مدي 1 تي في : مع خالد غربي - 24/12/2024
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00:00Hello and welcome to a new episode of your daily and artistic show, Patchworks.
00:20I'm happy to be here with you as usual to talk to you and share with you some of the latest news in the field of art.
00:28So without further ado, let's get started.
00:35Hello again and welcome to a new episode of our daily show.
01:28She brings the sky, flashing lights, she never wanted
01:33Breaking on her knees to be popular
01:35That's her dream to be popular
01:37Kill anyone to be popular
01:39Sell herself to be popular
01:41My pure love tries to be popular
01:43Everybody's scared cause she's popular
01:45She might sleep cause she's popular
01:47Never be free cause she's popular
01:58Try to own it, I'm alright
02:09You can't take my soul without a fucking fight
02:13I know what she needs, she just wanna fame
02:17I know what she feels, careful of tears
02:19Run it back to me, put it in a vase
02:21Pray so to keep up
02:23Every night, she brings the sky
02:27Flashing lights, she never wanted
02:30Breaking on her knees to be popular
02:32That's her dream to be popular
02:34Kill anyone to be popular
02:36Sell herself to be popular
02:38Popular, popular
02:57Breaking on her knees to be popular
03:12Breaking on her knees to be popular
03:14That's her dream to be popular
03:16Kill anyone to be popular
03:18Sell herself to be popular
03:20My pure love tries to be popular
03:22Everybody's scared cause she's popular
03:24She might sleep cause she's popular
03:26My pure love tries to be popular
03:28Uh, yeah, uh, yeah, uh, yeah, uh, yeah
03:34Uh, yeah, uh, yeah, uh, yeah, uh, yeah
03:39Uh, yeah
03:40Wait a minute, get it how you live it
03:42Ten toes in when we standing on business
03:45I'm a big step up, underground messiahs
03:48Top notch hoes get the most, not the least
03:50I'm a big step up, underground messiahs
03:51Top notch hoes get the most, not the least
03:52I'm a big step up, underground messiahs
03:53We have with us on the set of Patchwork Steelist
03:55We have with us Khalid Gharbi
03:57Hello and welcome
03:58Thank you Osama, thank you for the invitation
04:00And I'm happy to be with you
04:02And I'm happy to be on this channel
04:04Which has a special place in my heart
04:06Welcome, brother Khalid Dardar
04:08And happy new year to you
04:09To us and to you
04:11And to all the viewers
04:13And to Morocco as well
04:14God bless you
04:15Khalid, we've seen some of your work
04:17We've seen some of your art
04:19But I'd like to ask you
04:20What are your inspirations?
04:21What are your inspirations?
04:23So, my inspirations
04:26Or the style I use
04:29It's a mix of bold
04:32I try to use
04:34A mix of textures, fabrics, colors
04:38And I try to use fabrics
04:40That men usually wear
04:42Like silk, lace
04:44A little bit of muslin
04:46A little bit of transparency
04:47So that's generally the style I use
04:49When you say mix, you mean bold
04:52Can we say that Khalid's style
04:54Has a lot of boldness?
04:55A lot, a lot
04:57But it's up to
04:59Each level
05:02You can wear anything
05:05You can wear muslin lace
05:07But it's up to you
05:09Where will you wear this
05:10And how will you wear it
05:11So if there's something
05:13That has a lot of boldness
05:14That has a lot of mix
05:15It has to be a big event
05:17An important event
05:18So that, as you said
05:20That boldness
05:22Can be seen in a suitable environment
05:24Exactly
05:25Everything has a place
05:26As we can see
05:27For example, women who wear skirts
05:30Of course, they don't go to work
05:31They don't go to a cafe
05:33They don't go to a normal place
05:35So men can wear something
05:37That has a little bit of boldness
05:39But of course
05:40This is something that will be an event
05:42Give us an example, Khalid
05:43Of something mixed
05:45For example, a mix of fabrics
05:46A mix of styles
05:47And then you find
05:48A mix of styles
05:49In a creation
05:50Give us an example
05:51For example, in this outfit
05:53It's a basic black suit
05:56With silk threads
05:58But we tried to add
06:00This Amazigh touch
06:02That has
06:04This Amazigh touch
06:05So this accessory
06:07Has a story
06:08In the Amazigh culture
06:10At first, it was a weapon
06:12And it had a big shape
06:15And then people started using it
06:17As an accessory
06:18For men and women
06:20You can say that it creates
06:21The Amazigh identity
06:22Of course
06:23And the vest
06:24Is a modern vest
06:25Yes
06:26With a Moroccan touch
06:28But
06:29It has a little bit of
06:31Lodas
06:32When you put it on
06:33As we said
06:34It has a little bit of gold
06:36The ring is golden
06:38So it's not just
06:39Normal details
06:40It's necessary
06:41It's necessary
06:42For it to be well balanced
06:44Why is the Moroccan touch important
06:46In your work?
