Igra sudbine, Epizoda 1236,Igra sudbine 1236 ,Igra sudbine 1237,Igra sudbine Epizoda 1236, Igra sudbine Epizoda 1237,Epizoda 1236 Igra sudbine ,Epizoda 1237 Igra sudbine
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00:00TAMBURA
00:13Well, someone made a problem for us,
00:15who also made a problem for you many times in your life.
00:18The list of those people is longer.
00:20Yes, this is your friend, this is Miki Tambura.
00:23Yes, Tambura.
00:27Mom, your possessiveness towards Pavlo exceeds all boundaries.
00:31I'm not possessive.
00:32Right?
00:33So you brought a private detective into the house
00:36to find out everything you can about a woman there, I think.
00:39Well, you see that I was obviously right.
00:41You see that there is something between him and that woman.
00:46Everything I do, but everything I do, you associate with crime.
00:51What's wrong with you, man?
00:53Is this some kind of professional deformation,
00:56or are you trying to heal the trauma from your childhood,
00:58so you're happy with me, huh?
01:00Do you think it's impossible to talk about it?
01:03Look, either return the magazine to the ganachists,
01:07or forget where you have it.
01:12You're a man, man, you solve problems.
01:14Yes, Vuki, you always solve everything.
01:16You always solve us.
01:17You're a white ninja.
01:20Well?
01:22I mean, I'd like to help you guys,
01:25but I really don't know how this situation exceeds my power.
01:29Okay, you can't help us,
01:31or maybe you have at least some advice, suggestion, anything.
01:35I have an advice and a suggestion.
01:37The advice is to read the contract to the end,
01:41even in short words.
01:44Okay, as the hosts say.
01:47I was with Luka and Alex, and I gave them a problem,
01:51and they said they'd send help.
01:53And the help has arrived.
01:56No, okay, I'm sorry I'm confused,
01:58I didn't know the help would come so soon.
02:00No, Luka has grasped the situation very seriously.
02:04Okay, I'm glad.
02:06I mean, it's important to react as long as we can.
02:08Don't worry, we'll find a solution.
02:11Now, the facts are no longer important,
02:13but here's the dilemma.
02:15She invited me to lunch at her place,
02:18and I'm thinking about not going.
02:21So, you're not in the dilemma, even though you've already decided?
02:24But I have a guilty conscience.
02:26It would be a monster if you didn't have a guilty conscience.
02:29And what should I do?
02:31It doesn't matter.
02:33You'll see her anyway.
02:36Well, that's true.
02:38And? Do you want to go to lunch?
02:43I think my mother will be much clearer if she simply refuses.
02:47Yes, just tell her not to do the things she's already done.
02:52That's right.
02:54I estimate that Vanja's business club will go bankrupt.
02:59In terms of finances, of course.
03:01I hope so, honestly.
03:03Yes.
03:05I mean, I'm fighting for all this
03:07because the business club is important to the company,
03:10but it's also important to me personally.
03:12Okay, I understand.
03:14That's right. So, we'll get you together,
03:17we'll organize everything,
03:19and then it's up to you, Vanja, to make a miracle happen.
03:22I came to the middle of the bazaar.
03:25Excuse me?
03:27What do you mean, excuse me?
03:29Give me that money and don't delay it.
03:31Wait, I'm not informed that I should give you
03:35even the middle of the money.
03:37I'm informed. Come on, can I?
03:39No, you can't. No, no, no, no.
03:41This is a serious cafe.
03:43I can't do anything according to the rules.
03:46You know what? Let me tell you something.
03:48I'm not moving from this place
03:50until I get the middle of the bazaar.
03:52Is that clear?
03:54I think it's most logical
03:56to become the owner of all the properties
03:58on the land we've already bought.
04:00I still don't know how long that will last.
04:02I know it's not ideal,
04:04and that we'll have to pay a high price for that magazine,
04:07but that's the only good decision.
04:10Let's talk about this.
04:12This is also related to the basic logic.
