世界！ニッポン行きたい人応援団 2024年12月9日 人形浄瑠璃を愛するポーランド人
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TVTranscript
00:00This time, the guest we invited to Japan is...
00:17How are you?
00:18I'm fine.
00:21On the plane, I was listening to Japanese rock music and getting excited.
00:26What is rock music?
00:28I think it's Kurenai and X-Japan.
00:39Marta is a university student from Poland.
00:44What did she meet?
00:48In June this year, at a Japanese festival held in Warsaw,
00:54I was invited to the special booth of the program.
00:59I wanted to go to Japan, so I asked for a passionate person.
01:05I've loved Japan for more than 10 years,
01:09and my favorite thing is the doll jewelry.
01:15Doll jewelry.
01:18Wow!
01:25What's wrong with this doll?
01:27I go to the Department of Dolls at the University of Performing Arts in Warsaw.
01:34This was donated to the university more than 40 years ago.
01:40My dream is to spread the beauty of doll jewelry to Poland.
01:47At first glance, it looks normal.
01:50But...
01:55It's crying.
01:57It expresses emotions as if it has a soul.
02:02This doll is...
02:08It's evil just by looking at it.
02:12Finally, it becomes a monster.
02:15It's scary.
02:18It's scary.
02:22The world has never seen such a high-degree doll play.
02:27This is the doll jewelry that bloomed in the Edo period.
02:33Doll jewelry is the first time in the world that three people play a doll.
02:40The movement is more human than human.
02:44The three people who play the doll for the first time are...
02:50The one who moves the head and right arm, Omozukai.
02:54The one who moves the left arm, Hidarizukai.
02:58The one who moves the legs, Ashizukai.
03:02These three people control the doll together.
03:08They realized the movement of a lively doll that had never been done before.
03:14That's amazing.
03:16The technique and various expressions are highly valued in the world.
03:22The doll jewelry literature in Osaka is registered as a UNESCO Intangible Cultural Heritage.
03:29In recent years...
03:33I did it.
03:35Really?
03:38The stage that collaborated with the manga, One Piece.
03:45Wait a minute. Have you ever seen this?
03:50That's amazing.
03:54That's amazing.
03:55It's a perfect choreography.
03:58That's amazing.
03:59If this dance video gets 70,000 likes on social media...
04:05It also gathers popularity among young people.
04:08That's interesting.
04:11We have a lot of things not only about this doll, but also about doll jewelry.
04:19So, the next day.
04:21To hear the details, they went home.
04:27Hello.
04:28Hello.
04:34It's a beautiful room.
04:39It's a very small room.
04:41Do you practice at home?
04:43Yes.
04:44Of course.
04:45Practice is very important.
04:47When I'm at home, I always touch the doll.
04:52Marta lives alone in a one-room apartment.
04:56I have a picture.
04:58That's...
04:59This is a play using doll jewelry.
05:03It was performed with a friend of the same department.
05:09Ever since two years ago, she has been performing regularly with Eva, who is also in the same department.
05:18They create their own stories.
05:21It's a doll jewelry that only two people can play.
05:27In Japan, three people control the doll.
05:31Here, it's difficult to reproduce, so I'm controlling it alone.
05:38What you can learn at university is...
05:40In Europe, it's a common thing to control a marionette with a thread.
05:45Dolls are also one of the performers in doll plays.
05:51Unfortunately, European doll plays don't have the delicate expressiveness of doll jewelry.
05:58I fell in love with doll jewelry that moves as if it were alive.
06:04They practice using dolls on their own, referring to books and videos at school.
06:13For example, can you play a sad doll?
06:34It's emotional.
06:37I think it's amazing that your expression changes a lot.
06:44The main character is a doll, so she usually wears black clothes.
06:51But she pretends to be a doll.
06:55Real jewelry dolls have eyelids, eyes, and a mouth.
07:03This is a doll made by a Polish craftsman about 40 years ago.
07:13Japanese craftsmen make real jewelry dolls.
07:18The inside of the doll's face is decorated with jewelry.
07:22By moving all the parts of the doll, you can express various emotions.
07:29Oh, I see.
07:32In the first place, why did you become a fan of doll jewelry?
