NYPD Blue Season 2 Episode 5 Simone Says
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00:00Music
00:04Music
00:10Music
00:20Music
00:24Music
00:28Music
00:32Music
00:36Morning
00:38How's it going?
00:46Andy Sipwitz
00:48Oh Andy, Bobby Simone, good to meet you
00:50Yeah
00:58Oh
01:00Um
01:02I
01:04He
01:06He
01:08He
01:10Mr
01:12He
01:14He
01:16He
01:18He
01:20Good morning, Donald.
01:30Good morning, Mr. Smith.
01:35Hey, Lou.
01:38Good morning.
01:40Good morning, Andy.
01:41It's no good. It's not going to work out.
01:43What is it?
01:44I just met this new guy.
01:46Um, Simone?
01:48Yeah, that's not going to work out.
01:50What happened?
01:50Oh, don't get me started.
01:53I mean, his attitude's all wrong.
01:56How you doing this type of thing?
01:59He asked you how you were doing?
02:01Yeah.
02:07Yeah, Fancy.
02:10Mm-hmm.
02:12Yeah, where?
02:14All right.
02:16We got a homicide.
02:18Look, Andy, you're senior in the squad.
02:22I want him with you, at least until he learns a precinct.
02:28I need glasses and everything else.
02:33Yeah, yeah, you're talking about...
02:36Yeah, I'm here to see Adrienne Lesniak.
02:44And your name is...
02:45And your name is...
02:45Hey.
02:57Hey.
03:01Ah, Jimmy.
03:03What?
03:05It's not like you give me a choice.
03:07I'm not here, please.
03:08Oh, then where?
03:10I can't talk to you outside work, because I don't know where you're staying anymore.
03:14I can't call you here because you tell that bitch at the desk not to put me through.
03:18Where am I supposed to talk to you?
03:20We have nothing left to talk about.
03:23What are you looking at?
03:27If you need to know her now, I'm moving you.
03:29Thanks, Mark.
03:30You don't know how much I love you, Amy.
03:34You don't know what I do for you.
03:37You're drunk.
03:38Sit down.
03:39Get up and get the hell away from her.
03:42No.
03:44You back off.
03:47I'm holding a .38 and it's pointing straight at her guts.
03:51Jimmy.
03:52You want to keep this private?
03:53Come on.
03:54Keep it private.
04:01Yeah, yeah, you're talking about...
04:03Hey!
04:04Hey!
04:07Hey!
04:11Hey!
04:13Hey!
04:15Hey!
04:18Hey!
04:20Hey!
04:22Ow!
04:24Oh, yeah.
04:25Ow!
04:27He's from the 2-7, Lieutenant.
04:35He's on the job.
04:36He's under arrest.
04:38Donna, get a DA down here.
04:41Take him to 1.
04:43You happy?
04:44Look what you did to me now, Aiden!
04:46Shut up!
04:48Is this what you wanted?
04:49Yes, Mom.
04:50You like seeing me at this?
04:51How you doing, Lieutenant?
04:52Okay, I got this.
04:53Get to your homicide.
04:54All right.
04:5613th and 3rd.
04:58You break?
04:59I'll live.
05:01Come on, ride with me.
07:04Where are we at?
07:12We're right over here.
07:13Can we check for ID?
07:15No, we're waiting for you guys.
07:17You want me to get started on the canvas?
07:18Hey, you should have one in a uniform for your place on the spot.
07:21I'm sorry.
07:35This is three in the chest.
07:36You see any more hits?
07:42Raymond Alphonse Martorano, Jr., the Bensonhurst address.
07:46Is this the wise guy's son?
07:48There's someone too stupid to change his name.
07:50Hey, Greg, find out if the Emmys respond and let Fancy know we've got a mouth above staff.
07:56Hey, we got a bullet shell right over here.
08:02Okay.
08:05Come on, guys.
08:06Move everybody back away from the crime scene.
08:10You know what?
08:10I need some cones right here.
08:12That man's the superwoman.
08:13You got it.
08:14He said the victim knew one of the tenants.
08:16Mr. Goldman, detective syphilis.
08:18Yeah, hi.
08:18You knew this man?
08:20Mr. Big Star Raymark Toronto, Jr.
08:22We need to tell the lamppost who he was if nobody was around.
08:25Who do you know in this building?
08:272C, Miss Anderson.
08:29You know where I can get in touch with her?
08:30Uh, she's a model.
08:31I'm supposed to call her agency number for emergency.
08:34I'll need that.
08:35It's at 246.
08:38Mom, help me.
08:39Help me.
08:40Mom, my mother's been shot.
08:42Where's your mother?
08:44All right.
08:46Excuse me.
08:47I don't want to figure it out.