04:15As far as the relationship between the cafe and the bazaar is concerned,
04:18that's really nonsense.
04:20I mean, I don't believe in that.
04:22I've never heard you talk like this.
04:24Is everything all right?
04:26No.
04:28I mean, yes.
04:30Well, no.
04:32It's not all right.
04:34Until recently, I was sure
04:36that there was not a single case,
04:38not a single task in this world
04:40that I couldn't solve.
04:45And then one day,
04:47I'm standing on a wall
04:49and I can't believe it.
04:51What's going on?
04:53Everything has somehow
04:56faded,
04:58lost its meaning.
05:00Either I've completely changed,
05:02or the world has completely changed.
05:04The main thing is
05:06that I don't care about anything anymore.
05:08Do you understand?
05:10Nothing.
05:12It doesn't matter anymore.
05:21Son!
05:27You're finally here.
05:35Tell me, honey.
05:39Just shut up.
05:41Shut up, shut up.
05:43Not everything is clear to me.
05:45But let me tell you,
05:47she's a fat, old hag.
05:49You know.
05:51Is there anyone here talking about me,
05:53or am I imagining things?
06:09They say that life is a novel.
06:11They say that life is not fair.
06:13Sometimes it wins,
06:15but often it fails.
06:17And everything is unknown,
06:19except for fate.
06:25When I was a child,
06:27I had a dream
06:29that I would become a doctor.
06:31But I didn't know
06:33how to become a doctor.
06:35I didn't know
06:37how to become a doctor.
07:07Someone really doesn't want to.
07:09Like on a plane,
07:11everything turns around,
07:13and we are the ones
07:18who don't know our fate.
07:37The End
07:53What is it, dear?
07:55I registered the company
07:57when I started working.
08:07I wanted to ask you something.
08:09Am I imagining things,
08:11or is there anyone here talking about me?
08:13Is there anyone here talking about me?
08:15Take it easy, Panča, take it easy.
08:17Well, if you recognized yourself
08:19in the story about the fat, old hag,
08:21then you are.
08:23What was it, Ruznoslava?
08:25Did someone give you coffee today?
08:27He said that he doesn't talk to me like that.
08:29Panča,
08:31it's nice of you to say
08:33that you don't talk to me like that.
08:35How am I supposed to talk to anyone
08:37in my birth café?
08:39What a stupid argument.
08:41I'd like to laugh it off.
08:43No, no, no.
08:45It's a joke.
08:47It's a joke.
08:49No, no, no.
08:51You don't understand the language of kindness.
08:53I know that.
08:55Nothing.
08:57Nothing.
08:59Are you hungry?
09:01Kind of.
09:05Now it's done.
09:13Just be careful.
09:15It's hot.
09:17Either wait for it to cool down,
09:19or blow on it a little.
09:21Okay, Mom.
09:23Thank you, I know how to eat soup.
09:25I'm not a kid anymore.
09:27Mothers are like that.
09:29No matter how old you are,
09:31you will be our children.
09:41How are you, son?
09:47How's work?
09:51Anything new?
09:53No, Mom, nothing new.
09:55Everything's the same.
09:59What do you mean?
10:03Pavel has a girlfriend.
10:05I don't know exactly what she's up to,
10:07but she was at a party with Una.
10:09With Una?
10:11Where did that come from?
10:15Did they invite you to see them?
10:17No, I just ran into them in the city.
10:19Wait, they see each other?
10:21Not see each other,
10:23they're having fun in Belgrade cafes
10:25while flirting.
10:27How did they look to you?
10:29I told you they were flirting.
10:33That's all I needed.
10:35What?
10:37Well,
10:39to see that girl,
10:41woman of dubious morals.
10:43She was pretending,
10:45cheating, pretending.
10:47Mom,
10:49I have to tell you something.
10:53You look to me
10:55as if you wanted
10:57Pavel to never be with a girl.
11:01What are you talking about?
11:05You know what I'm talking about.
11:11Nothing.
11:17You're kind of quiet
11:19and distant.
11:23I know what it is.
11:25I know what it is.
