• 15 hours ago
Pobre novio Peru Capitulo 35 Completo HD
Pobre novio Peru Capitulo 36 Completo HD
Pobre novio Peru Capitulo 37 Completo HD
Pobre novio Peru Capitulo 35 Completo HD
Pobre novio Peru Capitulo 35 Completo HD
Pobre novio Peru Capitulo 35 Completo HD
Transcript
00:00Gregorio Marquez, member of the family, here with the mother-in-law of the lady here.
00:06José Gregorio Marquez for those who like and send. At your orders, Emilio. You just call me.
00:10Of the family, he says.
00:12This bastard has seen where he is holding you.
00:15But I really do not agree with him, because I swear I will destroy him.
00:19I take advantage of the fact that I find you to remind you that you have a very important commitment with me.
00:24Me?
00:25Don't you remember?
00:28A pose every weekend.
00:31Of course I remember.
00:32And I warn you that I'm going to get very creative.
00:35Well, I trust you.
00:37Such is my luck.
00:39Why don't you get closer to her? Don't miss this opportunity.
00:42Ask her whatever you want.
00:44She will gladly answer all your questions since you were a baby, my Johnny Jones.
00:48Don't you understand, Pamela Chumpe, that I don't care?
00:51That I don't want more answers?
00:52She wanted to know if I was her good son.
00:54There are the results of that exam.
00:56But leave me alone.
00:58What happened?
00:59Nothing, okay? What's going to happen to me?
01:02Oh, damn it, dad.
01:04Look, girl, I think you're right.
01:06The best thing would be for me to take off and go do my job, okay?
01:11I'll see you, then.
01:12Bye, then.
01:14Excuse me, excuse me.
01:16See you, Johnny. Nice to meet you.
01:18What happened to your dad?
01:19I don't know.
01:21I think he had to go. He has some things pending.
01:23Since when has Monica stayed to sleep at your house?
01:25What?
01:27That Monica spent the night at your house.
01:28I called her early and Manuel answered me and told me.
01:30She slept in the extra room, not in my bed.
01:33Besides, you know perfectly well that I live with my daughter.
01:37If it were any other woman, believe me, I wouldn't ask you.
01:41Isabela.
01:43I love you.
01:45And Monica is your best friend.
01:46There is absolutely nothing to say about the subject.
01:51I have reasons to look for you and talk to you again.
01:56It says in that notebook, without further ado,
02:00now and the date and two hearts.
02:02And it says that yesterday San Sebastián.
02:05And if I have to choose, I'll stay, I'll stay with you.
02:10If I go back to school.
02:12Andrew, if I'm late for school, why can't I stay here with you?
02:16Because I don't want you to be late
02:18and because I also have to go to work.
02:22Phone rings.
02:26Hello.
02:27Isabela found out that you stayed at my house.
02:29She came to talk to me.
02:31Hi, I'm here with Manu.
02:33He left the furniture, so I was about to take it to school.
02:36No, don't worry.
02:37Now I'm sending a taxi and he's going with Anita.
02:39I'll take care of that, but I need you to listen to me.
02:42I told Isabela that you had told me the truth.
02:46What?
02:47Yes, that you feel something for me and that's why you fought.
02:51I couldn't lie to her so much.
02:54Of course.
02:55If she tells you something, don't tell her anything.
02:57Not about last night, not about the other day, nothing.
03:00Obviously, I'm very clear.
03:02Don't make a mistake when they talk.
03:04I have to go.
03:05I have things to do.
03:07Bye.
03:12Are you okay?
03:13Yes, I'm fine.
03:16Your dad called.
03:18He says he's going to send you a taxi so you can go to school with Anita.
03:22But I want to stay with you.
03:25Yes.
03:27And that's how the business started.
03:41The businessman pulled out, and the events were over.
03:49But why the boss of Eduardo did that?
03:50He says because he doesn't want to stain his agency with a debtor,
03:53because the landlord is going to bribe everyone,
03:55I think it's a lie that you don't want me to gather the money
03:57to get out of the raffle.
03:58Why would I lie like that?
