Combo Film
  • yesterday
Transcript
00:00:30Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:01:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:01:30Hiya Tim. Tim, we're getting something great, something with a real switcheroo. Yeah, we
00:01:44got a real bubble on it. All right, make me bubble. Make him bubble. Well, you know the
00:01:49story. Yeah, I know the story. We'll pick it up where the black wasp has grabbed the
00:01:54girl. She's a pretty smart kiddo. She knows what's coming and she struggles. Wait a minute,
00:02:01Joe. What's the matter? Before she struggles, the wasp gives her the business. Yeah? About
00:02:06the plans, remember? Yeah. He asked her for the plans of Twilight's new rocket ship and
00:02:10she turns him down. That's right. He's about to give her the sting of his breath. Sting
00:02:14of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:15Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:16Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:17Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:18Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:19Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:20Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:21Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:22Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:23Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:24Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:25Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:26Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:27Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:28Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:29Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:30Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:31Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death.
00:02:32Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. Sting of death. St
00:03:02breath. Sting of death. Sting of death. Why do you! Oop!
00:03:16Tim, what do you say? Is that a great twist or not? Oh itís great fellas, Iíll buy it.
00:03:22And you can have it.
00:03:29Am I crazy?
00:03:31Well, wait a minute.
00:03:32You gotta be crazy in this business to make any money.
00:03:35Then Mr. Moody's crazy.
00:03:36Oh, certainly he's crazy.
00:03:37Everybody's crazy.
00:03:38We're all crazy.
00:03:39Ha, ha, ha.
00:03:40Ha, ha, ha.
00:03:41Ha, ha, ha.
00:03:42Ha, ha, ha.
00:03:43Ha, ha, ha.
00:03:44So what else have you got?
00:03:45Only your character for next month's magazine.
00:03:47I couldn't sleep a wink thinking about it.
00:03:50Next time you can't sleep, try counting sheep.
00:03:53I will.
00:03:54Hmm.
00:03:57My suggestion is to throw this in the wastebasket.
00:04:00In that case, we'll take the basket up to Moody.
00:04:02He might fool you and like it.
00:04:04Just a minute, Jones.
00:04:05I'm still general manager of the plant.
00:04:07Hilton Payne, remember?
00:04:08Oh, brother, how could I ever forget it?
00:04:10And Mr. Moody can't approve something he doesn't see.
00:04:13No.
00:04:14And furthermore, I don't approve of anyone who steps on my toes.
00:04:18You wouldn't.
00:04:19Looks like a spot for a pinch hitter.
00:04:20What's the score?
00:04:21Hello, Betty.
00:04:22It's tied.
00:04:23He says no, I say yes.
00:04:24What you boys need is a referee.
00:04:26Now, honey, don't you bother your pretty little head about details.
00:04:30Jones and I will settle this between us.
00:04:32Maybe I could decide.
00:04:34I think I know father's likes and dislikes as well as you do.
00:04:39And I've decided it's tops.
00:04:41Thanks.
00:04:42Well, Betty, I guess your decision just about covers everything.
00:04:50You know, it's funny what jealousy can do to a guy's judgment, isn't it?
00:04:53I can understand that.
00:04:56Father thinks I'm going to marry him.
00:04:59You know, you have the most beautiful eyes.
00:05:02Tim, father isn't a well man.
00:05:05And the most beautiful hair.
00:05:07He depends on me.
00:05:09And the most beautiful mind.
00:05:11Tim, stop. I'm serious.
00:05:13Yes, I know.
00:05:15And, well, I think that we should do something about it.
00:05:18Yes, yes, we will.
00:05:19But you still have the most beautiful hair.
00:05:21And the most beautiful mind.
00:05:23And I've decided to...
00:05:24And the most beautiful mind.
00:05:25I've decided that I'm going to get a doctor.
00:05:27Yes.
00:05:28Okay, okay.
00:05:42Miss Wilson, where's Mr. Austin?
00:05:44Good morning, Mr. Moody.
00:05:45Yes, yes. Where's Mr. Austin?
00:05:47He should be here any moment, Mr. Moody.
00:05:49Send him in the minute he comes.
00:05:50Yes, Mr. Moody.
00:05:54Good morning, Miss Wilson.
00:05:55Go right in, Mr. Austin. Mr. Moody's waiting for you.
00:05:57Good.
00:06:06Good morning, Annie.
00:06:07Good morning, Hoppy.
00:06:08Glad to see you.
00:06:10Hi, Tilly.
00:06:11Start toiling. Here's the morning news, right on the dot.
00:06:14What happened to Kicklepus?
00:06:15Did he get out of that jam he was in yesterday?
00:06:17Yeah, he made it all right.
00:06:18Just the cops were closing in on him.
00:06:19Hold it. Don't tell me. I want to read it later.
00:06:23Say, how come his nibs are so scared of the comics?
00:06:25If I could make a million bucks with him like he did, I'd die laughing.
00:06:29Uh, why don't you send one in and see what happens?
00:06:31A very funny idea.
00:06:33The girl that worked before me forgot just once.
00:06:35The comics went inside, and boom, she was outside.
00:06:38Yeah, well, that makes a difference.
00:06:43That's why I like you, Henry.
00:06:45You're honest.
00:06:46Don't try to impress me like everyone else.
00:06:48Hilton, for instance.
00:06:50He's just waiting for me to retire.
00:06:52Oh, I thought you approved of him that he was going to marry Betty.
00:06:55He's the man Betty thinks she wants to marry. I'm not going to interfere.
00:06:59I made a mistake in my own marriage.
00:07:02Who am I to tell her what to do?
00:07:04I like Betty.
00:07:05I hope she'll be happy and never want for anything.
00:07:07She won't, at least financially.
00:07:10Oh, then you're going to give Hilton the business.
00:07:12Yes, but not the way he expects.
00:07:16He's a lucky young man. I hope he appreciates it.
00:07:19Henry, the art of appreciation is lost in this world of dog-eat-dog.
00:07:24Everybody is out for something.
00:07:26I know.
00:07:27A bunch of cutthroats.
00:07:34Good morning, Marjorie.
00:07:35Good morning.
00:07:36I'll take this in.
00:07:40Good morning, Miss Moody.
00:07:41Good morning, Henry. How's Dad?
00:07:43Wonderful. He brightens up my whole day.
00:07:46Dr. Calloway, it's good to see you.
00:07:48It's a pleasure, Miss Moody. This is Dr. Swatsky of Prague.
00:07:51Swatsky with a V, Calloway.
00:07:53Oh, sorry. With a W. How do you do?
00:07:55How do you do?
00:07:56If you gentlemen wait here a minute, I'll go in and prepare Dad.
