Death in Paradise Season 2 Episode 5
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00:00To the future and to Miami
00:04You know, I'm probably gonna mess it up and be right back here before you know it. No you won't you're gonna be a superstar. Oh
00:12Sorry
00:14Don't worry accidents happen, huh? Well, maybe it's for the best and what your final performance to be a drunken disaster doing
00:23Smile booked big eagles all right ladies and gentlemen
00:27Only a few minutes to go before the best cabaret you will see so please fill your glasses and
00:34Prepare to salute our super sexy singers Eloise
00:44You ever had a boss you could happily kill no coming five minutes please
00:52I'm gonna go and get ready. I'll see you after this show
00:57Not too much drinking young lady
00:59It's a school night
01:08Bit early for bed Milton in working mornings down on the dot. Are you sure that's all you've been doing? Yes
01:14That I'm trying to get some beautifully. Let me tell you a bedtime story
01:18Our commissioner is a very unhappy man because there's been a rush of bootleg rum out on the streets and the bars and the
01:25Businesses who make real stuff are calling him every day to complain
01:29So me and Fidel here have been given the task of finding out who's behind it all
01:33Ah, that's a lovely story
01:35That's a fairy tale. I gave that up years ago. Now if you don't mind. I need my beauty sleep
01:42Nice watch. Okay. I've had something like that
01:45Look if you've been working as a go-between for the bootleggers. Just tell him Milton
01:48You know what wins like when he gets annoyed mmm seriously good cop bad cop. Listen Lauren Hardy
01:53This is the 21st century. That stuff doesn't work anymore. So shut me door on your way out
01:57Idiot
02:21You can come to me
02:27Don't be shy
02:29Don't be shy
02:30Let me try
02:34It's you
02:36I really wanted
02:38That another
02:40Learn to find
02:43Baby don't you fight
02:45Oh
02:47Get your little self out
02:49Don't take you no
02:50Ooh
02:52Baby after tonight
03:06Baby after tonight
03:10Oh, what is this?
03:12Amy!
03:13Amy!
03:15Amy!
03:16Amy!
03:16Amy!
03:19Amy!
03:21Amy!
03:21Amy!
03:51Amy!
03:52Amy!
03:53Amy!
03:54Amy!
03:55Amy!
03:56Amy!
03:57Amy!
03:58Amy!
03:59Amy!
04:00Amy!
04:01Amy!
04:02Amy!
04:03Amy!
04:04Amy!
04:05Amy!
04:06Amy!
04:07Amy!
04:08You say she's a friend of Camille's?
04:09Amy!
04:10Amy!
04:11Amy!
04:12Amy!
04:13Amy!
04:14Amy!
04:15Amy!
04:16Amy!
04:17Amy!
04:18Amy!
04:19Amy!
04:20Amy!
04:21Amy!
04:22Amy!
04:23Amy!
04:24Amy!
04:25Amy!
04:26Amy!
04:27Amy!
04:28Amy!
04:29Amy!
04:30Amy!
04:31Amy!
04:32Amy!
04:33Amy!
04:34Amy!
04:35Amy!
04:36Amy!
04:37Amy!
04:38Amy!
04:39Amy!
04:40Amy!
04:41Amy!
04:42Amy!
04:43Amy!
04:44Amy!
04:45Amy!
04:46Amy!
04:47Amy!
04:48Amy!
04:49Amy!
04:50Amy!
04:51Amy!
04:52Amy!
04:53Amy!
04:54Amy!
04:55Amy!
04:56Amy!
04:57Amy!
04:58Amy!
04:59Amy!
05:00Amy!
05:01Amy!
05:02Amy!
05:03Amy!
05:04Amy!
05:05Amy!
05:06Amy!
05:07Amy!
05:08Amy!
05:09Amy!
05:10Amy!
05:11Amy!
05:12Amy!
05:13can't believe it. It's my fault. It has to be. Why would you say that? Well, I'm in charge
05:17of food and drink here. She drank the shot at the oyster and then collapsed. It all lies
05:22on me, right? The investigations are ongoing. Thank you. This is now a crime scene. Her
05:27whole boat needs to be sealed off. Have you got any idea how long she'll be out of commission?
05:31As long as it takes. You have a problem with that? No, no. You need to sit down. No, I
05:38don't. Look, as your commanding officer, as your superior, I'm ordering you to sit
05:44down. You're upset. You're in shock. It's your own good. And what if I refuse? What
05:49are you going to do? Discipline me? Suspend me? It's not meant to be a punishment. I'm
05:55just, you know, I'm just trying to help. Then help me to find out who did this.
06:03Fidel, we need full names and addresses of all staff and passengers. I want written
06:07statements and exclusion prints taken. And lots of people were taking pictures. I want
06:12all cameras and phones handed it before anyone leaves the boat. Okay. Thank you.
06:26Thank you. Thank you. Thank you, sir. Good night. Camera, sir. Name and address. It's back
06:33in the Green Bay Hotel, mate. Names and addresses, please.
06:41These phones and cameras are going to take ages. Don't forget, we got the bootlegging thing
06:48to follow up or the commissioner will be on our backs. Yes, Dwayne. I've been thinking
06:49about that. Oh? Go on now. Well, um... Well, what? Well, I've been thinking maybe I should
06:52just take the lead, you know? What? Yeah, yeah. Be in charge of the investigation. You want
06:56to be my boss? Well, part of the sergeant's exam is roleplay, so... Ah, you want to pretend
07:03to be my boss? It's not about anyone being anyone's boss. It's more of a case of, um... How
07:07do I put it, uh... It's... Go on, knock yourself out. Sherlock. You want to pretend to be my boss?
