04I hope I didn't interrupt anything.
20:06No, you didn't.
20:07Come in.
20:09I wanted to ask you if everything's okay.
20:11Why?
20:12Or does it look like it's not?
20:14You've been acting very worried for a while now.
20:18So that's how it looks, right?
20:22So there's a problem?
20:26There is a problem, yes,
20:28but it's not business as usual.
20:31I didn't want to get my nose into private matters.
20:34No, no.
20:35It was a long time ago.
20:36You've already asked.
20:37Here.
20:38Maybe this is exactly what I need,
20:39a friendly advice.
20:40Sit down, please.
20:44So?
20:46What is it about?
20:49Believe it or not,
20:50it's about my mom.
20:52I'm sorry if this is too private for you.
20:54No.
20:55Well, she knows how to deal with private matters.
21:02I wasn't thinking about you in this case.
21:06No, no, I know.
21:07I know, of course.
21:08I'd be the first to say that.
21:10At least you know me.
21:13Yes.
21:15And what is it about?
21:20What is it about?
21:29And this?
21:34Hey, Luka.
21:35Hey, Irma.
21:36Come in, please.
21:37Take a seat.
21:42How are you?
21:43I'm fine.
21:44I'm fine, but I don't have much time.
21:46I have to go back to the club.
21:48I wanted to tell you that I've been thinking about your request.
21:52I know.
21:54How do you know?
21:55Well, I know.
21:57Because I saw you take a few steps.
22:01You saw me take a few steps?
22:02How did you see me take a few steps?
22:04I met Vanja.
22:07You met Vanja?
22:09Last night he was at the business club at the beach.
22:18I didn't.
22:27You know, my mother is a very possessive woman.
22:31I try to tolerate and understand that.
22:34But this time she really went overboard.
22:36All mothers are like that.
22:38Here, mine is too worried.
22:40I'm not quite sure I can compare them, but okay.
22:42Let's try.
22:45The facts are no longer important.
22:47For example, I'm in a dilemma.
22:49She asked me to go to her place for lunch,
22:52and I'm thinking about not going.
22:55So you're not in a dilemma if you've already decided?
22:58But my conscience is biting me.
23:00It would be a monster if your conscience didn't bite you.
23:03And what should I do?
23:05It doesn't matter.
23:07You'll see her anyway.
23:10That's true.
23:12And? Do you want to go for lunch?
23:16I think my mother will understand a lot of things if I just refuse.
23:21Just tell her not to do the things she's already done.
23:25Somehow.
23:28I feel sorry for your mother.
23:34I had to think about the vote.
23:38Always.
23:42Patients are in the waiting room.
24:00So you two don't waste time?
24:03Never.
24:05I'd like you to hear more from me, but...
24:08No, no, everything's fine.
24:10Don't worry, just make sure the problem is solved.
24:13That's right.
24:15We called Vanja because she's one of the best people for finance in the company.
24:22I know. She's the deputy finance director.
24:25I don't have to tell you.
24:27I'm telling you, we met.
24:29Yes, you met.
24:31I think Vanja will set the business club on fire.
24:35As far as finance is concerned, of course.
24:37I hope so, honestly.
24:39Yes.
24:41I mean, I'm fighting for all this because the business club is important to the company,
24:46but it's also important to me personally.
24:48Okay, I understand.
24:50That's right. So we'll connect you, we'll organize everything,
24:54and then it's up to you and Vanja to make a miracle.
24:58Okay, we don't have to make a miracle.
25:00No, you don't have to make a miracle.
25:01It's important that she knows what she's doing and that she's good at it, and that's it.
25:04She knows what she's doing and that she's good at it,
25:06you know what you're doing, you're good at it,
25:08and I think you'll be a great team.
25:10Thank you so much.
25:11You're welcome.
25:12Okay, then back to work.
25:14Back to work.
25:15Okay, see you.
25:16Bye.
25:34Hi.
