Ding Gru
  • 2 days ago
Pobre novio Peru Capitulo 28 Completo HD
Pobre novio Peru Capitulo 28 Completo HD
Pobre novio Peru Capitulo 28 Completo HD
Pobre novio Peru Capitulo 28 Completo HD
Transcript
00:00Poor boyfriend! Bye!
00:30I don't know this story because it can't be. I mean, I'm not.
00:33I'm not!
00:35I can't be.
00:37Besides, I'm not interested in knowing anything about that woman who abandoned me. Do you understand?
00:44I grew up alone.
00:46And I suffered a lot. Several years. Too many years.
00:51I don't care if that woman is my mother or not.
00:54If you want, you go and tell her that.
00:56But I'm not interested.
01:00I'm not interested.
01:11Here you are. Thank you very much.
01:20Did something happen?
01:22I told Vilma that I was coming to buy empanadas. Three with chicken and three with cheese. Please.
01:27Jose Gregorio sent me a WhatsApp.
01:30He also wants the money, but tomorrow at two o'clock.
01:33He told me the same thing.
01:35What are we going to do, Betty? What are we going to do?
01:37So far I don't know where I'm going to get that money on Wednesday.
01:40Me neither.
01:42But we have to get it, yes or yes.
01:44Or that bastard will open his mouth and Vilma and Ivan will find out the whole truth.
01:48And then, yes, the caton will be unleashed.
01:51I never imagined that someone would blackmail me like that.
01:54Oh, you're being so naive, Betty.
01:56At first glance, it looks like that guy was not trustworthy.
01:58I don't know why you went out with him.
02:00He was just a friend.
02:02And tonight they will both talk.
02:04Oh, this is too much for me.
02:06My stomach stops hurting.
02:08Please calm down.
02:10How do you want me to calm down?
02:12I know both of them, Betty.
02:14As soon as they step on the acereje, they keep asking for jars of sangria.
02:16And in the end, they end up talking more about the account.
02:18Please be very careful, Betty.
02:20Look, I promise you, I'm going to take one.
02:22No, no, no.
02:24Better two. Maximum two.
02:26Swear to me.
02:27I can't take it anymore.
02:29I can't take it anymore.
02:31I can't take it anymore.
02:33Go, go, go.
02:43David MartĂ­nez in life.
02:45It was a tremendous thrill to come up with something like that.
02:48I've always been Juan David.
02:50Juan David Videla, Johnny Videla, period.
02:52How are you going to come up with something like that?
02:54He's a researcher.
02:55I don't know who he is.
02:57I've never investigated anything.
02:59Hey, man, if it's your mom, better get out of doubt.
03:01Why?
03:03At this point, why?
03:05I have my life made, brother.
03:07There's no room for her.
03:09Johnny, hey, don't be so hard, man.
03:11Listen to the lady, let her tell you her story.
03:13She's been looking for you, God knows since when.
03:15I don't care.
03:19Abandon your son like that?
03:21To God, without knowing if they're going to take care of him,
03:24if they're going to love him,
03:26if they're going to feed him.
03:31Well, luckily, I was lucky, brother,
03:33because I had your mom and Aunt Betty,
03:35who almost adopted me as one more child.
03:38And I received all the love I didn't receive from my mom.
03:41I wouldn't have had a mom, but I had two amazing godmothers.
03:44I don't need more,
03:46especially not at this moment in my life,
03:48when I'm 32 years old.
03:50Johnny, but...
03:52I don't know, she's your mom.
03:54It's not easy.
03:56Then do the test, then.
03:58Get out of doubt.
04:00Yeah, and...
04:02And if it turns out that she is...
04:04What?
04:06I'm going to have to listen to her.
04:09No, brother, no, I don't want to.
04:11No, I don't want to, I don't want to.
04:13I don't even want to know, really.
04:15I've already decided, I don't care.
04:17And I'd like you to shut up.