11:27You miss your mother,
11:29don't you?
11:41Can I get you something to drink?
11:43A cup of tea.
11:47OK.
11:49Did you prepare everything
11:51for the party?
11:53What would you like to do now?
11:55I didn't want to do anything.
11:57I mean, you'd like to work with me
11:59even though I'm stupid.
12:01I never said you were stupid.
12:03What did you say last time?
12:05That I'm stupid for job and investments?
12:07You didn't say that?
12:09I did.
12:11I said you're stupid,
12:13but not stupid.
12:15I'm stupid now
12:17because I can't make the difference.
12:19Are you sure now?
12:21What? I'm not sure.
12:23You're acting like a child.
12:25Did you come here to fuck me over?
12:27To give me a couple of insults and leave?
12:37You know what?
12:41I didn't want to come to your party today.
12:45But I didn't want to insult you either.
12:47What do you mean?
12:49Why didn't you want to come?
12:51We'll pretend
12:53we don't know why.
12:55I'm still mad at you.
12:57I don't think you're right.
12:59How did you even think
13:01to hire Barbara to follow him?
13:03Every mother would do that.
13:05I was worried, Pavle.
13:07Worried?
13:09I think you don't understand
13:11how hard it is to hire
13:13a private detective.
13:15What is she? Our maid?
13:17Is that what you want to say?
13:19You didn't hire her to drink coffee.
13:21You hired her to do the job
13:23she was paid for.
13:25What now?
13:29What?
13:31Do you realize how I look
13:33in her eyes because of that?
13:35Do you realize how much you've ruined my reputation?
13:39What happened now?
13:41You don't have anything to say, do you?
13:43I can't.
13:51I know what your problem is.
13:53Keep it to yourself.
13:55How can I not?
13:57I'm applauding.
13:59I don't even remember.
14:01Please.
14:03You're jealous of me.
14:05Of my success,
14:07of my youth, of my beauty.
14:09Yes, yes.
14:11You're so lucky.
14:13I'm scanning you
14:15like a color doppler.
14:17I'm jealous?
14:19What are you talking about?
14:21How can I be jealous of your success?
14:23If you're successful,
14:25I'll be the queen
14:27of Maldives.
14:29Yes, yes.
14:31You're weird.
14:33Unlike you,
14:35I have an apartment
14:37and a successful bakery.
14:39Of course.
14:41You have an apartment and a successful bakery.
14:43You built everything
14:45with your own hands.
14:47Stone by stone.
14:49If you don't like my bar,
14:51then go
14:53and find another hole
14:55that you'll stink in.
14:57Are you pushing me?
14:59No, I'm not pushing you.
15:01I'm throwing you out.
15:03Out!
15:05Out!
15:07Out!
15:09What do I need this for?
15:11What does this mean to me?
15:13What does this mean to me?
15:15I can't believe it.
15:17Uncle,
15:19can I ask you something?
15:21Do you really have
15:23something with Uncle Mido?
15:27What did you say?
15:29Nothing.
15:31Wait a minute.
15:37I'm sorry.
15:43I didn't mean to hurt you.
15:45I didn't say a single word.
15:47You're a bit nervous today,
15:49I would say.
15:51Look,
15:53I'm just thinking about work.
15:55For the good of you,
15:57for the good of the company.
15:59That's how my brain works,
16:01do you understand?
16:03Okay, I'm sorry I hurt you.
16:05I'll explain to you what I meant
16:07when I said you did something stupid.
16:11The magazine we're going to use
16:13for our business is one thing,
16:15and our company
16:17for export and import
16:19is a completely different thing.
16:21Do you understand?
16:23No, I don't.
16:25Look, I know Kanačka as a bad couple.
16:27Aleksa and Luka aren't even a little naive,
16:29and I wouldn't mess with them.
16:31Especially since Vukasin is protecting their backs.
16:33He can't protect his own back,
16:35let alone someone else's.
16:37Okay, whatever it is,
16:39we have to be careful.
