ザ・ノンフィクション 2024年11月17日炎の中で死んだ父を僕は知らない1～遺された絵画と借金と～
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00A few days later
00:01The next day
00:04A few days later
00:09Oh, Yosuke-kun!
00:12The house is on fire!
00:15That's property.
00:17This isn't property yet.
00:19What if my dad was a go-karter?
00:21Yeah, he'd be a go-karter.
00:22He'd be a go-karter.
00:24He'd be a go-karter.
00:25He'd be a go-karter.
00:27He'd be a go-karter.
00:29That's right.
00:31I wanted to build a normal house.
00:32That was my biggest dream.
00:38I messed up my life.
00:41Not just me.
00:42My mom and my brother
00:45all died because of me.
00:47I don't want to think
00:51that the cause of all this
00:55is garbage like this.
00:58It's part of the story, isn't it?
01:06In April of this year,
01:08in Matsushiro Town, Nagano Prefecture,
01:10there was a house on fire.
01:16The problem was that
01:17a body was found
01:20in the blazing flames.
01:24And that person was...
01:29A painter named Koji Ochiai,
01:33who was once a guest of the Spanish Gallery.
01:40On February 9th of this year,
01:42the Madrid City Academy of Fine Arts
01:46selected 150 contemporary Spanish painters
01:50and published their first work.
01:52That's a big deal, isn't it?
01:54Yes.
01:55I'm glad that
01:58the Academy chose
02:00such great painters
02:02like Miro, Tapiece, and Picasso.
02:07The series of works known as
02:09Water Mirror and Wind Mirror,
02:13which are known as the masterpieces of nature,
02:18are a reflection of their own true nature.
02:22The father's death was announced,
02:24and Ochiai Yosuke Gifure,
02:27the eldest son,
02:28rushed to Nagano from Tokyo.
02:33The police contacted me.
02:37The autopsy was done yesterday.
02:40I was told that the DNA test results
02:43were true.
02:45I didn't know much about him.
02:49I didn't know much about him.
02:53We hardly lived together.
02:56Even when I got a phone call,
02:58I ignored it.
03:01I ignored his phone calls.
03:08Here we are.
03:11It's a natural disaster.
03:17It's a natural disaster.
03:21We went around and
03:25this is where the fire started.
03:31My father was right here.
03:35He was right in front of me.
03:39He was found at the edge of the window.
03:43He was found at the edge of the window.
03:45I explained it to the supervisor.
03:49The pillar is up here,
03:51but it's down here.
03:53The pillar is up here,
03:55but it's down here.
03:57This is where the fire started.
04:01This is where the fire started.
04:05This is where the fire started.
04:11My father loved wine.
04:13My father loved wine.
04:15My father loved wine.
04:17Koji Ochiai.
04:19He loved wine and women.
04:21He loved wine and women.
04:23He devoted himself to art more than his family.
04:29He hasn't contacted his father
04:31for the past two years.
04:33This is his son, Gifure.
04:35When his father passed away,
04:37he was suddenly chased to the end of the year.
04:49About a week after the fire,
04:51the police took over his body.
04:55It's a bit dark.
05:01You can see the edge of the tree.
05:03Yes.
05:05The funeral is over.
05:07We're going to the Matsuru Daieji.
05:17The artist who represented Spain
05:19was chosen by 150 people.
05:21It's a different story from the past.
05:23The funeral was a lonely one
05:25with only 10 people.
05:33And above all,
05:35Gifure, his eldest son, was the one
05:37who was troubled.
05:43This was his father's studio
05:45in the back of the burnt house.
05:47This was his father's studio in the back of the burnt house.
05:51Excuse me.
05:55There were many works
05:57that he didn't know
05:59how to dispose of.
06:03This is...
06:07I don't know
06:09how to dispose of it.
06:11I see.
06:15I don't think I can use this.
06:17I don't think I can use this.
06:21I don't think I can.
06:23It's like trash.
06:25I don't think I can use this.
06:31I don't think I can.
06:33Does your father have eyes
06:35or a soul like this?
06:37Yes, he had eyes.