04:00But if the businessman accepted that he had debts.
04:02We all have debts, mom.
04:03Now I don't know how I'm going to do without that job.
04:05I'm not going to get the money to get out of the raffle.
04:07I don't want to continue.
04:08I don't want to be the poor raffled boyfriend.
04:10You would have thought better before accepting it, son.
04:12In my humble opinion, you have to continue until the end.
04:15You are the best, son.
04:16Even the police recognize you.
04:18You are famous.
04:19They have given you an apartment.
04:21But if I don't want to, I don't want to, Cesar.
04:23That will change your life, son.
04:24Take it that way.
04:26Well, anyway, now we are not going to solve anything at all.
04:29And less with you dressed like this.
04:31You can't talk seriously with you like this.
04:33I'm going to take a shower to get rid of bad luck, okay?
04:36Oh, poor little son.
04:39I swear that if I had all the money, I would give it to you completely.
04:44What are you doing?
04:47Isa, I think it's better if I leave.
04:50Leave?
04:52Where? Why?
04:55You know why.
04:57Yeah, and you're going to leave like that, without saying goodbye?
04:59No, I was going to finish doing my things and I was going to tell you.
05:03Monica, I'm sorry.
05:05I'm sorry.
05:06I'm sorry.
05:07I'm sorry.
05:08I'm sorry.
05:09I'm sorry.
05:10I'm sorry.
05:11I'm sorry.
05:12Monica, let's talk.
05:14You can't leave like this.
05:16And what do you want me to do?
05:17Talk to me.
05:19I've been calling you all morning, didn't Manuela tell you?
05:24Of course.
05:28Why did you go to Eduardo's house?
05:32Isa, I'm sorry, I needed to tell you how I feel.
05:36Yeah, and that's why you stayed to sleep at his house?
05:40Monica, you're my friend, right?
05:44My best friend.
05:46Tell me the truth.
05:48Don't lie to me.
05:51Did something happen between you and Eduardo?
05:53Because if not, I find it very strange that you want to do your things and leave the house.
05:56What do you think happened, Isabela?
05:58I don't know, you tell me.
06:00Nothing, nothing happened with Eduardo.
06:02I went and told him how I feel about him, period.
06:04And he made it super clear to me that he's dying for you.
06:06Eduardo loves you.
06:07Is that why you're leaving?
06:08Is that why you're leaving?
06:10Because you went to tell him how you feel about him?
06:12No, because I like your ex, it's not a small thing.
06:15And because I need to think, I need to be alone, I need time.
06:19I can't keep living here.
06:21You can't.
06:22I'm sorry, Monica, but it's hard for me to believe you.
06:25I feel like there's something you're hiding from me and you don't dare to say it.
06:28Are you going to continue with that, Isabela?
06:29Nothing happened between Eduardo and me.
06:31Then why are you leaving if nothing happened?
06:34Look, if it's hard for you to understand, it's a shame, really.
06:37But I need space, I need to clear myself.
06:40And I don't understand why it's so hard for you if you're already in another one.
06:43Are you interested in someone else or not?
06:45Okay, Monica, you know what?
06:49You stay. I'm the one who's leaving.
06:51Besides, you were in this apartment before.
06:53Ready? You stay.
06:54Okay? It's settled.
07:07Oh, you have a very fun family, Papelito.
07:10The truth is that I had a great time.
07:12And you ate as if there was no tomorrow, my king.
07:15I also had an incredible time.
07:17I felt like I had spent my time.
07:19All happy, eating perdiz.
07:22Even with Johnny Johnny Santiago, everything was fine.
07:25And my daddy was so cute.
07:27Just seeing him made me grateful.
07:30Speaking of the king of Rome, you don't know who just wrote to me.
07:34Johnny Johnny says he's coming to see you.
07:37Really?
07:38Yes.
07:39Look.
07:40When he left the winery, I filled him up with WhatsApps
07:42and I told him I had to come see you.
07:44And I got it.
07:47Don't I tell you that he always does what we tell him?
07:50And now what do I tell him?
07:51And...