07:11It's not about anyone being anyone's boss. It's more of a case of, um... How do I put
07:18it, uh... It's... No, no, no, no, no, no, no, no, no. Go on, knock yourself out. Sherlock.
07:26Dwayne. Chief? Last night, um, on the boat, what... What was that thing you did with Camille? Thing?
07:40Oh, Dad! I was just letting her know that I'm here if she needs me. Yeah, but you didn't
07:49say anything. I didn't have to. Right. So you just look at her and she thanks you. I... I...
07:54I try to help. She practically bites my head off. Chief, a woman like Camille doesn't want
07:58help. Support, sure, but help? Never. And you have very soft hands, Chief.
08:07Right. The victim was Amy Fredericks, 23. She had worked on the King Papyrus party boat
08:15for six months. How long had the boat been in summary? It arrived back this week, Chief,
08:19after a nine-week stint in Guadeloupe, Antigua and Tobago before that. So it stops off here
08:25about three times a year or so. According to Camille, Amy's performance yesterday was going
08:30to be her final one. She was due to go and work for a producer in Miami, launched a recording
08:35career. But someone, for some reason, didn't want that to happen. What have we got on the
08:41other passengers? Ah, we ran a check. They were your usual mix of holiday makers, half a dozen
08:47locals. No one with criminal records or any links to Amy as far as we can see. Staff checked out clean as well.
08:52I took these with my camera yesterday. Six good shots leading up to the, to the incident. What about
09:07the other cameras? I'm starting on them now. Okay, let's get a move on. Sir, you and I should go and
09:11check Amy's apartment first. Dwayne, I've set up an interview for you with RJ, the waiter on the boat.
09:15You want to know the secrets of her workplace? Ask the serving staff. Camille? Camille? Camille, but before we go...
09:25What? What are you doing? I don't know. I saw Dwayne doing it before. Right. It's just...
09:40It's just a little bit awkward, isn't it?
09:52You know, my grandparents had a dog called Laddie, um...
09:56Irish setter. You know, he was probably my best friend, you know, growing up. And, uh...
10:02When I was 11, he was, he was hit by a, by a milk... It wasn't a milk float. It was a milk van. It was a...
10:12Anyway, the... Point...
10:14The point I'm trying to make is that, um... Look, it was very difficult for me, you know, and I was upset for weeks. Months.
10:23Sir? Amy was my friend, not a pet. That's different.
10:26No, no, of course, I... I mean that. Just sort of, uh...
10:30Trying to show you I understand, you know, and be supportive.
10:33Yeah, well, you don't really seem to have any friends. So I'm not sure how you could possibly understand.
10:41A very clever dog, you know, to do tricks.
10:44Please, don't support me anymore.
10:47No.
10:49Sorry.
10:53Sorry. What was the question again?
10:55Can you describe your job on the boat?
10:59I'm a waiter. Yeah.
11:01I wait.
11:03Bring food and drink up to customers.
11:06And to Amy as well?
11:08Yeah. Yeah, they do this bit. It's like part of an act.
11:11She drinks a shot and then swallows an oyster.
11:14And you pick this up from the chef's station?
11:16Yeah. Yeah.
11:17Could anyone tamper with it on the way?
11:19Yeah, yeah, drinks, why not?
11:20Who?
11:21Well, anyone, I guess, you know?
11:23I'm always picking stuff up, putting it down.
11:26Tell me about her relationships with the others on the boat.
11:28How about Stephen?
11:31He's your boss.
11:33Oh, I don't know. It's just a job, innit?
11:35I just rock up.
11:37Switch off, you know, count down until I can go home again.
11:40It's not rocket surgery.
11:42Science.
11:44Never mind.
11:46So you don't really have anything that useful you can tell us, do you?
11:50No.
11:52I did see Thingy and the guy had a big argument two days ago.
11:59Thingy being?
12:00The girl.
12:01You can't keep me here.
12:03Amy, you're not being fair.
12:04And you think you're being fair?
12:06My mind is meared up.
12:07You can't stop me.
12:08Well, we both know that's not true, don't we?
12:09I'm getting that money.
12:11And do you know what this money was they were talking about?
12:15Nah, not really.
12:17Hey.
12:18How much do you guys get paid, Kirsten?
12:21I could rarely do of getting a better job.
12:22I'm not sure this police work is really for you, you know.
12:25Why?
12:26You don't seem the most observant person in the world.
12:30Nice.
12:32What's that?
12:33I like it.
12:39Lock's broken.
12:41Possibly someone forced it.
12:44Maybe it just needed repairing.
12:47She complained about that.
12:50Not having a home.
12:52Just a rental.
12:54Leaving out of a suitcase.
13:00It doesn't look like there's been a break-in.
13:02Too clean.
13:03No mess.
13:05Maybe someone was looking for something in particular.
13:08Didn't steal the beer.
13:10No mess.
13:38Strange.
13:39What is?
13:41Petal.
13:43Phalaenopsis.
13:44It's a type of orchid often found in the Caribbean.
13:48Why is it strange then?
13:51Where did it come from?
13:54There's no flowers in it.
14:09No.
14:10Ah.
14:11Sarge.
14:12I interviewed R.J. the waiter.
14:17He said Amy and her boss were arguing a couple of days ago.
14:19I interviewed RJ, the waiter.
14:21He said Amy and her boss were arguing a couple of days ago.
14:24About what?
14:25He wasn't sure, but he thinks it was about money.
14:28He also said that after he picked up the tray with the oyster and the shot glass from the bar,
14:32just about anyone on the board could have tampered with it.
