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00:00You must have heard about Isai Vani.
00:02She sang a song about Ayyappasamy.
00:04It is a big trend now.
00:06She has also filed a complaint against the murderers.
00:08Isai Vani sings when she is in pain.
00:11She sings only when she is in trouble.
00:13But she is not like that.
00:15It is just an occasion to think when to use her.
00:21In all times, people who are in power
00:24have been crushed by those who raise their voices.
00:27But no one can run away for that.
00:31I don't know how to show this.
00:35Vijay.
00:36I have only seen his films.
00:38I have heard about his entry in politics.
00:42That is his ideology.
00:44He wants everything to be his ideology.
00:47When it comes to action,
00:49there will be a lot of changes.
00:54Vijay.
00:55I have seen all his films.
00:58Vijay.
00:59I like all his films.
01:01His songs are very important.
01:06Bharathi Raja.
01:07He has a different ideology in politics.
01:09That is not a problem.
01:11I like him as a person.
01:13In the last film, Ilanamaloppuram,
01:15many people said that they didn't understand the story.
01:17But they watched the film and talked about it.
01:19Anupandu, Kailangada,
01:22I don't understand such stories.
01:24There was no war.
01:25There was no weapon.
01:26I don't understand how they came up with a new story.
01:29There were many such problems.
01:34The film Thandakaranai means the people of Tirukasi,
01:38the pain of the people.
01:40Is this a film about that?
01:42Or you have conveyed something else in it.
01:44Thandakaranai is an entry in our history.
01:49Ravanan is the place where Sethi was killed.
01:53Ravanan is the place where Vanavasam took place.
01:58In the Kanimavazhangal of India,
02:0140-60% of the Kanimavazhangal is in the Thandakaranai forests.
02:09The people of Thandakaranai are suffering because of the Kanimavazhangal.
02:15That is why the oil is spilled there.
02:17We have talked about that too.
02:18Not only that, we have talked about that too.
02:21We used to get angry with each other.
02:25We didn't talk to each other for at least a year.
02:30I talked to him because of this story.
02:32He understood my situation,
02:34that the film would stop,
02:36that it would be delayed.
02:39He said that he would make the film immediately.
02:45When you started the film,
02:47you said that he would have been an ordinary Dinesh.
02:49But now he has become a Gethu Dinesh.
02:51You have even put that in your title card.
02:53I didn't like that.
02:55But he wanted to be Gethu Dinesh.
02:58So we have fulfilled his wish.
03:08Welcome to the show, Director's Cut.
03:10I am Ranjith Kannan.
03:11This week, we have a special guest.
03:14Through this first film,
03:16he has spoken about the people of the area.
03:18Not only their pain and suffering,
03:20he has spoken about a lot of things.
03:22He is Veera Arumugam.
03:24His first film,
03:25The Second World War,
03:27and his second film,
03:28Thandakarayanam,
03:29is ready.
03:30We are going to learn a lot from him.
03:32Hello, sir.
03:33Hello.
03:34How are you?
03:35I'm fine.
03:37I think we can start with The Second World War.
03:41That film received a lot of praise.
03:46What did that film bring to you?
03:49It didn't bring me anything.
03:51That film was the last film of The Second World War.
03:55It brought me a lot of pride.
03:58Ananda Kulan, Thamesa,
04:00and the Tamil Nadu Movement.
04:02It brought me a lot of support.
04:04It brought me a lot of pride.
04:06The Corona pandemic stopped it.
04:08Otherwise it would have continued.
04:10We thought a lot about it.
04:12We told a lot of people about it.
04:14Everyone was interested.
04:16But The Second World War didn't happen in India.
04:20The stories like Anugundu,
04:22Kailangada,
04:24were not understood.
04:26The Tamil audience here didn't understand it.
04:29The war didn't happen.
04:31Weapons were confiscated.
04:33All these were new to us.
04:35If you bring a totally new story,
04:37how will it be?
04:38It was difficult.
04:40But I had faith in the story.
04:42I kept fighting with everyone.
04:44I was committed to a big hero.
04:46But after a long time,
04:48they told me that
04:50they didn't understand the story.
04:52That was the reason.
