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00:00Tonight on Academy Night G, we have...
00:06Tetsuya Kumakawa's K-Ballet Tokyo Pirates.
00:10Main character Conrad is played by top dancer Shoya Ishibashi.
00:16Let's take a closer look at his work.
00:20Pirates are like a wild car.
00:28The movie Grand Maison Paris is a big hit.
00:32Actress Miyashita Kusanagi and actor The Mummy Hayashida
00:37are talking about their favorite parts of the movie.
00:41People who enjoy eating...
00:44...and people who don't.
00:49I'm so excited!
00:51One, two...
00:53Happy New Year!
00:59One, two...
01:00Happy New Year!
01:03No, no, no.
01:05Happy New Year!
01:08I don't get it.
01:10I don't get it.
01:12Happy New Year.
01:14This is from Miyashita Kensho,
01:16and this is from Sanba Glass.
01:19Is that okay?
01:21Sanba Glass is okay.
01:23It's a title.
01:24It's okay.
01:25It's not up or down?
01:26No, no.
01:27Sanba Glass is the name of the movie.
01:30It's a bit weak.
01:32It's a gun and a crow.
01:35Do you have a present you like?
01:41My favorite movie, Harry Potter,
01:46is the one where Sakai's heart moves.
01:51He's living his own life.
01:54I thought it was interesting,
01:57so I wanted to go see it.
02:01I'm adjusting my schedule.
02:05I see.
02:06How about you, Kensho?
02:08When I was introduced to the movie,
02:12Fukuyama-san came to the studio.
02:15He gave me a lot of presents,
02:17and I thought they were really good.
02:20After that, he sent me a direct message.
02:24He was really amazing.
02:27Fukuyama-san?
02:28Yes.
02:29I wanted to tell the staff what he said,
02:34so I asked him to tell me.
02:36But he sent me another direct message.
02:40That's amazing.
02:41It was a great response.
02:44I'm glad to hear that.
02:47I've said this many times,
02:49but it's not that my presents are amazing.
02:51It's the movie that gave me these presents.
02:55That's right.
02:58Let's move on to the first topic.
03:01Here it is.
03:02Tetsuya Kumakawa's K-BALLET TOKYO KAIZOKU.
03:05Top dancer Shohei Ishibashi will present the highlights.
03:11I'm really looking forward to it.
03:16I love ballet.
03:18I'm really into K-BALLET TOKYO's ballet.
03:22The first movie I saw was KAIZOKU.
03:26That's a memorable movie.
03:29Here he is.
03:32Shohei Ishibashi.
03:34Nice to meet you.
03:38He's so cool.
03:41What are you doing?
03:43I've been learning ballet since last July.
03:47That's right.
03:49He's a teacher at the school.
03:54I always learn from Mr. Ishibashi.
03:57Is he a professional?
04:00Yes.
04:01He's the principal.
04:04Mr. Ishibashi is an amateur.
04:06That's amazing.
04:08This is Mr. Ishibashi.
04:12That's amazing.
04:15What do you think of Mr. Tanaka?
04:18He's like Nobishiro.
04:21Does that mean you're still that good?
04:24Nobishiro is the best.
04:27I'm looking forward to it.
04:30KAIZOKU is back.
04:34The climax of the movie is exciting.
04:37KAIZOKU premieres on March 14th.
04:45Tetsuya Kumakawa, the director of art,
04:49created a masterpiece that no one could have imagined.
04:53The movie received a great response.
04:59Romance, desire, escape, betrayal.
05:04It's a spectacular adventure in the ballet world.
05:13Mr. Ishibashi will explain the highlights of the movie.
05:21This is the profile of Mr. Ishibashi.
05:26He started ballet at the age of 13.
05:31He studied in Canada.
05:34He joined K-Ballet Tokyo in 2013.
05:38He became a principal in 2022.
05:42He is the best principal.
05:46There are about 70 members.
