مدي 1 تي في : محمد المساتي.. رحلة فنية ملهمة في سماء الإبداع المغربي - 18/02/2025
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00:00Hello and welcome to a new episode of the daily and artistic program, Patchwork Saeed.
00:20We meet with you as usual to present and share with you some of the latest news of the artistic field.
00:27So, let's get started.
00:34Hello again, I hope you are doing well. Let's see who is our guest today.
00:57Let's see who is our guest today.
01:57Hello again, I hope you are doing well. Let's see who is our guest today.
02:02Hello again, I hope you are doing well. Let's see who is our guest today.
02:07Hello again, I hope you are doing well. Let's see who is our guest today.
02:12Hello again, I hope you are doing well. Let's see who is our guest today.
02:17Hello again, I hope you are doing well. Let's see who is our guest today.
02:22Hello again, I hope you are doing well. Let's see who is our guest today.
02:27Hello again, I hope you are doing well. Let's see who is our guest today.
02:32Hello again, I hope you are doing well. Let's see who is our guest today.
02:37Hello again, I hope you are doing well. Let's see who is our guest today.
02:42Hello again, I hope you are doing well. Let's see who is our guest today.
02:47Hello again, I hope you are doing well.
03:10Our guest today is the artist Mohamed El Mousachi. Hello to you.
03:14Hello Osama, it's a pleasure to be here with you.
03:20It's my first time on Median TV.
03:22Hello, so you are used to being on TV.
03:25Yes, of course.
03:26Hello Mohamed, how are you?
03:28I'm fine, thank God.
03:29Thank God. We saw that you are a beginner. We saw some of your clips.
03:33Can you tell us a bit about your journey, your journey, your new album?
03:37But first, let's start from the beginning. How did you start? How did you get started?
03:42I started like any other professional artist.
03:46I started with school concerts.
03:49Since I was a kid, I was brought up listening to children's songs, like Hasni and Mami.
03:55That's how the journey started, little by little, until we found our way.
04:00Until you found your way?
04:01Until we found our way, of course.
04:02You started singing at that age?
04:03Yes, I started when I was young. I was seven, eight or nine.
04:10How did you choose your influences, your sources of inspiration, your style?
04:15What was the stage when you realized that this was your style?
04:19Honestly, it was spontaneous. I wouldn't say I didn't choose anything.
04:24It was spontaneous. It was a musical style that I was comfortable with.
04:27I was creative with it, I wrote with it.
04:29I mean, when I was young, for example, I could write the melody on my head, I could write the lyrics.
04:33So, I think I was more into it than when I was young.
04:38So, it was a difficult way to create a style in my head,
04:43and how to use my head to create a style.
04:46So, we got to the point where we wanted to create a modern style on my head.
04:53So, right now, we can say that my style is a modern style.
04:58One of your features, Asim Mohamed, is that you participate in the distribution of melodies and the writing of lyrics.
05:06Is this a complete and simple thing for a singer?
05:11Or does it take a lot of effort and time?
05:15Honestly, it's not easy to write, to compose, and to give ideas to the audience,
05:20to put them on the ground, and to sing and act at the same time.
05:24So, honestly, it takes a lot of effort.
05:27You can see the song in three or four minutes, but it takes a lot of effort.
05:32It takes a lot of effort.
05:34Can you tell us about your rituals when you compose and write lyrics?
05:38Honestly, when I compose and write lyrics, I like to be alone.
05:42I like to be alone at home.
05:44My ritual is to be alone and calm at night.
05:49I write most of my songs at night.
05:51So, I don't have a specific ritual.
05:53So, you concentrate on being alone.
05:55Of course, I like to be alone and calm.
05:58A French artist came to Plato Patchwork and said that he was inspired by you.
06:04Do you have a similar story?
06:06No, because I don't have a lot of personality.
06:11So, you are calm, you concentrate on being alone.
06:13Of course, I am calm. I don't do that.
06:14And you are creative.
06:15Yes, I am creative.
06:16But, at the same time, you are open to working with other composers.
06:23Maybe they are famous.
06:25Maybe you don't know them.
06:27Maybe they are not close friends.
06:29Or maybe they are writers.
06:31Of course.
06:32And the proof is that I have worked with writers.
06:37I have worked with the artist Khaled Salem.
06:39I have worked with Radwan El-Diri.
06:41I have worked with Nabil Abbar.