04:18And don't tell anyone, because I bet you
04:20that I'm not the son that she's looking for.
04:26Sara, you have to go see the commercial,
04:28see if it turned out well.
04:30Let's go, then, right?
04:32No, I can't, brother.
04:34Hey, look at this.
04:36Look, this is a disaster.
04:38I have to clean all this up,
04:40I have to help Mrs. Berta make love to the boys,
04:42the volunteer is missing, and on top of that, I can't.
04:44Well, man, then don't say anything else.
04:46I'll stay with you.
04:48Are you sure, Johnny?
04:50Come on, I'm fine, don't worry.
04:52This doesn't concern me at all, really.
04:54Okay, but I'm not going with this face,
04:56I'm not going to change my house.
04:58After the office, I'll come to continue talking, okay?
05:00Oh, that's dramatic, man.
05:02Come on.
05:04Are you sure?
05:19I have so many songs in a notebook,
05:21it has your name and I have reasons
05:24to look for you and talk to you again.
05:29I can't believe Eduardo went to your house.
05:32It's over, right?
05:34No, don't judge him.
05:36That boy is dying for you.
05:38Oh, I know.
05:40And what did he tell you?
05:42Nothing, that he wants to do things right
05:44so you can go back to him.
05:49Hey, we had a very sincere conversation.
05:51You know I appreciate it.
05:53He had already given me the idea
05:55that you were going to get married.
05:57I know.
06:00Don't feel pressured.
06:02You are the one who decides.
06:04But let's agree that that boy
06:06has everything it takes to make you happy.
06:09And what I would like the most
06:11is for you to form a family.
06:14I'm not going to last forever with you.
06:16Oh, dad, don't be dramatic.
06:18Do you want me to marry Eduardo
06:20so I don't end up alone?
06:22No, very depressing, right?
06:24What's wrong?
06:26What's wrong with that dreamy little head?
06:28Are you still thinking about the poor boyfriend?
06:34Look, Isabela,
06:36I was also young once
06:38and there are times when you think
06:40you can do everything
06:42and we don't realize
06:44that sometimes we make decisions
06:46that mark our whole life.
06:49Why are you laughing?
06:51Look who's telling me.
06:53Me, I'm telling you.
06:55Yeah, dad, why are you taking this so seriously?
06:57Because I want to see you well.
06:59I want to see you happy.
07:01And I think Santiago is not for you.
07:03It's an illusion.
07:05Maybe.
07:07But Eduardo is the man of my life.
07:09Look, maybe neither of them is for me.
07:11And besides, who says
07:13I need a man to be happy?
07:15Oh no, don't come to me with feminism.
07:16Your boyfriend did a feminist meeting.
07:18With his head up, dad.
07:20Yeah, and what are you doing locked up here in your house?
07:22Why don't you go out to solve all your problems?
07:25Dad, don't worry so much about me.
07:27I'm already big.
07:29No, you'll never be big to me.
07:31You'll always be my little,
07:33beautiful, beautiful.
07:36Yeah, daddy,
07:38never say again that you're not going to be there.
07:40Yeah, you have many years left.
07:42What's more, maybe I'll leave before you do.
07:44No, don't tell me that.
07:46It's a joke.
07:48No, no, no.
07:52Think about what I told you.
07:54Eduardo adores you.
07:57And I think he deserves you to give him an opportunity
08:00to be with you again.
08:07With Aunt Vilma?
08:09Mom, but what the hell happened to you?
08:11Weren't you fighting with her forever?
08:13I don't know, she came to see me.
08:14She wants us to go out to talk,
08:16to soothe her laziness.
08:18But what was I going to tell her, daughter?
08:20It's been years of friendship.
08:22Well, mommy, I really understand you.
08:24I imagine you miss her a lot.
08:26But all that show of screams and cries,
08:28blaming me for ruining her son's life,
08:30didn't you think it was very unfair?
08:32If it weren't for me, that boy wouldn't be famous.
