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00:00This is the place where I am going to die.
00:02This is the place where I am going to die.
00:18Are you going to the factory?
00:20Yes, I was thinking of stopping by the store before going to the office.
00:23Well, then we'll talk.
00:26No, tell me. I have a couple of minutes.
00:28If you have a couple of minutes, that's enough.
00:31The truth is, I don't know.
00:33Well, try it.
00:35You have a minute and a half left.
00:38I spoke to my father before and I found him a bit strange.
00:41If by strange you mean ashamed and guilty,
00:45I think it's fair for him to feel that way.
00:48Yes, and a bit melancholic.
00:50Melancholic.
00:53We were talking about when we were going on an excursion with our mother to the Montretoleos.
00:59I don't remember that anymore.
01:01Or maybe I'm trying to erase all the memories in which Father seemed like a normal father.
01:06Those were very happy times.
01:09It's called childhood, Andrés.
01:11Yes, I guess.
01:12Our family has never been so united since then.
01:15No, and Jesus and Father will be in charge of that.
01:17Totally.
01:20So?
01:22I am fully aware of what they have done.
01:25And I am the first to condemn it.
01:28But?
01:30Well...
01:32I can't help feeling sorry for him.
01:35And I am very angry because they don't deserve him.
01:38It's good that you feel compassion for them.
01:41That's what sets us apart.
01:44But pity, not pity, Andrés.
01:46Because they don't deserve him.
01:48It's the first time I've seen him aware of his mistakes.
01:51It's normal for him to realize.
01:54Because for a while now, everyone has come to light.
01:58One of them.
02:00I see.
02:02The point is that he mentions you as an example of having made a mistake.
02:06Me?
02:08Yes, and when he asked what he meant, he didn't want to give details.
02:12It's as if he didn't want to talk about it.
02:14I see.
02:15Well...
02:17And I see that you don't want to talk about it either.
02:23Well, Marta, I won't bother you anymore.
02:24It's been two minutes. Don't worry.
02:28No, Andrés, wait.
02:30It's ridiculous for Jesús, the person who can hurt me the most in the world, to know.
02:34And for you not to know.
02:38Marta, you're scaring me.
02:41The truth is that if you don't want to tell me something, don't worry.
02:46I'm going to tell you because I love you.
02:50And because with Jaime I learned that sharing your feelings with someone you know also loves you
02:56is good.
02:59I hope I'm up to it.
03:03I don't even know how to start.
03:08You see, I'm not the person you think I am.
03:13What does that mean?
03:15I don't understand, Marta.
03:17That I've fallen in love with a woman.
03:20And she with me.
03:29Gasparcito, can you get me a coffee?
03:41Is something wrong with you, Gaspar?
03:43I can tell you're a bit on edge.
03:46Well, more than on edge, I'm thinking about Dolores.
03:51And I'm disgusted, really.
03:53Oh, about the newspaper ad?
03:54Don't worry, man.
03:56Do you know how many letters she's received?
03:58She'll need time to read them all.
04:00No, no, but she's already answered me and everything.
04:02What do you mean she's answered you?
04:04Yes, come on.
04:06Like I have the letter here.
04:08But, and what does it say?
04:10Well, can I see it?
04:12Yes.
04:14If you've read it so many times, come on, I could recite it to your memory.
04:17Let's see.
04:22Gaspar, please.
04:24But she's telling you beautiful things.
04:26I especially like this part,
04:29that you've made me fly with my imagination to your room.
04:33I see, I see.
04:36I've never made anyone fly,
04:39but not with my imagination, not without my imagination,
04:42nothing, come on.
04:44Congratulations, Gaspar.
04:46Boy, cheer up, she's answered you.
04:49Yes, that's the problem, Fina.
04:51That's the problem.
04:52After reading the letter,
04:54I think I've gone a little too far,
04:56and I think I've gone too far.
04:59Why? What have you done?
05:02Have you written to her again?
05:04I sent her another letter yesterday.
05:06Well, it's okay.
05:08What did you write to her?
05:10Between the nerves and the excitement,
05:15I think I've gone too far.
05:18How far?
05:20A lot, Fina.
05:22A lot.
05:24I asked Tassio for advice,
05:26and let's say he gave me wings.
05:29Come on, he insisted
05:31that I ask for his phone number,
05:33that he send me a recent photo of him,
05:35come on, and all those things.
05:38I never imagined that you...
05:41Anyway, that...
05:43Well, it came up.
05:45I wasn't looking for it, I assure you.
05:49That's why I feel it's...
05:50that it's a real love.
05:55For God's sake, say something,
05:57you're killing me with the silence.
05:59I admit I have a lot of questions to ask you,
06:03but I'm going to sum it up in one.
06:08Are you happy with her?
06:10I've never been so happy in my life.
06:13Then there's nothing more to talk about.
06:16It's time for you to answer those questions I have.
06:21Thank you
06:23for trusting me.
06:25You have all my support.
06:29You know I'm a great defender of forbidden loves.
06:32In fact...
06:34In fact, you preach with the example.
