Miracle Doctor Episode 118
Ali is the son of a poor family who grew up in a provincial city. Due to his autism and savant syndrome, he has been constantly excluded and marginalized. Ali has difficulty communicating, and has two friends in his life: His brother and his rabbit. Ali loses both of them and now has only one wish: Saving people. After his brother's death, Ali is disowned by his father and grows up in an orphanage. Dr Adil discovers that Ali has tremendous medical skills due to savant syndrome and takes care of him. After attending medical school and graduating at the top of his class, Ali starts working as an assistant surgeon at the hospital where Dr Adil is the head physician. Although some people in the hospital administration say that Ali is not suitable for the job due to his condition, Dr Adil stands behind Ali and gets him hired. Ali will change everyone around him during his time at the hospital
CAST: Taner Olmez, Onur Tuna, Sinem Unsal, Hayal Koseoglu, Reha Ozcan, Zerrin Tekindor
PRODUCTION: MF YAPIM
PRODUCER: ASENA BULBULOGLU
DIRECTOR: YAGIZ ALP AKAYDIN
SCRIPT: PINAR BULUT & ONUR KORALP
Ali is the son of a poor family who grew up in a provincial city. Due to his autism and savant syndrome, he has been constantly excluded and marginalized. Ali has difficulty communicating, and has two friends in his life: His brother and his rabbit. Ali loses both of them and now has only one wish: Saving people. After his brother's death, Ali is disowned by his father and grows up in an orphanage. Dr Adil discovers that Ali has tremendous medical skills due to savant syndrome and takes care of him. After attending medical school and graduating at the top of his class, Ali starts working as an assistant surgeon at the hospital where Dr Adil is the head physician. Although some people in the hospital administration say that Ali is not suitable for the job due to his condition, Dr Adil stands behind Ali and gets him hired. Ali will change everyone around him during his time at the hospital
CAST: Taner Olmez, Onur Tuna, Sinem Unsal, Hayal Koseoglu, Reha Ozcan, Zerrin Tekindor
PRODUCTION: MF YAPIM
PRODUCER: ASENA BULBULOGLU
DIRECTOR: YAGIZ ALP AKAYDIN
SCRIPT: PINAR BULUT & ONUR KORALP
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TVTranscript
00:00EstaÄŸfurullah.
00:16Do you think love is a match between two couples?
00:23Can't you love someone you can't get along with?
00:25He loves you.
00:27He loves you.
00:29Sometimes, he loves that you don't get along.
00:33But loving is not enough.
00:35Just loving is not enough.
00:39Now, tomorrow, we will all start a new life.
00:45Without each other.
00:47Yes.
00:49Yes, my love.
00:51You will start a new life.
00:53I will go to the hospital soon.
00:55I will be there.
00:59What about me?
01:03How can I forget him?
01:05He will be the same.
01:07You know.
01:09He is suffering from love for the first time.
01:15Me too.
01:17I will eat you.
01:19I will eat you.
01:21Look at your face.
01:27Where will he live now?
01:31He won't be with me anymore.
01:41Nazlı, I can't stand it.
01:43Normally, I don't want to give you any hope.
01:45But I think he will come back.
01:47He will regret.
01:49He will come back.
01:53Do you think so?
01:55Yes, I think so.
01:57I am writing on the walls of the house.
01:59I am writing here and there.
02:01He will come back.
02:15I am writing this.
02:21Is there no other house?
02:23As far as you can be from your old house.
02:25You said so.
02:27Here is the farthest.
02:33Ali.
02:35Don't look at it from outside.
02:37It's Bohemian.
02:39Bohemian?
02:41I mean,
02:43Artists and entertainers are sitting here.
02:46This place has a history after all.
02:48Look at it that way.
02:59Mr. Ali.
03:01Please, would you like to have a drink?
03:07Yes.
03:08Our new life begins now.
03:14Let's go now.
03:16I have to say goodbye somehow.
03:21Let's go.
