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00:00Thank you!
00:30I'm embarrassed to say this, but I can say both of them.
00:32That's right.
00:46Today's guest is...
00:53Mr. Sayo Tomada of Tsugaru Jamisen.
00:57The number of followers on Instagram is approaching 700,000, and it is gaining great attention from home and abroad.
01:11He was born in Tsuji, Mie Prefecture in 1999.
01:16He started learning Tsugaru Jamisen when he was 7 years old.
01:20In the first year of high school, he participated in a national competition to determine the best Tsugaru Jamisen in Japan and won the competition.
01:30After that, he wanted to learn more about Shamisen, so he entered the Department of Law at Tokyo University of the Arts.
01:39There are three types of Shamisen, depending on the thickness of the rod.
01:45Hosozao is good at Nagauta and Kouta.
01:49Shuzao is good at Jiyuta and Tokiwazu.
01:53And Tsugaru Jamisen is good at Futozao.
01:57In addition to Tsugaru Jamisen, he has also started learning Hosozao's Nagauta Jamisen.
02:06Since then, he has been active as the second-in-command of the Shamisen world.
02:10He has also been learning Minyo since he was 10 years old.
02:15He plays Tsugaru Jamisen while tapping the drum with his feet and singing by himself.
02:27This Ashidaiko seems to be completely original.
02:31In addition, he played the song of Red Hot Chili Peppers on Instagram to let the world know about Shamisen.
02:40It was a big hit.
02:43The band member himself also sent a comment.
02:49He released his first full album in October last year.
02:54He is active vigorously.
02:57This is the appearance of a great person.
03:00This is Mr. Taya Kawada from Tokyo.
03:05Welcome.
03:08It's cool.
03:10It's cool.
03:12It's rock.
03:13It's definitely exciting.
03:15And this Shamisen is cute.
03:18It's a Risshun color.
03:21My mother drew it.
03:23It's a Risshun color.
03:26My mother drew this.
03:29I started playing Shamisen when I was 7 years old.
03:32At that time, I was a model.
03:35I started playing Tsugaru Jamisen because of Ken Shimura.
03:40Did Shimura play Tsugaru Jamisen?
03:43He started learning Tsugaru Jamisen after he got older.
03:47Can you play it for the first time?
03:52I'm glad.
04:09It's cool.
04:12It's cool.
04:15I thought you were drinking your favorite drink.
04:19Let's open the treasure.
04:24It's nice.
04:27It's a Sueki.
04:30It was made from the Kofun period to the Heian period.
04:34It's very old.
04:36It's good to think so.
04:39I feel the age of this color.
04:42My grandmother used this.
04:46My grandmother passed away two years ago.
04:49She used to make Ikebana and put it in this pot.
04:53It looks good.
04:55My grandmother's younger brother ran an antique shop.
04:58I inherited it from him and took good care of it.
05:01I think it's worth it.
05:04Did you draw this?
05:07I thought it was a taste.
05:09It's a taste.
05:11What will you do if you get a good price?
05:14My room is small.
05:16I want another room.
05:18I'm thinking of moving.
05:20Wait a minute.
05:35How much is it?
05:37I'm 25 years old.
05:40I want to buy it for 250,000 yen.
05:43Let's open the prize.
05:58It's amazing.
06:01250,000 yen.
06:03It's a good Sueki.
06:05I think it was made in the Asuka period of the 6th century.
06:11The bottom is round and the shape is bad.
06:15This was originally a set on the Takatsuki.
06:21It's a recycled vessel.
06:25When I hit it, I hear a metallic sound.
06:28It was made in the Kama period.
06:32It was baked at a very high temperature.
06:36The great thing about this Sueki is that it is a natural oil.
06:41There are so many.
06:43When you touch it with your finger, it feels like it's on your fingertips.
06:48It's good to decorate.
06:50Please take good care of it.
06:52I'm very happy.
06:54I want to tell my grandmother first.
06:57I wanted to hear that comment from the beginning.
07:01Next is the Tokyo Tama River Festival.
07:05The next client is Nobuaki Nishimura, 32 years old, who is good at running.
07:12He is an actor who works mainly on stage.