07:38Actually, I've loved acting since I was a kid.
07:42When I was 7 years old, I was on stage.
07:47Marta has been on stage as an actress since she was a child.
07:53When she was 18 years old, she saw a Japanese movie for studying.
08:00I saw a movie by Kihachiro Kawamoto.
08:03I learned about doll jewelry for the first time.
08:06I thought I wanted to do it, too.
08:10In 1976, animation writer Kihachiro Kawamoto made a movie called Dojoji.
08:19By moving the jewelry doll, you can express various emotions.
08:26It won many awards in Japan and abroad.
08:31Since I saw this movie, I've been trying to be a doll user.
08:41Marta has never been to Japan yet.
08:46There's something she really wants to learn.
08:50Now I'm using it alone without anyone.
08:55I want to learn how to use three people.
09:04I want to learn how to use three people.
09:09I want to go to Japan.
09:11I want to go to Japan.
09:14Marta's invitation to Japan.
09:21Welcome to Japan.
09:27She went home to tell her invitation.
09:32She doesn't know she can go to Japan yet.
09:36Marta's invitation to Japan.
09:39Welcome to Japan.
09:42Marta's invitation to Japan.
09:45Marta's invitation to Japan.
09:48She's already noticed.
09:51No way.
09:55Do you want to go to Japan?
09:58No, no, no.
10:00She heard it once.
10:04Do you want to go to Japan?
10:05No.
10:07Great.
10:09No.
10:10France?
10:11Great.
10:14Do you want to go to Japan?
10:16No.
10:17You don't have to go to Japan.
10:22Marta, Poland?
10:24No.
10:27Japan.
10:30Do you know?
10:31Do you want to go to Japan?
10:33No.
10:37Great.
10:38I'm so happy.
10:39I'm so happy.
10:42She also told the doll.
10:45I usually tell my mom.
10:50She's calling.
10:53She went to Japan.
10:57Great.
10:58Great.
10:59Great.
11:01Then.
11:04Marta.
11:05Marta.
11:07Welcome to Japan.
11:08Welcome to Japan.
11:09Welcome to Japan.
11:12She went to Japan for the first time.
11:14Welcome to Japan.
11:15Welcome to Japan.
11:16Welcome to Japan.
11:18She went to the south of Awaji Island, Minami Awaji City.
11:29Actually, a few days ago.
11:33This is a book I borrowed from the university I go to.
11:39It was sent to me by the people of Awaji Ningyoza.
11:45If I can learn from Awaji Ningyoza, there is nothing more honorable.
11:51Awaji Ningyoza is held every year at the Awaji Ningyoza in Osaka.
12:02I didn't know.
12:03I didn't know.
12:04It's in Awaji Island.
12:07The history of Awaji Ningyoza is about 500 years.
12:13It is also designated as an important national cultural property of the country.
12:20It is also popular on SNS.
12:26Recently, it has been played more than 1.5 million times.
12:31Great.
12:33It is not only popular in Japan.
12:37It has performed overseas in 21 countries and regions.
12:43This time, Maruta-san told her passion.
12:47She accepted it wholeheartedly.
12:52Yes, I am in Awaji.
13:04Hello.
13:13It's cool.
13:15I don't think it's real.
13:20And...
13:27Good morning.
13:28Good morning.
13:29Good morning.
13:39Good morning.
13:43My name is Marta.
13:49I am from Poland.
13:53It was my dream to come to this Awaji Ningyoza several years ago and learn about doll jewelry.
14:04I am really happy to meet you today.
14:13Thank you for coming to Awaji Island in the countryside.
14:22I am glad that you are interested in Awaji Ningyoza.
14:28I hope you can learn a lot.
14:31I'm glad.
14:32Thank you very much.
14:37Awaji Ningyoza's members welcomed Marta.
14:44The first one is Shin-Kuro Yoshida, who has been a doll maker for 40 years.
14:52Actually, my university professor came here in 2002 and got your autograph.
14:59What? Really?
15:04Yes.
15:05The autograph of Shin-Kuro, 22 years ago, was on the book he was reading to study in Poland.
15:14It's true.
15:15Wow.
15:17I was surprised.
15:19It's an honor to learn about Awaji's history of doll jewelry.