03:44Ali.
04:04Come on.
04:05You're saying goodbye for no reason.
04:07I'm telling you, he'll come back.
04:09Ali can't start a new life all of a sudden.
04:12Come on.
04:14Come on.
04:35Yes.
04:36Please, Mr. Ali.
04:44Come on.
04:56How many rooms are there?
04:57Mr. Ali, there are two rooms here.
04:59This is the living room.
05:00This is the bedroom.
05:02The kitchen is on the other side.
05:14How many years did it take to build this?
05:16I don't know.
05:18But it's a solid building.
05:20Where will the old masters build their houses
05:22and where will the new masters do it?
05:44Okay.
05:58Okay.
06:00How many people have sat in this room before?
06:03I don't know what to say.
06:05I guess a lot of people have sat in it.
06:07After all, it's a popular center.
06:09Okay, I'll ask you something.
06:13Is there a more quiet neighborhood,
06:15a newer building,
06:17or an apartment where fewer people live?
06:19Mr. Ali, you said such a lot of money
06:22that this is the best place to spend that money.
06:25Can you give me a figure?
06:33No.
06:34No?
06:35No?
06:36No?
06:37No?
06:39No.
06:40I've spent what I didn't expect.
06:42Mr. Ali,
06:43this is the best place to spend that money.
06:45But let me tell you this.
06:47It's clean at least.
06:48It doesn't need any renovations.
06:50So you can move in right away
06:52without paying a penny.
06:53There's also a terrace.
06:55Find a partner.
07:09I'm hanging up.
07:10Have a good day.
07:14Anyway,
07:15you can deposit a rent and a deposit
07:17at my account today.
07:19I'll make all the other arrangements with the landlord.
07:21Okay.
07:23Well, let's go then.
07:25Excuse me,
07:26can I stay here alone for ten minutes?
07:28Sure.
07:29I'll wait for you downstairs.
07:30Okay.
07:32I'm hanging up.
07:33I'm hanging up.
07:34I'm hanging up.
07:35I'm hanging up.
07:36I'm hanging up.
07:37I'm hanging up.
07:38I'm hanging up.
07:39I'm hanging up.
07:40I'm hanging up.
07:41I'm hanging up.
07:42I'm hanging up.
07:43I'm hanging up.
07:44I'm hanging up.
07:45I'm hanging up.
07:46I'm hanging up.
07:47I'm hanging up.
07:48I'm hanging up.
07:49I'm hanging up.
07:50I'm hanging up.
07:51I'm hanging up.
07:52I'm hanging up.
07:53I'm hanging up.
07:54I'm hanging up.
07:55I'm hanging up.
07:56I'm hanging up.
07:57I'm hanging up.
07:58I'm hanging up.
07:59I'm hanging up.
08:00I'm hanging up.
08:01I'm hanging up.
08:02I'm hanging up.
08:03I'm hanging up.
08:04I'm hanging up.
08:05I'm hanging up.
08:06I'm hanging up.
08:07I'm hanging up.
08:08I'm hanging up.
08:09I'm hanging up.
08:10I'm hanging up.
08:11I'm hanging up.
08:12I'm hanging up.
08:13I'm hanging up.
08:14I'm hanging up.
08:15I'm hanging up.
08:16I'm hanging up.
08:17I'm hanging up.
08:18I'm hanging up.
08:19I'm hanging up.
08:20I'm hanging up.
08:21I'm hanging up.
08:22I'm hanging up.
08:23I'm hanging up.
08:24I'm hanging up.
08:25I'm hanging up.
08:26I'm hanging up.
08:27I'm hanging up.
08:28I'm hanging up.
08:29I'm hanging up.
08:30I'm hanging up.
08:31I'm hanging up.
08:32I'm hanging up.
08:33I'm hanging up.
08:34I'm hanging up.
08:35I'm hanging up.
08:36I'm hanging up.
08:37I'm hanging up.
08:38I'm hanging up.
