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00:00A few days later
00:01The next day
00:04A few days later
00:09Oh, Yosuke-kun!
00:12The house is on fire!
00:15That's property.
00:17This isn't property yet.
00:19What if my dad was a go-karter?
00:21Yeah, he'd be a go-karter.
00:22He'd be a go-karter.
00:24He'd be a go-karter.
00:25He'd be a go-karter.
00:27He'd be a go-karter.
00:29That's right.
00:31I wanted to build a normal house.
00:32That was my biggest dream.
00:38I messed up my life.
00:41Not just me.
00:42My mom and my brother
00:45all died because of me.
00:47I don't want to think
00:51that the cause of all this
00:55is garbage like this.
00:58It's part of the story, isn't it?
01:06In April of this year,
01:08in Matsushiro Town, Nagano Prefecture,
01:10there was a house on fire.
01:16The problem was that
01:17a body was found
01:20in the blazing flames.
01:24And that person was...
01:29A painter named Koji Ochiai,
01:33who was once a guest of the Spanish Gallery.
01:40On February 9th of this year,
01:42the Madrid City Academy of Fine Arts
01:46selected 150 contemporary Spanish painters
01:50and published their first work.
01:52That's a big deal, isn't it?
01:54Yes.
01:55I'm glad that
01:57they selected
01:59Miro, Tapiez, and Picasso.
02:07The series of works known as
02:09Water Mirror and Wind Mirror,
02:13which are known as a masterpiece,
02:18are a reflection of their true nature.
02:22The father's death was announced,
02:25and Ochiai Yosuke Gifure,
02:27the eldest son,
02:28rushed to Nagano from Tokyo.
02:34I got a call from the police.
02:38The autopsy was done yesterday,
02:40and the DNA test results
02:42were confirmed to be his.
02:45I don't know much about him.
02:49I don't know much about him.
02:53We hardly lived together.
02:56Even when I got a call,
02:58I ignored it
03:01because I didn't want to waste my money.
03:08Here we are.
03:12It's a pre-burning,
03:14or a half-burning,
03:16or a pre-burning,
03:18as it's called in this area.
03:20We took a detour.
03:22This is the place
03:24where the fire started.
03:26My father was just
03:28right here.
03:30He was right in front of me.
03:32The window was just barely open.
03:34He was just looking at me.
03:36He was looking at me.
03:38He was just looking at me.
03:40He was looking at me.
03:42He was just looking at me.
03:44I found him there.
03:46I found him there.
03:48He was leaning on his head.
03:50He was leaning on his head.
03:52I explained to the police
03:54that the pillar here
03:56is not straight.
03:58This part is leaning.
04:00This part is leaning.
04:02So this is the area
04:04where the fire started.
04:06So this is the area
04:08I love wine, so there are people who give me wine.
04:17Koji Ochiai.
04:19He loves wine and women.
04:22He devoted himself to art more than his family.
04:29His eldest son, Gifure, has not been in contact with his father for the past two years.
04:35When his father passed away, he was suddenly chased to the end of the year.
04:49About a week after the fire, the police took his body.
04:54This is the end of the funeral procession.
05:04We are going to have a funeral at Daieji Temple in Machilu.
05:11150 painters representing Spain were chosen.
05:22The number of visitors to the temple was less than 10.
05:27His father's studio was in the back of the burnt house.
05:47There were many works that could not be disposed of.
06:17This is a piece of trash.
06:26This may be...
06:31This may be...
06:33Does your father have a soul like this?
06:36This is a picture of a funeral.
06:45I've only seen this picture when I was a kid.
06:49This is rare, but it may have been thrown away.
06:57He must have spent a lot of time at home.
07:00He must have challenged himself to the world.
07:05He wanted to paint a world where he was in trouble.
07:11There's a lot of cigarettes here.
07:15He smoked and threw them away.
07:20This is wine.
07:22I was not surprised at all.
07:27This is a window mirror.
07:29His father must have been evaluated by the government at this time.
07:37There is a hole here.
07:42I have to be careful not to break the floor.
07:48I don't know when the floor will break.
07:54This is a terrible place.
07:59I don't know what this is.
08:02If this is put in the attic, is it a property?
08:06Is this still a property?
08:09I don't think anyone can judge.
08:14He went to the atelier three times.
08:22This is a place of memories left in his childhood.
08:28There is an old photo surrounded by friends who visit his father.
08:38The attic was his father's bed.
08:47This is a bedroom.
08:51This is not a bedroom.