07:19This is a representative work starring.
07:22He is good at standing and moves around the stage.
07:30The stage is a physical game, so I usually move my body.
07:35When I have time, I run like this.
07:39I also participate in my senior's international team.
07:42I'm conscious of keeping my physical condition.
07:46He loves baseball since elementary school.
07:48When he was in high school, he sweated at Kyogo High School.
07:55He is also from Hyogo Prefecture.
07:58He has been a big fan of Hanshin Tigers since he was a child.
08:04He often went to the Koshien to cheer for the Tigers.
08:09All my family is a fan of the Tigers.
08:12I was very happy to be the best in Japan the year before last.
08:16This year, I became the director of Fujikawa Kyuji.
08:20I look forward to the reproduction of the year before last.
08:24I hope his wish comes true.
08:27By the way, what is your treasure?
08:31It is a legendary treasure in the Japanese professional baseball world.
08:36Two years ago, in November,
08:39His aunt lived in his family home in Hyogo Prefecture.
08:42It is very expensive.
08:44After that, I found it when I organized my family home with my mother.
08:49I got it when my mother was in elementary school.
08:53I kept it in the closet, but I forgot it.
08:57It's been about 40 years since I got it out of the closet.
09:01I think it's a treasure of the museum class.
09:05Please take a look.
09:08What is the legend of the Japanese professional baseball world?
09:10Let's take a look at the studio.
09:13Here comes the client.
09:16This is Mr. Nobuaki Shizumura from Tokyo.
09:23Did you go to Koshien when you were in high school?
09:26I was a stand.
09:28I went to Koshien for the spring selection.
09:31Did you go as a team?
09:33It's hard to get on the bench, isn't it?
09:36There were 150 members.
09:38I hid that I was a stand.
09:41I thought I was dead.
09:44It's not a lie.
09:46If you look it up, you'll find out right away.
09:49This is a treasure.
09:52Who is it?
09:54Open the treasure!
09:56Who is it?
10:00Mr. Tiger Fujimura Fumio.
10:04He actually wore it in the game.
10:07I got his autograph.
10:10In 1976, Hanshin vs. Giants OB match.
10:15He was retired.
10:18The number 10 is an eternal decision.
10:21I think I want a Hanshin Tigers foundation.
10:25Did you get it from your mother?
10:27When I was in elementary school, I was invited to a Hanshin TV show.
10:32I got it as a viewer's gift.
10:35Hanshin broadcasts on TV3.
10:38The last scene where the audience goes home.
10:43Do you broadcast this live?
10:45How much do you like Koshien?
10:49Why did you keep it?
10:52I was a player before my mother was born.
10:54I think I got the uniform of an uncle I didn't know.
10:58When I was in high school, I came out of the closet again.
11:02I thought I couldn't even wear my pajamas.
11:05But the pants were pretty big.
11:08You quit because you couldn't afford it.
11:11I'm looking forward to the VTR.
11:14The first Mr. Tigers, Fujimura Fumio.
11:19He made a home run with a long bat called Monohoshizao.
11:24He was always conscious of the fans' eyes.
11:27At times, he made a stand with a flashy action that could be said to be excessive.
11:32His earnest play style has had a great impact on the young Nagashima Shigeo.
11:39Born in Kure City, Hiroshima Prefecture in 1916.
11:43In his fifth year of junior high school, he participated in Koshien six times, including spring and summer.
11:51In the summer tournament in 1934, he defeated Tetsuharu Kawakami in the final and won the championship.
12:00In 1936, when he graduated from junior high school in Orishima Prefecture, the professional baseball league was about to open.
12:08Fujimura joined the Osaka Tigers.
12:12In the first official match, he stood on the mound as the starting pitcher of the Tigers and won a complete victory.
12:20However, because of his weakness, he couldn't play baseball at all for four and a half years from the age of 23.
12:27In Southeast Asia, where he was dispatched, he was exposed to the danger of his life many times.
12:34In 1946, when the league was resumed, Fujimura, 30 years old, played as a coach and mainly as an in-field player.
12:44Fujimura, 30 years old, played as a coach and mainly as an in-field player.