08:39I'm hanging up.
08:40I'm hanging up.
08:41I'm hanging up.
08:42I'm hanging up.
08:43I'm hanging up.
08:44I'm hanging up.
08:45I'm hanging up.
08:46I'm hanging up.
08:47I'm hanging up.
08:48I'm hanging up.
08:49I'm hanging up.
08:50I'm hanging up.
08:51I'm hanging up.
08:52I'm hanging up.
08:53I'm hanging up.
08:54I'm hanging up.
08:55I'm hanging up.
08:56I'm hanging up.
08:57I'm hanging up.
08:58I'm hanging up.
08:59I'm hanging up.
09:00I'm hanging up.
09:01I'm hanging up.
09:02I'm hanging up.
09:03I'm hanging up.
09:04I'm hanging up.
09:05I'm hanging up.
09:06I'm hanging up.
09:07I'm hanging up.
09:08I'm hanging up.
09:09I'm hanging up.
09:10I'm hanging up.
09:11I'm hanging up.
09:12I'm hanging up.
09:13I'm hanging up.
09:14I'm hanging up.
09:15I'm hanging up.
09:16I'm hanging up.
09:17I'm hanging up.
09:18I'm hanging up.
09:19I'm hanging up.
09:20I'm hanging up.
09:21I'm hanging up.
09:22I'm hanging up.
09:23I'm hanging up.
09:24I'm hanging up.
09:25I'm hanging up.
09:26I'm hanging up.
09:27I'm hanging up.
09:28I'm hanging up.
09:29I'm hanging up.
09:30I'm hanging up.
09:31I'm hanging up.
09:32I'm hanging up.
09:33I'm hanging up.
09:34I'm hanging up.
09:35I'm hanging up.
09:36I'm hanging up.
09:37I'm hanging up.
09:38I'm hanging up.
09:39I'm hanging up.
09:40I'm hanging up.
09:41I'm hanging up.
09:42I'm hanging up.
09:43I'm hanging up.
09:44I'm hanging up.
09:45I'm hanging up.
09:46I'm hanging up.
09:47I'm hanging up.
09:48I'm hanging up.
09:49I'm hanging up.
09:50I'm hanging up.
09:51I'm hanging up.
09:52I'm hanging up.
09:53I'm hanging up.
09:54I'm hanging up.
09:55I'm hanging up.
09:56I'm hanging up.
09:57I'm hanging up.
09:58I'm hanging up.
09:59I'm hanging up.
10:00I'm hanging up.
10:01I'm hanging up.
10:02I'm hanging up.
10:04Excuse me.
10:06What's going on?
10:07I want to sleep.
10:09What happened?
10:10I don't want strangers to sleep in my apartment.
10:12This is my house.
10:13I rented it.
10:14Can you go and sleep in your own apartment?
10:18You haven't even moved yet.
10:21Please let me sleep here for two minutes.
10:24Please.
10:25We'll talk later.
10:34Can you get up?
10:41Won't you get up?
10:46Okay.
10:48You didn't give me another chance.
10:57Hello, police?
10:59Officer, someone broke into my house.
11:01He broke into my house without my permission.
11:03He broke into my house.
11:05What are you doing?
11:12I woke you up.
11:15I think we're screwed.
11:17What do you want?
11:18You said you'd sleep here for two minutes.
11:20I sleep like an angel.
11:21You don't even realize it.
11:23Angel?
11:24What does our guest have to do with the angel?
11:29Are you gay?
11:31No.
11:35I don't know how to talk to you.
11:39Are you gay?
11:41I understand.
11:42You're very gay.
11:44Why did you leave?
11:47Anyway, I gave you my note.
11:50It's enough to think about him for three seconds after you meet him.
11:54Wrong.
11:55The first 93% of the first impression is verbal communication.
11:57So it's a body language.
11:58The remaining 7% consists of what the individual says.
12:01So it takes a total of 30 seconds for these two.
12:03So?
