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00:30Oh, and it's cold, the England number 80.
00:35Pouncil's on the floor, rocks his shoal, a little shimmy,
00:38move him in for the long of the keeper of the beach.
00:40He looks up.
00:42All right with that?
00:43Um, these cheap asset bags are a nightmare.
00:46They always rip at the wrong name.
00:47Oh, that is a crying shame. Come here, give me it.
00:50Oh, thanks.
00:51Um, I was over to do a little shopping before I went home.
00:53Oh, I see. So you want me to drop behind you for another half hour, is that it?
00:56I wouldn't mind.
00:57Now, now, busy boy.
00:58Got a street full of market traders waiting to be deprived of their hard-earned rent.
01:02Oh, right.
01:03So we'll have to hurry up.
01:04Oh.
01:07There you go. Cheers.
01:09Bye-bye.
01:09What's you creeping about?
01:21Sorry. I was working in the pit. I caught myself in a motor.
01:25Did you hurt yourself?
01:26No.
01:28They make good dusters.
01:29Unless my mum used to see.
01:30They make good aurics too, didn't they?
01:34I'm sorry if I startled you.
01:36Don't be daft. You do live here, you know?
01:38Yeah, well, I'll be out of your air soon enough.
01:40Well, in your own time, you know that.
01:43Look, I was about to put the kettle on. You got time for one?
01:46No.
01:47I'd better get back.
01:48I've got a punter coming at 12 and it ain't finished.
01:50You'll go into one.
01:51All right.
01:52You all right, man?
01:59All right, man.
02:11Do you think I should nip over to the laundrette and take a bite to Mrs. Fairland?
02:14She's not there.
02:15Oh, where is she then? I'll go and find her.
02:18Oh, in bed?
02:19Oh, is she here?
02:20I very much hope so.
02:24Something of a late night then, was it?
02:25Half past two.
02:27So the gig went well, then?
02:29I would have thought so, yes.
02:32I think...
02:33I think that Mrs. Fairland's just trying to have a bit of fun, you know?
02:39Tease up.
02:39Are you going to see Mandy before you go?
02:47Oh, I don't know.
02:48You got to, haven't you?
02:49I think we said all we got to say to each other.
02:52All I've got to say is that I hope Paulie manages to service to say goodbye to you properly.
02:57It's disgusting, a woman of her age coming in like that.
03:00Disgusting.
03:01And on a weekday and all.
03:02Anyway, it was the first time I'd ever been fishing, right?
03:06And Great Uncle Harry was playing that big deep sea hunter.
03:09He was showing me how to cast and everything.
03:11Ten minutes later, I caught a marlin.
03:13What?
03:14Fifty pounds or something.
03:16Anyway, he'd been fishing 20 years.
03:18He never caught one that big.
03:19He was so mad.
03:20I bet.
03:21He wanted to turn that boat around and go straight back.
03:24He had a temper on him, Great Uncle Harry, you know.
03:26Great Harry Dempster you're talking about.
03:28Yeah, that's right.
03:28You know him.
03:29Yeah.
03:29Is he related to us, pups?
03:31No, but I knew him from back home when I was a young man.
03:36Your uncle, you say?
03:37No, Great Uncle.
03:39Hmm.
03:41You okay, pups?
03:43Yeah.
03:44Clyde, shouldn't you be working?
03:46Oh, I'm not on the cabs today.
03:48Gonna help Gideon find somewhere to stay.
03:50That's great, but I'm sure you've got better things to do.
03:53I'm fine on my own, you know.
03:55Oh, it'd be a pleasure.
03:56That is, unless you want to give her another of your famous guided tours, pups.
04:01Anyway, you can always keep here for a few nights.
04:04That's really nice, Clyde, but I'm not sure if Patty would like it.
04:09Look, look.
04:11If it'll make you feel any better, we'll have a look for somewhere to stay.
04:14But if nothing works out, then I'll have a word with Patty.
04:18She won't mind.
04:20And she snores.
04:22Really?
04:22Don't you think it's a chick just turning up out of the blue and expecting a room?
04:25My room.
04:26I tell you what, I hope Steve hurry's up with that van.
04:28I don't want to be late.