08:48I don't want to figure it out.
08:48I don't want to figure it out.
08:49I don't want to figure it out.
08:49I don't want to figure it out.
08:50I don't want to figure it out.
08:51Oh.
09:00She's dead, isn't she?
09:16Yeah, I'm afraid she is.
09:21She was in her own apartment.
09:24She was at her own window.
09:26Sit down.
09:27Sit down.
09:30That's my mother.
09:35I'm sorry.
09:40All right, folks.
09:41I think it was a straight from the studio.
09:56Hey.
09:58Oh, okay.
09:59Hey, Phila.
09:59I'm upset.
10:02Well, IAB just took him to Bellevue on a 72-hour evaluation.
10:06He's a caller, right?
10:08Yeah.
10:09I've alerted the DA and corrections.
10:11So if he goes into the system, we're going to be notified.
10:14You want to put in a 28, Adrian?
10:17Try it again tomorrow?
10:19No, I'd like to try today.
10:21Okay.
10:22But pay attention to how you feel.
10:24Okay.
10:26Thanks.
10:28Hey, I heard there was a second DOA.
10:32Yeah.
10:3382-year-old woman sitting at her window.
10:36The world's coming up here because it was Martorano's son.
10:39Organized crime, intelligence.
10:41Well, now I know the case will clear.
10:43Anything off-canvas?
10:45No witnesses.
10:47He was banging some model who lived at the building.
10:50Simone's finding out where we can pick her up.
10:53How's that going?
10:55Do you know he drove for the commissioner?
10:58I saw that was his last detail.
11:00It takes me 22 years to make second grade.
11:03This guy gets their shoe and away squeegee bums.
11:06Yeah.
11:07Yeah, no.
11:08Kill.
11:09All right.
11:10Just hold on for a sec, will you?
11:12Andy?
11:13The modeling agency told me where she was working.
11:15Can you just give me half a minute?
11:17Yeah.
11:18Hey.
11:19What's going on?
11:21Just seeing to Abruzzo.
11:22Is that the new detective?
11:23Yeah.
11:24Simone.
11:25What kind of name is that?
11:26First or last.
11:27If it was his first name, he'd be a girl.
11:28Last name Simone.
11:29It sounds French.
11:30Hey.
11:31Just listen to me.
11:32I went through a whole lot of trouble getting that red cock.
11:34I'm not going to sit here and argue with you.
11:35You tell Billy for me that he can't come around my place anymore with that blue barred cock.
11:41I'm serious.
11:42Yeah.
11:43All right.
11:44Thanks.
11:45All right.
11:46Thanks.
11:47I breed birds.
11:48I'm not going to sit here and argue with you.
11:52You tell Billy for me that he can't come around my place anymore with that blue barred cock.
11:57I'm serious.
11:58Yeah.
11:59All right.
12:00Thanks.
12:01You tell Billy the guy.
12:02No, you're not.
12:03I'm not.
12:04I don't want to come around.
12:05No, you're not.
12:06No, no, you're not.
12:12I'm not.
12:13You're not.
12:14No, you're not.
12:15All right.
12:16I'm not.
12:17Okay.
12:18I'm not.
12:19I'm not.
12:20I'm not.
12:21You're not.
12:22I'm not.
12:23I'm not.
12:24Do you know what to do?
12:25I'm not.
12:26I'm not.
12:27I'm not going to get the slash.
12:28What?
12:29You're not.
12:30I'm just.
12:31Is that a dress?
12:33Yeah, you live on 7th Avenue.
12:37Must be very interesting, raising pigeons.
12:40Yeah, it's a lot of fun.
12:43You know, it gets you outdoors.
12:46You guys and your hobbies.
12:51All right, let's go.
13:01Okay, once again, nice and soft, not to camera.
13:11Don't pose, real relaxed, real pretty.
13:15This isn't gonna help.
13:19Excuse me.
13:21Can I help you?
13:23Yeah.
13:24Is any of these people Paula Anderson?
13:27Yes.
13:29Well, you want me to guess?
13:32How long will this tie her up?
13:34Well, we won't know how long until we talk to her.
13:37And it couldn't wait until after she finishes work?
13:41No.
13:43Yeah.
13:44I'll get her.
13:45Thank you very much.
13:47Do you want us to wait over there, maybe?
13:52How's it going, pal?
13:56Paula, police want to get you.
13:59What a country, huh?
14:00Yeah.
14:01We have to take her.
14:06Okay, we're gonna relax a minute.
14:11Okay, we're gonna relax a minute.
14:21Yeah.
14:22You Paula Anderson?
14:23Yeah.
14:24I'm Detective Sipowitz.
14:25This is Detective Simone.
14:28What's going on?
14:29Yeah.