08:35Enough, my love, enough.
08:37But don't get angry.
08:39I'm just talking to the truth.
08:41She's just victimizing herself.
08:42But really, deep down in my heart,
08:44I want you to be friends.
08:46Why don't I want to see you alone, mommy?
08:48Yes, baby, but I haven't called to tell you this.
08:50I need to ask you something.
08:52What?
08:54$600.
08:56What? I didn't understand.
08:58I need you to lend me $600.
09:01$600?
09:03Why?
09:05Daughter, I have a cash problem.
09:07And you know, since Vilma left,
09:09I've lost a lot of clients and I've had extra expenses.
09:11But $600 doesn't seem like a lot to you, mommy.
09:13I think you've messed up a lot.
09:15My love, I'm not telling you this
09:17so you can come to judge me, please.
09:19You're not going to tell your mother.
09:21Well, daughter, look.
09:23If I tell you I have a problem,
09:25it's to help me, not to question me.
09:27Besides, you have a lot of money, my love.
09:29Come on, don't get like that, mommy.
09:31I'm going to transfer you now, okay?
09:33Thank you, my love, thank you.
09:35Can I come in?
09:37Of course, come in, come in, come in.
09:39I'm getting ready because I have to go to the agency
09:41because they want me to see how the commercial turned out.
09:43Oh, I'm glad your commercial came out
09:45because they're still messing with me
09:47with the workshop commercial.
09:49Really?
09:51Yes.
09:53What's up? Is something wrong?
09:55No.
09:57Well, yes, son.
09:59Don't you have any extra money
10:01that you can lend me?
10:02Oh, yes, yes, let me see.
10:04I have something here, wait.
10:06I have 60 soles, is that enough?
10:08No, very little, son.
10:10I need more.
10:12600 dollars.
10:14600 dollars?
10:16So much money, for what?
10:18What? Are you going to get involved with your father?
10:20What's wrong with you, son?
10:22What are 600 dollars to you,
10:24that you're in fashion with the events and all that stuff?
10:26Are you going to get involved with the family?
10:28Why do you need that amount of money?
10:30It's a lot.
10:32I told you last time
10:34that now I have to fill out forms
10:36so that my son can lend me money.
10:38What else do you want?
10:40For him to tell you when I won in the month?
10:42Why so much interrogation, son?
10:44It's not that, dad, but it's a lot of money.
10:46I'm going to return the money, it's just a loan.
10:48But well, if you can't help me, don't worry, son,
10:50I already know.
10:52No, no, dad, calm down.
10:54Of course I can help you.
10:56It's not that I don't want to lend you money,
10:58but let me see where,
10:59so that when we return, we fix it, okay?
11:01Yes, yes, yes.
11:03Thank you, son, thank you, thank you, thank you.
11:05I knew I could count on you.
11:09I'm coming, I'm coming.
11:17Drink.
11:19Manzanilla for the nerves.
11:21Drink it all.
11:23Thank you, Mrs. Mierda.
11:25I can't imagine how you must be feeling.
11:28It's just that I don't even know how to feel.
11:32This lady is really my mother.
11:34Why did she come now?
11:36What do you think?
11:38Son, you don't know what her story was like.
11:40So many women in this country
11:42who have to give their children away
11:44because they have no choice.
11:46Because they think they'll be better off without them.
11:49And you can't imagine how they suffer
11:51after doing something like this.
11:53They care about what they do.
11:54They care about what that lady suffered.
11:56That's how she suffered.
11:58What I care about is what I suffered.
12:00Son, I know.
12:02What lady?
12:04That lady was never there.
12:06She was never there to take away my fear of the dark.
12:08She was never there to lower my fever.
12:10When I fell off the roof of the albergue,
12:12do you remember they took me to the ambulance?
12:14Where was that lady?
12:16Where was she?
12:18She wasn't there.
12:20Where was she to comfort me when Copito died?
12:22Do you remember how cute that puppy was?