04:29We've still got to load the van up yet, haven't we?
04:30Oh, this seems worth it, really.
04:31Such a small deal.
04:33Not much more needed than a family-sized pack of cheese and onion crisps in a bowl.
04:36Yes, but, Hatsy, let's make them see.
04:38But a packet of crisps presented by the mill machine is a packet of crisps presented with style.
04:43Look, it's just a lean patch, that's all right.
04:44Sorry, traffic.
04:46Steve, one of these days you're going to have to accept that you get traffic on the roads.
04:49It's not an excuse, all right?
04:51Now, let's go.
04:51Yeah.
04:52I'm Steve.
04:53We have to talk.
04:54Talking's still allowed before the wedding, is it?
04:56I did miss you last night, you know.
04:57Did you?
04:58Of course I did.
05:00Look, I just wanted to talk about this, OK?
05:02I am not trying to make good decisions for you.
05:04It's just, well, I thought you'd make the day more special, but so...
05:07Well, that isn't how it came across to me.
05:09Yeah, well, I'm sorry!
05:10You'd better go.
05:14I don't believe it.
05:15She's still out cold.
05:18Are you OK?
05:19Yeah.
05:20I think I probably will go and say a few goodbyes.
05:22Yeah, all right, but don't take too long.
05:23No, I won't.
05:24Good boy.
05:24Ah, I hear you're leaving.
05:29Uh, soon, yeah.
05:30Yes, well, it'll be for the best.
05:32Now, Arthur.
05:33Yes, Dot?
05:33Look, I ain't here to moan after...
05:35No, she's still asleep, Dot, I'm sorry.
05:37Oh.
05:37So I'm to do all morning again, am I?
05:40Is that it?
05:40Yeah.
05:41Yes, well, I hope I'm getting paid for this, Arthur,
05:42because, I mean, it puts me out of sync for the rest of me day, you know.
05:44We do appreciate what you're doing for us, Dot.
05:46Yeah.
05:48Must be very hard.
05:49What?
05:50Well, Pauline, gallivanting round town with his pop star.
05:53I mean, he's shifty, honey, you know, he's got funny eyes.
05:56Look, Dot, I'll get Pauline to settle up with you, money-wise, all right?
05:59Yeah.
06:01Arthur.
06:01Hmm?
06:02If you ever need anyone to talk to, I'm a very good listener.
06:06Look, Dot, I don't think I'm in the mood for this.
06:08Now, I'll get Pauline to square up with you, all right?
06:10Now, goodbye, Dot.
06:11All right, I'll get back to the grind.
06:13But if I was you, I could watch that on it also, like a hawk.
06:17Goodbye, Dot.
06:17It's me.
06:20I'm going to dump these here for a couple of hours.
06:21Is that all right?
06:22Fine.
06:25You look like something out of Star Wars with that.
06:28Why?
06:28Your face.
06:29What about my face?
06:31What is that stuff?
06:32It isn't stuff.
06:34It's an avocado and honey facial pack.
06:36It tones and freshens tar and dry skin.
06:39Oh, is that a fact?
06:40Mm-hmm.
06:41Well, you don't need it, because you're beautiful enough as it is.
06:44When I emerge from under this slot, I'll look 20 years younger.
06:47Oh, so it'll make you look about, what, six years older?
06:49Very funny.
06:50You wait.
06:50I'll wash those worry lines away.
06:52Yeah, but there's some people around here who could benefit from some of that.
06:56Listen, I have to go.
06:56I'll see you later, yeah?
06:57Yeah.
06:59See you later.
07:02What's he up to?
07:04Nothing, is he?
07:05I suppose not.
07:07Should he be up to something?
07:09Sylvia, when the two people I trust least in the world get together, then I'll worry.
07:14How you up, yeah?
07:15All right.
07:16Give her tea, take her out, will you?
07:19Have you seen Mandy at home?
07:20No, I haven't seen her this morning.
07:22What, any message?
07:23Yeah, just tell her I'm looking for her, will you?
07:25So where you gonna be later on, then?
07:26On the coast of Hollyhead.
07:27You what?
07:28Yeah, I'm going home, back to Ireland.