15:25Awaji Ningyoza has a history of about 500 years.
15:32The origin of Awaji Ningyoza is said to have been passed down to Awaji Island by the original doll maker, Hyakudayu.
15:39Wow.
15:41Hyakudayu used to manipulate dolls as a symbol of devotion to God.
15:46However, in the Edo period, the technique of manipulating dolls and the jewelry that tells stories along with shamisen were combined to make doll jewelry.
15:58It was combined here.
16:00Along with Kabuki, it became a popular entertainment.
16:04Many dolls on Awaji Island are popular all over the country.
16:09Wow.
16:11It is said that Awaji Ningyoza is the only place in the region where there is little entertainment.
16:18Wow.
16:20Awaji Ningyoza is the only place in the region where Awaji Ningyoza is held.
16:30Awaji Ningyoza is held four times a day.
16:33Wow.
16:35At Michelin Green Guide, where you can find recommended tourist spots, you can get two stars.
16:43Wow.
16:45Let's ask the customers who saw the performance.
16:49Which side are you from?
16:50I'm from Ibaraki Prefecture.
16:51I see.
16:55We are from Osaka Prefecture.
16:57I see.
16:59Dolls move like living things.
17:02You can understand the history.
17:04I don't think it's boring.
17:07Let's see the performance.
17:10I can't see it.
17:16This story is based on the story of Yaoyao Shichi, who had a fire accident and was buried at home.
17:28I'm so sad.
17:37Three people breathe together and control one doll skillfully.
17:43The movement is as if they are alive.
17:51There is the story of Taiyu and the sound of shamisen.
17:58They become one and create the stage.
18:03The climax is the scene where Shichi climbs the Hinomiyagura and rings the bell.
18:11Wow.
18:15Maruta, who first saw Japanese doll jewelry, said,
18:22It was much more wonderful than what I saw in the video.
18:26It was as if three professional skills were well-combined and the doll was really alive.
18:34And then...
18:38It was as if magic had been cast on it.
18:41I couldn't see the person controlling the doll.
18:45I was completely absorbed in the doll's performance.
18:49Wow.
18:51That's the best compliment for us.
18:56I'm the happiest.
18:58How do they control the doll as if it were alive?
19:04Especially, the stage.
19:06Wow.
19:07This is the stage.
19:09It's called the bottom of the sea stage, and it's characterized by a dent like this.
19:14The stage called the bottom of the sea is one step lower than the ground for the doll.
19:21By controlling the doll with this dent, the audience can watch it from a height of sight.
19:31This is Yoshida Senko, a doll maker.
19:35I'm Yoshida Senko.
19:37Nice to meet you.
19:38Nice to meet you.
19:39My name is Maruta.
19:41It's been 12 or 13 years since she came in, so she's on stage as a leader.
19:46That's great.
19:47She'll be my disciple.
19:50It's been a year since she came in.
19:52Her stage name is still unknown, so I call her Morita Hina.
19:56She'll do her best to make everything she learns her own.
20:02Yes.
20:04Then...
20:05I prepared a bag for you to train at home.
20:13Wow.
20:15Please come up here.
20:16Wow.
20:18She prepared a bag for you to train at home.
20:23Wow.
20:26Here.
20:31It's done.
20:33It's done.
20:34It's done.
20:36From today, Maruta will be my partner, Zain.
20:40I'm looking forward to it.
20:41I want you to learn the skill of making dolls.
20:44On the last day, I'll let you know what you learned at home.
20:50Wow.
20:53I never dreamed of that.
20:56I'll do my best.
21:02Her eyes are sparkling.
21:05The most important thing in a trio is teamwork.
21:10She wants Zain to learn it through her experience.
21:15And she has a big task to give a presentation in front of Zain.
21:23I'll do my best.
21:26Where do you want to go when you come to Japan?
21:29I want to go to a shrine other than a doll jewelry store.
21:34I often went to a shrine in Sailor Moon.
21:38I admired it.
21:41Do you like Sailor Moon?
21:44I have a lot of memories of it.
21:47Which band do you like?
21:48X-Japan.
21:53Really?
21:54Yeah.
21:56We understand each other.
21:58I love you.
21:59I love you, too.