05:49I'm one of them.
05:52Does the principal treat you to a meal?
05:57That's right.
06:00That's usually the case.
06:03I often eat with my juniors.
06:07I don't eat with a large number of people.
06:12Mr. Ishibashi will introduce the highlights of KAIZOKU.
06:24He has a question for Miyashita and Hayashida.
06:28I'm going to do a flip after this.
06:33Please give me some advice.
06:36Is it an advice to do a flip?
06:39You don't usually do it.
06:41Please give me some advice.
06:47There is a memo on the back.
06:52You don't have to look at it like this.
06:56This is the front.
06:59Don't look at it like this.
07:02If you are nervous.
07:05Don't think you're amazing.
07:07Think that the work you are about to present is amazing.
07:10If you have this in mind, you won't be nervous.
07:13If you are nervous there.
07:17It means that you want to be thought to be amazing.
07:22Please throw it away once.
07:25Can I drink it once?
07:26Of course.
07:28Please calm down.
07:31Mr. Ishibashi.
07:33Please give me the first present.
07:36This is the Kumakawa production.
07:39K-BALLET TOKYO signboard work.
07:42Fight love.
07:44It's a story full of betrayal.
07:47I'm not good at this.
07:50I'm sorry.
07:53I'm sorry.
07:56Please give me this.
08:00First of all, Mr. Ishibashi.
08:03Please give me this.
08:05Pirates was first performed in Paris in 1856.
08:13It was a difficult work to develop.
08:16There were few performances.
08:19In 2007, the director of Kumakawa performed it.
08:23It was a great response.
08:26It's a great work.
08:29What is the story of this pirate?
08:32What is the story of this pirate?
08:34I play the role of Conrad, the boss of the pirate army.
08:40Conrad attacked a private ship.
08:42Conrad robbed the ship's treasure.
08:44Conrad regretted his actions.
08:46Conrad had no enemies.
08:49However, Conrad was caught in a storm.
08:52Conrad was caught in a storm.
08:53Conrad was hit by a ship.
08:54Conrad was hit by a ship.
08:56Conrad found the injured pirates.
09:00They were Medora and Grunala.
09:07Conrad fell in love with Medora.
09:12Conrad fell in love with Medora.
09:17A slave merchant, Lankedom, appeared.
09:20Lankedom kidnapped Medora.
09:23Lankedom was a good person.
09:26Lankedom was a good person.
09:27Lankedom betrayed Medora.
09:30Lankedom tried to take Medora back.
09:32Lankedom tried to take Medora back.
09:34It's a dynamic story.
09:38It's a gorgeous set.
09:41It's a gorgeous work that you can't see in other works.
09:47What I want to recommend the most is that the story is easy to understand.
09:54The original version was complicated.
09:56Yes, it was long.
09:58And the story wasn't clear.
10:03There are a lot of things like that.
10:06I see.
10:07I see.
10:08I see.
10:09I see.
10:10I see.
10:11I see.
10:12I see.
10:13I see.
10:14I see.
10:15I see.
10:16I see.
10:17I see.
10:18I see.
10:19I see.
10:20I see.
10:21I see.
10:22I see.
10:23I see.
10:24I see.
10:25I see.
10:26I see.
10:27I see.
10:28I see.
10:29I see.
10:30I see.
10:31I see.
10:32I see.
10:33I see.
10:34I see.
10:35I see.
10:36I see.
10:37I see.
10:38I see.
10:39I see.
10:40I see.
10:41I see.
10:42I see.
10:43I'm more of a man than a hand.
10:47Yes, of course, it's important to show a beautiful ballet dance.
10:52In order to make the story easy to understand even without lines,
10:55one of the features of Kumakawa's production is that they've added more dramatic elements.
11:01For example, in the scene where Combat sneaks into a slave market and helps Medora who's been kidnapped...
11:09He goes to the rich man and steals his clothes.