06:43On the contrary, I am open to all styles.
06:46What do your parents and friends say about your talent?
06:51Honestly, since I was a child.
06:53My parents have known me since I was a child.
06:56For example, there was a time when I was 10 years old.
07:01My brothers and sisters wanted me to play with toys.
07:06For example, cars.
07:08I grew up with a Walkman.
07:10And I grew up with a Walkman.
07:12So, you grew up with music.
07:14Yes, I grew up with music.
07:17I wanted to marry art and study.
07:20This was my parents' condition.
07:22That I marry art and study.
07:25And that I pass on the words that I sing.
07:28And what did your friends say?
07:30Of course, they supported me from the beginning.
07:34I found courage from the beginning.
07:36Thank God, I was supported.
07:38I think your inspiration is your voice.
07:41But what can you give me as a voice?
07:45Did you grow up with the melodies of the artists you listened to?
07:51Did you listen to their songs, albums, and names?
07:55I listened to a lot of Hasni.
07:58I knew you were going to say Hasni.
08:00I went to a school.
08:02I went to a school.
08:04You listened to a lot of Hasni.
08:06I was fascinated by Hasni's songs.
08:08I listened to everything.
08:10Because I was a professional singer.
08:13Was there anyone other than Hasni?
08:15There was my mother.
08:17There were a lot of artists.
08:19Tell us, Yassine Mohamed,
08:21when was the first day you entered a recording studio?
08:25The first day.
08:27The first time.
08:29The first day was in a city that is dear to my heart.
08:33The city of Targis.
08:35So, a big greeting to the people of this city.
08:37It was the first time I entered a studio.
08:39With no friends.
08:41It was a small studio in the house.
08:43I entered and recorded the first cover.
08:45It was called,
08:47Between me and this young man, Hasni.
08:49We went back to the young man, Hasni.
08:51It was my first experience.
08:53Honestly,
08:55I will never forget it.
08:57It is still in the program.
08:59The song must be sung in the program.
09:01So, you have a good memory of this song.
09:03Of course.
09:05And of the studio experience.
09:07When you entered the studio for the first time,
09:09did you feel something new?
09:11Or did you think,
09:13this is my first time in a place like this?
09:15Of course.
09:17I was a little scared.
09:19But I felt comfortable.
09:21I felt like I was born.
09:23I felt like I was part of this period.
09:25You automatically know that this is your beginning.
09:27Thank God.
09:29Years after you started,
09:31you released many beautiful songs.
09:33They were successful.
09:35Thank God.
09:37In this 15 years of your career,
09:39what difficulties did you face
09:41in the artistic field?
09:43Honestly,
09:45the first problem
09:47was the production.
09:49Personally,
09:51when we write,
09:53we can say that
09:55you are dealing with an artist.
09:57You have to get everything out of your pocket.
09:59For the studio,
10:01for the music video,
10:03for the production.
10:05This was the first difficulty.
10:07Honestly,
10:09this was the first difficulty I faced.
10:11Before I started,
10:13we say that we are a village.
10:15A village is a little difficult.
10:17There are no youth houses.
10:19There are not many things that can help you
10:21to show your talent.
10:23This was the first obstacle I faced.
10:25What cities did you grow up in?
10:27I grew up in Tirguist,
10:29a little bit of Housima,
10:31a little bit of Titouan,
10:33So you say that
10:35there are not enough opportunities
10:37in this place.
10:39They gave me some opportunities.
10:41In my village,
10:43it was difficult.
10:45There was a studio
10:47that we built together.
10:49But when I moved to Titouan,
10:51I found that the conditions were good.
10:53I got in touch with great artists.
10:55Without studying,
10:57I would not have been able to be in this field.
10:59But you did not notice
11:01that even successful artists
11:03are still living
11:05in the same difficulties.
11:07The production problem
11:09is a big problem.
11:11Honestly, it is a big problem.
11:13You cannot stop it.
11:15I used to stop it.
11:17I did not even have a project.
11:19I did not know that I could have a project.
11:21I used to work on it
11:23without sponsors.
11:25There are no investors,
11:27no sponsors, no producers,
11:29no friends, no companies to help you.
11:31All of this does not exist.
11:33Yes, it does not exist.
11:35Do you have 30% or 40% of the capital?
11:37A little bit.
11:39They can help you with the material.
11:41They can help you financially.
11:43But what is the reason for this?
11:45Why?