07:30Oh, well, have a safe trip.
07:31Thanks.
07:32What, visit her for good?
07:33For good.
07:34All right.
07:35Mandy knows.
07:37Does she?
07:37Yeah, just wanted to say goodbye properly.
07:40So how did she take it?
07:41There's no picnic.
07:42Well, she really cares about you, Aidan.
07:46Yeah, I know.
07:48Well, I'll keep an eye out for her.
07:50Cheers.
07:50Thanks a lot.
07:51Cheers.
07:51See you later.
07:52Forget about her.
07:54Yeah, nothing about me being her, I can tell.
07:56She knows the score, doesn't she?
07:58I mean, you and Ian are back together, right?
08:00So don't sweat it.
08:01He's always got a wasp in her tights about summer, don't he?
08:03She doesn't exactly seem overjoyed to see you, either.
08:06Just a bit of his, just she can't let go of her.
08:08Ian hated you two together, you know.
08:10No wonder he's so cheerful these days.
08:11Is he?
08:13Pity he can't see us like this, then.
08:14Might wipe the smile off his face.
08:19Have you got everything?
08:20Yeah.
08:21Right, we'll be there, mate, to move in case the traffic's bad.
08:23Sure.
08:24Okay.
08:24You're going to ring home first?
08:26No, I think I'd surprise him.
08:27Right.
08:28Hello, dear.
08:29Look, I just bumped into town.
08:30She said Mum's not very well.
08:31Good old daughter.
08:32I'm off now, Michelle.
08:34Oh, aye, I will have a safe journey.
08:35Cheers.
08:35Thanks a lot.
08:36So where's Mum?
08:38Oh, she's here.
08:40Oh, dear.
08:40Well, bits of her are, anyway.
08:42Uh, listen, thanks a million for putting up with me, Mrs Fowley.
08:45You've really been great.
08:47It's been a pleasure.
08:48Now, you take care of yourself, all right?
08:49Oh, well, thanks.
08:50I've got to get something for my head.
08:56Well, this is it, then.
08:58We'd better go.
08:59Oh, I've got something for you.
09:01I thought you might like it.
09:03It's a programme, 1967.
09:05Cup quarter-finals, when Walford Town lost.
09:07Great game, though.
09:09See there, it's signed up.
09:10Oh, Eric Graham.
09:11He's a defender, isn't he?
09:12That's right.
09:13It's yours.
09:14Oh, thanks.
09:15It was just going yellow upstairs in the drawer, anyway.
09:18I thought perhaps in years to come,
09:19you might look at that and spare a thought
09:21for poor old Walford Town, eh?
09:23Yeah, I will.
09:24I promise.
09:26Listen, um, I've got a lot of uncles, as you know.
09:30And, Will, if it's all right with you,
09:32I'd sort of like to think of you as one of them.
09:37Now, come on, we'd better go.
09:38We're going to miss the coach.
09:40Yeah, sure.
09:43Well, I'm ready.
09:44Oh, well, there's, uh, no short-term leases in here.
09:48We'll have to, uh, get another paper,
09:49then we can drive around and check them out.
09:51How does that sound?
09:52Sounds good.
09:54Good.
09:56There.
10:02Oh, uh, you doing deliverance, Frank?
10:05Oh, no, no, we've run out of the office.
10:07It's my air matter, don't I?
10:08And I've been reduced to a cook, cleaner,
10:10and bottle washer, upright.
10:11Oh, sorry to hear it.
10:12Yeah, I need you to run a few jobs for me, Clyde.
10:14Oh, I said I wasn't doing that, don't you?
10:15I know that, me old show.
10:16One of the regulars have gone down,
10:17we flew, and it's like Piccadilly Circus out here.
10:19I need a driver.
10:19No can do, Frank.
10:20Hey, I'm only asking for three hours of your time, Clyde.
10:24Sorry, I've made other arrangements.
10:26Yeah.
10:27Yeah, I'll get the picture, yeah.
10:29Sorry.
10:30Oh, don't worry about it.
10:31I've got to get back to the office,
10:32and I've got a nervous breakdown booked you for later.
10:34Oh, and Clyde,
10:35thanks for your consideration.