00:08:00That glint in your eyes can mean only one thing.
00:08:03You've got an idea.
00:08:04I have, and it's a good one.
00:08:05I was afraid of that. Well, what is it?
00:08:07Did you take your medicine?
00:08:08No.
00:08:09Why not?
00:08:10Because my medicine does you more good than it does me.
00:08:16I'm afraid of that.
00:08:17Well, what is it?
00:08:18Did you take your medicine?
00:08:19No.
00:08:20Why not?
00:08:21Because my medicine does you more good than it does me.
00:08:24Now, open.
00:08:34Now, do you feel better?
00:08:35Very much better.
00:08:37Hello, Dr. Calloway.
00:08:39I hope you have better luck this time.
00:08:41Well, I'm sure we will.
00:08:42I'm fortunate in having Dr. Swatsky with me.
00:08:44Well, I'm sure we will.
00:08:45Well, I'm sure we will.
00:08:46Well, I'm sure we will.
00:08:47Well, I'm sure we will.
00:08:48Well, I'm sure we will.
00:08:49Well, I'm sure we will.
00:08:50Well, I'm sure we will.
00:08:51Well, I'm fortunate in having Dr. Swatsky with me on the case.
00:08:54Dr. Swatsky?
00:08:55Swatsky, yes, Swatsky.
00:08:57This is very, very interesting.
00:09:00Calloway, my dear colleague, I haven't seen one like this recently.
00:09:04Wait a minute.
00:09:05There's nothing wrong with me.
00:09:06Mr. Moody's the man you want.
00:09:08Moody, yes, Mr. Moody.
00:09:10This is a very intriguing example of the paranoid type.
00:09:14Yes.
00:09:15Consolidated up four points.
00:09:17Associated up five.
00:09:19Go ahead and order that mink coat.
00:09:23But Hilton told me to sell both of them yesterday.
00:09:25Hilton, Hilton, Hilton!
00:09:28Were you calling me, R.P.?
00:09:30No, I'm not calling you.
00:09:31I'd like to forget you.
00:09:38Now, Daddy, don't get upset.
00:09:40What would Dr. Calloway think if he saw you this way?
00:09:43Dr. Calloway?
00:09:44Yes, and we're very lucky.
00:09:45He's brought a famous specialist from Prague.
00:09:48Specialist medicines?
00:09:49What good do they do?
00:09:50Betty, I know you're trying to help me, but it just won't work.
00:09:52All your doctors, specialist medicines, none of them do any good.
00:09:56Please, Dad, try it just once more.
00:09:59This time you'll win.
00:10:01I'll bet on it.
00:10:03All right, but if you lose, this will be the last time.
00:10:06It's a bet.
00:10:14Dr. Calloway, Father will see you now.
00:10:17Dr. Zvotsky?
00:10:18Yes.
00:10:19Oh, thank you very much, thank you.
00:10:23Thank you, thank you very much.
00:10:27Hello, Calloway.
00:10:29Dr. Zvotsky, Mr. R.P. Moody.
00:10:32R.P. Moody.
00:10:33How do you do?
00:10:34How do you do, Mr. Moody?
00:10:36Melancholia Maribundus, Dr. Calloway.
00:10:38The pleasure is all mine.
00:10:40You're welcome to it.
00:10:43In going over your case with Dr. Calloway,
00:10:46we have found that sanity runs in your family.
00:10:49Right now, I doubt it.
00:10:51Now, I also found out that you're a successful businessman.
00:10:56Don't you feel sometimes that you're all alone?
00:11:00No, no, no, please, please, don't interrupt me. Quiet, please.
00:11:03Now, at times you have the feeling as though you're in total darkness.
00:11:08Answer me, please.
00:11:10Yes, many times.
00:11:11Good, good, like going somewhere.
00:11:13Now, tell me, please, when, when those things do occur?
00:11:17When I turn out the light and go to bed.
00:11:19When you turn out the lights and go... No, no, no, no, no, no, no, no.
00:11:24When you laugh, when you laugh, is it a high-pitched laughter like...
00:11:30Or is it, is it perhaps a hysterical one like...
00:11:33It has a slow start and then builds up.
00:11:35Or is it a full, full whole-hearted laughter, deep like...
00:11:41I never laugh.
00:11:42You never laugh, no, no, no.
00:11:44That, that you don't mean.
00:11:45That I do mean. I haven't smiled, let alone laughed in 20 years.
00:11:50Dr. Calaway, that I cannot believe.
00:11:53An acute case of melancholia.
00:11:56No, no, no, the diagnoses we have left behind, my dear colleague.
00:11:59The reasons for it, the etiology, the prognosis of it.
00:12:03That's what, what I cannot understand.
00:12:06The facial muscles?
00:12:08The facial, the facial muscles, that is correct.
00:12:11That is correct. Will you please lean back?
00:12:14Like this.
00:12:15The facial muscles.
00:12:18That's strange.
00:12:19Strange, very strange, very, very strange.
00:12:23No, no, that's correct.
00:12:25Now let's see the facial muscles and the reactions.
00:12:29Let's see another...
00:12:31Observe, Dr. Calaway, absolutely normal reaction.
00:12:35Now, let's see this.
00:12:37Sit back, please, sit back.
00:12:41Now, everything's absolute, you know.
00:12:43Bet or no bet, he's going too far.
00:12:46Now, now, now, Mr., uh, uh, uh...
00:12:48Moody.
00:12:49Mr. Moody, Mr. Moody.
00:12:50Now, please, please, try to think, if you can.
00:12:5420 years ago, 20 years ago, remember?
00:13:00Your daughter was just a little baby.
00:13:03What happens to you then?
00:13:05What happened 20 years ago is no concern of yours.
00:13:07I've had about all I can stand for today.
00:13:09Uh, Dr. Calaway, unless I have a full cooperation,
00:13:13we're getting nowhere fast.
00:13:16This is only an idea, a clue, perhaps a parallel to jump from.
00:13:21What is it, Dr. Swadzki?
00:13:23My dear young lady,
00:13:26in 1783, Philip of Spain was suffering from melancholia
00:13:31so moribund that it threatened his life.
00:13:34After a search, a singer was found
00:13:37whose voice had the therapeutic effect.
00:13:41Now, the singer provided tectonic,
00:13:44and the king, imagine, the king was healed.
00:13:47Oh, brilliant, a vastly analysis.
00:13:49Now, thank you, thank you very much.
00:13:50Now, the cure, it is simple.
00:13:52All we have to do is make Mr. Moody laugh.
00:13:56I could have told you that without a fee.
00:13:58The whole world needs laughter.
00:13:59Laughter is a medicine, and you can't take an overdose of it.