06:39This is a scene
06:41where he cuts off
06:43a part of the wind.
06:45I've only seen this scene
06:47when I was a kid.
06:49This is rare,
06:51but I think this was a trash.
06:57He's hiding this.
06:59He was challenging himself
07:01to the world
07:03with all his might.
07:05He wanted to draw
07:07a world with all his might.
07:11Wow.
07:13Cigarettes.
07:15He smokes cigarettes
07:17and throws them
07:19under his bed.
07:21He smokes cigarettes and throws them
07:23under his bed.
07:27This is a window mirror.
07:29I think my father was
07:31appreciated by the world
07:33at this time.
07:37I can make a hole here.
07:39I can make a hole here.
07:41I can make a hole here.
07:43I have to be careful.
07:47I don't know
07:49when the floor will come off.
07:53This is a terrible place.
07:59I don't know what this is.
08:01I don't know what this is.
08:03If I put this in the closet,
08:05I don't know if this is a property.
08:07I don't know if this is a property.
08:09I don't know if this is a property.
08:13He went to the atelier three times.
08:21This is a place
08:23that he remembers
08:25from his childhood.
08:27There are old photos
08:29of his friends
08:31who visit his father.
08:35He is,
08:37he is
08:39a father's bed.
08:41He is,
08:43he is
08:45a father's bed.
08:47There's a bedroom here.
08:49Bedroom.
08:51This is not a bedroom.
08:55This is also a property.
08:57I have to take this with me.
08:59There's a picture
09:01like a property.
09:03Wow, it's true.
09:05I don't know who this is.
09:09This is the most painful.
09:12It's a good feeling.
09:15You're a popular guy.
09:17If you don't have money, draw a picture of your heart.
09:19A picture of my heart?
09:20You're a poor guy.
09:21You must have a partner.
09:22Who drew this?
09:23It's me.
09:24Absolutely.
09:25It's my father's handwriting.
09:26Oh, I see.
09:29It must have been hard.
09:30It must have been hard for him to have no money.
09:35This is not good.
09:41Anyway, he was a person who wrote down everything.
09:45In the diary he found,
09:49Until recently, until 5 years ago,
09:53I sold a Japanese sword for 20,000 yen.
09:56I paid 50,000 yen to buy it back.
09:58I sold it and regretted it.
10:01I've been drinking wine since morning.
10:04If I had money, I would have used it.
10:06After saving money for a while, it was about 2.8 million yen.
10:09I used it all up.
10:11I see.
10:13What is he doing?
10:18Personal finance cooperation?
10:20Give me money?
10:23I think it's a candidate.
10:24There are Sakurai and Shima.
10:26I feel a little.
10:30There was also a will on the wall.
10:34The work was to leave what Yosuke and the others liked,
10:38and then get it disposed of at the convenience store.
10:45However, at the same time,
10:48it was a debt of about 15 million yen.
10:52If I were to inherit the remaining paintings,
10:55I would have to inherit this debt as well.
11:02On the contrary, if I were to give up the inheritance,
11:05I would have to let go of all these paintings as well.
11:12To make that troublesome decision,
11:15Yosuke decided to give up the paintings.
11:20Because of this painting,
11:22my family is in a mess.
11:25It's like a mirror.
11:29I can't get over it easily.
11:33People who don't care may not think so.
11:37I don't know how hard it was for me.
11:41Because I lived such a life,
11:44I kept thinking about how normal life is important.
11:50I wanted to build a normal family.
11:52This was my biggest dream since I was a child.
11:56I want to say goodbye to my family.
12:03I don't want money.
12:08I think my life was abnormal.
12:14Three.
12:20Yosuke Ochiai Gifure.
12:22His occupation is a TV director.
12:25He is a passionate Japanese,
12:27but we call him Gifure out of friendship.
12:34Gifure's father, Koji,
12:37was so strange that he painted his face black
12:40when he was 20 years old.
12:49When he was 20 years old,
12:51he moved to Barcelona Art School in Spain.
12:57He married Shigeko, a famous painter,
13:00and lived in Spain.