14:34And the toxicology report came through on Amy's post-mortem?
14:38Yeah.
14:40She was definitely poisoned.
14:42Strychnine.
14:43The dose suggests no more than five minutes from when it was taken to her...
14:47to her death. I'm sorry.
14:49How about the oyster shell, the shot glass?
14:52It's strange, but there was no trace of poison in either.
14:54That's impossible. They were the only two things she ate or drank before she collapsed.
14:57You sure she didn't touch or imbibe anything else?
14:59No, only the cocktail she was drinking with me,
15:02but we shared a picture, random glasses from the table.
15:06Right. Well, I think we should go and talk to Stephen Morrison, the boat owner.
15:10He has access to all areas of the boat,
15:12and he was seen arguing with the victim a few days before.
15:15Could a place to start us, Amy?
15:17Sure.
15:17Um, anything here?
15:20I'm trying to put together a timeline of the afternoon.
15:23Top left corner, when the party starts.
15:26Then later, as you go across and down.
15:28A couple of people were taking videos on their mobile phones,
15:31mostly bad quality, but I managed to transfer some stills where I can.
15:34And these customers joking with Amy during the performance,
15:37do we know anything about them?
15:37Yes, they've all given full written statements and been interviewed.
15:40They're just regular family guys.
15:43So we have a victim, murdered in public, in plain view of everyone, surrounded by cameras,
15:48and in the company of a police officer.
15:51And not only do we not know who did it, we don't even know how.
15:56Hang on.
15:58Here.
15:59Hawaiian shirt.
16:00What's he holding?
16:04It's a video camera.
16:06I never saw one of those in the box.
16:07Yeah, that's because there wasn't one.
16:09Wait.
16:10I remember him.
16:13Of course.
16:15How could I forget that shirt?
16:16I think he's staying at the Green Bay.
16:19But I'm pretty certain he said he didn't have a camera.
16:23Ah.
16:24Colin Smith, Green Bay Hotel.
16:27Why would he lie about not having a camera?
16:29It's a question I'd very much like to ask him.
16:31You know, this is really rather impressive, Fidel.
16:33Honour, please, dear John.
16:36Thank you, sir.
16:37Okay, thank you.
16:38No one with that name at the Green Bay.
16:40So he lied about that, too?
16:42Okay, listen.
16:42We'll track him down, okay?
16:44Promise.
16:45You and I should go and talk to Stephen Morrison
16:47to see what this argument over money was about.
16:50Hold on, Chief.
16:52Commissioner.
16:52He wants us to focus on the bootleggers.
16:54I know, but he's going to have to wait.
16:56He's probably busy anyway.
16:58Tucking into some lobster
16:59or swallowing down an overpriced bottle of Plunk.
17:02Or standing behind you.
17:04Or standing behind me.
17:05And as a gentleman and a scholar,
17:07able to take a joke in the spirit it was intended.
17:09I'd happily take anything
17:11if you've shown progress on my bootleggers.
17:14A certain influential company on the island
17:17who sell a certain brand name of rum
17:19are unhappy at having their product under cart.
17:22I'm in charge of the investigation, sir.
17:24We're sure the distribution is being organized
17:28by a Milton Reynards.
17:29Now, if we gather evidence to use as a leverage on him,
17:33I'm fairly sure he'll give up the names of those behind it.
17:36Fairly sure or very?
17:39Very, sir, of course.
17:40How many percent?
17:4586.
17:46No, um, 87.
17:50I like his style, so...
17:52Don't let me down.
17:55Sir.
17:55Sounds worse than it is.
18:10You were arguing with someone
18:11days before they were murdered.
18:14How much worse could it be?
18:15We can do this at the police station if you prefer.
18:20Look, Amy wanted to leave, right?
18:23She said she had a deal with someone in Miami.
18:26A little shot at the big time.
18:27And you weren't happy for her?
18:29That's what we all want.
18:30A break.
18:33Look, she had a contract.
18:36She had another 18 months left to run on it,
18:38and the only way she could get herself out of it
18:40was to buy herself out of it,
18:41and that's what we were arguing about.
18:42So you threatened her?
18:43No, I didn't threaten her.
18:44I just made it very clear
18:46that no producer would touch her
18:47if they knew she had a contract somewhere else.
18:49So you would have told them?
18:50Yeah.
18:51A contract's a contract.
18:54Look, Amy is a very good act,
18:57but if she just waited,
18:59we could have all had our shot together.
19:02And frankly, that would have been to her advantage,
19:04because I've built this business up from scratch.
19:06I know what I'm doing.
19:07How much would she have needed to buy herself out?
19:0920 grand.
19:09What?
19:10She signed it. No one forced her.
19:12She never had that kind of money.
19:13Well, she told me she did,
19:15and that she would let me have it when she left.
19:17Where would she get it?
19:17I have no idea.
19:22The other singer, Eloise?
19:24Oh, I'm so sorry.
19:26I saw her yesterday.
19:26She didn't like Amy.
19:28Why?
19:28It's a workplace.
19:29You know, people have their ups and downs.
19:32Who worked here first?
19:34Amy or Eloise?
19:35Ellie.
19:35Eloise.
19:36I mean, she's great.
19:37But one night in a club and I see Amy singing,
19:41and I'm like, wow, I'm sold.
19:46Star quality.
19:48And Eloise was fine with that,
19:49being relegated to singing back up?
19:51She knew it was a business decision.
19:54We're in this together.
19:56You know, in sickness and in health.
19:58She is your wife?
20:00It is.
20:01So you brought in someone younger
20:03to replace your own wife at work,
20:05and you're saying this wasn't an issue?
