El humorista estuvo en Intrusos hablando del conflicto que se reavivó por el madrinazgo de su hija Joaquina:"Si estábamos en Argentina iba a ser ella la madrina". Además opinó del conflicto de las hermanas Escudero,
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00:00The truth is that it is so rare for me to come and talk about godmother
00:04when it is a decision that we parents make.
00:08My daughter is 8 years old, she was 6 years old.
00:11We live in another country.
00:13First of all, everything I'm going to say, I'm going to say it with love
00:16because for us there was always and there will be,
00:20because for us nothing has changed.
00:22But there are times when you have children
00:25that the decision is taken by the parents.
00:28We were living in another country in the middle of a pandemic.
00:32We left here because the border in Uruguay was closing.
00:35We had to disarm the house and we left
00:37because I had two shows in Uruguay.
00:39If not, there was controversy in the bar in Uruguay
00:42and Mr. Mateo's hair salon was starting.
00:44Ah, that's why you made the decision, because of course,
00:46you were going to work and you were coming back.
00:48Of course.
00:49Until the pandemic, I was in America being controversial in the bar,
00:52which was going very well for us.
00:54One day the Vice Minister of Tourism of Uruguay calls me
00:57and says, Álvaro, on December 20, the border closes.
01:01Either you stay on the side of Argentina or you come because it was not known
01:06until when, do you remember the pandemic?
01:09Yes, of course.
01:10We didn't know what was going on.
01:13In addition, my children were like most of them,
01:17like all families in Argentina, almost a year locked up.
01:21And there Joaquina had?
01:23Joaquina, I think she was four or five years old.
01:27And they hadn't baptized her, they had already promised Denise at that time.
01:30Sure, when Joaquina was born.
01:32Yes.
01:33But also, the pain of Denise.
01:36Obviously we understand it.
01:38How are we going to understand if she was part of the family?
01:41How are we going to understand that it hurts her?
01:44But also, she has to understand the other part.
01:48Imagine that if we were in Argentina, the godmother was Denise.
01:53But being in Uruguay, two years in Uruguay, we almost had no contact
01:57because Denise was not going to be able to travel either.
02:00The explanation is strange, excuse me.
02:02But why is it strange?
02:04Because, I tell you with affection, it is strange because one can be a godmother in the distance.
02:10And well, yes.
02:11And it is not, they discharged her.
02:14But it is not that they discharged her.
02:16We were living in another country, you have to baptize her in Uruguay.
02:20By Zoom, do you want her to be a godmother?
02:22No, but they couldn't postpone it for a while.
02:24But how much longer?
02:26You tell me, in the pandemic and in all the issues that there were,
02:29did you have the crystal ball?
02:31No, not at all.
02:32But what I feel is that there was little communication.
02:34But wait, do you have children?
02:35Yes.
02:36The decisions of your children, boys, who makes them?
02:39No, the adults.
02:40So, if I ask you, if we, who are Joaquina's parents,
02:45we are living in another country.
02:47After we were locked up for a year and had no contact with anyone.
02:52And we consider, with the heart and explaining to the godmother,
02:58that we had to make that decision.
03:00Because we were living in Uruguay and we felt that we had to baptize her.
03:04But she doesn't tell us that, that's why I feel that there is a missing part.
03:07But then, that's why, ask her, I'm answering you,
03:11that I am Joaquina's father.
03:13We understand that perfectly.
03:15Well, then, what don't you understand?
03:17Because she makes us understand that from one day to the next
03:19they told her that tomorrow they were going to baptize her.
03:22Well, that's not true.
03:23That's not true.
03:24So, Denise lies.
03:25Because we call her many times.
03:27I'm not going to speak ill of Denise because I'm not interested,
03:30because I can't speak ill of her.
03:32I understand the pain, but she's my daughter.
03:35Of course, yes, obviously.
03:37We make the decisions.
03:39So, what amazes me is that we are talking about this on television,
03:42but it's crazy to be talking about this on television.
03:45You said that you called her many times,
03:47and precisely, Vanina made a post on her Instagram account,
03:50in the stories, where she said that many times she asked her
03:53to come by the house, explain to her, have a coffee.
03:56Yes.
03:57Well, I don't know if I managed the coffee.