10:36I really appreciate it.
10:37I'm not making you a very popular person, am I?
10:44Oh, don't worry about them.
10:46If I want to take you out for the day,
10:48that's what I'm going to do.
10:50You might even think of something to do this evening.
10:51You've got your bar.
10:53Oh, I can do with a night off.
10:54I'm going to get you into trouble.
10:58Hello, Papa!
11:05Hello, Papa!
11:10Hi, Cap.
11:10Hello, beautiful girl.
11:12Look at her.
11:13How are you doing, Gabe?
11:14All right, fine, thanks.
11:15What would you like?
11:16Um, advice.
11:17Or an opinion.
11:18Or both.
11:19Oh, well, come into my office.
11:21Someone told me you had fly sheets printed up
11:23when you turned this place into a bistro.
11:25Yeah, that's right.
11:26Who'd you use?
11:27Oh, local print.
11:28It was quite well-priced.
11:28Yeah?
11:29Did it pay off for you?
11:30Uh, no.
11:31Not exactly.
11:32Oh?
11:32No, it's just one of those things, I suppose.
11:34But it was cheap to have done, yeah?
11:36Fairly, yeah.
11:37Why?
11:37What are you planning?
11:38Would I be able to advertise in here?
11:40Well, it's not for another calf.
11:41Yeah, I suppose so.
11:42Oh, great.
11:43Cat, do me a favour.
11:44Would you look after Sharmila just for two minutes?
11:46I'll be right back.
11:46I've got things to do.
11:47I've got two minutes.
11:50Sylvia.
11:50Oh, yes, love.
11:58Sandy?
12:03Mandy?
12:04Go away, Mark.
12:06He's gone.
12:07Leave me alone, please.
12:09Look, I'm sorry.
12:10It's all right.
12:11It don't matter, does it?
12:12I mean, it's only me.
12:13I don't have proper feelings, do I?
12:15Look, let's go and get something.
12:17Oi, hey, I'll get her on the minor store.
12:19Just forget him, Mark.
12:20Come on.
12:21Not even a hot cottage pie in a pub.
12:23I'm paying.
12:26Come on.
12:29Shari, a word.
12:30Have a drink to go with the word.
12:31No, no, no time.
12:32Listen, would you let me advertise in the pub?
12:34Well, it depends what you're advertising.
12:35A home beautician service.
12:37Beauty treatment.
12:38That's a good idea.
12:39You think so?
12:39Yeah, I didn't know you were into that sort of thing.
12:41Well, it's nothing fancy, you see.
12:42I'll just work from home and I'll only advertise locally.
12:44What, mudpacks, manicures, that sort of thing?
12:46Yeah, well, it's just the ideas for magazines,
12:49but I thought trying things out with a few friends could be fun.
12:51Well, if you get it off the ground, put me down for a mudpack.
12:53I've always fancy one of them.
12:54We'll get rich, aren't we?
12:55Yeah, I know, but we really do need the extra money.
12:57Yeah?
12:58Oh, you can put some ads up in here.
12:59I don't see why.
13:00Oh, great.
13:00Thank you, girls.
13:02See you, I'm out.
13:03All right, sit down and I'll get home.
13:04And your good Samaritan bit again, Mark.
13:06Look, she's really cut up about Aidan.
13:08Give me an orange juice and a beer, please.
13:11Steve.
13:11Yep.
13:11Two of those pies, please, mate.
13:13Yeah, I'll bring you over.
13:13Sir.
13:14You never know with that one.
13:15What do you mean?
13:16Well, is it a game?
13:18You never know whether she's stringing you along for some reason.
13:20I don't think this time it's for real.
13:22Yeah, with the pies, that's 8.50.
13:33It's very good to be your brother.
13:35Yeah, that I don't wire.
13:36All systems go.
13:37What do you mean?
13:38I've got a dirt cheap price for the flysheets.
13:41I can advertise in the Vic, the Caff and in the shop windows.
13:43Talk sense, woman.
13:44My home beauty treatments.
13:46I'm going to offer home beauty treatments.
13:48What?
13:48From home?
13:49You'd catch on fast, Sanjay.
13:51You sure you know what you're doing?