04:54But Ranjith was the one
04:56who believed in the story.
04:58He called me again
05:00and asked what happened.
05:02I told him that it was getting late.
05:04The story didn't happen.
05:06The war didn't happen.
05:08If you tell a story in a place
05:10where the war didn't happen,
05:12people won't understand it.
05:14He was the one who told me
05:16that we can do this story in Nelam.
05:18It was the second film of Nelam Production.
05:20I don't know if I could have
05:22made this film in another place
05:24with so much freedom.
05:26In Nelam Production,
05:28I was his assistant.
05:30Everyone there was close to me.
05:32I was very free.
05:34It felt like I was taking
05:36my own money.
05:38Ranjith was the one who told me
05:40that I was the producer,
05:42the director,
05:44and I had to take care of everything.
05:46I had to ask you questions
05:48and I had to ask myself.
05:50He told me that I had to
05:52be responsible for the film.
05:54He told me that even if I had
05:56taken the budget,
05:58it would have been another 1 or 2 rupees.
06:00But I told him that I had
06:02taken care of everything.
06:04He was very happy when he saw the film.
06:06That film was a very profitable
06:08film in Nelam Production.
06:10I can tell this to anyone.
06:12I think the film that was
06:14very profitable in Nelam Production
06:16would have been
06:18Gundu.
06:20Or it would have been
06:222nd or 3rd place.
06:24When the film came out,
06:26many big heroes
06:28asked me to make the film.
06:30I didn't even have a story.
06:32I didn't even know how
06:34to approach the people
06:36who asked me.
06:38I was a writer.
06:40I worked with him
06:42on two films.
06:44I made a film in his production.
06:46I didn't know how to handle
06:48a film normally.
06:50Since I worked with
06:52a lot of leftist people,
06:54I didn't know how to
06:56handle a film normally.
06:58I didn't know how
07:00to handle a film normally.
07:02That's when the pandemic
07:04hit us.
07:06We were in lockdown for
07:08two years.
07:10That's when we made
07:12Dhandakaram.
07:14You told many people
07:16that you didn't understand
07:18the story of the film.
07:20Did they watch the film?
07:22Yes.
07:24They understood
07:26the story of the film.
07:28I believe the audience.
07:30Since people watch
07:32the film continuously,
07:34they get irritated
07:36when they see people
07:38with similar hair styles
07:40in the film.
07:42Similarly, the audience
07:44gets irritated
07:46when they see people
07:48with similar hair styles
07:50in the film.
07:52So, we have to believe
07:54the audience.
07:56They are updated
07:58in their knowledge.
08:00I believe they will
08:02understand the film.
08:04I always discuss with them.
08:06I believe they will
08:08understand the film.
08:10That's why I made the film.
08:12I believe they will
08:14understand the film.
08:16I believe they will
08:18understand the film.
08:20I believe they will
08:22understand the film.
08:24I believe they will
08:26understand the film.
08:28It's a happy film.
08:30You've finished your first film.
08:32You've been away for two years
08:34due to the COVID lockdown.
08:36Was it planned?
08:38No.
08:40I was going to make
08:42another film.
08:44I was booked for a hero.
08:46But I couldn't wait
08:48because of the pandemic.
08:50So, I decided to make
08:52another film.
08:54I was worried about
08:56the hero's date and
08:58the budget.
09:00So, I had to write
09:02another story.
09:04That's the story
09:06of Thandakaran.
09:08Can I know
09:10the story?
09:12Which one?
09:14The one you started.
09:16No.
09:18I don't know.
09:20Everyone knows about it.
09:22So, that film is
09:24very important to me.
09:26I couldn't shoot it
09:28because of the pandemic.
09:30So, I had to make Thandakaran.
09:32Maybe you can come back
09:34in the future.
09:36I'm sure it'll be my next film.
09:38Thandakaran means
09:40the suffering of the people
09:42in the Thirukasi forests.
09:44Did you convey anything
09:46like that in Thandakaran?
09:48No.
09:50Thandakaran has
09:52many meanings.
09:54Thandam means
09:56crime.
09:58Aranyam means forest.
10:00So, Thandam means
10:02will.
10:04There are many meanings like this.
