世界！ニッポン行きたい人応援団 2024年11月11日 日本祭りで出会った着物を愛するスペイン人が西陣織の職人技を学ぶ
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Short filmTranscript
00:00Next, the person we invited to Japan is...
00:05Umiyama-san!
00:09Oh, it's the kimono guy!
00:11Hello!
00:12Oh, kimono!
00:14Welcome!
00:16We've arrived in Japan!
00:19I'm so happy! I'm overflowing with love!
00:22Yay!
00:23I'm so happy!
00:24I'm so happy!
00:25I'm so happy!
00:26Wow!
00:27That's right, this person is...
00:31We met at a Japanese festival in Barcelona.
00:36I came here by myself.
00:38I made the kimono myself.
00:41That's amazing!
00:42Thank you very much!
00:44Miriam-san, who loves Japanese kimono.
00:50The kimono has a history of more than 1,000 years since the Heian period.
01:00The kimono is full of beautiful colors and patterns that match the season.
01:14Recently, about 30% of foreign tourists want to wear the kimono.
01:24If it's at home, I can show off my passion even more.
01:29So, 30 minutes north of Barcelona, to the suburban town of Terrassa.
01:37Miriam-san's house looks like this.
01:44Miriam's house
01:48Hello!
01:50How are you?
01:51Miriam-san, how are you?
01:54Long time no see!
01:56How are you?
01:57Welcome to my house!
02:00Thank you very much.
02:01Please come in.
02:03Which kimono is this?
02:05What kind of kimono is this?
02:08This kimono is a common synthetic kimono.
02:14The thin kimono for summer is transparent, so I wear a juban.
02:27Hello!
02:29Hello!
02:31How are you?
02:32I'm Michi.
02:34She works with her husband, Ivan-san.
02:38There are more than 50 Japanese goods in the San-El-Di-Que apartment.
02:47Michi!
02:48What?
02:49Come on!
02:51Please take a look.
02:54It's our wedding.
02:56Wedding?
02:57Miriam-san, you got married in a kimono?
03:02I love kimono so much that I want to wear it on the most important day of my life.
03:13I'm so jealous!
03:15I'm so jealous!
03:17And when I show her the back room...
03:23It's beautiful!
03:24What is it?
03:26What is it?
03:27Wow!
03:29Wow!
03:31Why are there so many kimonos, Miriam-san?
03:34She wants you to take a look at this machine.
03:38There are kimonos everywhere.
03:41Wow!
03:43Actually, most of them were given to me by Japanese people.
03:48Japanese friends who live in Spain gave them to me.
03:53Really?
03:54Yes, yes.
03:56I think it's an honor for Japanese people to give me kimonos.
04:03I want to preserve the legacy of my family's feelings and spread their charm.
04:12And...
04:14Miriam-san, I can't believe it!
04:17Really?
04:18How many kimonos do you have?
04:20How many kimonos do you have?
04:22My kimono room is a kimono room.
04:24Wow!
04:26My kimono room has about 120 to 150 kimonos.
04:30Wow!
04:31120? 150?
04:32Wow!
04:34She has 120 kimonos, including the ones she got from second-hand stores.
04:38She also has 30 obi.
04:41She also has 30 obi.
04:45She mainly lives in the living room and dining room.
04:51He's usually a little angry, but...
04:53He's a kind husband.
04:54He's a kind husband.
04:56When she was 13 years old, she was fascinated by the beauty of kimono she saw in Japanese class.
05:03She studied on her own on the Internet.
05:06Now she can make difficult kimonos by herself.
05:10You can make a lot of ties.
05:13For example, this kimono is...
05:15I think you know it.
05:18It's called Edo Komon.
05:21It looks like a bug at first glance,
05:24but when you get closer,
05:27you can see a successful pattern.
05:29Edo Komon is wonderful.
05:32This casual fashion became popular among the common people.
05:39What do you do with this kimono?
05:41During the Edo period,
05:43the shogunate made a law prohibiting the common people from wearing gorgeous kimono.
05:53Then the kimono craftsmen made various special patterns on the kimono.
06:02Edo Komon, which is delicate and beautiful,
06:08became very popular among the common people.
06:11It's fashionable.
06:13Ms. Miriam.
06:14Her passion for kimono never stops.
06:19So Japanese kimono is...
06:21Compared to the world's traditional costumes...
06:23Wait a minute.
06:24Too much information.
