Ding Gru
  • 13 hours ago
Pobre novio Peru Capitulo 30 Completo HD
Pobre novio Peru Capitulo 30 Completo HD
Pobre novio Peru Capitulo 31 Completo HD
Pobre novio Peru Capitulo 32 Completo HD
Pobre novio Peru Capitulo 30 Completo HD
Pobre novio Peru Capitulo 30 Completo HD
Pobre novio Peru Capitulo 30 Completo HD
Transcript
00:00At this point, she's a part of my life.
00:02She's gone. At this point, no. It doesn't matter.
00:05It doesn't matter to you anymore.
00:07Enough.
00:08Enough, my dear.
00:12Why did she have to show up now?
00:16Why? Why does she have to show up now to ruin your life?
00:22I'd like you to help me find out what's going on with my mom.
00:25Because that guy is bothering her and you help me put her in her place.
00:29Godfather, I don't have anyone to ask for help.
00:32And you're like my dad.
00:36Could you give me a hand?
00:40Well, I'll see what I can do.
00:43Yes?
00:44Thank you, Godfather.
00:45I knew I could count on you.
00:47Johnny, Johnny is your son, Rosie Rose. Do you realize that?
00:50The young man who helped me with the empanadas at your mom's house?
00:53Yes, yes. The same one. The one who came here.
00:55The one who was helping you find your son.
00:57I mean, he was looking for the same one.
00:59Impressive. Incredible.
01:01The boss is particularly nice today, isn't he?
01:04It looks like he's friends with Isa.
01:06Well, let's watch the video.
01:08Of course.
01:09There it goes.
01:11No, nothing. Think about it. Think about it.
01:13Okay?
01:14What's so hard about this DNA test?
01:15I'm not going to have any doubts about DNA.
01:17Do you promise you'll think about it?
01:23That's it.
01:25He's a good person.
01:27He really is.
01:28I promise.
01:29Let me know when you decide.
01:31Okay?
01:32Okay.
01:38Vilma, don't drink too much.
01:40Look, you might get dizzy.
01:41Hey, I'm not a drunk girl.
01:44Well, the situation is very delicate.
01:46I'm telling you this as advice.
01:47It's better if you're attentive with your five senses.
01:50Don't interpret things that aren't.
01:52And above all, don't talk too much.
01:54What?
01:55I don't understand. What are you saying?
01:58What do I have to know?
02:01The truth, Vilma.
02:03You have to know the whole truth.
02:20What?
02:23What do you mean there's something else?
02:26Is there something else you have to tell me?
02:31Betty.
02:32Betty, you're scaring me.
02:35Vilma.
02:38There's something I've been hiding from you all this time.
02:41And I can't take it anymore.
02:43I...
02:47I've betrayed you with all my heart.
02:51The truth is that...
02:55I didn't just know Pamela was in love with that man.
02:59I...
03:01I also...
03:02Also?
03:03Also what, Betty?
03:05I...
03:11I encouraged her to go with him.
03:16What?
03:18You?
03:21Yes, I...
03:23I advised her thinking about her convenience
03:25because I knew Santiago couldn't offer her everything Arturo was going to give her.
03:30Oh.
03:31Oh, Betty, you've always been so materialistic.
03:35All you care about is money.
03:37Yes, yes, yes.
03:38I... I saw that Pamela was interested in him and...
03:41And well...
03:43The bad thing is that I allowed Pamela and Santiago to go to church
03:47knowing that she wasn't in love with him.
03:49I even got happy when Arturo went to get her on the motorcycle.
03:52What?
03:54How could you, Betty?
03:56I don't know.
03:58I don't know, really.
03:59I'm not like that.
04:00It's just that...
04:03Forgive me.
04:06I...
04:07I couldn't.
04:08And when...
04:09When you asked me if I knew something,
04:11I wasn't able to tell you the truth.
04:13I just defended myself and...
04:16And I lied to you.
04:18And I betrayed you.
04:20I betrayed my sister.
04:22God.
04:23I don't know.
04:24It was bad.
04:25It was bad, girl.
04:26Really.
04:27Forgive me.