12:49With a high batting rate of 30% and 2.3%
12:54Fujimura, 30 years old, played as a coach and mainly as an in-field player.
13:01He was a great player of the three-throw style, coach, batter, and pitcher.
13:07From the following year, he devoted himself to becoming a professional player and won the Dynamite Tournament of the Tigers as an in-field pitcher.
13:16The bat he used at that time was 10cm longer than normal, which he made after getting a job as a golf driver.
13:26This is Tetsuharu Kawakami, a red bat.
13:29Along with Oshita Hiroshi, a blue-back, he was called Monohoshizao of Fujimura and became his nickname.
13:38In 1949, Monohoshizao showed an amazing performance.
13:48He hit a home run of 46 times and broke the Japanese record of 21 times.
13:56At this time, he was called Mr. Tigers.
14:01When he saw Fujimura, he became a fan of him.
14:07The following year, he split into the Shelling and the Paring.
14:11Many of the Tigers' main players were drawn to the Lyons every day.
14:16Fujimura said,
14:18I am Fujimura of the Tigers.
14:22After that, he played as a coach and a player again.
14:28In 1956, Fujimura was standing at the 3rd base in the 9th inning,
14:35when he was losing by a point difference.
14:40He said, I am the rider.
14:44He got into the batter's seat.
14:46He said, I am the rider.
14:48He got into the batter's seat.
14:51He hit a home run of 10,000 times.
14:56Two years later, he retired at the age of 42.
15:01The 10th inning was the first ever tie in the history of the Tigers.
15:08Let's take a look at the request.
15:11This is Fujimura's uniform with his autograph.
15:14In 1976, it was used in the OB match between the Tigers and the Giants.
15:22However, the movie recorded at that time was left.
15:29Fujimura went to the batter's box with the Monohoshizao that he specially ordered for this day.
15:38But he couldn't beat the age.
15:41Is this it?
15:43Even though he is angry, his overwhelming presence is the actor himself.
15:52How will it be judged?
16:02There is a message of Swahili on each sheet.
16:13What will you do if you get a high score this time?
16:17I found it at my mother's house.
16:20I want to renovate my parents' house.
16:22I asked my mother what to do.
16:24She said, I'm going to renovate everything.
16:26I can't remember my mother.
16:28This is the evaluation of Fujimura.
16:30How much is it?
16:32I will add one zero to the number 10.
16:34It's 1 million yen.
16:36I think it's worth that much.
16:38Let's go.
16:39What is the price?
16:441, 2, 3, 4, 5, 6, 7, 8, 9, 10.
16:49100 million yen.
16:51100 million yen.
16:53Wow.
16:55Are you serious?
16:57The uniform has a top and a bottom.
17:00And it has a very polite signature.
17:04It's very wonderful.
17:05This competition was held in 1976.
17:09It was the first O.B. competition of Hanshin Giants.
17:12It is a very valuable uniform to commemorate.
17:15Hanshin Tigers' uniform is a Tatejima uniform.
17:19The positional relationship of the Tatejima and Mune logos is slightly different when sewing.
17:25The positional relationship of the Tatejima and Mune logos is slightly different when sewing.
17:36About 90,000 spectators came to this O.B. competition in two games.
17:42At that time, it was amazing.
17:44Mr. Fujimura, who was 60 years old, was the only one to participate in the free-inning.
17:49Wow.
17:51At the end of the game, he said that he was tired.
17:57Mr. Fujimura's uniform rarely appears on the market.
18:01Please take good care of it.
18:03I was a little surprised.
18:06I thought I said 100.
18:09Please take good care of it.
18:12Shucho! Nandemo Kanteidan! In!
18:15Thank you very much.
18:20This time, the stage is Sodegaura City, Chiba Prefecture.
18:25The environment for raising children is abundant.
18:28In recent years, the number of immigrants of younger generations has increased.
18:32The theme of this season is the fusion of music and light.
18:36This is an illumination held in Fubutsu City in winter in Tokyo Doitsumura.
18:41The theme of this season is the fusion of music and light.
18:45Various music flows in a large venue about 19 square meters of the Tokyo Dome, which is vividly colored, and creates a fantastic world.