06:26It doesn't come to my head.
06:28No, no, no.
06:29Too much, too much, too much.
06:33On the weekends,
06:35she goes sightseeing in Sagrada Familia.
06:40She meets her kimono-loving friends.
06:45They are wonderful friends.
06:48Hello.
06:49Do you have a minute?
06:51Fantastic. Thank you.
06:54Kimono is not only beautiful,
06:56but also fashionable.
06:58It's a good thing.
07:00The obi plays the role of a corset,
07:02so it's gentle on the waist.
07:05Really?
07:08I have osteoporosis, so I should buy it.
07:11I have osteoporosis, so I should buy it.
07:12I have osteoporosis, so I should buy it.
07:13I have osteoporosis, so I should buy it.
07:14By tying the obi to tourists and local people,
07:18the spine stretches and the posture improves,
07:21and the kimono becomes more beautiful.
07:24What is Miriam's dream?
07:28The obi I'm most interested in
07:31has a history of more than 1,000 years,
07:33and is said to be the most expensive in Japan.
07:37It's called Nishijin-ori.
07:40It started in the Kofun period.
07:44Nishijin-ori is a gorgeous,
07:47high-class kimono made in Nishijin, Kyoto.
07:53The obi is so famous that it is said to be Nishijin-ori.
07:59Among the three largest manufacturing sites in Japan,
08:02the height of each type is different.
08:08In 2018, at the last Enyu-kai in Heisei,
08:12the Queen also ate Nishijin-ori obi.
08:17It is also used as a luxury item in Akasaka,
08:21where high-quality goods and the government
08:23welcome foreigners from all over the country.
08:27It is a kimono that represents Japan.
08:32Someday in Japan,
08:34I will never die until I see the skills of Nishijin-ori craftsmen with my own eyes.
08:40Mr. Iban, the husband of Ms. Miriam,
08:43who is passionate about kimono.
08:47In fact, my wife had diabetes 12 years ago,
08:51and was in danger of death.
08:55She thought about her favorite kimono every day
08:58and overcame her diabetes.
09:02I am also grateful to the kimono of Japan
09:05that saved her life.
09:10She is still undergoing expensive treatment for diabetes.
09:16Going to Japan is a dream come true.
09:21But if I go to Japan and have more kimono,
09:24I may be kicked out.
09:27That's not good.
09:35I want to learn the skills of kimono craftsmen in Japan
09:38and show off my skills in Spain.
09:40I want to go to Japan.
09:43Ms. Miriam is invited to Japan.
09:51Welcome to Japan.
09:57She goes home to tell her invitation.
10:02She still doesn't know that she can go to Japan.
10:08Is it a kimono?
10:12I was wrong.
10:13It was a very rough outfit.
10:15Short pants and tank top.
10:17What is this?
10:20Scream.
10:23I was surprised.
10:25I'm glad.
10:28She goes to a workshop to make a kimono.
10:36Ms. Miriam makes a gorgeous kimono.
10:42I can't open my mouth.
10:49She makes a kimono.
10:51She is a Buddhist.
10:56She wears a kimono.
10:58She is a Buddhist.
11:03She wears a kimono.
11:06I was surprised.
11:08She drops something.
11:11She drops something.
11:14Yes, yes
11:45Amazing!
11:54Impressive!
11:56I have no words!
12:04I'm going to put it here! Up there!
12:06No, better! At the door of the house!
12:10The husband is starting to draw
12:12Wow!
12:14Japanese people, thank you very much!
12:18Amazing!
12:22And so...
12:26Mr. Daniel!
12:32The dream of Japan
12:36Welcome!
12:38We have arrived in Japan!
12:43To be able to come to Japan,
12:45I'm happier than winning a lottery!
12:48I want to go to the craftsman from the west as soon as possible!
12:53They headed to...
12:55Kyoto!
13:04Hello! How are you?
13:07Beautiful!
13:09Thank you!
13:11Thank you very much!
13:13In order not to be rude to meet the craftsman,
13:16I brought a wedding dress from Spain!
13:19Actually, I should have brought a wedding dress,
13:22but I only have this one, so I'm sorry!
13:25After a wedding dress, which can be worn at a wedding,
13:29a high-end wedding dress!
13:32To the west of Kyoto City,
13:35the birthplace of Nishijin!
13:41In the Muromachi period,
13:43the Western army established its headquarters here
13:46in the reign of the king,
13:48so it was named Nishijin.
