La reconocida actriz María Valenzuela vuelve a los escenarios teatrales junto a Rodolfo Rani en la obra 'La noche de la basura', que se estrenará el 15 de abril en el Teatro Metropolitán. En una entrevista, Valenzuela compartió detalles sobre su carrera, su resiliencia ante las adversidades y su nuevo proyecto de streaming con su hija Malena.
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00:00You know what we like to talk with our actors, with our actresses.
00:05Not only what is trending, what is in the networks, what is in the conversation.
00:09They are our artists who stop the pot with the theater.
00:12Today in a very difficult moment for fiction on TV.
00:15And we love to have her because apart she has had her byvanes.
00:17And today she is in a good moment and returning to the theater of the hand of another great like Rodolfo Rani.
00:23Maria Valenzuela is there to chat with her through dear Wati.
00:26Introduce her, sir.
00:27That's right, Rodrigo.
00:30Good afternoon to everyone.
00:32And we have the pleasure of being with a star of the theater
00:35who returns from April 15 in the Metropolitan Theater
00:40with La Noche de la Basura with the great Rodolfo Rani.
00:43And that's why he's on this mobile.
00:45Applause for Maria.
00:47Thank you, Maria.
00:48For this mobile, which also has other projects with his daughter,
00:53the B of Valenzuela, a streaming that is going to be launched soon.
00:58It's already in the air, yes.
01:00It's a YouTube channel called B of Valenzuela.
01:05And well, with Malena we do crazy things.
01:09There is ping pong, there are different games, there are actors.
01:15And also your return to the theater.
01:18My return to the theater.
01:19How are you, Maria?
01:21I wanted to say hello.
01:22How are you, guys?
01:23How are you?
01:24Likewise to everyone.
01:25How beautiful you are.
01:26The duo, the duo is here.
01:27Yes, we are here.
01:28We are here.
01:29We are here.
01:30Well, to the duo and to the whole team, congratulations.
01:34Thank you, Maria.
01:35Well, until a while ago I didn't know if you were going to work
01:38because you obviously did the play with Mariano Martínez,
01:40a comedy with a lot of success that you spent a lot of time there accompanying.
01:44And you're good to work, right?
01:46To go back to the boards.
01:48I'm perfect.
01:50I'm very good.
01:51I was all summer without doing anything.
01:54It is assumed that when Tom, Dick and Harry came, we were going to go on tour.
02:00But these things of life, it was decided that no.
02:05And well, I got this proposal that I loved when they told me El Tano Rani.
02:12After they told me everything else, I didn't care.
02:15But meeting El Tano again was a great joy that I heard.
02:22Maria, you were just talking a little bit about your YouTube channel that I was watching.
02:27You went to make a note with Solita and with Brandoni.
02:31I saw them there as a reunion after so long.
02:33How was that?
02:34That you went to see them at the theater.
02:36They are doing one of the successes of the theater in high school.
02:39How was that reunion also with Sole?
02:41The greatest success.
02:42And I love it a lot for Juan Manuel Caballé, who bet on this work and these actors.
02:50The work is wonderful.
02:52They are very good.
02:54With Solita I had already seen myself at some point.
02:58With Beto, no.
02:59So I went to greet the dressing rooms and congratulate them.
03:03Because what they do is very nice.
03:05This that you said.
03:06And people want to see it.
03:08Without a doubt.
03:09Because they are our great artists.
03:11They are different because they have a career, a trajectory.
03:16Everything that happens with the love that people have for you.
03:19But that reunion with Solita, do you want to tell it or is it a private thing?
03:23Did you talk?
03:24Did you get some things that have been left hanging?
03:27No.
03:28I asked her a question.
03:31How did it go with me when we became champions?
03:35And we laughed.
03:37And Sole said, we had a great time.
03:41We shared a dressing room.
03:44She was about to do the blue room with Laporte.
03:48Yes.
03:49The blue room.
03:50And I had to speak a language, I don't know if it was Hungarian or what.
03:56And I was with a recorder all the time.
04:00Plus the make-up artist, plus the driver, plus the press.
04:05Well, there was a very deep closet.
04:09I got in there, closed the door and took a nap.
04:14And when I had to go out to act, I went out and got ready.
04:18In the recordings you did so many things alone that you had to wait for her sleeping in a closet.
04:22And you didn't want to hear all that mess.
04:24All that mess, of course.
04:25No.
04:26There were a lot of people in the dressing room.
04:28Plus the recorder with the voice.
04:31And Solita repeating what she said.
04:37I don't know what language it was.
04:39Of course.
04:42But there was the option of the wardrobe.