18:58The most popular local dish is White Gaura Ramen.
19:03It was named after Gaura of Sodegaura.
19:06The soup is made from chicken and pork broth with special milk.
19:13Let's eat.
19:18It's delicious.
19:21It's a gentle taste.
19:24The ginger is refreshing.
19:27There are other ingredients such as miso and basil.
19:31You can taste it in four stores in the city.
19:35Mr. Tanaka appears in the costume of the main character of his favorite movie.
19:52Who is it?
19:54Mr. Nanase understood.
19:56Indy Jones.
19:58Correct.
20:01The movie where Harrison Ford plays an archaeologist, Indy Jones is...
20:06He explores and finds various treasures.
20:10I thought it matched the theme of this season, so I dressed up as Indy Jones.
20:17I see.
20:19Here are the treasures.
20:20Here they are.
20:25This is the oil painting of Kotaro Migishi.
20:28It was sold out at an online auction last year.
20:32Do you feel like Indy Jones?
20:34Yes, it's a masterpiece.
20:36It must have been a famous painting.
20:39Why do you believe it's real?
20:41This is the arm.
20:44I think the color of the lower right arm has changed a little.
20:51It's a painting with a sense of detail.
20:55I see.
20:57How much is it?
21:0027,000 yen.
21:02What?
21:05Migishi is a genius painter who welded at the age of 31.
21:09If this painting is real, it will be a great discovery to change Japanese art history.
21:18What will he do when he grows up?
21:21I want to build a museum of Kotaro Migishi in Hokkaido.
21:27That's a good idea.
21:30His evaluation is 100 times that of Rakusatsu, which is 2.7 million yen.
21:35If this painting is real, it will be a great discovery to change Japanese art history.
21:41What will he do when he grows up?
21:45What will he do when he grows up?
21:47Rock-paper-scissors!
21:49Rock-paper-scissors!
21:51No way!
21:58I don't think I need to go to Hokkaido.
22:01You can't see the characteristics of Migishi's painting anywhere else.
22:06The beauty of the woman's interior and the ideal image of Migishi's woman are combined.
22:13If this painting is real, it will be 3 million yen.
22:16Mr. Miura returned from Thailand this morning.
22:21Did you come directly from Narita Airport?
22:24Yes, I came by midnight train.
22:25That's great.
22:27He was scheduled to go to Bangkok soon.
22:31He was on a business trip to prepare for it.
22:34Just for this?
22:36Yes, I came back from a business trip.
22:41The treasure is an electric guitar, Epiphone Casino.
22:46It is known that John Lennon of The Beatles loved it.
22:50John's model was made in 1965, but it was manufactured the following year.
22:58It is said that it was made in the same factory with the same material.
23:03I see. It's almost a Beatles model.
23:06That's right.
23:08I started learning guitar four years ago, but I loved The Beatles since I was young.
23:13I bought it because I wanted to get a little closer to the sound.
23:17How much was it?
23:20It was 800,000 yen.
23:23The previous painting was 27,000 yen.
23:28It was too expensive, so he asked his wife to pay for it.
23:35This is his wife, Ms. Sumiko.
23:38He promised to pay me 20,000 yen every month, so I asked him to pay for it.
23:44It's a great guitar, so I want you to listen to the sound.
23:49I want to hear it.
23:59It's good.
24:09He paid 800,000 yen for it.
24:15He checked the sound immediately.
24:19It's good.
24:25Mr. Watanabe's performance was better.
24:29What is the result?
24:32It's 1,200,000 yen!
24:35Yes!
24:39The family is happy, too.
24:42I don't see any parts that have been replaced, so I think it's good to say that it's full original.
24:47It's in very good condition.
24:50The serial number is written on the back of the head.
24:53It clearly shows that it was made in 1966.
24:56The management and the factory have changed over time.
24:59The specifications have changed, and so on.
25:01It was made at Gibson's Kalamazoo factory in this era.
25:04The Casino that John Lennon used had a slightly tighter angle on the head.
25:10The neck width was about 42 mm, which has changed to about 40 mm.
25:14It's very easy to play.
25:15It's a vintage guitar.
25:17The cost has gone up, so please take good care of it.