00:14:02It's good for what ails you?
00:14:03Falling hair, falling arches, bunions.
00:14:05Why, the whole world's crying for it.
00:14:07Say, why don't we bottle it and go into business?
00:14:11It is a very refreshing point of view.
00:14:13Well, there must be somebody who can make him laugh.
00:14:15I doubt it.
00:14:17Tim, I've got the beginning of an idea.
00:14:20And I've got the end of it.
00:14:28If the king of Spain was cured by one singer,
00:14:31then we'll hire the best talent that money can buy.
00:14:34They should be able to do something for Dad.
00:14:41Freddie Fisher and his band.
00:14:44George McKay.
00:14:46Bill.
00:14:47Dottie.
00:14:49Duffy.
00:14:50And Peanuts.
00:14:52Darby and Darnell.
00:14:53Isabelita and the Guadalajara Boys.
00:14:56Julie Reyes and his truck of Durban.
00:14:59Mike Reilly and his musical maniacs.
00:15:01And Bob Roberts.
00:15:02And Mervyn.
00:15:04Alphonse Berger and Doris Duane.
00:15:07Almodo and his pal.
00:15:28Where's Hoskins?
00:15:29Hoskins took the day off to get married, sir.
00:15:31I'm his brother.
00:15:32Who brought that beast in here?
00:15:34I did, sir.
00:15:35He's not a beast.
00:15:36He's my dog.
00:15:37Well, I'm allergic to dogs,
00:15:38and I think I'm going to be allergic to you.
00:15:40Get him out of here.
00:15:41Say, listen, if you want any help,
00:15:42you better take what's available.
00:15:44And with me, it's love me, love my dog.
00:15:47Besides, he's a fine dog.
00:15:49I'm crazy about him.
00:15:51The greatest trick dog that ever lived.
00:15:54But he won't do easy tricks.
00:15:56Only big tricks.
00:15:58And the bigger the tricks, the better he'll do them.
00:16:00Did you get that build-up I gave you?
00:16:02I told him you won't do easy tricks.
00:16:04Only big tricks.
00:16:05Come on, let's show him some class.
00:16:06Ready?
00:16:07Stand up, boy.
00:16:08Up.
00:16:09Come on, boy.
00:16:10Stand up.
00:16:11Up.
00:16:12Come on, boy.
00:16:13Stand up.
00:16:14Up.
00:16:15Too easy.
00:16:16Uh, lay down.
00:16:17Dead dog.
00:16:19When I say dead dog, you lay down.
00:16:21Well, he don't have to lay down.
00:16:23He's dead standing up.
00:16:24It's all right.
00:16:25Look, over here.
00:16:26I'll show you.
00:16:27Look, right here.
00:16:28Right here, look.
00:16:29Come on, boy.
00:16:30Come on.
00:16:31Head up, boy.
00:16:32Right here.
00:16:33Look, did you see that trick?
00:16:34He moved.
00:16:35I hope he didn't strain his shoulder.
00:16:37That's all.
00:16:38Take it easy.
00:16:39You're working a little too fast.
00:16:40Slow up a little.
00:16:41Take your time.
00:16:42Go ahead.
00:16:43Lay down, will you?
00:16:44Lay down, will you?
00:16:45Uh, I think the suit is too big for you.
00:16:47Look at that.
00:16:48Look.
00:16:49Maybe he's expecting mumps.
00:16:50Why don't you stop suffering and lay down?
00:16:52Collapse.
00:16:53Fold up.
00:16:54Lay down.
00:16:56You won't believe it.
00:16:57When I first got that dog, he couldn't do nothing, you know.
00:17:00Go on and bark.
00:17:02Come on, bark.
00:17:07That was me.
00:17:09Would you like to see him do one more trick?
00:17:11This is the last trick, of course.
00:17:13Come here, Flash.
00:17:15Flash.
00:17:16Come here, Flash.
00:17:18Come on, boy.
00:17:19Look at that speed he's burning up today.
00:17:21He couldn't go any further.
00:17:22It's a little uphill over here.
00:17:24Now the dog is going to jump.
00:17:26He's raring to go.
00:17:27Look.
00:17:28Can you make it?
00:17:29One, two, three.
00:17:31Go.
00:17:32There he goes.
00:17:33There he goes.
00:17:34Ka-flunk.
00:17:35He's a little out of wind now.
00:17:36Take your time.
00:17:37Why don't I give him a little rub down so he can do it again?
00:17:39Try it again.
00:17:40This time sneak up on it and fall on the other side.
00:17:42Go ahead.
00:17:43Go.
00:17:44There he goes.
00:17:45There he goes.
00:17:46Boom.
00:17:47Well, anyway.
00:17:48This is the way he looks after he jumps.
00:17:50Like that.
00:17:51There it is.
00:17:52Oh, he's a great pet, I'm telling you.
00:17:54There's no limit to his tricks.
00:17:56Look at him running around here.
00:17:57Look at that.
00:17:58There he goes.
00:17:59Ka-flunk.
00:18:00Boom.
00:18:01And besides, the dog is a great music lover.
00:18:03Oh, he loves high class music.
00:18:05But let me tell you, of all the music he's ever heard,
00:18:08he likes my music the best.
00:18:10He'd rather hear me play one song on this harmonica
00:18:13than eat 40 or 50 steaks.
00:18:15And this is his favorite song, played by his master.
00:18:29This is the moment when we should observe our patient at the closer range.
00:18:33Yes, at the closer range.
00:18:38Much closer.
00:18:45Ka-flunk.
00:18:51Doctor, doctor, what happened?
00:18:52Contradictory symptoms, Colorby.
00:18:54Most contradictory.
00:18:56Tell me, please.
00:18:57What is his next move?
00:18:58Oh.
00:19:00Breakfast.
00:19:01Breakfast.
00:19:02That is very good.
00:19:03Very good.
00:19:11Where is Hilda?
00:19:12She took the day off to marry Hopkins, sir.
00:19:14Oh.
00:19:15What are you doing here?
00:19:17Well, I'm waiting for Vaudeville to come back.
00:19:25Here are your three minute eggs, sir.
00:19:27Now, uh, do you like them that young, or, uh,
00:19:31or would you prefer them on the older side?
00:19:34Betty!
00:19:35Betty!
00:19:37Betty!
00:19:39Betty!
00:19:41That gag always went good in Kansas City.
00:19:44Betty?
00:19:45Who's this man trying to take my job?
00:19:47Oh, it's just for today, Pygmy.
00:19:49Oh, he's only here for the day.
00:19:51For the day?
00:19:52What is he going to do here today?
00:19:54He's here to entertain father.