08:55I have to take this with me.
09:00There is a photo of the Meiji era.
09:05I don't know who this is.
09:10This is the most painful.
09:15If you don't have money, you draw a picture of your heart.
09:19You must have a collaborator.
09:22Who drew this?
09:23It's me.
09:25This is my father's handwriting.
09:29He must have had a hard time.
09:32He must have been angry.
09:35This is not good.
09:40He was the kind of person who wrote down everything.
09:45In the diary he found,
09:49Until recently, until five years ago,
09:53I sold a Japanese sword for 20,000 yen.
09:56I paid 50,000 yen to buy it back.
09:58I sold it and regretted it.
10:01I've been drinking wine since morning.
10:04If I had money, I would have used it.
10:06When I saved money, it was about 2.8 million yen.
10:09I used it all up.
10:11I see.
10:13What is he doing?
10:17I think it's a candidate to give me money.
10:24Mr. Sakurai and Mr. Shima are there.
10:27I think I bought it.
10:30There was also a will on the wall.
10:35The work was to leave what Yosuke and the others liked,
10:39and then get it disposed of in a convenience store.
10:45However, at the same time,
10:49he left a debt of about 15 million yen.
10:55If he were to inherit the rest of the paintings,
10:58he would have to inherit this debt as well.
11:05On the contrary, if he were to give up his inheritance,
11:08he would have to give up all these paintings as well.
11:15Because of his troubled decision,
11:20his family is in a mess.
11:26It's like a mirror.
11:30I can't get over it easily.
11:33People who don't care may not care.
11:37I don't know how hard it was for him.
11:41Thanks to my life,
11:45I've been thinking about how important ordinary life is.
11:50So I wanted to build a normal family.
11:52This has been my biggest dream since I was a kid.
11:56As a passing example, I want to say goodbye.
12:00Maybe.
12:03It's not that I want money.
12:08I think it's because my life is extraordinary.
12:20Yosuke Ochiai Gifure.
12:22His occupation is a TV director.
12:25He is a passionate Japanese,
12:27but we call him Gifure out of friendship.
12:33Gifure's father, Kouji,
12:37was so strange that he painted his face black
12:40in his middle school graduation photo.
12:48When he was 20 years old,
12:50he moved to Barcelona Art School in Spain.
12:57He married Shigeko, the daughter of a famous family,
13:01and moved to Spain.
13:05Yosuke Gifure was born in Spain.
13:09He was named Gifure by the great king of Spain.
13:16However, the birth of Gifure caused a rift between the couple.
13:24His mother wanted to raise him in Japan,
13:27so she came back to Japan.
13:33The next year, his younger brother, Satoshi, was born.
13:38In his diary, his father wrote
13:41the words and his determination to separate from his wife.
13:47What are you doing?
13:49I'm doing my best on my own.
13:52What are you doing?
13:54What are you drawing?
13:58You should really end this.
14:04After his return,
14:06his mother, Gifure, and his younger brother
14:09lived in a small house in the same neighborhood.
14:17The next day, Yosuke and his mother returned to their house.
14:29What's wrong?
14:31I think I had a bad dream.
14:33Oh, really?
14:35When I woke up, I was already drunk.
14:38I was sleeping in the next room.
14:41When my father came,
14:43I think I heard the sound of glass breaking
14:46when I had a fight with my mother.
14:53Gifure and his younger brother
14:56were trying to keep their parents away from each other.
15:01However, painful memories were waiting for them.
15:10Wow, this guy has a lot of blind spots.
15:16I think he got the biggest one in Nagano.
15:20I think he got the biggest one in Nagano.
15:23I think he got the biggest one in Nagano.
15:26I think he got the biggest one in Nagano.
15:29I think he got the biggest one in Nagano.
15:32When I visited his factory,
15:34I saw the machine moving.
15:37I saw the machine moving.
15:40I was very impressed and fell in love with the machine.
15:44I did everything for this machine.
15:47I wanted to keep working without dying, so I died.
15:51That's amazing.
15:54He was alive.
16:00However, it had been two years since he became a member of society.
16:04His younger brother died at the age of 20.
16:11His mother was also 65 years old and lonely.
16:15She was found after more than a month after her death.
16:23In his father's diary,
16:25it was written that his younger brother, Satoshi,
16:30and his wife, Shigeko, had died.
16:35The more I know about my father,
16:38the more I realize that our family was really divided.
16:41The truth is becoming more and more obvious.
16:50His father's art that separated his family.
16:56I'm tired.