16:41You're an intelligent man,
16:43and you're aware of the potential dangers.
16:45And I know you know we have to be careful,
16:47and that we have to do everything
16:49to prevent any kind of shit from happening.
16:53That's why we have to be patient.
16:55An organization, a fashionable export-import company
16:57requires time,
16:59and a good organization.
17:01We're going to be discovered very soon,
17:03and the world is going to fall apart.
17:05And we don't want that to happen.
17:07That's why I registered the company,
17:09so we could start with a fake organization.
17:11And I separated the money
17:13I want to invest
17:15to develop the company.
17:17Okay.
17:19Just be careful
17:21how you talk to me in the future.
17:23Be very careful
17:25how you talk to me.
17:27Is that clear to you?
17:29Yes.
17:31And that realization
17:33will come
17:35when the time
17:37is right.
17:45Let's drink.
17:59I'm sorry, son.
18:01I'm sorry
18:03if I did something wrong.
18:05I really didn't mean to.
18:07I was just worried.
18:09Okay, Mom.
18:11I've heard that a hundred times.
18:13You're strict with me.
18:15You're strict, son.
18:17You can't understand
18:19how it was for me.
18:21I raised you on my own,
18:23without anyone.
18:25I had to make every decision on my own.
18:27The responsibility was huge.
18:29I didn't have anyone to share
18:31the burden or the happiness.
18:33I didn't have anyone
18:35to consult with.
18:37Everything I had,
18:39everything,
18:41I only dedicated to you.
18:43And I'm glad, I'm glad
18:45that it paid off.
18:47Look at you.
18:49You're beautiful, successful,
18:51empathetic.
18:53Okay, Mom.
18:55It's true.
18:57I'm sorry.
18:59I'm sorry, please.
19:01I'm sorry
19:03that I was
19:05stupid and bad to you.
19:07I really didn't mean to.
19:09You know
19:11I'd give anything for you.
19:13You know that.
19:15I know.
19:17Calm down.
19:19Let's not make you sad.
19:21Do you want more soup?
19:23I do.
19:25Do you like it?
19:27It's great.
19:29Do you like it?
19:31Come on.
19:37I'm sorry.
19:39I'm sorry.
19:53You're crazy.
19:55You're mad at me all the time.
19:57I can't believe it.
19:59Believe what?
20:01You're...
20:03You're...
20:05You're not annoying!
20:07You're a fool!
20:09The difference is huge
20:11except for the first word.
20:13What?
20:15Because I'm angry!
20:17Don't be angry.
20:19It's not my fault.
20:21Why are you mad at me?
20:23Why am I mad at you?
20:25How can you ask me something like that?
20:27You haven't even cooled down yet.
20:29And now you're going to call me here
20:31so I can flirt with Meade, right?
20:33So I can get into a romantic, emotional relationship.
20:36I didn't say you were flirting.
20:39But I didn't mean anything bad.
20:43I had a reason to say that.
20:45You work, you're partners.
20:48Business partners.
20:50Business partners.
20:55Who are we when you're...
21:01It doesn't matter.
21:03It doesn't matter, dear.
21:05It doesn't matter, it doesn't matter.
21:07It's easier for me to talk to a tree.
21:09It's easier for me to talk to Ljeposavl than to you.
21:12I know.
21:13What do you know?
21:15Leave me alone.
21:17Mind your own business.
21:19Mind your hygiene.
21:21Don't be a nuisance.
21:23That's it.
21:25Lay down on your shoulders and be quiet.
21:27You're the best at that.
21:31This is the fish.
21:33Serve the guest.
21:36And tie his tongue.
21:38I WANT TO TALK TO YOU.
21:40I WANT TO TALK TO YOU.
21:42I WANT TO TALK TO YOU.
21:44I WANT TO TALK TO YOU.
21:46I WANT TO TALK TO YOU.
21:48Okay.
21:49I would like to address the situation
21:51with the last acquisition and the magazine.
21:55I don't want to get into how it happened,
21:58but as you know, the magazine is not in our ownership.
