Ding Gru
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Los Casablanca Capítulo 24 Completo HD
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Transcript
00:00Mom?
00:02Mom?
00:04Where are you?
00:06What are you doing? Answer her.
00:08Are you ok?
00:14Yes, I was taking a nap.
00:16I'm going out through the window.
00:18What?
00:20Where? Why?
00:22Mom?
00:24How am I going to close the door?
00:26But...
00:28Please.
00:30I'm coming.
00:36Mom?
00:38Mom?
00:40I thought you were going to be late.
00:42Didn't you go for a bike ride?
00:44Yes, but...
00:46I broke a tire and I want to get out of bed.
00:48What's up?
00:50Are you ok?
00:52Yes, I was taking a nap.
00:54And you think I'm stupid?
00:56I was taking a nap.
00:58You're with Ángel, right?
01:00Gabriela, I'm telling you I was taking a nap.
01:02So, can I come in?
01:04No!
01:06What? Chernobyl exploded and you can't come in?
01:08Mom, I'm not cool.
01:10Why are you telling me that?
01:12I mean, you can be with a married man
01:14and I can't go out with him
01:16because you want to tell me that?
01:18Mom, look.
01:20I know perfectly well that Ángel is inside the room.
01:22And out of respect and love, I won't tell him anything.
01:24But you went too far.
01:28Cavi, you know that I really don't want to fight.
01:30Me neither.
01:32But what happened today at the post office bothered me a lot.
01:34You can't treat me like a little girl
01:36and especially not in front of my son.
01:38Because I'm not.
01:40Where are you going?
01:42What do you care?
01:48I don't understand why your dad asked me
01:50to go to Mendoza.
01:52It's a matter of the wines.
01:54I'm in charge of Laras.
01:56But of the distribution of the wines too, right?
01:58But someone else is going to have to get it.
02:00I can't be in charge of everything.
02:02Really, Alexandra.
02:04It doesn't make sense for me to be exploited like this in your family.
02:06Why don't you send Samuel?
02:08Because you're going to do it better than Samuel, Tomás.
02:10Because you know the right and wrong of this business.
02:12Did your dad tell you that?
02:14Of course.
02:16That's why he wants you to go.
02:18This is an opportunity for you to shine.
02:22You should go with me.
02:24But I'm up to my neck in glue.
02:26I can't, you know.
02:28Well, I'm going to leave Laras alone.
02:30Laras drives himself.
02:32That's what you think. Thank you.
02:34That bird.
02:36Tomás, it's been working well for years.
02:38Ah, Laras has a mechanism.
02:40If you leave one, two, three days,
02:42nothing bad is going to happen.
02:46I guess you're going to behave.
02:48Why are you telling me that?
02:50I don't know, you know.
02:52I have eyes everywhere.
02:54Are you going to start again?
02:56Of course.
02:58As soon as I get to Mendoza, I'll call you.
03:00Okay.
03:02Have a good trip.
03:04Have a good trip.
03:06Mendoza.
03:08Let's go.
03:18I arrived a little earlier, didn't I?
03:20Yes, but better. So we arrived on time.
03:22But why did you bring two bags?
03:24Did you bring them from your house?
03:26Oh, don't laugh.
03:28What happens is that I don't know much about kickboxing.
03:30I searched on Google for looks to come to kickboxing.
03:32And the more I saw, the more I got confused.
03:34Why didn't you call me?
03:36Because I didn't want to bother you anymore.
03:38And how couldn't you decide?
03:40You brought the closet.
03:42Don't worry, it's nothing out of the ordinary.
03:44They're going to evaluate you.
03:46And the important thing is that you feel comfortable.
03:48Is this okay?
03:50Yes, I mean, do you feel comfortable with that?
03:52Yes, I feel comfortable.
03:54Okay, let's go then. I can't wait to start.
03:56But leave your things here.
03:58I'll take everything we need here.
04:00Are you sure?
04:02Well, let's go to my car then.
04:16Your son-in-law says he's going to the airport
04:18because he has a flight at ten thirty.
04:20Perfect.
04:22Tell him to thank him with his soul.
04:26Well, I think that's enough for today.
04:28Don't you think?
04:30It's not even eight.