22:01I love you, too.
22:03When I was a kid, I was like,
22:04blue, green, yellow, red, no, black!
22:09I was beaten up by my parents.
22:11Stop it.
22:12I'm sorry.
22:13Anyway, I'll let you hold the pillar.
22:19Finally, it's time to use the doll.
22:25The most important thing in a doll is the movement of the shoulders.
22:30She's walking with this movement.
22:32Wow.
22:34She's a woman.
22:36She's totally different.
22:41Mr. Malta from Poland, who loves doll jewelry, came to Awaji Doll Shrine.
22:52He'll show us how to use the doll.
22:56The most important thing in a doll is the movement of the shoulders.
23:03He'll show us how to use the doll.
23:10The most important thing in a doll is the movement of the shoulders.
23:14She's walking with this movement.
23:16She's walking with this movement.
23:18Wow.
23:20Wow.
23:21Wow.
23:23When she moves her shoulders in a straight line,
23:29she looks strong and masculine.
23:34When she moves her shoulders in a curved line,
23:39She's a woman.
23:41she looks soft and graceful.
23:44She's totally different.
23:45The most important thing in a doll is the movement of the shoulders.
23:54The most important thing in a doll is the movement of the shoulders.
23:58Mr. Malta will try, too.
24:07Wow.
24:09It's difficult.
24:10It's difficult.
24:13How can she move smoothly like Mr. Sinkuro?
24:18It's hard to explain.
24:24He'll show us how to move without a kimono.
24:30I can't explain it.
24:32It's hard to feel.
24:34I use my wrists and fingers a lot.
24:38She's a woman using her wrists and fingers.
24:43It's very detailed.
24:49For example, a man's doll doesn't walk like this.
24:56Because there is no movement like this,
24:59There is a movement called Kime in Kabuki.
25:05It's like this.
25:07Each doll has a different movement.
25:11In the first place, a doll has a simple movement such as walking and standing,
25:17and the expression of emotions such as seeing, waking up, and crying.
25:22The basic movement of the shoulders is about 160.
25:29In addition, the movement of the shoulders changes depending on gender, age, and occupation,
25:36so you can't count the movements you have to remember.
25:42After that, Mr. Malta practiced only shaking his shoulders.
25:52My arms are getting tired.
25:54I'm going to take a break.
25:56I do the same thing over and over again.
26:00Even if I do it, I don't like it.
26:04It's very difficult, but it's fun to practice.
26:09I'm glad I didn't hate it anymore.
26:12I was worried.
26:14I was curious.
26:17Why do you all have the name Yoshida?
26:22You're not a family, are you?
26:25Our Yoshida was called Yoshida Denjiroza.
26:32The predecessor of Awaji Ningyoza was Yoshida Denjiroza, which became popular in the Edo period.
26:40In order to keep that tradition, all the dolls are named after Yoshida.
26:52This day was an experience as a member of the association from the morning.
27:00In the morning park, you can see dolls and small items.
27:10Nice to meet you.
27:12I'm 25 years old.
27:15Me, too.
27:17We're the same age.
27:19We're classmates.
27:21There are a lot of young people.
27:24Three of us.
27:26We're all classmates.
27:2825 years old.
27:29Hi, hi, hi.
27:31Thank you very much.
27:33In fact, there are five people in their 20s among 16 members, including trainees.
27:42It's cute.
27:44In Minami-Awaji City, where Ningyoza is located, doll jewelry is incorporated in the club activities of Shochu.
27:52Every year, the person from the club knocks on the door.
27:55Welcome.
27:57Welcome.
27:59Welcome.
28:01Welcome.
28:03Welcome.
28:06Mr. Shiko, a doll user, is a young educator.
28:11I can see a lot of people.
28:14We use dolls, but we also use people.
28:18Dolls represent people.
28:21I can see a lot of people, so I can see a lot of expressions.
28:26Meeting a lot of people is a way to become a doll user.
28:33Then...
28:35Where are you from?
28:37Poland.
28:40What kind of program is it?
28:42It's a program to support people who want to go to Japan.
28:45I'm glad to hear that. Thank you very much.
28:47It's amazing.
28:49It's amazing.
28:51It's amazing.