25:41If you think I didn't notice you turning your eyes, I'm sorry.
25:47Good afternoon, my beautiful lady.
25:50What can I do for you on this beautiful day?
25:53Don't be so nice, it doesn't suit your character at all.
25:57What do you want?
25:59I came for what's mine and what belongs to me.
26:02You came for that?
26:03And what is that?
26:05Okay, don't be a fool.
26:07I came for the middle of the market.
26:10I'm begging you.
26:12Why are you begging me?
26:14Give me that money and don't delay.
26:16Wait, I'm not informed that you need me to give you the middle of the money.
26:22I've told you.
26:23Come on, can you?
26:24No, no, no, no, no, no, no.
26:26This is a serious bar.
26:28Here they know some rules, I can't do anything on my own.
26:31You know what, I'll just tell you.
26:33I'm not moving from this place until I get the middle of the market, got it?
26:50Hey.
26:53I wanted to ask you something about the magazine.
26:56Before the story, Beloksenov, sit down.
27:01We were thinking about giving Tambor the offer to buy the magazine from him,
27:06so I could hear your opinion.
27:08The business logic is absolutely clear.
27:10Absolutely, yes.
27:12And I thought you were going to say something.
27:15I think the most logical thing is to become the owners of all the properties on the land we've already bought.
27:21I still don't know how we're going to do that.
27:23I know it's not ideal, and that the purchase of that magazine will cost us,
27:27but that's the only good decision.
27:32Let's get this straight.
27:34That's my opinion about the business logic.
27:37As far as the relationship between the magazine and Tambor is concerned,
27:40I really don't know.
27:41I mean, I have no opinion on that.
27:43Well, see, that's why I came to you.
27:45I knew you were going to deal with the business logic.
27:48Well, we'll give Tambor the offer.
27:51What can I do to agree with you?
27:53We're great.
27:57We're great.
28:28Well, Professor, what's new?
28:31Any business?
28:33Well, there's nothing to do today.
28:37Probably that's why I'm in a good mood,
28:39because I took a little break.
28:44Professor, if anyone deserves a break,
28:47as far as I know, then it's definitely you.
28:51If anyone deserves a break, as far as I know,
28:54then it's definitely you.
28:59Those wizards have a soul, huh?
29:03Wizards?
29:05That's what they called me.
29:09Let's go.
29:12Here.
29:14Is she the same, or...
29:16She is the same, I just doubt
29:19that you'll react the way you're used to, I think.
29:25What's new with you?
29:28Well, Professor, nothing special.
29:32There's nothing to do, so I'm taking a little more rest.
29:36Well, okay.
29:38Work creates man,
29:40and rest keeps him at work.
29:43Well, God took a break one day when he created the world.
29:47We're ordinary mortals, we couldn't afford that.
29:51I wish you good health.
29:53You're right, Professor.
29:55Come on.
30:00Huh?
30:03Better than last time.
30:05No, you just got used to it.
30:09But, Professor, tell me, why did you call me?
30:14I don't need a special reason, Marinka, I don't need you to come.
30:18Really?
30:19I just wanted to have a drink, nothing more.
30:22There's nothing special.
30:24Professor, I just wanted to have a drink and rest a little.
30:28That's right, that's right.
30:30Well, it doesn't look like you lately.
30:33I told you last time.
30:35We haven't seen each other like this before,
30:38but there has to be something.
30:40There's nothing, Marinka.
30:43Everything changes in life, and so do we.
30:46Right?
30:48I wish you good health.
30:50You too, Professor.
30:52God bless you.
30:57God bless you.
31:09Lepasava, my dear wife,
31:12is it clear to you that I can't do anything on my own
31:15and that no one told me that I should give you money?
31:18Is that clear to you?
31:19It's because you're making it up.
31:21Come on, take it, give it to me, that's it.
31:23I have to consult with Uncle Mido first,
31:26so I don't forget.
31:28You're making me nervous.
31:30Mido, Mido, as if Mido is a deity.