13:05Yosuke Gifure was born in Spain.
13:08He was named Gifure by the name of the great king.
13:16However, the birth of Gifure caused a rift between the couple.
13:24He returned to Japan with the hope of raising a child in Japan.
13:33The next year, his younger brother, Satoshi, was born.
13:37In his diary at the time,
13:39his father wrote words from his wife,
13:42as well as a farewell letter.
13:50I'm doing a lot of things on my own,
13:53but what are you doing painting?
14:00You should really end this.
14:04After he returned to Japan,
14:06his mother, Gifure, and his younger brother
14:09lived in a small house in the same neighborhood.
14:13It was a small open-air pub.
14:36When I came here, I was already drunk.
14:39I was sleeping in the next room,
14:42and when my father came,
14:44he started fighting with my mother.
14:47I think I heard the sound of the glass breaking.
14:54Gifure and his younger brother
14:56were listening to their parents' quarrels.
15:10However, painful memories were waiting for him.
15:20Wow, this guy has a lot of blind spots.
15:26I think this is the biggest one in Nagano.
15:29When I was inspecting the factory,
15:32I saw a car in a moving machine.
15:35I was so moved by the machine
15:38that I fell in love with it.
15:41I wanted to do anything for this machine,
15:44and I wanted to keep working,
15:47so I gave up my job.
15:51Wow.
15:54He was still alive.
16:00However, it was his second year as a member of society.
16:04His younger brother died at the age of 20.
16:11His mother was also 65 years old and lonely.
16:15She was discovered
16:17more than a month after his death.
16:23His father's diary was filled with
16:26the death of his stepbrother Satoshi
16:29and his wife Shigeko.
16:35The more I know about my father,
16:38the more I realize that we were really separated.
16:41It's becoming a reality.
16:50His father's art tore apart his family.
17:00Two years ago, Gifure was persuaded by a member of society
17:03to visit his father.
17:17The atelier he saw at the time
17:20was literally a garbage dump.
17:27As a painter returning from Spain,
17:30there was no sign of him
17:33shining brightly,
17:35for better or for worse.
17:37Here we are.
17:39This is the biggest one.
17:41I can barely hear.
17:43Your hearing is bad.
17:45Yes, my hearing is bad.
17:47I brought some food.
17:51Thank you, thank you.
17:53What is this?
17:55Wine.
17:57It's a wine.
17:59It's expensive.
18:01It's cheap.
18:03About 500 yen.
18:05Can I have some bread?
18:07It's for dinner.
18:09I have some.
18:11I bought some warm bread.
18:13You can eat a lot.
18:19See you.
18:21Bye-bye.
18:23The water is good over there.
18:25Yes.
18:27I'm surprised.
18:29See you.
18:31See you.
18:33Bye-bye.
18:38Gifure felt sorry for his father.
18:41He even renovated the apartment next door.
18:45But his father was always complaining.
18:49From that moment on,
18:51he was completely estranged from his father.
18:55That's why Gifure didn't know
18:57what happened to his father.
19:02He started visiting his father
19:04around this time.
19:09Hello.
19:11Mr. Iwasaki.
19:13Mr. Iwasaki.
19:15It's a pleasure to meet you.
19:17You didn't draw last year?
19:19No, I didn't.
19:21I had a canvas last year.
19:23I was told by a customer
19:25that I was supposed to draw.
19:27So I drew.
19:29Where did you draw?
19:31In front of my house.
19:33You drew outside, didn't you?
19:35I see.
19:37He loved to draw.
19:39He loved to draw.
19:43He was smart.
19:45Was he smart?
19:47Yes, he was.
19:50After my back got worse,
19:53I came here by electric bike.
19:57You came here?
19:59It's quite far, isn't it?
20:01It took me three hours.
20:03I see.
20:05The apartment was very clean.
20:09Compared to our apartment.
20:11I see.
20:13I left my phone here.
20:15You can't find it in the house.
20:17He got a call
20:19before he died.
20:21What?
20:23He wanted to be caught.
20:25Before he died.
20:27Yes.
