冨永愛の伝統to未来～ニッポンの伝統文化を未来へ紡ぐ～ 2025年4月2日 京都から世界へ！京提灯
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00I'm going to put it on one by one like this.
00:05I'm going to put it on from the top in order.
00:11This is also pretty fast.
00:21If you think the paper is overdoing it,
00:24pull it up a little and pull it up diagonally.
00:27If you pull it up, the bamboo will stick on its own.
00:30I'm going to put it on again.
00:34I'll fix it at the end.
00:37When it dries, I'll put it on again with wood.
00:42It's beautiful.
00:44It's like this.
00:47Let's do this one more time.
00:50Are you going to do it?
00:51Really?
00:53I wasn't going to do it at all.
00:56You didn't look at it at all?
00:58No, I was looking at it.
01:00I was looking at it.
01:04This time, we visited the Kojima Shoten in Kyoto City, Kyoto Prefecture.
01:10It is a shrine with a history of more than 200 years.
01:15It is a shrine with a history of more than 200 years.
01:19It is a shrine with a history of more than 200 years.
01:24The oldest theater in Japan,
01:26The oldest theater in Japan,
01:29The oldest theater in Kyoto,
01:37There is a process called kamibari,
01:40There is a process called kamibari,
01:43I decided to try it specially.
01:47I decided to try it specially.
01:52It sticks a little, but sometimes it breaks when it sticks to the paper.
01:57You have to be careful about this part.
02:01You have to be careful about this part.
02:07You have to be careful about this part.
02:14Is it right?
02:15It's right.
02:18You've been to a lot of places, haven't you?
02:21Yes, I have.
02:22You've been to a lot of places, haven't you?
02:23Yes, I have.
02:26This is smooth and rough.
02:31Smooth is the front.
02:32Rough is the back.
02:34It's like this.
02:35I see.
02:36It's very important to make sure that there are no wrinkles and gaps.
02:40It's very important to make sure that there are no wrinkles and gaps.
02:46Is this okay?
02:47Yes, it's good.
02:48One at a time.
02:50One at a time from the top.
02:53Next, touch it so that the bamboo belly comes out.
03:00Oh, I see.
03:02You can do it with your thumb, but I'll do it with this hand.
03:06You can do it with your thumb, but I'll do it with this hand.
03:07With this hand?
03:08Yes.
03:09Yes.
03:10It's difficult.
03:12Like this.
03:14Oh, I see.
03:18Oh, I see.
03:20Like this.
03:22I did it with my thumb.
03:24Yes, you did.
03:26Yes, yes.
03:28I have to stick this part together and move on.
03:34Yes, you do.
03:35The glue sticks here, right?
03:37Yes.
03:38Sometimes it comes out as a shadow.
03:40Oh, I can't do it anymore.
03:41Yes, yes.
03:44Will it stick well without wrinkles and gaps?
03:48The result will be revealed later.
03:53This time, it's the Kyochochin.
03:58How is the strong and durable Kyochochin made?
04:05Mr. Kojima showed us how it's made.
04:10Oh, it's true!
04:13It's true!
04:17What is the new Kyochochin made by the craftsmen of the era?
04:23We also tried to write on the Kyochochin.
04:26If you fall asleep now, you'll lose it.
04:40Kyochochin
04:45Your father is in his 9th generation.
04:49Mr. Ryo is in his 10th generation.
04:51My brother is also in his 10th generation.
04:53I see.
04:54My brother has another workshop.
04:56What is Kyochochin in the first place?
05:01There are two big patterns.
05:03It's called Makibone-shiki and Jibari-shiki.
05:07Are they made of bones?
05:08Yes, they are.
05:09Basically, the Kyochochin is made of a spiral pattern.
05:15About 90% of the Kyochochin in Japan.
05:17We make 10% of the Kyochochin.
05:19We split the bamboo and put one bamboo on the Kyochochin.
05:23That's our way of making.
05:27The Kyochochin is made of bamboo.
05:29The bones are covered with Japanese paper.
05:33To make the Kyochochin durable,
05:35the Kyochochin is often used in shrines and temples.
05:47Is there a lot of Kyochochin in Japan?
05:52I think there are two or three in Japan.
05:56That's a lot.
05:57Basically, there are a lot of Makibone-shiki.
05:59The Kyochochin is made of split bamboo.
06:01The bamboo and Japanese paper have a wide connection.
06:06It's not round.
06:08That's right.
06:10That's why we put thick Japanese paper on the Kyochochin.
06:12That's one of our characteristics.
06:15The Kyochochin is made of leather.
06:17It's hard to break.
06:19I see.
06:22The bones are attached to the wood of the Kyochochin.
06:25They are tied together with a string.
06:32It's an important process that determines the strength of the Kyochochin.
06:36If it doesn't get wet in the rain, it will last at least 10 years.