14:30Do you know Raymond Martrano, Jr.?
14:34Yeah.
14:35When was the last time you saw him?
14:38Well, he partied last night, and then I had to come to work.
14:42You left him at your apartment.
14:45What's going on?
14:47He was murdered this morning outside your building.
14:50Your downstairs neighbor was killed by a stray bullet.
14:56Which downstairs neighbor?
14:59Mrs. Savino.
15:06I don't know anything about it.
15:09Why don't you come down to the station house with us and let's get the background on this.
15:14I'm working.
15:15Well, now you're not working.
15:17Now you're coming down to the station house with us.
15:22Why don't you just get dressed, Paula?
15:24Okay.
15:25Okay.
15:26Okay.
15:27Okay.
15:55Mrs. Davis?
15:56Yes?
15:57I'm Adrienne Lesniak.
15:58You asked to speak with the detective?
15:59Oh, uh, yes.
16:00Um, but is there a male detective I could speak with?
16:01I'm the detective available right now, Mrs. Davis.
16:02Why don't you tell me why you're here?
16:04Well, I can't be here too long.
16:05I work.
16:06Why do you feel you need to speak with the detective, Mrs. Davis?
16:07Why don't you tell me why you're here?
16:08Well, I can't be here too long.
16:09I work.
16:10Why do you feel you need to speak with the detective, Mrs. Davis?
16:11Well, I just wondered if someone, uh, like a police detective could, um, talk to my husband.
16:28About what?
16:29Um, well, we have a daughter who's 14.
16:45And?
16:46Well, since she was very young, Arthur would help her say her prayers.
17:14And, um, he would be in her room, oh, sometimes 20 minutes.
17:24And, um, about three years ago, he started, uh, closing the door and staying in there.
17:42Staying for how long?
17:43He doesn't come to our bed anymore.
17:48He doesn't sleep with me.
17:50He, he sleeps with her.
17:51Now, I don't know what goes on in there.
17:57Well, have you asked him about it?
18:01Boy, I can't do that.
18:04I...
18:05That would sound like an accusation.
18:08Well, what about your daughter?
18:09What does she say?
18:10I haven't mentioned it to her.
18:14Well, why not?
18:16Well, she's still a child.
18:19Mrs. Davis, are you saying your husband's molesting your daughter?
18:23No, no, I, I haven't said that.
18:30I, I can't say that for certain.
18:34Well, we can't investigate unless you or your daughter alleges a crime.
18:39Couldn't you get someone to just go talk to him?
18:45Mrs. Davis, I think you need to bring your daughter in.
19:02I, uh, I left home around 6 a.m.
19:07I didn't wake up Raymond.
19:09He liked to sleep late.
19:11Did he, uh, talk about meeting anybody this morning?
19:15No.
19:16You know any of his friends?
19:18Well, I don't know that I'd call them friends.
19:21I mean, I knew a couple of his business partners, but no.
19:25Friends, not lately.
19:28Why is that?
19:29I don't know.
19:31Raymond didn't talk much about it.
19:33I just knew that they weren't getting along.
19:36So who were the partners?
19:39Well, um, the only one that I actually knew was Jerry Lippman.
19:44He was a jobber.
19:46Heather's heavenly bridal wear.
19:49I did their fall show.
19:52That's how I met Raymond.
19:54He was hitting on all the models.
19:56Yeah.
19:58Can you think of anyone else maybe that Raymond didn't get along with?
20:04I don't know.
20:06You know, I, I wasn't seeing him for that long.
20:09I mean, I never even met his family.
20:12But, I mean, you know who they are.
20:17Who?
20:19Come on.
20:21His father's totally mobbed up.
20:24How do you know that?
20:25Raymond bragged about it.
20:27So that didn't bother you?
20:29No.
20:30Why wouldn't it bother me?
20:32You know how those wise guys are.
20:34They like to spend their money.
20:36I mean, every time we'd go into the clubs, we were treated like royalty.
20:40Before we even got to the table, Raymond would knock off like $50 and think nothing of it.
20:47He ever tell you he was afraid of anybody?
20:53No.
20:54Raymond would never admit to me that he was afraid of anybody.
20:59That just wasn't like him.
21:02Mm-mm.
21:03Aside from Raymond, you seen anybody else, Paula?
21:08I work a 12-hour day.
21:12I come home and I collapse.
21:15Now I'm a little wiped out here.
21:17Can I go home?
21:18No.
21:19No, just sit here and relax for a while, okay?
21:22Can we get you something like some coffee or coke or something like that?
21:29Yeah.
21:30Yeah, Diet Coke.
21:32And can I ask something to eat?
21:35A yogurt?
21:37A salad?
21:39Yeah.
21:40There's a store around the corner of me, right?