13:52Of course not.
13:53There wouldn't be any fun in it otherwise.
13:54The Gita Kapoor Home Beauty Salon.
13:56We care as much about your skin as you do.
13:59I don't know, you're a beautician.
14:00I'm not, but I've dabbled.
14:01Oh, that's my dear bliss, that is.
14:03Lying there, being pampered.
14:05Facial, nails done, feet massaged.
14:07Come at a different person.
14:08Um, what are you doing later?
14:10Um, I don't know.
14:11Nothing apart from Stephen's tea.
14:12Come over and say an hour?
14:15What?
14:15How much are you charging?
14:16Free trial run.
14:17I'm at number 43.
14:19Oh, come on.
14:19Surely you've got better things to do than wet nurse me.
14:22Are you all right, then?
14:23We'll go to work.
14:24It's not the end of the world, Mandy.
14:26There'll be other lads.
14:27Mark, I'm not going to sit in here discussing affairs of the art with you.
14:31You'll make me vomit up me cottage pie.
14:33You've got a right.
14:34Shut up, will you?
14:38Look, maybe one day, if you're still interested, you could go and visit him.
14:43Visit Ireland?
14:46Wait a minute.
14:47That's what I've got to go and do.
14:49Visit Ireland.
14:50If he can't be here with me, then I'll have to go and be with him.
14:53I mean, what's holding me back?
14:54You can't be serious.
14:56Mark, I've got to go and pack.
14:57Where do I catch a ferry from?
14:58You're mad.
14:59Mark, I'm going with him.
15:00It's the answer.
15:01I'm going to Ireland with Aidan.
15:02Don't be stupid, Mandy.
15:04I'm not being stupid, Mark.
15:06It's the sameness thing I've ever done in me life.
15:08I've got to go and pack.
15:09Mandy!
15:11Where did you get to?
15:12I thought you were coming down to the Vic.
15:14Didn't feel like it.
15:19Well, I thought we were going to talk.
15:26I thought talking was after the wedding.
15:28Yeah, I know.
15:28I'm sorry about that.
15:30I was out of order.
15:32I'm just a bit tired, you know, working, worrying about the wedding and that.
15:35You've been giving me the cold shoulder ever since I suggested we stop sleeping together.
15:39It was a shock.
15:40I ain't trying to lay down the law or nothing, Steve.
15:44I just wanted us to talk about it.
15:45I know.
15:46I'm sorry.
15:49I really love you, Steve.
15:51I want the day to be perfect and special.
15:54The night, too.
15:56It just seems like the right thing to do, that's all.
16:01Where's Jules?
16:02Oh.
16:02I had to go out and see some friends or something.
16:05In fact, the house is empty.
16:08We'd better get back to work.
16:09There's no rush.
16:10Don't tempt me, Hattie.
16:13Why not?
16:15But this really should be the last time until we're married, okay?
16:18Okay.
16:22I'm sorry to have left you in the lurch.
16:23I'll do the rest of the shift for you, if you like.
16:25No, don't mind me.
16:26I might as well carry on now.
16:28No, go on.
16:28It's only half two.
16:30Well, to be brutal, Paul, Dleen, you don't look up to it.
16:33What do you mean?
16:34You look the worst for where?
16:35I'm all right.
16:36I'll manage.
16:37I don't think you ought to.
16:38You might put people off, looking at your face.
16:40I beg your pardon?
16:42Well, I mean, a sickly demeanour creates a bad impression.
16:45Look, Doc, we're running a laundrette here, not a health farm.
16:48They don't care how you look.
16:50Otherwise, you wouldn't be here.
16:51Oh, I say.
16:52Well, you started it.
16:53If I do look at the rundown, it's through worry and heartache, not through all-night parties,
16:57no brindulgence in alcohol.
16:59You ought to be ashamed of yourself, Pauline Fowler.
17:01Oh, don't be surprised, Doc.
17:02It's that Danny Torso.
17:03That's who it is, leading you astray.
17:05Everybody's noticed.
17:06Oh, rubbish.
17:07And how do you think poor Arthur feels with you out of the small hours with other men?
17:11It's none of your flaming business.
17:13Our Arthur feels.