04:28I'm sorry.
04:29Tell me what you want.
04:30Really.
04:31Tell me what you want.
04:32If you want to send me to hell, do it.
04:34Because I deserve it.
04:37Girl, stop.
04:38Stop.
04:39The truth is that you have a favor to ask.
04:42You think so?
04:44Because...
04:45You look totally sorry.
04:48Really, I'm...
04:49I'm very capable of forgiving you.
04:51Really?
04:53Are you going to forgive me?
04:55We're sisters.
04:57And sisters have problems, right?
05:00But that's not why we're going to break up.
05:05Oh, girl.
05:12Enough, enough, enough.
05:13Stay calm.
05:15Don't cry anymore.
05:18Because that's all you had to tell me, right?
05:21Or is there something else?
05:23No, no.
05:24That's all.
05:26Okay, then.
05:27Stop suffering.
05:28That's it.
05:30Let's say hello.
05:34Do you hear that?
05:35Yes.
05:36It's our song.
05:37Let's go, let's go, let's go.
05:38Let's go.
05:50Oh my God, I'm so excited.
05:51I'm so nervous.
06:07I'm so nervous.
06:37I'm so nervous.
06:38I'm so nervous.
06:39I'm so nervous.
06:40I'm so nervous.
06:41I'm so nervous.
06:42I'm so nervous.
06:43I'm so nervous.
06:44I'm so nervous.
06:45I'm so nervous.
06:46I'm so nervous.
06:47I'm so nervous.
06:48I'm so nervous.
06:49I'm so nervous.
06:50I'm so nervous.
06:51I'm so nervous.
06:52I'm so nervous.
06:53I'm so nervous.
06:54I'm so nervous.
06:55I'm so nervous.
06:56I'm so nervous.
06:57I'm so nervous.
06:58I'm so nervous.
06:59I'm so nervous.
07:00I'm so nervous.
07:01I'm so nervous.
07:02I'm so nervous.
07:03I'm so nervous.
07:04I'm so nervous.
07:05I'm so nervous.
07:06I'm so nervous.
07:13I'm so nervous.
07:21I'm so nervous.
07:28I don't know if it was the lights, the make-up,
07:32or whatever it was, I don't know.
07:34But you know, it's surprising that my boss, GruĆ±Ć³n, was happy.
07:39He was super happy.
07:40I would have loved for him to be in the part
07:42in which I push him to be seen in the commercial.
07:49You know what, Johnny?
07:51Let's go crazy.
07:53How do you feel, Armando?
07:59Do you know how many times I imagined this moment when I was a kid?
08:07I dreamed that my mom would show up one day,
08:09out of nowhere, at the albergue,
08:11and she would say that she was coming to pick me up.
08:14I remember that sometimes I would be stuck at the window of my room,
08:18seeing all the people passing by,
08:20especially if it was a woman, I would be stuck.
08:23And I would get excited thinking that it could be her,
08:26that she missed me, that she loved me,
08:28that she wanted to take me with her.
08:32But in the end, it was at night.
08:34I never showed up.
08:35Until now, Johnny.
08:36Yes, but I stopped dreaming about that.
08:39I even forgot that I was dead.
08:42What if it's not like that?
08:44What if she's alive?
08:46Mrs. Rosa has been looking for her son for a long time.
08:48Ten hours, how long, Johnny?
08:52Yes, Pamela Chumpe also came and tried to convince me
08:54and she told me that Mrs. Rosa is...
08:56She's in Arevaca, I don't know what else.
08:58But I really don't know what to do.
09:03Hey, and...
09:05If we're going to see her,
09:08brother, why don't you open up to the possibility
09:10that this story could be real?
09:13And maybe, who knows, Mrs. Rosa could be your mom.
09:19That mom you've been waiting for all these years.
09:23That mom could be close, Johnny.
09:26And what? Are you going to let her go?
09:29Are you going to lose the opportunity?
09:32Are you going to remain in doubt?
09:36Brother, what if we're going to see her?
09:53Are you still here?
09:55The workaholic thing doesn't go away, does it?
09:57I'm almost done.
