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00:01I'm not going to change my life
00:07What is it?
00:10I'm going to go home
00:13I'm not going to walk here
00:17I'm not going to be all alone
00:20I'm not going to be a little longer
00:23I'm not going to die
00:25Ellie leave?
00:27Yeah.
00:29Maybe you should get out of here.
00:33I know.
00:35Just wrapping up.
00:37Sorry.
00:39I love the work.
00:41Maybe you should get out of here.
00:43I know.
00:45Just wrapping up.
00:47Sorry.
00:49I love the work.
00:51I love the work.
00:53Jesus.
00:55Oh...
00:57Gah!
00:59Gah!
01:01Gah!
01:03Gah!
01:05Gah!
01:07Gah!
01:09Gah.
01:11Gah.
01:12Gah!
01:13Gah!
01:22Gah!
01:23Help!
01:26Help!
01:31God damn it!
01:36Oh, my God.
01:48Is she okay?
01:49Hey!
01:53Helly.
01:55Mark, get in the elevator.
01:56Helly!
01:57Helly!
01:58Get in the elevator!
02:07Is she okay?
02:19Oh, my God.
02:24Judd?
02:25Mr. Scott here.
02:26Have a good evening.
02:27Will do.
02:28Same to you.
02:29You can also be good.
02:32Sorry.
02:33I'm sorry.
02:35I'm sorry.
02:37Hey, awesome.
02:39Hello, my Ooh, my dear.
02:41Who's in here?
02:43This is a new one.
02:44I'm sorry.
02:45What's your name?
02:46Did you see a month off this episode?
02:47Your name?
02:48I'm sorry.
02:50I'm sorry.
02:51I'm sorry.
02:52I'm sorry.
02:53I didn't say anything.
02:54I'm sorry.
02:55I didn't say anything.
04:34Have a seat walk.
04:38She's in the hospital.
04:51She has severe bruising, but thankfully, no permanent damage.
04:56Okay.
04:58Okay, so you're letting her go.
05:00Helly Zaudi has no intention of resign.
05:02But she almost died.
05:04I mean, she doesn't want to be here.
05:05And she will be back at her desk in a few days.
05:08Is that enough time?
05:10This happened on your watch, Marques.
05:18And you can thank Keir himself it went the way it did.
05:24Have a productive day.
05:26Okay.
05:28Okay.
05:52I'll see you.
05:58What is it to fail?
06:01My failure to break into the literary world in my 20s was devastating,
06:05yet it taught me a vital lesson,
06:08that it was not me who was wrong,
06:11but literature itself,
06:14and that to truly find my place in that world,
06:17I would first need to break it entirely.
06:21And so I did.
06:23A society with festering workers cannot flourish,
06:26just as a man with rotting toes cannot skip.
06:32What separates man from machine
06:35is that machines cannot think for themselves.
06:38Also, they are made of metal,
06:41whereas man is made of skin.
06:43If you are a soldier, do not fight for my freedom.
06:46Fight for the freedom of the soldier fighting next to you.
06:51This will make the war more inspiring for you both.
06:56A good person will follow the rules.
06:59A great person will follow himself.
07:01Bullies are nothing but bull and lies
07:05at the center of industry.
07:08This dust, they cannot crucify you
07:13if your hand is in a fist.
07:16Should you find yourself contorting to fit a system,
07:19dear reader,
07:21stop,
07:23and ask if it's truly you that must change,
07:26or the system.
07:31Ran the diagnostics.
07:33And?
07:34Full synaptic coupling.
07:37Peter Kilmer's memory was reintegrated.
07:41You were right, Harmony.
07:44We should celebrate.
07:51I figure you'll take a beat before telling the board,
07:53especially after what happened with L.A.R.
07:55Jesus, you haven't told them.
08:04Comm the chip data for source signatures.
08:07It's saved, so you can keep it.
08:12A gift.
08:14Please find out who did this.
08:16I'd like to deliver everything to the board at once.
08:30Oh, shit.
08:31All right, Mark, it's Rickon.
08:33Listen, I know you're still in, um, severed Mark form,
08:36but, uh, Devin's at four centimeters,
08:39so this baby is officially coming.
08:41Uh, we're headed to the birthing retreat now,
08:43so please come.
08:44Mark, Rickon again.