12:12Welcome to my new life.
12:29Good morning.
12:35Wait a minute.
12:37Why are you trying to trick me?
12:39Is it my fault that Tanju chose me?
12:42You could have objected.
12:43Would I have changed my mind if I had objected?
12:46I would have warned you.
12:48You would have said, this is the right of the law.
12:50This man has been here for years.
12:52He's got his tongue on his nail.
12:54He's been here for years.
12:55He's been here for years.
12:57You would have said, he's been here for years.
12:58He's got his tongue on his nail.
12:59He's been here for years.
13:00You would have said something.
13:01But what did you do?
13:02You jumped on it.
13:03Ferman.
13:04Who doesn't want to be a cook?
13:10What is this now?
13:11Look at me.
13:12I'm not Ali.
13:13I can't run after you all the time.
13:14Look at my face and talk.
13:15Let me look at your face and talk.
13:17Thank you for your ambition, Ferda.
13:19Thank you for your ambition.
13:23Let's see if you can keep that chef's job.
13:27We'll see.
13:36We'll see.
13:46Tanju.
13:49Hello.
13:51Don't you know me?
13:58Sevilay.
14:00Are you okay, girl?
14:02What are you doing here?
14:09Can we talk somewhere private?
14:12Of course.
14:16Come, girl.
14:19Sit down.
14:28You didn't continue psychiatry.
14:31Yes.
14:32Let's say we didn't get along.
14:35The other hospital talked to you, didn't they?
14:37Of course we did.
14:39And I told you the same thing.
14:42Sevilay.
14:44There's no fourth in the lip enlargement operation.
14:48That's why you need a psychiatrist, not a surgeon.
14:52Because it's a life-threatening job.
14:58I knew it.
15:00Did something happen?
15:03When you didn't do my surgery,
15:07when you didn't have the other hospital do it,
15:09Yes.
15:12I did the operation myself.
15:14How?
15:17Open your mouth.
15:19Open it, girl.
15:27Open your mouth.
15:47My body reacted.
15:49I was almost dying.
15:52They took them all.
15:54They took all my lips.
15:55They took them all.
15:56Girl, you...
15:57What did you do to yourself?
16:01Tanju, please help me.
16:03Please.
16:04I want my old self.
16:06Please help me.
16:25Please help me.
16:42Hi, guys.
16:45We have two cases today.
16:47One of them is a 21-year-old aesthetic disaster.
16:50You'll need a series of operations to recover your face.
16:53The other one is SCID.
16:55It means severe combination immunosuppression.
16:58Because it doesn't remove even the slightest infection,
17:01the patient is in a plastic balloon,
17:03and the operation will be done this way.
17:05Thoracoscopic operation.
17:12You take the aesthetic, I'll take the plastic girl.
17:17Thank you, but I'll take the other case.
17:19Nazlı, Ali.
17:21You're with me.
17:23But...
17:24Wait a minute.
17:28I'm the chief here.
17:36Tanju will take care of the plastic surgery.
17:38I don't think you'll want to work with me under these conditions.
17:42Also, the chiefs don't dictate the cases.
17:44This is a democratic hospital.
17:46If you want to bring a military order, let's say hello.
17:53Yes, let's go, guys.
17:54Professor, I don't want to be in the same case as Ali.
18:05Look at the room.
18:06Something happened between them.
18:08Quiet, brother. They broke up.
18:10Maria.
18:16Ali.
18:17It doesn't matter to me.
18:18Ali.
18:23Demir, you're with me.
18:33Professor, I'm coming right away.
18:34I'm coming in two minutes.
18:35Okay.
18:42We were talking about women's endurance, remember?
18:44Yes.
18:45Let's show these machos their days.
18:48Let's show them.
18:51Ali.
18:53Professor, I'm going to talk to Ali for two minutes.
18:59How are you?
19:00Are you okay?
19:01I'm fine, thank you.
19:04You broke up with Nazlı.
19:06Demir told me.