25:20But while your husband is in Thailand, it may be gone.
25:27Next is Mr. Takeda, who is good at making sweets.
25:32What is your favorite sweet?
25:35I have a friend who likes fruit and nuts cakes.
25:39Today, he made that cake.
25:43Great!
25:45It looks like a fruit cake.
25:47There are a lot of walnuts, raisins, and sugar-coated peels.
25:51The raisins were soaked in rum for 5 days.
25:55The sugar-coated peels are made with sugar.
25:59I'll eat it.
26:04This is very good.
26:06It's moist.
26:08There's a lot of rum in it.
26:10It tastes like a lot of rum.
26:12This is the best fruit cake I've ever eaten.
26:16Really?
26:20Here are the treasures.
26:26Eight long plates of koimari.
26:2946 years ago, when I went to the Ibaraki antique shop with my father,
26:35my father bought it for 100,000 yen.
26:38Since then, my father has cherished it.
26:42But suddenly, 20 years later,
26:45He gave me all of this.
26:48Oh!
26:50And he told me to use the gold-plated ones.
26:53He said he would pay for the gold-plated ones.
26:56Unfortunately, my father passed away two years later.
27:00He used the gold-plated ones to heal his wounds.
27:03He cherishes it as a memento.
27:06My father's evaluation is 100,000 yen.
27:13I want to pass it on to my daughter.
27:16I want to know everything about it.
27:20What's the result?
27:23Ta-da!
27:24500,000 yen!
27:26It's five times the price!
27:30These are good long plates of koimari.
27:33They were made in the middle of the Edo period, about 250 years ago.
27:39It's called a sakuragawa.
27:43The sakura flowers fall on the surface of the river.
27:47It's very rare.
27:49The way the tako-kara-kusa around it is drawn is also good.
27:53And only the upper part of the back is marked.
27:57It's called a uzufuku.
27:59Please cherish it as a memento of your father.
28:04I think my father will be very happy.
28:07Thank you, father!
28:10Mr. Ishii was chosen as the winner of the Tokyo Olympics.
28:22This is not a torch, is it?
28:24It's for practice.
28:26For practice?
28:27It's a time-sensitive torch.
28:29This torch is exactly the same length and weight as the actual one.
28:35After being chosen as the winner, he practiced with this torch every day.
28:41I took it with me when I went on a trip.
28:44I also ran with it in the parking lot.
28:46That's why it says the winner is in the middle of practice.
28:50I didn't want to be notified.
28:53However, due to the spread of the novel coronavirus, he couldn't run.
29:00He only participated in the ceremony of handing over the trophies.
29:05I was able to contribute as a runner to my hometown.
29:11Here are the treasures!
29:16This is a painting by Kiyoshi Yamashita.
29:19The title of this painting is called Road.
29:22Yamashita was a big fan of this painting when he was a child.
29:26When he was 20 years old, he went to the exhibition of this painting.
29:31He fell in love with this painting.
29:34How much was it?
29:36It was 1.6 million yen.
29:39That's impossible!
29:41I kept looking at this painting for a few hours.
29:46Then the shop assistant said,
29:49if you don't mind, I'll give you a discount.
29:53I'll give you a discount.
29:56After negotiations, he gave us a discount of 900,000 yen.
30:01However, he was still hesitating because he was only 20 years old.
30:07If you use a five-year loan, you can get a discount every month.
30:11I see.
30:12He accepted the proposal and bought this painting with a five-year loan.
30:17What's good about this painting?
30:19The painting shows the free feeling of Kiyoshi Yamashita,
30:23who is said to be a painter of the road.
30:26When I paint a mountain, I usually paint it green.
30:29When I paint the color of the soil, I usually paint it yellow,
30:32red, or light blue.
30:34I can use different colors freely.
30:37I want to live my life like this road.
30:42According to his research,
30:44this painting is rare, unlike other paintings.
30:48Also, it is different from Yamashita's paintings,
30:53but I expect it to be rare.
30:57I think this painting is really rare.
31:01I want to believe that I'm in my 20s.
31:05The price of this painting is 900,000 yen,
31:08just like when he bought it.