03:59And to be able to explain to her this whole situation
04:01and that there was never an answer on the other side.
04:03Can you explain a little more what happened there?
04:05That.
04:06Exactly like that.
04:08And we tried.
04:10Because when we explained it to her, it hurt her, but she understood.
04:14But Denise tells another story.
04:17In the note she says something else.
04:19In the note she says that they called her,
04:21that they baptized her tomorrow, and that she was here.
04:23That she clearly says in her note.
04:25We're not saying anything.
04:26She said, they called me and said,
04:28tomorrow is the baptism.
04:29And I was here.
04:30How is it going to be?
04:31Look, for the date, it's because of the age.
04:35You're taking me back from 2017.
04:37Let's do one thing.
04:39Álvaro, do you want us to see the note that Denise gave?
04:42Do you think?
04:43As you want.
04:44Please.
04:48Tell me, how long have you not seen Vanina Escudero?
04:52A lot.
04:54After the pandemic, I think.
04:56Years?
04:57Yes.
04:58It was her birthday recently.
04:59They didn't talk?
05:00Nothing?
05:01No, no.
05:02It's been a long time since we talked.
05:05Why?
05:06We're distancing.
05:07No, because when the pandemic happened,
05:09they went to Uruguay.
05:13Sarasa, Sarasa.
05:15And there were differences, we can say.
05:18Because she got you the baptism?
05:20Yes, it could be.
05:22I don't know if differences.
05:23They are decisions.
05:24They were living there.
05:26You couldn't travel.
05:27What does that have to do with getting you the baptism?
05:30You can live in another continent,
05:32continue being the godmother.
05:33Everyone chooses what they think is best for their child.
05:36They decided to choose their parents,
05:38who have a more everyday relationship.
05:41Did you understand the decision?
05:43Yes, of course, I understand.
05:47Everyone chooses what they want.
05:49I would have handled it differently.
05:51Obviously, it's a huge pain.
05:53It's like, wow, it's a pain.
05:55It was a big pain for me.
05:58We had a good relationship,
06:00but we were distancing.
06:02You weren't fighting, but you were distancing.
06:05Yes, we were distancing.
06:07Did you consider yourself family with her?
06:10Yes, we were very close.
06:13She got the baptism when she was younger.
06:17Joaquin got the baptism.
06:21She got the baptism, you bought the dress,
06:23she got suspended.
06:25It had been years.
06:26She told me she was going to get baptized tomorrow.
06:30But you didn't go.
06:32Today or tomorrow.
06:33Tomorrow she gets baptized.
06:35Buenos Aires, Uruguay.
06:37And she wasn't the godmother.
06:39But she told you.
06:41Of course.
06:42And yes, we deserved that talk,
06:44at least not to see the picture.
06:46At least, I don't know.
06:48I also learned that when you see someone
06:51who hurts you a lot, you have to distance yourself.
06:56She says, of course, they called me,
06:58tomorrow she gets baptized.
07:00I love Denise,
07:04but Denise doesn't answer the phone.
07:07I'm not saying this as a criticism.
07:10There are people who don't answer the phone.
07:12There are people who don't answer the phone.
07:14But why?
07:15Because she has four children,
07:17because she has a lot of things to do,
07:19and because we were in Uruguay.
07:22But you had a good will to tell her
07:24that you had made this decision.
07:26But because we had...
07:27Let's see.
07:28Because I still find it strange to be...
07:31You are a figure.
07:33You have to take that charge.
07:34Figures generate these things.
07:37No, I'm serious.
07:39You know that people don't care.
07:41Can I give you a kiss?
07:42Can I stop and kiss you?
07:43You're the first one to tell me I'm a figure.
07:45People don't care about what happens to celebrities.
07:49More than two celebrities.
07:52Álvaro, can I ask you something?
07:54Yes, finish.
07:56For you to know who Denise is in my family,
07:59the memory I have of her...
08:02Who was she?
08:03Because Vanina spoke in the past.
08:04What?
08:05Who was she?
08:06Because Vanina in the message speaks in the past.
08:08Affectively.
08:09Yes, she's strong.
08:10Okay.
08:11But the image I have of her and the family
08:16is when I have my two children like this.