20:07I suppose Amy,
20:08wanting to buy herself out of a contract early,
20:10that wasn't an issue either.
20:11Losing your star attraction,
20:12that didn't hurt at all.
20:13Hello.
20:14Sorry.
20:17Excuse me.
20:18Nobody's allowed on the boat.
20:19I was hoping to pick up my knives.
20:21They are rather expensive, so...
20:22I'm sorry,
20:23but everything has to remain where it is
20:24for the time being.
20:26Well, if they do go missing,
20:27I'll hold you responsible.
20:28Wait a second.
20:28You were in charge of all food and drink yesterday.
20:31Is that right?
20:31Uh, yeah.
20:32Yeah.
20:33Did Amy eat anything
20:34other than the oyster and the shot?
20:36Um, no, she wouldn't have done it.
20:37The staff can't eat until after the guests.
20:40I know she wouldn't.
20:40I mean, except for the cocktails
20:41she was drinking with you.
20:42I mean, having quite a time.
20:44But there's nothing else?
20:45No.
20:46Oh, maybe the gargle bottles?
20:49Uh, they do that before every show.
20:52They'll soothe the vocal cords.
20:54They keep the bottles here, backstage.
20:57Well, they're meant to.
21:03That's them.
21:09Yeah, that's them.
21:22Have the police been to see you yet?
21:30No.
21:31Well, I will.
21:35Did you move the gargle bottles?
21:38What?
21:39The gargle bottles.
21:40Did you move them?
21:44Why?
21:46Ellie.
21:47What if you don't?
21:54If the man in the Hawaiian shirt
21:55is going to be anywhere,
21:56I think we'll find him here.
21:58He had a camera filming the event, right?
22:00So it suggests that he'd like to keep
22:01a distance between himself
22:02and the others.
22:03Excuse me.
22:04So you think he's off to the side alone,
22:09filming everything?
22:10Yeah, I think so.
22:11Maybe.
22:16Look.
22:19Fidel, you're a married man, you know.
22:22No.
22:24Yeah.
22:24Okay.
22:30Right.
22:31This time you do it my way.
22:45Were you on the King Papyrus party board yesterday?
22:48Um, yeah, I was, yeah.
22:50Then I'm going to have to ask you
22:51to hand over that camera.
22:53Hey, that's Thrive of Prophecy, that is.
22:54Look, we can do this the easy way
22:56or the hard way.
22:58So which is it to be?
23:01Fidel, camera!
23:19Time we're doing it my way?
23:21Yeah, right.
23:22All right, all right.
23:23We should still be able to retrieve the data.
23:26If we're lucky.
23:28My takeaway.
23:29Oh, you think?
23:30Why, why, why?
23:36Honorary police.
23:37Fidel?
23:37Hi, sir.
23:38I was just looking for Camille.
23:40I think she said she might go to the beach.
23:42Camille.
23:42Camille.
23:42Camille.
23:42Yes.
23:43Camille.
23:43Yes.
23:44Camille.
23:44Yes, I'll be back to work in a minute.
23:47Yes.
23:47Right.
23:48Yeah.
23:48Yeah.
23:49Camille.
23:49Camille.
23:49Yes.
23:50I'll be back to work in a minute.
23:51Yes.
23:51Right.
23:52Yeah.
23:52Yeah.
23:53What are you doing?
23:53What are you doing?
23:54Sitting down.
23:55Okay.
23:55Okay.
23:56Okay.
23:56I'll be back to work in a minute.
23:58Camille.
23:58Oh.
23:59Oh.
24:00Oh.
24:00Camille.
24:01Yes.
24:01I'll be back to work in a minute.
24:04Yes.
24:05Right.
24:06Yeah.
24:07What are you doing?
24:08Sitting down.
24:09In the sand.
24:10Oh.
24:11Oh.
24:12Oh.
24:13Oh.
24:14Oh.
24:15Oh.
24:16Oh.
24:17Oh.
24:18Oh.
24:19Oh.
24:20Oh.
24:21Oh.
24:22Oh.
24:23Oh.
24:24Oh.
24:25Oh.
24:26Oh.
24:27Oh.
24:28Oh.
24:29Oh.
24:30Oh.
24:31Oh.
24:32Oh.
24:33Oh.
24:34I'm not very much used to you, am I?
24:35Yes, you are.
24:36You're.
24:37You're fantastic.
24:38You know you've-
24:40You've just lost your friends.
24:45All the more reason to stop being so useless and help you to find her killer.
24:48You're a machine.
24:49You're a person.
24:51You know, when you care about someone, um, sometimes it's hard to, um, be eloquent, you
25:08know, about how you feel, uh, to, to tell them how much, how much they mean, meant, uh, to
25:20you, how, how, how important they are in your life, and how special.
25:26I've never heard you talk like this before.
25:29No.
25:32Just trying, you know.
25:34To be supportive.
25:36Exactly.
25:38Well, I think it's very sweet of you.
25:42And better than the dark story.
25:50We, um, we got the results back on the gargle bottles.
25:57We found traces of strychnine in Amy's bottle.
26:00Fingerprints?
26:01Amy's fingerprints were on her bottle alone.
26:04Eloise's won both.
26:06So that's it?
26:07Maybe.
26:11But if she only gargled, would the poison still have killed her?
26:16Absolutely.
26:17Yeah.
26:17Oh, there was something else.
26:19Um, rather oddly, Amy's bottle contains traces of rosehip hairs.
26:27It's an irritant, you know, sometimes used in itching powder.
26:29So the question is, who put an irritant in the bottle used by a singer to gargle just before
26:36she went on stage?
26:38Another singer.
26:40Hmm.