07:52Oh, I don't know.
07:53What if we better leave it for another day?
07:55No, Rosita.
07:56You can't miss the opportunity.
07:58Yes, but...
07:59Let's go to the kitchen.
08:00Let's make a delicious lunch.
08:01Because the stomach is full and the heart is full.
08:04Let's go.
08:15Hello, Isabela.
08:17How are you?
08:18More or less, dad.
08:19Can I ask you a favor?
08:20Yes, my love.
08:21Whatever you want.
08:22Can I go to your house for a few days?
08:23At least until I find an apartment.
08:25I don't know, but I have to leave here.
08:28Of course, my love.
08:29Of course you can come.
08:31This is still your house.
08:32And I'm going to be happy that you're here.
08:35What happened?
08:36Did they ask for the apartment?
08:38No, it's a much more complex and much longer issue.
08:40But I'll tell you when I get there.
08:42Thank you, dad.
08:43I love you.
08:44Me too.
08:45I'll wait for you here.
08:46Bye.
08:47Bye.
08:48Bye.
09:00Are you here?
09:08Here.
09:13Can I call you?
09:18Go ahead.
09:27How are you?
09:29There.
09:30There, not so well.
09:32Really? Why?
09:34No, I don't want to burden you with my problems.
09:37No, no, no.
09:38You're never going to burden me with your problems.
09:40Tell me.
09:42It's complicated.
09:43Let's see, let's see, let's see.
09:44My friends have told me that I am very good at that.
09:47I can definitely help you with something.
09:49I can cheer you up, even the most depressed.
09:53Hey, what if we see each other for a while and I make you laugh?
09:57But aren't you in Arequipa with the president of your fan club?
10:01Oh yeah, with Camila.
10:03She's so pretty.
10:05No, we're not in Arequipa.
10:06We had to go back earlier.
10:08Why? What happened?
10:09What do you think?
10:10Eduardo gave us the ball.
10:12Eduardo?
10:14I'd rather tell you in person.
10:16What do you say?
10:17You tell me what happened to you, I'll tell you what happened to me.
10:21Come on, tell me yes.
10:23It's just that it would have to be in a super hot place so that they don't recognize you.
10:28Wherever you say, miss.
10:30And if you want, I'll dress up.
10:34You tell me the time, tell me the place, and I'll be there.
10:46Didn't you see what happened?
10:48What did I see?
10:49Genesis's dad just got out of jail.
10:51Oh yeah, I saw it, but...
10:53Godfather, that guy is involved in something shady.
10:55It's obvious.
10:56Maybe it was just a coincidence and you're making up a whole movie in your head.
11:00What do you mean a coincidence?
11:01He broke up and left.
11:03It seems dangerous.
11:05You have to know what he's up to.
11:07Well, why get into more trouble?
11:08Let him go and that's it.
11:10What do you mean go?
11:11Where?
11:12He's happy with life all day stuck in my house.
11:15With the excuse that he comes to see Genesis.
11:17He thinks he's the king of the cell.
11:18He eats all the food.
11:19He flirts with my mom.
11:21But when the police came...
11:24That's it, godfather.
11:25Let's go to the police station.
11:26Let's ask about the background.
11:27I bet you he has something.
11:30But why get into more trouble?
11:32Why?
11:34Well, if you don't want to come with me, I'm going alone.
11:43He didn't want to go to the party.
11:45But as soon as the police arrived, he ran away.
11:48Don't you think that's weird?
11:50Do you think he was running away from the police?
11:52Marcos, I've told you.
11:53Look, my dad is always involved in shady things and I'm scared.
11:58Okay, but what kind of shady things?
12:01I'm embarrassed to tell you.
12:03But do you think he's like one of those distorters on TV?
12:06Do you think he charges for the business?
12:08I don't know.
12:09But what I do know is that he's been involved in robberies and swindling.
12:13He's even swindled people.
12:14Really?
12:16Marcos, I'm embarrassed to tell you this, but I promise you I'm not like that.
12:20Genesis, I know you're not like that.
12:23It's not your fault for having a dad like that.
