Fast Talk with Boy Abunda: Ruru Madrid, gumamit ng pabango sa pag-arte?! (Episode 487)

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Aired (December 11, 2024): Ano nga ba ang dahilan ng paggamit ng pabango ni Ruru Madrid bilang parte ng kaniyang paghahanda sa pag-arte sa pelikulang ‘Green Bones?’

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Transcript

00:00What is the role of Pabango in your process as an actor in this movie?

00:13So before I made Green Bones, I'm used to making teleseries,

00:18like Lolongwan, Black Rider.

00:21So when I was making it, I wanted to change my attitude towards Green Bones

00:26because it's cinema, it's film.

00:28So there's a big difference between the two.

00:30Because usually, when you're on TV, when you're told,

00:33in this part, you should cry.

00:35In the movie, you need to tell why you're going to cry in this part

00:40when you're not saying it.

00:42So you need to feel it.

00:44So I watched a lot of Wong Kar-wai movies

00:48to distinguish the difference between TV and cinema.

00:51So in my process with my acting coach, Mr. Jay Cruz,

00:56we tried the process of scent.

01:00When I was using Pabango,

01:03I quickly got into the character of Javier Gonzaga.

01:07I was already there.

01:08And that Pabango, it's like my baby

01:12that's fresh, new.

01:15When I smell it, I feel like it's real.

01:18It's all new to me, naive, innocent.

01:21That's what I feel in that scent.

01:24So every time I'm on set,

01:26I feel like I get in there quickly.

01:28I don't need to go through a lot of processes.

01:31Great.

01:32You have my respect.

01:34That's great.

01:35I'm proud because I always say

01:38that it's not easy to be an artist.

01:40Yes, it's not easy.

01:42It is not easy.

01:43It is a craft.

01:44Yes.

01:45It is a discipline.

01:46Your scenes with Dennis Trilio,

01:48who is one of the most powerful actors in this business.

01:51Yes.

01:52How?

01:53How did you...

01:55Dynamics?

01:56Dynamics.

01:57Yes.

01:58How did you get along with each other?

02:00I guess it's, of course, with the guidance of our director,

02:04the award-winning Zig Tulay.

02:06Zig Tulay.

02:07Right?

02:08And by the way, I'm sorry,

02:09this is written by national artist Rikki Lee.

02:11Rikki Lee and Ms. Ange Atienza.

02:13Ange Atienza.

02:14So, of course,

02:15Director Zig is not the type to command you.

02:18This is what I want to see here.

02:20This is what I should do.

02:21He will tell you what you will feel in this scene.

02:26If it's like this or like that.

02:28He will tell you.

02:29So, while we're still blocking,

02:31you will feel the presence of everyone.

02:33And Brother Dennis,

02:34he doesn't usually talk on set.

02:37So, I can see that he's preparing.

02:39He's just going to face the mirror.

02:41He's going to fix his hair.

02:42And then I can see that he's already in his character.

02:45So, we'll just talk.

02:47Or we'll just have an interaction

02:49where we're already in the scene.

02:51But before that,

02:52we never,

02:53you know,

02:54Brother Dennis,

02:55small talk.

02:56You don't do that?

02:57Never.

03:50Yeah.

03:52Yeah.

03:54Yeah.

03:56Yeah.

03:58Yeah.

04:00Yeah.

04:20Yeah.

04:21Yeah.

04:22Yeah.

04:23Yeah.

04:24Yeah.

04:25Yeah.

04:26Yeah.

04:27Yeah.

04:28Yeah.

04:29Yeah.

04:30Yeah.

04:31Yeah.

04:32Yeah.

04:33Yeah.

04:34Yeah.

04:35Yeah.

04:36Yeah.

04:37Yeah.

04:38Yeah.

04:39Yeah.

04:40Yeah.

04:41Yeah.

04:42Yeah.

04:43Yeah.

04:44Yeah.

04:45Yeah.

04:46Yeah.

04:47Yeah.

Fast Talk with Boy Abunda: Ruru Madrid, gumamit ng pabango sa pag-arte?! (Episode 487)

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