11:47In the beginning,
11:49it was difficult.
11:51You have to fight
11:53to show your talent.
11:55Little by little,
11:57How much did you lose?
11:59I did not lose.
12:01Of course, I did not lose.
12:03So, for you,
12:05it is not a successful investment.
12:07In the beginning, a little bit.
12:09But you should not be lazy.
12:11You should not be lazy.
12:13You should not be patient.
12:15You should have a long breath.
12:17I used to tell anyone
12:19I worked with,
12:21in the beginning,
12:23you should have a long breath.
12:25Do not say, I have a project,
12:27I will invest,
12:29I will change my life 360 degrees.
12:31No, you should be patient.
12:33And what is the solution?
12:35A businessman and his wife invest,
12:37and they succeed,
12:39and they do not work for you afterwards?
12:41Of course, it is not a problem
12:43to invest a little bit,
12:45to be patient.
12:47One day, a businessman will succeed,
12:49and he will help you with all the work.
12:51This is our strategy.
12:53So, this is your strategy.
12:55Yes, this is my strategy.
12:57The script was my idea,
12:59and I discussed it with the director.
13:01This song,
13:03I can say,
13:05it is like it is on my head.
13:07It represents me a lot.
13:09You went to work,
13:11you met Tamar.
13:13It represents me a lot.
13:15I worked a lot.
13:17I worked at night,
13:19I sold sweets at weddings,
13:21I worked in the business.
13:23I did not work for nothing.
13:25To say,
13:27you earn a personality,
13:29and you meet it.
13:31Honestly, it is not an easy thing.
13:33This song represents me a lot.
13:35It represents anyone who fights
13:37to achieve his dream.
13:39You can see a project and say,
13:41this was missing, this was missing.
13:43If you go back to the universe,
13:45you will see the fruits of the fights,
13:47in any domain.
13:49What did you do this time,
13:51Mohamed,
13:53to prove something to someone,
13:55and you could not do it on your own,
13:57because you are a man,
13:59and you know the value of life.
14:01We learned this from childhood.
14:03I salute my parents,
14:05who raised us from childhood,
14:07they taught us how to fight,
14:09how to fight.
14:11Nothing is easy.
14:13Reading, reading, reading,
14:15nothing is easy.
14:17You always want to achieve something.
14:19In the domain,
14:21I was proud of the fruits of the fights,
14:23and I could not be more patient.
14:25Why?
14:27Because I was confident in my talents,
14:29and I was confident that God will help me.
14:31Life is on one door,
14:33it is necessary to solve it one day.
14:35It is necessary.
14:37This is a great will and determination.
14:39Thank you very much.
14:41I salute you.
14:43But,
14:45your project is
14:47in parallel with the artistic field.
14:49You were focused on the artistic field.
14:51Of course,
14:53I am currently focused on the artistic field.
14:55I am still giving it time,
14:57because I feel that I did not give it time,
14:59especially in the last few years,
15:01three or four years.
15:03I am still focused on music.
15:05I still have an album,
15:07I have to see the light,
15:09I have to publish it.
15:11I am still focused on music,
15:13I am still focused on anything.
15:15Among your new and important songs,
15:17Fidel,
15:19which we saw in a video,
15:21tell us how you worked on it,
15:23and tell us about its subject,
15:25and the lyrics.
15:27Fidel is one of the lyrics and melodies
15:29of the writer and composer Khaled Salam,
15:31whom I would like to greet.
15:33The distribution of Hani Al Ghiyam,
15:35the production of Hisham Al Zarri,
15:37and the production of Abdo Rabbeh.
15:39This song,
15:41in the album of Al Khayna,
15:43and Ya Ghayb,
15:45the song talks about
15:47a very special social subject,
15:49which is
15:51Fidel,
15:53how a person should be faithful.
15:55The opposite of the song of Al Khayna,
15:57this was the opposite of his contract.
15:59Of course, faithfulness.
16:01If a person was faithful,
16:03he should be faithful in his work.
16:05He should do his work
16:07in a perfect way,
16:09and he should not be like Fidel.
16:11He should not be like Fidel.
16:13He should be like Fidel.
16:15He should be faithful in his work.
16:17Is Fidel still faithful?
16:19Yes, he is still faithful.
16:21He is still faithful,
16:23but he is not comfortable.
16:25We do not say that we are like Fidel.