12:26I don't want him around.
12:28Okay, look.
12:29Do you think we should go to the police?
12:31I want that, but...
12:34But what if I'm also accused of being his daughter?
12:37No, no, Genesis.
12:38Not you.
12:39Look at me.
12:40You have your papers in order.
12:42You have your job contract.
12:43Okay?
12:44You don't have to be afraid.
12:46I don't know, Marcos.
12:47Look.
12:48They could even deport me from Peru because of him, you know?
12:54Why is it like this, Marcos?
12:55Why?
12:56I hate him.
12:57That's not going to happen.
12:58That's not going to happen.
12:59Don't worry.
13:00I'm here for you.
13:01You have me.
13:02And I'm not going to let anyone take you away from me.
13:08I love you.
13:22I'm leaving.
13:23I'll come back for my other things later.
13:26Where are you going?
13:28To my dad's house.
13:31I never thought our friendship would end, Mónica.
13:34Much less like this.
13:35I'm very sorry.
13:36Me too.
13:38Really?
13:39Because I don't know why I don't believe you.
13:42And while I feel like you're hiding things from me,
13:44it's best if you're not here.
13:56Is the baby coming to live with us?
13:58Yes.
14:00I love it!
14:01This is a great idea!
14:02Well, it's going to be a few days.
14:04That's what he said until he found something else.
14:06But this is a great opportunity, my love,
14:08to get closer to Chabelita.
14:10I'm going to treat her like my own daughter.
14:12Oh, no.
14:14Look, if you get along well, that's enough, Pastelito.
14:17Isabelita is a love.
14:18How much do you miss her in this house?
14:20What good news, Mr. Arturo.
14:22And for her to come is the best thing that could happen to her.
14:26Yes, Rosita.
14:27The best thing that could happen to me
14:29is that she comes to live in the house.
14:31Do you realize what life is like?
14:33Today your son comes to talk to you
14:35and my daughter comes to spend a few days.
14:37The children reuniting with their parents.
14:40It must be a sign.
14:42I hope my little David forgives me.
14:44I ask and ask my captivity
14:46to bless me with that second chance.
14:48I'm sure it will.
14:50I know!
14:51I have a great idea.
14:53And if I go to Capón Street,
14:55I'll buy some golden balloons
14:57and some signs that say,
14:58Welcome to my little Chabelita.
15:00And we put a lot of glitter.
15:02No, no.
15:04No, it's not necessary, Pastelito.
15:06No.
15:07Isabela is a very reserved girl
15:09and those things are not hers.
15:11But a golden snake, those that blow.
15:15Well, no.
15:20I'd better go another day.
15:22I'd better go another day.
15:24Hey, Yoni.
15:25No other day.
15:27You already told Pamela you were going.
15:28You have to face your mother.
15:30How long are you going to keep postponing that?
15:32I don't know if I want to see that lady.
15:34I don't know if I want to hear her.
15:36I don't even know if I want her to be my mother.
15:38I'm fine like this.
15:39Hey, are you listening?
15:41You have a mother, Yoni.
15:43Haven't you thought about that all your life?
15:45Give her a chance to be heard.
15:47Okay, okay.
15:49I'm going to do that, but I don't promise anything.
15:51As long as I hear her enough.
15:55So?
15:56How do I look?
15:58Why are you so dressed up?
16:00I have a date.
16:01Yeah.
16:02And with whom?
16:04Don't tell me it's with Camila.
16:05No, you're crazy.
16:06No, nothing to do with it.
16:07It's a girl from Instagram who wrote to me
16:09and she's super nice.
16:10Good people.
16:11And I want to meet her.
16:12Yeah, very good.
16:13Very good, Santi.
16:14That's it.
16:15You have to go out, have fun, relax,
16:18get out of Isabela's head.
16:20Meet the girl.
16:21Good?
16:22Pretty?
16:23Do you have a picture?
16:24Yes.
16:25Wait, let me tell you.
16:26She's a pretty girl.
16:27Pretty, kind.
16:29She has a smile that makes you fall in love.