10:06Thandakaran forest
10:08comes from our
10:10history.
10:12It's where Ravana
10:14lived.
10:16There are many
10:18Ravana temples,
10:20Mandodari temple,
10:22Surpanakhi temple,
10:24etc.
10:26So, Thandakaran forest
10:28is not in one state.
10:30It is in
10:326-7 states.
10:34So, the wealth
10:36of the people
10:38is there.
10:40In India,
10:4240% to 60%
10:44of the wealth
10:46is in Thandakaran forests.
10:48So, for the wealth,
10:50the suffering of the people
10:52living there
10:54and their dreams
10:56and their
10:58needs are
11:00more than enough.
11:02More than enough,
11:04what is happening here is
11:06more than enough.
11:08The owners here
11:10are suffering
11:12because of these
11:14poor people.
11:16So, the wealth
11:18of the people
11:20is more than enough.
11:22That's all.
11:24How do you research for this?
11:26Do you read about it?
11:28No.
11:30We don't feel
11:32the 70 scenes of a movie.
11:34An incident
11:36affects us.
11:38Because of that incident,
11:40we continue to
11:42yearn for some things
11:44from that tiger.
11:46That tiger
11:48keeps on
11:50torturing us.
11:52That tiger
11:54keeps on
11:56torturing us.
11:58So, we add
12:00many things to it.
12:02That's how we bring
12:04a story.
12:06I went to a forest
12:08to write a story
12:10for a film.
12:12I was staying alone
12:14and writing a story.
12:16I had a brother
12:18who brought me food every day.
12:20I talked to his
12:22assistant during my free time.
12:24He told me some stories.
12:26From that story,
12:28I added some more
12:30stories that I had
12:32already researched.
12:34That's how I wrote the story.
12:36Is it still going on?
12:38Yes.
12:40Where is that forest?
12:42It's at the border
12:44of Karnataka and Tamil Nadu.
12:46It's near the Ayur forest.
12:48Is that the place
12:50where you shot the film?
12:52No.
12:54We shot the film
12:56at the Ayur forest.
12:58We shot the film
13:00in Telangana and Andhra.
13:02We shot the film
13:04at the border of Tamil Nadu.
13:06We shot the film in Jharkhand.
13:08We shot the film in many other places.
13:10Is this the same location?
13:12No, it's a different location.
13:14You can only see it in the film.
13:16In this film,
13:18only Kalayarasan and Dinesh
13:20are the actors.
13:22Was there anyone else
13:24before them?
13:26Kalayarasan was the
13:28first actor.
13:30Kalayarasan and Ameer
13:32were the first actors.
13:34I told the story
13:36to Ameer.
13:38Most of us were scared
13:40to tell the story.
13:42I told the story
13:44to Ameer.
13:46I told the story
13:48to Ameer.
13:50When he heard the story,
13:52he said,
13:54I won't listen to the story.
13:56I'll act only if I like it.
13:58I'll act only if I like it.
14:00I'll act only if I like it.
14:02I'll act only if I like it.
14:04I'll act only if I like it.
14:06I'll act only if I like it.
14:08I told him the story for 45 minutes.
14:10He liked it.
14:12He liked it.
14:14He told me to give the script.
14:16I gave him the script.
14:18He agreed.
14:20We finished the conversation.
14:22I had gone to the location
14:2410 days before the shoot.
14:26Ameer wanted
14:28to shoot a different movie.
14:30We lost 5-6 months
14:32after he shot it.
14:34I was already
14:36in corona for 3-4 years.
14:38I was already in corona for 3-4 years.
14:40I was already in corona for 3-4 years.
14:42I didn't know
14:44what to do next.
14:48Then I met
14:50my first film hero Dinesh.
14:52He didn't listen to the story.
14:54I didn't want to listen to the story, so I did it.
14:56He accepted the trust I had in Neelam Productions.
15:03I couldn't find a tower in the forest for 5 minutes,
15:07so I came to a place where I could find a tower.
15:09The production told me to lock the hero and leave.
15:12They told me to come.
15:14I said, no, no, I'll get it ready.
15:17I called Ranjith Chaudhary from there.
15:22Ranjith Chaudhary asked me if Dinesh Chaudhary was okay.