26:41Let's see if this camera works.
26:46Oh, yeah, baby, come on.
26:47Oh, yeah, come on, come on, that's it.
26:50Oh, you're...
26:51Oh, yeah, you're beautiful, come on.
26:54That's it.
26:55That's it, don't stop that, don't stop that.
26:59Oh, yeah, baby.
27:03Oh, God, come on, you're beautiful.
27:05Oh, that's amazing.
27:06Oh, that's amazing.
27:12Can I, uh, get you anything?
27:14No, thanks.
27:16What beautiful flowers.
27:18Oh.
27:20A romantic gesture from Stephen.
27:22Orchids.
27:23Yeah.
27:24They look very fresh.
27:25Yeah, he brought them this morning.
27:27Sorry, how can I help?
27:28We just wanted to check on something.
27:30The gargle bottles you used before the show.
27:33Yes.
27:33You and Amy had separate ones, right?
27:36For hygiene.
27:37Yes, it's just a mix of honey and lemon.
27:39It's just that your fingerprints were found on Amy's bottle.
27:43Well, I must have picked it up by mistake.
27:45And we also found traces of strychnine, which was the poison used to kill her.
27:51That's where we didn't.
27:54I didn't, I didn't do that.
27:56Then why did you try to hide the bottles after the show?
28:01I didn't do that.
28:03Hmm?
28:04Very well.
28:05Tell us about the rose hip.
28:09What?
28:09Traces were found in Amy's bottle.
28:12It's an irritant.
28:14But you know that, don't you?
28:16You scoop out the hair inside the flower.
28:18Oh, look.
28:19You have some in your garden.
28:22Mrs. Morrison?
28:27You have to understand what it was like, okay?
28:29I mean, Stephen just turned up with her one day and said she was singing lead.
28:32There was no explanation, no apology.
28:34I mean, I mean, he said I was talented, that he could fulfill my dreams.
28:40Well, I mean, apparently, those dreams were to sing endless backup for someone prettier
28:45and more talented than me on some tacky party boat.
28:48I didn't, I didn't want to hurt her.
28:54I just wanted to ruin her final performance.
28:58I know that's petty and childish.
29:00I even asked Grant for something from the kitchen, a chilli maybe, but when he talked me out of it,
29:04I used the rose hip instead.
29:06I swear, I swear to you I didn't kill her.
29:11I just wanted to humiliate her.
29:13The way I'd been humiliated, I knew the bottles would be found.
29:18And if the rose hip was traced back to me, I mean, everyone knew I hated her.
29:21I thought she had an allergic reaction, I panicked.
29:26So you admit you hid the bottles?
29:29Yes.
29:29Eloise Morrison, I'm arresting you on this special...
29:31No, wait a second, wait a second, wait a second.
29:36We're not arresting her.
29:37She's practically admitted it.
29:39Camille, you're not thinking straight.
29:40Why use rose hip and poison?
29:41Think about it.
29:42Why try to humiliate someone when you know they're going to be dead in five minutes anyway?
29:46It doesn't make sense.
29:52My colleague and I have discussed the situation and we have decided we would like you to surrender
29:57your passport and phone into the station every hour.
30:02So sorry, am I under arrest or not?
30:04Not yet, no.
30:05I know she's a strong suspect, but that's not enough.
30:16The orchid at her house.
30:18Which she said came from her husband.
30:20Recognise this?
30:22What is it?
30:22It's a petal from Phalaenopsis, an orchid.
30:26No?
30:27That's odd.
30:28I understand it's your romantic flower of choice.
30:30I really don't understand what you're getting at.
30:32I think you do.
30:33This morning, before we saw you on the boat here, can I ask where you were?
30:37Not sure.
30:38I suggest you gave Amy some flowers and after her death, believing they might implicate you
30:44in some way, you went to her apartment and retrieved them.
30:46And waste not, want not, you then gave them to your wife, didn't you?
30:51It's not what you think.
30:52I dropped those flowers off with Amy yesterday as a last-ditch attempt to try and get her to stay.
30:57Are you having a relationship with Amy Fredericks?
30:59No.
31:00But you wanted to.
31:01No.
31:02Look, when Amy told me she had the money to buy herself out of her contract, I really
31:09thought I was losing her.
31:12So, the flowers were just a stupid idea.
31:15The card with them could have been misconstrued.
31:19By your wife?
31:25You've got to believe me.
31:28Please.
31:29Oh, it must be nice sampling the merchandise in the afternoon.
31:42Relax.
31:44It's not a crime.
31:45No.
31:46But organising the distribution of bootleg liquor is.
31:48You think I'm selling rum to the bar?
31:50Well, you have evidence.
31:52Right.
31:53No, don't.
31:54Look.
31:55If I go into the bar, turn up the heat, someone will rat him out.
32:03No, Dwayne, listen.
32:03I'm in charge, okay?
32:04We have to do this by the book.
32:06In the old days, we would have wrapped him across the head with the book.
32:08We can use a paid informant.
32:17Someone to go in there on our behalf.
32:19Really?
32:20Who?
32:22Him?
32:23You have any better ideas?
32:25That don't involve throwing things around or shouting at people.
32:27All right, so let me get this straight.
32:33You want me to go into the bar and...
32:35Tell them you're having a party.
32:37What sort of a party?
32:38A birthday party.
32:39I bet it's not my birthday.
32:40I think it doesn't matter.
32:41What you need to let them know is you'd like to buy 50, 60 bottles.
32:45See if you can find out the name of their supplier.
32:47I don't know.
32:48I don't really want to.
32:49Hey, hey, hey, hey, hey, hey, hey.