19:08I just got it.
19:12I mean, yesterday.
19:16Are you okay now?
19:18Yes.
19:19Yesterday, yesterday, today, today.
19:21Have a nice day.
19:30Our patient is 20 years old. He is suffering from respiratory distress.
19:32We keep him in quarantine because his immune system is not working.
19:35Even the smallest infection can kill him.
19:38That's why we'll be very careful.
19:41Is he not connected to the outside world at all?
19:42No.
19:43How does he communicate with his family?
19:46He doesn't.
19:50Are we ready?
19:54Let's go.
20:14I'm sorry.
20:35Hello, Gülşah. I'm Dr. Ferman.
20:38Demir, Ali.
20:39Demir, you're going to have a quick check-up, okay?
21:10What is it?
21:13Heartbeat is normal.
21:15No pericardial fluid accumulation.
21:17You're the oldest patient I've ever seen.
21:21They usually die early.
21:23Thank you very much.
21:25I'm relieved.
21:29Gülşah, there's an infectious tissue in your left lung.
21:31That's why you're having respiratory distress.
21:33We're going to take the infectious tissue from an operation called decortication.
21:36You're going to do the operation remotely with the camera so I don't get a microbe.
21:41I'll be in quarantine even in the operating room.
21:45What else?
21:46We'll do our best to be safe.
21:49Doctor, we're at the hospital.
21:52All the infections in the world are here.
21:55I don't have a immune system either.
21:58So I don't need you to comfort me.
22:01I don't need you to kill me.
22:03I don't need you to kill me.
22:05I need you not to kill me.
22:09Can you do this?
22:12Ali?
22:13We're going to start with a wide-spectrum antibiotic treatment.
22:16You'll be in a sterile air cabin in the operating room.
22:19None of us will be in direct contact with you.
22:22It will be equipped with laminar air flow and the pressure level will be 8 pascals positive.
22:27In addition, all operating rooms will be sterilized twice.
22:30Visitors will also go through intensive hygiene applications.
22:34I won't have a visitor.
22:37Your family, right?
22:40I'm staying away.
22:44The less people I meet, the more confident I get.
22:49The more people I meet, the more confident I get.
23:00Why isn't there a picture of our patient?
23:03I guess it's not posted when it's famous.
23:06Our patient is Sevilay Sılacı, a 21-year-old woman.
23:09She's a social media phenomenon.
23:11I know that girl.
23:13Sevilay Style. I watched her makeup video.
23:16What?
23:17Is it a crime to watch makeup videos?
23:20No, honey. Okay, don't be mad.
23:22Tanju is your old patient.
23:24Aesthetic surgery addict.
23:26When your teacher refused to intervene any more,
23:29she ordered fillers from women's e-commerce sites and injected her own face.
23:34They have a separate chemical formula for everything.
23:37Separate for the cheek, separate for the lip.
23:39Who knows what she did to her?
23:41She's 21. How bad could it be?
23:47Come in.
23:58Your doctors are here.
24:01Okay, if you've seen it, can you close that door, please? I don't want to be seen.
24:06Our surgeon, Ms. Ferda.
24:09Our assistants.
24:10Yes.
24:15Sevilay, can you hear me?
24:18One second.
24:37Thanks.
24:41If it's done, can I examine you right away?
24:44One minute.
24:50Okay.
24:52I'm starting.
24:54Now I'm going to touch it slowly.
24:56If it hurts, you tell me, okay?
25:03Like this. Is that okay?
25:05No.
25:07Okay, I'll look like this.
25:08Slowly.
25:10Okay.
25:12Okay, honey.
25:14Like this.
25:16Okay, okay, okay.
25:18Okay.
25:20There's a lot of filler under the skin.
25:22Let's see if there's any necrosis.
25:24Accordingly, we will make a surgery plan and then we will contact you, okay?
25:28Okay, but you can do it, right?
25:31You can do it like Eskis.
25:32You can do it like Eskis.