15:27He said, if it's okay for me, it's okay for him.
15:31I messaged Dinesh Chaudhary on WhatsApp for 5 minutes.
15:40He listened to the story and sent me a look.
15:43He asked me if the look was okay.
15:45He didn't even say it was okay.
15:47He said it was okay because of the look.
15:49We used to get angry with each other.
15:51We didn't talk for a long time.
15:53We didn't talk for a year.
15:55I was talking to him because of the story.
15:57I understood that my situation would be a hindrance.
16:03I understood that I was in a difficult situation.
16:05I said I would do the film immediately.
16:07I didn't have any problems.
16:09I thought about it very well.
16:11Even if Ameer brother was there,
16:14I would have believed that.
16:16There was no bus in the town where I shot the film.
16:19We were the only people to board the bus.
16:21We were the only people to board the bus.
16:23We were the only people to board the bus.
16:25The car was a high-tired car.
16:27It was a Jeep.
16:29It wasn't the normal car that'd go to Enova.
16:31In a situation like that,
16:33we didn't have a caravan.
16:35There was no bathroom.
16:37Everything was very close by.
16:39It was a small town.
16:41I was very scared.
16:43There was no bathroom. You couldn't eat non-veg there.
16:46It was a place like this.
16:48In that place, all the houses were drunken houses.
16:51The windows of the houses were always open.
16:55It was like a newly built Kurupose house.
16:58They built clothes around it.
17:00The floor was made of cement.
17:03That's how everyone changed their clothes.
17:06There was an ordinary school in Todakapalli.
17:11It was near Idipadukal.
17:13That's where they shot the film.
17:15Dinesh was a great support to me.
17:18When the film was over, he told me
17:22that if it was a happy shooting, it would be a punishment.
17:27He said that.
17:29After that, Kalaiarasan came and told me.
17:32Kalaiarasan said that this film would be very important for him.
17:36I have a lot of respect for his acting.
17:39Even if he had played a good character,
17:44he didn't do well.
17:46I told Ranjith that Kalaiarasan would change through this film.
17:53He told me to trust Kalaiarasan.
17:58He trusted me.
18:01Everyone who saw the film was emotional about Kalaiarasan.
18:07That film will definitely change Kalaiarasan.
18:11Everyone is expecting that.
18:13He's a great actor.
18:15You mentioned Amir sir in the beginning.
18:18Do you have a personal connection with Amir sir?
18:21How did you approach Amir sir?
18:26Amir sir and I have a personal connection through Karuthi Ela.
18:31Amir sir's speech, his films, his voice,
18:38his voice against injustice, religion, casteism,
18:43he is a person who keeps on raising his voice.
18:46Most of the people would say,
18:48no matter what happens, I don't care.
18:50He keeps on raising his voice against Jallikattu,
18:54all the religions that exist here.
18:59Even if I'm far away from him,
19:01even if I don't talk to him,
19:03I have a great affection for him.
19:06Only those who raise their voice against
19:09social issues can be true artists.
19:12We can only develop love for them.
19:15Even if I have a friend who gives me everything,
19:19I don't develop love for him.
19:24I have a great affection for all the artists
19:29who raise their voice against injustice.
19:32I don't know if I've spoken to Amir sir in person,
19:35but I saw him for the first time when I went to tell my story.
19:38I thought he'd be a good fit for the story.
19:41I had a great affection for him,
19:44so I wanted to do this film with him.
19:47I was surprised when you said that you don't have a connection.
19:50When you started this film,
19:53Dinesh would have been an ordinary Dinesh.
19:56But now he's changed to Gethu Dinesh.
19:59Did you ask him to do this film?
20:02No, I didn't want to do Gethu Dinesh.
20:05He does a lot of films,
20:08so I wanted him to be Dinesh.
20:11But he wanted to do Gethu Dinesh,
20:14so I wanted to do it.
20:17I wanted to do Gethu Dinesh,
20:20so I fulfilled his wish.
20:23People also wanted me to do Gethu Dinesh.
20:26They announced it in the post itself.
20:29His friends and fans liked it,
20:32so I did it.
20:41Dinesh is an actor,
20:44and he reads a lot of books.