00:19:55Oh, entertain your father.
00:19:57Well, I think if you give me a chance to drop my hair, I can entertain your father.
00:20:00And I'm dropping my hair right now.
00:20:11Hey, little.
00:20:36How's that, Miss Betty?
00:20:37I think it might be a very good idea.
00:20:39You think so?
00:20:53What's the meaning of this?
00:20:54Uh, now everything's going to be all right.
00:20:56How can it be all right with a house full of hoodlums?
00:20:58They're not hoodlums, they're surprised.
00:21:00I don't like surprises.
00:21:01What are you doing here?
00:21:02Well, I, I, uh...
00:21:03Oh, Mr. Jones is just helping.
00:21:05Yeah, helping out.
00:21:06Well, help me out and tell me who you're helping.
00:21:08Well, uh...
00:21:09Well, uh, you, aren't we, Tim?
00:21:11Yeah.
00:21:12Select the entertainment.
00:21:13What entertainment?
00:21:14For the employee's anniversary party.
00:21:16When did you get that idea?
00:21:17Well, we...
00:21:18Oh, recently.
00:21:19In fact, quite recently.
00:21:20Yeah, that's fine.
00:21:21Well, it's not a bad idea.
00:21:22Well, let's start selecting.
00:21:23I've got a place of business to go to.
00:21:25Yeah.
00:21:26Uh, Mr. Moody, Mr. Moody, one more question.
00:21:28Will you ask me later, please?
00:21:29I have something to look at.
00:21:30Crying.
00:21:31Every night I'm alone.
00:21:32I keep crying.
00:21:33For I seem to be lost in a crazy dream.
00:21:34And I'm hopelessly drifting alone.
00:21:35Crying.
00:21:36Every night I'm alone.
00:21:37I keep crying.
00:21:38For I seem to be lost in a crazy dream.
00:21:39And I'm hopelessly drifting alone.
00:21:40Crying.
00:21:41Every night I'm alone.
00:21:42I keep crying.
00:21:43For I seem to be lost in a crazy dream.
00:21:44And I'm hopelessly drifting alone.
00:21:45Crying.
00:21:46Every night I'm alone.
00:21:47I keep crying.
00:21:48For I seem to be lost in a crazy dream.
00:21:49And I'm hopelessly drifting alone.
00:21:50Crying.
00:21:51Every night I'm alone.
00:21:52I keep crying.
00:21:53For I seem to be lost in a crazy dream.
00:21:54And I'm hopelessly drifting alone.
00:21:55Crying.
00:21:56Every night I'm alone.
00:21:57I keep crying.
00:21:58For I seem to be lost in a crazy dream.
00:21:59And I'm hopelessly drifting alone.
00:22:00Crying.
00:22:01Every night I'm alone.
00:22:02I keep crying.
00:22:03For I seem to be lost in a crazy dream.
00:22:04And I'm hopelessly drifting alone.
00:22:05Crying.
00:22:06Every night I'm alone.
00:22:07I keep crying.
00:22:08For I seem to be lost in a crazy dream.
00:22:09And I'm hopelessly drifting alone.
00:22:10Crying.
00:22:11Every night I'm alone.
00:22:12I keep crying.
00:22:13For I seem to be lost in a crazy dream.
00:22:14And I'm hopelessly drifting alone.
00:22:15Crying.
00:22:16Every night I'm alone.
00:22:17I keep crying.
00:22:18For I seem to be lost in a crazy dream.
00:22:19And I'm hopelessly drifting alone.
00:22:20Crying.
00:22:21Every night I'm alone.
00:22:22I keep crying.
00:22:23For I seem to be lost in a crazy dream.
00:22:24And I'm hopelessly drifting alone.
00:22:25Crying.
00:22:26Every night I'm alone.
00:22:27I keep crying.
00:22:28For I seem to be lost in a crazy dream.
00:22:29And I'm hopelessly drifting alone.
00:22:30Crying.
00:22:31Every night I'm alone.
00:22:32I keep crying.
00:22:33For I seem to be lost in a crazy dream.
00:22:34And I'm hopelessly drifting alone.
00:22:35Crying.
00:22:36Every night I'm alone.
00:22:37I keep crying.
00:22:38For I seem to be lost in a crazy dream.
00:22:39And I'm hopelessly drifting alone.
00:22:40Crying.
00:22:41Every night I'm alone.
00:22:42I keep crying.
00:22:43For I seem to be lost in a crazy dream.
00:22:44And I'm hopelessly drifting alone.
00:22:45Crying.
00:22:46Every night I'm alone.
00:22:47I keep crying.
00:22:48For I seem to be lost in a crazy dream.
00:22:49And I'm hopelessly drifting alone.
00:22:50Crying.
00:22:51Every night I'm alone.
00:22:52I keep crying.
00:22:53For I seem to be lost in a crazy dream.
00:22:54And I'm hopelessly drifting alone.
00:22:55Crying.
00:22:56Every night I'm alone.
00:22:57I keep crying.
00:22:58For I seem to be lost in a crazy dream.
00:22:59And I'm hopelessly drifting alone.
00:23:00Crying.
00:23:01Every night I'm alone.
00:23:02I keep crying.
00:23:03For I seem to be lost in a crazy dream.
00:23:04And I'm hopelessly drifting alone.
00:23:05Crying.
00:23:06Every night I'm alone.
00:23:07I keep crying.
00:23:08For I seem to be lost in a crazy dream.
00:23:09And I'm hopelessly drifting alone.
00:23:10Crying.
00:23:11Every night I'm alone.
00:23:12I keep crying.
00:23:13For I seem to be lost in a crazy dream.
00:23:14And I'm hopelessly drifting alone.
00:23:15Crying.
00:23:16Every night I'm alone.
00:23:17I keep crying.
00:23:18For I seem to be lost in a crazy dream.
00:23:19And I'm hopelessly drifting alone.
00:23:20Crying.
00:23:21Every night I'm alone.
00:23:22I keep crying.
00:23:23For I seem to be lost in a crazy dream.
00:23:24And I'm hopelessly drifting alone.
00:23:25Crying.
00:23:26Every night I'm alone.
00:23:27I keep crying.
00:23:28For I seem to be lost in a crazy dream.
00:23:29And I'm hopelessly drifting alone.
00:23:30Crying.
00:23:31Every night I'm alone.
00:23:32I keep crying.
00:23:33For I seem to be lost in a crazy dream.
00:23:34And I'm hopelessly drifting alone.
00:23:35Crying.
00:23:36Every night I'm alone.
00:23:37I keep crying.
00:23:38I keep crying.
00:23:39For I seem to be lost in a crazy dream.