06:39Marta, there's something else.
06:41Maybe I'm being imprudent,
06:44but...
06:46I know her.
06:49Of course you know her.
06:54It's Serafina Valero.
06:57Our Fina.
06:59For God's sake.
07:02With how sensitive and observant you are,
07:04you hadn't noticed.
07:06I'm sorry, but your description
07:08exceeds my sensibility.
07:12Well, forbidden is forbidden for a reason.
07:14We can't...
07:15We can't let the four winds blow
07:17as we'd like to.
07:19I see.
07:23Come here.
07:31What a big heart you have.
07:34What would I do in this family without you?
07:46A photograph, Gaspar.
07:48What a bad taste.
07:50When will you ask Tassio's Gagnan for advice?
07:53Well, ex-Gagnan,
07:55who is now married and transformed.
07:57Yes, a Lord Timeless, I'm telling you.
07:59Well, you can't deny that
08:01you at least know what's going on.
08:03Come on, he's had more girlfriends.
08:05What's on his mind?
08:07Maybe, but he hasn't met any of them by letter.
08:09Well, he wrote a very nice letter to Carmen.
08:12And to me, with the letters to Sonsoles,
08:13it's good that he helped me too.
08:16A poet.
08:18All you have to do is look him in the face.
08:20He's a troublemaker, Gaspar.
08:22He's a Don Juan
08:24who works well at short distances.
08:26But a relationship by letter is very different.
08:29And what do you know about these things?
08:31What do you know?
08:34Well, I know more than you think, Gaspar.
08:38I'm sure this woman
08:40wanted a little more mystery.
08:43A little seduction.
08:45A little slow fire.
08:47Well, as if with the slow fire
08:49I'm going to end up retired,
08:51more than just one,
08:53and with a lot of letters in the drawer.
08:55Gaspar, stop, please, don't be so exaggerated.
08:57I don't want that, Fina.
08:59I want a love now, now.
09:01I can't wait another year.
09:03Yes, but you could have waited a couple of weeks.
09:05Do you know how many idiots
09:07have written him letters?
09:09And I'm sure your first letter
09:11was one of the few that had reached his soul.
09:13Well, of course.
09:15And now with this second one...
09:17After reading it,
09:19I'm sure he's sent me straight to the blacklist.
09:22He's pissed off with all the letters.
09:25Come on, I've never said better.
09:27I don't know.
09:29Should I put a candle on Santa Rita or...?
09:31No, no, no, no.
09:33You better put a cross on Tassio
09:35because with sentimental issues,
09:37it's a zero to the left.
09:39Come on, what?
09:41Go to 12.
09:43And if he doesn't...
09:45Well, squeeze him.
09:48Of course.
09:52Don Pedro.
09:54Good afternoon.
09:56Are you visiting the colony?
09:58Well, I came to see my son,
10:00but he's too busy to see me today, so I'm leaving.
10:02I have a car waiting for me at the door.
10:04It's true, what great news
10:06that you have been hired here again.
10:08As you should know,
10:10the dispensation of your sanctity
10:11and Ms. Inés' resignation
10:13were not easy.
10:15It wasn't easy for you either,
10:17but once you've made a decision,
10:19it's best to make the most of it, don't you think?
10:21Well, yes.
10:23And you lose a model servant,
10:25but you win a marriage you love,
10:27in spite of everything.
10:29In spite of everything.
10:31A very elegant way to refer to an illegitimate child.
10:33Claudia is a good girl and very devoted, by the way,
10:35but unfortunately she will have to carry
10:37the stigma of doubt all her life.
10:39Here, everyone will have to carry their own.
10:41Don't you find it strange
10:43that they have been so diligent and fast?
10:45Strange? I don't know, you know better than me.
10:47No, I confirm it.
10:49A papal dispensation is never resolved
10:51in a few weeks, as has been the case.
10:53Could it be that Mateo has a guardian angel
10:55who protects him?
10:57It could be.
10:59Or, in more prosaic terms,
11:01perhaps that guardian angel is from this world
11:03and has interceded for him
11:05in the offices of the archbishop?
11:07Are you referring to a kind of godfather?
11:09Exactly.
11:11Well, you flatter me.
11:13My influence there is minimal.
11:15Well, especially with the primate cardinal,
11:17who is the one who could have accelerated
11:19the proceedings in the last instance.
11:21I don't understand.
11:23However, I know from Mateo
11:25that you have had a certain friendship
11:27with the cardinal.
11:29Well, we have met once in some beneficial act
11:31and we maintain a good relationship,
11:33but from there, more than friendship, no.
11:35Sometimes cordial relationships are more fruitful
11:37than intense friendships.
11:39It's true.
11:41And I also know what a father is capable of
11:43to help his children.
11:45Let's see, let's not confuse things.
11:47One thing is to bring up a certain issue,
11:49a collation,
11:51in front of the right instances,
11:53and another, very different,
11:55is to demand a certain treatment of favor.
11:57The latter would never be done by a gentleman of your class.
11:59I see that you have understood it perfectly.