28:53The broadcast schedule is December 9th.
28:58Please watch it again.
29:02Thank you very much.
29:05And Ebisu, the god of fortune,
29:09Ebisumai, which wishes for the prosperity of the people, is unveiled.
29:14The main event is the famous Oudogugaeshi.
29:21Fusuma changes one after another.
29:24At the end, Karakuri, which uses the illusion of the eye,
29:28shows a large open space on the battlefield.
29:30It's amazing.
29:32It's amazing. It's interesting.
29:35It's a special experience to pull the Fusuma.
29:41It's interesting.
29:44It's really small.
29:49Lunch break.
29:52It's a nearby supermarket.
29:54Let's go there.
29:56Okay.
30:00This combination.
30:05This is an old lady from an ice cream shop.
30:10Here.
30:12Okay.
30:15It's a three-minute walk from Ninyoza to the Kikugawa store.
30:21This is a lunch box.
30:23They put rice in it.
30:25It's a very good system.
30:27Tonkatsu.
30:28Tonkatsu.
30:30Fried shrimp.
30:31This is a mackerel.
30:33Lenya.
30:34Lenya.
30:35It's very tasty.
30:36Okay.
30:38What is this?
30:39This?
30:40Yes, this.
30:41Do you want that?
30:42Fried shrimp.
30:43This is cute.
30:44Cute?
30:47If you buy a lunch box like this in Poland,
30:51it looks terrible.
30:53Really?
30:54And it's not delicious, but expensive.
30:58Do you want anything else?
31:01What is this?
31:03It's called hijiki.
31:04I don't know how to explain it.
31:08I'll try it.
31:11They buy hijiki and fried shrimp lunch box.
31:15Did everyone eat it?
31:18They have lunch with the doll users.
31:21That's nice.
31:23And...
31:24Eat this, too.
31:26This may be abalone food.
31:29What is it?
31:30Do you know what ham salad is?
31:31I don't know.
31:32It's ham salad.
31:34There is no such thing.
31:35There is no such thing.
31:36There is no such thing.
31:37It's delicious.
31:39And they go to the doll craftsman who represents Japan.
31:44There is...
31:49It's amazing.
31:50It's amazing.
31:55It's amazing.
31:57It's amazing.
31:58It's amazing.
32:00It's amazing.
32:07The history of about 500 years.
32:09Awaji doll jewelry is on the said Awaji doll table.
32:15The Polish
32:21He has lunch with the doll users.
32:25Nice.
32:26We're in the middle of a shoot.
32:28How old are you?
32:29I'm 25 years old.
32:31You're the same age?
32:32Yes.
32:33You too?
32:34Yes.
32:35Three of you?
32:36How old are you?
32:37Me?
32:38Yes.
32:39I'm 30 years old.
32:40She's young.
32:41She's young.
32:42She looks young.
32:44She looks young.
32:47I'm happy.
32:48I'm happy.
32:50I'm hungry.
32:55This looks delicious.
33:00Thank you for this meal.
33:01Thank you for this meal.
33:08Is it good?
33:09Yes, it's good.
33:10Is the fire-dried sukiyaki good?
33:11Yes.
33:12Fire-dried sukiyaki?
33:13Yes.
33:14What is this?
33:16What?
33:17It's seaweed, right?
33:18It's a typhoon.
33:22It's a little unbalanced.
33:24Is it good?
33:28But...
33:30It looks a little weird.
33:36Umeboshi.
33:38I don't know what umeboshi is.
33:40There's no seeds.
33:42No seeds?
33:44No seeds.
33:46I think there are seeds.
33:50Yeah.
33:52I was surprised.
33:54It's sour, right?
33:56It has an impact.
34:00Try this.
34:02This might be
34:04an awaji food.
34:06Do you know?
34:08I don't know.
34:10It's a salad.
34:12It's wrapped in ham.
34:14It's a ham salad.
34:16It's good.
34:18It's a potato salad.
34:20It looks good.
34:22It's good.
34:24There's no seeds.
34:26It's good.
34:28It's the first ham salad
34:30from Fukuoka.
34:32It's really good.
34:34It's good.
34:36I think Kikkawa's ham salad is the best.
34:38I think so, too.