20:47Have you met him in person?
20:50He doesn't read much,
20:53but he talks a lot about Vallalar.
21:01You said that you fought with Dinesh a lot.
21:04Ranjith sir and you had an incident
21:07when you went to Cochin for a film.
21:10Do you go out of your comfort zone?
21:13A friend is someone you have to befriend.
21:16You can only befriend someone
21:19who is open to you.
21:22If you say something,
21:25it's only the machine that will say it.
21:28A simple human being
21:31will only do small things.
21:34We have to talk about it,
21:37understand it,
21:40and listen to it.
21:43That's why we have been friends
21:46for the last 15 years.
21:55We heard that the Tamil people
21:58were emotional when you shot the film.
22:01How was that?
22:10It's like telling a story.
22:13It's true.
22:16When I shot the film,
22:19I had a personal incident.
22:22My grandfather bought a land
22:25for 250 rupees 50 years ago.
22:28He struggled to buy the land.
22:31The three of them
22:34didn't have any worries about it.
22:37My grandfather told me
22:40a lot of stories.
22:43When he went to buy the land,
22:46he got beaten up,
22:49he had to go through a lot
22:52to buy the land.
22:55He told me a lot of stories.
22:58He told me that he struggled
23:01to buy the land
23:04for 250 rupees 50 years ago.
23:07After he died,
23:10I had only those memories.
23:13My grandfather told me
23:16a lot of stories about the land.
23:19He and his wife had to take care
23:22of the land.
23:25He struggled to buy the land.
23:28He had to dig a well
23:31to buy the land,
23:34he had to dig a well
23:37to buy the land.
23:40He struggled to buy the land.
23:43When he sold the land
23:46without realizing
23:49that it was for the next generation,
23:52his hands shivered.
23:55That's how I shot the film.
23:58Most of the Tamil and Kannada speakers were there.
24:03When I said cut, I got emotional.
24:07When I looked around, there were 200-300 people crying.
24:12That was a truth that happened in my life.
24:15I was happy that people accepted that truth through tears.
24:20They said, okay, we got it right. It's true.
24:24It's a pleasure to watch that scene.
24:27In your first film, Tenma, you played the role of Justin Prabhakar.
24:31Why did you choose him?
24:33I wanted to make my first film with him.
24:38His songs like Pannaiyarampath Muniyum, Orunal Koothal, Adiyazhagam, Adiyazhagai...
24:46He is a great actor.
24:52I'm not interested in working with scientists.
24:56I don't need that.
24:58I have a story.
25:00I fight to make that story.
25:03You say no to me.
25:05You treat me well.
25:07You talk to me whenever I call you.
25:09You are my friend.
25:11It's enough to have a partner who is like a brother to me.
25:15When I choose a technician,
25:19I see how close they are to me.
25:21I see how true they are to me.
25:24I've been watching Justin for a long time.
25:28He was the one who did Gund.
25:31I wanted to work with him.
25:34I worked with Tenma because of a small collaboration.
25:38The film was good.
25:40I liked the Gund album.
25:43When the next film came out,
25:46I thought it would be good to work with Justin.
25:49I thought Gund would be stronger.
25:52You must have heard the song.
25:54It was a big success.
25:56The next song will be out soon.
25:58He did a great job with the album.
26:00He did a great job with the background music.
26:03He is closer to me than other musicians.
26:07I feel like he is looking at me.
26:10That's why I want to work with him.
26:12I want to keep working with him.
26:14You want to keep working with him.
26:16On the other hand,
26:18you are doing this film in Neelam production.
26:21Why are you doing this film in Neelam production?
26:24Why don't you do it outside?
26:26It's not like that.
26:28It's not that I didn't do it outside.
26:31I've tried a lot.
26:33We've tried at least 20 companies.
26:37I've been asked to play a few big characters.
26:40I've told them my story.
26:42It's been a long journey.
26:45But it hasn't stopped at one point.
26:49Ranjith is calling me again
26:52because I'm not doing a film.
26:57I was committed to Kasi.
27:00She liked the story.
27:03It was his commitment.
27:06I had no choice but to come back to Neelam.
27:09I was committed to Kasi.