25:38We'll do our best, don't worry.
25:41Okay, okay.
25:45Sevilay.
25:47Does anyone else know about the situation?
25:49No one knows.
25:51And I'm waiting for you all in secret.
25:53Okay?
25:55Okay, then.
25:57We'll let you know.
25:59Okay, thank you.
26:00Sir, please.
26:03Işık.
26:12Sir, you said it was bad, but it's not bad.
26:15The girl's face turned into raw meatballs.
26:21Can't we turn her back, sir?
26:23She's too young.
26:25It's not possible.
26:27Are you crazy?
26:28I'm asking you.
26:32I mean, I agree with Doru, but of course, we can't know without opening it.
26:37What's important here is not fixing it, but whether it will continue after it's fixed.
26:41I talked to the psychiatry department.
26:43By the way, there are a lot of cases like this.
26:45They call it social media dysmorphophobia.
26:47I mean, it's a disease of our time.
26:49Yes, I read it.
26:51Those who want to look like a servant.
26:53Those who like a lighter color filter than their skin and try to open their skin's color with washing water.
26:56What? Washing water?
26:59People used to try to look like movie stars.
27:02Now they're trying to look like a version of themselves.
27:05Are you aware that we're getting bad news every day?
27:08People want to feel good.
27:11Guys, okay.
27:13Let's look at sepsis first.
27:15Then let's take MR.
27:17Let's see where the foreign objects have accumulated, okay?
27:19The lips and jaw muscles are in a state of disaster.
27:21That's why we're looking at full blood, routine biochemistry and CRP, okay?
27:24Okay, sir.
27:26Shall we install a central catheter?
27:28Because it is impossible to eat in these conditions right now.
27:30If malnutrition occurs, we will start nutrition supplementation.
27:34That's right.
27:36Let it recover a little until the operation.
27:38We'll see when the results come out, okay?
27:40Come on.
27:42See you in the asylum room.
27:44What's the water in the laundry?
27:45What's the water in the laundry?
27:54What kind of life is this? I don't understand.
27:56Without touching anyone, without interfering with people.
27:59Demir.
28:03I'm sorry.
28:05Why? Why are you sorry?
28:07I've been living an isolated life since I was born.
28:09I'm very happy about that.
28:11Are you really? Are you okay?
28:13I'm fine, sir.
28:15Didn't you say there's only work from now on?
28:19I'm doing my job.
28:34What happened? Are you okay?
28:36I'm fine.
28:38You've been upset with me since morning.
28:40I'm sorry for the girl.
28:42Are you sorry?
28:44Are you upset with the girl or a black love?
28:48Not today.
28:50Please.
28:52Okay.
28:54I'm not okay.
28:56Ali is fine, but what are we going to do about him?
29:03Nonsense.
29:06He's upset, too.
29:09He's really upset.
29:10It's like a movie.
29:12It's like a movie.
29:14It's like a movie.
29:16It's like a movie.
29:33I'm moving on, sir.
29:35Go on.
29:40The tissue is full of visceral leaves.
29:43Follow the camera.
29:45I don't want a leak.
29:49The tissue is stuck to the liver-chest wall.
29:52Endo scissors.
30:08The tissue is too big.
30:10It doesn't look like it's going to come out.
30:13We need to open the chest, sir.
30:15How are we going to open it?
30:17The air is in the balloon.
30:19If we have to stop a small bleeding, we'll finish it.
30:25We need to get the girl out of the balloon.
30:27Sir, it's very dangerous.
30:29Ali.
30:31There's no other way.
30:36We're going to change our gloves in 20 minutes.
30:38We have to be fast and dynamic.
30:40We're not going to lose time.
30:42Do you understand?
30:44Let's start.
30:47Slow down.
30:49Güneş, scissors.
30:57Take this.
30:59Scissors.
31:10Scissors.
31:24I can't believe it.
31:26It's injected everywhere.
31:28There's tissue loss everywhere.