12:24I used to dream.
12:26I used to dream that my mom would show up one day.
12:28I used to dream every day that she would show up here
12:30in some play,
12:32at my graduation,
12:34when I won the floral games.
12:36But no, she never showed up.
12:38She didn't show up to ask me about my future.
12:40She didn't show up to support me, to help me study.
12:42She never showed up.
12:44So, sir, it's very clear to me
12:46that my mom is nothing in my life.
12:48Or a lie, if it is.
12:50Pain and disappointment.
12:52What do I want
12:54to do with my life?
12:56That's it.
12:58At this point, no.
13:00It doesn't matter.
13:02It doesn't matter now.
13:04That's it.
13:06That's it, honey.
13:08Why did she have to show up now?
13:10Why?
13:12Why does she have to show up now
13:14to ruin my life?
13:25And if I have to choose,
13:27I'll stay, I'll stay with you.
13:30Leave me alone, Mr. Arturo.
13:32I was just finishing a salad.
13:34Sit down, sit down.
13:36Tapia has news for you.
13:38How did it go, sir?
13:40I think it went well, but...
13:42Did you find him?
13:44I found a young man who has a story
13:46that matches more than one point
13:48with the story of his son David.
13:50Oh my God!
13:52Of course, we have to confirm all this
13:54in detail.
13:56What?
13:58The young man doesn't want to know anything about you.
14:00He doesn't even want to take the exam
14:02to get out of doubt.
14:04No, but how can he not want to take the exam?
14:06I understand.
14:08What a horror.
14:10But did you see him?
14:12Could you talk to him?
14:14Is he a good boy?
14:16From what I understand, he still lives
14:18in the same albergue where he grew up.
14:20Now he works there.
14:22And is he okay?
14:24It's the same name you gave him.
14:26Oh no? And what's his name?
14:28Due to a series of irregularities
14:30in his subsequent enrolments,
14:32both here and in Trujillo,
14:34his name is no longer David MartĂ­nez,
14:36but Juan, Juan David Videla.
14:38From what I understand,
14:40he was also helping you find your son, right?
14:42What?
14:44Johnny Johnny?
14:55Hi, Godfather.
14:57Sorry, sorry, sorry,
14:59I didn't mean to scare you, sorry.
15:01No, no, don't worry, don't worry.
15:03What are you doing here, Ivan?
15:05Am I interrupting you?
15:07No, no, not at all,
15:09but if it's for a math homework, forget it.
15:11I was born denied for math.
15:13The same thing happens to me,
15:15but no, no, it's not that.
15:17I want to talk to you in private.
15:19I don't want you to tell my mom that I came.
15:21Tell me, Ivan.
15:22Godfather,
15:24I want to ask for your help.
15:26Me?
15:28Did something happen?
15:30No, no, no, it's not me, it's my mom.
15:32She's worried about me.
15:34There's a guy who's harassing her
15:36and I don't like him at all.
15:38Who?
15:40It's Genesis' dad, he's a bastard.
15:42You realize how little you see him?
15:44Not just because he's cool,
15:46but he has something.
15:48You should see him, Godfather.
15:50Yes, yes, yes, I know him.
15:52Harassing?
15:54But why do you say that?
15:56I heard Genesis talk last time
15:58and she said he'd stop harassing and blackmailing people.
16:00Well, maybe you misheard.
16:02No, Godfather, I heard clearly, really.
16:04I went to talk to my mom and she, well,
16:06she didn't want to admit it.
16:08You see?
16:10But she's super weird, Godfather.
16:12I shouldn't have trusted that guy.
16:14I mean, he's the owner of the house.
16:16And how can I help you?
16:18I'd like you to help me find out
16:20what's going on with my mom
16:22and how you're going to put her in her place.
16:24Godfather, I don't have anyone to ask for help.
16:27And you're like my dad.
16:31Could you give me a hand?
16:35Well, I'll see what I can do.
16:38Yes?