04:32But we already solved the most urgent things.
04:34And tomorrow we'll probably have
04:36another fire to put out.
04:40Well, as you say.
04:46Thank you very much for today's conversation.
04:50You're welcome.
04:52Difficult days for you.
04:54Many battle fronts.
04:56Yes, yes.
04:58It helped me a lot to vent.
05:00The truth is that I'm not a person
05:02who talks a lot about their personal issues.
05:04But...
05:06Anyway, with you I talked, talked, talked
05:08and talked until my elbows hurt.
05:10What's it called when someone talks like that?
05:12Like a parrot?
05:14I don't know.
05:16Or hyperventilated.
05:18Well, anyway.
05:20The thing is that I talked a lot
05:22and you only listened.
05:24And that's not fair.
05:26I don't know anything about you.
05:28Well, like nothing.
05:30You know I have a stepbrother.
05:34And you know I don't like horses.
05:36Yes, but we're going to solve that
05:38very soon.
05:40I'm sure.
05:42But I really don't know anything about you.
05:46I don't even know what food you like.
05:48Ah!
05:50That's where I'm going to disappoint you.
05:52I'm very simple for that kind of thing.
05:54Really?
05:56Anita is the onion in escabeche.
05:58Really?
06:00Mine too. I would eat an onion a day.
06:02Really?
06:04I would never have imagined it from you.
06:06It's a surprise.
06:16Okay, let's talk about the house.
06:20All right?
06:22Yes, all right.
06:24All right.
06:26All right.
06:28Well, see you later.
06:30Rest well.
06:32You too, Miranda. See you tomorrow.
06:34See you tomorrow.
06:44Tomorrow I'm not going to feel my legs.
06:46Get rid of me.
06:48That's exactly what I want.
06:50What? Don't feel your legs?
06:52I need to stretch my body. I need to look good.
06:54But you look great.
06:56Yes, but it's important to always be careful.
06:58Besides, I think
07:00you always have to be in the same conditions as your partner.
07:02Conditions?
07:04Juan Pablo has a lot of
07:06persistence.
07:08He can be for hours.
07:10I don't know if you understand me.
07:12In bed, you say.
07:14It's impressive.
07:16Besides, he's very handsome and I don't know.
07:18I'm afraid he'll start looking around
07:20for someone prettier, more regal.
07:22I don't think so.
07:24Luciana, how are you?
07:26I'm fine. How are you, Juan Pablo?
07:28Good, and you? How are you?
07:30Super.
07:31With all the energy?
07:32Yes, Martina.
07:33Hello Martina, how are you?
07:34Good.
07:35Do you come to train?
07:36Yes.
07:37Have you ever done martial arts?
07:38No, I'm a piece of shit.
07:39Ah, you're not that bad.
07:40We're going to make it, so don't worry.
07:41You're going to do shadow boxing and you're going to train with me.
07:43Let's go.
07:44Let's dance.
07:46That's it.
07:48Very good.
07:49Come on, come on, come on.
07:51Martina, I'm with you.
07:53Give me a second.
07:56Come on, Martina, let's start.
07:58We're going to take the ropes.
08:00I want you to put it here.
08:01And we're going to do it up here.
08:03That's it.
08:04Keep going.
08:05Up.
08:06That's it.
08:07Give me your last round.
08:08Forward.
08:09And back.
08:10Let's go.
08:11Keep going.
08:12A little more.
08:13Let's go.
08:14Come on, Martina.
08:15Strength.
08:16That's it.
08:17Let's go.
08:18Come on, Martina.
08:19Turn around.
08:20Let's go.
08:21Come on, Martina.
08:22Come on.
08:23Jump.
08:24One.
08:25Come on.
08:26Two.
08:27Come on.
08:28Strength.
08:29Three.
08:30Come on.
08:31Four.
08:32Come on.
08:33Five.
08:34Come on.
08:35Come on, Martina.
08:36Come on.
08:37I'm with you.
08:38Come on.
08:39Up.
08:40Touch my hand.
08:41Strength, Martina.
08:42Come on.
08:43Up.
08:44Come on.
08:45Give me one more.
08:46Come on, Martina.
08:47Four.
08:48Four.
08:49Come on.