08:18Look, I also have Benicio here and Joaquin here.
08:21One of the...
08:22Did you see when you were going to show your children
08:25that they open the curtain and everything is there?
08:27One of the people is Denise.
08:29And what happened?
08:30Imagine how important it is.
08:31Nothing happened.
08:32It was...
08:33We were in Uruguay.
08:34She was here.
08:35We called her.
08:36We have to baptize her.
08:37Our decision was...
08:39We couldn't travel to baptize her here.
08:41We got a priest.
08:43El Gordo Verde.
08:44A priest, a friend of mine.
08:48And we said, we have to baptize her.
08:50And the godparents were the grandparents.
08:52I don't understand why we had to baptize her.
08:54Because we thought we were the parents.
08:57We have to baptize her.
08:58I can't baptize her at 15 years old.
09:01I can't baptize her.
09:02Get in the hairpin.
09:04Get in the hairpin.
09:05Sure.
09:06Before she gets married, I have to baptize her.
09:08The issue is this.
09:09You are in a group of friends.
09:10Yes.
09:11Seba Almada was there.
09:12Seba's wife.
09:13Listorti.
09:14Moni.
09:15Yes.
09:16Campi and Denis were there.
09:17And you two.
09:18Yes.
09:19It is said that the group of friends broke up.
09:20And everyone was on one side.
09:21Except for Vanina and you.
09:22Because the decision...
09:23Because...
09:24Excuse me.
09:25Did this happen?
09:26Are they all fighting?
09:27Are they fighting with you?
09:28First, I didn't fight with anyone.
09:30And Vanina didn't fight with anyone either.
09:32Denis made the decision that it hurt him.
09:35He didn't answer the phone anymore.
09:37And that's what happened.
09:38He distanced himself.
09:39We are not there.
09:40According to you, she distanced herself.
09:42They distanced themselves.
09:43They didn't.
09:45I'm talking about Denis.
09:47Denis never answered the phone again.
09:49Never again.
09:50And we respect him.
09:52But what happened with Listorti and Moni?
09:54Nothing.
09:55And I ask you this.
09:56Are you fighting with Seba Almada?
09:58No.
09:59Not at all.
10:00Never in my life.
10:01Not even...
10:02I think that in all the years that I have known Seba
10:06and it's been a long time.
10:08We came together to live here.
10:10He came to live at my uncle's house.
10:12We've done a lot of things together.
10:14I never argued with Seba in my life.
10:16But are you in a relationship with Seba today?
10:18No.
10:19Because, well, now he's in Miami.
10:20But every now and then we talk.
10:21But I tell you what...
10:22I write to him...
10:23Could it be that something similar happened with Almada?
10:26So you were going to make him the godfather of the boy?
10:28No, no, no.
10:29Seba is the godfather of Venicio.
10:31Ah, he's the godfather.
10:32Of course.
10:33I tell you what Seba Almada says.
10:34And you clarify it there.
10:35A society, a friendship, a bond in Uruguay to make television shows.
10:40A society with...
10:41Well, society, I tell you.
10:42Like an idea...
10:43A business.
10:44A business.
10:45With Sebastián Almada.
10:46With Seba.
10:47That you betray Seba.
10:49Seba gets very angry with you.
10:51I ask you, you clarify it.
10:53Seba gets very angry with you and stops talking to you.
10:58I don't even know what society you're talking about.
11:01Seba and I work together.
11:02We did the Domanio hairdressing.
11:04Well, society, I mean a labor bond.
11:06That's what you're telling me.
11:08When Sebastián...
11:09We did three...
11:10I think four years in the hairdressing.
11:12The second year, Sebastián told me,
11:14I don't want to be in the hairdressing anymore.
11:17He wanted to do other projects.
11:20We went to the producer.
11:23That year, the producer said,
11:24I'm not going to produce it anymore.
11:27We went down.
11:28And, well, I don't want to continue with the hairdressing.
11:31And then...
11:32And did you fight over that?
11:33Never in my life did I fight with Sebastián Armada.
11:35But, Álvaro, you're telling me...
11:37And your son sees it, forgive me, because he lives in Miami.
11:39I'm going to ask you, I'm going to go.
11:41Well, well.