16:40Thank you, Godfather.
16:42I knew I could count on you.
16:46So you don't believe him?
16:48Johnny, Johnny is your son, Rosie Rose,
16:50do you realize that?
16:52The young man who helped me with the empanadas
16:54at his mom's house?
16:56Yes, yes, the same one, the one who came here
16:58and the one who was helping you look for your son.
17:00I mean, he was looking for himself.
17:02Amazing, incredible.
17:04Fate brought him to you.
17:06That's amazing, Rosie.
17:08Amazing.
17:10Yes, I saw him
17:12and I felt something like that,
17:14his eyes, his little eyes,
17:16my Godfather.
17:18My love.
17:20But now he doesn't want anything with me
17:22and he doesn't want to take the exam either.
17:27That's why I left him out.
17:30No, no, Rosie.
17:32No, Rosie Rose, don't get like that.
17:34Don't worry because I'm going to talk to him.
17:37Johnny is a good person.
17:39Besides, I've known him my whole life
17:41and he's always, always listened to me.
17:43For example, if I tell him,
17:45stand up, he stands up.
17:47If I tell him, stand up, he stands up.
17:49Really, I'm going to talk to him
17:50so that you come here,
17:52talk to you,
17:54and do all the necessary exams.
17:56I hope I can convince him
17:58because he's very closed, boy.
18:00No, no.
18:02No, you'll see that he will do it.
18:04Johnny, Johnny is a good person.
18:06I'm going to solve this, Rosie Rose.
18:20Come in.
18:22Eduardo.
18:24The agent and the producer arrived.
18:26Excellent, Sarita.
18:28Let's see that commercial then.
18:30What happened?
18:32I haven't seen you happy in a long time.
18:34What? No, nothing, nothing happened.
18:36Okay.
18:38I was with Isa.
18:40No, did they come back?
18:42No, no, step by step.
18:44The first step is to get the office back
18:46and the second step is to get my arms back.
18:48What good news.
18:50Let's go.
18:52Santiago, what a nice day.
18:54Well, I hope everything is fine.
18:56Hello, hello.
18:58Yes, yes, very good, very good.
19:00Hello, can I help you with something?
19:02No, no, no, thank you very much.
19:06That's Furia's ring, right?
19:08Yes, yes, the event was incredible.
19:10I hope more.
19:12Yes, do you work here?
19:14Hello, hello, good afternoon everyone.
19:16How are you?
19:17How are you?
19:19Everything in order.
19:21Cables, projector, everything.
19:23How are you?
19:25And you are?
19:27Do you remember that I was looking for a production assistant?
19:29I introduce you, Camila Torres.
19:31Camila Torres, welcome to the team.
19:33Eduardo is one of the partners of the company.
19:35And the general manager.
19:37Nice to meet you, sir.
19:39Well, Santiago, you already know him.
19:41Yes, yes, of course.
19:43I'm so happy because I can't believe
19:44that I'm working in the poor boyfriend's life.
19:46It's like, too cool.
19:48Well, take a seat, please.
19:50Well, we are looking forward to watching the video.
19:53The truth is that it was a pleasure to work with Santiago.
19:56No, Santiago is exceptional.
19:59That's why all women die for him.
20:01Yes or no, Camila?
20:03Yes, yes, totally.
20:05Well, we have made two versions.
20:07One for television and one for social networks.
20:11The boss is particularly nice today, right?
20:14It looks like he's friends with Isa.
20:16Well, let's watch the video.
20:18Of course.
20:33Titu, what a miracle around here.
20:35Oh, hello, Pamela.
20:37How are you?
20:39No, how nice, how nice to see you.
20:41I know, I know, I know you've already come.
20:42I don't know where that lady was.
20:44Well, let me tell you upfront that I'm not interested.
20:46I'm not interested in that subject,
20:48so go back to where you came from,
20:50go back to your castle,
20:52bathe in your jacuzzi, I don't know,
20:54because here you are wasting your time.