16:58Two years ago, Gifure was persuaded by a member of society
17:01to visit his father.
17:15The atelier he saw at that time was a garbage house.
17:25Hello.
17:27As a painter who returned to Spain,
17:30there was no sign of his glory.
17:37I bought it.
17:39This is the largest one.
17:41It's the largest one.
17:42I can hardly hear.
17:43Your ears are bad.
17:44My ears are weird.
17:46It's bad.
17:47I bought some food.
17:53What is this?
17:54What is this?
17:55Wine.
17:56Brandy?
17:57Wine.
17:58Casserole Diablo.
17:59Yes.
18:00Reserva.
18:01It's expensive.
18:02It's cheap.
18:03What?
18:04About 500 yen.
18:05Can I have a piece of bread?
18:07It's for dinner.
18:08Yes, I have it.
18:10It's in there.
18:11I bought a warm one.
18:12With this?
18:13Yes.
18:14You can eat a lot.
18:20See you.
18:22Bye-bye.
18:24The water is good over there.
18:26Yes.
18:28I was surprised.
18:29Yes.
18:30See you.
18:31See you.
18:32Yes.
18:33Bye-bye.
18:34Bye.
18:38Giffre was concerned about his bad father.
18:41He even renovated the next-door house.
18:45But he was always complaining about his father.
18:49Since then, Giffre has completely distanced himself from his father.
18:55That's why Giffre doesn't know his father at all.
19:01He started visiting his father's acquaintances around this time.
19:09Hello.
19:10Welcome.
19:11Are you Mr. Iwasaki?
19:12Yes, I am.
19:13Mr. Iwasaki.
19:14This way, please.
19:16You haven't drawn recently?
19:18No, I haven't.
19:19You painted a big canvas last year, didn't you?
19:21Yes, I did.
19:22I was told by a customer that I was painting.
19:26So I started drawing.
19:28Where did you draw?
19:29I drew in front of my house.
19:33You drew outside, didn't you?
19:34Yes, I did.
19:35Did you?
19:36Yes, I did.
19:37He loved to draw from the bottom of his heart.
19:39He was a passionate painter.
19:44He was smart.
19:45Was he smart?
19:46He was smart.
19:49He started to have back pain.
19:53He came here by a motorbike.
19:57He came here?
19:58Yes.
19:59It's quite far, isn't it?
20:00It took three hours.
20:05He was a very good businessman.
20:09He was a good businessman.
20:10I see.
20:12I have a lot of debt.
20:14You don't have that in the west.
20:17He keeps in touch with me before he dies.
20:22He kept in touch with me before he died.
20:28They keep in touch?
20:30Yes.
20:31First, he leaves a message.
20:32Then, he goes to the gallery.
20:36Does he want to do something?
20:37He doesn't hear my voice on the phone.
20:40He can't hear you.
20:41That's why he sends in messages.
20:43Then I got a call from Mr. Ochiai.
20:46He told me how things were going.
20:48He told me that he knew what was going to happen next year.
20:52And that was the end of it.
20:54That was two days ago, right?
20:55Yes.
20:56How was your voice?
20:58It was the same as always.
20:59The electricity?
21:00Yes.
21:03What was the letter that his father was sending?
21:08Look.
21:10I've never seen this before.
21:13That's Mr. Ochiai's painting.
21:15Oh, but it says Civil Hospital inside.
21:17Yes.
21:18This is cool. I've never seen anything like this.
21:21I don't know what's inside.
21:23That's Mr. Ochiai's.
21:27Is there a work of his that he doesn't know about at the hospital where he was cremated?
21:33If he was cremated, then his father must have had a painting.
21:37Yes.
21:45Oh, is this it?
21:47Oh, it's just a normal painting.
21:53Yes, it is.
21:54What a magnificent work.
21:59This is amazing.
22:00It's huge.
22:03It was the face of Mr. Ochiai's father that Giffure didn't know about.
22:17The next place we visited was...
22:19It's around there.
22:25It's the grave of Mr. Ochiai's father, who was buried there.
22:30His father is in training now.
22:35I don't know what he's doing.
22:39His father was also very helpful to this temple.
22:44At the end of the funeral, there was a meal with a big fight.
22:53I heard that he had a big fight with his father once.
22:57With me?
22:58Yes.
22:59It wasn't a fight.
23:00I was in trouble with money.
23:04So I got a little fired up and said,
23:08do whatever it takes to get the money.
23:12I still remember that.
23:14I did a lot of things.