06:48Of course it's important
06:50It's our identity
06:51It's our culture
06:52I have a remark
06:54Because
06:55Thanks to God
06:56Moroccan products
06:57And Moroccan culture
06:58Are back
06:59And sold
07:00And reached
07:01All over the world
07:02I have a complaint
07:04About some people
07:05Who want to wear
07:06The Moroccan touch
07:09They wear it
07:10To sell it
07:11Sometimes they don't wear it
07:12In the right way
07:13So I try
07:14To serve
07:15With the Moroccan touch
07:16To give it its value
07:17And give it
07:18The place
07:19It deserves
07:20Not just
07:21To wear
07:22The Moroccan touch
07:23To claim
07:24That I wore
07:25The Moroccan touch
07:26You also touched
07:27On the existence
07:28Of people
07:29Who wear
07:30The Moroccan touch
07:31For commercial purposes
07:32Not for the message
07:33Or the identity
07:34Of course
07:35Of course
07:36It can serve
07:37Something modern
07:38And add to it
07:39The creed
07:40Or FIFA
07:41Or anything
07:42That is called
07:43The Moroccan touch
07:44But no
07:45We have to serve
07:46With the Moroccan touch
07:47To give it its value
07:48And its place
07:49I hope
07:50Your answer
07:51Has reached
07:52Khaled
07:53One thing
07:54You agree
07:55Or disagree
07:56Is the oversize
07:57With or against
07:58With
07:59Of course
08:00Why
08:01Of course
08:02Maybe
08:03In events
08:04We have to wear
08:05Something tailored
08:06To the size
08:07But most of the time
08:08In our daily lives
08:09We wear
08:10Something that is
08:11Oversized
08:12Something that is
08:13Comfortable
08:14And the oversize
08:15Gives it
08:16A kind of
08:17Elegance
08:18And it looks good
08:19For you
08:20You wear
08:21The same vest
08:22With a t-shirt
08:23From the bottom
08:24And a t-shirt
08:25Like the one you are wearing
08:26Is that something
08:27You like the most?
08:28I like them both
08:29The one I have
08:30This one
08:31This one
08:32Exactly
08:33What is the difference
08:34Between you and
08:35The stylist
08:36The difference
08:37Between you
08:38Wearing a t-shirt
08:39And a vest
08:40Is that normal?
08:41This is a little
08:42Uncontracted
08:43A little sport
08:44With a shirt
08:45To be more
08:46Serious
08:47Classy
08:48But then
08:49Our clients
08:50Who come
08:51And buy the costumes
08:52They say
08:53This costume
08:54You really have to
08:55Do the cushioning
08:56You have to wear it
08:57Not the costume
08:58You wear it once a year
08:59Or once every two years
09:00No
09:01We wear the vest
09:02Alone
09:03We wear the vest
09:04With the shirt
09:05We wear the vest
09:06With the t-shirt
09:07We wear it
09:08With the shirt
09:09We wear it
09:10With the shirt
09:11So the person
09:12This is the vest
09:13You wear it
09:14Four or five times a year
09:15Ok
09:16But how do you sew?
09:17I sew
09:18With the needle
09:19I sew
09:20With my hands
09:21Like I sew
09:22With the needle
09:23No
09:24It doesn't come off
09:25I can't sew
09:26And I fix it
09:27So I sew
09:28The whole thing
09:29So it's a professional
09:30Pressing
09:31No
09:32I understand
09:33How to do it
09:34No
09:35I keep it
09:36Of course
09:37What is your favorite type of fabric?
09:38Uh
09:39Or the type of fabric you like the most?