11:42Of course, but let me have a bite, dear.
11:44I want to talk to him.
11:45Well, well.
11:46Me neither.
11:47Now, yes, now.
11:48You realize...
11:49The marinago is here now.
11:51Don't fight.
11:52I feel...
11:53You just said...
11:54Yes.
11:55You just said that Sebastián is your son's godfather.
12:00Yes.
12:01I mean, a very, very close friendship to put him in that place.
12:05But imagine that...
12:06And today, what happened?
12:07They are far apart.
12:08You don't want to tell, right?
12:09Obviously.
12:10Sebastián's brother, Chicho,
12:12paid us the tickets to come to...
12:15We came in the steam of the race.
12:18At a discount, when we came here to work at Videomatch.
12:23I didn't fight with anyone.
12:25A character, Chicho.
12:26Chicho, Seba's brother.
12:27A character.
12:28It's...
12:29More funny than Sebastián, which is already a lot.
12:31Sebastián's family.
12:32Yes, yes.
12:33It's very funny.
12:34Let's see.
12:35And why did they distance themselves?
12:36But, well...
12:37Whatever you want to tell.
12:38I repeat, you can tell whatever you want.
12:39No, but because...
12:40Me and Sebastián never...
12:41We distance ourselves because when you start working on other projects,
12:44Sebastián, thank God, is now breaking it.
12:47He's doing very well, Sebastián.
12:48He's breaking it.
12:49And for me, that one day Sebastián's mother, I remember, told us,
12:52you go to...
12:53Sebastián's mother was the wife of the great Kike Almada.
12:57Of course.
12:58Of the super humor.
12:59She said, go to Argentina, they're going to break it.
13:02And with that illusion we came.
13:04And today, Seba, Pachu and José María are breaking it.
13:08They're breaking it.
13:09In Tertagua, yes.
13:10And well, then...
13:11And I see your son, forgive me, because I don't want to be reiterative,
13:14but I say, he lives in Miami.
13:15Being in Urugu...
13:16No, he doesn't live in Miami.
13:17No, Sebastián.
13:18Almada doesn't live in Miami.
13:19No, he doesn't live in Miami.
13:20He doesn't work there.
13:21No, they're going to deport him because he doesn't have a job.
13:23When is he?
13:24Do you see your son?
13:25When he's where?
13:26Now he's in Uruguay.
13:27In Uruguay we saw each other more.
13:29The last year was a little more difficult,
13:32but he always calls him on birthdays, because he's the godfather, right?
13:37And well, and the truth is...
13:39You're taking care of him, I think.
13:40It's that, Álvaro, sorry, it's good that you explain it to me,
13:42because yesterday I saw you on Uruguayan television.
13:44The thing is, they talk about Uruguay.
13:46At what time?
13:47A very bad image.
13:48Don't doubt me.
13:49A very bad image of you for this issue with Gaspar Valverde.
13:52But stop, stop, stop, stop.
13:53In Uruguay, a bad image of me.
13:55I have something on Instagram, really, Álvaro.
13:57Don't you know the bestialities they tell us, or at least me,
14:00with respect to what happened?
14:02No, but on Instagram...
14:03Guido, let's be serious, Guido, come on, Guido.
14:06I'm serious, please, Guido.
14:09No, no, no, we're not talking about bad things now.
14:12No, no, no, stop, stop.
14:13I'm going to go out and beat you, stop.
14:15People say...
14:16No, no, no, people say no.
14:18What comes from Uruguay, from Canal 10, is that,
14:21that you had...
14:22That, I'm just asking you.
14:23We ask you with respect.
14:24That you had...
14:25But don't tell me people say, people on Instagram...
14:27Well, your colleagues, Álvaro.
14:28What colleagues?
14:29Well, you can deny it too.
14:30What colleagues from Canal 10?
14:31But they say you had to leave.
14:32Who? Tell me who.
14:33You had problems with Gaspar.
14:34I'm telling you what they tell me about Gaspar Valverde.
14:36Ah, well.
14:37They tell me that there was an absolute betrayal,
14:39that you left him without a job.
14:40I ask you well and you answer.
14:41But stop, stop, for that, for that.
14:42But one thing is what Gaspar says.
14:44Another thing is that you tell me about your colleagues.