08:50That's it.
08:51Do it.
08:52That's it.
08:53Come on.
08:54You're desperate.
08:55Back.
08:56Back.
08:57Four.
08:58Come on, four more.
08:59Go on.
09:00Good.
09:01Back.
09:02Strength.
09:03Come on, back.
09:04One more.
09:05Back.
09:06Back.
09:07Back.
09:08Let your hips bounce.
09:09Lou, how have you been?
09:10It's been a long time.
09:11It's been such a long time since I've been here in Mexico.
09:14How are you? It's been a long time.
09:16Yes, it's been a long time.
09:17Hey, I saw you disappear.
09:18Oh, yes, it shows.
09:20But you still put it there, didn't you?
09:22I tried, I tried everything.
09:24Yes, no.
09:25How are you, Carmen?
09:26Fine.
09:27You didn't come to train?
09:28No, no.
09:29It's been a long time?
09:43No.
09:44Can we talk?
09:47Yes, let's discuss, Miranda.
09:49The truth is that I'd rather not be here.
09:51No, I don't want to argue.
09:53I want to talk.
09:54Or at least listen to me.
09:56Yes, Beto, please.
09:58Simple.
10:06I feel bad for having doubted what you told me about your brother,
10:13because apparently you're absolutely right.
10:17What made you change your mind?
10:20I could hear a part of a conversation Martina had with her father,
10:24who was very upset and was coming to talk to you,
10:29and she wanted to know if it was true that your brother had threatened you.
10:36And what did my brother say?
10:40Well, he didn't admit it,
10:42but he did make it clear that what happened between you is much more than a conversation.
10:47So, if it weren't for Martina,
10:49you'd still believe in the underworld and doubt me.
10:54I spend many hours with your brother,
10:56and I see how things affect him.
10:59So...
11:03I'm sorry.
11:04I'm sorry.
11:05I'm very sorry.
11:08Miranda,
11:12I can stand a lot of things.
11:15I've had to bite the dust countless times, but...
11:22what I can't stand
11:25is that the woman I love,
11:27the woman for whom I'd give my life,
11:31doubts me.
11:35I don't doubt you.
11:44You don't know how much I like to hear that.
11:49Okay.
11:51Go on.
11:52Go change.
11:53I'm going to make something delicious.
11:55Okay?
11:56Okay.
12:14Luciana.
12:15Hi, love.
12:18How are you?
12:19Mitch.
12:20Hi, Luciana.
12:21What a coincidence.
12:22Wait, I don't know how to call you.
12:24The club where we always go is closed, so we just...
12:27Do you think I'm an idiot?
12:29What do you mean?
12:30Why would I love you, Chiva?
12:31You're here by coincidence.
12:42Hey,
12:47why is Mr. Tomás so mad at you?
12:51I don't know.
12:52I have no idea.
12:53I guess he's the typical grumpy boss.
12:56No, look, Mr. Tomás can be anything,
13:00but not grumpy.
13:08Don't tell me you're messing with the horses.
13:15I don't understand.
13:16I don't know what you mean.
13:17I don't know if you understand me, Clarito.
13:21Don't tell me something's wrong with Alexandrita.
13:29What a coincidence.
13:30I've never been here before.
13:32You know I've been training here for years.
13:34Luciana, I'm telling you the truth.
13:35I swear I went to Samuel's.
13:37Don't mess with me anymore.
13:38Don't mess with Pablo anymore.
13:39I'm serious.
13:40Listen to me.
13:41You knew I was coming here with Martina today,
13:42so why are you blocking me on WhatsApp?
13:44If you're planning another date again.
13:45Lu, I'm telling you the truth.
13:46Shut up, shut up.
13:47Martina's here.
13:48Shut up.
13:49Oh, Lu.
13:50So many coincidences.
13:51And where are you?
13:52I was talking to the coach.
13:53What were you talking about with the coach?
13:56He got jealous.
13:57No, never.
13:58Oh, no.
13:59What's up, Martín Vargas?
14:04It was amazing.
14:05I loved it.
14:06And I think I deserve to celebrate
14:07because I spent so many calories
14:09that I need to go and replenish them.
14:11Yeah.
14:12Do you think the four of us are going to eat together?