17:14So keep your nose out of it, Dorothy Cotton.
17:15Pauline.
17:16What?
17:17Can I ask a favour, please?
17:18No.
17:19Well, it's important.
17:21Have you got Aidan's address in Ireland?
17:23Why?
17:24Well, it's personal.
17:26In that case, no, I haven't.
17:28I want to go over there to see him.
17:31You want to go over to Ireland to see Aidan?
17:33Yeah.
17:34You must be joking.
17:35It's partly your fault that he left.
17:37That ain't fair.
17:38Look, he wanted to go home and leave Albert Square behind him.
17:41He doesn't want Albert Square following him over there.
17:44So in that case, the answer is no.
17:45Do you know something?
17:46You are one grumpy old cow.
17:48Do you know something?
17:50Sometimes you're asking for a good sack, madam.
17:52Well, don't worry, Pauline.
17:53Plenty of people have tried it, and it don't make a blind bit of difference.
17:56I'm going to Ireland, and that's all there is to eat.
18:00Oh, watch yourself, little lady.
18:01Oh, get lost.
18:04What do you think, girls, eh?
18:06I got them up west.
18:07Dead cheap and all.
18:08I ain't surprised.
18:09Oh, well, after last night's success, I reckon I can afford them.
18:13How are you, Pauline?
18:13Oh, not too bad, thanks, Stanley.
18:15I thought I'd catch you here.
18:16Do you fancy a little drink in the Queen, Vic?
18:17Er, no, thanks.
18:18I don't think I'm quite up to it.
18:20Well, tonight, then?
18:21No, I don't think so.
18:22I, er...
18:23Yeah, all right, Danny.
18:24I'd love to.
18:25Eight o'clock in the Vic.
18:26Yay.
18:26Oh, magical.
18:27Who knows what surprises await you.
18:29I'll catch you later.
18:30Oh, ho, ho.
18:33So how long do I have to go at this for?
18:35Um, oh, about 15 minutes.
18:38Oh.
18:38Do you really think you can make a go at this?
18:41Well, we won't get rich on it, that's for sure.
18:44But it's fun.
18:45Gives me something to think about other than babies, babies, babies, you know?
18:49Yeah, I know, all right.
18:50Anyway, maybe no one will come after I've experimented on you.
18:54Oh, thanks.
18:57So you're shopping with Richard Cole this morning.
18:59What was all that about?
19:00What do you mean?
19:02Oh, just poking my nose in.
19:04You know him quite well, don't you?
19:06Well, we've known him a while.
19:09Do you trust him?
19:10I'd trust Richard about as far as I could throw him.
19:13I can't work him out.
19:15Why?
19:16Well, we had coffee this morning in the cafe and we talked, but I got the feeling he was on the wind-up.
19:21What, winding you up?
19:22Winding Cathy up.
19:23How come?
19:24Oh, it's a long story.
19:26Ian don't like him, Cathy don't like him, and you don't seem to like him either.
19:30But you like him.
19:31Oh, I haven't got many friends around here, Gator.
19:34He's just fun to talk to.
19:36Believe me, Cindy, he's trouble.
19:38And he's dangerous because not enough people see it.
19:41It's a bit heavy, isn't it?
19:43I'm telling you, Cole is trouble.
19:47Okay, Arthur.
19:48Here.
19:48Here, Arthur!
19:54Arthur.
19:55Well?
19:57Can I ask a favour, please?
19:58What do you want?
19:59I need Aidan's address in Ireland.
20:01What for?
20:02Because I want to write him a letter.
20:04Oh, I see.
20:05Yeah, hold on.
20:08I was kind of hoping for that address, Arthur.
20:11You don't need it now, do you?
20:12Yeah.
20:13But why?
20:14Because I want to write him a letter.
20:16But he only left a few hours ago.
20:18Yeah, well, I'd really like it to be waiting there for him when he gets home.
20:21You'll be lucky.
20:22Can you at least let me try, please?
20:26You must have some very good news.
20:27Yeah, I have.
20:30Yeah.
20:31There he is.
20:32There you go.
20:33Great.
20:34Oh, lovely.
20:34Thanks, Arthur.