10:00Hey,
10:02can I ask you to go have a drink?
10:04I mean, to relax.
10:05If you want, we can go to the bar you like.
10:08No, only if you want.
10:11Eduardo, I just got back from the office.
10:13That doesn't mean that you and I...
10:15I know, I know.
10:16It's okay, don't worry.
10:18I don't know, I was saying,
10:19I don't know, I was saying,
10:20all of a sudden, it makes you want to come with me.
10:23I don't know.
10:24I'm going anyway.
10:25It's a gesture of education to ask you.
10:31Well, I'll see you tomorrow?
10:33I'll see you tomorrow.
10:35Hey,
10:37I'm happy to be back at the office.
10:39Oh, yeah?
10:42I'm glad.
10:44I'll see you tomorrow.
10:45Bye.
10:49Bye.
11:11No.
11:20Ay, no digas eso, Rosita.
11:22Mira, yo confĆ­o en Pamela.
11:24Y estoy seguro que ella lo va a convencer.
11:26Pero hay que darle tiempo al tiempo.
11:29De nada te sirve poner esa cara, Rosa, vamos.
11:32La verdad, no sƩ quƩ hacer.
11:35Mira, Pamelita estĆ” por llegar con el postre.
11:39Y no hay nada mejor para levantar el Ɣnimo
11:41que el dulce.
11:43Papuchi!
11:45Hablando de la reina de Roma.
11:46Mi Rose!
11:48Hola, mi amor.
11:49Justo le estaba diciendo a Rosa
11:50que estabas trayendo el postre
11:52para levantarle el Ɣnimo.
11:53Ah, sĆ­, sĆ­ es.
11:55Rosie Rose, te tengo una sorpresa.
11:58No sabes a quiƩn me encontrƩ allƔ afuera.
12:01ĀæQuĆ©?
12:03Eso.
12:04No sƩ.
12:08Eso.
12:17No.
12:34Si tĆŗ eres el mĆ”s desordenado,
12:35Āæno se acuerdan de ese seminario en Buenos Aires?
12:37No, estoy con el Mesio.
12:38Ay, sĆ­, a mĆ­ ese es el equivalente, por favor.
12:40Te pusiste a bailar tango con esas cincuentones
12:43Andelmo y terminaste ofreciƩndole
12:46No, no es verdad.
12:47No era yo.
12:48Ay, no era yo, no era yo.
12:51AhĆ­ estĆ”.
12:53SĆ­.
12:54No, no puede ser.
12:59No lo puedo creer.
13:01ĀæQuĆ©?
13:03Chicos, ya regreso.
13:05Disculpa, Āæme puede traer una cerveza?
13:07Gracias.
13:09Buenas noches.
13:10Hey, Āæy tĆŗ?
13:13ĀæQuĆ© tal?
13:15Bien, bien.
13:16Bueno, es mi bar favorito.
13:17ĀæCuĆ”l es tu excusa?
13:19Bueno, venĆ­a acĆ” con Isabel,
13:20asĆ­ que supongo que es la fuerza de la costumbre.
13:23ĀæY por quĆ© no viniste con ella?
13:25Porque ya estĆ”n juntos, Āæno?
13:27En la maƱana se besan,
13:29en la tarde regresan.
13:30ĀæCuĆ”ndo se casan?
13:31No, no, no.
13:32No estamos juntos todavĆ­a.
13:34ĀæDe quĆ© hablas?
13:35No, no.
13:36ĀæY cuĆ”ntas vueltas mĆ”s van a dar
13:37antes de ser la pareja perfecta?
13:40ĀæNo has venido manejando, no?
13:42Eduardo.
13:44ĀæPor quĆ© mejor no te preocupas por tu gran amor?
13:48ĀæDe quĆ© hablas, mon?
13:51Que, Āæsabes quĆ© pasa?
13:52Que...
13:54Que me da rabia que seas tan ciego.
13:58Yo te veo y me pregunto...
14:01No sĆ©, Āæno te das cuenta
14:02que debe haber cientos de mujeres
14:04que se mueren por ti?
14:06ĀæQue dejarĆ­an lo que sea para correr a tus brazos?