20:29He got a call.
20:31He cut the paper first.
20:33He wanted to do something
20:35after he died.
20:37But he couldn't hear
20:39when he called.
20:41He couldn't hear.
20:43So he cut the paper first.
20:45Then he got a call.
20:47He wanted to do something.
20:49But he couldn't hear
20:51when he died.
20:53It was two days ago, wasn't it?
20:55Yes.
20:57How was your voice?
20:59It was the same as usual.
21:01Electricity?
21:03Yes.
21:05What kind of letter
21:07did he send?
21:09I've never seen this.
21:11This picture.
21:13It's a picture of Mr. Uchida.
21:15Oh, it says
21:17Shimin Hospital in it.
21:19It's cool.
21:21I've never seen it.
21:23I don't know.
21:25It's Mr. Uchida's.
21:27Is there any work
21:29that he doesn't know
21:31in the hospital where he was cremated?
21:33Did he have a picture
21:35when he was cremated?
21:37Yes.
21:45Oh, is this it?
21:47Oh, it's here.
21:49It's here.
21:51It's here.
21:53It's here.
21:55It's a great work.
21:59It's amazing.
22:01It's big.
22:03It's exactly
22:05like this.
22:19It's a garden.
22:21It's a garden.
22:31My father is training
22:33to be a doctor.
22:35I don't know what he's doing.
22:39Seizen's father
22:41took good care of this temple.
22:43At the end of the funeral,
22:45there was a priest
22:47who had a big fight.
22:53I heard that
22:55he had a big fight once.
22:57Me?
22:59Yes.
23:01I was in trouble
23:03with money.
23:05So I got a little excited
23:07and did anything
23:09to get the money.
23:13I had a lot of energy
23:15to get the money.
23:19I wasn't there.
23:21I thought
23:23if I brought a Japanese sword,
23:25I would win.
23:27At the beginning,
23:29I was in a gallery
23:31in 1982.
23:33I was in a gallery
23:35in 1982.
23:39There were a lot of fans.
23:41There were a lot of fans.
23:43Gradually,
23:45there were no more people like that.
23:47The works stopped selling.
23:49It was about 10 years ago.
23:51It was about 10 years ago.
23:53It was about 10 years ago.
23:57I don't know.
23:59I don't know how many years ago.
24:01I don't know how many years ago.
24:03I take a picture of this.
24:07Is that a water mirror?
24:09I guess it is.
24:11Is that a water mirror?
24:13I think it is.
24:15I think so.
24:17I don't know such things.
24:19I don't know such things.
24:21This is a Uemo.
24:23What do you think of this?
24:25I don't think it's a good idea.
24:27Is it okay?
24:28I don't know.
24:31Oh, it's a little different.
24:37But the base is different.
24:39It's different.
24:40Because...
24:42If the chest is here and the crotch is here,
24:46it's completely different.
24:49He kindly lent me his base in Nagano.
24:57I got a house.
25:02It's a break room for a carpenter.
25:06That's the house.
25:10No one's using it anymore, so I can stay as long as I want.
25:15This is where I slept last night.
25:18The windows didn't close, so it was really cold.
25:22You left it open.
25:27It's not just a bed.
25:30This is the lab.
25:33I'm going to use it as a lab.
25:36I haven't read everything yet.
25:41If his father, who was a notary,
25:44looks through the vast amount of documents left in the atelier,
25:47he may see a new development.
25:52A heavy debt of 15 million yen.
25:57If this can be done,
25:59he can sell the painting,
26:01inheriting his father's property.
26:05We visited the notary's office where his father consulted.
26:10Hello.
26:12Excuse me.
26:14What did you get?
26:16A contract.
26:18Wakayama.
26:19Wakayama?
26:20Yes.
26:21I see.
26:25If the debt is not repaid for more than five years,
26:29and if there are no loans,
26:32the payment will be successful.
26:35That's what we hoped.
26:40It's been three years.
26:42It's been repaid.
26:43Six times a year.
26:45That means it's a good deal.
26:48Yes.
26:49But the payment is impossible.
26:51The payment is impossible.