00:23:40And I'm hopelessly drifting alone.
00:23:41Crying.
00:23:42Every night I'm alone.
00:23:43I keep crying.
00:23:44For I seem to be lost in a crazy dream.
00:23:45And I'm hopelessly drifting alone.
00:23:46Crying.
00:23:47Every night I'm alone.
00:23:48I keep crying.
00:23:49For I seem to be lost in a crazy dream.
00:23:50And I'm hopelessly drifting alone.
00:23:51Crying.
00:23:52Every night I'm alone.
00:23:53I keep crying.
00:23:54For I seem to be lost in a crazy dream.
00:23:55And I'm hopelessly drifting alone.
00:23:56Crying.
00:23:57Every night I'm alone.
00:23:58I keep crying.
00:23:59For I seem to be lost in a crazy dream.
00:24:00And I'm hopelessly drifting alone.
00:24:01Crying.
00:24:02Every night I'm alone.
00:24:03I keep crying.
00:24:04Hey, I don't want to set the world on fire.
00:24:06Don't worry.
00:24:07You won't with that face.
00:24:08I don't want to set the world on fire.
00:24:09I don't want to set the world on fire.
00:24:10I don't want to set the world on fire.
00:24:11I don't want to set the world on fire.
00:24:12I don't want to set the world on fire.
00:24:13I don't want to set the world on fire.
00:24:14I don't want to set the world on fire.
00:24:15I don't want to set the world on fire.
00:24:16I don't want to set the world on fire.
00:24:17I don't want to set the world on fire.
00:24:18I don't want to set the world on fire.
00:24:19I don't want to set the world on fire.
00:24:20I don't want to set the world on fire.
00:24:21I don't want to set the world on fire.
00:24:23Boy!
00:24:24Am I put out!
00:24:52The doctor is making a lion into a sheep.
00:25:19The lamb, doctor.
00:25:20The lamb, the sheep, the mutton.
00:25:21What's the difference?
00:25:22It is so beautifully symptomatic of father fixation.
00:25:25Now, I ask you.
00:25:26Where is the mutton?
00:25:27All right.
00:25:28Don't answer.
00:25:29Don't answer.
00:25:30I'm going to ask Mr. Moody myself.
00:25:31I've asked him already once, and I'm going to ask him again.
00:25:33Watch me.
00:25:34Mr. Moody.
00:25:35Very good.
00:25:36Very good entertainment.
00:25:37But please, my employees.
00:25:38Yes, yes, yes.
00:25:39Mr. Moody.
00:25:40There's one more thing.
00:25:41Dr. Oplotsky, please.
00:25:42I'm occupied.
00:25:43Mr. Moody, my name is Dr. Vzvatsky.
00:25:47Well.
00:25:53I'll attend to that, sir.
00:26:08Doris!
00:26:09You can't wear a bathing suit.
00:26:10I'll have to put some more clothes on you.
00:26:11Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:13Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:14Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:15Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:16Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:17Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:18Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:19Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:20Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:21Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:22Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:23Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:24Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:41Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:42Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:43Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:44Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:45Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:46Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:47Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:48Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:49Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:50Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:51Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:52Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:53Oh, I'm so glad you're here, Mrs. Hatcher.
00:26:54The dress.
00:27:25And this for an afternoon dress.
00:27:31No pins, no pins.
00:27:54The bride.
00:28:10♪
00:28:21The bride.
00:28:22♪
00:28:28♪
00:28:37♪
00:28:41♪
00:28:51♪
00:29:01♪
00:29:11♪
00:29:21♪
00:29:31♪
00:29:41♪
00:29:51♪
00:30:01♪
00:30:11♪
00:30:21♪
00:30:31♪
00:30:41♪
00:30:51♪
00:31:01♪
00:31:11♪
00:31:21♪
00:31:31♪
00:31:41♪
00:31:51♪
00:32:01♪
00:32:11♪
00:32:21♪
00:32:31♪
00:32:41♪
00:32:51♪
00:33:01♪
00:33:11♪
00:33:17I just remembered.
00:33:20The anniversary of the Moody Comics was three months ago.
00:33:23Betty! Betty!
00:33:26Well, he was bound to find out sooner or later.
00:33:28Don't worry about it.
00:33:29I'm not.
00:33:30I was thinking about something the doctor said.
00:33:32What?
00:33:33He was digging in the past.
00:33:35Oh, and the old man didn't like it, huh?
00:33:37Well, there must be souvenirs or keepsakes or something around the house.
00:33:42Not in the house.
00:33:44Wait a minute.
00:33:45There's a confidential file in the office.
00:33:47No one ever touches it.
00:33:49I've got it.
00:33:51He'll rob the joint.
00:33:53In broad daylight?
00:33:54No, tonight.
00:34:04Here you are, Ralph.
00:34:05Start raffling.
00:34:06Hardly worthy of my talents.
00:34:08Now, this is going to be very easy.
00:34:14I broke my knife.
00:34:16Maybe I should have brought a tool kit.
00:34:18Oh, you should find what you want in here.
00:34:20All right.
00:34:23Lighter?
00:34:24File?
00:34:25Powder?
00:34:26Let's blast.
00:34:27Blast?
00:34:28This time of the night?
00:34:29You might wake up the watchman.
00:34:30Don't worry about that.
00:34:32This building would have to fall down before we could wake up Ansel.
00:34:35Ansel?
00:34:37Uh, the watchman.
00:34:39Dear old Ansel.
00:34:40There's only one trouble with this thing.
00:34:42It won't open.
00:34:43Oh, why didn't you say so in the first place?
00:34:45Marvelous, darling, marvelous.
00:34:50What's that?
00:34:51Just Ansel, remember?
00:34:53Oh, yeah, Ansel.
00:34:54When may we expect him?
00:34:56Just three more doors.
00:35:00Two more.
00:35:03Perhaps you better go through this.
00:35:05After all, it's your past.
00:35:06Not afraid of old skeletons, are you?
00:35:08Skeletons don't worry me.
00:35:15This is mother and daddy when they were first married.
00:35:18Mother's kind of pretty, isn't she?
00:35:20You know, put a modern dress on her and it could be you.
00:35:24Am I crazy?
00:35:26Why, your father's laughing.
00:35:29Yeah.
00:35:30It's too bad he can't laugh like that now.
00:35:33He's awfully happy.
00:35:38Uh-oh.
00:35:45Good evening, Ansel.
00:35:50Who are you?
00:35:51Oh, I was expecting Ansel.
00:35:53I wasn't expecting anybody.
00:35:55What's your name?
00:35:56Uh, Betty Moody.
00:35:59Betty Moody.
00:36:02Betty Moody.
00:36:04Oh, yes, sir.