20:56Hey, did you finish with your berrinche?
20:58Do you think I've left my palace,
21:00I've left my jacuzzi,
21:02I've crossed all of Lima to come here
21:04for you to tell me that?
21:06No, you're going to listen to me.
21:08Well, but it's the short one,
21:10that I'm playing soccer with the guys.
21:12I'm going to tell them that I'm with a woman
21:14and she's your mother,
21:16she wants to meet you,
21:18and all that, I know it's very strange.
21:20Okay.
21:22But Rosie Rose is not just any person.
21:24No, she's a person who abandons her baby
21:26and 32 years later she thinks of coming to get it.
21:28She's a beautiful person.
21:30I don't think so.
21:32Well, I have to confess that at the beginning
21:34she was really mean to me,
21:36I mean, but it's not my fault,
21:38because she's always lived in that house
21:40and out of nowhere a fabulous,
21:42the queen of King Arthur,
21:43and she obviously feels threatened.
21:45Pame, this time we're talking about me, not you.
21:47Yes, I'm sorry. I'm sorry.
21:48Don't get ahead of yourself and tell me what you want.
21:51Okay, okay.
21:52What I want to say is that Rose is a nice person
21:54and she's suffered a lot, Johnny.
21:56She just wants you to do that DNA test
21:58to know if you're her son or not.
22:01And if you're her son, then get to know each other a little more.
22:04That's all.
22:07Maybe you're not her son, but if you are,
22:10can you imagine how your life would change, Johnny?
22:12My Arthur loves Rose. He loves her.
22:15And I'm sure he'd help her get back her lost time with her.
22:20Maybe he'll get you a job.
22:22I don't know, maybe he'll get you to study something.
22:24You think I'm going to sell myself for a job?
22:25No, Pamela. I have dignity.
22:28But it's not true, Johnny.
22:30Can you imagine if you were to live in my palace with Rose?
22:32It's a huge house. It's a kingdom.
22:35We'd have a lot of fun. We'd have a great time.
22:39Sometimes I get bored, Johnny.
22:41I get bored when my king Arthur isn't around.
22:44Really.
22:46Well, anything else? The guys are waiting for me.
22:49No, nothing. Think about it.
22:50Think about it, okay?
22:52It's hard for you to do a DNA test.
22:53You're never going to get out of doubt.
22:55Do you promise you'll think about it?
23:01There you go.
23:04It's a good price. Really. I promise.
23:07Let me know when you decide.
23:10Bye.
23:28I'm so happy for you.
23:30We're very happy with the video.
23:31Please, Eduardo. Thank you.
23:34It's amazing.
23:35Fantastic. Congratulations.
23:37Great job, guys.
23:40Bye.
23:41See you later.
23:42Excuse me.
23:43See you later.
23:43Isabela, tell me.
23:46I got bored of working at my house.
23:48I'm glad you're back.
23:50Welcome.
23:52Hi.
23:53Hi.
23:54Meet Camila Torres, the new production assistant.
23:57Isabela is also a partner at the company.
23:58Yes. Welcome.
24:01I'm so happy to be here. Really.
24:04Let's go. I'll walk you to your office.
24:06Okay.
24:07How did the deal go, Santiago?
24:08Great. I'm very happy.
24:10We have to go over the agenda for the week.
24:12If you want, I can help you.
24:14Something urgent came up today.
24:17But we agreed on that.
24:18Johnny has a huge problem and he needs me.
24:21Sarita, I promise I'll call you tomorrow.
24:28He's so cute.
24:34You're always here
24:40When I need sleep
24:43When the day doesn't...
24:44If my mom and Aunt Betty become friends,
24:46I'll be able to come pick you up at the winery.
24:48We'll be able to walk hand in hand through the neighborhood.
24:51And you won't have to make any more orders
24:52for those who were about to break up with you.
24:55Well, that doesn't matter.
24:57I could be with you for a little while.