31:30We found bacteria in the blood, sir.
31:32We started full-spectrum antibiotics.
31:34As we guessed, there was malnutrition.
31:37That's why we gave him a food supplement.
31:41Turn on the lights, Doruk.
31:46Yes, ideas.
31:48How are we going to extract the supplement?
31:50Hylazine.
31:52We're going to inject them all one by one.
31:54We're going to melt all the ingredients.
31:56Antibiotics will prevent sepsis at that time.
31:58After the material is melted, we can clean the necrotic tissue.
32:01Lips.
32:03The real problem is the lips.
32:05I don't think lips are our priority.
32:07Let's save what we can first.
32:08Then we'll figure out how to make grafts.
32:10I think if we can turn it back to 50% of its former state,
32:14we're very lucky.
32:17Oh, my daughter.
32:20Sir, your patient is in shock.
32:29What happened?
32:31Yes, what is it?
32:33Tension 70 to 90, heart rate 140.
32:35Fever 39.5, septic shock.
32:36Necrotic tissue is more than we thought.
32:38Let's take it down.
32:405 mg of adrenaline, quick.
32:42Sir.
32:46Prepare number 2.
32:48Okay, sir.
32:50Hurry, hurry, hurry.
32:52Ready?
32:54Ready.
32:56Quick, quick, quick.
32:58Come on, come on.
33:00Sir, Tanju.
33:02Ms. Belize is calling you.
33:04You have an urgent meeting about the budget.
33:07If you come to me like this again, I'll kick your ass.
33:10Sir, she told me to come. What am I supposed to do?
33:12Shut up, Gül. Shut up.
33:16I got it. I got it. I'll let her know right away.
33:20Sir.
33:22Traffic accident.
33:24How many people?
33:26One person jumped out of the windshield.
33:28But Mr. Ferman is going to Mr. Ferda's reconstruction right now.
33:30Okay, call Mr. Ferda.
33:32Let the trauma pass.
33:34I'm taking Sevile. I'm an old patient anyway.
33:36Okay.
33:38Let Ms. Belize know. It's urgent.
33:40Let her wait.
33:42Okay, sir.
33:47Mr. Ferman.
33:50Sir, when you took the anaesthetic before the surgery, you hesitated.
33:54Why did you hesitate?
33:59There wouldn't be a return after the surgery.
34:01That's why I wanted to go through the procedure again.
34:03But you thought for a very short time.
34:05It's impossible for you to get over it in such a short time.
34:15You're not the only one living apart.
34:17Is it?
34:20We broke up with Belize.
34:24I'm sorry.
34:27But what does this have to do with the surgery?
34:30What do you mean, Ali?
34:31I'm sorry. I was affected.
34:33I didn't want it to affect my performance. That's all.
34:36Aren't you affected at all?
34:38You broke up again.
34:40Until I made my decision, yes, I was sorry.
34:43But then I made a choice.
34:45What's the point of being sorry?
34:48Sometimes I feel like I'm really in your place.
34:51I guess that's a compliment.
35:01You're welcome.
35:10Servem, what's the situation?
35:12Stable, sir.
35:14The silicone we took out is filled with phallus, sir.
35:16The girl's face will end.
35:18At least 60-70 percent of the tissue is lost.
35:21Guys, save what you can save.
35:23Doruk, you take the vein.
35:25Fazil, you go to the jaw.
35:32This is perfect.
35:34This is clean, too.
35:36Come on.
35:38Let's stretch and close it.
35:41What's going on?
35:43Heart rate is dropping. 70.
35:45It can't be septic shock.
35:47Could it be due to malnutrition?
35:49Right. The system is very weak.
35:51It shows allergic reaction to anesthesia.
35:53I have to wake the patient up right away.
35:55Don't be ridiculous. I can't close it like this.
35:57Come on, quick. Quick, quick, quick.
35:59Sir, wait. It can't be like this.
36:01Come on, come on, come on.
36:03Heart rate is 60.