23:19And I wasn't there.
23:22I brought a Japanese sword.
23:25You brought a Japanese sword.
23:28At first, I was in a gallery in 1982.
23:38There were a lot of fans.
23:43Gradually, there were no more people like that.
23:47My works stopped selling.
23:50I was in trouble.
23:53I think it was about 10 years ago.
23:59How many years has it been?
24:04This is the first picture I took.
24:07Is this a water mirror?
24:09I think it's a water mirror.
24:13I think it's a water mirror.
24:15This is probably a wind mirror.
24:18I don't know anything about that.
24:20This is the upper part.
24:22What about this?
24:24I don't think it's good.
24:27Is it good?
24:28I don't know.
24:32It's a little different.
24:37But the base is different.
24:42If the chest is here and the crotch is here,
24:45it's completely different.
24:48He kindly lent me his base in Nagano.
24:56I got a house.
25:02It's a break room for Dankasan.
25:10No one's using it anymore, so I can stay here.
25:14This is where I slept last night.
25:17I see.
25:18The window didn't close.
25:20It was so cold that I thought I was going to die.
25:22You left it open.
25:27It's not just a bed.
25:30This is the lab.
25:33I'm going to use it as a lab.
25:36I haven't read everything yet.
25:40If his father, who was a nobleman,
25:43looks through the vast amount of documents left in the atelier,
25:46he may be able to see a new development.
25:52A heavy debt of 15 million yen.
25:56If this can be done,
25:58he will be able to inherit his father's fortune
26:01and sell his paintings.
26:04We visited the lawyer's office,
26:06where his father also consulted.
26:10Hello.
26:11Excuse me.
26:12Yes?
26:13What did you get?
26:15A contract.
26:16A contract?
26:17Wakayama.
26:18Wakayama?
26:19Yes.
26:20Wakayama.
26:21I see.
26:24Originally, the debt was not due for more than five years,
26:28and if there were no signs of debt,
26:31and if there were no loans,
26:33the payment would have been successful.
26:36That's what we hoped.
26:41It's been three years.
26:43It's been paid.
26:44Six times a year.
26:46That means it's been paid off.
26:49Yes.
26:50The payment is impossible.
26:52The payment is impossible.
26:54Three years.
26:56The payment was 30,000 yen.
26:58It was 32,000 yen.
27:0032,000 yen?
27:02It's twice that of 16,000 yen.
27:04It's been paid for two months.
27:06That's right.
27:07It's twice that of 16,000 yen.
27:09Yes.
27:12Does that mean we can move on to the next phase?
27:15That's right.
27:16We have no choice but to do that.
27:18There's no other way, right?
27:21Giffre's emotions exploded
27:24in a situation where he couldn't do anything.
27:29Everything I've been through
27:35is nothing in this world.
27:37I don't know.
27:46I don't know what it means to be human.
27:53I don't know what it means to have a family.
27:56I don't know.
28:07I don't know.
28:13I don't know.
28:23What should I do, Dad?
28:29Hello.
28:30How are you?
28:31Koichi visits someone who knows his father.
28:35He realizes how much trouble he's caused in this town.
28:41I've known him for over 20 years.
28:45We've been dating since then.
28:47We've been through a lot together.
28:50We've talked about a lot of things.
28:53What kind of things?
28:54We got drunk and hit each other in the car.
28:58We were arrested by the police.
29:01He kept complaining until the end.
29:05I don't know what happened after that.
29:08He said he wanted to bring me home.
29:12When he brought me home,
29:14I was drunk.
29:16I fell down and hit my head in the car.
29:21The person who brought you home?
29:23Yes.
29:25While many bars were closed,
29:29Jubei was the only one who let us drink.
29:33I'm Banzai.
29:34Banzai?
29:35I'm Banzai.
29:36I don't have a seat.
29:37Oh, really?
29:38Oh, Mr. Ochiai?
29:39Yes.
29:40Hello.
29:41Mr. Shoji?
29:42Yes.
29:43I heard you've been through a lot.
29:45Yes.
29:46I read your diary.
29:49Yes.
29:51It's really...
29:56I've sold a lot of things.
29:58Really?
29:59I sold 11 copies in Hiroshima.
30:01What?
30:02Yes.
30:03That many?
30:04There are so many stories.
30:07I don't know what to say.
30:13Mr. Shoji's wife took care of his father until the end.
30:18She was from Tokyo.
30:24They made a set meal for their father, who came without money,
30:29and served it to him.