12:01Let's leave it at that.
12:03It has been the work of an unknown guardian angel.
12:05Or of Providence, Father.
12:07Remember, the ways of the Lord are inexcusable.
12:09Amen, son, amen.
12:11Amen.
12:21So, you assure me that during the time
12:23that Julia was there,
12:25she didn't have nightmares,
12:27nor did she wet the bed.
12:29Yes, Sor Perpetua, I understand that the girl
12:31didn't want to participate in all the activities
12:33and that she wasn't very talkative in China,
12:35but I think it's normal,
12:37given the circumstances, don't you think?
12:38Well, anyway, that's what I wanted to know.
12:42Thank you, goodbye.
12:45Ready to go to the cinema?
12:47Yes, yes, I guess so.
12:49Who were you talking to?
12:51With the director of the Burgos boarding school.
12:53It's just that Luz recommended that I call both centers
12:55to ask if Julia had also had
12:57some kind of neurosis there.
12:59Neurosis?
13:01She has sepsis in bed, sorry.
13:03And what did they tell you?
13:05That no, that she didn't wet the bed for a single day.
13:06And Luz doesn't know why I'm going to tell her that.
13:08No, well, Luz thinks it's likely
13:11that all that anger and anger
13:13has caused her a big emotional fracture
13:15and that having sepsis
13:17is just a symptom of her discomfort.
13:19But now they've told me in both centers
13:21that she didn't have any episodes,
13:23so I don't understand it.
13:25I don't know why it happens to her just when she comes back.
13:27Maybe her nerves are here again,
13:29nothing else.
13:31I have the feeling that we have tried to protect the girl
13:33from everything that was happening in this house,
13:34but Julia is not stupid.
13:36She's very moved by how little she is.
13:38I'm very happy that she's at home,
13:40but I can't stop thinking
13:42that Jesus is also here.
13:44And that doesn't reassure me.
13:46I understand,
13:48but we're here with her
13:50and we can protect her
13:52from him at all times.
13:54You know that Jesus is a manipulator.
13:56You know it.
13:58Let's do one thing.
14:00Let's give all this time
14:02to see how it evolves.
14:04Let's see if it works.
14:06Maybe what happened this afternoon
14:08is a specific episode
14:10and it won't happen again.
14:13In fact,
14:15the only certainty we have
14:17is that right now she's waiting for us in the garden
14:19playing in the sea of happiness.
14:21Really?
14:23Yes, and wait for her to be among us
14:25with a giant cartridge of plushies.
14:27She's going to have a great time.
14:29You'll see.
14:31What's that about going to the movies with the girl?
14:32I'm going to meet her in the garden.
14:34Don't you see the scandal
14:36that I'm supposed to see you together?
14:45Hi, Claudia.
14:47Do you want an infusion?
14:49No, thanks.
14:51I have to go back to the store.
14:53Sit down.
14:58Is something wrong, doctor?
15:00No, nothing.
15:02I just remembered that I have a procedure
15:04to do later at the dispensary.
15:06But tell me,
15:08what did you have to tell me so urgently?
15:10Well, you know that the works of the CUNA house
15:12are right in front of the store.
15:14Yes, and they've already told me
15:16that you come by every two minutes.
15:18They're going to give you a hard time any day.
15:20The truth is that I can't help it.
15:22But what I came to tell you
15:24is that today, before going to work,
15:26I passed by there and Albañil told me
15:28that she's starting to get up on her feet
15:30and is in a much worse state than I thought
15:33Let's see how she gets on her feet.
15:35We don't have a penny more in the budget.
15:37That's what I told her.
15:39But she told me that either we give her an assistant
15:41or she leaves the project.
15:43It's not true.
15:45Yes, as I told you.
15:47She says she has a project in Junclillo
15:49and that she can't be with us on Monday.
15:51My God.
15:53This is a disaster.
15:55The project of the CUNA house is screwed.
15:57I'm telling you.
15:59Well, I have to go back to the store,
16:00and tell him that if he wants,
16:02when I leave work,
16:04we can go there to try to convince him.
16:06Don't worry, we'll think of something.
16:08Well, I'm leaving
16:10and I'm also going to think
16:12to see if I can think of something.
16:14See you later, Doctor.
16:16Bye.
16:18Hi, Alberto.
16:20Come on, Father.
16:22Pegoña is his mother and I'm his uncle.
16:24What will people think?
16:26That the girl is going to the carabiner or something like that?
16:27Well, they can think that.
16:29There are much worse things.
16:31He's exaggerating.
16:33And you, playing with fire.
16:35But why? I don't understand.
16:37I'm sorry, but you know I'm not making anything up.
16:39And if they see you together with the girl,
16:41people will think badly and rightly.
16:43That's absurd.
16:45It's not a good idea, Andres.
16:47And period.
16:49Don Damián, I understand your concerns.
16:51I really understand them.
16:53Well, make my son's big head
16:55understand them too.
16:58I'm sick of him.
17:00Who does he think he is
17:02to give moral lessons?
17:04Andres.
17:06Deep down, you're right.