34:40Did you get a cucumber?
34:42No.
34:44I don't need a cucumber.
34:56Senko is funny.
34:58And...
35:00After the performance in the afternoon...
35:02Let's walk.
35:04Let's practice this.
35:06The practice of three people
35:08was a dream.
35:10And...
35:12Please wear this
35:14and hold the doll.
35:18The stage is about 20 cm high.
35:22The stage is about 20 cm high.
35:24The stage is about 20 cm high.
35:26The stage is about 20 cm high.
35:28Because I wear this,
35:30it's easy to hold the doll.
35:32it's easy to hold the doll.
35:34t's easy to touch the doll.
35:52Because I wear this,
35:54the stage is about 20cm high.
35:56Senko-san is left-footed, and Morita-san is right-footed.
36:04Let's stand up and walk around.
36:08Let's stand up.
36:11Let's walk.
36:13Let's walk around.
36:15Let's come this way.
36:18Let's walk around.
36:24How can I move with everyone?
36:28Your hands are touching the bridge.
36:32We want to move here.
36:35If you move up and down, you can move your feet.
36:40The contents of the doll to be controlled are...
36:48a head, a wooden board, and a clay made of cloth.
36:52The hands and feet are just hanging by a string.
36:57In order to move this unstable body as if it were alive,
37:01the three people's cooperation is essential.
37:06So, the feet are moving the legs according to the movement of the waist.
37:16In addition, the standing body is...
37:19Let's turn around.
37:20You can move your shoulders a little.
37:23It's a sign of standing.
37:27OK.
37:30By sending a signal with the movement of the shoulders,
37:35the feet and left hand sense that they are standing up,
37:40and move according to it.
37:45Even if you just stand or walk,
37:48such a delicate technique is used.
37:53The three people's cooperation is not only the movement of the shoulders,
38:00but also the signal that corresponds to it.
38:06In order to learn it,
38:08the three people have learned the left hand for eight years,
38:11and finally learned how to use it as a whole.
38:18After that...
38:21Turn your hand and put your hand on it.
38:26Thank you very much.
38:29Raise it up.
38:31They practice the basic form.
38:33The opposite side of the face.
38:37When you spread it out, it's like this.
38:41If you can do it, please do it.
38:43Like this.
38:45Here is the content of the presentation from the master of the doll maker.
38:54Please remember today's lunch.
38:56You went shopping with Tenko, right?
39:00You bought a product at the kicker store.
39:03I want you to express that with a doll.
39:06Can you do that?
39:08I want you to express it to us.
39:12Please express it using the form you learned.
39:20It's difficult.
39:22It's interesting.
39:24In everyday situations,
39:27there are many basic human movements.
39:32Expressing them with a doll is the challenge of the presentation.
39:38Senko uses his left hand,
39:40Morita uses his foot,
39:42and Maruta uses his weight to practice.
39:47I thought there was Senko here.
39:49I'm actually here, but there's Senko here.
39:54They go to the kicker store while talking to Senko.
39:59When they arrive at the store, they sit down.
40:04They put their fingers through the ring on the doll's hand.
40:10They choose a vegetable instead of a lunch box.
40:18And they ask the clerk to pay.
40:25Finally, they say hello to the customer.
40:30I see.
40:32I didn't know there was such a small tool.
40:35I think it's great that you can do this much.
40:41But I have a little advice.
40:45When you sit down, close your armpits.
40:49Like this.
40:51This left arm is the back bone of this person.
40:56That's right.
40:57The left arm of the weight is the back bone of the doll.
41:02If the arm floats,
41:05the doll will have an unnatural posture.
41:09I see.
41:11And the hand is close.
41:16When you look at this, it's a little close.
41:22This hand is the hand of this person.
41:25Think about the area of this person and use it.
41:29And use it.
41:30The distance between the doll and the object was too close to concentrate.
41:36That's right.
41:37It's so close that you can't see it.
41:40Don't be a doll.
41:44That's very difficult.
41:46That's right.
41:49In Poland,
41:53the heart acts as if it were a doll.
41:57That's different.
41:59That's right.
42:02On the contrary, it is important to have an objective view of yourself and the doll.
42:10It's the other way around.
