مدي 1 تي في : مع حمزة الفضلي - 22/10/2024
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00:00Hello and welcome to a new episode of your daily and artistic program, Patchworks.
00:19I'm happy to be here with you every day as we present to you some of the news,
00:24as well as the latest developments in the arts, digital and sports fields.
00:30So, let's get started.
00:36Hello again, and now let's discover who are our guests for today's episode.
00:54Hello again, and now let's discover who are our guests for today's episode.
01:01Hello again, and now let's discover who are our guests for today's episode.
01:08Hello again, and now let's discover who are our guests for today's episode.
01:15Hello again, and now let's discover who are our guests for today's episode.
01:22Hello again, and now let's discover who are our guests for today's episode.
01:29Hello again, and now let's discover who are our guests for today's episode.
01:34Hello again, and now let's discover who are our guests for today's episode.
01:51So, here we have the star of today's show, Promenesia,
01:55with us on the right, the actress and artist Fateme Zahraa.
02:00Hello and welcome.
02:01Hello and welcome.
02:02Thank you very much. Thank you for the invitation.
02:04Hello.
02:05You're welcome.
02:06We also have one of the heroes of this show, Hamza Al Fadly, who is a writer and director.
02:12Hello and welcome.
02:13Thank you, Osama. It's always a pleasure to be with you.
02:16Thank God.
02:17Thank God.
02:18Thank God.
02:19Thank God.
02:20Thank God.
02:21Thank God.
02:22Thank God.
02:23Thank God.
02:24Thank God.
02:25Thank God.
02:26Thank God.
02:27Thank God.
02:28Thank God.
02:29Thank God.
02:30Any way, let us get started.
02:31It's me?
02:32It's you?
02:33It's Hamza, by the way.
02:34So, Kimmé Chifftaou, is a musical short festival that are experimentally new in Morocco,
02:43including songs, a cast and even a joint chorus.
02:49And once we finished writing the lyrics, we started thinking about the plot of the film.
02:57We were thinking about the direction, the story, and so on and so forth.
03:02And, praise be to God, in the short film, the name was written as Zahra, by chance.
03:08Long before we met Fateme Zahra.
03:11And the main character was Omar and Zahra.
03:15And we met Fateme Zahra, and we started writing the song together.
03:19I had an idea, in the short film, of the previous film, I think.
03:25And I sent her the project.
03:27I told her, like this, like this, like this, like this.
03:29She sent it to me, I really liked the idea, and I welcomed it.
03:33You gave her the green flag, as they say.
03:36You liked the project, and you liked how Zahra was able to bring out the project in Hamza.
03:42Absolutely.
03:43The first thing I heard was three songs, and I was really excited about them.
03:46After that, I went back to Canada, and I told him,
03:49Zahra, what do you think?
03:50And he told me exactly what he had seen.
03:53This is something that was alive in us, and it doesn't change.
03:57The idea had a lot of impact.
04:00How he wanted to film it, how he saw it, how he wanted to show it to people.
04:04So, he told me, what do you think about this?
04:06I told him, I didn't tell you, don't think about it.
04:09I told him, yes, yes.
04:10I told him, yes.
04:12Amazing.
04:13Not only Fatem Zahra, but also Lalla Fadela Bin Moussa and Sidi Mohamed Bin Moussa.
04:16I swear, I was so excited.
04:18I told him, what do you think?
04:20I told him, especially since it's a self-produced film, let's not stop it.
04:25Now, Hamza, you're an editor, a writer, a drummer, a musician, a singer, an actor.
04:35Fatem Zahra, you didn't tell me much, did you?
04:38You didn't tell me, hey, wake up, Hamza Malek.
04:42The truth is, it's a self-produced film.
04:45It's something that has nothing to do with production.
04:48I think most singers in Morocco produce their songs in their music videos.
04:51Okay, no problem.
04:53Then, he turned to the directors.
04:55We had a woman who proposed to Elias Miez, and all the directors were beautiful.
05:00After choosing him, he didn't understand anything but ideas.
05:02He really wanted to film what he wanted to be.
05:05And usually, the directors want to give him a dialogue, they want to do everything.
05:08He didn't understand anything.
05:10One day, he said to me, Ghandil, what did I tell you?
05:13I said, are you sure? Are you serious?
05:15I didn't say anything.
05:17I said, what do you want from me?
05:19No one understands me.
05:21There were some directors who understood me and worked with me for a long time.