21:42Yeah.
21:43I'll take a walk.
21:44I'll get you a yogurt.
21:49You think there's a second boyfriend?
21:51Maybe she'll tell us after she eats.
21:54Now what does that mean?
21:56We're moving too slow for you here?
21:58I don't generally cater for them until after they give something up.
22:02Yeah, well, everybody's got their own approach, right?
22:04Raymond Martyrano's lawyers at the catching bench.
22:07When you guys talk to them, I've got organized crime in my office.
22:11Look, Andy, you worked a long time with your last partner.
22:16And me and you, we're not always gonna start on the same page.
22:21Yeah.
22:22I'd have scared her more about the goombas.
22:25You know, it's better to cooperate with us than to take a beating from them.
22:29But like you say, everybody works their own way.
22:32Well, I was just leaving a little room.
22:34If there was another boyfriend, maybe she wouldn't want him to take the beating.
22:38That's a way to go.
22:42I hope you're not the sensitive type.
22:44Sensitive? No, not usually.
22:46So, uh, you take this lawyer and I'll go get the yogurt, huh?
22:54I'm Detective Sikowitz.
22:56They have Phillip Fox representing Raymond Martyrano.
22:59Is there somewhere we could talk?
23:00I'm already here.
23:03Alright, Detective, let's not make this adversarial.
23:07I'm simply asking the police to provide some basic facts
23:10so that Mr. Martyrano can begin to understand this tragedy.
23:15Is there any chance I can speak directly with Mr. Martyrano
23:18and get some basic facts back?
23:21He's grief-stricken.
23:22He's in no condition to talk to you.
23:24Okay.
23:26Well, tell Mr. Martyrano Raymond Jr. was shot leaving an apartment building.
23:31One of the bullets ricocheted and killed an 82-year-old woman.
23:35You tell him that we're at the preliminary stage in our investigation.
23:40Any developments, we'll let him know.
23:43Look, Detective Sikowitz, whatever your prejudices may be about Raymond Martyrano,
23:48this is a father who just lost his eldest son.
23:52Hey, lawyer Fox, you want me to give up some names
23:56so your client can kick ass in the streets and kill another innocent bystander?
24:00You tell Mr. Martyrano I'm sorry for his loss,
24:04and he will get the cooperation that he gives.
24:08I'll report our conversation.
24:10And I'll go back to work.
24:35Savino?
24:36Yes?
24:37Detective Simone?
24:39Oh, yes. You were there this morning.
24:41I came to see how things were going, and maybe I could provide some information.
24:48Why don't we sit over here? What sort of information?
24:52After you left, I remembered some facts that might help on the case.
24:56I remembered something my mother told me the day before,
25:01that she'd seen a black pickup truck, not normally parked on the block,
25:06that was there two times or more last week.
25:10Huh.
25:12Well, you see what I mean?
25:14You know, she might have seen something pertaining to this truck,
25:18and with the people involved, maybe they're the ones who did it.
25:22This morning when I went out, it was there again.
25:25A black pickup truck with tinted windows, you know, so people can't see in.
25:32Mm-hmm. All right. Black pickup, tinted glass. Front and rear?
25:36Just rear. I wrote down the license.
25:39I gotta tell you, Miss Savino, it's highly unlikely that there's a connection here, but we'll check it out.
25:44Should I photograph the truck, do you think?
25:47I think we have all we need on that.
25:51The more you love someone, the harder it is to understand when they've been taken.
25:54I know there's a chance it was an accident. You know, just an accident.
26:10I tell myself that.
26:11But then I think, well, how many people's mothers get shot by accident?
26:24It doesn't make any sense.
26:26No, it doesn't.
26:30I'm sorry if I wasted your time.
26:32No, not at all. You got my card.
26:34What do you mean I should have called you?
26:36No, no.
26:38I'm just reminding you that you got it.
26:41You call me, you get in touch with me whenever you want.
26:44All right, thank you.
27:03Detective.
27:05You know, Papa, we didn't get to say hello.
27:08Bobby, Simone.
27:10Pleased to meet you, Dan.
27:11That was the last time we saw it.
27:14Yeah, thanks.
27:17So, Jerry Littman with two T's says Ray Jr. was deadbeat.
27:23He stiffed him on some dough they weren't going to business with,
27:26but Ray had such a bright personality,
27:28he had such a happy time with the bins and the recreational stimulants
27:33that Jerry could never stay mad.
27:35What do you say about Paul?
27:37She's the model for him. She's from Elizabeth, New Jersey.
27:39And, uh, before Raymond, she was seeing some guy that hauls bricks.
27:45He came into Littman's showroom with cement on his shoes.
27:49Come on, let's go.
27:52Did he tell you this guy's name?