25:01You're so romantic, Marco.
25:04Now we have to cross our fingers
25:06for everything to go well between my mom and Aunt Betty.
25:08I don't want them to start talking nonsense
25:10and end up worse than they started.
25:11Come on, it'll all work out.
25:15We'll finally be able to tell everyone we're together.
25:25What's going on here?
25:29Why are you kissing in the winery?
25:30Marcos, you've gone too far.
25:32IvĂĄn, Genesis is my girlfriend.
25:35What?
25:37You can't be in love.
25:39No, that's impossible.
25:40No, no, no.
25:42No, Mom, that's not right.
25:43I found these two flirting and they say they're in love.
25:46In love?
25:48Yes, Mrs. Betty.
25:49Since when?
25:50It's been a while, Aunt, but...
25:52But nothing.
25:53Look, Genesis,
25:55didn't I tell you like 500 times
25:57that I didn't want you to date Marcos?
25:59But it happened, Aunt.
26:00We liked each other.
26:01We had to see each other secretly
26:02because of the problem you had with my mom.
26:04But now you're going out and you're going to be friends.
26:07Can't you give Genesis permission to be with me?
26:09No, he doesn't have permission. That's not true, Mom.
26:11Hey, what do you have to do with it?
26:12A lot.
26:13A lot, because if my mom lets you be with Genesis,
26:15she'll neglect her job.
26:16But she hasn't neglected it until now.
26:17Enough, please.
26:19But, Mom.
26:20No, enough.
26:21I really don't want any more problems.
26:23I only have one living neuron
26:26and I want to use it to date me.
26:28Enough, please. We'll talk about this later, okay?
26:31The taxi is outside, it's waiting for me,
26:33and I don't want it to come. Excuse me.
26:48How are you, Cesar? How do I look?
26:50You look very pretty, my love. Very, very pretty.
26:52Are you telling me the truth or are you doing it to please me?
26:54With that face, you don't convince anyone.
26:56No, no, my love. I'm serious.
26:57What happens is that you've left me very, very impressed.
27:00Oh, I'm just a little nervous. It's been a while since I've been out.
27:04Can I tell you something, Cesar?
27:05What?
27:06Look, if it depends on me, this will be solved today.
27:09I'm going with everything at my disposal.
27:10Well, I think you're going to do very well, my love.
27:13I'll give you the key to the coffee, okay?
27:15What? No, are you crazy?
27:17Do you think I'm going to go to the greenhouse
27:18and I'm not going to ask for my blood?
27:19No, I'll take a taxi with Betty.
27:21Vilma, Vilma, don't overdo it.
27:22Look, you can get it in your head.
27:24Hey, I'm not a drunk girl, huh?
27:27Well, the situation is very delicate, okay?
27:29I'm telling you as advice.
27:30It's better that you be attentive with your five senses.
27:33Don't interpret things that aren't,
27:35and above all, talk too much.
27:37Oh, don't be stupid.
27:40That's it. That's it.
27:41Go outside by taxi.
27:42I'm leaving.
27:43My wallet.
27:45Wish me luck.
27:46Have a good day, my love.
28:27Is this how you don't get paid in the company?
28:29Incredible, right?
28:57I wanted it to happen between you and me
29:00Come on, Betty, say something.
29:02You say something.
29:02You were the one who invited me to talk,
29:04and you haven't said anything worthwhile yet.
29:06Oh, if we're going to start fighting,
29:08this doesn't make any sense.
29:10I've come here with the best of intentions, Betty.
29:13Yes, me too.
29:14I accepted to come and talk civilizedly
29:16after all the nonsense you told me.
29:20Look, Betty.
29:23What happened between Santiago and Pamela
29:26broke my heart.
29:29But what hurt me the most
29:31was that you betrayed our friendship.
29:34Vilma, what did you want me to do?
29:36Put yourself in my shoes.
29:37I have a little empathy.
29:40I was holding my hands.