20:35And Mandy, I want that back to Mandy!
20:38Sanjay and Richard, they go back.
20:40You know, been friends a long time.
20:43I think Sanjay's sort of hero-worships him.
20:46Richard always seems to know where he's going, what he wants from things.
20:50Sanjay floats on the tide a bit.
20:52I think he'd like to be a bit more dynamic.
20:54But you've known Richard as long, right?
20:56We've known him ever since we started out in business on our own.
20:59You did why?
21:00Oh, we were comfortable.
21:01We had to work for it.
21:04Then things started to go wrong.
21:06Like what?
21:07I don't think I want to talk about it, Cindy.
21:10They were bad times, you know.
21:13Well, we all have them.
21:14I suppose.
21:15But I thought Richard helped you start again, didn't he?
21:17You told me when you first came here, you moved in with him.
21:19Yeah, a real saint is all Richard.
21:22So why don't you trust him, then?
21:23I have my reasons.
21:25Do you mind if we change the subject?
21:27Sure.
21:28Lager, is it, Grant?
21:30I think we'll have a bath.
21:31Thanks for the sake.
21:36Is she all right?
21:37I honestly don't know, Frank.
21:39Well.
21:41How are you?
21:42Quiet today, Sharon?
21:43Yeah, good job too.
21:44Clyde's supposed to be here and he ain't turned up.
21:46He ain't been with you, has he?
21:48No, I could have done with him myself today.
21:50I see him this morning, though.
21:51He was with some extremely attractive young lady.
21:54Oh, yeah, she was in here yesterday.
21:56With Jules.
21:57Jules?
21:59I used to ver in the eyes have order found, don't I?
22:04Boy, I am exhausted.
22:06Oh, flats, flats, no more flats.
22:08I'm seeing flats swimming before my eyes.
22:10In that last place, look.
22:11Oh, at least they didn't have cockroaches.
22:14Well, they probably moved out because of the smell.
22:16Hiya, pups.
22:17Hi, Mr. Tavani.
22:18Hiya, babe.
22:18Kofi, you all right?
22:19Yeah, he's had his tea.
22:21Any luck?
22:22Well, we looked at about a dozen places, but on the money Gideon's got, it's pretty tight,
22:27you know?
22:28I see.
22:29I'm really sorry about this.
22:30I'll look again tomorrow, okay?
22:33Clyde, shouldn't you be working?
22:35Oh, yeah, I guess I'd better go.
22:39You mean you never told them you're going to be late?
22:41I forgot.
22:42Forgot?
22:43You forgot?
22:44You can't afford to lose that job.
22:46You've got a son to keep.
22:47I know my responsibilities, thank you, pups.
22:49Well, you're not behaving like it.
22:51Look, I don't think I should stay another night.
22:54Why?
22:54Well, I'm sorry, but it seems like I'm causing some kind of bad feeling.
22:59I don't know where, but I think I'd better go.
23:00No, no, this is my fault, not yours.
23:03And anyway, you haven't got anywhere to go.
23:05Hiya.
23:06Oh, hello, Hattie.
23:06Oh, hello.
23:07Look, Hattie, is it all right if Gideon stays for another night?
23:11Just until she finds a place of her own.
23:13Sure.
23:14No problem.
23:16Shall I come to the pub with you tonight, Clyde?
23:19Oh, that would be nice.
23:20Okay.
23:21I think I'd just go and wash and change.
23:25Well, from what I can tell, they haven't got much time for him at all.
23:27Well, it's her mainly.
23:28I thought he was a big mate of this.
23:29I thought so, too.
23:31Well, didn't he get him out of shtook and everything?
23:33Well, she don't like him at all.
23:34She said he's not to be trusted, ever.
23:36Well, well, I assume from all that tap they sell on their store,
23:39but they didn't have any taste.
23:40But if I don't like Tricky Dicky, I could be wrong.
23:42Well, let's probably discuss it, right?
23:44Oh, come off it, love.
23:45Everybody knows he's got more fiddles going in London than Philharmonic.
23:48Look, Richard Cole, it's nothing to do with us,
23:50so let's forget about me.
23:51Come on, drink up and we'll go get a little one.
23:52Oh, okay.