32:51I thought you said you wanted to be a policeman.
32:54Hey, I think of this as a training exercise.
32:56Oh, so it's like a job.
32:58Exactly.
32:59Oh, sweet.
32:59And if I do well, I can be a policeman.
33:03Gore!
33:08The secret of being a good chef is picking the right broad juice.
33:11I mean, look at that.
33:12It's so beautiful.
33:13It seems a shame to put them out of the ocean, kill them, cook them, eat them.
33:15We wanted to talk to you about Amy.
33:17Now, was there anything going on between her and Stephen?
33:21Oh, you wishes.
33:23No, she was a good girl, wasn't she?
33:25More than that, she was smart.
33:26I think she saw him for what he was.
33:28And what's that?
33:29Well, he fancies himself as a bit of an impresario, doesn't he?
33:32But he's just a cheap salesman in an even cheaper suit, if you ask me.
33:36But there were tensions between Eloise and Amy.
33:39She missed her chance at the big time.
33:40And Amy's star was rising.
33:41It couldn't have been easy.
33:43I don't think that makes her a murderer.
33:45Human, maybe, but not a murderer.
33:47You don't think Eloise meant to harm her in any way?
33:49I'm sure she would have liked to have wrung her bloody neck.
33:55Not literally, figuratively, of course.
33:57See, if you'd have listened to me, we'd have been in and out already.
34:10Home and dry.
34:11Done and dusted.
34:12Dwayne, you're not helping.
34:14Hey, go on.
34:21So, um, you got a name?
34:23Whoa, whoa.
34:25Money first, come on.
34:26Name first, then money.
34:28That's how this thing works.
34:32Now talk.
34:35Jealous rival Eloise had opportunity,
34:40but why put Rosehip in a bottle you knew contained strychnine?
34:44Boss Stephen was clearly smitten with her,
34:47desperate to stop her leaving,
34:48but do you really give someone flowers the day before you murder them?
34:52Then there's our mysterious Hawaiian shirt man,
34:55and waiter RJ clearly had access to the shot glass and the oyster,
34:59but did he have access to the gargle bottles?
35:01Why not?
35:02He wants everywhere serving drinks,
35:03and we have no way of knowing when the poison was put in the bottle.
35:07In which case, Grant, the chef, could have done it too,
35:09but we don't have a motive for any of them.
35:12Which brings us back to Eloise again.
35:16Sir, we just got confirmation that the bootlegging is going through Milton Reynards.
35:20Good job, Fredel.
35:21Uh, the commissioner will be pleased.
35:23Yes, but we still don't have any hard evidence on him, though.
35:25Well, it's a start. Pick it up again in the morning.
35:28See if he can get a confession.
35:30Okay.
35:31Oh, and the video camera.
35:32There was a bit of damage, but I managed to transfer it to Stills.
35:35I had to put it up on the board.
35:36Anything new?
35:38No. Not that I can see, no.
35:40So why would he lie about having a camera?
35:42We found him in a local drinking den.
35:44He's supposed to be here on business.
35:47Only he's been squeezing in a little bit of rest and recreation, too.
35:50He met up with a lady friend on the night before the boat party,
35:52and, well, they made a video.
35:55He was worried his wife would find out.
35:57Even I was shocked.
35:59So he's not our killer, either?
36:01No.
36:02Look, it's late.
36:05You, too, you should get yourselves home.
36:08Sir.
36:08Let me tell you I'm all alone
36:22This lonesome road I roam
36:25I've got no love
36:27Call my very own
36:30Oh, the river gets steeper
36:33Hills get steeper
36:35And the pain
36:37Gets steeper
36:38Every day
36:40Yeah
36:41I've got a hard road for trouble
36:44In a rubble, rubble, blaze
36:46Morning, team.
36:50Sir
36:51Camille
36:52Um, how are you feeling?
36:56Better
36:56Thank you, sir
36:57Good
36:58Wow
37:00Everyone's early today
37:01If I'd known, I'd have brought coffee
37:03You two should go and see Milton Raynard's
37:06I promised the commissioner a result in his bootlegging today
37:09He won't know what's hit him
37:10Lebe cola
37:13What?
37:14Come
37:14Let's go catch a rat
37:17Come, now
37:19It's unbelievable, isn't it?
37:29We've got every conceivable angle of the bar
37:31The dance floor and the entrance
37:33Of a single photograph of the backstage area
37:35Where the gargoyle bottles were kept
37:37So we have no way of knowing who put the poison in or where
37:40Except look at the pictures here
37:43Just before Amy comes on stage
37:45Only Eloise comes out from the backstage area
37:48Look
37:48It has to be her
37:52I just wish you'd trust me on this
37:57Yes, going by the book can work
38:00But sometimes the old ways, you know
38:03Getting in their face, shaking them up a bit
38:05Look, look
38:06I can't go intimidating witnesses if I want to be a sergeant
38:08It's not personal
38:09I just don't want to mess this up, okay?
38:11Okay, fine, fine
38:11Go on
38:12You go ahead, I'll catch you in a minute
38:13I don't want to get in your way
38:15Don't be like that
38:16I have a family to support
38:17A future to think about
38:18You know what they should teach you in that sergeant class?
38:20What?
38:20How to relax
38:21I don't need to learn how to relax
38:22No, of course not
38:23Clearly you're very calm and collected
38:26Go on then
38:27Go
38:28You really should get a lock for that door
38:34Haven't we been here before?
38:35What happened to you?
38:36Oh, great
38:37Good cop is now all concerned
38:39What a surprise
38:40Look, Milton
38:40You're going to have to come clean, okay?