27:54Uh-uh.
27:56I think he says Paul and him were a pretty heavy item.
27:59Uh, listen.
28:03It's a good thing you left room for the boyfriend.
28:05How are we doing here, Paul?
28:07Oh, great. Thanks. Yeah, it's real great.
28:09I got your yogurt.
28:11When can I go?
28:13That shouldn't be too long now, right?
28:15Look, if you have any questions, just ask them.
28:17You know, I'm kind of going crazy in here.
28:19What is the problem?
28:20My problem, Paul, is that I just don't believe you. That's my problem.
28:22Well, I don't understand what you're saying. Are you saying that you don't even believe that I was seeing Raymond?
28:25No, I heard all that.
28:26I mean, I heard all about the clubs and how you were treated like royalty and all.
28:28But then, you know, we hear about Elizabeth, New Jersey.
28:30So?
28:31What's that supposed to mean?
28:32Everyone's got to come from somewhere, right?
28:33You go back there every weekend, Paul?
28:34No.
28:35No.
28:36No.
28:37No.
28:38No.
28:39No.
28:40No.
28:41No.
28:42No.
28:43No.
28:44No.
28:45No.
28:46No.
28:47No.
28:48No.
28:49No.
28:50No.
28:51No.
28:52No.
28:53No.
28:54No.
28:55No.
28:56No.
28:57No.
28:59No.
29:00No.
29:01No.
29:02No.
29:03No.
29:04No.
29:05No.
29:06No.
29:07No.
29:08No.
29:09No.
29:10No.
29:11No.
29:12No.
29:13No.
29:14No.
29:15No.
29:16No.
29:17No.
29:18No.
29:19No.
29:20No.
29:21No.
29:22No.
29:23No.
29:24No.
29:25No.
29:26No.
29:27No.
29:28No.
29:29I'm still alive.
29:32All right, Paula, listen to me, all right?
29:35Whoever did this, we're not the only people looking for him.
29:38Do you understand what I'm saying?
29:40Raymond's family?
29:41Whoever did this, he'd have a lot better chance in here with us
29:45than he would outside in the street.
29:48Now, if it's somebody that you cared about...
29:50It is somebody that you cared about, right?
29:57See, I understand that.
30:00Maybe if it was me, I'd be here doing the same thing.
30:03But I want you to think about something.
30:06I want you to think about the position that this person is in.
30:11Somebody out there is going to find him.
30:13And you go to jail?
30:17No, nobody can say anything like that at this point.
30:20See, because we don't know the circumstances.
30:23See, if Raymond had a gun and threatened him,
30:25that could totally change things.
30:27Who's your boyfriend, Paula?
30:37Come on, now.
30:38Look, I know you love him.
30:40I know you're trying to protect him.
30:41I respect that.
30:43But you know what you're doing here is not going to help him.
30:46It's going to get him killed.
30:47It's not...
30:53It's not his fault.
30:57It's my fault.
30:59It was because of everything that I was doing.
31:08His name is Patty Perkins.
31:10I can tell you where he works.
31:17Good.
31:17Good.
31:17We're looking for Patty Perkins.
31:44There's an oil wash.
31:46He's over there.
31:47He's eating a hot hat to go over there.
31:49Yeah, okay.
31:51Hey, you Patty?
31:52No.
32:00Hey, Patty around?
32:03Yeah.
32:04That's me.
32:06Got a minute?
32:08You're going to have to take a ride with us, Patty.
32:10What's this about?
32:12Your name was mentioned in an investigation that we're working on.
32:15You come to the station house with us and we're straightening it all out, all right?
32:18Come on.
32:20Everything all right, Patty?
32:22You guys are cops.
32:22You want me to go with them?
32:24Yeah?
32:25Well, what do you want to do?
32:26Why?
32:26You writing a book?
32:28It's all right, Terry.
32:29It's all right.
32:29I'll go with them.
32:30Hey, I know the law.
32:31If they got no warrant, you don't have to go nowhere.
32:34Hey, Patty's cooperating here.
32:36Now, you stay out of this.
32:38Nobody asks you anything.
32:39Yeah, well, I work with the guy.
32:41You know, I'm telling him his rights.
32:43Yeah?
32:45What about your rights to getting your ass kicked, getting Collard, or winding up in night court?
32:49You want to go for those?
32:50Huh?
32:51Let's go.
32:53It's all right.
32:55I didn't think so.
32:58Come on.
33:07Allison, your mother told us this morning that there are some things going on in your home.
33:12I don't know why she came here.
33:15I don't know why she brought me here.
33:16She told us your father's been sleeping with you in your bedroom.
33:22Is your father having relations with you, Allison?
33:26Don't I have the right to talk to an attorney or something?