14:10Bueno, no conozco ninguna.
14:37Buenas noches.
14:39Mi nombre es Johnny Juan David Pidella.
14:43Y...
14:45Y bueno, Santi y Pamela Chumbe
14:47me convencieron de venir a verla
14:50porque...
14:51porque bueno, se supone que...
14:53SĆ­, se supone que...
14:57Bienvenido, muchacho.
14:58ĀæCĆ³mo estĆ”s?
14:59Pasa y siƩntate, por favor.
15:00No, no, no.
15:01Yo estoy bien.
15:02ĀæCĆ³mo estĆ”s?
15:03ĀæCĆ³mo estĆ”s?
15:04Pasa y siƩntate, por favor.
15:05No, no, no.
15:06Yo estoy bien asĆ­.
15:07Gracias.
15:09Bueno, Rosita estĆ” feliz de que hayas venido.
15:11SĆ­, estoy muy contenta, sĆ­.
15:15SĆ­, bueno, me contaron que
15:17hay una posibilidad de que
15:20yo sea el hijo que usted estĆ” buscando.
15:23Pero yo igual estoy bien asĆ­.
15:25Yo a estas alturas de mi vida
15:26yo no necesito una mamĆ” ni mucho menos.
15:29Pero igual...
15:31Igual querĆ­a venir, Āæno?
15:33A verla
15:35y...
15:36tratar de entenderla.
15:47MĆ³nica, MĆ³nica, MĆ³nica, MĆ³nica.
15:49Ay, ĀæquĆ©?
15:50TenĆ­a que hacerlo.
15:51EstĆ” mal reprimirse.
15:52EstĆ” contraindicado.
15:53No, no.
15:54Es que tienes que dejar de tomar.
15:55ĀæPor quĆ©?
15:56Si la estoy pasando bien.
15:57ĀæNo lo haces o no?
15:58Que tienes que pensar en maƱana.
15:59Para maƱana falta mucho.
16:02MĆ³nica, te vas a arrepentir.
16:03Me da igual.
16:04Ya, sĆ­.
16:05Confieso que siento algo por ti.
16:06ĀæQuĆ©?
16:07No.
16:08Es el alcohol, MĆ³nica, Āæno?
16:09No, no es el alcohol.
16:11Sabes que estoy enamorado de Isabela
16:13y que quiero regresar con ella, Āæno?
16:14Sƭ, sƭ sƩ.
16:15Pero Āæy quĆ© tienes?
16:16ĀæY lo que siento yo por ti?
16:17ĀæAcaso eso no importa?
16:18No, ya.
16:19Estamos demasiado.
16:20Vamos, te llevo a tu casa.
16:21Ay, ya pues.
16:22ĀæA quĆ© quedĆ”s?
16:23Mira, quiƩn sabe.
16:24De repente nos divertimos, la pasamos bien,
16:25nos damos otro besito.
16:26No.
16:27OlvĆ­dalo.
16:28OlvĆ­dalo.
16:29Eres la terapeuta de mi hija
16:30y la mejor amiga de Isabela.
16:34Hola.
16:35Compadre, ĀæquĆ© tal?
16:36RaĆŗl.
16:37Eduardo.
16:38ĀæQuĆ© tal, Luis?
16:39A ver, mucho gusto.
16:40Eduardo se quiere ir y yo quiero que se quede.
16:41Oye, no.
16:42Si Mona quiere que te quedes,
16:43tienes que hacerle caso.
16:44Y es un muy mal negocio decirle que no.
16:46Absolutamente de acuerdo.
16:47Dos traguitos mƔs para la mesa.
16:49Vamos para allĆ”.
16:50Vamos, vamos.
16:51Vamos, Mona.
16:52Ya, ya pues.
16:53Vamos, ya.
16:54Ya te quedas.
16:55Vamos.
16:56Ya.
16:58Ya, ya.
16:59Ya, ya.
17:00Ya, ya.
17:01Lo que Yoni quiere decir es que tiene ganas de conversar.
17:03ĀæCierto, Yoni?
17:04Si.
17:05RaĆŗl.
17:06No te asustes.
