• avant-hier
In Lowlifes (2024), directed by Tesh Guttikonda and Mitch Oliver, this Canadian horror film presents a gripping exploration of family dynamics, class privilege, and the dark consequences of preconceived notions. The story follows a seemingly typical family led by the patriarch Keith (Matthew MacCaull), who embarks on a road trip across the country in their RV with his wife Kathleen (Elyse Levesque) and their two teenage children, Jeffrey (Josh Zaharia) and Amy (Amanda Fix).
Their journey takes a sinister turn when they stop for the night at the home of a rural family led by the enigmatic Neville (Kevin McNulty). Initially welcoming, the atmosphere quickly shifts as Keith's condescending attitude towards Neville's family reveals deep-seated prejudices. As dinner unfolds, tension builds, hinting at the darker undertones of both families.
Lowlifes expertly weaves horror with social commentary, showcasing how privilege can blind individuals to the humanity of others. The film is filled with unexpected twists and gruesome moments that keep viewers on edge. The narrative delves into themes of judgment and moral decay, culminating in a shocking climax that challenges the characters' perceptions and forces them to confront their own flaws.
Critics have praised Lowlifes for its unique blend of horror and sociological insight, highlighting its well-crafted script by Al Kaplan. The performances, particularly from Amanda Fix as Amy and Matthew MacCaull as Keith, add depth to the chilling narrative. With its engaging storyline and effective use of gore, Lowlifes stands out as one of the most compelling horror films of 2024.
With a runtime that keeps audiences captivated, Lowlifes is not just another slasher film; it’s an insightful and grotesque examination of what happens when privilege meets desperation in an isolated setting.

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