23:56And what time do you call it?
23:57Oh, I'm sorry, Sharon, we lost track of time.
23:59A quick word, please, Clyde.
24:06It's a one-off, okay, Sharon?
24:08No, it's not okay.
24:09You're nearly three hours late,
24:10and if it had been any busier, it could have been a nightmare.
24:12I know.
24:12If you want to carry on working,
24:14then keep socialising clear of your work hours, got it?
24:16Don't forget, I stuck my neck out to have you back here, Clyde.
24:19Got it.
24:19You're a good barman, and I don't want to lose you,
24:21but I will if you pull too many more stunts like that.
24:23Well, you've got to admit, Sharon,
24:24she could be worth it, hey.
24:25Hey, what can I get to give you?
24:27A brandy, please.
24:28A brandy.
24:29Clyde, will there be any chance of the pleasure of your company
24:31for a couple of precious hours in the camp tomorrow?
24:33I'll be there.
24:34Well, right, thank you very much indeed.
24:36That's very, very nice of you.
24:37Right, I'm just popping over the Vic now.
24:40I won't be late.
24:42I said I won't be late.
24:46You're welcome to come with us if you want.
24:48Michelle will have Martin.
24:52Arthur, if I was going to have an affair,
24:55I wouldn't do it in the Vic.
24:57You're the one who said it.
24:58Oh, don't be so childish.
25:01Oh, and by the way,
25:02if that Mandy comes round here sniffing round for Aidan's address,
25:04don't give it up,
25:05because she's planning on following him to Ireland.
25:09There you go, Dan.
25:10Cheers, love.
25:13Do you fancy that lager now?
25:15No, I came to see if you wanted any help.
25:17You OK?
25:19I'm fine.
25:20What do you want in your motor?
25:22Oh, after last night,
25:23I don't think I'll ever drink again.
25:24Yeah, great night, wasn't it?
25:26That's what it's like on the road,
25:27rocking and rolling all night, every night.
25:29The best life there is.
25:30Yeah, well, I had a great time.
25:32Oh, I can feel it, Paulie.
25:33My life's clicking into place again.
25:35I mean, that's just a taste of things to come.
25:38I think my years in the wilderness are at an end.
25:40I hope you're right, Danny.
25:42Oh, orange juice, please, love.
25:43Right.
25:44I bought you something.
25:46Oh.
25:47Sorry about the wrapping,
25:48but I don't think you'll mind when you see what's inside.
25:54Oh.
25:55It's real gold plate.
25:58I took ages deciding.
25:59Do you like it?
26:00Oh, Danny, I can't take this.
26:02I'm appalling this.
26:03It's just my way of saying thank you.
26:05Thank you for, well,
26:06for making it a wonderful evening last night
26:08and thank you for supporting me.
26:10But most of all,
26:10just thank you for being you.
26:13Arthur won't mind, will he?
26:15Thank you, Danny.
26:16It's lovely.
26:17Thanks.
26:17Holiday, is it?
26:35Somewhere warm and very far away, I hope.
26:43Oi!
26:45Please don't try and stop me, Mark.
26:47No.
26:47Just give me a second, will you?
26:50What?
26:51Well, it was a pretty good day
26:52in the world of fruit and veg.
26:53Oh, well done.
26:54Now, I've added a bit extra.
26:55There's enough there for the coach
26:56and for the ferry.
26:58Take it.
27:00Take it.
27:01Thanks, Mark.
27:02What were you going to do
27:03when you got to Hollyhead anyway?
27:05Stow away.
27:06You know, you were born in the wrong century.
27:08Oh, no.
27:09Come on.
27:10On the back.
27:11I'm taking you to the station.
27:12Oh, Mark.
27:15Cheers.
27:16Come on, then.
27:20Ready?
27:21Yeah.
27:21Let's go.
27:21Staying put this afternoon, well, let us whisk you away to the glorious Scottish Highlands.
27:46Monarch of the Glen is at 3.20.
27:48If you've missed the latest, catch up with our on-demand service, UK TV Play.
27:52Next, though, is London's Burning.
27:54We'll see you next time.
28:24We'll see you next time.
28:54We'll see you next time.