11:18Yes, yes, yes.
11:19Now?
11:20Yes, it's easy to understand.
11:22Oh, really?
11:23Yes, that's how it's directed.
11:25And in the next scene, Conrad is already disguised.
11:31Yes, he's here. He's disguised.
11:35Yes, yes, yes.
11:37And Medora is his own.
11:41Yes.
11:43Oh, my!
11:44Oh, my!
11:45He's naked.
11:47Yes.
11:48He's naked.
11:49So you understand now?
11:51Yes.
11:52By adding more dramatic scenes other than dancing, it's possible to make the story more immersive.
11:59Yes.
12:02In addition, there are scenes where pirates attack other ships, which is unique to Kumakawa.
12:10Pirates dance in the cave where they're staying.
12:16Yes, yes, yes.
12:17In the scene before that, they board a small ship and go to the cave.
12:22Yes.
12:29I see.
12:35I see.
12:37I see.
12:43I see.
12:45In addition, there is a unique dance that only pirates can do.
12:51Powerful, sexy, and dynamic men's dance.
12:59Should I make it longer?
13:00No, no, no.
13:01Is it okay?
13:02It's okay.
13:03In the series, there are many scenes that show the beauty of women such as swan lake.
13:10But the charm of pirates is that men's powerful dance comes out in various places.
13:16So here is a scene that we recommend.
13:19This is where pirates dance.
13:21It's eyes.
13:22It's eyes.
13:23It's eyes.
13:24It's eyes.
13:25It's eyes.
13:26It's strong.
13:27Yes.
13:28Wow, look.
13:29The set is amazing.
13:30It's in the cave.
13:31It's in the cave.
13:34Wow, wow, wow.
13:35I think men's image is wearing tights, but since it's a pirate, it's a little worn out.
13:45This is how it looks.
13:47It's amazing.
13:52It's cool.
13:53The atmosphere of the leader who leads the pirates is strong.
13:57It's cool.
13:59I think this strength is very impressive.
14:05There is a medulla in the god's hand.
14:08I like the fact that he mimics the medulla gently.
14:15It's sagat.
14:16It's sagat.
14:21It's amazing.
14:22It's amazing.
14:23It's amazing.
14:24It's amazing.
14:25This work is a particularly powerful and explosive work.
14:30So, from the point of view of people who have been watching for a long time,
14:34I was surprised that it was a work that had a very strong impact for the first time.
14:43I think it's amazing.
14:46The physical ability is amazing.
14:48It's a movement unique to pirates.
14:53Can I say something?
14:55Sure.
14:56Thank you very much.
14:57It's a bow.
15:00If it's a ballet dancer, it's a normal bow.
15:07Pirates break it down a little and do this.
15:14It's a little powerful.
15:16It's like a wild style.
15:18I'm sorry.
15:19I'll teach you how to do it.
15:23Like this?
15:24That's right.
15:25Like this?
15:26That's right.
15:27This way.
15:28I think it's good.
15:30Is his muscle strength amazing?
15:32This is amazing.
15:33His legs are dead.
15:34His legs are dead.
15:36It's dead?
15:37It's dead.
15:38It's dead.
15:39It's dead.
15:40Miyoshi.
15:41I'll show you.
15:42I don't know how to say it in Japanese, so I'll just say it in English.
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16:37OK, that's great.
16:39Previous Episode
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20:12There's a scene where he's being beaten up, right?
20:14Yes, yes, yes.
20:16Yes, yes, yes.
20:31Getting close while filming with a smartphone is something that only exists now.
20:36That's true.
20:38It wasn't like that three years ago, right?
20:41Maybe.
20:43When I see Takuya Kimura,
20:45he's so cool that the police are chasing him with guns.
20:49I've never seen such a cool video before.
20:53And there's another scene where Rinko, who plays Kyokawa Suzuki,
20:56says that she has lost confidence in her taste.