16:31She has giant eyelids that you look at and...
16:34No.
16:37Yes, she has giant eyelids.
16:38No.
16:39Don't tell me, Santi, that...
16:41Are you going out with Isabela?
16:45Yes.
16:46Santi, please!
16:47Please!
16:48Do you like living?
16:49Living?
16:51Take care of yourself.
16:52At least take care of yourself, please.
16:53The last thing we need is a problem with Eduardo's pitbull.
16:56And that one looks like a hysterical chihuahua.
16:57That one has you back.
16:59Nothing's going to happen.
17:00He's not going to notice the current.
17:01Don't worry.
17:09What do you mean he left?
17:10Where?
17:11To his dad's house.
17:12Did you tell him anything?
17:13No.
17:14Then?
17:15Things were very tense.
17:16I was going to leave, but in the end he left.
17:17And you followed my version of events, I hope.
17:18Eduardo, we sleep together.
17:19We haven't killed anyone.
17:20Understand me.
17:21You can't tell him.
17:22If he finds out, he'll never forgive us.
17:24Eduardo, that's enough.
17:25I've told you a thousand times that I'm not going to tell him anything.
17:27Monica, understand me.
17:28I don't want to lose her.
17:29Eduardo, you already lost her.
17:30Forgive me for saying it like that, but what was between you two is over.
17:37Don't talk to me like that.
17:38I talk to you as I please.
17:39You're a damn selfish.
17:41Why?
17:42I've always been honest with you.
17:44You're selfish.
17:45You only care about what happens to you.
17:47And don't worry, I'm not going to tell him anything because you're not worth it.
17:50And now, please, get out of my house.
17:54You're threatening me.
17:55Get out of my house.
18:10Best of all, the police want to make empanadas on Tuesdays at the police station.
18:15And I just told them that you could make the cakes for any celebration you had.
18:20And that's great.
18:21Yes, great.
18:22We already have new customers.
18:24Vilma, have you seen my keys?
18:26I just saw them.
18:28Here they are.
18:29If you don't lose your head, it's because you're wearing them.
18:33Are you going out?
18:34Yes.
18:35Where are you going?
18:36To the center to buy supplies.
18:38Oh, at this time?
18:39Isn't it a little dangerous?
18:40No, nothing happens, Vilma.
18:41Everything is fine.
18:42Hey, you should look for that Jose Gregorio to come and do the arrangements he told you in the workshop.
18:47Well, I'll call him later.
18:48Bye.
18:53Oh, Betty, I'm sorry.
18:55He may be a good friend of yours, but I don't like him at all.
18:57Did I tell you that he asked Cesar for 600 dollars to do these arrangements in the workshop?
19:02Yes, yes, you told me.
19:03Already.
19:05Three times.
19:06Oh, he hasn't even come here to sweep.
19:09But it's good that he comes to eat and drink at the re-opening, right?
19:13And did you see how he got excited when the police arrived?
19:17It must be for something, don't you think?
19:27Your godfather, you do take your time, huh?
19:29Your mother is with Vilma.
19:30I don't want them to think that we went crazy hallucinating the Spaniards.
19:33No, I bet you we'll find some dirt on that guy.
19:35You'll see.
19:36And everyone will thank us.
19:37We'll have criminal records.
19:39We're already talking about bigger words.
19:41I swear, godfather, I swear.
19:42You'll see, you'll see.
19:50Oh, Miss Pamela, do you think he likes chocolate cake?
19:52Of course he's going to like it.
19:54Please, Rosie Rose, everyone likes chocolate cake.
19:57Besides, Johnny Johnny eats anything he has in front of him.
20:01Oh, he must have been very hungry when he was a child.
20:04Rosie Rose, nothing to do.
20:06We always gave him food.
20:07Between my aunt Vilma and my mom, they always gave him lunch.
20:09First he had lunch in one house and then he went to the other house.
20:12It was very cool.
20:13With the delicious things that Mrs. Vilma would do,
20:15what will this banana cake like?
20:17Rose, stop. Stop this. Stop.
20:19Stop with this self-sabotage, please.