16:27You and Khaled Mohamed
16:29always see the glass half full.
16:31Yes, and we create space
16:33for Fidel to be comfortable.
16:35This is an important sentence
16:37to explain to us
16:39how you create space for people
16:41to be comfortable.
16:43For example, if you do not answer me,
16:45I say, maybe Osama is on the road
16:47and he will not answer me.
16:49This is one of the things
16:51that stresses people a lot.
16:53You should not create space
16:55so that no one answers you.
16:57You should create space
16:59so that you do not get angry.
17:01But if my intention is good.
17:03Of course, the intention is good.
17:05Fidel is faithful.
17:07He has a period of time.
17:09Of course, it is necessary
17:11to have a good intention.
17:15Fidel, tell us
17:17about the shooting of the clip.
17:19Was it good?
17:21It was very good.
17:23Until now,
17:25I have shot three or four clips
17:27without any problem.
17:29This is Fidel.
17:31In one and a half days,
17:33there was no problem.
17:35It is normal for them to be
17:37in the scenario.
17:39One of the questions
17:41that we received
17:43from Mohamed Al Moussaty
17:45is that you do not talk
17:47about very typical topics.
17:49In your clips,
17:51for example,
17:53in the rap and the rap song,
17:55we found
17:57a girl with orange hair
17:59in a car.
18:0170% of the clips
18:03contain this.
18:05Do you think that the car
18:07is the fourth or fifth clip?
18:09Maybe an artist should
18:11pay attention to these details
18:13and not follow a pattern
18:15that has already existed
18:17among the audience.
18:19Of course,
18:21an artist should always be different.
18:23Why?
18:25Art is a message.
18:27Art is a message.
18:29An artist should contribute
18:31to society.
18:33A message should be a scenario
18:35based on an introduction
18:37and an ending.
18:39All my songs are clips.
18:41It is not a song
18:43with a girl with orange hair.
18:45It should be a scenario.
18:47If it is not a scenario,
18:49it should be an artwork.
18:51It is not the first appearance
18:53that is important,
18:55but the essence.
18:57All my clips
18:59are clips
19:01that are not famous.
19:03You try to include a date,
19:05a lesson, a message.
19:07Everything should have a message
19:09and a little bit of accuracy.
19:11The number of your clips
19:13and the number of views
19:15is very high.
19:17Thank God.
19:19Does this give you
19:21some financial resources?
19:23How do you benefit
19:25from your good statistics?
19:27A little bit.
19:29I don't see any benefit.
19:31The benefit of an artist
19:33is his work in festivals.
19:35The benefit of an artist
19:37is festivals and festivals.
19:39YouTube is a blessing,
19:41but it does not mean
19:43that you can invest
19:45your money
19:47in a clip or a studio.
19:49It is not a good thing.
19:51It is not possible.
19:53A YouTuber can't go out
19:55of the studio.
19:57The success of an artist
19:59is his work in festivals.
20:01What opportunities
20:03do you have
20:05in your work?
20:07Do you have
20:09a lot of connections
20:11with Husima and Titoan?
20:13Or do you have a few?
20:15I have a few.
20:17My team
20:19is in Titoan and Tanja.
20:21Tanja and Rabat.
20:23This is one of the reasons
20:25why I don't work much
20:27on my side.
20:29The simple reason is
20:31that my whole team is in Titoan.
20:33That's why I work a lot
20:35in Titoan and Rabat.
20:37What about your future projects?
20:39What are your future projects?
20:41And what about your album?
20:43I have a lot of songs
20:45that I recorded.
20:47I hope that in 2025
20:49I will complete the entire album
20:51of Khayna.
20:53The latest release is
20:55Fidel.
20:57I have a solo song
20:59called Awama.
21:01It is one of my lyrics.
21:03You will see it soon.
21:05Before the summer?
21:07Yes.
21:09And the album will be released
21:11before 2025?
21:13Yes.
21:15How many songs do you have?
21:17I have around 15 songs.
21:19So you will have around 9 songs?
21:21Yes.
21:23I wish you all the best.
21:25Thank you for having me.
21:29I hope that I am light
21:31in your hearts.
21:33I want to send a message
21:35to my parents.
21:37Thank you for your support
21:39and for your hard work.
21:41I love you all.
21:43Thank you to everyone
21:45I love you all.
21:47I love you too.
21:51Thank you for coming.
21:53I wish you all the best.
21:55See you soon.