17:08What do you mean, I'm right?
17:10It's not a good idea for us to see each other in the cinema.
17:12There are people in scruples
17:14and I don't want to expose the girl
17:16to an uncomfortable situation.
17:18Pegoña, I don't think it's that bad.
17:20Never underestimate people's malediction.
17:22Andres, it's better if you go alone.
17:24No, not even talking.
17:25If the three of us can't go,
17:27I'll sacrifice myself.
17:29But that's not fair. It was your plan.
17:31Besides, the girl is dying to be with you,
17:33and you with her.
17:35Pegoña, not more than you.
17:37Besides, Julia needs you now more than ever.
17:39I agree.
17:43I'll apologize to her
17:45and tonight I'll put her to bed
17:47and tell her about the movie.
17:55Good afternoon, Doctor.
17:57Good afternoon, Alberto.
17:59Move that shoulder.
18:01Good, good. Thank you.
18:03I'm sorry, but I couldn't help but listen
18:05to your conversation.
18:07I'd like to lend you a hand.
18:09If you don't mind,
18:11I'd like to ask you how.
18:13I don't know if you know
18:15what the project of La Casa Cuna is about.
18:17Yes, I see the workers in the square
18:19and I hear what they say at the loading dock
18:21and also what you said.
18:22Well, if they need a loader...
18:24And what have you heard?
18:26What do the people of La Casa Cuna think?
18:28There are opinions for everything.
18:30There are people who are in favor
18:32and people who say that mothers
18:34should be with their children.
18:36And what do you think?
18:38I think La Casa Cuna is a very nice project
18:40because it will allow mothers
18:42to take care of their children.
18:44So, if they need a loader...
18:47By chance, I don't know any of you.
18:49It has to be good, fast and, above all, cheap.
18:52It's not to brag,
18:54but you have it in front of you.
18:56You?
18:58Yes, I've been a carpenter, a welder,
19:00even a plumber.
19:02You're all human.
19:04Yes, the truth is that I am.
19:06So, if you think it's good,
19:08after my shift at the loading dock,
19:10I'll be available for whatever it takes.
19:12Are you sure?
19:14You'll have to work very hard
19:16for a miserable salary.
19:17No, there's no way. I'm sorry.
19:19I'm sorry.
19:21We don't have a budget for more.
19:23But thank you very much.
19:25Doctor, doctor,
19:27what I wanted to say is that
19:29either I do it for free or I don't.
19:32Yes, well, it will be my way
19:34of putting my grain of sand
19:36in that beautiful project of La Casa Cuna.
19:38Really?
19:40I don't know what to say.
19:43I'm very happy
19:45that there are still men
19:47like you in the hospital.
19:49Well, when I finish my shift,
19:51I'll get ready for the next shift.
19:53Thank you very much, really.
19:55You're welcome.
20:15Hi, honey.
20:18Hi.
20:20You don't have to leave
20:22every time I enter a room where you are.
20:24That's not why they called me.
20:26Wait.
20:28You're in a hurry.
20:30They can wait. I have to show you something.
20:32I hope it's important
20:34and strictly related to the company.
20:36If not, I'd rather you kept me out of it.
20:38Well, it's not strictly professional,
20:40but I think you deserve to make an exception.
20:42What is it about?
20:44What do you think?
20:48I haven't seen this photo in a thousand years.
20:51Where did you get it?
20:53It was in a book.
20:57Do you remember where I put it?
20:59In another life.
21:03Of course I remember.
21:05How can I not remember?
21:07In your favorite corner of the world,
21:09as you used to say.
21:11Andrés had already told me
21:13that you were nostalgic.
21:14It was strange that on Saturday
21:16Mother didn't take us for a walk in those mountains.
21:18You left in the morning
21:20and didn't come back until the sun went down.
21:22I couldn't always go with you,
21:24but the times I spent with you
21:26are kept in my memory
21:28as something...
21:30I don't know, as a treasure.
21:32This day did come with us.
21:34I remember it.
21:36There was a huge flash of light
21:38at first,
21:40but then...
21:42then a bright sun came out.
21:45That same sun could come out again for you.
21:49And in those same mountains.
21:51What is this about?
21:53Do you know Germán Hidalgo?
21:56The real estate agent.
21:59I asked him to take a look
22:01around that area
22:03and he found what he was looking for.
22:06And what were you looking for?
22:08A small house, not very big,
22:10with a garden, with a view of the mountains
22:11and it also has two very good things.
22:13Do you want to know what they are?
22:15The first is that,
22:17despite being in the countryside,
22:19it is very well communicated with Toledo.
22:21And the second?
22:23That it is far enough away
22:25so that no one bothers you.
22:27Did you buy that house?
22:29Not yet,
22:31because I'm waiting for your answer.
22:34My answer?
22:36If you want it, the house is yours.
22:37What is this about?
22:39What do you want?
22:41Do you want to buy me?
22:43Do you want to buy my love and forgiveness
22:45based on money?
22:47You just don't know how to do things the other way, Father.
22:49I'm not going to force you to do anything.