26:53It's been three years.
26:55The payment was 30,000 yen.
26:5832,000 yen.
27:0032,000 yen?
27:02It's twice of 16,000 yen.
27:04We paid for two months.
27:06That's right.
27:0816,000 yen.
27:10Yes.
27:12Does that mean we can move on?
27:15Yes.
27:16We have to do that.
27:18There's no other way.
27:21Gifure's emotions exploded
27:24in a situation where he couldn't do anything.
27:29It's all over now.
27:35It's a world of nothing.
27:37It's a world of nothing.
27:46What's the point of living?
27:48What's the point of living?
27:53What's the point of having a family?
27:56I don't know.
28:07I don't know.
28:23What should I do, Dad?
28:29Hello.
28:30How are you?
28:31Kuuchi visits someone who knows his father.
28:35He realizes how much trouble he's caused in this town.
28:41I've been dating her for over 20 years.
28:47We've had a lot of things going on.
28:50We've talked about a lot of things.
28:53What kind of things?
28:54I was drunk.
28:56I got into a car accident.
28:58I was arrested by the police.
29:01I complained until the end.
29:04I don't know the names of the people I've known.
29:07I don't know them.
29:09I wanted to bring them here.
29:12I brought them here.
29:14I was drunk.
29:16I fell down.
29:18I was in an ambulance.
29:20The people you brought here?
29:22Yes.
29:25While many bars are closed,
29:29Jubei is the only one who let me drink.
29:33I'm Banzai.
29:34Banzai?
29:35I'm Banzai.
29:36I don't have a seat.
29:37Oh, really?
29:38Mr. Ochiai?
29:39Hello.
29:40Mr. Shoji?
29:41That's right.
29:42What's going on?
29:44I heard you helped out a lot.
29:47Yes.
29:48I read your diary.
29:51It's really good.
29:55I've sold them in many places.
29:58I sold 11 copies in Hiroshima.
30:01Really?
30:02Yes.
30:03There are so many stories.
30:06I don't know what to say.
30:12Mr. Shoji's wife took care of his father until the end.
30:17She's from Thailand.
30:19I see.
30:24They made a set meal just for their father,
30:27who didn't have any money.
30:30They served him.
30:36I don't know if I can pay for it.
30:39But I can't break it.
30:41It's getting bigger.
30:43It's really getting bigger.
30:45I can't let it go that far.
30:47When I started reading,
30:49I told my wife that I'd call her
30:52and ask her to come over for a meal.
30:56She didn't pay me back,
30:58but she still invited me to a meal.
31:01I can't believe it.
31:05Mr. Shoji invited Gifure to his house
31:08while he was complaining.
31:12It was fun.
31:13You brought a goat.
31:15A bogey?
31:16Yes, he brought a bogey.
31:19When I went home,
31:21I saw the goat meat in front of the restaurant.
31:25When my wife cooked,
31:27all the goat meat was eaten.
31:29That's what happened.
31:31It's a nice place.
31:35I love this kind of thing.
31:38Despite his complaints,
31:40the couple seemed to love their father.
31:44Excuse me.
31:52It's interesting.
31:56What was displayed in the house was...
32:02This is a piece of jewelry
32:05from a jewelry store called
32:08Hiroshima Ambers.
32:12He bought a piece of jewelry
32:14that was about this big.
32:16I don't know what it was,
32:18but he told me to take it
32:20and sell it to him.
32:22To be honest,
32:23I know about my father,
32:25but I don't have a clue
32:27what he likes.
32:28Let's toast to my father.
32:32At the beginning of the meal,
32:34the father's nonsense couldn't be stopped.
32:39I said,
32:40I made stew, so let's eat it today.
32:43He said,
32:44I'll be angry if you cut French bread.
32:46I said,
32:47Where are you going to cut French bread?
32:49He said,
32:50I'll dig it up and break it.
32:52He's a pain in the ass.
32:54I'm saying something weird,
32:57but I don't think
32:59you're a fan of artistic noodles.
33:04Is that true?
33:05I know.
33:06Maybe that's why we got along so well.