09:40There are fabrics
09:41That I like a lot
09:42And I like to sew
09:44Ok
09:45I like to sew
09:46With the needle
09:47I sew
09:48With the needle
09:49With the needle
09:50And I sew
09:51The needle
09:52That comes off
09:53So
09:54And is there any
09:55New fashion
09:56That you like
09:57New style
09:58Or new fashion
09:59Fabric
10:00Yes
10:01Yes
10:02I wore it
10:03In my childhood
10:04A lot
10:05It's true
10:06But I am against trends and fashion trends.
10:14I don't like to say trends.
10:17I don't like to say that a certain color or a certain style is a trend.
10:21I don't like to say that everything you wear is a trend.
10:23Or that everything you wear is a color or a style.
10:26As a fashion designer,
10:30we shouldn't limit our imagination.
10:36On the contrary.
10:37At the time of creation,
10:39we should be free in our imagination.
10:44We should choose new colors,
10:45we should mix new colors,
10:46we should cut new colors.
10:48We don't have to say,
10:49this year there is this color,
10:50so we should go in this direction.
10:52They already released a video
10:53that tells you the color of the year 2025.
10:58They already released a video that tells you the color of the year 2025.
10:59You should be confident.
11:00You should say,
11:01this is a strong color,
11:02this is a beautiful color,
11:03this is a strong color,
11:04this is a beautiful color.
11:05You should be against this idea.
11:07I am against anything that is said to be a trend.
11:12Because the trend is to wear something that everyone wears.
11:15But in terms of fashion,
11:17we should look at the latest trends.
11:19At least, there is a season,
11:21we say,
11:22Spring 2025.
11:26People think of Spring 2025 as a spring collection.
11:31But after the summer,
11:33they might change the season.
11:35You don't believe in that.
11:36Who releases this season?
11:38Fashion people.
11:39The creators of the world.
11:40This is what I am saying.
11:41Everyone releases a style,
11:45or releases a color.
11:47We are in that diversity.
11:50But everything is related to one thing,
11:52so we talk about the same thing.
11:54What is your favorite color?
11:57My favorite color?
11:59Black.
12:00Black is the king of colors.
12:02But of course,
12:03as we can see in this outfit,
12:06the mix between gray and black,
12:08and we added red to it.
12:10So every color has its own value.
12:12But of course,
12:14black is everything.
12:15Black can be worn at any time.
12:18Black is everything.
12:20Yes.
12:21Khaled, isn't it difficult to find suppliers?
12:24Yes.
12:26It is difficult in Morocco.
12:29But after the experience,
12:33you know how to deal with fabrics,
12:37the choice of fabrics,
12:38how to make relationships with suppliers,
12:40who sometimes come up with something new to sell.
12:43So there are tips that I use.
12:46And sometimes you don't have
12:48what you imagined in the market,
12:51and you have to adapt to what is in the market.
12:53Do you have suppliers abroad or in Morocco?
12:55At the moment, in Morocco.
12:57In Morocco.
12:58We want to encourage local production
13:02and encourage people who work in Morocco.
13:05So maybe one day,
13:07we will look for suppliers abroad,
13:09but the first thing is Morocco.
13:13You mentioned your collections
13:15through the Kawali program.
13:17Tell us about the Kawali program.
13:19In 2012, with the YIBA Foundation,
13:23we did a lot of activities.
13:26We held a show
13:29in the forum of the cultural and creative industries.
13:34We would like to thank the YIBA Foundation,
13:37Mr. Marwan Feshen, the Director General.
13:40It was a great opportunity
13:42and a successful event in all respects.
13:45Finally, we returned to the cultural and creative industries
13:50that we had never attended before.
13:54How was the Riyadh exhibition in Saudi Arabia?
13:57It was a very good experience.
14:00It was an event where creators from all over the world
14:04gathered as part of the Riyadh season.
14:07We went to Morocco with 15 creators.
14:10God bless their names.
14:13I was the only creator in the world
14:16who made men's clothes.
14:18It was a great experience.
14:20Our visitors were surprised
14:23by the level of creation in Morocco
14:26and the quality of our work.
14:29Can we say that it was an important event?
14:31Of course.
14:32It was an important and honorable event.
14:34But was it worth it?
14:36Of course.
14:37Of course.
14:38Of course.
14:40There were sales, orders,
14:43and people who we met
14:46and who, God willing, we will create with them in the future.
14:50I want to emphasize that they were surprised.
14:54We told them that this was a Moroccan product,
14:57a Moroccan garment,
14:59a religion that was made by Moroccans.
15:02They were surprised and told us
15:04that we were in Paris or Milan.