20:22Your banana cake is delicious. I love it.
20:25Everything is going to be fine, Rosie Rose.
20:26Everything is going to be fine.
20:27How delicious, how delicious, how delicious is everything.
20:29Oh, but how delicious is all this.
20:32Wonderful.
20:33Wonderful.
20:34And even with banana cake, you're going to sweeten it in one.
20:38Oh, I'm going.
20:39You stay here.
20:40Don't move.
20:43I'm very nervous.
20:44No, no.
20:45Calm down, Rose.
20:46Everything is going to be fine.
20:48You'll see.
20:49Calm down.
20:50It's him.
20:51Yes.
20:53It's good.
20:57Johnny Johnny, come on in, please.
20:59How nice of you to come.
21:02What's up?
21:03Ah, so you can see how I worry about you.
21:06Johnny, here's your mother.
21:07Mother, here's your son.
21:10Good afternoon.
21:11Good afternoon, David, Johnny.
21:15Good afternoon, boys.
21:16A pleasure.
21:17Welcome to my house.
21:18We're going to leave you alone so you can talk quietly.
21:22Come on, cake.
21:24You stay in your house.
21:25Anything, we're upstairs.
21:27Come on.
21:29Come on.
21:32Come on.
22:02Come on.
22:32Come on.
22:33Come on.
23:03Hello.
23:04Hello.
23:16I was very humble.
23:20I lived in an urban settlement.
23:23There was no electricity.
23:25There was no water.
23:27I was alone.
23:28I had no family here in the capital.
23:30I was so afraid of not being able to take care of you.
23:34Of not being able to give you a good life.
23:38I went to a popular dining room.
23:40And if not, I ate bread all day.
23:44But there was no water and you cried.
23:46Your skin was irritated.
23:48I couldn't give you milk.
23:51I didn't have milk because I was so nervous.
23:55That's why I left you with the nuns.
23:59Because I wanted you to have everything.
24:02To have your milk, to be sheltered.
24:04Yes, yes.
24:05The nuns took good care of me.
24:06They took good care of me.
24:11But I swear that once I had work here with Mr. Arturo,
24:15I went to look for you.
24:18And they told me that you were sick.
24:20But once I had work with Mr. Arturo, I went to look for you.
24:24And they told me that they had sent you to another institution in Trujillo.
24:28And that surely there they had already adopted you.
24:31No.
24:32They didn't adopt me.
24:34They sent me to another albergue in Trujillo.
24:36And from there they sent me to the home where I live now.
24:39But they also took good care of me.
24:42Thank God.
24:44I prayed every day even without knowing anything about you.
24:50And I didn't know how to look for you.
24:54And that's the pain I have.
24:56That's the guilt I have for not having continued to look for you.
25:06But thank God.
25:08Heaven gives me the opportunity that you are, my son, here.
25:13This opportunity that heaven gives me to be able to look you in the eye and ask you for forgiveness.
25:21Forgive me, David.
25:23Yoni.
25:27What?
25:28My name is not David. My name is Yoni. I already told you, Yoni.
25:36Of course. I'm sorry.
25:38Forgive me, Yoni.
25:44Look, ma'am, your story is very beautiful, very moving, but...
25:53But I can't forgive you.
25:57What you did is not done.
25:59And that's why I've come to tell you face to face, looking you in the eye, that no.
26:04I don't forgive you. I don't want anything with you.
26:13I don't forgive you.
26:34So you're going to live at your dad's house?
26:37Yes, at least for a while.
26:39I feel like I'm going to be calm there.
26:41Besides, my dad is happy to have me back.
26:44Of course he's going to be happy with you.
26:46And your friend, what are you going to do with her?
26:48I don't know. I don't know, she'll know.
26:52I just can't keep living there.
26:55I don't trust her anymore and I don't know why, but I'm sure she's hiding things from me.
27:00I know something has happened with Eduardo, but he doesn't want to tell me.
27:05Hey, Isa, and do you still care about him or not?
27:10No, nothing to do with it.
27:16What's wrong?