22:51I'm just giving you the opportunity
22:53to have your own house in the countryside,
22:55away from the crowd of the factory
22:57and so that you can share it
23:00with whoever you want.
23:03You know too much.
23:05You know too much
23:07that the only person
23:09with whom I would share that house
23:11is with Fina.
23:13I would still be willing to buy it.
23:15I reaffirm what I have told you
23:17so that you can share it
23:19with whoever you want.
23:25You want to keep me away.
23:27That's it, right?
23:29Keep me away from people's eyes
23:31and suspicions.
23:33You can keep thinking badly of me,
23:35whatever you want.
23:37Maybe I've earned it,
23:39but this gift is from the bottom of my heart.
23:43Germán has told me
23:45that I have a couple of days to decide.
23:47To decide on you, in this case.
23:49So when you finish throwing all your anger at me,
23:51think about you,
23:53about you,
23:55and give me an answer.
24:02Okay.
24:24Good afternoon, Mrs. Marta.
24:26Fina.
24:28What's wrong? You look very serious.
24:30Well, more than serious,
24:32I think I'm confused
24:34for calling you that.
24:36Why? What happened?
24:38I've been talking to my father.
24:40With your father? About what?
24:42Didn't you make it clear
24:44that you only wanted to talk to him about work?
24:46Yes, well, he made me an offer
24:48that has nothing to do with work, really.
24:50An offer?
24:53Marta, my legs are shaking
24:55just thinking about it.
24:58He wants to buy me a house in the mountains of Toledo.
25:02A house in the mountains?
25:04Yes, a house with a garden.
25:06He says it's very close to here,
25:08but at the same time, it's far away.
25:10Are you telling me
25:12that your father is trying to buy your affection
25:14in such an obvious way?
25:16I think the offer goes much further.
25:18Because he has told me
25:20that the house is for me to live
25:22with whoever I want.
25:24Well, it would be necessary
25:26for him to check who you invite and who you don't.
25:28You don't understand him.
25:32He already knows
25:34that I would only go there to live with you.
25:38Without conditions?
25:40Without conditions.
25:44Well,
25:46it's an advance, isn't it?
25:48An advance is a Copernican twist.
25:51He offers us a house
25:53so that you and I
25:55can finally be together.
25:57I don't understand.
25:59I don't understand.
26:00We're finally together.
26:02But have you accepted it?
26:04I'm speechless, really.
26:06I don't know.
26:08Yes, it's normal for you to be speechless.
26:10Knowing your father,
26:12that house could be a poisoned gift.
26:14Yes, I know.
26:16But I've seen him so affected
26:18by our distance and so sad
26:20that deep down I want to think
26:22that it's not a Machiavellian plan.
26:23It's not a Machiavellian plan.
26:29What are you thinking about?
26:31Oh, Marta, forgive me.
26:33I was dreaming awake.
26:35Can you imagine the two of us
26:37living in a house in the mountains,
26:39far from everyone,
26:41you and me alone?
26:43Can you imagine that?
26:45Look, it's been so long
26:47since I thought that would never happen
26:49that now that it's within my reach,
26:51I'm scared to death.
26:53So what do I do?
26:55Do I accept it?
26:57I don't know.
26:59It's your father, Marta.
27:01It's your decision.
27:03Because if I'm wrong,
27:05it could end up being a mess of his.
27:07Yes, well, it could be.
27:09You know him better.
27:12I can only tell you
27:14that you decide what you decide.
27:17I'll be here to support you.
27:24From the 22nd to the 29th,
27:26you have to pack them up for that bonus.
27:28And the rest...
27:30No, the rest go to the loading dock.
27:32So, move it, Ignacio.
27:40Well, Mr. Damián, what are you doing here?
27:43I was looking for you.
27:45The truth is that the conversation we had this morning
27:48has given me a lot of...
27:50Really, Mr. Damián,
27:51I don't have a single complaint about my job.
27:54I'm very happy with it,
27:56so no more complaints, really.
27:58Well, in that case, I can go now.
28:01But, well, Mr. Damián,
28:03you've just arrived.
28:05How are you going to go?
28:07Yes, because I don't think you're interested
28:10in the offer I was going to make you.
28:12Especially considering that you're so comfortable
28:15in the place where you are now.
28:17Well, but you're going to leave me disgusted.
28:19Well, the person chosen to be in charge of the factory
28:23has finally decided to accept a job offer
28:26they've made in their hometown.
28:28Well, I didn't know.
28:30Anyway, Joaquín...
28:32Well, Mr. Joaquín, sorry.
28:34Don't worry, I'll take care of the shifts
28:36and talk to the suppliers until I find someone else.
28:38Do I have to tell you everything?
28:40What?
28:43That we've already found that person
28:45and that I have her in front of me.
28:49Me? In charge?
28:51Well, if you're willing to do it, of course.
28:55What's funny is that I didn't know
28:57I was going to be hired.
28:59The truth is that you weren't
29:01in any kiniel.
29:04And Tassio?
29:06Tassio what?
29:08Tassio is doing a very good job as your assistant.