05:27But it took time, like Walid Ayoub.
05:29It was supposed to be him.
05:31But after a while, I started to think about it, but...
05:36You didn't like it?
05:38No, I didn't like it.
05:40I didn't like it because I was confident in my specialties.
05:44And I even met Alaa Eddin El Jem.
05:46Ah, I remember.
05:48He's the director of the film department in Les Saves.
05:54He's an official partner of Les Saves.
05:56He's a member of the staff of Les Saves.
05:58He's part of the project.
06:00Almost the whole technical team.
06:02And we sat together.
06:04I told him about the project.
06:06I told him that Les Saves has been with him for a year.
06:10I told him that if we find a director,
06:14he would be happy to work with me.
06:16He wrote everything.
06:18He wrote the plans, the transitions.
06:20He wrote everything.
06:22I told him, I think you can do it.
06:24He said, yes.
06:26I said, we're with you.
06:28I believe in that word.
06:30Yes, exactly.
06:32Alhamdulillah, there were people who had more experience than me.
06:38I had an assistant,
06:40Emad Bin Omar,
06:42whom I greet and thank.
06:44He was the director of the project.
06:48He was also my assistant.
06:50There was another young man,
06:52Qasim Sikli,
06:54who was on the side,
06:56who validated me.
06:58He said, no, this can't be done.
07:00Alhamdulillah, we did it.
07:02He helped me.
07:04What was the basis of Hamza?
07:06Were there three songs in a musical short film?
07:08Or was it a musical comedy in the form of a short film?
07:12The truth is from the beginning.
07:14From the beginning.
07:16At one time,
07:18I worked with a person
07:20who helped me with my artistic development.
07:22I recorded it.
07:24We stayed together,
07:26and we came up with the idea of three songs.
07:28Three songs, three clips.
07:30But there was no theme,
07:32no subject, no song.
07:34After that,
07:36I continued to develop this idea.
07:38We met online.
07:40We met in a cafe.
07:42For about three or four days.
07:44I told him,
07:46this idea,
07:48I have a theme,
07:50I will write it, I will compose it.
07:52We came up with the idea,
07:54and from the beginning,
07:56we worked together.
07:58What was the addition of Universal?
08:00Universal is a distributor
08:02of R&D.
08:04In a way,
08:06they are the ones who place you on the platform.
08:08They are there for the promotion.
08:10Of course,
08:12when you know a part,
08:14they give you money,
08:16but it's like a promotion,
08:18they give you money back.
08:20So, frankly,
08:22I am very happy to be here.
08:24Was there any support from the Ministry of Culture?
08:26Yes,
08:28the music.
08:30When you made the theme,
08:32in the section of
08:342022,
08:36if I'm not mistaken.
08:38But...
08:40You don't know the details.
08:42That's very good,
08:44because I know that many artists
08:46have other support,
08:48but we don't see their work.
08:50Do you want me to repeat what you just said?
08:52No, but I'm saying it.
08:54It's a fact.
08:56I'm saying it proudly.
08:58We have support
09:00in the sound recording.
09:02Yes, it's very good,
09:04but it's never enough
09:06to achieve a project.
09:08So, all the rest...
09:10I know what you mean.
09:12But, indeed,
09:14the theme is the sound aspect.
09:16Fatem Zahra,
09:18you gave us the qualities
09:20and the defaults of Hamza Al Fadli.
09:22Okay.
09:24I know that he will give you
09:26the qualities and the defaults later.
09:28Okay.
09:30I have a lot of qualities.
09:32I'm saying this professionally.
09:34For the qualities,
09:36he is committed.
09:38He is
09:40a very good artist.
09:42He has
09:44the sense of creativity.
09:46He has the ability
09:48to produce something.
09:50He works very well.
09:52He works a lot.
09:54He is not like
09:56what we saw on the set.
09:58I was surprised
10:00when I saw him on the set.
10:02I worked with him.
10:04He has experience.
10:06For the defaults...
10:08I'm sorry.
10:10For the defaults,
10:12there is a person
10:14Hamza doesn't want to
10:16work with just one person.
10:18He works with a lot of people.
10:20For the defaults,
10:22there is a person who goes beyond
10:24their limits.
10:26He can put himself in their shoes,
10:28but he doesn't want to.
10:30He is too professional.
10:32For the defaults,
10:34I was against him.
10:36I don't want
10:38him to go beyond his limits.