14:14Yes.
14:15Where do you want to go?
14:16Could it be at Rubén's restaurant?
14:18No.
14:19No, no, honey.
14:20I know he's your friend,
14:21that he's a super cool chef,
14:22but I didn't like him.
14:23I found him out of place.
14:24Honey, but Luciana has never been to that restaurant.
14:26And the food is from another world.
14:28No, it's like any food
14:29from any good restaurant in this city.
14:31Andy, look.
14:32Maybe we should go somewhere else.
14:33I mean, if Juan Pablo doesn't like it.
14:36I have an idea.
14:37Why don't we go to my house
14:39and I'll order something good
14:40and you can take advantage of it
14:41and leave everything there.
14:43Yes, you're right.
14:44It's the most logical thing, actually.
14:46What do you think?
14:47Well, I'm going to go get ready
14:48and bring my things.
14:49What else will you get ready, honey?
14:50You look beautiful.
14:52Hurry up.
14:53Okay.
14:54Let's go.
14:56Where do you live?
14:59Let's see.
15:00Mrs. Alexandra is my boss
15:01and I respect her a lot.
15:03Okay?
15:04No, I don't doubt that you respect her, right?
15:08But I've seen you looking at her.
15:12I saw her the other day leaving your cabin.
15:17Ah, yes, no, but that was the ...
15:19That time they hit me
15:20and she went to see how I was.
15:22I don't know about you,
15:23but I thank you very much.
15:26I don't know about you,
15:27but I thank you very much
15:28for having bosses who are worried about you.
15:30No, I thank you too,
15:31but that they are so worried about you.
15:36You know what, ma'am?
15:38I don't know what movie is happening
15:39or what story you're making up out there,
15:41but you're probably wrong.
15:43I have no idea
15:44why Mr. Tomás is so jealous of me.
15:47Well, if you haven't done anything wrong,
15:50you can't accept
15:51that they kick you.
15:53I heard,
15:54I heard in the office a while ago.
15:56He's treating you badly,
15:58you can't accept that he treats you badly.
16:01Yes, okay,
16:02I totally agree with you.
16:03But well, he's the boss now
16:05and things sometimes work like this.
16:08Well, he'll be your boss,
16:10but you're not his slave.
16:13Mr. Raimundo says
16:15that employees must be treated well,
16:19especially when they do their job well.
16:22And don't be silly.
16:24Let's go.
16:51The flight is delayed.
16:53Just what I needed.
17:00Uff, patience.
17:04Have a good trip, my love.
17:09I hope so.
17:16It's a short trip.
17:23I'll text you as soon as I land in Mendoza.
17:53I'll be waiting for you at the airport.
18:18Aurelio Moncada,
18:19President of the High Council of the Hippodrome,
18:22the great derby,
18:23declares positive doping
18:24for businessman Raimundo Casablanca's horse.
18:27Hey, but he's still here.
18:29Don't work anymore.
18:31No, I'm not working, Genoveva.
18:33I'm just reading this nonsense
18:35they're writing about the hurricane case.
18:38It's worse.
18:39It makes him even worse.
18:41Hey,
18:42life is not work.
18:45You have to rest,
18:46you have to relax.
18:47Look who's talking.
18:48No, but look,
18:50you like tango, don't you?
18:53Why don't you learn to dance it?
18:56Let's see,
18:57you're the most hardworking in this house.
19:00I get up at six in the morning
19:01and there you are, dancing.
19:03I'm going to bed and you keep dancing.
19:05Well, because I'm old.
19:07You're still young.
19:09Yes, very.
19:10Learn to enjoy it.
19:12If you can't learn to dance tango,
19:14it doesn't matter.
19:15Learn to relax,
19:17or anything else.
19:19Turn that thing off and go to bed.
19:21I'm going, I'm going.
19:24Hey, what's this?
19:27You have to give it to Miranda.
19:31Good night.
19:33Good night.
19:45Good night.
20:15Come on.
20:36Parlanchín.
20:38That was the word I couldn't remember.
20:43You left your handkerchief.
20:46It was good to talk to you.
20:49Again, thank you.
21:00Oh, my love, it hurts me to go slowly.
21:02I'm telling you slowly, my love.