00:36:06Your name is on my list, Miss Moody.
00:36:09Betty Moody.
00:36:10Betty Moody.
00:36:12Betty Moody.
00:36:13Betty Moody.
00:36:14Your name is on my list, Miss Moody.
00:36:16Yes, well, I'm glad my name's on your list.
00:36:19Well, good night.
00:36:22Good night, Miss Moody.
00:36:34Huh.
00:36:36All the time I thought you knew, Ansel.
00:36:40Tim, isn't it terrible the way people have violent tempers when they're young?
00:36:43Oh, that's all right, darling. I'll forgive you.
00:36:46Mother refers to it as artistic temperament.
00:36:49Father calls it blank, blank, blank stubbornness.
00:36:53And three years later, they're of the same opinion.
00:36:57Apparently, they haven't changed a bit.
00:37:01Tim, that could never happen to us, could it?
00:37:05Not in a million years, darling.
00:37:07I'm afraid we're going to have coners again.
00:37:09Oh.
00:37:10Back in your cave.
00:37:18Why, Betty.
00:37:21I saw a light in the office as I was driving by and I thought I'd come up and investigate.
00:37:26And now that you've investigated?
00:37:28I am perfectly satisfied with what I've found.
00:37:31What have you found?
00:37:32You.
00:37:34Just when I was getting the silly idea that I'd lost you.
00:37:38You have.
00:37:39Betty, be sensible.
00:37:40You're not going to let a ridiculous infatuation for a fellow like Jones upset your whole future.
00:37:46Just a minute, bub. You're going too far.
00:37:48Where'd you come from?
00:37:49In there.
00:37:50What are you doing here?
00:37:52Looking after Miss Moody's future, starting now.
00:37:54And I'd say you've got a great start going through Mr. Moody's private papers.
00:37:57Look, I think you'd better leave.
00:37:59I'm going to.
00:38:00And when I go, I'll walk out on you.
00:38:02I'm going to.
00:38:03And when I go, I'll walk out, not sneak out.
00:38:05Sneak out.
00:38:06Isn't that clear?
00:38:07Perfectly clear.
00:38:09I'm not forgetting this, Jones. We'll settle this later.
00:38:18Good morning, R.P.
00:38:19Where'd you get that, Hilton?
00:38:21Well, it was this way.
00:38:22I know. You ran into a door.
00:38:24Yes.
00:38:25No, I was driving by the office last night and I saw a light through the window.
00:38:29I came up to investigate and I found one of your employees going through your private papers.
00:38:34Going through my papers?
00:38:35Yes.
00:38:36Naturally, I took exception and that's how I got the black eye.
00:38:40Who was it?
00:38:41Timothy Jones.
00:38:42Jones?
00:38:43Why, that's good for nothing.
00:38:44How do you do, Mr. Moody?
00:38:45Not now, Swatsky.
00:38:47Good morning, Dr. Swatsky.
00:38:48Oh, the paranoid type.
00:38:50Now look, Dr. Swatsky, I know, but the last time I saw you, I told you that Mr. Moody was the gentleman that you should have talked to.
00:38:57I know, but I'm awfully busy.
00:38:58You shouldn't get excited.
00:38:59You see, in criminal times...
00:39:00Dr. Swatsky, I know, but I'm not the one...
00:39:05Strange character, isn't he?
00:39:08Monk will run through it a couple times before he tried on Tim.
00:39:10Ah, the story begins a way out west.
00:39:15What am I going to be?
00:39:16You're going to be Monk the Killer.
00:39:20I'm not afraid of you.
00:39:21Besides, you've got Little Rallo and Bill Phelps, the two boy rangers, trapped in the cabin.
00:39:25Monk, you move out.
00:39:26Be ready to make a run for the door.
00:39:30I'll get the chalk.
00:39:31I'll get the mail, sir.
00:39:34This is the cabin?
00:39:35Uh-huh.
00:39:36What's that?
00:39:37Little cabin.
00:39:39Oh, remember now, we are the two boy rangers.
00:39:45And you've pre-solidified.
00:39:52The most powerful youth in all the land.
00:39:55Ha, ha, ha!
00:40:00Ah, it's a matter of minutes before the killer bashes down the door.
00:40:02Yes, sir.
00:40:03Send Phelps to seize the mail, sir.
00:40:04Uh-huh.
00:40:11Okay, Monk.
00:40:15Rallo!
00:40:16On the floor, on the floor.
00:40:18Rallo!
00:40:19We've got the killer.
00:40:20Quick, the soap.
00:40:21You mean the rope?
00:40:22The rope, the rope!
00:40:23The rope, the rope!
00:40:25The rope, the rope!
00:40:26Oh, there we are.
00:40:29I'm tearing fast, Phelps.
00:40:30But we'll improve.
00:40:34Hey!
00:40:35What's more, the boy rangers come through with victory.
00:40:37Right?
00:40:39They'll keep coming.
00:40:40They'll come till the end of time.
00:40:41They'll all of us come.
00:40:42The boy rangers will all of us come.
00:40:46Hey, how can you be standing there and in the sack, too?
00:40:49Well, it ain't me.
00:40:50Well, who's in the sack?
00:40:52Yeah, who's in the sack?
00:40:53I don't know.
00:40:55Hey!
00:40:57You scoundrel!
00:40:58Oh, Mr. Moody.
00:40:59You scoundrel!
00:41:00You're through, you're finished!
00:41:01Yeah, yeah.
00:41:02Get out and stay out!
00:41:03Yeah, I know I'm throwing them out.
00:41:04Send my mail to the club, will you, boys?
00:41:06Bye.
00:41:07Bye.
00:41:08Get out of here, both of you!
00:41:11A boy ranger never fails!
00:41:13He always goes through!
00:41:21Dad!
00:41:23Dad, what happened?
00:41:24Everything bad.
00:41:25Mainly Jones.
00:41:26Now, wait a minute, Dad.
00:41:27Nobody's going to sneak behind my back and pry through my private office.
00:41:29I kicked him out.
00:41:30Tim was with me last night.
00:41:32We both poked through your office.
00:41:33Betty!
00:41:35Dad, we were only trying to help you.
00:41:36That's another thing I will not stand for.
00:41:38I will not allow anybody to pry into my private life.
00:41:40Well, this time you're going to stand for it.
00:41:42It's my life, too.
00:41:43And up until now, you've run it.
00:41:44Run it?
00:41:45I've been an indulgent father.
00:41:46Right.
00:41:47You've indulged yourself for 20 years.
00:41:48Made me miserable and sorry for you.
00:41:51Now I know why Mother and you...
00:41:52Your mother has nothing to do with this.
00:41:53Leave her out of it.