27:12I was committed to Kasi.
27:15I had won the film.
27:18I had made a lot of money.
27:21I was fighting with Corona again.
27:24Many heroes had heard the story.
27:26But Corona was over.
27:28I was fighting with Corona again.
27:31I was fighting with Corona again.
27:34Ranjith was feeling my pain.
27:37He was calling his son to go somewhere.
27:40He was calling his son to go somewhere.
27:43He didn't want to lose money.
27:46He didn't want to lose money.
27:49He didn't want to lose money.
27:52He wasn't a dutiful son.
27:55He didn't want to lose money.
27:58He didn't want to lose money.
28:01He was feeling the pain.
28:04People were talking about his film.
28:07and he would have told me about it with the help of his friends.
28:11Two or three of them have told me about it.
28:14He called me again when he was telling me about it.
28:17He said, if they can do it, we can do it.
28:19That's how it is.
28:20It was only to get out of my way that he brought me back to Nellam.
28:23I didn't want to make a film for Nellam.
28:25They are constantly creating new actors.
28:28They are constantly making films with good stories.
28:32There is no discrimination there.
28:35They are working with honest people.
28:39I am a filmmaker.
28:41I have been working with many heroes.
28:43That's why I have been able to get out of my way.
28:46He is the one who brought me back to Nellam.
28:48He said, my son is roaming around.
28:50You are like a brother to him.
28:54Definitely.
28:55I can call him my brother.
28:57I can call him my father.
28:59I can call him my friend.
29:00I can call him my uncle.
29:01I can call him my brother-in-law.
29:02I can call him anything.
29:03He is the one who is responsible for everything.
29:06Have you planned the release date?
29:09When can we expect it?
29:10The film is over.
29:12Chen sir has given me a good certificate.
29:15All my co-workers are with her.
29:22I have to decide when with Ranjith.
29:25The next film is Bottle Radha.
29:28It will be released on December 20th.
29:30The next film will definitely be our film.
29:33There is a lot of controversy about the review.
29:37You must have heard about it.
29:39It is not allowed to review a film in front of the FDFS.
29:41It is not allowed to review a film in front of a theatre.
29:43It is not allowed to review a film in front of a theatre.
29:45It is not allowed to review a film in front of a theatre.
29:47Is it right?
29:48How do you see it?
29:49I think a review is necessary.
29:52Everyone has a right to it.
29:55There is no problem as long as you are at home.
29:58Everyone has a right to talk about it.
30:05Everyone has a right to express their opinion.
30:08But the people who express their opinion...
30:10...should not have any personal hatred.
30:12They should have a genuine concern for the production.
30:15It is important for the film to have a healthy development.
30:21It is important for the film to have a healthy development.
30:25I think it is not healthy to talk about it without planning.
30:32Everyone has a right to express their opinion.
30:35But we should have a genuine concern for the film.
30:39We have seen Ranjith's films from the beginning.
30:44We have heard that he criticizes casteism.
30:51How do you feel when you see his films?
30:54I don't know if Ranjith says...
30:58...that the film is a part of the God's tradition.
31:01No, he has not said that.
31:03People who talk about casteism...
31:06...and people who speak of casteism...
31:09...differ a lot.
31:11That is the problem.
31:13No one is prepared to debate casteism.
31:17They believe in one thing blindly. That's how they believe in religion. That's how they believe in caste.
31:28You shouldn't even bring that up for debate. You shouldn't even criticize that. You shouldn't even doubt that opinion.
31:35They believe in the idea of a holy bond, of the holy and ungodly, of God's lineage, of religion, etc.
31:44You shouldn't even doubt them. You should just accept their opinion. That's how they are educated.
31:51They believe in that.
31:53This is against science, this is against us, this is against the society, your child is going to grow up in a superstitious society.
32:07Those who ask questions like this are the ones who cannot bear it.
32:12That is why they continue to incite casteism.
32:16Their intelligence is such that they cannot differentiate between those who incite casteism and those who fight against it.
32:29If you wish, you can answer this question.
32:32You must have heard about the song Ayyappa Swamy sang in the Margalil Mangalizai program five years ago.
32:40It has become a big trend now.