33:29No one's accusing you of anything.
33:32If anyone did anything wrong, it would be your father.
33:35My mother lies.
33:37Why would she lie about something like that?
33:40I don't know, but it's not true.
33:42Your father isn't having relations with you?
33:45No.
33:46Why don't I bring your mother in here?
33:52Allison?
33:54Why don't I bring your mother in here?
34:00Okay.
34:08You've got everything.
34:10Yeah, great.
34:11Yeah, no problem.
34:12Could you come in for a second, Mrs. Davis?
34:14No.
34:14Sit down.
34:24Sit down.
34:24Allison said her father hasn't been intimate with her.
34:42How can you do this?
34:44I have to do this.
34:45It can't go on.
34:47You know what they'll do.
34:48They'll take me away.
34:50Allison, that isn't true.
34:51You can't go on, Allison.
34:58Allison, I can't live with it anymore.
35:01You can't make me say anything.
35:04You can put me in jail, but I'll never say anything.
35:07Honey, please.
35:09Allison, I'm only trying to help you.
35:12No.
35:14No.
35:16I'm not afraid.
35:18I'll go to jail.
35:19Allison, no one's going to put you in jail.
35:21But you can't hide from this any longer.
35:26We have to do something about this.
35:29Don't you want it to stop?
35:38Tell me what he did to you.
35:43He touched me.
35:44And he showed me how to touch him.
35:49Oh, God.
35:58What could I do?
36:01He's my father.
36:08When did it start?
36:09I don't know exactly.
36:12It was before I got my periods.
36:15When he began sleeping with you, what did he do?
36:22He does everything.
36:27You know everything.
36:28Everything.
36:39Hey, sit down.
36:42So am I under arrest?
36:44No, you're not under arrest.
36:46So what's going to get me back to the job?
36:48I mean, what's this about?
36:50I'm losing a day's pay here.
36:52Petty, where were you between 6.30 and 8 this morning?
36:57That's easy.
36:58I was sitting in traffic in the tunnel.
37:01Did you drive in with anybody?
37:03No.
37:04But you can check with Tommy Doyle.
37:07He's an oiler on the same crew.
37:08He was late, too.
37:10Yeah.
37:11All right, maybe we'll talk to him.
37:15Petty, we've been talking to Paula.
37:18Paula Anderson?
37:19Yeah.
37:21Won't she have some kind of trouble?
37:22A guy named Raymond Martirano was shot in front of her place.
37:29But she's okay?
37:30Yeah, she's okay.
37:32She ever talked to you about this guy, Raymond Martirano?
37:36No.
37:36We don't see too much of her anymore since she moved away from Elizabeth.
37:42She gave us the impression that two of you were pretty close at one time.
37:46Yeah?
37:47Yeah?
37:48No, we were.
37:50Did you know that she was going out with Raymond for the last three months?
37:54No, I didn't know that.
37:56I guess I don't know too much about what she does since she moved to the city.
38:01I don't know too much about it.
38:02I don't know too much about it.
38:03I don't know too much about it.
38:04This is Mark Martirano's a mob guy.
38:07A real scumbag.
38:09I guess they caught up with her.
38:12An elderly woman lives in one of the apartments, was sitting at her window.
38:17She got hit by a stray bullet.
38:19Is she going to be all right?
38:23She's dead.
38:25I'm sure no one meant to kill that woman.
38:27You know, but until we find out why the guy was killed, we got to treat that one as an intentional murder also.
38:35But we know it wasn't.
38:36Yeah, well, I didn't shoot anybody.
38:43All right, Patty, we got to check out a few things.
38:48Why don't you take the time?
38:50Think if there's any way you can help us.
38:54Hmm?
38:57Okay.
39:06I'm sure someone transposed license plate numbers.
39:15I've never had an auto accident, and I've never been in Albany in my life.
39:18There may be some clerical mixing right over here.
39:21In any case, I don't know why we could have done this by phone.
39:24Ah, well, they need a personal interview for the phone.
39:29Hey, step right in.
39:36Uh, to tell you the truth, Mr. Davis, uh, we're not going to be, uh, talking about any auto accident in Albany.
39:54What do you mean?
39:56I think you know what we're going to be talking about.
39:58I have absolutely no idea.
40:01Are you saying you brought me here under false pretenses?
40:04Sit down.
40:06Uh, one of our detectives has taken a complaint about you from your wife and daughter.
40:21They've made some very disturbing statements.
40:24I'm dumbfounded by this.
40:27A lot of people have very strong feelings about the things that your daughter says you've done.
40:33I want to talk to Alice.
40:35They tend to focus on punishment, which in your case would be prison.
40:41Prison?
40:42That's right.
40:45Now, uh, I'm a family man.