22:03Is the previous owner familiar with the situation?
22:07Yes.
22:08Yes.
22:09But that's not his fault.
22:11He says that the magazine was not an object of sale at all.
22:14So now the most important thing is that we actually buy that magazine.
22:17That's right.
22:18That means we should buy it?
22:19Yes, that's right.
22:20And what is the offer?
22:21We don't know yet.
22:23And does that owner want to sell it to us at all?
22:26Well, no.
22:27That owner sold the magazine,
22:29so we have to see with the new owner.
22:31Well, this is comedy.
22:32And who is the new owner?
22:34We don't want to get into the details,
22:36but we have to buy that magazine.
22:38Okay.
22:39And is that in our financial plan at all?
22:42What do you mean?
22:43Well, since the money is foreseen for the acquisition,
22:46the magazine was also implied.
22:50And that means that now this would be a new investment,
22:53a new investment.
22:54That's right.
22:55Strictly speaking, yes.
22:56But we need the magazine, so that's it.
22:59With due respect, why do we need it?
23:02We need the import and export of goods.
23:04We don't need warehouses.
23:05Okay, Bobo.
23:06Excuse me.
23:09I really don't see what's wrong here.
23:12I'll be right back.
23:13Excuse me.
23:19I think that's all for today.
23:21Thank you all.
23:32Hello.
23:51What are you looking for?
23:53Have you seen my laptop anywhere?
23:55No, when I started cleaning, it wasn't here.
23:59Okay, I have children's stuff inside.
24:01I prepared it last night and now I don't know where it is.
24:04Ivan fixed something.
24:06When?
24:07Last night.
24:08He and Olga are constantly moving things around the house.
24:17What a surprise!
24:18You didn't go to work?
24:20I left and came back because I forgot my laptop.
24:24I don't know if you saw it.
24:26I saw it, of course.
24:28Great.
24:29Where?
24:30In the study, where my place is.
24:33I see.
24:35Okay, I'll go get it.
24:36If you don't want to move my things anymore,
24:39because if you do, I don't know where they are,
24:42and I'll forget them.
24:43Yes, yes.
24:44Then you have to find a place for your things.
24:48What do you mean?
24:50I mean you can't leave your things all over the house.
24:54And you have to teach Lenka what order is.
25:01I hope I didn't steal anything.
25:03No, I have to go now.
25:05Okay.
25:06Goodbye.
25:21Come in!
25:23Oh, Mr. Director.
25:25You called me?
25:26Oh, Mr. Director.
25:28I did, but you didn't have to hurry.
25:30The police can't wait, so...
25:32Come in.
25:34How are you?
25:35Not bad, as usual.
25:37How are you?
25:38How am I? I'm always at work.
25:40Whenever I come to your place, you're always at work.
25:42Yes.
25:43Why? I have something better, smarter than that.
25:45Are you going to take a break, for example?
25:47I'd gladly take a break from work,
25:50but the boss won't take a break from me.
25:53You know why I called you?
25:54Did you break a boiler in your apartment, or something else?
25:57Oh, come on.
25:58You're lucky that's it.
26:00No.
26:01Why?
26:02I called you because of Milorad.
26:04And the magazine.
26:07And?
26:08He didn't want to tell me why he bought that magazine from you.
26:12Of course.
26:13Yes.
26:14But he told me that he bought it legally,
26:17because he wanted to do legal business.
26:19I can imagine how much legal business.
26:22I warned him, of course.
26:24I told him to call you, to sit down,
26:27to negotiate about the sale of that magazine.
26:31I don't know, I couldn't take it anymore.
26:34If he doesn't do that, I won't talk to him anymore.
26:38That's the situation right now.
26:40Look, he really bought that magazine legally.
26:45You and I, we don't have proof that he's going to do some dirty or illegal business,
26:51and that he's going to make you and Luka pay for it.
26:55I just hope he'll be smart enough
26:58and that he'll sell that magazine to you.
27:01That's all I could do.
27:03Yes.
27:06Well, yes, that's right.
27:09See you later.