04:45It was deep.
04:47Very deep.
04:48So I got in there.
04:50What a success, champions.
04:51What a success, champions.
04:52How wonderful.
04:54For me, it was one of the biggest projects I did.
05:00But you, María, you had a career.
05:03I'm sure I'm going to forget about previous things, but I don't know.
05:07Me too, because I'm older.
05:09But if we think about the 80s, from La Cuñada, which was that success you did with Migré.
05:14With Alberto Migré.
05:16What was like hot bread in the 90s.
05:19Going through Sin Pecado Concebidas, which you did with the girls.
05:23In short, there were a number of successes.
05:25Nora and Moria.
05:26And then everything that came with Polka.
05:28Primitivas, champions.
05:33And there was one more.
05:34They are iron.
05:35They are iron.
05:36Of course.
05:37I did three things.
05:38Many successes.
05:39Yes, very well.
05:41The truth is, I can't complain.
05:43I have more than 50 years of career.
05:49And I think I count the failures with the five fingers of my hand or less.
05:56What a pleasure, María.
05:57Andrea Tawada greets you.
05:59María, I found out this week.
06:01Andrea.
06:02How are you?
06:03I found out this week because there was an interview with Sebastián Soldano in Infobae with Cristina Páez.
06:09Happy birthday, Cristina.
06:11Today is my birthday.
06:13I already called her.
06:15I already called her and I greeted her.
06:17They are very good friends.
06:19I didn't know about this friendship.
06:22Yes, we call each other sister.
06:24Sister.
06:25Look at you.
06:26Sister.
06:29Very cool.
06:30I didn't know that you knew each other and that you had established a beautiful friendship.
06:36Yes, it was through a play that we did on tour.
06:41The girls of the calendar.
06:43Ah, the one of the horns.
06:45Or some of those.
06:46Or the menopause.
06:47That, the show of the menopause.
06:50Ah, there it is.
06:51And from there we established a very strong friendship.
06:56And it continues to this day.
06:58So today I called her on the phone.
07:01She gets up early.
07:03Yes.
07:04And I got up early, I called her and I greeted her.
07:07Splendid.
07:08Maria, how are you?
07:09I greet you, Karina.
07:10The truth is that you look fantastic.
07:12Renewed.
07:13And just the graph said a story of resilience.
07:16And I thought, listening to you, looking at you.
07:19How did you do or how do you get up?
07:22Because the truth is that life hit you hard.
07:26But you always get ahead.
07:28You go out, you are positive, with a smile, wanting to work.
07:32How was it in your personal case, Maria?
07:35What did you hold on to to be as we see you today?
07:39Of my children.
07:40Especially of my children.
07:42This ...
07:43One goes through moments of downturns.
07:47And then you have happy moments.
07:50In my case, it's a lime and a sand.
07:53I give you a caress and I give you a slap.
07:56But I'm used to it.
07:58So I took my time this summer to get up and to get up.
08:02And I'm happy.
08:03I'm happy.
08:04I'm happy.
08:05I'm happy.
08:06I'm happy.
08:07I'm happy.
08:08I'm happy.
08:09I'm happy.
08:10I'm happy.
08:11I'm happy.
08:12I'm happy.
08:13I'm happy.
08:14I'm happy.
08:15I'm happy.
08:16I'm happy.
08:17I'm happy.
08:18I'm happy.
08:21Most of the time I find myself
08:37that is watching us and that maybe does not have the tools to explain a little more.
08:41And more after the pandemic.
08:43More after the pandemic.
08:45It was terrible. After the pandemic, it was terrible.
08:48Many people were left injured, with disorders, with fears.
08:55It was very hard to be locked up and suddenly go out to the street.
09:01And above all, the youth was affected a lot by the pandemic.
09:08But well, during the pandemic, I was rehearsing on the computer.
09:14It stressed me out to see so many faces.
09:18The director, Manuel González Gil.
09:20We were rehearsing Eva and Victoria.
09:25And well, locked up, but active in a good way.
09:33Doing things.
09:35Maria, I was just listening to you and paying attention to the streaming that you do with your daughter.
09:42Where you tell a little about what happened to you this summer.
09:48That stress.
09:50Yes, because there were so many invitations to go to the shows.
09:59And I have a low profile.
10:02Even if it doesn't look like one.
10:04I have a low profile.
10:06So I didn't want to go through all the channels and all the programs to explain what had happened to me.
10:14So I decided to do it on our channel.
10:19And there I told it.
10:21There you told what happens to many people.
10:24You were just telling it when Karina asked you.
10:27Sadness, slap or happiness.
10:30What makes you sad?