40:50I know how important it is to keep families together.
40:52Well, that's certainly true.
40:54And based on what your daughter has said, I think you're being forthcoming, it's the best chance of keeping the situation under control.
41:04Well, uh, uh, you know, uh, you know, that's the other way you could go.
41:19Uh, then it goes to the DA, it's out of my hands.
41:21What would be the alternative?
41:25Something like counseling?
41:28Yeah.
41:29Well, I, I, I'd need your help on something like that.
41:33You'd have to make a, a, a statement of corroboration.
41:37An admission that I'd done something.
41:40Yeah, it, it, it, it would have to conform to, to what your wife and daughter have said.
41:46What did they say?
41:48You know, spending the nights with your daughter, uh, physical touching and penetration and so forth.
41:57Um, otherwise, you see, if the, if, if it's in dispute, uh, it has to go to the DA.
42:06I love my daughter.
42:10I would never do anything to hurt her.
42:13You think I might, uh, qualify for, for counseling?
42:19In that regard, a statement is absolutely a best shot.
42:27Oh, my family is everything to me.
42:47I'll do it.
42:50All right.
42:57We're going to, uh, have a formality here.
43:02I'm going to give you your Miranda rights, and you're going to do a statement.
43:08You have the right to an attorney.
43:10I know my rights.
43:11Let me just finish this.
43:14You have the right to remain silent.
43:15You have the right to answer any questions.
43:17Patty, I know you're a decent guy.
43:45I think you want to do the right thing and help these people who lost their mother.
43:51You got to know what they're going through.
43:55You ready to do the right thing, Patty?
43:59When Paul and me, we've been together since we're 11 years old.
44:04I love her.
44:08Guys used to make fun of me because I love her so much.
44:11When I got money saved, I was going to get us a place in Raleway.
44:15How did you find out that she was seeing Raymond?
44:18Guy from over in Elizabeth.
44:21He's an electrician who was working on 7th Avenue.
44:24He saw him.
44:25He told me about it.
44:28I didn't want to believe him.
44:30I had to see it for myself.
44:34When I got money saved, I was going to buy us a place for the nice yard in Raleway.
44:39So, uh, what'd you do?
44:41You waited outside in front of her place and you saw him come out?
44:45Yeah, he came out.
44:48Yeah.
44:49Did he see you?
44:51Did he threaten you or anything?
44:54No.
44:56It's just the way he walked, that prick.
44:59You know, like he'd just taken away my life and he felt good about it.
45:03So, he sees me, I tell him I want to talk to him.
45:08Tells me to kiss his ass.
45:11So, I tell him he should leave her alone because he probably doesn't even love her.
45:16Then he sees that I got a gun.
45:19Did you have the gun out?
45:20No, it was just in my belt.
45:23Then he goes for me and he raises up his hand.
45:26So, you guys struggled, huh?
45:28Not really.
45:30He made, like, these little burping noises every time the bullets hit him.
45:43I'm sorry about that lady.
45:51Take a little break, huh?
45:52Then we'll go talk to the DA.
45:56Sure.
45:58In your statement,
46:01if you remember there was a struggle for the gun,
46:04if that should come back to you, remember to say that.
46:09One thing,
46:12you think I could see Paula?
46:15I just want to tell her, uh,
46:17I just want to see her.
46:21Yeah, we'll try to work something out.
46:39So, I'll get the mutants, okay?
46:41Try to help the guy with his story.
46:43He wants to hold hands with his girlfriend.
46:44Keep an eye on the guy.
46:51Lieutenant.
46:52Yeah.
46:52The kid in, uh,
46:54interrogation 2, he, uh,
46:56he turned over.
46:57He did it.
46:59Is that satisfactory?
47:02Yeah.
47:04Yeah.
47:05This will do the trick.
47:11Get up.
47:12Mr. Davis,
47:17I'm placing you under arrest.
47:20This is just another formality.
47:23Yeah.
47:24Yeah.
47:25This is the formality that puts you in jail.
47:28What are you saying?
47:29You promised I'd get off with counseling.
47:32Someone else will make that decision.
47:34I'm putting you under arrest.
47:36You lied to me.
47:39You promised me if I made a statement,
47:41I wouldn't have to go to jail.
47:43I said a statement's your best shot.
47:45The DA makes the decision.
47:48You want my opinion?
47:51I hope they put you away.
47:53You sick son of a bitch.
47:54Will she have to make another statement?
48:01Well, that'll be it for today.
48:03The DA will be in touch with you.
48:06You bastard!
48:08Come on, Mrs. Davis.
48:09You've got nothing to say.
48:10Allison, remember what Daddy told you.
48:13You never talked to her!
48:14Going into the system, Mrs. Davis,
48:16let's go back inside.