29:11Isn't that true?
29:13Yes, and we value him, but not...
29:15But what?
29:17Tassio has been raised in this factory.
29:20As the saying goes,
29:22no one will offer us more trust than him.
29:25Leave Tassio where he is.
29:27He's fine there.
29:29Well, I think it's a good solution.
29:31A patch.
29:33Father, that position is essential.
29:35We can't risk it just because
29:37we're in a hurry right now.
29:39Correct. I think it's worth waiting a bit
29:41until we find the right person.
29:43And if you want, in the meantime,
29:44you can do anything.
29:46And what has changed?
29:49Well, the impetus and the desire
29:51I've seen this morning in the canteen
29:53have convinced me that you're the right person
29:55for this position.
29:57Well, thank you, Mr. Damián.
29:59And I assure you that I'm going to work
30:01and you'll see that I'm worth it.
30:03You have my word.
30:05I had a couple of ideas that I'd like to try.
30:07I'd like to change the shifts...
30:09Stop, stop. Don't get carried away.
30:11At the moment, what we want from you
30:12is the same as what we've been doing so far.
30:15Later on, we'll have time to talk
30:17about those innovative ideas.
30:19Is that clear?
30:21Perfectly. I'll come up with them.
30:23Exactly.
30:25For a while, Joaquín will show you
30:27what you have to do and how you have to do it.
30:29Perfect.
30:31Tassio, I've given you the push
30:33to get here.
30:35But from now on,
30:37you'll have to convince Joaquín and Marta
30:39that they were wrong about you.
30:42I'm not going to leave Damián in a bad place.
30:44And I assure you that I'm going to work
30:46to prove it.
30:48I hope so.
31:06That embroiderer was like a shower.
31:08He kept buttering the clock.
31:10Of course.
31:12Why do you think he's called the crazy embroiderer?
31:15Julia.
31:17You look very excited.
31:19We went to the cinema together
31:21to see Alice in Wonderland.
31:23I'm not going to ask you if you liked it
31:25because you can see it in your face.
31:27We loved it.
31:29Did you see it?
31:31No, not yet.
31:33Tell Uncle Andrés to take you to see it.
31:35He was going to come with us today,
31:37but he couldn't make it.
31:38Andrés was going to the cinema?
31:40Yes.
31:42I didn't know anything.
31:44I asked him.
31:46But he was called from the factory
31:48and he had to run.
31:50What a tragedy.
31:52You three would have had a great time
31:54in such happy company.
31:56Julia, honey,
31:58why don't you go upstairs to change?
32:00You have dinner with the Marinos tonight.
32:02Yes, Dina is going to pick me up
32:04and she's going to make me croquettes.
32:06And you have to go up to do your hair
32:08for dinner.
32:10I can't rest for a while.
32:12Do you want us to look at the magazine together?
32:14You'll see what hairstyle.
32:16Do you know who Gracia from Monaco is?
32:18A princess?
32:19Yes.
32:20Come on, I'll be just a little while.
32:22Then I'll go up to change.
32:24Please, Mummy.
32:26Okay, but I want you upstairs in 20 minutes, okay?
32:28You don't want to make Dina wait, do you?
32:30No.
32:32Come on, come with me.
32:38Gracia.
32:43Good afternoon.
32:45Good afternoon.
32:47Do you know where Marta is?
32:49She's gone out.
32:51I've closed two meetings for her
32:53and I wanted to confirm them with you.
32:55Great.
32:57One is this afternoon at 7
32:59with the glass supplier of Aranjuez
33:01and the other is tomorrow at 10
33:03with the owner of the Rocha warehouses in Cuenca.
33:05Very good, Miriam,
33:06that's also part of my job.
33:08Not just to fix my predecessor's mess.
33:11No, please.
33:13No more fires.
33:15We've had enough with the quarterly accounts.
33:17Good job, Miriam.
33:19And there's something else.
33:21Tell me.
33:23I have something for you.
33:25You'll see it's nothing original,
33:28but after thinking about it a lot,
33:30I think it'll be very useful in your day-to-day.
33:32What is it?
33:34I don't know.
33:36I don't know.
33:38I don't know.
33:40I don't know.
33:42I don't know.
33:44I don't know.
33:46I don't know.
33:48I don't know.
33:50And this?
33:52Not now.
33:54I hope you like it.
34:01JM?
34:03Looking among the contacts of the factory,
34:05I found Toledo's store where they make serigraphies.
34:07Of course.
34:09But after what happened the other day,
34:11I don't know how to take it.
34:13Take it as an apology,
34:15and as a gesture of gratitude.
34:16Well, thank you very much.
34:18Besides, I know the gift isn't cheap.
34:20Well, don't worry about that.
34:22They've given me a price.
34:24I'm glad.
34:26And I'm glad you liked it.
34:28And above all, that things have been cleared up
34:30between us.
34:32Well,
34:34there's still one thing to clear up.
34:36Tell me, Mr. Joaquín.
34:38Wait a moment.
34:47I can't accept your pen if you don't accept mine.