30:36I don't know if I can pay for it,
30:39but I can't break it because it's a set meal.
30:41It's growing.
30:43It's really growing.
30:45I can't forgive it if it's that bad.
30:47If I start reading at this point,
30:50I'll call my wife, who is a bit sexy,
30:53and tell her to come over for a meal.
30:56I don't know how many years I'll have to pay for it,
30:59but I'll have a meal anyway.
31:01It's really growing.
31:05Mr. Shoji invited Gifure to his house,
31:08while he was complaining.
31:12It was fun.
31:13I brought a goat.
31:14A goat?
31:15A bokeh?
31:16I brought a bokeh goat.
31:19If I ate the goat in front of the restaurant,
31:23when I got home,
31:25my wife's garden would be eaten.
31:29That's what happened.
31:31It's a nice place.
31:35I love this kind of thing.
31:38Despite his complaints,
31:40the couple seemed to love their father.
31:44Excuse me.
31:45Yes, come in.
31:47It's a nice house.
31:51It's like a ninja house.
31:53It's interesting.
31:56What was displayed in the house was...
32:02This is a jewelry store called Hiroshima Ambers.
32:08I asked him to buy a piece of this size.
32:17I don't know what it is,
32:19but he said,
32:20I'll sell it to you.
32:22To be honest,
32:24I know my teacher,
32:26but I don't like this kind of thing.
32:29Let's toast to my father.
32:33At the beginning of the meal,
32:35they couldn't stop talking about their father.
32:39I said,
32:40I made stew.
32:41Let's eat stew today.
32:43He said,
32:44I'll be angry if you cut French bread.
32:46I said,
32:47Where is the French bread?
32:49He said,
32:50Let's dig it up and break it.
32:52He's a pain in the ass.
32:54I'm going to say something weird.
32:57I'm not a fan of your artistic side.
33:04This is the truth.
33:05I know.
33:06That's why I don't know if we were good friends.
33:10It's amazing that Koji Ochiai thought he was Gokho.
33:14Gokho?
33:15It's amazing that your father thought he was Gokho.
33:18He's more of a good boy than Gokho.
33:20He always says,
33:21I'm Gokho, I'm Gokho.
33:23He's an idiot.
33:25Your father is hated by everyone,
33:30but between me and him,
33:32he was a good guy.
33:34There was a story.
33:36On my birthday,
33:38champagne,
33:39I don't know why,
33:40but it was written in Spanish.
33:43I asked,
33:44What does it say?
33:45Koji Ochiai is a Spanish person.
33:49His feelings are different from Japanese people.
33:53He's not Japanese.
33:55I really think so.
33:57It's so sad that I feel sorry for him.
34:02Ai-chan.
34:03Ai-chan.
34:04Yes.
34:05Give me a little more.
34:07What?
34:08What?
34:09Yes.
34:10What?
34:11Bring it to me.
34:12Let's drink something.
34:13Let's drink soju.
34:14Soju.
34:19Good morning.
34:20Good morning.
34:21Good morning.
34:22The reason why Gifure,
34:24who is either a Sōzoku or a Sōzoku-hōki,
34:27relied on him was...
34:28When did you get to know your father?
34:32When he came back to Japan...
34:37Hitoshi Kimura was an artist himself
34:40and was also a professor at a university.
34:44But his father also relied on him.
34:48The katana in the katami
34:50has a broken blade.
34:52He asked me if I wanted to buy it.
34:55I said no.
34:57He said he'd buy it for about 300,000 yen.
35:01The blade is broken.
35:03It's all worn out.
35:06So I bought it for 300,000 yen.
35:10Mr. Kimura says he often comes to this atelier to play.
35:16I'm glad I didn't burn this part.
35:23When you're a Sōzoku-hōki,
35:25you can't touch everything.
35:28I don't know what to do.
35:33Do you have any suggestions?
35:35First of all,
35:39I want to draw a plan.
35:42I want to record everything I see.
35:51As a Sōzoku-hōki,
35:53you're in a position like Mr. Kimura.
35:56Are you okay?
35:58I forgot to tell you.
36:00There's a hole here.
36:02I'll get it out.
36:04Wait a minute.
36:06I'll get it out.
36:12It's a canvas.
36:16Okay.
36:17I'm sorry.
36:20This is one point.
36:24I think this is garbage.
36:26No, this is important.
36:31This is for collectors.
36:33That's right.
36:35This is a very early work.
36:37This is a very early work.
36:40It makes me drool.
36:42But there's no collector.