08:46We're at the retreat,
08:47and the child is continuing toward the birth canal,
08:49so it would be really great if you were here.
08:52I don't know if they let you have your phone down there.
08:55Oh, actually, if this is Mark's work self,
08:58please tell him Rickon said to come quickly.
09:01Mark, we're still here, wondering if you're lost.
09:04We are in cabin six, which is through the gate,
09:07and at the end of the row,
09:08it's, um, one of the more affordably sized units,
09:11but you should be able to find it.
09:13Please do come soon.
09:24Oh, hey.
09:25Hey.
09:26Hey.
09:29Did you forget that I was gonna be here?
09:31Slightly?
09:35Look, I'm, uh, sorry about the other night.
09:41I...
09:42Yeah, no, it's fine.
09:44Yeah.
09:46She's doing great.
09:48Yeah?
09:49By the way, yeah.
09:50Okay.
09:51The contractions are about 20 minutes apart,
09:53so we still have some time.
09:55Rickon is doing this thing where he cries over her.
09:59So I'm...
10:01I'm giving them some privacy.
10:08Sounds good.
10:13Hey, thank you for, uh, you know, taking care of her.
10:16Yeah, of course.
10:29Babe, I just don't wanna be like my father.
10:31I know, baby.
10:32I think it's good you're getting it out now.
10:35It's okay.
10:37Hey, I'm looking for a baby camp.
10:40Who?
10:41Yes.
10:42The uncle-to-be.
10:44Welcome, Mark.
10:45Hey.
10:46I'm so glad you're here.
10:47I didn't know if they were gonna wake you up from work or whatever.
10:49Oh, no.
10:50I just saw the message when I got off.
10:51I'm sorry.
10:52No, it's been pretty boring so far.
10:54All right.
10:55Well, uh, glad to be here.
10:57Cozy nook.
10:58Wow.
10:59Dude, did you see the one next door?
11:00Yeah.
11:01It's, like, psychotically expensive.
11:03It's like a frickin' lodge.
11:04I hate whoever's in there.
11:06It's just fat cats making fat kittens.
11:08Ew.
11:09Oh.
11:10Oh, shit.
11:11It's a contraction.
11:12Fuck.
11:13Mark, say a secret, quickly.
11:16He doesn't have to, babe.
11:18What?
11:19The fetus is drawn to clear air.
11:21Purging secrets can create a soul void that speeds the labor.
11:24Okay, and we want that.
11:26Oh, we do.
11:27Babe, maybe not right now.
11:28It's fine.
11:29I'll start.
11:30Um, Mark.
11:32I love you and I feel hurt that you haven't called me to thank me for the book yet.
11:36There.
11:37Good.
11:38The book?
11:39We left a copy of his new book on your doorstep.
11:42Five days ago.
11:43Five full days.
11:45Okay, well, I definitely haven't seen that.
11:47I mean, it must have been stolen or something.
11:49What?
11:50That was an advanced copy.
11:52Oh, my God.
11:53Oh, my God.
11:54Oh, my God.
11:55Oh, my God.
11:56Are you okay?
11:57Oh, my God.
11:58I'm okay.
11:59Oh.
12:00I'm okay.
12:01It's fine.
12:02It's all fine.
12:03Whoo.
12:04Okay.
12:05Okay.
12:06I'm okay.
12:07You okay?
12:08Okay.
12:09I'm good.
12:10Yeah?
12:11Yeah.
12:12I'm gonna go get coffee.
12:14Really?
12:15Yeah.
12:16I think.
12:17I'm gonna get coffee.
12:18You sure?
12:19Okay.
12:21Thanks, bud.
12:22All right.
12:23Yeah.
12:24I'll be back.
12:25Okay, be careful.
12:34Well, this is good.
12:35We can finish setting up the room.
12:37Um, oh.
12:38Mark, would you help me hang the kelp?
12:46Hang the kelp?
12:47Why?
12:49Do you really want me to explain it?
13:02Hi.
13:08Excuse me?
13:09Sir?
13:10Sir?
13:11Hey.
13:12What the fuck, man?
13:13Oh, my God.
13:14Hi.
13:15I'm so sorry.
13:16I'm another pregnant lady.
13:17I'm from over there.
13:18I just came out on a coffee run, and I got distracted by your beautiful coffee, and I was wondering if there's any chance you could hook me up.