13:51Oh, the Western army!
13:53When the war ended,
13:55the craftsmen gathered around here.
14:00Eventually, the high-end wedding dresses made in this area
14:03were called Nishijin wedding dresses.
14:07This time,
14:09I told the craftsman about Miriam's passion,
14:12and he accepted it wholeheartedly.
14:15Thank you!
14:21Excuse me!
14:26Hello!
14:28Welcome!
14:30Thank you!
14:32Nice to meet you! I'm Miriam!
14:35Thank you for your busy schedule today!
14:38I was surprised!
14:40I didn't expect you to wear a kimono so beautifully!
14:44Thank you!
14:46It has always been my dream
14:49to see the western-style obi-making with my own eyes!
14:53Then!
14:55I can't stop saying yes!
14:57Miriam's passion for kimono
15:00never stops!
15:0310 minutes!
15:05We practice very often!
15:07I'm sorry! I talked too much!
15:09I'm sorry!
15:11I'm sorry!
15:13I'm sorry!
15:17From Meiji to the year 126,
15:20Nishijin makes obi,
15:22which is called Rakuyo-ori.
15:25It is also a historical building in Kyoto.
15:28It is a beautiful workshop,
15:31where obi is produced.
15:35It is held once a year.
15:37It is a new competition held in Nishijin-ori.
15:40It has won the title of the best in Japan many times.
15:44This is amazing!
15:46Shiga-san, the sixth generation of such a workshop,
15:49first showed me...
15:52The first obi-making
15:58Let me show you inside.
16:11This is the installation site.
16:15There are various processes,
16:18and various craftsmen worked on it.
16:21Finally, the finished product is displayed here.
16:24Wow!
16:26The real thing, which I've only seen on the Internet,
16:29is in front of me!
16:32I can't believe he's making it by hand!
16:35It's so detailed!
16:38It's amazing!
16:42Kyouyuzen, for example,
16:45uses various colors to draw patterns on folded fabric.
16:55Nishijin-ori is made by dyeing the thread first,
16:59and then weaving tens of thousands of colorful threads
17:03in a precise way to express various patterns.
17:07How do you do this?
17:10It takes about three months to make one obi,
17:14and many of them are expensive and hard to make.
17:18Wow!
17:21By the way,
17:23you can buy an obi for about 1 million yen
17:26at kimono online shops.
17:29That's a lot of money.
17:32There's something I really want you to see.
17:37Inside the obi,
17:40you can see this.
17:43It's called a honkin.
17:46It's made of pure gold.
17:49When it's finished, it looks like this.
17:52It's called a zen-tsu or zen-kei.
17:55I can't open my mouth anymore!
17:58I've never seen an obi
18:01that shines so brightly.
18:05One of the three major festivals in Kyoto,
18:08which appears in the story of Genji,
18:11is the obi that represents the Aoi Festival.
18:14It's beautiful.
18:17The obi is woven with pure gold.
18:20It's not easy to make it now,
18:23but it seems to have been taken care of for generations.
18:27Wow!
18:29It's amazing that it has a face.
18:33How valuable is it?
18:36You can only say it's a premiere.
18:39I see.
18:42The Nishijin obi has been a traditional craft for a long time.
18:48From design to thread making,
18:51each craftsman has more than 20 processes.
18:57Wow!
19:12I can't wait to see what kind of craftsmanship
19:15this wonderful obi will create.
19:18I can't wait to see what kind of craftsmanship
19:21this wonderful obi will create.
19:24Mr. Shiga asked the craftsmen to learn more about the Nishijin obi.
19:29This time, the craftsmen gathered together.
19:33Wow!
19:36The Nishijin obi has a history of more than 1,000 years.
19:39The Nishijin obi has a history of more than 1,000 years.
19:42The Nishijin obi has a history of more than 1,000 years.
19:44There are unknown craftsmanship techniques.
19:50First...
19:55Nice to meet you.
19:57Hello.
19:59I'm Shimamura.
20:00I'm Miriam.
20:01Nice to meet you.
20:04Mr. Kazunori Shimamura,
20:06who has only 10 people in Kyoto
20:08and only makes obi designs.
20:13His work is a masterpiece.
20:20It's a very delicate work.
20:24It's very delicate.
20:26It's amazing.
20:28It's a very delicate work.
20:30It's a very delicate work.
20:33It's a very delicate work.
20:36It's a very delicate work.