38:42We've been given your name as the bootleg dealer
38:44Where are you getting it from?
38:45If you want, I could start going through
38:47All of your financial records
38:48All of your business, everything
38:49I'm sleeping
38:50I need a result on this case
38:51I need my rest
38:52I'm tired
38:53You're tired
38:53Do you know what time I have to wake up in the morning?
38:56Do you?
38:56No, no, no
38:56I don't know either
38:57All I know is that it's dark
38:58I and my baby, she's crying
39:00I've got work
39:00I've got classes
39:01I've got homework
39:02And in between all of that
39:03I'd love to spend some quality time with my wife
39:05But I can't
39:05Because there is no time
39:07And I've had enough
39:07But you tell me who's supplying the hooch
39:09Where are you getting it from
39:10And who did that to your face
39:11Because the sooner I can make a break on this case
39:13The sooner I can get some rest
39:14But if you hold out one moment longer
39:16Tired or not
39:17I will not be held responsible for my actions
39:19Okay, okay
39:20Look, I'll talk
39:21I'll talk
39:21Go in
39:22You need to learn to relax
39:24Oh, thank God
39:27Yep
39:29Sometimes the old ways are the best
39:32Hmm?
39:35What am I missing?
39:39Milton talked
39:39He gave up the names of the people producing the bootleg rum
39:43We can head over and pick it up later
39:44Well, that should get the commissioner off our backs
39:46Well done
39:47You should have seen him, chief
39:48He made me so proud
39:49Oh, by the way
39:52There's something else I think maybe we should keep an eye on
39:55Milton wanted to siphon off some of the bootleg he'd been distributing
39:58You know
39:58Make a little bit on the side
40:00Criminal land's an entrepreneur
40:01How impressive?
40:02So anyway, old Milton's down at the harbour
40:04And he sees this box of empty bottles
40:06Outside the King Papyrus party board
40:08Just sitting there
40:09So he goes to grab them
40:10Then out of the blue
40:11Suddenly
40:12These guys jump him
40:13They beat him up real bad
40:16You see, chief
40:16Empty bottles?
40:18Yes, beer bottles
40:19Palm tree beer
40:20It's a local brew
40:21We'll write it up in your report
40:23Yes, chief
40:24I've spent hours looking at them
40:31Nothing
40:32You know how many murders I've investigated?
40:35I mean, how many of them do you think I had photographs of the murder scene while the murder was taking place?
40:40Maybe we...
40:45What?
40:47Oh my God
40:48Quick, here, look
40:52I can't see anything
40:53No, not the photographs
40:55The, what's it called?
40:56The decoration
40:56The mirror thing
40:57Look
40:57There's Amy getting ready backstage
41:01Then she reaches for her gargle bottle
41:04But look, here, see?
41:06She drops something
41:06And then she's distracted by
41:09Perhaps her music cue
41:11That's it, of course
41:12Then look here, see?
41:13She heads straight for the stage
41:14Which means
41:15She didn't gargle?
41:16But how can that be?
41:17The poison
41:17That's why nothing made sense
41:19We took a wrong turning
41:19We never got back on track
41:20But by focusing on the gargle bottles
41:22We looked away from what was really important
41:24Fidel
41:25The forensic report
41:27On the oyster shell and shot glass, if you would
41:28Yeah, of course
41:32Fingerprints
41:33It's a shot glass and an oyster shell
41:35Said falling on the floor
41:36But I retrieved them myself
41:38So as I haven't been contemplating
41:39That's it
41:41Yeah, but why?
41:43How long have the back been in the summer?
41:45It arrived back this week, Chief
41:46After a nine-week stint in Guadeloupe
41:48Antigua and Tobago before that
41:50Nilton sees this box of bottles
41:52Outside the King Papyrus party
41:53So he goes to grab them
41:54Suddenly
41:55These guys jump in
41:56They beat him up real bad, you see, Chief
41:58Palm tree beer
41:59It's a local brew
42:00The bottle
42:02That's why it wasn't in the fridge
42:06Dwayne, Chief
42:07Go over to Amy Frederick's apartment
42:09There's a beer bottle in one of the kitchen cupboards
42:12Bring it to the King Papyrus as fast as you can
42:14On my way, Chief
42:15Fidel, get everyone together and get them to the boat
42:17Okay, right
42:18Okay, now I know
42:20Where to look
42:21Excuse me
42:22How did you...
42:24There you are
42:30And there
42:31Very clever
42:32Very good
42:33Very good
42:35Two days ago
42:36Amy Frederick's was poisoned and killed
42:38During what was to be her final number
42:40And yet there seemed to be no way it could have happened
42:43She ate an oyster
42:45And, um, drank from a shot glass
42:49When tested, neither showed any trace of poison
42:52Yet there were traces of poison
42:53In the bottle Amy used to gargle with
42:57Along with an irritant
42:58Rosehip
43:00The rosehip
43:02Was put in the bottle backstage by Eloise
43:05The aim
43:06Was to make it impossible for Amy to sing that afternoon
43:09To humiliate her
43:10Yet she denies putting poison in the bottle
43:12I believe her
43:15Not that it matters whether she did or she didn't
43:17Because on the afternoon in question
43:19Amy didn't use that bottle
43:20The poison we found in it
43:22Wasn't what killed her
43:23This whole thing started when Amy was offered a job in Miami
43:28She worked hard
43:29Waiting for her big break
43:30She was determined not to let it slip away
43:32But her boss Stephen didn't want to let her go
43:34He pointed out there was a clause in her contract
43:36Which meant it would cost her $20,000 to buy a cell phone
43:40I'm getting that money
43:41He even tried to seduce her in an attempt to get her to stay
43:45Tried and failed
43:47Amy knew Stephen well enough
43:51To know that he'd quite happily call her producer in Miami
43:54To ruin her big chance
43:55So she decided to try and find the money
43:57She was excited about going to Miami
44:00So she must have found it
44:01Where from
44:02If Amy wasn't killed by the poison in the gargle bottle
44:07How was she killed?