06:44I thought you could try it.
06:47I don't think it's easy.
06:50I'm going to do it in person.
06:53I don't want people to be surprised.
07:01I'm sad, so I always ask people to do it.
07:04I see.
07:05I think it's very difficult to decide how to apply force.
07:09That's right.
07:10It's a small thing.
07:13You have to keep the string in a tense state.
07:17If the string is loose, it will move quickly.
07:21Hold the string in a tense state.
07:24Then pull the string.
07:26Hold the string tight.
07:30I see.
07:31This is a continuous process.
07:33I see.
07:34Hold the string tight.
07:35You have to keep the string in a tense state.
07:41This is a continuous process.
07:45The balance of each string is not good.
07:51You have to keep the string in a tense state.
07:55You have to keep the string in a tense state.
07:57It's hard to cut the string when you cut the paper.
08:00Do you cut the paper?
08:01I cut the paper after I put the string on it.
08:04If you don't keep the string in a tense state, it will be difficult to cut the paper.
08:07Do you want to start from here?
08:09Yes, I do.
08:10Let's do it at once.
08:12It's different from watching the video.
08:15I see.
08:18Like this?
08:20How much force should I apply?
08:25Like this?
08:26That's right.
08:32That's right.
08:33It's difficult to cut the paper from here.
08:35You should cut the paper with your thumb.
08:37I see.
08:38Oh, no.
08:40If you loosen the string once, the string will be loosened.
08:43I'm glad to hear that.
08:45It's good to make mistakes.
08:49I'm glad to hear that.
08:51Like this?
08:52Yes.
08:53I'll practice.
08:54It's already bent.
08:57I'm glad to hear that.
08:59This is a difficult process.
09:02You're going to fix it, right? Because it's bent.
09:05That's right.
09:06This is completely...
09:08I'll fix it later.
09:10I'll fix it later.
09:11I'll just take a picture.
09:13By the way, I was most troubled with this thread.
09:17I was worried.
09:19I had so much power that my fingers couldn't go back.
09:24I see.
09:25While I was doing it casually, I noticed that my fingers were weak and I could do it normally.
09:37And I was able to fix it faster.
09:39By the way, how long did it take to get there?
09:43My father said it would take 10 years.
09:46I wanted to be able to do everything properly.
09:50But I wanted to get married as soon as possible.
09:55I see.
09:58You wanted to get over it as soon as possible.
10:00That's right.
10:01I did everything he told me to do.
10:08Is there anything good about working as a family?
10:14The power of the wife is absolutely necessary.
10:17I see.
10:18She's helping me out.
10:22You're his wife, right?
10:23Yes, I'm his wife.
10:25It must be tough for you.
10:26If you have a fight with your wife, you have to do it here.
10:28It happens from time to time.
10:31You don't talk.
10:33That's right.
10:34I don't talk.
10:36I don't like it.
10:37You have to tell someone.
10:38That's right.
10:39You have to do it like this.
10:42I can tell right away.
10:43Oh, I got into a fight.
10:45That's right.
10:46You can tell right away.
10:47If you think it's weird, you have to give it back.
10:51That's really funny.
10:53I think I'll say that again.
10:56It's getting more and more interesting.
10:58It's getting more and more stupid.
11:02I think it's stupid.
11:04I'm also trying to use a wheat starch glue to stick the paper.
11:18Is this okay?
11:19Yes, it's okay.
11:20One by one.
11:22One by one from the top.
11:24You can do it with your thumb, but I'll do it with this hand.
11:27This hand?
11:28Yes.
11:29Oh, that's right.
11:30It's difficult.
11:33You have to stick it together.
11:35Oh, I see.
11:37I see.
11:40I see.
11:41You have to stick it together and move on.
11:46That's right.
11:47Sometimes the glue sticks to the paper and becomes a shadow.
11:52Oh, it's completely useless.
11:53That's right.
11:56This is really difficult.
11:58I'm glad.
11:59I'm glad.
12:01You don't say it's easy.
12:03That's right.
12:05I want to stick this side up.
12:10That's right.
12:11I added that earlier.
12:13I see.
12:14I can't do it at all.
12:16The wrinkles will come up.
12:19If you do this, the paper will stick to the paper.
12:25I see.
12:26You have to hold it down with your hand.
12:28It's a little difficult.
12:30It's difficult to make a curve.
12:34It's difficult to make a round shape.
12:37Oh, wow.
12:39Look at this mess.
12:41If you make a mess, you'll break it.
12:43That's right.
12:44The paper will be wrinkled and the surface will be rough.
12:49It's not going to work.
12:52It's difficult.
12:53You're good at this part.
12:54This part is very beautiful.
12:56Really?
12:57I'm very happy.
12:58I'm very happy.
12:59It's amazing.
13:02I'm glad.
13:03It's completely different.