32:42The song was sung five years ago.
32:44They have also complained against the murder.
32:46What do you think about this?
32:48This is against those who are in power.
32:58This is against the injustice they do to their comfort and honour.
33:07They cannot accept any of the injustice they do to their comfort and honour.
33:22But if you look at the history of this society,
33:27they have been crushed by those who continue to raise their voices against those who are in power.
33:35But none of them can run away for that.
33:38Those who want to run away have raised their voices against Esaiwani.
33:43It is wrong to think that Esaiwani alone can stop the others.
33:50Those who continue to be oppressed are the ones who continue to struggle to change the society.
33:59They can sing a song and run away like everyone else.
34:07But this is against science and society.
34:12The next generation must be more determined.
34:16If we are determined, we will get many benefits.
34:20If we are not determined, our knowledge will be a threat to society.
34:27This is the responsibility of the society.
34:33This song is based on that responsibility.
34:36We must realise that.
34:39It has been five years since the murder.
34:42Why are they bringing it up again?
34:45This is what I am saying.
34:47Those who are in power want to use themselves.
34:52Esaiwani is singing the song when he is in pain.
34:57He is singing the song when he is in trouble.
34:59But they are not like that.
35:01It is a chance for them to use themselves.
35:04Do we believe that all this will change?
35:07No, it will change.
35:09Only when there is change, it will not change.
35:12The society has changed because of these struggles.
35:20I am not saying this as a scientist.
35:23If you look at the history of this society,
35:28you can give many examples.
35:32No one believed that the world was round.
35:35Even those who believed that the world was round have died.
35:38That is why I am saying that not everything is easy.
35:43This struggle will continue until the next generation.
35:46Finally, we will have a small segment.
35:49Some of the films that you have watched will be hidden here.
35:54You can take three of them and share your memories.
35:59You can take three of them and share your memories.
36:14I don't know how to show this.
36:17Oh, Vijay.
36:20I have seen his film Tharai.
36:25I have heard his interview in Arasi.
36:29That is his ideology.
36:32When it comes to action, there are many elements.
36:40When it comes to action, we will see.
36:43Do you have any memories of Vijay?
36:46I like his films.
36:49I like his films.
36:52I have seen his films.
36:55I have seen his films.
36:58I have seen his films.
37:01I have seen his films.
37:08Vijay Gandhi.
37:10There are many fans in my village.
37:14I am a fan of Vijay Gandhi.
37:17I am a fan of Vijay Gandhi.
37:20Ramarajan is a fan of Vijay Gandhi.
37:23Kamal sir and others are less in number in my village.
37:29Only three people are more.
37:32Saripathi is a fan of Vijay Gandhi.
37:35Rajinikanth is a fan of Ramarajan.
37:38All of them will bring five films of Vijay Gandhi.
37:44All of them will bring five films of Vijay Gandhi.
37:49We will bring five films of Ramarajan.
37:52We are fans of Rajinikanth.
37:55We will watch all these films.
37:58While watching, we want to see their films.
38:01After getting money, we will watch Rajinikanth's films.
38:04I have seen many films of Ramarajan in my childhood.
38:10I have seen many films of Ramarajan in my childhood.
38:12Similarly, I have seen all films of Vijay Gandhi.
38:16Every time when they play the deck, no matter who dies, they play the deck.
38:20For Karumathi, Kaadukuthu, Manjalnirattu, Kalyanam, they play the deck for everything.
38:30We are very excited to see what kind of films are going to be released.
38:34I like all of his films.
38:37Especially his songs are very important.
38:46Last one.
38:52Yekular Bharathi Raja.
38:57I like his gentleness.
39:06He introduced a lot of new things in Tamil cinema.
39:11He gave us the confidence that anyone can do it.
39:15We want to hear about his emotional relationships with his friends.
39:21Especially about Ilaiyaraja and Vairamuthu.
39:24We want to hear about his friends and his memories.
39:29We saw his interviews and his stories.
39:34We saw how he chose the actors.
39:37He spoke with a lot of enthusiasm.
39:44I like that about him.
39:49He has different political views.
39:52I like him as a person.
39:55Super.
39:56Thank you to our team for giving us this opportunity.