20:39It's a very delicate work.
20:42Miriam from Spain, who loves kimono.
20:46The Nishijin obi, a traditional Japanese craft,
20:49is made by a craftsman.
20:54So this time,
20:56the craftsmen will show us their work.
21:02First,
21:03let's go to Mr. Kazunori Shimamura,
21:06who only makes obi designs.
21:11Mr. Kazunori Shimamura,
21:13not only makes Nishijin obi,
21:15but also makes Gion Matsuri,
21:17which has a history of about 1,100 years.
21:20He also designs the yukata of Hoko Naginata.
21:25He is a young artist from China.
21:30I've heard a lot about you from Rakuyo Orimon.
21:34I will learn the skills of a craftsman.
21:40I'm very nervous.
21:43She's cute.
21:45Are you okay?
21:48She's nervous because it's her first time to be interviewed.
21:54Please sit here.
21:56Thank you very much.
21:59What did he show us?
22:02Please take a look.
22:10This is the design.
22:12The design is so detailed.
22:16It's so amazing that I can't speak.
22:21The design was made three-dimensionally
22:24at the request of Mr. Kazunori Shimamura.
22:27Everything is hand-drawn by Mr. Kazunori Shimamura.
22:36A Japanese paper with a width of 30 cm.
22:39A traditional Japanese pattern.
22:43The pattern is based on a Chinese plant.
22:51He is conscious of the drum when he closes the obi.
22:55It's amazing.
22:57I'm learning a lot.
22:59Thank you very much.
23:02When he closes the obi,
23:04he not only calculates the shape of the drum,
23:10but also the details of the obi.
23:17This is the design of the obi I'm drawing now.
23:23It's amazing.
23:32It takes 10 days to complete the design.
23:37Mr. Shimamura drew the design in advance
23:41and transferred it to the pattern.
23:46The pattern is colored to some extent.
23:52This is 5 minutes of heating.
23:56This is pearl.
24:00It's called umbo.
24:045 minutes of heat from the shell.
24:08The material is a mixture of two peels and glue.
24:16I'm going to heat it up now.
24:22He is going to make this design three-dimensional.
24:27Why do you heat up the design?
24:30What?
24:32I'm going to heat it up vertically and horizontally,
24:35so I can make it three-dimensional.
24:37I'm going to heat it up to make it look like it's been carved.
24:42You're going to reproduce that, too.
24:49It is important to make it easy to imagine the three-dimensional part
24:55and make it look like it's been carved.
24:59You're really going to heat it up as it is.
25:04If it fails, it's all over.
25:08Carefully measure the width of the millimeter unit.
25:13It's strong.
25:17Apply it twice and heat it up.
25:22The design of clothes is two-dimensional,
25:25but it is surprising that it is three-dimensional than that of the West.
25:29It's true.
25:30One layer and another layer should dry well.
25:36What?
25:37I'm a little nervous right now.
25:39Everyone is looking at me like this.
25:41It's okay.
25:44Mr. Shimamura is very nervous.
25:49That's right.
25:50Well, the camera is...
25:52Hang in there.
25:57In this way, the three-dimensional part...
26:01It's really cheap.
26:03The color is vivid with materials such as gold and silver.
26:08It's amazing.
26:11It's amazing.
26:14It's beautiful.
26:15This alone is very beautiful.
26:18It's too wonderful.
26:21I'm so nervous that I'm working with fun eyes.
26:27I'm sorry.
26:32I'm sorry.
26:34Color the whole thing,
26:37and the design of the obi, which is called shoei, is completed.
26:45This is exhibited at exhibitions.
26:48It can be sold for about 70,000 yen,
26:52but if it is sold out, it will be sold out.
26:56I'm going to cry because he showed me something really wonderful.
27:01I'm a little regretful that I shook my hand.
27:08It's okay.
27:09I'm nervous about the camera.
27:16Next...
27:18Hello.
27:20Nice to meet you.
27:24I'm Naoki Nishimura from Nishimura Shoten.
27:26Nice to meet you.
27:29Please introduce yourself.
27:32My name is Horuhashi.
27:34Nice to meet you.
27:35I'm Shi-chan.
27:36Nice to meet you.
27:38Nice to meet you.
27:41Actually, it's Miriam.
27:45What I want to study the most this time is
27:47making threads using the technique of pulling.
27:51Threads?
27:52It's a magical technique that is essential to make a gorgeous Nishijin-ori obi.