10:32Not having a job.
10:34I know that actors, when they don't have a job, they don't have a project.
10:43That or feeling loneliness.
10:49No, I don't choose loneliness.
10:52I like being alone.
10:54Although I live with Malena.
10:56But luckily the house is big.
10:58So nice.
10:59I have to shout.
11:03There is a closet to hide.
11:05There is a closet to hide.
11:07But there is so much clothes that I don't go in.
11:10I'm living with Malena.
11:14But we have that luck.
11:16That's nice.
11:18To see each other rarely and when we want to.
11:22What was it? Loneliness?
11:24What makes you sad?
11:25The lack of a job.
11:27The lack of a job not only hurts me.
11:29It hurts any citizen.
11:33Because working is dignity.
11:37To a person who doesn't have a job, be it an actor or a carpenter,
11:44he has to be sad.
11:46Maria...
11:47I think it's the lack of a job.
11:49What happens to you when you said that phrase for so many years,
11:53which is forever,
11:54Hold on to fiction.
11:56And at that time it was difficult.
11:58And now, twenty years later, it's still even more difficult to have fiction.
12:03You were like a pioneer in that claim.
12:06Yes.
12:08But it's worse because now there is no job.
12:11When I said, Hold on to fiction,
12:14it was because there was a lot of reality.
12:17But now you can't say, Hold on to fiction, because there is no fiction.
12:22You have to say, Hold on to theater.
12:25Of course.
12:26There are other channels.
12:28Other platforms.
12:31Yes.
12:32Other ways.
12:33And the flow is less.
12:35You used to have five novels at the same time,
12:38two hundred episodes, five strips at the same time, or more.
12:41It's not the same to do eight episodes in a streaming, which is great.
12:45But it's not the same.
12:46A wonderful time.
12:47But what you say was a golden age.
12:51A golden age.
12:52A golden age.
12:53And it's good that you were contemporary to that time.
12:55Because, well, not only the love of the people comes from there,
12:57but also that you could live it, you could enjoy it.
13:00And I think that, well, now I don't know if you know that Rottenberg is behind an idea,
13:03a call to make fiction in cooperation with the channels and the actors.
13:08How is that?
13:09To all the channels?
13:10Rottenberg introduced himself, he got together with the people of the channels and said,
13:13let's do as we did in the hardest moment of the pandemic theater,
13:16work in cooperation.
13:17Good.
13:18Let's all do our part and go to the profit, look for the profit.
13:21Well, there is a new meeting in March,
13:24but there are people who are working for that,
13:26so that fiction and TV come back on all channels.
13:29I hope it works.
13:30Maria, it's good that you come back to the theater.
13:33I didn't know, but Tommy Rottenberg is a guy who is a great generator
13:39and he is a very kind person.
13:42Yes, and his father too.
13:43Very generous.
13:44Well, this of the night of the garbage, not to mention.
13:47Yes, of course.
13:48And the night of the garbage, for when and where, Mrs. A?
13:51The night of the garbage, we premiered on April 15th
13:56at the Teatro Metropolitano with the production of Giuliano Bacci
14:03and with the great, wonderful Tano Rani.
14:08To meet him again is wonderful.
14:12You can imagine that I worked with him at 12 years old.
14:16No!
14:17At 12 years old?
14:18Yes, at 12 years old.
14:20An Italian girl comes to get married.
14:22With Alejandra Dapasano.
14:24Of course.
14:25Those of that time.
14:26Of course, of course.
14:28And then we did, on television, on Channel 13,
14:34I don't remember the name, maybe Tano can help me,
14:37that was Gerardo Romano, him and me.
14:41And I was pregnant with my son in the middle.
14:45And Huguito Moser calls me and says,
14:49I'm calling you to work.
14:51And I say, but crazy, I'm six months pregnant.
14:54It's perfect for us, he said.
14:56And then I started working.
14:58And then I was pregnant with my last son, also working.
15:03So you all came with a bread under your arm.
15:08A hot bread.
15:09It's great that you meet again and for the public to enjoy you.
15:12To premiere when, do you know?
15:14No, besides, it's a wonderful play.
15:17It will be directed by Tano.
15:20He knows where to touch, what are the important points.
15:25So it will really be a great happiness for me.
15:29With all due respect.
15:30Maria, applause for Maria Valenzuela.
15:32Thank you, Maria.
15:33Welcome again.
15:34We love you.
15:36A huge kiss.
15:37Bye, bye.
15:38We want to see you.
15:39Thank you, Ale.
15:40See you later.
15:41Very good.
15:42While Maria was hospitalized in the summer, I talked a lot with Maria.