27:16Do you want to drink something?
27:39So, it's time that we can't express our opinions.
27:43Okay, it's not really like that.
27:45What do you mean, it's not like that?
27:47Do we have to nod our heads and be quiet?
27:49Of course not.
27:51Okay, so who are you on their side?
27:53I'm not on anyone's side, but I think Aleksa had a right.
27:59You quickly switched to the yacht of the new director.
28:03You know it's not like that.
28:05What do you mean it's not like that? You're already licking yourself.
28:08If I was licking myself, I wouldn't have so much work around the tavern.
28:13With that attitude, you don't deserve better.
28:17I beg your pardon?
28:18How is it your right to talk to me like that?
28:22And when Aleksa talks to me like that, it's fine.
28:25And when I talk to you like that, it's not fine.
28:28You've made it all up because it's not your thing.
28:31Please, I don't know what this company is turning into.
28:38I don't know what this company is turning into.
28:52Do you agree with me?
28:54Yes, but you think I'm wrong.
28:57It's not about that.
28:59Then what is it about?
29:02It's about Luka and Aleksa being directors now.
29:05Okay.
29:07I would do the same if Andrija were here.
29:10I wouldn't say that.
29:13I don't understand. What are you talking about?
29:17We're talking about your fight with Vanja.
29:19I think it was very unprofessional.
29:22It doesn't look like you at all.
29:26Okay, you're right.
29:30Do you admit it?
29:32What? Do you want me to publicly admit it?
29:37What do you mean?
29:39I'm just surprised you admit it.
29:42I probably went too far in the heat of the discussion.
29:45Okay, let's not talk about that.
29:47Just...
29:48Just what?
29:51I'm just interested in the reason for that conflict.
29:57I don't know.
29:59I feel a lot of pressure at work.
30:05I guess it's because I have nothing to enjoy outside of work.
30:11You don't?
30:13I don't, Senka.
30:15Home, work, work, home. That's my life.
30:18I think you should understand me.
30:21I understand you, but I don't think it should be like that.
30:24It is what it is.
30:26Bobo, we're not going to talk about this anymore.
30:30And I'm not going to ask you to stop reacting so quickly at work.
30:35Okay, I promise.
30:38Next time I'll cool down.
30:42Cheers.
30:43Cheers.
30:45Cheers.
30:55Look at you.
30:57Again.
30:59You pig.
31:01Look at you.
31:02Again and again.
31:06We're a bit nervous today.
31:09I'm not nervous.
31:12I'm sorry.
31:15Nebojsa, we're not going to play like this.
31:18What's going on?
31:20It has nothing to do with you.
31:22These are my things.
31:25Nebojsa, I feel worse when you're quiet.
31:29I don't want to imagine what problems you have.
31:32It really has nothing to do with me.
31:34These are things I deal with.
31:36I'll deal with it.
31:38Okay, you'll deal with it.
31:40These are your things.
31:42But you forgot that your things are not yours anymore.
31:45These are my things.
31:47Especially because of the size of my stomach.
31:49That's why I'm telling you, love.
31:51It's okay.
31:52I don't want to burden you with these things.
31:54Nebojsa, it's not a burden.
31:56It's a common life.
31:58You don't understand.
31:59We should have an open relationship.
32:01We should talk to each other.
32:02Okay, I don't know what to tell you.
32:04It has nothing to do with our relationship and openness.
32:08Okay, I...
32:10I can't believe your reaction.
32:13Do you want to say that a woman doesn't need to know everything?
32:16No.
32:17Don't answer me at all.
32:20Žeklina, don't...
32:22Why did you say that?
32:30Horse.
32:38Horse.
32:45What's wrong with you, Vukasin?
32:47I've never seen you so nervous.
32:53I don't know what to do.
32:57Well, you can't do anything.
33:00And when you can't do anything,
33:02you don't need to be nervous.
33:05I don't know how to help these people.
33:09It's the first time I don't have a solution for their problem.
33:13It's the first time.
33:16Vukasin?
33:18Yes.