00:41:54I'm not going to leave her out of it.
00:41:55She's my mother, and I'm glad I found out she's a person instead of a rumor.
00:42:00And...
00:42:01And another thing.
00:42:03Whether you like Tim or not, I love him.
00:43:22Oh, Tachanka, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes
00:43:52give me another will you Murph okay make it two I beautiful you look almost happy I am since you came
00:44:04into the joint sorry about what happened Tim I came as soon as I left dad gradually alone I wish
00:44:12we were alone what would you do this don't you worry baby we'll get along after all I've still
00:44:24got that comic strip running you know as far as your dad's concerned he's through with me but I'm
00:44:30not through with him even am I and we've got unfinished business we could only find mother
00:44:39you know Tim Henry might be able to help Henry yeah he's been shaving dad for the last 30 years
00:44:48he knows him better than anyone hey Murph give me a phone will you got the number
00:44:58hello Henry oh hello Henry say they didn't have saloons like this when I was your age
00:45:15stop Henry oh so that's what they call them now what do you have lemonade lemonade I get
00:45:24what you mean but what's in it lemons sugar and water lemons sugar water Henry I thought you
00:45:33might be able to tell us something about mother where can we find well she spends her winters
00:45:37in California the summer season in Connecticut and the play season here then she should be here
00:45:44now well if she is she's at the Tower Hotel Tower Hotel she's a writer you know under the name of
00:45:50Lacey Thornton excited darling I'm not excited I just realized what this means you see I've never
00:46:04seen my mother now that you're going to see her you wonder what she's like yeah what is she like
00:46:11you and me there's only one way to find out do come right in oh it's such a relief to be with
00:46:32young people you know usually I'm interviewed by this horribly businesslike people who insist
00:46:37upon pinning you down to places and dates and oh I'm sorry mr. Jones he's he's gonna be your son
00:46:44that is I'm gonna marry him and I'm your daughter why how delightful oh I love romance in fact a
00:46:52daughter a Betty oh oh it just doesn't seem possible a little Betty had grown into such a
00:47:03beautiful young lady and about to marry such a beautiful young man oh it's beautiful period oh
00:47:11oh do sit down I wrote your story once and let me see it was the book before the last no the one
00:47:25next to that mother dad has been but he hasn't been well and I thought maybe that we could help
00:47:33him poor Phineas he was always hard to understand but he has done well in business hasn't he haven't
00:47:41you heard oh I've been away for months and months oh ever so long I used to do all my work in Europe
00:47:49and oh it's so stimulating mother dad dad is quite ill no easy what are you doing here you're just
00:48:04the guy I'm looking for I'm here to do you a favor here grab a chair and hang and hang on you know
00:48:11what I'm gonna do I'm gonna double your production and triple your income you know you know the way
00:48:16things are now the American working man's got to have something besides an automobile in a house
00:48:20and a lot he's got to be made happy and he's got to be kept happy give music to make him happy the
00:48:27American working man loves music you can tell that by the way he jumps when the whistle blows
00:48:31you I sure he just give him give him that music and just make his day a big long beautiful song
00:48:37the sky's the limit give me a little razzle my tires okay boys let him have it
00:49:14from North Dakota I've even seen a little bit of Minnesota oh give me that tea yucca too and let
00:49:22me holler wahoo now people think I'm in a rut but because they're off they're not oh give me that
00:50:13I don't think we're gonna make it
00:50:43how'd you like it get that hardware those spare parts out of here absolutely no soul
00:50:54yes sir this will get me a ticket on a train to California make it the cheap
00:51:00don't get it on the super cheap and how long I can stay in the biz I'm getting out of here
00:51:03oh yes if only he hadn't gone completely sour on cartoons cartoons what about cartoons he was
00:51:18laughing at one the last time we were together or next to the last time we had gone to a cafe
00:51:25or modest little place to celebrate the night before his 35th birthday that was the night he
00:51:32had the baby he had the baby you mean me no darling a brainchild he drew it on the wall of
00:51:42the cafe a poor Phineas his one ambition was to be an artist being artistic myself I realized he
00:51:50could never be a great artist and there's nothing worse than a poor artist is there no nothing could
00:51:56be worse that's just what I told Phineas oh it was dreadful he created quite a scene poor Phineas
00:52:04I never realized what that cartoon meant to him I can maybe that cartoon was an idea when you
00:52:11shattered it you took everything away no I didn't it was on the wall of the cafe maybe it might
00:52:18revive something give him a new life Tim would it be wonderful if it would oh but that was 20 years
00:52:25ago surely wouldn't be there now could you remember where the cafe was well I don't know
00:52:31but it would be fun to try wouldn't it that's the chance we'll have to take I love to go places I
00:52:38remember once in London with the Earl of Camphorstown mother is this your idea of a nice cozy
00:52:45little place I'm positive this is where it was or is it good evening sir the table for three please
00:52:55just a moment sir
00:55:56yeah good evening this way please I think I think our table was right over there
00:56:08right where those people are as I remember it Phineas was sitting there you see we wanted to
00:56:20be secluded that's exactly what I was hoping for when we came in here your table is over there
00:56:28oh but we uh we don't want to be over there we want to be over here perhaps we could sit over there
00:56:35don't go yet if you could remember approximately where it was yes I remember I remember it was
00:56:53that wall was it near the corner yes it yes it was in that corner now we're getting somewhere
00:57:00Gaston
00:57:02Oui madame, qu'est-ce que vous voulez?
00:57:04Je veux un faux, un faux soleil, s'il vous plait
00:57:06Oui madame, et comment?
00:57:08Je veux un faux
00:57:10What are you doing there young man?
00:57:30Oh excuse me Curly, your ship?
00:57:32If you insist on annoying our guest I'll have to ask you to leave
00:57:34Pardon Junior
00:57:36Junior huh?
00:57:38Darling, didn't I teach you not to flirt with strange ladies?
00:57:40Oh but you can meet some lovely people that way
00:57:42Mother, would you say the picture would be about here?
00:57:44Yes, it would be right there, only over there
00:57:46Oh but you can meet some lovely people that way
00:57:48Mother, would you say the picture would be about here?
00:57:50Yes, it would be right there, only over there
00:58:16How do you like that? No picture?
00:58:26No picture
00:58:28No picture
00:58:30Sorry Gus
00:58:32Pierre
00:58:34Eddie you're all wrong
00:58:36I looked and the little man wasn't there
00:58:38Madame, madame
00:58:40But why an egg? I ordered roast beef medium
00:58:42Madame, F is an egg, B is beef
00:58:44F is beef, you ordered F and not F
00:58:46Why didn't you say that in the first place?