33:10It's amazing that Koji Ochiai
33:12thought he was Gohko.
33:14Gohko?
33:15It's amazing that your father
33:17thought he was Gohko.
33:18He's more of a good kid than Gohko.
33:20He always says,
33:21Gohon, Gohon.
33:22He's an idiot.
33:24But your father
33:27is hated by everyone,
33:29but he was a good guy
33:31between me and him.
33:33There was a story.
33:35On my birthday,
33:37there was a champagne.
33:39I don't know why,
33:40but it was written in Spanish.
33:42I asked,
33:43What does it say?
33:45Koji Ochiai is a Spanish person.
33:49His feelings are different from Japanese people.
33:51In his heart,
33:53he's more of a Spanish person.
33:54He's not Japanese.
33:55I think so.
33:57He's so lonely that it's pathetic.
34:02Ai-chan.
34:03Ai-chan.
34:04Ai-chan.
34:05Give me a little more.
34:07What?
34:08What?
34:10What?
34:11Give me a little more.
34:12Do you want to drink something?
34:13Do you want to drink soju?
34:14No.
34:18Good morning.
34:19Good morning.
34:20Good morning.
34:21Good morning.
34:22The reason why Gifure,
34:24who is a member of the Sōzoku family,
34:26and a member of the Sōzoku family,
34:28relied on was...
34:29When did you become friends
34:30with your father?
34:32When he came back to Japan...
34:37Mr. Hitoshi Kimura,
34:39who was an artist himself
34:41and a professor at a university.
34:43But his father was like that to him, too.
34:47The katana on the katami
34:50has a broken blade.
34:52He asked me if I wanted to buy it.
34:54I said no.
34:56He said he'd buy it for about 300,000 yen.
35:00I said,
35:01isn't the blade broken?
35:03He said,
35:04no, it's not broken.
35:06So I bought it for 300,000 yen.
35:10Mr. Kimura says
35:12he often comes to this atelier to play.
35:16I'm glad I didn't have to burn this place.
35:23When I give up the Sōzoku family,
35:25I can't touch all of these things.
35:28I don't know what to do.
35:33Do you have any ideas?
35:35For now,
35:39I'll draw a plan.
35:42I'll write down
35:44what I see here and there.
35:51As a third person,
35:53I want to be like Mr. Kimura.
35:55Are you all right?
35:57I'm fine.
35:58I forgot to tell you.
36:00There's a hole.
36:01I'll get it out.
36:02Wait a minute.
36:04Wait a minute.
36:05I'll get the one that's stuck.
36:17I'm sorry.
36:20This is one point.
36:23I think this is garbage.
36:25No, this is important.
36:29This is important for collectors.
36:32That's right.
36:34This is a very early work.
36:36This is the first draft.
36:38This is important for collectors.
36:43But there are no collectors.
36:45That's right.
36:47It's important to think about
36:49when a collector will be born.
36:52There are no proper markets in Japan.
36:56If the financial business is active,
36:59it will be active in the art industry.
37:03Then it will be distributed to the art market.
37:06This is probably the first time in 20 or 30 years.
37:08I think you should have it before that.
37:10I see.
37:11Mr. Kimura says,
37:13I'll have it until someone
37:15who wants it appears someday.
37:19Excuse me.
37:22I'm sorry.
37:23It's okay.
37:37I don't want to throw this away.
37:40From your perspective,
37:43do you think the works of Goji Mochiai
37:47exist as a work of art?
37:51Yes, I think so.
37:53That's for sure.
37:55I think it has awakened in Japan
37:57throughout Europe.
37:59I think it has been evaluated
38:01in terms of bringing
38:04the avant-garde sensibility
38:07to the modern art.
38:10Even if it's a fake 800.
38:12It's a business.
38:14It's a fake 800.
38:16It's okay to put it on.
38:18Everyone puts it on.
38:20If everyone puts it on,
38:22it can be endured.
38:26He was pushed back by such words.
38:30My father is Goji Mochiai.
38:33It's not a well-known name,
38:35but he is a Spanish artist
38:37who was registered
38:39in the National Gallery of Spain.
