Paulina Urrutia evidenció cómo fue su primer encuentro con el productor de cine, Augusto Góngora.
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00:00And when you were single, did you go out to the market?
00:03No, the only thing I wanted was...
00:06Imagine, at 21 I became a mom,
00:09as an 8 or 10-year-old girl.
00:12I wanted to drink Viscose sour.
00:15It was crazy because I had a couple of crushes,
00:19but the only thing they wanted was to go out
00:23and I was like, you know what, no.
00:26I was like, no, but why are you doing this?
00:31Why are you touching me?
00:34We talked, we had a drink,
00:37we kissed on the ears.
00:40I don't know, something.
00:43And what does Augusto Góngora do when we go out?
00:47Nothing.
00:50Nothing.
00:52The thing is that Augusto is going to see me at the play
00:55because he finds out through Goit that I had broken up.
00:59And Augusto tells Goit,
01:01oh, I love that girl.
01:04The thing is, of course, he's going to see me at the play
01:07and after the play...
01:09Well, we went out because he was very drunk,
01:12he asked Coca Guasini for his phone number.
01:15And nothing, when Coca asked me for it,
01:18I told him, what am I going to talk about with that gentleman?
01:21Because for me he was like Sergio Livingston.
01:24Because he was...
01:26I don't know.
01:27But how much is the difference between you and Augusto?
01:2917 years.
01:3017?
01:31For me he was, sir, nothing to do with my life,
01:34with my world, with nothing.
01:36He was already a producer and a journalist.
01:39No, well, he was...
01:41He was the eminence, he went to class.
01:43Yes, of course, and he was...
01:45He was the executive producer
01:48of all the cultural area of TVN.
01:51So what was I going to talk about with that gentleman?
01:54What was I going to talk about?
01:56I want to invite you on Tuesdays,
01:58around midnight,
01:59to see the best films
02:01of the third festival of the short film.
02:04Don't miss it.
02:05And well, the next day he called me home.
02:09Well, I told him, well, Coca told me,
02:11do you give him the phone number or not?
02:13Well, yes, well, it's going to be like...
02:15No, I didn't give him my phone number.
02:17No, well, obviously yes.
02:19So he says to me, hello Paulina.
02:21Hello?
02:24Paulina?
02:25Yes?
02:26Hello, I'm Augusto Bóngora.
02:28And like...
02:30Yes, like...
02:32Of course, and then he says to me,
02:36well, nice to meet you,
02:38your phone number was given to me by Coca.
02:40Yes, yes.
02:42Hey, do you have anything to do now,
02:45for lunch?
02:47And I imagine, like, no, I have lunch.
02:51Well, and tomorrow?
02:53Well, and we went out and when...
02:55You were 26 and he was 42, something like that.
02:58And well, and he arrives and we get together
03:02and we started talking and talking and talking.
03:05How did you catch him,
03:06when you caught up with him in the conversation?
03:08Did you like the shot?
03:09No, no.
03:10No?
03:11Yes, I liked it.
03:12To say, oh, it's going to be...
03:14No, not at all.
03:15I talked and the magical things
03:18that happen to me in life started.
03:20This didn't have the light...
03:22The disco ball.
03:23The disco ball.
03:24But of course, the chairs in the restaurant
03:27started to go up.
03:30And then, well, we had to go, right?
03:33We were the last table, we left
03:35and he said to me,
03:37I don't know, I would have another drink.
03:40Another drink.
03:42And I, as a child of Maria's company,
03:45I said, at this moment I must say,
03:48well, but I have to go, because...
03:52But I said,
03:54Oh, me too!
03:56I would also have another one!
03:59And we went to La Tazca Mediterránea,
04:01which was a restaurant that had some tables
04:04that were united.
04:06I mean, they weren't individual tables,
04:08but people sat down
04:10and we had another drink.
04:13And...
04:15And nothing.
04:17We never stopped talking and...
04:20Bye.
04:21We never stopped talking and...
04:37Until I had to ask him for Oleo,
04:39because he was very nice.
04:42How?
04:43Well, at one point he wanted to kiss me
04:47and...
04:48And then I said,
04:49but, excuse me, we are here.
04:52Like...
04:54What's up?
04:55I mean, let's put the name on the table.
04:56Then he said to me,
04:57what, do you want me to ask you for Oleo?
04:59Yes, please.
05:01And he asked me for Oleo.
05:03At the exit of Cine Pedro Valdivia,
05:05in front of 1755, which still exists,
05:09he asked me for Oleo.
05:10And so we've been together for 25 years.
05:1325.
05:18Oh, you moved me.