44:12It's simple really
44:13Sometimes it's easy to overlook the obvious
44:17Thinking it can't possibly be true
44:19But it was
44:19Amy was killed
44:20When in plain view of everyone in the room
44:23She ate the oyster
44:24And then she drank the poison
44:26From the shot glass
44:29Because the glass we found
44:31Didn't contain any traces of poison
44:33We missed the other forensic details
44:35All attention was on the gargle bottle
44:37Which was nothing more than a distraction
44:40And I really wish I hadn't done that strange hand wave
44:42The point being
44:44The shot glass
44:45Should have had two sets of fingerprints on it
44:48Grant's because he prepared it
44:50And Amy's because she drank it
44:52Yet there was only one set of fingerprints found
44:54How could that be?
44:55It wasn't the same shot glass
44:56Exactly
44:57And once you know that
44:59Well
45:00You know that only the killer would change it
45:02So therefore
45:04Only the killer's fingerprints would be on it
45:06Hmm?
45:07Isn't that right, Grant?
45:09What are you asking me for?
45:11Because your prints were the only ones found
45:12On the clean shot glass
45:13You killed Amy Fredericks
45:15You've been out in the sun too long
45:18You've fried your brain
45:20You need to see a doctor
45:21So should you
45:21Nasty cut on your hand
45:23Should be more careful
45:25You knew that this being Amy's last performance
45:27Your time was running out
45:29After she drank the poison
45:35It quickly took effect
45:37The tray was on the table
45:39And the table toppled over
45:41But a shot glass
45:42Is small and thick
45:43It didn't smash
45:44With a distraction
45:46You saw your chance
45:47As you swapped it for a replacement
45:51You cut your hand
45:52On the broken glass around it
45:53I think you're probably
45:55Standing round about here
45:56So
45:58You're effectively holding
46:00The murder weapon
46:01And suddenly you have
46:01A police officer in front of you
46:03What do you do?
46:05This perhaps
46:07My guess is forensic examination
46:22Will show yours and Amy's fingerprints
46:24Traces of strychnine
46:25And quite possibly a drop of your own blood
46:27For good measure
46:28When you returned to the boat yesterday
46:31You weren't coming back for your knives
46:32You were coming to retrieve this
46:34From its hiding place
46:35What about motive?
46:39That was slightly harder to establish
46:41But
46:41Well
46:42Once I knew you were the murderer
46:44It was simply a case of working backwards
46:45That and a seemingly random event
46:47A small-time criminal
46:48Was caught trying to steal
46:50A crate of beer bottles
46:50From just on the harbour here
46:52Got very badly beaten up
46:53And I remembered seeing a beer bottle
46:55In the cupboard
46:56At Amy's apartment
46:56I remember wondering
46:57Why it wasn't in the fridge
46:59Dwayne?
47:01Behind the bar
47:01Then it struck me
47:04I knew where Amy was hoping
47:06To get her $20,000 from
47:07It was you, wasn't it?
47:09She was blackmailing you
47:11Because she'd discovered
47:12Your little secret
47:13You'd been using the party boat's movements
47:25From island to island
47:26To deliver drug shipments
47:27You stupid bastard
47:29Eloise told us you knew of her plan
47:31To put something in Amy's gargle bottle
47:33I mean, I even
47:34I even asked Grant
47:35For something from the kitchen
47:36A chilli maybe
47:37But
47:37When he talked me out of it
47:39I used the rose-tips instead
47:41But you saw her, didn't you?
47:42And you put the poison
47:43In Amy's bottle
47:43Assuming Eloise would get the blame
47:45You watched
47:48And waited for Amy
47:48To take the fatal dose
47:50But just as Amy
47:51Was going to drink
47:52From her gargle bottle
47:53She heard her music cue
47:54Your plan went wrong
47:56When you saw she failed
47:57To drink from it
47:58And instead rushed on stage
47:59So you quickly came up
48:01With plan B
48:02You poured a shot of rum
48:05And added a lethal measure
48:11Of strychnine
48:12If Amy had gargle from the bottle
48:17As you'd planned
48:17I'm not sure we could have caught you
48:19But you didn't
48:20And you were forced into making a mistake
48:23One that'll send you to prison
48:25Yeah, well
48:27I don't think you can prove it
48:28I do
48:31Fidel
48:32Unbeknownst to you
48:41Your every move was captured
48:42In the reflective surfaces
48:44Of the party boat decorations
48:46Take him away
48:52Yeah, well
48:58What?
48:58I don't think you can see
48:59Come on
49:01Whatever
49:01I don't think you can see
49:02I don't think you can see
49:03You can see
49:03I don't think you can see
49:04It's a good sign
49:05Well, well.
49:31Evening, gentlemen.
49:35Miles.
49:45For you, all kids.
49:51Stephen may be unoriginal, but he has fairly good taste in floral arrangements.
49:56Why are you giving them to me?
49:58Because I don't really know how to say I'm sorry.
50:01For what happened to your friend.
50:05It doesn't matter.
50:06They weren't expensive.
50:07Richard, you found out where she died.
50:10He was responsible.
50:12You've done enough already.
50:18Did you want me to take them back?
50:20Well, I didn't mean that.
50:22I'm sorry about what I said before about how you didn't have friends.