Hilda Koronel, ibinahagi kung paano niya hinarap ang kanyang role at ang kanyang unique acting style para sa pelikulang ‘Sisa.’ #FastTalkWithBoyAbunda #BehindtheTalk #YouLOL #GMANetwork
Get to know the latest update on your favorite showbiz personality together with 'The King of Talk' Boy Abunda in 'Fast Talk with Boy Abunda’ weekdays at 4:45 PM on GMA Afternoon prime. #FastTalkwithBoyAbunda
Get to know the latest update on your favorite showbiz personality together with 'The King of Talk' Boy Abunda in 'Fast Talk with Boy Abunda’ weekdays at 4:45 PM on GMA Afternoon prime. #FastTalkwithBoyAbunda
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00:00🎶
00:16🎶
00:22🎶
00:28Welcome, the one and the only, Hilda Cornejo!
00:37You are back because of a movie that you're going to do with Ideas First.
00:42Yes.
00:43What is this?
00:44I'm going to do a start-up thriller for Ideas First with Juliana.
00:48Directing it?
00:49Yes, directing it.
00:50How is your vision of what you're doing?
00:53They see her as a mad woman.
00:55But she was.
00:56She was very damaged because her whole family was decimated during the occupation
01:01when the Spaniards ceded the country to the Americans.
01:04So the Philippines was occupied again.
01:07So we were like living in a sort of like a concentration camp,
01:11the concentratos they call it, you know?
01:13It was like a fortune, a policy with the Americans.
01:17So we have the nationalists on the rise on the other side.
01:22So we're showing all sides, the bad side of the nationalists,
01:25the bad side of the American occupation, and all that.
01:28And the things in between from the perspective of the people that were there
01:32in this particular area.
01:34Yeah.
01:35In a way, when I read my scripts, I come up with,
01:37🎶
01:39My mind is trying to see.
01:41It's like a movie in my brain, you know?
01:43I'm trying to see how I'm going to attack that scene.
01:46And then I discuss it with him.
01:48And I say,
01:49So,
01:55And here, the dialogue here shouldn't be like that
01:57because this is a confrontation.
01:59So,
02:00Okay,
02:01So I really internalize that,
02:03and I get into my role
02:05as anybody.
02:14We talk about the scene and what he wants,
02:17if he wants my tears to be on the left or on the right.
02:20You can do that?
02:21Yes, in my youth.
02:23Okay, don't do that.
02:24No, no, no. I'm not going to do that.
02:26You can do that.
02:27It's not a mission, okay?
02:29The actual face is on the left.
02:31And then the lighting is very important to Lilo.
02:34So when he says,
02:35I want your tears to be on this side.
02:37Okay, like that.
02:38So I do my best.
02:39But he talks to me on the side,
02:41and Lilo knows me in and out.
02:43He knows all my stories,
02:45you know, my heartaches, everything,
02:47my personal stuff.
02:48I trust him with that.
02:49So, he would tell me,
02:50I want you to use your experience here.
02:56If you were to talk to the 12-year-old,
02:59I mean, you know,
03:00the 12-year-old Susan,
03:01Hilda Coronel.
03:02Yeah.
03:03What would you say to her?
03:04I think I was very afraid at that time.
03:07And you would say?
03:08And I would say,
03:09Well,
03:11I was so shy, boy.
03:13I didn't even know what that meant
03:15when you became an artist.
03:17Susan, Hilda.
03:19Susan.
03:20Philippines, America.
03:21Philippines.
03:22Good, beautiful.
03:23Beautiful.
03:24Rich, talented.
03:25Talented.
03:26Artful, good at art.
03:28Good at art.
03:29Forever beautiful or forever sexy.
03:31Beautiful.
03:32Beautiful.
03:33Beautiful.
03:34Beautiful.
03:35Beautiful.
03:36Beautiful.
03:37Beautiful.
03:39Beautiful.
03:42Marami.
03:47Marami.
03:50I won't tell though.
03:51I won't tell.
03:52Susan, lights on or lights off?
03:55Off.
03:59Chocolates.
04:02Anytime.
04:03Complete the sentence.
04:08I have a K.O. because I'm going to get a C.S.A.
04:16Christmas wish for Tito Boys.
04:18Love, peace, contentment, happiness.
04:22Merry Christmas, Tito Boys.