31:10For about 30 years,
31:12his friends have been telling him that this painting is fake.
31:16Yamashita wants to change his mind.
31:19After this, the price of this painting has been confirmed.
31:22Let's go to the venue.
31:28Open!
31:32He hid the painting so that no one can take it.
31:35It's a shame that this painting is fake.
31:37It was a good deduction.
31:40Yamashita Kiyoshi's Harie
31:42When he was in his 20s,
31:44he bought this painting for 900,000 yen.
31:47What is the result?
31:51The winner is...
31:53Seiji Yamashita!
31:55Wow!
31:57Seiji!
32:01He made the happiest man in the world happy.
32:04He made the happiest man in the world happy.
32:07This is not a work of Yamashita Kiyoshi.
32:10Yamashita's style is not Gafu at all.
32:12He didn't draw the mountains,
32:14the depth of the road,
32:16or the perspective at all.
32:18He didn't draw anything ambiguous
32:20or abstract like this.
32:23He drew the details carefully.
32:26Well...
32:28What should I do?
32:30I have nothing more to say.
32:32Mr. Orimoto introduces the fabric of East Africa and sells it.
32:37This is a fabric of Kanga,
32:39which is popular among Kenyans and Tanzanians.
32:42Kanga?
32:44Do the locals also wear it like this?
32:46Yes, they do.
32:48Basically, it is a fabric that has developed as a wrapping cloth.
32:51It can be used to wrap,
32:53or to wrap a baby.
32:55It can be used in various ways.
32:59By the way,
33:01it looks like this.
33:03There is a message of Swahili on each piece.
33:06What does it say?
33:08It says,
33:10let's pray for our happiness.
33:14There are other words about love.
33:19This is a word to express mother's love
33:22and gratitude.
33:24It's good.
33:26The local women wear the clothes
33:28with the words that suit their feelings
33:29and convey the message.
33:31I see.
33:33Here is the treasure.
33:36Wow!
33:38It looks like it's standing in a perfect balance.
33:40It is a large pot,
33:4255 cm in height.
33:44It was obtained by a deceased father.
33:47It seems that my father used to be
33:50addicted to making pots.
33:52He bought a lot of pots
33:54from various places.
33:56While he didn't know,
33:58pots were lying around in various places.
34:00It became a pot house.
34:02Is it a pot house?
34:04How many are there?
34:06There are about 80.
34:0880?
34:10This is his house.
34:12When he did it, he did it thoroughly.
34:14It was his father's word.
34:16Did he inherit the land?
34:18I already have about 4 million.
34:21Do you have that much?
34:23When I do it, I do it thoroughly.
34:24You do it thoroughly.
34:26That's right.
34:28This pot was decorated
34:30in a way that
34:32his father liked it the most
34:34because he was interested in cracks.
34:38The estimated value of this pot
34:40is 330,000 yen
34:42because it is his father's 33rd generation.
34:45I'm not interested in pots at all,
34:48so I'd like to give it to someone I like,
34:51but
34:52what is the result?
34:55Ta-da!
34:57It's 1 million yen!
34:59This is amazing!
35:03What?
35:05What?
35:07That's great!
35:09It's 1 million yen because it's broken and scattered.
35:11If it's perfect,
35:13I'd like to give it 5 million yen.
35:15What?
35:17This is perfectly reproduced.
35:19It's probably buried somewhere.
35:22It was dug up 3 years ago.
35:25About 900 years ago,
35:28in the late Heian period,
35:31it was made in Chita Peninsula in Aichi Prefecture.
35:34It's a Tokoname-yaki pot.
35:37Tokoname-yaki, which is rough and has a lot of iron,
35:41burns well at a low temperature.
35:44That's why this kind of countermeasure was possible.
35:47Look at this.
35:49It's a strong shoulder.
35:51Look at the bottom of the pot.
35:54What's great is that
35:56the ash from the melted firewood in the pot
35:59is falling on the pot
36:01and flowing naturally.
36:04It's probably pine ash.
36:06It's green.
36:08It's wonderful.
36:10Do you really want to give it to me?
36:12No, I'll think about it.
36:14Kanteidan will be broadcast anywhere in Japan.