27:17Oh, nothing. I can't wait to get the money to pay the fine and get out of Rifa at once.
27:23Isabela, I want to apologize for several things.
27:26Eduardo has made me take out things that I didn't know I had and I've had conflicts with him
27:31and I don't want his ghost to keep chasing me all my life.
27:34Don't be stupid, that ghost doesn't exist.
27:38But that Rifa is going to open a lot of doors for you.
27:41What would you gain by getting out?
27:44Hey, Isabela, you don't realize why I want to get out of Rifa, do you?
27:51To be a free man.
27:53To be a free man and be with you once and for all.
27:59And who told you that when this business is over I'm going to want to be with you?
28:04Those little eyes that look at me right now.
28:08Those eyes that look at me and tell me that you die to give me a kiss.
28:12Just like I die to give you one.
28:17You are very special, Santiago.
28:20And I had never met someone like you.
28:23Isabela, I am a normal human being.
28:27But I am a man who ... a man who fell in love with you.
28:58Do you have the full name of the individual?
29:01No, just the first last name.
29:03José Gregorio Márquez.
29:08Nationality?
29:09Venezuelan.
29:18Oh my God.
29:19Did something happen?
29:20What time are we meeting?
29:22As far as I know, I don't have any appointment with you.
29:24Johnny, Johnny, don't do it anymore.
29:26You know we have to talk about Rose.
29:28I'm not interested in talking about that lady Pamela Chumpe, please leave me alone.
29:32She's going to Carlos' clinic.
29:34We're going there.
29:35What? What happened?
29:37Rosita had a miscarriage and fainted.
29:41The ambulance is taking her right now.
29:44It can't be.
29:45See you there, my love.
29:47And to Pupuchi, thank you for letting me know.
29:49I'm going there.
29:51Pamela, what happened?
29:52What happened?
29:53Rose, they found her lying in the kitchen.
29:56She fainted.
29:57They're taking her to the clinic.
30:00If something happens to her, it's your responsibility, Johnny.
30:03Excuse me.
30:06Santiago is still in doubt about Isabela.
30:10Imagine that he told me that they kissed.
30:13What?
30:15Yes, he still has the idea of ​​leaving the contest to be with her.
30:18Imagine how easy it would be.
30:20My God, if it's not one thing, it's another.
30:24What about you? How did it go with the deposits?
30:26What were you going to look for?
30:27Fine, fine, I left everything in charge.
30:29Dad?
30:31They're looking for you.
30:32How are you? Good afternoon.
30:33Good afternoon.
30:34Oh, good afternoon.
30:35You come for the empanadas, right?
30:36This is the front winery.
30:37No, ma'am, we didn't come for that.
30:39We want to talk to Mr. Cesar.
30:40Yes, yes, of course.
30:41If you like, we can talk in private.
30:42No, don't worry.
30:43It's about the investigation of José Gregorio Márquez.
30:46We just came to give you some information.
30:50Investigation?
30:52What kind of investigation is that?
30:55What's going on?
30:59What happened to us?
31:02How did we get to this?
31:03We have loved each other so much and for so long.
31:07That can't end overnight.
31:09Why don't we leave it all behind?
31:11Let's make a new attempt.
31:13An attempt of what?
31:14To return.
31:15What?
31:16Isa.
31:18I know you love me.
31:19Otherwise, you wouldn't have moved here.
31:21And I love you too.
31:23Monica, it means absolutely nothing.
31:25I was going to marry you.
31:26We had plans to start a family.
31:28And that's the most important thing.
31:30Yes, but things change.
31:31And I can't.
31:32What?
31:33What can't you do?
31:34Be with me?
31:36We had plans.
31:38Wonderful plans.
31:40I know you love me.
31:41And that can't end overnight.
31:45I know I've made mistakes.
31:46But I'm sure...
31:47Eduardo, you can't tell me what I am.
31:49I'm sure...
31:51Listen, I can't start a family with you.
31:53Because I don't...
31:55I don't feel the same anymore.
31:58I don't love you anymore.
32:13Tell me, what's your problem?
32:14Tell me, what's your problem?