17:09Yoni es un fan de Dios.
17:11Lo que pasa es que esta es una noticia muy grande.
17:16Es una noticia.
17:17Y yo creo que Ć©l estĆ” en estado de shock.
17:20ĀæNo?
17:21SĆ­.
17:22DĆ©jame decirte que es absolutamente comprensible.
17:26I think it's best if you two talk.
17:30Johnny, Rosie Rose is the best.
17:33Talk, sit down, let her tell you what happened.
17:39We could leave you two alone if you want.
17:41No, no, no.
17:43Thinking about it, it's not a good idea.
17:47We're not even sure you're my mother.
17:50I am sure.
17:52I can see you in those eyes right now.
17:54Then let's do the test.
17:57You want to do the test? Are you sure?
18:01Yes, I think it's best to do the test to be sure.
18:05Depending on the results,
18:07we'll see if it's worth talking about it or not.
18:10I think it's the most logical thing.
18:12I think it's great.
18:13Of course.
18:15We'll meet in the lab tomorrow.
18:17I'll find out where they do those things
18:20and I'll send you the address on WhatsApp, okay?
18:23Okay, let's go.
18:24Let's go, Santi.
18:26Yes, let's go.
18:27Excuse me, good night.
18:29Good night.
18:31Good night, bye.
18:37Rosie Rose.
18:41I missed you.
18:46Bye.
18:53The genius behind the hashtag, have you seen it?
18:56It's everywhere, it's impossible not to see it.
18:57It's really interesting.
18:59No, guys, it's nothing. It's just a contest.
19:01No, it's nothing.
19:03At first, I thought it was a bit sexist.
19:07All women want a husband.
19:08But you know what?
19:09I like that, for the first time,
19:12the man is the object and not the woman.
19:14I agree, I thought it was innovative.
19:17And he's a different kind of man.
19:19He's not the typical sexist womanizer.
19:22There's a message there, right?
19:23Yes, there's a concept.
19:25We evolve, we die.
19:27Yes, exactly, that's the idea.
19:29So you have to be brave,
19:31you have to be a visionary
19:32to go after a proposal like that, right?
19:35So, applause for Eduardo.
19:37Applause.
19:38Cheers.
19:39Cheers.
19:40Thank you, guys, thank you.
19:41But I have to go
19:44because it's a bit late and I have to work tomorrow.
19:47Okay.
19:52Will you take me?
20:13And that's it, safe and sound in your house.
20:16Thank you so much for bringing me.
20:18You're welcome.
20:19Did you have a good time?
20:21Yes, good, good.
20:23Your friends are very nice.
20:24A bit crazy to be psychologists,
20:26but very nice.
20:27But that's the point.
20:29All psychologists are a bit crazy.
20:31If not, how do you explain that we do what we do?
20:33Yeah, but to interpret the dreams of the barman.
20:36Isn't that too much?
20:38What you have to do for one more mojito.
20:41Well, it's fine, it's fine.
20:45You see what a good idea it was to stay?
20:48To get out of the routine, the work.
20:53Sometimes it's good to take time to explore.
20:55To, I don't know,
20:57get to know other things, different, new people.
21:04Interesting people.
21:07Like me.
21:17ā™Ŗ
21:41Okay, okay, perfecto.
21:43Entonces yo le voy a decir a mi secretaria
21:44que se comunique con usted lo antes posible.
21:47Okay, gracias.
21:48Ciao.
21:53Mona!
21:54I was so worried. Where were you?
21:57Isa, I'm sorry.
21:58I met up with Raul and Javier, and you know how they are.
22:02Then we went to Raul's house.
22:04Wow!
22:05In the middle of the week?
22:07That's great.
22:08I'm exhausted. I'm going to bed, okay?
22:11Wait.
22:14What happened?
22:16I wanted to tell you that I went back to the office.
22:20Really?
22:21Yes, yes.
22:23The vibe with Eduardo is great,
22:25and I think it'll help me clear my head.
22:30That's great.
22:32I love you, Mona.
22:33I don't know what I'd do without you.
22:36Me neither.
22:38I'm going to bed, okay?