21:00She says she's actually a little affected by Corona.
21:06I was able to realize that this story is living in the same world as I live in.
21:11I felt that a lot.
21:13I thought there must be some people who are suffering because of this cook.
21:18It was a line that I couldn't say easily.
21:22Well, it's risky to take in a timely thing and shoot a movie.
21:28In other words, it's possible that you're using old expressions.
21:32But it's also possible that it's a cultural asset.
21:36I used to do this in the past.
21:38So I'm paying attention to that.
21:40I really like movies.
21:42I'm the type of person who takes in a lot of content.
21:46I can see why you're making good content.
21:51I have one more point.
21:53There are many other gorgeous cast members.
21:56Ikki Sawamura is here.
21:58Masakado, a member of the A group, is here for the first time.
22:02I'm glad to have someone I can get along with.
22:05And the one I want to do the most is...
22:08Mitsuhiro Oikawa, who plays Aizawa, who connects the dark cast members.
22:12I'm saved by him.
22:16Aizawa is a gourmet chef at the Grand Maison Paris.
22:21He has a high level of communication skills.
22:23He's a character who can get along with anyone.
22:25He creates unique dishes with unconventional ideas.
22:29Especially in the first half of the story,
22:31the staff of the restaurant were very frivolous.
22:36But Aizawa, who plays Mr. Oikawa,
22:39has a soft atmosphere.
22:51Good morning.
22:56You said you'd make a traditional French dish.
23:00Don't overdo it.
23:02But it's different from what I imagined.
23:04I can't reach Mitsuboshi because he's running away.
23:07I got it.
23:11Mr. Oikawa is a great person who can balance everything.
23:19That's true.
23:20Actually, I wanted to introduce Aizawa.
23:25In the first half of the movie,
23:27I can feel it especially from the drama.
23:31But it's very difficult to act in Paris.
23:35Yes, it is.
23:36Aizawa is just like that.
23:39I felt like he was an oasis in my heart.
23:46I wanted to say an oasis.
23:49I'm not complaining to Mr. Hayashida.
23:53When I made the clip,
23:56I wanted to ask him if he would like to hear my speech.
24:08You're too much of a battle.
24:11I wanted to ask him what he meant by saying an oasis.
24:16But I put in a questionable word.
24:20I said too much.
24:21I thought Aizawa would save me.
24:23I wouldn't have watched it if it was on YouTube.
24:26If it was the title.
24:27I would have said,
24:28Oh, I see.
24:30Can I hear your speech?
24:32Can I hear it?
24:33You're giving him a hard time.
24:35Yes, I'm giving him a hard time.
24:38I'll give you two points.
24:41The first one is
24:43100 points for people who enjoy eating.
24:48I don't know what you're talking about.
24:51I don't know what you're talking about.
24:53I don't know what you're talking about.
24:54I don't know what you're talking about.
24:56I think this drama is unique in that it shows the faces of people who enjoy eating.
25:04Some people come with their significant other and spend a very important day.
25:10Some people come with their company.
25:14Even if they eat the same food,
25:16the timing and the situation are completely different.
25:20I can see that in this restaurant.
25:25There are a lot of scenes where people eat bananas.
25:29In the first half of the scene, people eat food.
25:32It's a humble expression.
25:33Or they say bad things to the person.
25:37They say things like,
25:38Can you get three stars with this?
25:41It doesn't look fun at all.
25:43It doesn't look delicious.
25:45But in the second half of the story,
25:47the scene where people eat bananas looks happier.
25:51The story changes with this expression.
25:55I see.
26:09I think it's good to enjoy the scene where people enjoy food.
26:19I want you to pay attention to it.
26:27I see.
26:28He's looking at something interesting.
26:33One more thing.
26:34One more thing I was curious about.
26:36Here it is.
26:38It's a temporary job.
26:40I'm sorry.
26:41You're making fun of me.
26:43I'm sorry.