48:17Remember what Daddy told you.
48:19Hey, Pa.
48:40So you gonna punch him up or what are you doing?
48:49So here we are, huh?
48:54Yeah.
48:57From one minute to the next,
48:59everything's just...
49:01just gone.
49:03I am so sorry.
49:07I am so sorry for hurting you.
49:10Just don't hate me, okay?
49:12Just try not to hate me.
49:15Hate you?
49:16I could never hate you.
49:21That's just something I could never do.
49:23You know that.
49:29Don't you know that?
49:33Sure you gotta know that.
49:36Huh?
49:39You gotta know that.
49:41So I'll see you later?
49:50Yeah, I'll see you at your Jetty's.
49:52He wants to buy us a beer.
49:55Oh.
49:56Seems like a nice guy.
49:58You wanna invite him to dinner?
49:59Hey, I'm working with this guy.
50:02I'm not looking to adopt him.
50:04I'll see you.
50:05Yeah.
50:07Andy's in the hall.
50:08All right, let's go.
50:09Hey, good job today.
50:12Hey, thanks, Lieutenant.
50:14Lucky I gave you the full orientation.
50:16So is this quieter around here, huh?
50:18All right, guys.
50:20Yeah.
50:22All right.
50:22Are we ready?
50:23Yeah, all right.
50:23And the soda.
50:35Thanks, Bobby.
50:36Yeah, thanks a lot.
50:38Thanks for making me feel welcome, guys.
50:40So, uh, he raises pigeons.
50:49Is that right?
50:50Racing homers.
50:52Flown him since I was a kid.
50:54Yeah, uh, what's the actual limit there?
50:57You know, the farthest they can actually return from.
51:00I've had him come back in 500 miles.
51:03He must be some kind of trainer, huh?
51:05He isn't training.
51:06That's what's inside of him.
51:10I had these 10 birds, and I took them up to Maine with me, right?
51:15An hour after I get back home, I'm standing up there on the roof, and I'm just watching them come in.
51:21Every single one of them, I made it back.
51:22I raised fish.
51:26Is that right?
51:28Oh, yeah, that's a big hobby with Andy.
51:30Salt water tropicals.
51:33See, there's a hobby I never understood.
51:35I mean, I had some buddies that raised pigeons, but...
51:39I got a clownfish couple that, uh, just had eggs.
51:44The morning when I'm having my coffee, the male, he cleans each egg with his mouth.
51:52Never breaks one.
51:54And then the whole day while I'm working, him and the wife are guarding that nest.
51:59They fan water all over their eggs.
52:03Those are dedicated fish.
52:05You seen that kind of thing in pigeons?
52:11Pigeons make good parents.
52:14Anyways, uh...
52:15I gotta go.
52:16Yeah, I gotta go, too.
52:18All right.
52:19Thanks for the beer, Bobby.
52:21Hey.
52:21Yeah, me too.
52:22I'll see you tomorrow, huh?
52:24I'll see you guys.
52:25Yeah.
52:26Yeah.
52:27Make it easy.
52:28Good night, Dave.
52:30Good night, guys.
52:33Yeah, great.
52:34Thanks.
52:34Good morning, Brad.
52:38Feels good being back out in the street, Andy.
52:44I forgot how much I missed it, you know?
52:48So, uh, you took that PC job for what, uh, fast career track?
52:56I needed something with regular hours.
52:59I had some problems at home.
53:01My wife had breast cancer.
53:11She died last year.
53:13I thought it had to be tough.
53:21I'm sorry.
53:21Look, I'm meeting a friend for dinner.
53:29Want to join us?
53:32Thanks, Andy.
53:33You know, you know, I'm gonna go back and I'm gonna do the fives on the case.
53:37Don't let me discourage you there.
53:39So, uh, I'll see you tomorrow, huh?
53:47Yeah.
53:48Bye-bye.
53:50I'll see you tomorrow, huh?
53:51I'm gonna go back and I'll see you tomorrow, right?
53:53Sounds good.
53:54All right, hold on.
53:55Okay.
53:56Thanks a lot.
53:56Hang on again.
54:57Greek stuff from those Greek places.
55:02You know, those grape leaf rolls.
55:05Dolma.
55:06Sylvia stopped for it.
55:08The ADA you met.
55:10Thanks.
55:10Yeah, it was her idea.
55:23So, uh, I got about halfway through the interview, sir.
55:27Yeah, yeah.
55:29Let's just divvy up what you got left there.
55:32I got over glasses now.
55:56It's all like paperwork, man.
56:02Yeah, I just need them for reading.
56:44Bye-bye.
56:46Bye-bye.
56:46Bye.
56:51Bye-bye.
56:57Bye-bye.