36:44That's right.
36:46It's important to think about the future.
36:49That's right.
36:51There's no proper market in Japan.
36:55If the financial business is active,
36:58the art industry will be active.
37:01They'll be distributed to the art market.
37:04This is probably 20 or 30 years ago.
37:07You should have it by then.
37:11Mr. Kimura says,
37:13one day, people will want it,
37:16so keep it until then.
37:19Excuse me.
37:21This is...
37:23I'm sorry.
37:38I don't want to throw this away.
37:41From your point of view,
37:43do you still think that
37:46Hochiai-Goji is a work of art?
37:51Yes, I do.
37:53That's for sure.
37:55I think it has awakened in Europe and Japan.
37:59As you said,
38:02it has brought a new sense of art to Japan.
38:08I think it deserves to be appreciated.
38:11Even if it's just a lie.
38:13It's just a lie.
38:15It's a business.
38:17It's a lie.
38:19It's a lie.
38:21It's a lie.
38:23It's a lie.
38:27He's been pushed back by such words.
38:30My father is Hochiai-Goji.
38:33It's not a well-known name,
38:36but it's a work of art by 150 Spanish artists.
38:42It's probably a work of art that has left its mark in Spain,
38:47but my father suggested that we should consult with them.
38:53They went to the world's largest auction company.
38:58What happened?
39:04They went to the world's largest auction company,
39:08but Gifure's face didn't change.
39:16Is there a way to make money right now?
39:22For example,
39:24I thought it was possible to get a promotion from an auction company
39:29and make money abroad,
39:32but not everyone can do that.
39:37It's been about two months since my father's death.
39:40The more I look into it,
39:42the more I can't see how to make money.
39:48If I give up, I'll give up.
39:50If I give up, I'll be able to make a lot of money.
39:58It's better to forget about giving up.
40:03You're going to give up?
40:05Yes, I'm going to give up.
40:11I'm going to sell my house.
40:15There are people who want to use that house.
40:20They want to use it as an atelier.
40:23Then they'll get a rent.
40:25There are many different patterns.
40:30If you meet them...
40:33You might want to ask a real estate agent.
40:38Hello, I'm sorry.
40:41I'm sorry, I'm looking at Akiya Bank.
40:46If you have time, I'd like to take a look at it.
40:51I'd appreciate it if you could talk to me about it.
40:55If he could just take a look at it,
40:58things would go smoothly so far.
41:04Excuse me.
41:06I'm a painter.
41:08Is that so?
41:10This is an atelier.
41:12I'd like to ask you if I can rent this house.
41:19It's more of an atelier than a house.
41:24The house is on the third floor.
41:27I haven't done much, either.
41:30It's more of a house than an atelier.
41:34Yes, that's right.
41:36I'd like to see the Nagano newspaper, too.
41:41The two real estate agents are puzzled by the situation.
41:51Above them...
41:53There's a hole there, so be careful.
41:58But Gifure is alone.
42:02This is the house of one of Spain's 150 painters.
42:07That's right.
42:09In Spain, it's called Picasso.
42:14It's a very old house.
42:17How did you fix it?
42:19That's right.
42:21I think it's a very unique building.
42:27I don't think many people would want to buy it.
42:33That's right.
42:35Do you think it's better to sell it?
42:40I don't think so.
42:45I think it's difficult to sell it at a high price.
42:52If you lend it, it's your responsibility.
42:57For example, you have to repair the structure of the rain forest.
43:05I don't know if it's because of the atmosphere, but...
43:10The rent for a new apartment is about 70,000 yen for two rooms.
43:22For example, there is a place where the roof is already rain-proof.
43:26If you fix it, it will cost you 700,000 yen.
43:30I don't know what I'm doing.
43:35I don't know what I'm doing.
43:40I'm sorry to say this, but...
43:43I've been abandoned.
43:45That's right.
43:48He finally made it clear.
43:54Everyone thinks it's okay to give up.
43:58That's what I think.
44:01I'm sorry.
44:03I'm going to be told by the real estate agency.
44:08But again, many encounters shake Gifure's heart.
44:15Harada-san, I'm Otsurai.
44:17I'm so happy today.
44:20I'm going to get a divorce.
44:22Oh, really?
44:23That's what happened.
44:24The return fee was your birth fee.
44:28I thought it was my mother.
44:32If I did it right, it would be a completely different life.
44:37This is a picture of the family.
44:42This is a picture of the family.
44:45This is the first picture of four people.
44:50I'm going to get a divorce.