34:50You're right.
34:52It wouldn't be fair if I didn't accept it.
34:55Thank you very much, Mr. Joaquín.
34:57There's no need to thank me.
34:59I'm just asking you
35:01not to speak up for the company.
35:04I don't want the rest of the workers
35:06to come and complain about yours.
35:08I'm sorry.
35:10I'm sorry.
35:12I'm sorry.
35:14I'm sorry.
35:16I'm sorry.
35:18Don't worry.
35:20We'll be discreet.
35:29What do you think?
35:31I love the colour pearl.
35:33Yes, but it doesn't match
35:35that red hat, does it?
35:37No.
35:39I think it's a bold combination.
35:41I don't know.
35:43It looks like Alicia's hat.
35:45You know what I'd like?
35:48We could do something together.
35:50I've missed you a lot lately.
35:53I've missed you a lot too, María.
35:55Come here.
35:58We can watch the new TV
36:01if you want.
36:03Yes.
36:05Or I can think of something else.
36:07I found out
36:09that there's a bird exhibition
36:11in Toledo this weekend.
36:12There will be eagles, hawks
36:14and even an owl.
36:16I love owls.
36:18Do you know who likes owls too?
36:20Who?
36:22Your uncle Andrés.
36:24We can tell him to come.
36:26He won't be able to say no this time.
36:28I'm sorry he can't come with us.
36:30That's a good idea,
36:32but your uncle has a lot of work lately.
36:35I'll convince him.
36:37After today, he won't be able to say no.
36:39I'm sure he's unable to say no to you.
36:42Yes.
36:51Come in, miss.
36:53Are you at home?
36:56The last time I was here,
36:58there weren't so many photos.
37:00You're right.
37:02A lot has changed in this house
37:05since the last time you were here.
37:07My mother and you?
37:09And this one?
37:11It's Luis and Joaquín's father, right?
37:13Ah, Gervasi, my husband.
37:15Your grandfather and he founded the factory.
37:18I know.
37:20Uncle Andrés told me.
37:26And these are Joaquín and Gemita.
37:28That's right.
37:31And this is your son who went to Brazil, right?
37:35Yes.
37:37My son, Valentín.
37:39He's so handsome.
37:41Handsome, nice, intelligent,
37:44and as seductive as you.
37:46One of those people who seduce you just by walking in.
37:49I'd like to meet him one day.
37:53I'm afraid that won't be possible, my love.
37:56We found out that he died a few months ago in Brazil.
38:00He's worthy.
38:04I'm very sorry.
38:06It's okay, my love.
38:08Can I give you a hug?
38:10Of course.
38:12I'm telling you
38:15because of that idyll between Valentín and Clotilde
38:21a girl was born.
38:27A girl?
38:30No.
38:32It can't be.
38:34Julia is not the daughter of Jesus,
38:36but of Valentín.
38:39She's your granddaughter.
38:44She's my granddaughter?
38:51Julia is an Amerindian.
38:57I'm sure she's very well accompanied in heaven.
39:00My mother is there to take care of her.
39:02Of course.
39:04And now, come on, help me finish what's missing.
39:07Have you made croquettes?
39:09Croquettes?
39:11I forgot.
39:13I've only been able to make some boiled cauliflower.
39:16Well, it doesn't matter.
39:18I also like cauliflower.
39:21Liar.
39:23It was a joke.
39:25I know if it doesn't smell like cauliflower.
39:28I've made a kilo of croquettes
39:31and empanadillas.
39:33I hope you have enough.
39:34I can.
39:36I'm hungry.
39:38And for dessert,
39:40the surprise.
39:42Croquettes!
39:44Thank you, Dina. I love you.
39:46I wanted to bring you the croquettes
39:48from Toledo's bakery that you like so much,
39:50but when I got there, they were sold out.
39:52And then I couldn't go to see if they were ready.
39:54Don't worry, Dina.
39:56The croquettes also look spectacular.
39:58And they're delicious.
40:00But tomorrow you'll have the croquettes here.
40:02I promise.
40:04Hi, Luis!
40:06Oh, my!
40:08I didn't know we had breakfast.
40:10How are you?
40:13I've missed you so much.
40:15I can't wait to have dinner with you.
40:17I can't wait to see you, either.
40:19Yes, yes.
40:21Come and see us and eat croquettes.
40:23Well, that too.
40:25You're a smart girl.
40:27I'm going to finish.
40:29Gemma and Joaquín are about to arrive.
40:31You have to tell me a lot of things.
40:32Hey, did you make a new perfume while I was away?
40:35Of course I did.
40:37In fact, I brought a sample for you to smell.
40:39Let me see your wrist.
40:44Tell me what you think.
40:47I love it.
40:49It smells just like the roses in my garden.
40:52You guessed it at first.
40:54I'm thinking about something.
40:56How about I make you a bottle
40:58and you take it home later?
41:00Okay.
41:02Tell me, how are you?
41:04Fine.
41:06How's your business with Pedro Carpena going?
41:08It's going well.
41:10You can tell he knows what he's doing.