14:46Well, they're all talking about Gaspar, the colleagues.
14:48What colleagues?
14:49I don't know, Álvaro, I'll show you all the messages.
14:52No, but they're saying something.
14:54Well, clarify.
14:55For that, let's clarify things.
14:57For that.
14:58Then I would like you to tell me what colleagues.
15:00I'll show you.
15:01Ok.
15:02About Gaspar Valverde, I have a message here from Gustavo Sofovich.
15:08He is an Uruguayan actor, a very talented presenter.
15:16I shared a couple of things with him.
15:17One day, Gustavo told me, I want to do the hairdresser in Uruguay.
15:21And controversy in the bar.
15:22I say, well, let me, I have a person who works in Canal 10.
15:26I call him to have a meeting.
15:28I set up a meeting.
15:29We sat down on the channel.
15:33Yes, I'm interested, says the channel.
15:35Ok, I tell him.
15:36Talk to Gustavo.
15:37We set up a meeting.
15:38The channel with Gustavo Sofovich.
15:40Yes.
15:41They closed.
15:43Controversy in the bar.
15:45We started working in controversy in the bar.
15:47Gaspar was already hired by Canal 10.
15:50By the channel, of course.
15:51By the channel.
15:52At one point, we were doing controversy in the bar.
15:55The production, I was not the producer.
15:57The owner of controversy in the bar, who is it?
15:59Gustavo.
16:00Gustavo Sofovich.
16:01Gustavo Sofovich just sent me a message, because they called him from another program.
16:05He says, he doesn't know Gaspar, he doesn't know who he is.
16:08He says, I negotiated with the channel, the owner is now.
16:12But what does Gaspar report?
16:14I don't know.
16:15You left him out of the business.
16:17Explain to me what business, if I am not the owner of controversy.
16:20Did you win him a trial?
16:22No, no, I didn't win him any trial.
16:24Who produced the program, the channel?
16:26The channel produced it.
16:27The format of Gustavo produced the channel.
16:29The format is produced by the channel and a producer named Sur.
16:32And what did Gaspar have to do with it?
16:34Nothing.
16:35He was hired by the channel.
16:36He thought he was the producer, that they were partners.
16:40But I can also think that I am the partner of Vila.
16:43Hopefully.
16:44And that I am the owner of America.
16:47The same, Álvaro.
16:48What Marcela Tauro says and what Guido says.
16:51In Uruguay, many people talk.
16:53You have written to a journalist.
16:55You are accusing me of things, so it is good that you clarify it.
16:57But what?
16:58What are you accusing me of?
16:59That you left, for example.
17:00I'm going to tell you what I told you here.
17:02Always potential.
17:03And since you're here, we ask you.
17:05Because we had written to journalists from there.
17:07I'm not going to tell you what journalist, because they told me.
17:10Hey, I told you.
17:12That you had left Uruguay.
17:14From one day to the next.
17:15At night.
17:16Escaped.
17:17Because he had some debts.
17:18Yes.
17:19There were scams.
17:20No, I never said scams.
17:21I said debts.
17:22No, they said.
17:23No, they told me debts.
17:24They didn't tell me scams.
17:25But the guy who came to me in a Camalote crossing the Atlantic River.
17:28Yes.
17:29They got there.
17:30Until you paid off your debt at the boys' school.
17:32Until that.
17:33What's going on?
17:34What's going on, Alvaro?
17:35But stop, stop, stop.
17:36Let's get organized.
17:37Because if not, we are throwing any nonsense.
17:42First, that we.
17:45I mean, look at the networks.
17:47Suddenly in December.
17:48We, in the media here, said that we were millionaires in Uruguay.
17:54Now they say that we came to escape.
17:55In December they said that?
17:56In December we said that we were millionaires.
17:58That he was doing very well, it's true.
17:59That we were doing very well.
18:00Because we were doing very well in Uruguay.
18:02But what happened?
18:03We decided.
18:04We have a house here.
18:05Yes.
18:06At one point we sat down with Manel and said.
18:08What do we do?
18:09Do we sell the house?
18:10Do we stay in Uruguay?
18:11The truth is that we had the family here.
18:14Yes.
18:15And at one point we said.