28:00Nishijin-ori is woven by dyeing the silk thread first.
28:08There are only a few types of threads
28:12used in Nishijin-ori,
28:15and the craftsmen combine them with experience
28:19to create an infinite number of colors.
28:23It's beautiful.
28:26Pulling is a technique that uses gold and silver
28:30to make the thread under the obi shine.
28:37It's delicious.
28:38From this unique technique,
28:40a magical thread is made that has only been experimented in Kyoto.
28:48Nishimura Shoten, who is in charge of it,
28:51has been a master of pulling for 100 years.
28:56The third generation of traditional craftsmen, Naoki Nishimura,
29:02has been a master of pulling for 40 years.
29:05He used the pulling technique that was created by Mr. Furuhashi.
29:11Rakuyo-ori is the most popular name in Japan for Nishijin-ori.
29:18Many people in Japan don't know what pulling is.
29:23I'm very happy that you said you wanted to see the pulling technique in Nishijin-ori.
29:30Thank you very much.
29:33I'm honored to meet the two masters.
29:35I want to learn the technique and spread it to Spain.
29:38I've been doing it for 40 years, but I still don't understand it.
29:42It's interesting.
29:44Nishijin-ori,
29:46the thread under the obi shine,
29:50pulling.
29:51Wow, it's beautiful.
29:53Thank you very much.
29:56He will show us how to make it in a special way.
30:04This is a Japanese paper that has been pulled since the beginning.
30:10There are two sheets.
30:12Pulling technique is
30:15something that is expressed on a Japanese paper.
30:20You make a thread with a Japanese paper, not a cloth.
30:24That's right.
30:26It's a thread that can be expressed because it's a Japanese paper.
30:30You make a thread with a Japanese paper?
30:33The width of the obi is adjusted to the width of the obi,
30:36and the nisu made from natural wood is applied to the center.
30:44Wipe off the nisu on both ends.
30:48Yes.
30:50This is the most important part.
30:55If you make two sheets of Japanese paper in the same way,
31:05This is the Hon-Kin-Paku.
31:08Yes, yes, yes.
31:1120 sheets of Hon-Kin-Paku are used.
31:1510 sheets of Hon-Kin-Paku.
31:21Mr. Nishimura.
31:22Yes.
31:24How much is one sheet?
31:27I think it's about 400 to 500 yen per sheet.
31:32Wow.
31:34Good reaction.
31:36Yes.
31:39Do you understand?
31:41The number is flying.
31:46Put it in the funnel.
31:52I'll do it.
31:54Gently shake the brush.
32:05It's a golden rain.
32:08Yes.
32:10Two sheets of Japanese paper.
32:12Hon-Kin-Paku.
32:16Wow.
32:19I don't know what's going on.
32:22I don't know what I'm making.
32:26I'll stick them together.
32:39Wow.
32:43Wow.
32:48Impressive.
32:55If you stick them together while shifting them exquisitely,
33:04I see.
33:05Stop it.
33:07Stop it.
33:09Do you understand?
33:11I see.
33:13Wow.
33:14It's perfect.
33:16I see.
33:19It has a delicate shade that feels a little black.
33:26Wow.
33:28The edge where Nishimura wiped off has no glue, so wipe off the gold.
33:35Collect the gold so that you don't waste it, and send it to Kanazawa.
33:42The gold will be incinerated, and the gold will be taken from there.
33:47There is a company that can tell you how many grams have been taken.
33:50It's not a waste.
33:52Yes.
33:54In this way, the golden sheet is completed.
33:57From now on, it's a baton touch to another craftsman.
34:02The third person.
34:03Nice to meet you.
34:05Nice to meet you.
34:07Nice to meet you.
34:09How are you?
34:10Hello.
34:11Nice to meet you.
34:12I'm William.
34:13Nice to meet you.
34:14I'm Takeuchi.
34:15Nice to meet you.
34:16Nice to meet you.
34:19Takeuchi is a specialist called Kiriya, who cuts and threads bamboo skewers.
34:27Mr. Takeuchi will make a thread.
34:30The cutting machine, which has been used for about 50 years, is not produced now.
34:37Maintenance is important.
34:41Especially, the blade is life.
34:44If you spend even a little, you can't cut it well, and everything will be ruined.
34:52It's important.
34:54Nishimura's detonation.
35:00Wow.
35:03He cuts a thread with a thickness of about 0.3 mm.