36:05Sir, it can't be like this.
36:07It's 50.
36:0940.
36:11Sir, wait. How are we going to lose it?
36:17Damn it!
36:23We're closing it.
36:25Sir.
36:27I know.
36:29I know.
36:31I know.
37:02We're closing it.
37:04Don't cry.
37:07We'll find a solution.
37:10I can't hold myself.
37:12Young girl.
37:32Are you okay?
37:36I know why you cried.
37:39You were getting on my nerves. Come on.
37:43Can I come with you?
37:53I forgot something.
37:55What did you forget?
38:01How long did I stay out of this?
38:0316 minutes.
38:05We cleaned up all the infected areas.
38:10That's it.
38:21Don't go.
38:26It's been so long since I've been this close to someone.
38:31I missed you so much.
38:41Why don't you see your family?
38:43It's this disease.
38:45Normally, we can't get along with my mother.
38:48We can't stay five minutes without fighting.
38:54But I missed him so much.
38:57My father.
38:58My brother.
39:00I missed them all.
39:07We can meet from a safe distance.
39:10It's harder.
39:12You see, but you can't touch.
39:15You can't hug.
39:17You can't get out of the house.
39:20You're afraid to breathe.
39:23You're afraid of everything.
39:25You're afraid of everyone.
39:29The whole world is like an enemy.
39:36The whole world is like an enemy.
39:40Am I autistic?
39:43I've lived my whole life like you said.
39:48You're getting used to it, aren't you?
39:52I don't want to get used to it.
39:54I don't want to live like this.
39:57Sometimes I say, leave it and go out.
40:00You're going to get sick.
40:07It's not a problem.
40:10It's fear.
40:11The worst thing is fear.
40:17Don't cry, okay?
40:20Okay?
40:26Don't cry.
40:49What's going on?
40:51I'm starting to feel dizzy.
40:53Your heart is beating too fast.
40:54What?
40:57I think you have an infection.
41:06I'm sorry, my friend.
41:09I think you're going to suffer for a while.
41:11Don't be ridiculous.
41:13It's like we've never had a heart attack.
41:16You.
41:18Do you have a heart attack with a thorn?
41:21Why are you with us?
41:24If you're talking about love pain, you're going to talk about yourself.
41:27Because I'm not sad, I'm sad.
41:29Like Ali.
41:34Don't say it like that.
41:36Ali can't show his feelings differently from us.
41:39It doesn't mean he's not sad.
41:52Ali.
41:55I...
41:57I need to find Mr. Ferman.
41:59He was here.
42:01But he's gone.
42:08What did you do?
42:10What?
42:13What did you do to the house?
42:15I rented the house.
42:16I'm moving in tonight.
42:18Ali, hurry up.
42:19Hurry up.
42:23I...
42:24Maybe...
42:31Maybe I thought...
42:33Maybe?
42:35You'd give up.
42:37You'd go back home.
42:39I did.
42:40I'm moving in tonight.
42:42Thank you for thinking of me.
42:45I need to find Mr. Ferman.
42:49I need to find Mr. Ferman.
42:57Nazlı.
42:58I told you.
42:59She's still confused.
43:01She was going to move back.
43:03She doesn't even care.
43:04No, no, no.
43:05She cares, she cares.
43:07Nazlı, she's sad too.
43:09She's sad.
43:11What are you doing?
43:12What happened?
43:13What do you mean what happened?
43:14She's already sad.
43:15Why are you sad too?
43:16What did I do?
43:17What happened?
43:18Are you sick?
43:20Go play somewhere else.
43:22Son of a bitch.
43:24God.
43:26What did I do?
43:27Come on, brother.
43:28Come on, brother.
43:29What are you talking about?
43:30I don't understand.
43:31We have to deal with it again.
43:32Okay.
43:33Okay.
43:34Okay.
43:35Okay.
43:36Okay.
43:37Okay.
43:38Okay.
43:39Okay.
43:40Okay.