29:42Because this wasn't just about your son,
29:44but also about my Pamela.
29:46And a mother will always want the best for her children.
29:51Okay, you're right.
29:54A mother will always want the best for her children,
29:57but...
30:00Look.
30:02We both made mistakes.
30:07And we're here because we're willing to admit it.
30:10With total honesty.
30:12Right?
30:13Yes, of course.
30:18If I have to apologize,
30:21I'm not going to be proud of it.
30:25Especially after so many years of friendship.
30:29So, Betty, my friend,
30:35my soul sister,
30:37I'm sorry.
30:40I'm sorry.
30:41I'm sorry for speaking ill of you.
30:45I'm sorry for treating you with contempt.
30:49I'm sorry for putting laxatives on your cake.
30:54For scratching your daughter's car.
31:00I swear, sometimes I don't recognize myself
31:02because of all the anger I had.
31:04I didn't understand where all the resentment came from
31:07and we were so excited.
31:09Okay.
31:12Do you remember?
31:14Do you remember when we used to throw pears at school?
31:17When we used to say we had to go to school
31:20and we'd go to the disco.
31:21Yes.
31:25When we moved in front of each other,
31:28we made bread together, my friend.
31:31We raised our children together.
31:38So...
31:40I want us to be as close as we've always been.
31:43We were so inseparable.
31:45I want us to stay that way, my friend.
31:51I'm sorry, Betty.
31:54I'm sorry.
31:56If there's anyone who needs to apologize, it's me.
32:09My friend, thank you for recognizing your part,
32:13but I have a lot of responsibility too.
32:17You don't understand.
32:20What?
32:22There's one thing you need to know.
32:25If I don't tell you now, I'll be left with a thorn
32:29stuck in my heart
32:31and I won't be able to sleep in peace for the rest of my life.
32:35What?
32:37I don't understand. What are you saying?
32:40What do I need to know?
32:43The truth, Virna.
32:45You need to know the whole truth.
33:12I'm happy to be back at the office.
33:14That doesn't mean you and I...
33:16I know, I know. It's okay. Don't worry.
33:19I don't know.
33:20I was saying that you suddenly wanted to come with me.
33:24I'm seeing you anyway.
33:26It's a gesture of education to ask, okay?
33:31Well, I'll see you tomorrow.
33:33I'll see you tomorrow.
33:35Hey.
33:38I'm happy to be back at the office.
33:40Oh, yeah?
33:43I'll see you tomorrow.
33:45Bye.
33:47The power of habit.
33:49Why didn't you come with her?
33:51Because you're together, right?
33:53You kiss in the morning, you go back in the afternoon.
33:56When are you getting married?
33:57No, no, no. We're not together yet.
34:00What are you talking about? No, no.
34:02How many more times will you go back and forth
34:04before you become the perfect couple?
34:09You've been driving us, haven't you?
34:12Eduardo.
34:13Why don't you worry about your great love?
34:18What are you talking about, Moni?
34:21You know what?
34:24I'm angry that you're so blind.
34:28I look at you and I wonder...
34:31I don't know, don't you realize
34:33that there must be hundreds of women
34:34who would die for you?
34:37Who would leave anything to run to your arms?
34:40Well, I don't know any of them.
34:50Why don't you open up to the possibility
34:53that this story could be real?
34:56And maybe, who knows, Mrs. Rosa could be your mother.
35:02The mother you've been waiting for all these years.
35:06That mother could be close to you, Johnny.
35:08So, are you going to let me go?
35:12Are you going to miss the opportunity?
35:15Are you going to remain in doubt?
35:18Manu, what if we're going to see her?
35:25Hi, honey.
35:26I was just telling Rosa
35:28that you were bringing dessert to cheer me up.
35:30Oh, yeah, yeah.
35:32Rosie Rose, I have a surprise for you.
35:35You don't know who I found out there.
35:38Who?
35:41I don't know.
35:45What is it?