22:39Good night.
22:46ā™Ŗā™Ŗā™Ŗ
22:56ā™Ŗā™Ŗā™Ŗ
23:01My dad didn't come to bed tonight.
23:04I bet he stayed with someone else.
23:06I don't think so.
23:07He broke up with Isabela.
23:08And my dad, because he's a pain in the ass.
23:12Do you want more milk?
23:13No, thank you.
23:15What did we say about having your phone on the table?
23:17I have to go.
23:18Don't leave me hanging.
23:20What if you tell your friend to come over one of these days?
23:24That way, they won't be stuck with that thing all day.
23:27Did you hear that? You're invited.
23:29Yes, that's great!
23:30Turn that off, Manu.
23:31Bye.
23:37Hey, hey, hey.
23:38Hi, Dad. How are you?
23:40Why didn't you come tonight?
23:42Hi, Anita. How are you?
23:44I stayed up late working.
23:46I sent you a message.
23:47When?
23:48In the morning.
23:49It didn't get to me.
23:51That's weird.
23:52What are you doing with sunglasses?
23:54You're supposed to be at work at 8.
23:56I'm tired from working so much.
23:59Should I serve you breakfast?
24:00Please, but first I'm going to shower.
24:01I have to get back to work.
24:15My daughter will never forgive me.
24:18Did you see the way he looked at me?
24:20Calm down, Rosita. Sit down.
24:22You don't have to be like that.
24:25First, we have to find out if that boy is your son or not.
24:29Rosie Rose, that's enough.
24:31Everything is in order.
24:33I already sent Johnny Johnny the address.
24:35We'll finish this breakfast and I'll take you there myself.
24:38Okay?
24:39Thank you, Miss Pamela.
24:42Thank you, Miss Pamela.
24:44I've been very bad with you.
24:47You've helped me so much.
24:49You've been an angel to me.
24:51Thank you so much.
24:53Don't exaggerate.
24:54I know I'm an angel, but you don't have to repeat it.
24:57My beautiful Rosie Rose.
24:59I want you to wash that face right now.
25:02You're happy.
25:03Take this handkerchief off and get ready.
25:04We're almost there, Rosie Rose.
25:07No more drama.
25:08Happiness and joy.
25:09Okay? Let's go.
25:10I'll hurry, then.
25:11Hurry, hurry, hurry, hurry, hurry, hurry, hurry.
25:14Good.
25:15We're ready.
25:17I'm surprised by you, Pastelito.
25:19Didn't you want an adult woman?
25:32Really, Mom?
25:33Yes, Vilma is going to work at the winery again.
25:35Congratulations, Mrs. Betty.
25:37Yes, the policy of aggression is over.
25:39We're partners again.
25:41And now that Mrs. Vilma is coming back,
25:44what's going to happen to me, Mrs. Betty?
25:45I was here replacing her, so to speak.
25:48That's already been discussed.
25:50Don't worry.
25:51Nothing will change.
25:53Besides, I'm sure we'll get along so well
25:55that we'll need more hands.
25:57Thank you very much.
25:59And I also want to ask you about my relationship with Marco.
26:03Well, I don't have any problems.
26:06What?
26:07How is that, Mom?
26:08Are you going to let your eyes be?
26:10Marco is going to distract Genesis all the time.
26:11I'm sorry, Vanchis, but Marquitos is her boyfriend.
26:14And if the relationships with the family in front have already been reestablished,
26:18well, I have nothing to do with it and neither do you.
26:21Marquitos can come see you,
26:24as long as he doesn't come every day
26:26and doesn't stay, uff, a lot of time.
26:28It won't be like that.
26:29I promise you, Mrs. Betty, I'm going to be super responsible.
26:32I think work is work
26:34and Marcos doesn't have to get involved.
26:35That's something between Mrs. Betty and me.
26:37Yes, but I don't think it's the same.
26:39Good, beautiful.
26:41So, are we ready with the money for both?
26:45Well, guys, stop arguing, please.
26:47IvƔn, you have to go study and Genesis, stay in charge.
26:51I'll be right back.
26:57Hello, Mom.