26:44I'm sorry.
26:45It's a temporary job.
26:47I'm sorry.
26:48I'm sorry.
26:49I'm sorry.
26:50I'm sorry.
26:51Do you understand it?
26:53I can't convey food in the video.
26:58I feel it with my tongue and nose.
27:02I think food looks good and sounds good.
27:08I cut it with a knife and it sounded crispy.
27:12I imagined the crispy texture of food in my memory.
27:18So, I made it in my memory.
27:22So, I made it a temporary job.
27:28Temporary?
27:29I thought it was amazing.
27:32I cut something with a knife and it sounded crispy.
27:37I see.
27:39This is it.
27:42It sounds good.
27:44I'm making it a temporary job.
27:46I agree.
27:47I can feel it.
27:52That's it.
27:54I said it.
27:55I enjoyed the sound of a knife and a fork.
28:01I think that's the advantage of French food.
28:04I recorded all the sounds of French food with respect.
28:12I think that's the advantage of this movie.
28:16I can feel it.
28:18I can't feel it, but I can feel it.
28:21People say it's a temporary job.
28:24I've never heard of it.
28:26People don't say it.
28:28I've never heard of it.
28:29Where did you come up with it?
28:31I came up with it and wrote it down.
28:34I gave it to my wife.
28:37Really?
28:38My wife accepted it when she laughed.
28:42That's amazing.
28:43I see.
28:44It's like a funeral.
28:45It's like a funeral.
28:47I gave it to my wife.
28:49Really?
28:50Yes.
28:51I see.
28:52Yes.
28:53The spin-off of the movie, GRAMMAZON PARIS ZERO, is currently on air.
29:02I read it.
29:04What?
29:06You read it all.
29:07It's the story of GRAMMAZON PARIS ZERO before GRAMMAZON TOKYO was established.
29:14It's a comic-like story.
29:18The characters in the movie are drawn in a cool way.
29:22That's amazing.
29:23It's a different way of getting information.
29:26I'm not amazing.
29:27It's just that the movie is amazing.
29:29You're saying that again.
29:30You're saying that again.
29:31You're saying that again.
29:33The spin-off of the movie, GRAMMAZON PARIS ZERO, is currently on air.
29:38Please go to the theater.
29:41In 90 seconds, the total number of spectators will exceed 1 million.
29:45Harry Potter
29:53The total number of spectators will exceed 1 million.
29:55Thank you to everyone who loves magic.
29:58Until now, and from now on.
30:00The stage is sponsored by Harry Potter and the Cursed Child.
30:03Tokai Tokyo Financial Group
30:05I want to deliver it to you next time.
30:12The winner is...
30:13On January 8th, the legendary night will come again.
30:16The ten teams who fought the fierce battle will meet again.
30:19King of Contrive 2024
30:23Tickets for theater distribution are on sale.
30:27In 90 seconds, the movie starring Meguro Ren and Hayato Sano will be released.
30:38I'm going to make a lot of money and get everything in the world.
30:42I'm going to open the first casino in Japan.
30:44Casino?
30:46My selfish master.
30:48You didn't lose the game.
30:50You lost the money.
30:53If you give up this time,
30:56I can do it again and again.
30:58With this guy.
31:02From now on, it's a real game.
31:05Trillion Game
31:08After this, Fumiya Takahashi and Narase Nishino.
31:11A double-starring movie
31:13The story of a dog who travels thousands of kilometers to meet the person he really wants to meet.
31:18Can you believe it?
31:19Dog!
31:20Dog!
31:23The dog traveled 3,000 kilometers from Tohoku to Kyushu over five years.
31:30It's amazing, dog.
31:32But he met only one important person.
31:36It's me.
31:37It's me.
31:38It's me.
31:39It's me.
31:40But he met only one important person.
31:45A boy and a dog.
31:46Is there anyone waiting for me?
31:49Next time, we'll take the lead in this year's movie.