33:19That tramp.
33:21He can use his mafia plans to attack them at any time.
33:26To ruin them.
33:27To cause them so much damage.
33:29And Luka, and Aleksija.
33:31And I? I have no solution.
33:33I'm helpless.
33:37Vukasin, can I be personal?
33:39We've been working together for a long time,
33:42and we've met.
33:44And I wanted to talk to you.
33:48Sure.
33:50You see, you're not a duty officer,
33:54and Andja is a janitor.
33:57Sometimes there are some situations
34:00where there is no solution.
34:02There.
34:04And we can't blame ourselves
34:06for not being all-powerful superheroes.
34:09Come on, let them learn to be strong on their own.
34:13You can't always jump in for them,
34:16to help them.
34:19They're big guys.
34:21Let them be strong on their own.
34:23They're adults.
34:24Where are you going, Vukasin?
34:26Vukasin?
34:30Vukasin?
34:53Pančić!
34:56Pančić!
34:58What happened to you?
35:00My leg hurts.
35:01I'll call the ambulance.
35:03No, don't call the ambulance.
35:05Why not? Look at you.
35:07Don't call the ambulance.
35:09Let me go.
35:11I don't know what happened.
35:13What happened? Did you fall?
35:15No, I didn't. My leg hurts.
35:17What does that mean?
35:19It means it was an accident.
35:21I was walking normally,
35:23but it started hurting.
35:25I can't believe it.
35:27Don't call the ambulance.
35:29How can I not call the ambulance?
35:31You're covered in pain.
35:34Call the ambulance.
35:43It's good.
35:45We have a guest in Lepović.
35:47He eats a lot.
35:49Cheers.
35:55Come in.
36:00Alright,
36:02give me all the necessary
36:04and relevant documentation.
36:06Just bring me a drink.
36:08Guests can wait for five minutes.
36:10Please bring me all the documentation.
36:25You have a crisis, right?
36:29How do you know?
36:31Well,
36:33because I had the same crisis.
36:35I don't know,
36:37I guess it all came to me all at once.
36:39And then I realized
36:41that I live here in this villa
36:43with Aleks,
36:45with her family,
36:47and all of that
36:49all at once.
36:55Aleks, Aleks, Aleks, Aleks.
36:57Aleks, Aleks, Aleks, Aleks.
36:59Aleks, Aleks, Aleks, Aleks.
37:01Aleks, Aleks, Aleks, Aleks.
37:03Aleks, Aleks, Aleks, Aleks.
37:05Aleks, Aleks, Aleks, Aleks.
37:07Aleks, Aleks, Aleks, Aleks.
37:09Aleks, Aleks, Aleks, Aleks.
37:11Aleks, Aleks, Aleks, Aleks.
37:13Aleks, Aleks, Aleks, Aleks.
37:15Aleks, Aleks, Aleks, Aleks.
37:17Aleks, Aleks, Aleks, Aleks.
37:19Aleks, Aleks, Aleks, Aleks.
37:21Aleks, Aleks, Aleks, Aleks.
37:23Do you need a glass?
37:39Where have you been?
37:41Me?
37:43Didn't you go to some
37:45specialization abroad?
37:47Well, I did,
37:49but you could have called me there.
37:53I'm sorry.
38:03James Watson Borg.
38:07Are you threatening me?
38:23Yes.
38:25Am I right?
38:27Is something strange
38:29going on here or not?
38:31Wait a minute.
38:45You lost your rhythm.
38:47And you are a person
38:49who has a rhythm.
38:51I really don't know
38:53what's going on with you.
38:59You are right, Marinka.
39:03I lost my rhythm.
39:05I lost my rhythm.
39:19We have to be open to each other.
39:21If I open up, she'll break.
39:23I'm not open to you.
39:25You haven't always been open to me,
39:27but when it comes to women, it's different.
39:29What's wrong with women?
39:35I'm sorry.
39:43People, call Pavle, please.
39:45What can Pavle do?
39:47He can call someone by their name.
39:49I can't.