10:40I think he
10:42gives more than he deserves.
10:44I was against him.
10:46I said, no, he is wrong.
10:48You can tell him.
10:50Maybe he is more strict.
10:52He is strict,
10:54but
10:56he is a diplomat.
10:58That's it.
11:00The reality is that
11:02in the world, there are beautiful people
11:04who work with them.
11:06But there are people who are strict.
11:08She is right.
11:10Hamza, what are the qualities
11:12and defaults of Fatem Zahra Beled?
11:14There are a lot of qualities.
11:16I will say the same thing.
11:18Her quality is
11:20that she is a whole person.
11:22She does everything
11:24to the end.
11:26She is honest.
11:28She is a whole person.
11:34She is a great artist.
11:36She has a lot of ideas,
11:38a lot of inspirations.
11:40I really like her films.
11:42Everything related to Asia,
11:44Korea, Japan,
11:46Qatar.
11:48She has a lot of references.
11:50The defaults,
11:52I think,
11:54are her qualities.
11:56In fact,
12:02her qualities
12:04can affect
12:06a lot of people.
12:08She is right.
12:10She is right.
12:12That's what we always say.
12:14We know.
12:16Good.
12:18We discovered other aspects of your personality.
12:20Do you have Asian inspirations?
12:22Yes.
12:24My number one
12:26inspiration is
12:28anime.
12:30When I was young,
12:32I used to watch anime.
12:34There are K-dramas,
12:36K-series,
12:38K-cinema.
12:40These are
12:42the projects that I
12:44live in.
12:46When I watch
12:48an anime,
12:50I cut myself off from the world.
12:52I forget.
12:54I cut myself off.
12:56I forget.
12:58I live in it for 3 or 4 days.
13:00To that extent?
13:02To that extent,
13:04K-dramas cut off
13:06one's attention and emotions
13:08more than
13:10cinemas or
13:12other schools?
13:14Personally,
13:16I like Asian culture a lot.
13:18I like Asian culture a lot.
13:20I like Asian culture a lot.
13:22I think that
13:24Asian culture can cut me off
13:26from the real world
13:28and let me live in
13:30their real world.
13:32Especially K-dramas, K-series,
13:34K-anime,
13:36they cut off
13:38the topics that
13:40you can't find in other projects.
13:42They have
13:44a rich culture.
13:46They cut off
13:48the topics of
13:50imaginary beings
13:52and their stories.
13:54I've never said this
13:56in an interview,
13:58but I've worked on a Korean legend.
14:00I've adapted it
14:02to the play.
14:04I have a memorial
14:06in the institute.
14:08I've worked on Korean culture.
14:10Are you going to Korea?
14:12Are you going to Japan?
14:14I'm still going.
14:16I'm going to go far.
14:18Maybe that's your goal.
14:20Of course.
14:22Hamza, did Fateme Zahra
14:24sing a little bit?
14:26A little bit.
14:28But it wasn't her voice.
14:30No, it wasn't her voice.
14:32It wasn't her voice.
14:34It wasn't her voice.
14:36Was she able to sing?
14:38What do you think?
14:40No,
14:42it wasn't her voice.
14:44Look, there are tools
14:46and software available.
14:48Maybe there is a base.
14:50Anyway, she used to sing.
14:52Of course.
14:54What was I saying, Fateme Zahra?
14:56I don't know.
14:58Anyway,
15:00we'll leave it to Hamza to answer.
15:02You can tell us later.
15:04The truth is...
15:06Was she able to sing?
15:08Was she able to sing?
15:10She was able to sing.
15:12I agree with you.
15:14She was able to sing.
15:16She was able to sing.
15:18She was able to sing.
15:20But technically,
15:22when we were filming
15:24the promenade,
15:26the audio was bad.
15:28You finalized everything?
15:30Yes, I finalized everything.
15:32Because of the jam-on?
15:34No, the jam-on was the music.
15:36Kamil Kanouni?
15:38Kamil Kanouni was scoring the music.
15:40You answered everything.
15:42You answered everything.
15:44I wanted to tell you
15:46that in my opinion,
15:48I was more interested
15:50in the fact that
15:52at one point,
15:54there was a singer
15:56who was singing in my voice.
15:58Yes, we noticed that.
16:00These were the two extremes
16:02I was trying to play on in the project.
16:04Let's ask
16:06Fateme Zahra
16:08about Hamza
16:10in your team.