26:59How are you?
27:00Fine, baby.
27:01Daughter, I'm sorry to bother you,
27:03but you haven't transferred the money I told you.
27:07Damn, Mom, I forgot.
27:09And do you think you can do it now?
27:11Mom, can it be later?
27:13I'm super, super in a hurry.
27:15No, honey, please, please, it's time.
27:17I need you to do it before two in the afternoon.
27:20I'm ready, miss.
27:22Let's go, let's go.
27:23Yes, yes, yes.
27:24Mom, there's still a long way to go for both of us.
27:27Right now I have to solve a super, super important matter.
27:29Yes, honey, I know, but that's also important.
27:32Please, daughter, look, you're such a pain
27:34and I'm sure you'll forget later.
27:35Yes, yes, yes, I'll transfer it to you now.
27:37Yes, my love, thank you.
27:38Bye, honey.
27:40Oh, let's go.
27:41Hurry up and browse, hurry up and browse.
27:58I'm super happy with my account in BCP
28:01because I can withdraw money in any BCP account
28:03at the national level without cost
28:04and do thousands of operations without paying commissions
28:07from my BCP mobile bank.
28:08And really, all of that is free?
28:10Yes, free.
28:11And also, since BCP is all over Peru,
28:12I don't have to worry about anything when I travel.
28:14It has more than 10,000 agents and more than 2,000 cashiers
28:17to do my operations for free.
28:19And another tip,
28:20if you have the Visa Lite credit card,
28:22it's like that, you don't charge membership.
28:24Amazing, right?
28:34Good morning, brother.
28:36Good morning, Santi.
28:37Why are you alone? Where are the old people?
28:38My mom is in the kitchen.
28:39Oh, yeah?
28:40And you, what are you up to?
28:42I was watching the university thing.
28:43It's not easy to choose,
28:44but I'm very excited about Norbert Wins' university.
28:46I think it would be cool to study there.
28:48Besides, this alliance he has with Arizona State University
28:50and its benefits really catch my attention.
28:53I see you more and more convinced every day, brother.
28:55I'm happy for you, a lot.
28:57Of course, brother.
28:59What a way to sing.
29:02What a way to sing.
29:05We grabbed the karaoke only for the two of us.
29:08It was like old times.
29:09Mom, you don't know how happy I am
29:10that you reconciled with Aunt Betty.
29:12Yes, mom, it was time.
29:14We did catharsis, I swear.
29:16The drink spoke to us and Betty told me everything.
29:19Really?
29:20Everything, everything?
29:21What do you mean everything, everything?
29:22No, that she behaved badly with you and that ...
29:25Oh, I don't even want to remember, I'm going crazy.
29:27But what was that she told you?
29:30Mom, let go of that, forget it.
29:33I already forgot.
29:34Of course, besides, if my Aunt Betty has confessed,
29:36that means she is repentant and that the mistakes are forgotten.
29:38Right, dad?
29:39Yes, of course, the mistakes are already forgotten.
29:41But what was that so terrible that she confessed to you?
29:45Well, nothing, that she knew from before
29:47about Arturo and Pamela and all that.
29:49But hey, what matters is that we have reconciled,
29:51that now we are more united than ever.
29:53And what doesn't kill you makes you stronger,
29:56as my grandmother used to say.
29:57How are you?
29:59Besides, I have good news for you.
30:01Really? What?
30:02We are going to work together again.
30:04The Pica Piedras are back!
30:06Really?
30:07That is good news!
30:10Yes, yes, it is excellent news.
30:12Yes, yes.
30:13We are very excited, full of ideas and things.
30:16We are going up with everything.
30:17Now yes.
30:18Mommy, you don't know how happy it makes me to see you like this.
30:21Really.
30:22I would stay to celebrate with you,
30:24but I have to go with Johnny.
30:26Hey, let's go that way.
30:27Mr. Pereira.
30:28Come on.
30:29Son.
30:30Dad.
30:33Do you remember what I asked you?
30:35What did you ask me?
30:37Oh, the $600.
30:38Of course, dad.
30:39Yes, yes.
30:40Here you are.