00:58:48Madame
00:58:50He doesn't understand French
00:58:52Probably born in Brooklyn
00:58:54Well, I know it here some place
00:58:56Well, I know it here some place
00:58:58Then it's very simple, all we have to do is take all the paper off the wall
00:59:00Then it's very simple, all we have to do is take all the paper off the wall
00:59:02Oh not all the paper, just the part of the picture
00:59:04Oh not all the paper, just the part of the picture
00:59:06See we couldn't do that
00:59:08Now, supposing the picture were here
00:59:10Now, supposing the picture were here
00:59:13Come on
00:59:15If it aren't there, all you have to do is put the piece back
00:59:17If it aren't there, all you have to do is put the piece back
00:59:19The baby
00:59:21There it is
00:59:23Right where I said it would be
00:59:33Uh, would you mind bringing our check
00:59:35Mine, it would be a pleasure
00:59:42I don't think Phineas would recognize his own work, but you've got to draw to the real.
01:00:10I never pay bills, I just sign my name.
01:00:13I was afraid of something like this.
01:00:14I'll have to see the manager.
01:00:16That's a good idea.
01:00:17I hate to complain, but I think he ought to know how you've annoyed him.
01:00:24Gentlemen, observe that the original cartoon has its lines up, up, and up.
01:00:30That means that the creator of it was in the up mood.
01:00:33In other words to say, happy.
01:00:35That's good logic.
01:00:36Thank you very much.
01:00:37How's that, Hattie?
01:00:40I really can't say, Timothy, but it does look a little like butt crack.
01:00:44Don't you think?
01:00:45Could be.
01:00:46Keep it up, Tim.
01:00:47You're doing swell.
01:00:48Oh, that isn't it.
01:00:51Tim, take a look at mine, will you?
01:00:53Yeah.
01:00:54Gentlemen, of course I'm not an artist, but from the medical point of view,
01:00:59if Mr. Timothy will trade his nose with this gentleman's ears...
01:01:03Oh, no, no.
01:01:04He couldn't do that.
01:01:05But why?
01:01:06Because I like his nose much better.
01:01:08Thank you, Hattie.
01:01:11Mr. Timothy.
01:01:12Yes.
01:01:13Remember that laughter that you wanted to put in bottles.
01:01:16Yes.
01:01:17Do you think that has commercial possibility?
01:01:19Oh, definitely.
01:01:20Definitely.
01:01:23How's that, Hattie?
01:01:25Timothy, I just know that is not crack crack.
01:01:28No?
01:01:29That's baby.
01:01:31All right.
01:01:32Let's go home.
01:01:33Let's put baby to bed.
01:01:34Congratulations to you, Mr. Timothy.
01:02:05Come on.
01:02:31Mark T., we've got to hurry.
01:02:33The cab's waiting.
01:02:34I don't want you to miss this train.
01:02:36I don't intend to.
01:02:37Ah, this is perfect for you.
01:02:39California relaxation in the sun.
01:02:41Say, by the way, Hilton.
01:02:45If Betty happens to need anything, now you look out for her, won't you?
01:02:48Of course, R.P.
01:02:49You leave everything to me.
01:02:50You just get out in that sun.
01:02:51Stop harping on that sun business, will you?
01:02:54I don't tan, I burn.
01:02:56I know that, but as I was saying, count on me.
01:02:59Forget the fern.
01:03:00I've forgotten it already.
01:03:01R.P., we've got to go.
01:03:02The cab's waiting.
01:03:03If you've forgotten anything, I'll send it to you.
01:03:05Say, who's taking this trip?
01:03:06You or me?
01:03:08But you know I haven't seen Phineas for years, and it gives me a funny feeling.
01:03:12Or am I beginning to be afraid?
01:03:13You don't have to be afraid.
01:03:14We're doing all we can.
01:03:15If he growls at you, you just growl right back, Mother.
01:03:21Oh, uh, are you taking a trip?
01:03:23Those are Father's bags.
01:03:24Yes, he's off to California.
01:03:25If you'll excuse me, there's a cab waiting.
01:03:27Oh, but he can't do that to us.
01:03:29Not after all the trouble we've gone to.
01:03:33Uh, you just explain it to him, Mother.
01:03:37Oh, Phineas.
01:03:39Why, Hattie.
01:03:40Phineas, dear, how wonderful you look after all these years.
01:03:44Why, it seems just like yesterday, and we were so happy.
01:03:47And you were so foolish.
01:03:49I was not foolish.
01:03:50Now, Phineas, if you're going to be stubborn, I'll have to growl at you.
01:03:53And remember, you didn't like it before.
01:03:56So don't be silly and do it all over again.
01:03:58I am not silly.
01:03:59Then why are you taking a trip?
01:04:01You took a trip.
01:04:02A long one.
01:04:03Oh, but I like trips.
01:04:05Trips are so nice.
01:04:06But you can't.
01:04:07Not that we've just found each other.
01:04:09Oh, Hattie, my little flutter brain.
01:04:12If you'll excuse me, R.P., we've got to get going.
01:04:14The train won't wait.
01:04:15Hilton, can't you see I'm busy?
01:04:17Young man, just explain to them that he'll be a few moments late.
01:04:22Oh, Phineas, I want you to meet two of the nicest young people.
01:04:25Hattie, I don't want to meet any more people.
01:04:27I've met enough people today, forever.
01:04:29That's such a sweet thought, Phineas.
01:04:31But we'll be all alone, or almost, and we'll see the picture together.
01:04:34Picture?
01:04:35Yes, it'll be like old times, Phineas, darling.
01:04:39But I don't want to see any picture.
01:04:41Now or any other time, and that's fine.
01:04:43Father, you sit right down.
01:04:44Phineas, you'd better do as she says.
01:04:47I guess you're right.
01:04:48Chip off the old block.
01:04:51Now, I know that I'm the paranoid type.
01:04:53I know that, and we've been all through that.
01:04:55But my name is not Dr. Moody.
01:04:57Now, look!
01:04:58Now, look!
01:04:59I'm not the paranoid type.
01:05:20I'm not the paranoid type.
01:05:51Oh.
01:06:05What do you know? Eleanor's back.
01:06:08Who's Eleanor?
01:06:13How you doin', Narcy?
01:06:15Great.
01:06:16You're my baby.
01:06:20Ha! Ha-ha, ha-ha, ha-ha.
01:06:24Ha-ha-ha, that's all I wanted to hear.
01:06:28Ha, ha, ha.
01:06:31Ha, ha, ha, ha, ha, ha, ha.
01:06:33Adventure's ours.
01:06:35Ha, ha, ha, ha, ha, ha.
01:06:50♪