16:12You are a talented actor.
16:14God bless you.
16:16You have a lot of potential.
16:18You are one of the best actors.
16:24What do you think of Hamza's performance?
16:26God bless him.
16:28He is a very good actor.
16:30He needs a chance
16:32to show his talent.
16:34He needs a project
16:36to show his talent.
16:38So far, we have seen good projects
16:40with good roles,
16:42but I wanted to see something bigger.
16:44A bigger character.
16:46I wanted to see his potential.
16:48I wanted to see how he prepares for the shooting,
16:50how he works on the shooting,
16:52how he reads the script.
16:54The least I can say is that
16:56he is a great actor.
16:58He needs a chance.
17:00I am still hiding something,
17:02but he needs a chance.
17:04I thought about the next series.
17:06I think it is about action,
17:08about drama,
17:10but it is a good one.
17:12It is a police series,
17:14with events,
17:16I don't know.
17:18It will show something.
17:20I think, God willing,
17:22they will be able to show a lot of action.
17:24Speaking of action,
17:26Hamza is a director
17:28and a director of action.
17:30Can you tell us
17:32about his title?
17:34Of course.
17:36The title is BAG,
17:38Brigade Anti-Gang.
17:40It is a new cell in Morocco.
17:42The director tries to
17:44connect the cell
17:46because there are a lot of gangs
17:48in Morocco.
17:50He wants to show
17:52a real service.
17:54At the same time,
17:56he tries to show
17:58the personal side of the police.
18:00There is a bit of drama and action.
18:02The director,
18:04the director,
18:06Khadija Zarouar,
18:08Marad Hamimou,
18:10and others.
18:12It is a new format
18:14in Morocco.
18:16I think it is a good service.
18:18Personally,
18:20I can't wait to see it.
18:22Soon,
18:24on one of the Moroccan channels?
18:26Soon,
18:28in 2025.
18:30Thank you,
18:32Fatoumz Zarrabaladi.
18:34The film was
18:36directed by
18:38Ahmed Moutah.
18:40Will the film be released?
18:42It will be released by Raja Alwatani.
18:44It will be part of the competition.
18:46It will be released on the 3rd of January.
18:48Do you have the program?
18:50Yes.
18:52Is there also Younes Migri?
18:54Yes, there is Younes Migri,
18:56the director,
18:58Rabih Alqahti,
19:00Ahmed Moutah,
19:02Ghalia Bouazdaouia,
19:04Hafsa,
19:06a beautiful team,
19:08all the actors
19:10who worked with us
19:12under the direction
19:14of a great director.
19:16Kamal Kamal.
19:18Kamal Kamal.
19:20I want to see the film for the first time.
19:22You want to see it in projection?
19:24Yes, in projection.
19:26Are there other projects?
19:28There is another film,
19:30which is not yet decided
19:32when it will be released,
19:34which is Love in Dakhla.
19:36Love in Dakhla.
19:38You are the love.
19:40God bless you.
19:42You are the love.
19:44Love in the stone.
19:46Hassan Bin Jalloun.
19:48Love.
19:50Love in the night.
19:52Love.
19:54Love in the night.
19:56Love.
19:58Love.
20:00Love in the night.
20:02This is not the clip,
20:04but the musical comedy.
20:06Let's go.
20:32Love.
20:34Love.
20:36Love.
20:38Love.
20:40Love.
20:42Love.
20:44Love.
20:46Love.
20:48Love.
20:50Love.
20:52Love.
20:54Love.
20:56Love.
20:58Love.
21:00Love.
21:02The project is called Promenesia.
21:04It is about three young people
21:06and three songs.
21:08It is a representation
21:10of Hamza El Fadli,
21:12Fatim Zahra,
21:14and a professional
21:16and professional singer.
21:18What is Promenesia?
21:20How do you say it in English?
21:22Promenesia is the déjà vu
21:24in ancient Greek.
21:26I like it visually.
21:28I like it etymologically.
21:30In a group.
21:32At the same time,
21:34it has to do
21:36with the history of comedy.
21:38In one scene,
21:40the father
21:42kisses a girl.
21:44Can you explain this scene?
21:46In the beginning of chapter 2,
21:48he kisses his daughter.
21:50She gets her diploma
21:52and he stops her.
21:54It is a father who is proud
21:56of his daughter.
21:58She works
22:00as a waitress.
22:02She is his maid.