13:04There's a lot of glue in the middle.
13:06It's amazing.
13:07I've been doing this for a long time.
13:10This is difficult.
13:13It's amazing that you can do this so quickly.
13:17Did you do any other work?
13:20I didn't do any other work.
13:21I was told that I didn't have a good sense of drawing.
13:24Who told you that?
13:25My father.
13:27He told me that I didn't have a good sense of drawing.
13:29Your father is doing the drawing now.
13:31That's right.
13:33Then, he will put characters on the lantern and draw.
13:40In Kojima Shoten, the ninth generation, Mr. Mamoru, is in charge of it.
13:46Lanterns are uneven.
13:50That's right.
13:52Lanterns are not flat.
13:55I trace and trace and draw characters.
14:01It's not like drawing in one shot.
14:04That's right.
14:05Sometimes I draw in one shot.
14:07I can't do that unless it's a straight lantern.
14:12If I make a mistake at first, I can't get it back.
14:16That's right.
14:17When I started drawing, my hands were shaking.
14:22Is it difficult to draw irregular characters?
14:29On the contrary, it's difficult to draw beautiful characters.
14:37It's easier to draw broken characters.
14:41Even if you make a mistake?
14:43That's right.
14:44I see.
14:45When I make a mistake, I can make it thicker.
14:49If it's thick, I can make it thicker.
14:52I can adjust it.
14:53I draw like this.
14:55Ms. Tominaga, please draw this lantern.
15:04Please write your signature.
15:07Can I do that?
15:08There is no problem even if you make a mistake.
15:10I draw with a brush.
15:15I draw with a brush.
15:16I draw with a brush.
15:25I draw with the image I have now.
15:27I see.
15:30I have a lot of experience.
15:34I can draw dynamically.
15:41You are good at improvising.
15:45Gen.
15:51What kind of painting is difficult to draw?
15:56In the old days, I used to draw a picture of a phoenix.
16:02I see.
16:03It's like a picture.
16:04I see.
16:06When I try to draw a picture of a phoenix, I can draw it beautifully.
16:11Gen.
16:12You are good at drawing.
16:14You are good at drawing.
16:15You are good at drawing.
16:17I can't see Gen anymore.
16:19I can't see Gen anymore.
16:20I can't see Gen anymore.
16:23This is the lantern I actually drew.
16:29This is more difficult than it looks.
16:32It's uneven, so I can't paint it straight.
16:36That was really difficult.
16:39What do you think is fun about this job?
16:42First of all, when I can see that the person who purchased it is happy.
16:51I can do it while thinking that I can do it.
16:55I feel fulfilled when I can do such a difficult job.
17:00I feel fulfilled when I can do such a difficult job.
17:06Craftsmen who try to weave traditional culture into the future.
17:10Let's take a look at such a new future.
17:14Future Action
17:17The lantern has changed over time.
17:22The way you use the lantern has changed.
17:27Is there a secret to keeping the lantern connected?
17:32Of course, the festival is important.
17:34The way you use the lantern is important.
17:37I want to make something new and important.
17:41There is a small lantern here.
17:44I received a large number of lanterns as a gift.
17:48The small lantern is very cute.
17:51This is a mini lantern called Chibimaru, which was made so that it can be used in ordinary households.
17:59We made a kit that Chibimaru can make at home.
18:03If you can easily make a lantern, it will be popular among tourists and students studying abroad.
18:12I haven't had many inquiries from individuals.
18:15However, the number of inquiries has increased.
18:22When do you feel happy when you do this job?
18:28I'm happy when I see the reaction of the people who bought the lantern.
18:38It's been about a year since the Noto Peninsula earthquake.
18:41Many traditional cultures are still trying to recover.
18:46We received a lot of messages of support, so we will introduce some of them.
18:53In the past, I was sad to see that traditional crafts were lined up outdoors,
18:59and that it was difficult to exhibit works and products.
19:08I hope that the situation will improve little by little for reconstruction.
19:14I hope that the people of the Noto Peninsula will continue to be involved in traditional culture with a smile.
19:21I've been so shocked by the earthquakes and floods that I can't put into words.
19:28It's frustrating and I can't stand it.
19:30I think what we can do is to continue to buy traditional goods and support them so that they don't lose their tradition.
19:41I will continue to support them.
19:45I participated in crowdfunding for the people who were affected by the Noto Peninsula earthquake.
19:50I'm heartbroken when I think about the artists who have been affected by the earthquake again.
19:59I heard that some of them are in a critical condition.
20:05I think it's a tough situation, but I hope they don't give up.
20:10I will continue to find ways to support them and help them with reconstruction.
20:16In the program, we will continue to introduce the current situation of traditional crafts in the North and the movement towards reconstruction.
20:24Tominagai's tradition and future are on TVer and Hulu.
20:29Please subscribe to our channel.