38:42I think he left his mark
38:44in Spain.
38:46My father told me
38:48that I should consult with him.
38:53He went to the largest
38:55auction company in the world.
38:58What happened?
39:03It was an auction company
39:05that was eager to get his father's work.
39:08The color of Giffre's face
39:10that came out was indistinguishable.
39:15There is no way to change it
39:17to money right now.
39:19For example,
39:21if an auctioneer
39:23borrows a promotion
39:25and changes it to money
39:27overseas,
39:29I thought I could do it,
39:31but everyone thinks
39:33I can't do it.
39:36It's been about two months
39:38since my father's death.
39:40The more I look into it,
39:42the more I can't see
39:44how to leave my mark.
39:47If I give up, I'll give up.
39:49If I inherit,
39:51I'll get a lot of money
39:53and be able to inherit.
39:57It might be better
39:59to forget the premise
40:01of giving up on inheriting.
40:03The premise of inheriting?
40:05Yes, the premise of inheriting.
40:11I'll sell it off.
40:17There are people who want to use
40:19that house.
40:22They want to use it as an atelier.
40:24Then I'll get a rent.
40:26There are many different patterns.
40:28Surprisingly.
40:31If we meet each other,
40:33we might be able to
40:35talk about real estate.
40:39Excuse me.
40:41I'm calling from
40:43Akiya Bank.
40:46If you have time,
40:48I'd like to take a look at it
40:50and discuss it with you.
40:52I'd appreciate it.
40:55If he can take a look at it,
40:57things will go smoothly
40:59so far.
41:06This is a painting.
41:08Is that so?
41:10This is an atelier.
41:12I'd like to ask you
41:14whether or not
41:16I'll inherit this house.
41:21It's an atelier.
41:23The residence is on the 3rd floor.
41:26I haven't done much.
41:29This is also an atelier.
41:31Is that a residential house?
41:33Yes, it is.
41:35I'd like to ask you
41:37about the Nagano newspaper.
41:41The two real estate companies
41:43are confused by the
41:45overwhelming situation.
41:50On top of that...
41:53There's a hole there.
41:55Please be careful.
41:58But Gifure is alone.
42:02This tea house
42:04is owned by
42:06one of the 150 writers
42:08in Spain.
42:10In Spain,
42:12it's called Picasso.
42:14Yes, yes.
42:16It's not like
42:18it used to be.
42:20Even if it's on the market,
42:22I think it's a
42:24unique building,
42:26so I don't think
42:28many people will
42:30ask for it.
42:32Of course.
42:36Do you think
42:38it's more likely
42:40to be sold?
42:44Even if it's sold,
42:46it's difficult
42:48to sell it.
42:50That's right.
42:52If you lend it,
42:54it's your responsibility.
42:56There's a minimum.
42:58For example,
43:00when it comes to the structure
43:02of the rain forest,
43:04the seller usually
43:06repairs it.
43:08I don't know
43:10about the atmosphere,
43:12but there are
43:14two apartments
43:16that cost
43:18about 70,000 yen.
43:22For example,
43:24there are places
43:26where the roof is already
43:28rain-covered,
43:30so if it costs
43:32700,000 yen,
43:34the rent will
43:36fly for about
43:38a year.
43:40I don't know
43:42what they're doing.
43:44That's right.
43:48At last,
43:50he made it clear.
43:56Everyone thinks
43:58it's okay to give up.
44:02That's how it is.
44:04That's all.
44:06It's like being told
44:08by a real estate agent.
44:10But again,
44:12a lot of encounters
44:14shake Gifure's heart.
44:18Mr. Harada,
44:20I'm Otsurai.
44:22I have a good news.
44:24I'm getting a divorce.
44:26Oh, really?
44:28The return fee
44:30was your birth fee.
44:32I see.
44:34If I get along
44:36with my mother,
44:38my life will be
44:40completely different.
44:42This is a picture
44:44of the family.
44:46The first picture
44:48of four persons
44:50inside.
44:52I want to hold you
44:54from above.