18:16We go back to Buenos Aires, to our house.
18:18And that was the decision we made.
18:20Now, can you explain to me how I escape?
18:23Look at the social networks.
18:24When do I escape?
18:25The boys' school.
18:27How do you come from one day to the next?
18:29And if not everything?
18:30And the truth is that it seems to me, Alvaro, that something began to happen.
18:33Of course.
18:34Because this information from Uruguay begins to arrive.
18:37Then Silvina's thing happens, which was brought by Cauro, right?
18:39You said the week before.
18:40But wait, what is Uruguay's information?
18:42That I escaped?
18:43No.
18:44Of people, of debt.
18:45No, Alvaro, Alvaro, no.
18:46Yes, as if you left overnight.
18:48But of course, first Silvina's thing came up.
18:50And that the central problem between Silvina and Marina
18:52was a money that Silvina would have lent.
18:54With a Maya loan.
18:56That's where the messages start to arrive.
18:58Of course, that's where the messages with Uruguay start to arrive.
19:00Notice that you also had problems here.
19:02With this, with the other.
19:04And that it ended up going from one day to the other.
19:06But that's why.
19:07From one day to the other and what debt do I have in Uruguay?
19:10That they call and say that ...
19:13Until I know.
19:15First, with the school, it's a mess.
19:17Because of a school ...
19:18Well, it's good that you clarify it.
19:20But wait.
19:21Because of a school, they don't give you the pass for another school.
19:24If you have debt.
19:25If you have debt.
19:26In the school we went to, which is a beautiful school,
19:30they even offered us in the school,
19:32for what they wanted the boys and the relationship they had,
19:35to say goodbye.
19:37And if you want to say goodbye here, do it.
19:39Now, what other debt?
19:41Explain to me.
19:42Because if not, they are saying things that ...
19:45Let's see, in the networks.
19:47You all know.
19:48No, no.
19:49I don't speak.
19:50I want to clarify.
19:51At least for me.
19:52Let's do one thing.
19:53No, let me clarify this to you.
19:54Because you are saying things that are not true.
19:56I'm asking you.
19:57I'm going to put a lawyer to talk to you,
20:01and you tell him,
20:02or I call a lawyer who is a friend of mine,
20:04that you tell him,
20:05because you already said that I am ...
20:07No, no, no.
20:08Yes, yes, you said it.
20:09No, I clarified it.
20:10I clarified it.
20:11Then you clarified it.
20:12I clarified it 30 times.
20:13Then you clarified it.
20:14Well, put a lawyer and look at the size.
20:15Then you clarified it.
20:16Because you know what happens?
20:17I am very careful and I would never hurt a person.
20:20Well, you are hurting me.
20:22That's why I'm asking.
20:23Because you are saying,
20:24a journalist from Uruguay,
20:25tell me which journalist,
20:27or several journalists,
20:28or tell me who.
20:29But you know that we journalists
20:30do not have to reveal the sources.
20:32And then why do you have to believe that journalist and not me?
20:35No, it's just that I'm believing you.
20:37I'm not believing either one or the other.
20:38He's asking you, Waldo.
20:39He's asking you.
20:40No, no, no.
20:41One thing, wait, wait.
20:42He's asking you.
20:43No, no.
20:44To ask is ...
20:45You had ...
20:46No.
20:47Now, if you are already telling me,
20:48there is a journalist who says
20:49that you left Uruguay with debt
20:51and that you owe in school,
20:53you are not asking me.
20:54Álvaro.
20:55First you say it.
20:56No.
20:57And then you ask me.
20:58Álvaro, I told you that I put it in potential
20:59and I always clarified.
21:00It is what they say from there.
21:02What's more, when several times at the table ...
21:04It is what who says.
21:05Well.
21:06The school.
21:07No, I did not speak of school.
21:08I spoke of ...
21:09No, no, here they said the school.
21:10I do not speak of me.
21:12What I said was ...
21:13Let's not shoot you because if not ...
21:15What I said was ...
21:16Well, but I do not shoot.
21:17I tell you what they say.
21:18Álvaro, you are here and you can clarify it because ...
21:20Everything.
21:21It's your word.
21:22Why are you going to lie to us?
21:23You have to know what they say.