15:06Moroccans?
15:07Yes, Moroccans.
15:08Moroccans made it?
15:10100% Moroccans.
15:11When they saw our products, they were proud.
15:14Thank God.
15:15How did you start?
15:17How did you learn?
15:18By chance.
15:19By chance.
15:20Meaning?
15:21I was a salaried employee.
15:24I had a very good job.
15:26A good salary.
15:27Jacobin.
15:28The establishment that I was with
15:31decided to leave the Al-Tanja agency.
15:33They offered me a job.
15:34It was impossible.
15:35It was impossible.
15:36I told them that I had to do a project
15:38and that I didn't have the capital.
15:40I told them that I had the means to start.
15:43I started with 1,000 dirhams.
15:45I had the idea and 1,000 dirhams.
15:47I didn't have the money.
15:49I was back with pride
15:51and maybe a lot of young people's motivation.
15:54I had 1,000 dirhams
15:56and I started fighting little by little.
15:59Thank God, after three years,
16:01I was able to achieve a lot of goals.
16:05That's good.
16:06Do you think that you have achieved
16:08a percentage of the goals you set?
16:11Of course.
16:12Other than these three years,
16:14I haven't achieved anything.
16:15Khaled doesn't have a team.
16:17He doesn't have experience.
16:19He doesn't have anything.
16:20Thank God, now I have a workshop,
16:22a shop.
16:23I have worked with a lot of people
16:25in the field of artists and celebrities.
16:28I have a lot of loyal customers.
16:30So, of course...
16:32Khaled, you have a lot of salary.
16:34You don't have a job.
16:35Not at all.
16:36How did you learn?
16:37How do you draw?
16:38How do you cut?
16:39How do you sew?
16:40At first, I started as an entrepreneur.
16:43I wanted to do something.
16:45But after I saw that things were going well,
16:47I started doing training
16:49so that I wouldn't be limited to one field.
16:53I tried to work in a professional way.
16:56You have a lot of experience.
16:58Experience is a relative thing.
17:00For example, a football player
17:02has to go to a lot of matches
17:04in Africa and around the world
17:06to say that he has experience.
17:08For television,
17:09you have to be a blessing in the eye
17:12to say that you have experience.
17:14But a stylist,
17:15what is the experience of a fashion designer
17:17in Asia?
17:18Experience?
17:19No, not really.
17:20Maybe for me,
17:21the experience you get
17:23when you go to collections,
17:27when you test the market,
17:28and you know what the clients want,
17:30if this collection has increased
17:31or not.
17:32In my case,
17:34for example,
17:35when I went out of a collection once,
17:37there was no sale.
17:39I didn't have the motivation,
17:42but I tried to analyze
17:47why this collection didn't sell.
17:50So, that's one thing.
17:52When you work with people,
17:54for example,
17:55with artists,
17:56and you go out with them,
17:57and you work with them for years,
17:58and you work with them for tours,
17:59and you experience
18:01something that they don't have,
18:03of course,
18:04you learn from them
18:05and you feel the experience.
18:07What about competition?
18:08Is it an obstacle for you?
18:11Is it an obstacle?
18:12The problem is
18:13that we don't have competition.
18:15There is no competition in this field.
18:17There are a lot of stylists
18:18who are close to you.
18:19But there are few of us.
18:21And in the style I do,
18:23there is no competition.
18:25There is no competition in your art?
18:27Everyone has his own style.
18:29I don't do it.
18:30I don't do it.
18:31Everyone has his own style.
18:32Do you focus on the market
18:34of the north of Morocco,
18:36of the north,
18:37of Tanja and Nawahi,
18:38or do you focus on the clients
18:40who are abroad?
18:42I focus on the whole of Morocco.
18:45Thank God,
18:46there are clients in the whole of Morocco.
18:48And anyone who likes our clothes
18:53or likes our style,
18:55of course, welcome.
18:56How do you deal with celebrities?
18:58How do you deal with stars?
18:59How do you deal with everything?
19:00So...
19:01So...
19:02Wait a minute.
19:03So...
19:04In the name of God.
19:05The work is a bit different.
19:07It's a bit different
19:08because you have a special client.
19:10It's a simple job.
19:11He comes, he orders,
19:12he takes what he wants
19:13and leaves on his own.
19:14But the artist who comes
19:15has a project.