36:20Next, we have a message from Kurume City, Fukuoka Prefecture.
36:24The next client is looking at a magnificent stone sculpture.
36:31His name is Toshiyuki Shima. He is 69 years old.
36:36Kurume Castle is counted as one of the 100 castles in Japan.
36:44This is a local castle, so I come here from time to time.
36:49What I like is this stone sculpture.
36:54When I look at this stone sculpture,
36:56I think it's amazing that people in the past used to build such a stone sculpture.
37:02I love castles.
37:04I love castles.
37:06I've been traveling around Japan for a little over a month since October.
37:15Traveling around Japan?
37:19Departing from Fukuoka,
37:22he will head north on the Japan Coast this week.
37:26He will take a ferry from Aomori to Hokkaido,
37:29and then he will head south on the Pacific Ocean to Kanto, Chubu, and Kansai.
37:37He has seen more than 100 castles.
37:44When I came back and saw the distance, it was 9,500 kilometers.
37:50I was really surprised.
37:52That's amazing.
37:55By the way, what is your treasure?
37:59This is a painting left by Gifu,
38:03but the place where I kept it has changed a little.
38:07Gifu Tokuzo, who used to be a merchant,
38:10died eight years ago.
38:13The clinic in Kurume city has been closed for a long time,
38:19but two years ago, they were cleaning up inside.
38:23For some reason, it came out of the closet of the operating room.
38:28My family didn't know anything about this painting,
38:33so I wondered why it was in a place like this.
38:38When I looked into the author,
38:41I was surprised to find out that he was a famous painter from Fukuoka.
38:47It's an amazing painting,
38:50so I hid it so that it wouldn't be stolen.
38:54I was embarrassed to find out that it was a fake.
38:59I'm curious about the truth.
39:02Thank you for your judgment.
39:05Let's take a look at the painting of the famous painter
39:09found in the operating room in the studio.
39:12Here comes the client.
39:15I'm Shumato Shuuji from Fukuoka.
39:19Nice to meet you.
39:21Nice to meet you, too.
39:23You've run 9,500 kilometers in a month.
39:27That's more than 300 kilometers a day, right?
39:30That's a pretty hard schedule.
39:33I did my best this time.
39:36It's like a program project.
39:39Do you stay in the car?
39:41I stay in the car almost all the time.
39:44That's tough.
39:46It feels good.
39:48I eat delicious food from my hometown.
39:51I'll use it as a reference for my old age.
39:54Open the treasure!
39:57It's easy to hide.
40:00This is an oil painting by Denzaburo Kojima.
40:04How old was he?
40:06It was around the Taisho era.
40:09He was a famous painter.
40:12Various museums and art museums have been excavated.
40:15What is this painting about?
40:18It's a picture of Chikugo River.
40:21I thought it was the water on the Chikugo River.
40:25The white part?
40:27That's right.
40:29In the old days, the water was clear.
40:32It was hidden in the operating room.
40:35That's right.
40:37It was a good theory.
40:39He hid it so that it wouldn't be taken.
40:42It's a shame to display such a fake.
40:45How about you?
40:47It's a picture of Chikugo River.
40:50I think it was put in the operating room to calm down.
40:55It's like a heart's protection.
40:58The tree in front is withered and the tree in the back is fine.
41:03It's a very unique and attractive picture.
41:07I think he cherished me.
41:10I think so, too.
41:12I really like it.
41:14It's the only thing I look forward to.
41:17Maybe.
41:19In the middle of the chaos,
41:21the farmers cheer for the harvest.
41:24This is good.
41:26The city lights reflected on the water surface are flickering.
41:32Kojima Zenzaburo worked from the front
41:35and pursued the oil painting of Japanese people.
41:43He was born in 1893 as the eldest son of Kamidonya in Fukuoka City.
41:50He was passionate about painting since junior high school.
41:53He wanted to be a painter.
41:55But his father was against it.
41:57He went to Nagasaki Medical School.
42:01But he never gave up his dream.
42:03He stayed in the hospital for less than a year.
42:06He lived alone at home.
42:11The next year, he took the exam at Tokyo Art School.
42:15But he failed.