21:24Let's see.
21:25Do you think we are going to sit here and invent school?
21:28It is what comes.
21:29But what do you want?
21:30If they make it controversial ...
21:32And what's more, I clarified it.
21:33I said, he had nothing to do with ...
21:35I clarified it here.
21:36Look at the tapes.
21:37I said, Gaspar, I say, did not have to do ...
21:39Álvaro, did not have to do with getting him out of the air.
21:42That was a request from the channel.
21:44What Gaspar claims is that you got him out of the business,
21:47directly because what Gaspar expected was to stay as a producer.
21:49But listen to me.
21:50Well, what he says.
21:51It's okay.
21:52You clarified it.
21:53But what business am I going to get him out of?
21:55If they get him out of the channel.
21:57And what business are we talking about?
21:59I want to take him to court.
22:00Álvaro, no.
22:01But I don't want to take anyone to court.
22:03I don't care.
22:04Because in the networks that say that I went swimming,
22:07that I swam again, that is ...
22:09You know what can happen too, Álvaro?
22:11That many people may think or invent about things they don't know.
22:15But it happens to us all.
22:16Maybe he can tell you ...
22:17Maybe this man could have invented something or not.
22:20The truth is that he doesn't tell us.
22:21But it's great that you clarified it from your mouth.
22:23Now I want to ask you.
22:24How is Vanina seeing this distance from her sister?
22:27Because the truth is that Silvina was talking.
22:29We were all surprised because she was always,
22:31I love my sister, I love my sister.
22:33And overnight ...
22:35Now.
22:36That's why.
22:37I don't ...
22:38I hope the subject has been made clear.
22:40Yes.
22:41Yes.
22:42And another thing that I want ...
22:43Because if you had something to hide, you wouldn't be sitting here.
22:45And the truth is that I thank you for deciding to be here.
22:48Imagine if we had escaped from Uruguay.
22:50Yes.
22:51How do you come if we upload everything to the networks?
22:53No, I'm glad not.
22:54Because I worked with Silvina just when you were coming back.
22:57And she was 15, 20 days earlier, putting together the whole thing.
23:02She was happy.
23:03We were planning since November.
23:05Imagine that since November.
23:07In February we just moved.
23:09I stayed because I stayed until mid-year working in controversy in Uruguay.
23:13And then because of work issues.
23:15I started theater here, I'm doing theater.
23:17I moved to Mar del Plata.
23:18But Álvaro, what I ask you.
23:19Flor, we saw the girls together.
23:21Silvina and Vanina.
23:22Divine, loving.
23:23In a program.
23:24Wait, wait.
23:25In a TV show.
23:26Sorry, Laura.
23:27In Escape.
23:28Divine sisters as always.
23:29When was that?
23:30Seven months ago.
23:31Yes, but they lost.
23:32Well, they fought there.
23:33Was that the reason?
23:34No, that was not the reason.
23:35Well, no.
23:36Back to Flor.
23:37Well, it's good for me.
23:38Leave it to me.
23:39The issue of the sisters.
23:40Look.
23:41The issue of the sisters is a family issue.
23:42I can't talk about it either.
23:43about my daughter.
23:44And now the subject of them.
23:45They are going to fix it.
23:46Something happened with the mesh.
23:47Something.
23:48Something happened with the mesh.
23:49Something happened with the brand.
23:50They tried it on me.
23:51They didn't like it.
23:52No, because something happened with the brand.
23:53No, but I'm not going to talk about it.
23:54I had been telling them that they were doing something together.
23:55With the brand.
23:56They were the scuderos.
23:57Suddenly it became the scuderos, she alone with the mesh.
23:58The family issue of the sisters.
23:59Yes, and the problem is that they do not Craig McCrain.
24:00She's a tomboy, she's a tomboy.
24:01And I'm not going to talk.
24:02No.
24:03No.
24:04No, but I'm not going to talk about it.
24:05and suddenly it became La Escudero,
24:07she alone with the meshes and nothing else.
24:09The family issue of the sisters and the family issue,
24:13I'm not going to talk about it in the media because it doesn't correspond.
24:17Are you going to fix it?
24:18But of course, at some point I suppose they will be fixed.
24:21What are you doing for it to happen?