42:12After that,
42:18Marta practiced hard.
42:22Will the performance go well?
42:27A few days later.
42:32Shin-kuro brought us to a famous restaurant.
42:41It's the best.
42:45The staff also gathered.
42:49Are you ready?
42:51Thank you for your hard work today.
42:54From Poland,
42:57we want to come to Awaji Ningyoza.
43:01We want to come to Awaji Ningyoza.
43:08Thank you very much.
43:11Cheers for Marta.
43:14Cheers.
43:16Welcome to Awaji Island.
43:25There is a luxurious dish on the table.
43:30It looks delicious.
43:38Let's eat.
43:41Please eat.
43:47First, the fatty tuna.
43:51The sashimi is delicious.
43:56It's the first time to eat such a fresh and delicious sashimi.
44:03This is tempura soup.
44:06Octopus soup?
44:08Yes.
44:14It looks delicious.
44:17Octopus soup is a must.
44:21He didn't eat shrimp in Poland,
44:25but he came to Japan and fell in love with it.
44:28I fell in love with it.
44:30Shrimp is the best.
44:32Shrimp is the best.
44:34I love shrimp.
44:35Have you heard about the daily life of a doll?
44:38No, I haven't.
44:39Tell me about your daily life.
44:41She is a girl.
44:43You are asking too many questions.
44:46What is your hobby?
44:48Anime.
44:54She recently started skydiving.
44:58That's amazing.
45:00I want to try it.
45:02I want to try it.
45:04It's scary.
45:06My heart and body are separated.
45:09I'm afraid my heart will pop out.
45:11What is your hobby?
45:15I read books.
45:19What kind of books do you read?
45:21Self-Defense.
45:25I'm reading it now.
45:29I'm addicted to Solitaire.
45:33It's the first game on the computer.
45:37I get up in the morning and play Solitaire.
45:40I get up in the afternoon and play Solitaire.
45:43She is skipping work.
45:45She is skipping work.
45:48In Poland, people who play Solitaire say they are skipping work.
45:53It's a good chance.
45:55She is skipping work.
45:57You are a bad girl.
46:03She is skipping work.
46:05On this day,
46:07she came to the elementary school in Minamiyawaji City with the members of the student council.
46:16At the puppet show, they want to pass on the traditional arts of the area to the younger generation.
46:22It's good to watch when you are a child.
46:24At the elementary and junior high school in the city,
46:27they hold workshops to teach puppet jewelry through the year.
46:34It's amazing. It's walking.
46:36Does it look like it's walking?
46:38You can do this.
46:39What is this?
46:40You can kick it.
46:42Do you have any other questions?
46:44No.
46:46In fact, Senko decided to become a puppet user
46:50after being instructed by Shin Kuro at a high school club.
46:56That's why I got addicted to it.
46:58She went back to her seat.
47:01During the performance, she rented a dressing room and practiced on her own.
47:07She started by practicing greeting the audience.
47:14The teacher pointed out that her spine was bent.
47:20Then,
47:22Senko came to see her during the performance.
47:29This is it.
47:31Yes, yes.
47:33You can do this.
47:40Yes, yes, yes.
47:43Look forward once.
47:51I think I understand a little.
47:54If you've been watching me since yesterday,
47:57it's totally different from yesterday.
48:01Yesterday, her hands didn't overlap well on her thighs,
48:05and her spine was bent,
48:09but her hands overlapped properly and her posture was beautiful.
48:16How can I get better when I stand up?
48:21In yesterday's practice,
48:23she was in an unnatural position when she stood up.
48:31You have to give a signal.
48:35Your shoulders and your weight shift.
48:42When she stands up,
48:44she gives a signal to shift her weight.
48:47The other two are also moving together.
48:51Wow, they're a great team.
48:55Let me see.
49:00It must be difficult for her to put it into words because she remembers it with her body.
49:06That's why you have to learn how to use your legs first.
49:09You have to learn how to use your weight first.
49:14After that, you have to learn how to move your shoulders.
49:19That's why it takes so much time.
49:21I see.
49:23You can understand the feeling of your lower body.
49:26You can understand the feeling of your legs.
49:29It's really special to be able to use my weight.
49:33That's why I'll do my best until the end.