22:04He is proud of her
22:06when she is in trouble.
22:08He did not agree
22:10to work as a waitress.
22:12At the same time,
22:14she wants freedom
22:16and to live freely.
22:18He is jealous
22:20of his daughter.
22:22In the transition,
22:24there is a superposition
22:26between the father
22:28who kisses his daughter
22:30and the father who kisses his daughter.
22:32In the transition,
22:34the father kisses the bride
22:36and the bride kisses the father.
22:38Can you tell us
22:40about the scenes of the bride
22:42and the dress?
22:44Was it normal or difficult?
22:46It was necessary
22:48because this dress
22:50is ancient.
22:52In the clip,
22:54I insisted
22:56that the bride
22:58should wear
23:00an ancient dress.
23:02She had to wear
23:04an ancient dress.
23:06She had everything.
23:08She showed me the crown.
23:10I asked her to bring me
23:12an ancient dress.
23:14She brought me
23:16an ancient dress.
23:18She went with us
23:20and helped us.
23:22Of course,
23:24the dressmaker was with us.
23:26But everything
23:28was expensive.
23:30Thank God,
23:32we saved her
23:34from this disaster.
23:36She was with us.
23:38It was beautiful.
23:40It was a little heavy.
23:42This crown is beautiful,
23:44but it was heavy.
23:46It was very heavy.
23:48It was very heavy.
23:50This crown is beautiful,
23:52but it was heavy.
23:54It was very heavy.
23:56It was very heavy.
23:58You had to be patient.
24:00What did you do with the song?
24:02Did you plan
24:04a real wedding?
24:06A real wedding?
24:08Did you have a plan?
24:10No, it was very simple.
24:12It was a part of the project.
24:14It was a project.
24:16It was a project.
24:18A lot of people were involved,
24:20but Fateme Zahra and I
24:22are very close.
24:24We have a very good relationship.
24:26I think the project
24:28will be released
24:30when you see this crown.
24:32You will understand me
24:34both humanly and artistically.
24:36Fateme Zahra,
24:38do you think you can do
24:40other projects in the future?
24:42Of course.
24:44Other projects
24:46with other producers
24:48with other producers
24:50with pleasure, on the contrary.
24:52Hamza,
24:54do you have any ideas
24:56for the next project?
24:58The truth
25:00about the song
25:02is that
25:04I can't tell you
25:06because
25:08time is running out
25:10and I take pleasure in it.
25:12There is a feature film
25:14that will be released in November
25:16called Winter Cold.
25:18It will be released in 2025.
25:20There is a foreign series
25:22called Docudrama
25:24that will be released in November.
25:26I don't know if you know
25:28about this project.
25:30It's a project by Martin Scorsese
25:32that will be shot
25:34in July.
25:36Docudrama?
25:38Yes, Docudrama by Fateme Zahra.
25:40It will be shot in November.
25:42It's called Fox Nation
25:44in an American channel.
25:46Martin Scorsese?
25:48You don't know?
25:50I don't know.
25:52Do you have a role?
25:54A role?
25:56It's not a big role
25:58because the main casting
26:00is in America.
26:02But I have
26:04a secondary role
26:06called Liz Wins.
26:08It's a first step.
26:10Good luck.
26:12Fateme Zahra,
26:14good evening.
26:16Thank you for having me.
26:18I hope people like
26:20Promenesia and leave us
26:22their opinions.
26:24It's a very special project
26:26for us and
26:28it's a part of our society.
26:30As you said,
26:32there are many couples
26:34that can't be together
26:36but they can
26:38be together.
26:40I don't want to say
26:42that they can't be together
26:44but maybe they will show
26:46their family clips.
26:48It's nice.
26:50Any last words?
26:52First of all,
26:54I want to thank Artialina
26:56for this project.
26:58We are proud of it.
27:00I want to thank
27:02all the people
27:04from the technical team,
27:08the costumers,
27:10the make-up artists,
27:12the departmental staff.
27:14I want to thank
27:16all of them.
27:18I also want to thank
27:20Fateme Zahra
27:22because she has a lot
27:24of talent.
27:26I want to thank
27:28all of you.
27:30It wasn't easy for me
27:32to come here.
27:34Thank God,
27:36everything worked out.
27:38I'm very happy.
27:40Thank you, Hamza.
27:42This is the end of today's episode.
27:44Thank you to the technical team
27:46and the artists.
27:48See you next time.
28:02Ow!