35:07Wow.
35:09That's great.
35:11This is a broken one.
35:18Wow.
35:23That's great.
35:25That's great.
35:28That's fast.
35:29That's great.
35:31By weaving the finished detonation thread, the base of a gorgeous Nishijin-ori is born.
35:43I didn't know that at all.
35:47Back to the Nishimura shop.
35:50Hello.
35:54In order to let Mr. Miriam know more about detonation,
36:00he will challenge me with a silver detonation, which is the basic technique of putting a seal on a Japanese paper.
36:07Wow.
36:17Indeed.
36:24Wow.
36:28Wow.
36:29Wow.
36:31It's stuck.
36:33He can't put a seal on his finger.
36:38It looks difficult.
36:41I'll put one on.
36:43Mr. Furuhashi will give an example.
36:46At this time, I can't put it on this side.
36:48I'll just hold it like this.
36:51How about this?
36:52Let's start from here.
36:54I'll put it on the side.
36:56I'll put it on here.
36:58Oh, I see.
37:02This wind.
37:03The wind makes a noise.
37:08It was difficult to hold the wind like this.
37:15It's difficult to remove the seal.
37:17It's difficult to remove the seal.
37:20You have to get used to it.
37:24You have to get used to it.
37:27It's amazing that he can't put a seal on his finger.
37:32You're getting old.
37:34You don't have any oil.
37:37You don't have any oil.
37:40Please boil it.
37:44Will it work this time?
37:50Let's see.
37:54Yes, yes.
37:55Good, good.
37:59After that, he was invited by Mr. Nishimura.
38:03This way, please.
38:08What is this?
38:13What is this?
38:14Hello.
38:16How are you, everyone?
38:21I'm happy.
38:26The craftsmen who took care of him.
38:32The children of Mr. Nishimura also gathered to welcome him.
38:38This is my daughter, Ichika.
38:41Ichika.
38:42Nice to meet you, Ichika.
38:45She's cute.
38:47The appetizer that Mr. Nishimura prepared is...
38:52It's called Taitan.
38:56It's a sweet and spicy dish made with Manganji chili pepper and Jyako soy sauce.
39:02It looks delicious.
39:03It's good.
39:05There's a lot of shrimp in the bean curd.
39:10He's good at cooking.
39:12He's really good at cooking.
39:14Like this.
39:15And then...
39:17And fluffy egg rolls.
39:21He's good.
39:24He's good at everything.
39:28Can I have some?
39:30Yes, of course.
39:34Mr. Nishimura, too?
39:37It looks delicious.
39:39It tastes like Spain.
39:42Cheers!
39:57Do you like beer?
39:59Me? Yes.
40:04I love Kirin.
40:11Let's eat.
40:20It's delicious.
40:26The egg is beautiful.
40:30Is it good?
40:31How is it?
40:33It's very delicious.
40:35My mother is not good at cooking eggs.
40:39So, please be my mother.
40:43I will.
40:47Mr. Nishimura.
40:50He forgot to shoot today and is relaxing.
40:57I'm sorry. I didn't mean to.
41:00I'm sorry.
41:02I'm sorry. I didn't mean to.
41:06I'm sorry.
41:09What's wrong?
41:11Why are you laughing?
41:16And then, Mr. Miriam.
41:20Everyone is helping each other.
41:24So, it's hard to cook alone.
41:28How many houses do you have in Kyoto?
41:31Two.
41:33I see.
41:35I'm the youngest.
41:36The youngest?
41:38I'm the youngest.
41:40If you don't want to do it, I'll do it.
41:43That's right.
41:48The future of Nishijin-ori depends on the next generation of young people.
41:53That's right.
41:59What do you think of your father's job?
42:06I think he's cool because he's doing his best.
42:11I think he's very beautiful.
42:14I'm glad.
42:16But, he makes a lot of money.
42:20He makes a lot of money?
42:21Where are you looking at?
42:23I'm looking at your face.
42:24I want to eat good food at night.
42:28No, that's not true.
42:31That's not true.
42:33That's not true.
42:35This is true.
42:36This is true.
42:38Mr. Miriam showed us how to make Nishijin-ori, which is born from the bond between craftsmen and technology.
42:48This is beautiful.
42:50After this, there will be a surprising final product that will create a super-successful pattern of Nishijin-ori.
42:59But before that, there is one more thing.
43:01I'm curious about the thread making.