24:23Me?
24:24What are you doing for it to happen?
24:25I'm doing theater, I'm doing streaming and we're going to talk about money.
24:29Wait, deny the money then.
24:31Silvina denied me the $10,000, particularly.
24:34Look, I'm not going to talk about money between families.
24:37I'm not going to talk about the family issue because it doesn't correspond.
24:41Because they are sisters, because we can't talk about everything in the media.
24:47We have to keep something.
24:49But they are all public too, Álvaro.
24:50Yes, well, but neither.
24:52And Silvina decided to talk.
24:55Anyway, they made their story public and everything,
24:58that's why I think it's interesting.
24:59Anyway, it's surprising because they were like two tables.
25:02You shut up, Pablo.
25:03You shut up.
25:04I'm not going to talk, I'm not going to talk.
25:05I want to say something.
25:07The only one who calls me, always to say,
25:10is this true or the other?
25:12Pablo Layu.
25:13It's Layu.
25:14Very good.
25:15Pablo, I love him, so you tell me what you want, but I'm not going to answer.
25:18Well, I'm going to say what I want.
25:19Because you come here and attack us.
25:21But you at night, you understand?
25:23With your other partner there.
25:25With Tartu.
25:26With Tartu.
25:27They grab Sabrina, understand?
25:28And they don't leave her alone.
25:30They make her say everything.
25:31They make her say everything.
25:32They fill her head.
25:33And Sabrina told me she's in something.
25:35Is she dating?
25:36Ah.
25:37See?
25:38It's true, but wait.
25:39Is she dating?
25:40No.
25:41Don't lie to me.
25:42Don't listen to him.
25:43No.
25:44He threw him out of faith.
25:45He said, he never invited me to go out, Federico Barrio.
25:48Now he's alone.
25:49Now he's alone.
25:50But wait.
25:51He said, it's sexy how they speak English.
25:53But wait.
25:54You know what happens to me?
25:55Since I've been on the show at night,
25:58they don't stop calling me my friend.
26:00They tell me, how are you, Sabrina?
26:02Yesterday she was gorgeous.
26:04Because she dressed very dark.
26:06And the truth is that she looked very nice.
26:08It's a bomb.
26:09It's a bomb.
26:10But also, we work with Sabrina.
26:12She's tongue-tied.
26:13She talks about everything.
26:14Yes, yes.
26:15She's tremendous.
26:16She's healing me.
26:17She's healing.
26:18But it's what happens to me.
26:19Do you know what happens to me?
26:20That so many things are said.
26:22Injustice.
26:23Injustice.
26:24Most of the people who have worked with me
26:26know what I'm like.
26:27And it hurts when they say things that are not true.
26:29Obviously it hurts.
26:30But you also have to know where to stand.
26:33I can't fight with Denis.
26:35Do you understand?
26:36Yes, it's clear.
26:37What they say in Uruguay hurts me.
26:39What Gaspar says.
26:40Because he's a guy that I,
26:42despite everything,
26:43he's a guy with a talent,
26:45but he's not having a good time.
26:47Since there came a time when he's not having a good time.
26:50That was also told to me by Uruguayan journalists.
26:52I wish him, from the bottom of my heart.
26:54And the woman too.
26:55Yes.
26:56They're separated.
26:57But I have affection for him.
26:59And I wish he could go back to the page
27:01and start doing well.
27:03Because he's a talented,
27:04a fucking comedian,
27:06and a driver
27:07who deserves to be in the media.
27:09So I tell all the media in Uruguay,
27:11if they're so good
27:14and so supportive,
27:16give him work.
27:17Because he's a great driver.
27:19You know that everything changed.
27:21Everything changed.
27:22In Uruguay, in Argentina.
27:24I mean, television is going through a global crisis.
27:27Imagine that we all have to adapt.
27:29Yes, yes, yes.
27:30And I...
27:31So that the day we don't attack you only here,
27:34Mrs. Adriana wrote to tell you
27:37that she believes that you had to change.
27:41She almost begged you to change the days
27:44of the theater.
27:46You were in Uruguay working.
27:48I was making controversy.
27:49What can people see in the theater now?
27:51They can see me in Moliere.
27:52We'll be in Moliere until December.