21:04Hey, Marty,
21:05and when were you going to tell us
21:06that you were coming to stay here with Luciana?
21:09Does anyone else want to take me to the swing?
21:11No, we need men.
21:13Well, what I was saying before my little brother interrupted me
21:16is that I think, my love,
21:17that tomorrow I'm going to have to get out of bed with a crane
21:20after that satanic hour of training.
21:22Hey, did you do all this to convince my wife, Luciana?
21:25Yes.
21:26I always tell her, let's go up a hill,
21:27let's do sports,
21:28and she always says no.
21:29No, my love, because you always want to leave
21:31at like six in the morning
21:32and I'm not even dead,
21:33I wake up at that time and less to do sports.
21:35Well, at that time you do sports, right?
21:36Five o'clock club.
21:37My love, it's the same.
21:39I already found the sport of my life.
21:41Oh, really?
21:42And that you haven't even tried real kickboxing?
21:44No, no, but I hit you with those kicks,
21:46the only thing I want to get to that, I swear.
21:48Besides, who knows,
21:49maybe in one of those
21:50we end up fighting face to face, both of us.
21:55Hey, what I still don't understand
21:57is how they got to our gym.
21:59Our gym, right?
22:01You went too far, my love.
22:02Yes, well, it's our gym.
22:03But there's a B, let's go.
22:04Yes, it's our gym.
22:05Yes, I agree, yes.
22:06Well, because my love left with you
22:09and left me stranded,
22:10I told Juan Pajuan,
22:11why don't we play a game?
22:13And the courts were closed,
22:14so I told him to go to your gym
22:16and the courts were also all occupied,
22:18so well, it seems that it was not our night, my friend.
22:20Cheers.
22:21Now I understand everything.
22:23Hey, I love sushi,
22:24but I'm thirsty for soy sauce.
22:26Can someone bring me a glass of water, please?
22:28I can't move.
22:29I beg you.
22:30But it's still good, right?
22:31Yes.
22:36Hey, wait.
22:37How did you know where Lopazo was?
22:41Had he been here before?
22:53How nice to shower.
22:56You were very hot.
22:57Oh, yes.
22:58It's just that I only sound good in the shower,
23:01I don't know why.
23:06Who wrote you?
23:10My mom.
23:11Oh, yeah?
23:12And she's okay?
23:13Yes.
23:14And why are you lying to me?
23:17What?
23:18It wasn't your mom who wrote you,
23:20it was Raymundo.
23:23And for some strange reason,
23:25you prefer to lie to me.
23:27Why?
23:30Are things happening to you with Raymundo?
23:36No.
23:42Who is it?
23:43It's Alexandra.
23:50Are you busy?
23:51No, no, no.
23:52Come in, come in.
23:55Is something wrong?
23:56No.
24:00I hope I'm not mistaken.
24:03But I wanted to come see you.
24:05What is your husband going to say?
24:07That he's not here, my husband.
24:09He went on a trip for a couple of days.
24:11Has anyone seen him come?
24:14No.
24:15Are you sure?
24:16I already told you that I don't want you to have problems because of me.
24:19I'm sure.
24:20And I don't want you to have problems because of me either.
24:26Do you prefer me to leave?
24:29No.
24:32Are you sure?
24:35So you don't want me, do you?
25:05I'm sorry.
25:35I'm sorry.
26:05I'm sorry.
26:35I'm sorry.
27:05I'm sorry.
27:06I'm sorry.
27:07I'm sorry.
27:08I'm sorry.
27:09I'm sorry.
27:10I'm sorry.
27:11I'm sorry.
27:12I'm sorry.
27:13I'm sorry.
27:14I'm sorry.
27:15I'm sorry.
27:16I'm sorry.
27:17I'm sorry.
27:18I'm sorry.
27:19I'm sorry.
27:20I'm sorry.
27:21I'm sorry.
27:22I'm sorry.
27:23I'm sorry.
27:24I'm sorry.
27:25I'm sorry.
27:26I'm sorry.
27:27I'm sorry.
27:28I'm sorry.
27:29I'm sorry.
27:30I'm sorry.
27:31I'm sorry.
27:32I'm sorry.
27:33I'm sorry.