19:16He comes,
19:17whether he has a shoot,
19:18whether he has a clip,
19:19whether he has a scene,
19:20so you sit down
19:21and see the style
19:22and you have to see
19:23where he is comfortable,
19:24the colors he is comfortable with,
19:26where his limits are,
19:27his audacity,
19:28where he is.
19:29So you serve him
19:30and then you have to accompany him
19:33at the level of
19:34whether he has a shoot
19:35or whether he has to accompany him.
19:37So you don't just stand there
19:38and wait for him to come?
19:39No.
19:40You have to be with him
19:41and dress him
19:42and see what he's wearing.
19:43If he's wearing a sweater
19:44or something like that,
19:45you have to be with the artist
19:46like that
19:47to get his attention
19:48and the outfit
19:49has to look like
19:50my imagination.
19:51You've worked with many celebrities
19:53including Hatim Amor
19:54and Zohair Bahawi.
19:55Zohair Bahawi,
19:56you've worked with him
19:57in a clip, right?
19:58I've worked with him
19:59twice,
20:00but of course
20:01Hatim and I
20:02have worked with him
20:03for a long time
20:04and we've worked
20:05on a lot of projects
20:06and we've worked
20:07on a lot of scenes
20:08and a lot of things.
20:09You have a special way
20:10and a special touch
20:11which I thank God
20:12for,
20:13which is silence.
20:14At the level of silence,
20:15we've never seen
20:16a normal silence,
20:17a silence with leather,
20:18a silence with leather.
20:19You do it
20:20either with a tie
20:21or a piece of fabric
20:22or whatever you want
20:23in the form of silence.
20:24Ok,
20:25what does silence mean?
20:26Silence,
20:27the belt of silence.
20:28It depends
20:29on the model
20:30and the texture
20:31and the style
20:32that differs
20:33according to
20:34what you wear
20:35in the outfit
20:36and the textures
20:37that exist.
20:38So,
20:39each time
20:40you adapt
20:41the things
20:42according to the outfit.
20:43Khalid,
20:44what do you prefer
20:45that everyone
20:46wears
20:47or that everyone
20:48wears
20:49a limited edition
20:50or a unique piece
20:51or a specific number?
20:52How do you see
20:53these things?
20:54Of course,
20:55there are exclusive
20:56unique pieces
20:57but at the same time
20:58you know
20:59that you're ready
21:00to wear them
21:01when you try
21:02to make quantities
21:03that are cheap
21:04to maintain
21:05their value
21:06and not make
21:07a mass production
21:08and then
21:09you don't get
21:10tired of fast fashion
21:11because you know
21:12that fast fashion
21:13is not a
21:14luxury
21:15and it's not
21:16a luxury
21:17that you
21:18have to pay
21:19a lot of money
21:20to get.
21:21So,
21:22I always try
21:23to wear
21:24a small quantity
21:25but a long-lasting
21:26piece of clothing.
21:27This is not
21:28a one-time
21:29outfit that
21:30you can wear
21:31for 4,
21:325 or 10 years
21:33but it's
21:34something that
21:35you can always
21:36wear
21:37because it's
21:38like going
21:39out with the teraz.
21:40Khalid,
21:41do you see
21:42that your collection
21:43is constantly
21:44growing
21:45with your shops
21:46and your
21:46business
21:47And your name tells me that it is difficult for you.
21:51Five years ago, you were successful.
21:55Then someone came to you and told you to buy from your brand, your company, your name.
22:02What would be your reaction?
22:04Is there anyone who sells his child? No, impossible.
22:09Maybe an investor or an associate.
22:12But to sell his child? No, impossible.
22:15It is impossible.
22:17It is difficult.
22:20Difficult, difficult.
22:22Maybe an associate.
22:24Will you give him shares but you won't sell him?
22:26No.
22:27Can I give him everything?
22:29No, you can't give him everything.
22:31Difficult.
22:32It is a personal thing.
22:35I wish you success.
22:37I wish you success.
22:40Khalid, what would you like to say?
22:43Thank you very much, Osama.
22:45I hope we made a good episode for the viewers.
22:50I wish you a happy new year.
22:55Thank you, Khalid.
22:58We have reached the end of today's episode.
23:00Happy new year to all of you.
23:04Thank you for your sincerity and support.
23:09I wish you all the best.
23:12I would like to thank all the heroes and soldiers who support me day after day.
23:17I wish you all the best.