30:41I'm almost going to the street with the money.
30:42Yes, yes, of course.
30:43Tell me, tell me that this is all complete, you know.
30:45See you, dad.
30:46Thank you, son, thank you.
30:47Bye, mom.
30:48Bye, mom.
30:49Bye, son.
30:50Bye, dad.
30:51Bye, son, bye.
30:55What happened, Cesar?
30:56Why did you ask Santiago for $600?
31:00It's a lot of money.
31:01Well, it's for some arrangements I'm going to do in the workshop.
31:03It's just a loan.
31:04I'll give it back to him later.
31:05Yes, you have to return it.
31:06Now I'm going to be better off with money
31:08and we don't have to be asking Santiago for things.
31:10Of course.
31:11Okay, well.
31:12I'm going to get ready.
31:13I have to go to the office.
31:14I have to do errands and talk to Josefa
31:17because the little stones are back.
31:26It seems like a century has passed.
31:29And where's Betty?
31:30Why isn't she here?
31:31Oh, she told me she went to the bank quickly.
31:33Yeah.
31:34Oh, we'll have to go through a lot here, huh?
31:38Like who doesn't want things.
31:40And we have to put a little order around here too.
31:43What happens, aunt,
31:44is that the lady who attends is distracted.
31:46Her head is full of little birds.
31:48Oh, come on, Ivan.
31:49You know they label me, right?
31:51So I can't rest.
31:52No, no, no.
31:53No, no, no.
31:54No, no, no.
31:55Stop it for a second, please.
31:58Hi, Pamela.
31:59Hello?
32:00How are you?
32:01How are you, Davidito?
32:02We still don't know if I'm that Davidito,
32:06Mrs. Rosa.
32:07So I'd rather know my name, Anacarina.
32:10We wanted to talk to you, because we need to coordinate
32:12between the two of us.
32:13How should we do it?
32:14You guys take half the money.
32:16Yes, of course.
32:17I find it great.
32:18Let's talk to Eduardo.
32:19We can discuss it here in the meeting room, yes?
32:21Okay, perfect.
32:22Eva's here, too.
32:24Okay, perfect.
32:25Oh, Santiago!
32:26Hello.
32:27Oh, how are you?
32:29Good, good, you? Sorry.
32:32Sorry, Johnny, my manager.
32:34She's Camila, the production assistant.
32:37And Cami?
32:38Camila?
32:40Me?
32:41Yes, can you?
32:42Yes, obviously, yes, like, I'm happy, right?
32:45But it's a lot of work, Eduardo.
32:47No, it's not that difficult.
32:48You explain well what you have to do,
32:50and any problem, we're in touch.
32:52Well, yes, if you want it that way.
32:54Yes, let's do it that way.
32:56You're more necessary here,
32:57and I'm sure Cami will take very good care of Santiago.
33:07That sigh of pisco and the chimbo egg,
33:10that dessert is no longer made, it is a delight.
33:12Thank you very much.
33:14You're welcome.
33:17I can think of something.
33:19What do you think if we do business, the two of us?
33:22Business?
33:23What kind of business?
33:24Look, the fact is that I'm your daughter's psychologist,
33:27and given the circumstances,
33:30I think the best thing is for me to stop seeing her.
33:33Monica, you can't tell me that.
33:36You can't leave her alone.
33:37Hello.
33:38And you?
33:40300.
33:42Ah, it's like that.
33:44They're good, right?
33:45Yes, okay, but I have to make sure that everything is okay.
33:48Well, here's the rest, okay?
33:50Cesar!
33:54Why are you giving all that money to this man?
34:03For that, I'm going to give you a hundred dollars.
34:07For that, you're doing these events to pay the fine.
34:11Yes, and what? Are you going to stop me?
34:13No, not at all, but you're going to have to break your back
34:16and get into a thousand events like this.
34:18Well, to be free, I break my back if I have to do it.
34:21Free?
34:22Yes, free.
34:24Free to be, and without telling anyone
34:27about the woman I love, and who loves me,
34:29and who saw in me something that you don't have.
34:36I'm staying, I'm staying, I'm staying with you.