41:12I'm going to partner with him, too.
41:14Pedro doesn't partner with just anyone.
41:16I'm not just anyone.
41:18I'm his son, and I've earned it.
41:20I just hope you don't let him down.
41:23And that you don't get involved in something big.
41:26Don't worry.
41:28I'm not going to let him or you down.
41:32Forget it.
41:34This isn't the company I was expecting
41:36when I asked you out for dinner.
41:38And who were you expecting?
41:40A vagabond serving you champagne?
41:42For God's sake, Santos.
41:44I won't be able to have my two sons
41:46sitting at the same table as me, having dinner.
41:48Are you serious?
41:50Where's Andres?
41:52Andres told me he couldn't come.
41:54He had a lot to do at the factory.
41:56Wow.
41:58By the way, I congratulate him for his good eye.
42:00What do you mean?
42:02Tassio García.
42:04He's been in charge for less than two hours
42:06and he's told everyone about his promotion.
42:08That's normal.
42:10He's excited.
42:12Joaquín and I are, too.
42:14He'll learn fast, I assure you.
42:16Wait, wait.
42:18Tassio García is the new factory manager?
42:21I've made that decision.
42:23Unilateral.
42:25As usual.
42:27Is there a problem?
42:29Yes, a lot. A lot of people.
42:30Tassio barely had an assistant for a month,
42:32so it's only a matter of time before I fire her.
42:34I'm lucky I'm no longer in charge of the business,
42:36because with decisions like that,
42:38you go straight to ruin.
42:40We'll have to see about that.
42:42Begoña and Julia are going down for dinner.
42:44Otherwise, I'll be absent.
42:46Begoña is going down in a while.
42:48Julia isn't, because she's gone to dinner
42:50at the Osmerinos' house.
42:52What?
42:54Who does that woman think she is
42:56to take my daughter whenever she wants?
42:58Whether you like it or not,
43:00I'm going to fire her.
43:02Don't you have a limit?
43:04You're asking me that?
43:06How dare you?
43:08Where are you going, Jesús?
43:10Get her out of there right now.
43:12She doesn't have to pay.
43:14She'll have dinner here with me.
43:16Don't be ridiculous, Jesús.
43:18She left a while ago.
43:20They'll be finishing dinner.
43:22Do you want her to have dinner twice?
43:24Yes, she'll have dinner as many times as I say.
43:26Jesús!
43:28Leave me alone!
43:30Leave me alone!
43:35When we used to race on a bike
43:37in La Chupera when we were kids,
43:39he used to get about 100 meters from me.
43:42What is he saying?
43:44Do you know why?
43:46Because he used to deflate my bike wheels.
43:48Who? Me?
43:50Of course.
43:52He also used to put sticks on my radio
43:54so that I'd shut up.
43:56All thanks to his bad luck.
43:58My bad luck?
44:00One day, the three of us can go to La Chupera.
44:03Of course, whenever you want.
44:05Yes, but be careful with him.
44:07He'll deflate your bike wheels.
44:09Poor thing.
44:11Do you want more sticks, darling?
44:13I'm full.
44:15Hey, family, I've got an idea.
44:17How about we play a word game?
44:19Yes!
44:21Take it out while I get it.
44:23What's that?
44:25I don't know how to play.
44:27We'll teach you.
44:28It's a game.
44:30Sara gave it to us.
44:32Do you remember Sara?
44:34Yes, of course.
44:36She used to cook very well.
44:38She also became my friend.
44:40Yes, a very good friend.
44:42Look.
44:44You have to pick up the letters.
44:46Do you see these?
44:50Good evening.
44:52What are you doing here?
44:54I came to get Julia.
44:56She has to go to bed early.
44:58Hasn't she finished yet?
45:00Excuse me.
45:02You have to put...
45:04You're already at the table.
45:06Hi, Daddy.
45:08I hope you had a good time,
45:10but we have to go home now.
45:12You have to get up early tomorrow.
45:14Yes, but we're going to start a game now.
45:16We'll take her when we finish the game.
45:18It's not good for her to get into bed so early.
45:20It's up to you.
45:22Why don't we ask Julia?
45:24Darling, your father can take you home now.
45:26Or do you prefer to stay a little longer with us?
45:29Yes, let's go.
45:31Julia, get up, please.
45:35Come on, Daddy.
45:37Just one game and that's it.
45:39You can stay with us to play if you want.
45:43No, I can't stay.
45:45I have things to do.
45:47But I want you back home in half an hour.
45:49Yes.
45:51Thank you, Daddy.
45:53I'll walk you to the door.
45:55I was going to tell you.
45:57You have to steal eight...
45:59One more thing before you go.
46:01I haven't told you in the last conversation.
46:04Julia is my granddaughter.
46:06So she and I will see each other whenever we want.
46:09Get used to it.
46:17I'm going to show you all the letters that save you.
46:20Don't choose them.
46:22I'm not choosing them.
46:24I'm going to show you all.
46:26Really?
46:28Mother.
46:30I don't know.
46:32There were seven, right?