31:33Are you listening to what I'm saying?
31:35No.
31:36No, I see.
31:37No, no, it's because you're talking nonsense.
31:39I'm talking nonsense.
31:40And I don't care about your excuses.
31:42Mido should give me money,
31:44but he doesn't,
31:46and I don't want anything more than what I have.
31:49I just don't want to get involved in your relationship,
31:52and I'm going to call Panchetta from this place,
31:54and she's going to tell me if I should give her money or not.
31:57What does Panchetta have to do with it?
31:59What does Panchetta have to do with it? Panchetta is...
32:01Panchetta should just stop
32:04cutting my fate instead of
32:06dressing me around Mido.
32:08No, don't.
32:22It's been a year, Marinka.
32:27It's been a year.
32:32A young man can't understand
32:36that diagnosis.
32:38It's been a year, and that's normal.
32:43Professor,
32:45I don't understand.
32:47I don't understand.
32:49I don't understand.
32:51Professor,
32:53I've never heard you talk like this.
32:56Is everything okay?
32:58No.
33:00I mean, yes.
33:03No, it's not okay.
33:05Until recently, I was sure
33:07that there was no
33:10case, no problem in this world
33:12that I couldn't solve.
33:17Then suddenly,
33:19I feel like I'm on a wall.
33:21I stop and look and I can't believe it.
33:23What's going on?
33:25Somehow,
33:28everything has faded,
33:30lost its meaning.
33:32Either I've completely changed,
33:34or the world has completely changed.
33:36Most importantly,
33:38I'm not interested in anything anymore.
33:40Do you understand?
33:42Nothing.
33:44There's nothing left.
33:49Professor, did you really call me
33:51to have a drink and talk
33:53about the passage of time?
33:58What's missing to talk about
34:00the passage of time?
34:02Marinka's door.
34:06Professor, did you leave them?
34:08Are you closer?
34:20Come on, pour me a drink.
34:22Okay, I'll give it to you.
34:24My hands are shaking.
34:27Marinka?
34:29What's your name?
34:33Come on, cheers.
34:35Come on, cheers.
34:49Cheers.
35:02My son.
35:08You're finally here.
35:19I'm sorry.
35:32What a tragedy.
35:41Just shut up.
35:43Shut up, shut up, Kopań.
35:45Everything is clear to me, Mada.
35:47She's just a fat,
35:49old hag.
35:52Is anyone here talking about me,
35:54or am I imagining things?
35:59I'm sorry.
36:02I really don't see what's wrong here.
36:05I'll be right there.
36:07I'm sorry.
36:18Wait for it to cool down,
36:20or blow on it.
36:22Okay, Mom.
36:24Thank you, I know how to eat soup.
36:26I'm not a child anymore.
36:28That's how mothers are.
36:30No matter how big and adult you are,
36:32you will be children to us.
36:43How are you, son?
36:47How are you?
36:59What would you like to do now?
37:01What do you mean?
37:03I mean, would you like to work with me,
37:05even though I'm stupid?
37:17Hey.
37:35What are you looking for?
37:37Have you seen my laptop anywhere?
37:47No.
37:52You're always mad at me.
37:55I can't believe it.
37:58Why?
38:01You...
38:03You're...
38:05You're not ugly.
38:07You're a fool.
38:09And the difference is big,
38:11except in the first word.
38:17He didn't want to tell me
38:19why he bought that magazine from you.
38:21Of course.
38:23But he told me he bought it legally,
38:25because he wanted to do legal business.
38:27I can imagine how much legal business.
38:47Pansi!
38:57Pansi!
39:01Pansi!
39:03Stefan!
39:05Pansi!
39:15I don't know what to say.
39:17It's not about our relationship
39:19and openness.
39:21Nice to meet you.
39:29Hello, nice to meet you.
39:31Nice to meet you too.
39:35Welcome.
39:37A lot of eggs.
39:39A toast.
39:41Cheers.
39:51♪♪