42:19After that, he learned painting by himself.
42:22But he suffered from hemorrhage.
42:25He became a homeless man.
42:27He had to live in poverty for five years.
42:31He came to Kendo again when he was 27 years old.
42:37His friend recommended him to work at a second-hand shop.
42:41All five shops were selected.
42:44He didn't have a job.
42:46He didn't even go to an art school.
42:49He was a homeless man.
42:53He studied in France in 1925.
42:56At that time, Kojima didn't pursue popularity.
43:00Instead, he was interested in classical painting.
43:03His theme was how to express the three-dimensional and weight of a person.
43:08He challenged the Western traditional painting of La Fuga.
43:14Following the painting of a pure white woman,
43:17Sonia Tateru painted a woman who looked back like a beautiful woman.
43:23He had a strong will to paint oil paintings unique to Japanese people.
43:32After returning to Japan,
43:35he left Nikakai, which was following the Western popularity.
43:39He formed an independent art association with Satomi Katsuzo and Hayashi Takeshira.
43:46Kojima's goal was to become a famous artist.
43:49Kojima founded Nikakai.
43:52Kojima's goal was to express the Japanese landscape
43:56by devoting himself to the Western traditional painting.
44:01From 1936,
44:04he set up an atelier in Kokubunji.
44:07He drew a picture of the rich nature of Musashino.
44:11He brought artists from all over the country
44:14and created masterpieces one after another.
44:19On his way to Walpurgis,
44:22he drew a rhythmical line of mountain triangles.
44:27As the elevation increased, the line grew larger
44:31and eventually melted into the clouds.
44:34Infinite space was represented
44:37and it was praised as a landscape painting representing the Showa period.
44:42At the age of 59,
44:45his blood vessel recurred and he died.
44:47It became difficult for him to go out,
44:50so he drew flowers at the atelier.
44:53In this work,
44:56the flowers of the blooming mimosa are formalized
44:59and drawn flat,
45:02but the vase is symmetrically expressed
45:06in a realistic way.
45:09This unique world view of living things
45:13is also a Japanese oil painting for Kojima.
45:18Let's take a look at the request.
45:22This is a landscape painting of Kojima Zenzaburo.
45:25According to the requester,
45:28he drew the Chikugo River.
45:31Two large trees are standing on the water's surface.
45:39The flat depiction and bold composition
45:42make Kojima stand out,
45:44but how did he do it?
45:53How was the video?
45:56I don't think there's a mistake.
45:59There's no mistake?
46:01You drew it in various ways.
46:04The way you use the brush is different.
46:07This is difficult.
46:09The name of the mimosa is written in Roman characters.
46:13Oh, it's a sign.
46:15He drew a sign in a place like that.
46:18It's a bad balance.
46:21I think he's more determined to use the brush in the video.
46:25I don't think he'd throw it away.
46:28I think it would be a little suspicious
46:31if it was a more vivid image in the video.
46:35Is Kojima Zenzaburo's oil painting real?
46:42To be continued.
47:12Please give me 5,000 yen.
47:15Let's go.
47:16Open the price.
47:17Price.
47:2210,000,000 yen.
47:33I'm sorry.
47:35Seriously?
47:37Wait a minute.
47:39I don't think he's determined to use the brush.
47:43Do you draw a sign in a place like this?
47:47This is a real Zenzaburo's work.
47:50He said it was Chikugo River.
47:53In conclusion, it's a picture of Hokkaido.
47:56It's a picture of Nakajima Park in Sapporo.
48:00The big tree is a poplar tree.
48:03It was made in 1921 or 1922.
48:07The artist is in his early 50s.
48:09It overlaps with the time when Kojima was in Hokkaido.
48:13The sign is from the time after the war.
48:15It was difficult to use the sign of the Roman era.
48:18I see.
48:21Kojima is a person who is good at using colors.
48:25Dark green, light green, yellow, brown.
48:28It's not a large number of colors.
48:31He paints the brush over and over again.
48:34It is drawn in a faint and polite tone.
48:36Please take good care of it.
48:38That's what it is, Sugai-chan.
48:41It's a person's fault.
48:43Thank you very much.