13:23Uh, okay.
13:24Yeah.
13:25Yeah.
13:26Yeah.
13:27Yeah.
13:28Yeah.
13:30Hi.
13:31Thank you so much.
13:32Mm-hmm.
13:33Squeeze right back to you.
13:34Mm-hmm.
13:35Oh, my God.
13:36Oh, my God.
13:37Hi.
13:38I'm so sorry.
13:39I'm another pregnant lady.
13:40I'm from over there.
13:41I just came out on a coffee run, and I got distracted by your beautiful coffee, and I was wondering if there's any chance you could hook me up.
13:43Uh, okay.
13:44Yeah.
13:45Yeah.
13:48Hi.
13:49Thank you so much.
13:50Mm-hmm.
13:51Squeeze right back to you.
13:52Oh, I'm Devin.
13:59Gabby.
14:01Thank you for the narcotics.
14:04My husband is driving me fucking crazy.
14:07My brother is depressing me.
14:13Is it your first?
14:15Yeah.
14:16Yours?
14:17My third.
14:19I'm naming him William.
14:21Three kiddos.
14:22I'm so fucking scared of ruining one child.
14:25How do you handle it?
14:27A lot of help, I guess.
14:29Yeah.
14:30Holy shit, by the way.
14:32About this cabin.
14:33So nice.
14:34Hey, Rich.
14:36My friend.
14:37Thank you, I'm so sorry for that.
14:39Look at this.
14:40Because, really, if the thief reads the book, it will have been worth it.
14:49In fact, I bet you he turns himself in afterward.
14:53Listen.
14:55I know the last time you were in a medical facility was for Gemma.
15:00Oh, is that what this is? Uh, medical facility?
15:04Of course, the baby's middle name could have been so lovely a tribute to her, but...
15:10I understand you were unable to be comfortable with it.
15:14Your kid deserves her own name without some big, feely baggage.
15:22Oh, mama.
15:41Psst.
15:44I got coffee.
15:47Toll, please.
15:49Ooh.
15:51I made friends with the richest lady in baby camp.
15:55She was quiet, but she was nice.
15:59Very cute.
16:01She'd send you up there.
16:03I'd imagine she's spoken for.
16:06I bet Alexa would give you another shot.
16:10I bet she wouldn't.
16:14I bet you could ask her.
16:16Okay.
16:18Uh.
16:19You okay?
16:20Oh.
16:21You want me to go get her?
16:22No, no, no.
16:23Hold on.
16:24Can I squeeze your hand?
16:25Yeah.
16:26There we go.
16:27Ooh.
16:28All right.
16:32Need me to tell a secret?
16:33Yeah.
16:34Go ahead.
16:35Give me your dark shit.
16:36Well.
16:37So, uh.
16:38Um.
16:49I kind of think Lumen might be up to something.
16:53What do you mean?
16:54Like, with your paychecks?
16:57No.
16:58I've just been...
17:00here and stuff.
17:01Just around.
17:02Who have you been talking to?
17:04So...
17:07Um.
17:09What?
17:11You remember the businessman.
17:16Oh.
17:17Oh.
17:18Oh.
17:19Oh.
17:20Oh.
17:21Oh.
17:22Holy fucking pit of hell.
17:23I...
17:24Okay.
17:25Darling, you okay?
17:26Ah.
17:27Why do people do this?
17:28I'll go get Alexa.
17:29Wait.
17:30Ah.
17:31Don't touch me, baby.
17:32Okay.
17:33Ah.
17:34One more thing.
17:35Oh, my God.
17:36She's right here.
17:37She's right here.
17:38She's so crazy.
17:39I know it hurts.
17:41She's right here.
17:43Aww.
17:44Ah.
17:45Okay.
17:46All right, pal.
17:47Just a real wolf.
17:48Yeah.
17:49Ahh.
17:50Ahh.
17:51Ahh.
17:52Ahh.
17:53Ahh.
17:54Ahh.
17:57Ahh.
17:58Ahhh.
17:59Ahh.
18:00Ahh.
18:01Ahh.
18:02Ahh.
18:03Ahh.
18:04Ahh.
18:06Ahh.
18:07Ahh.
18:08Alright.
18:09Ahh.
18:10Ahh.
18:11Woof.
18:12She was in Audi form at the time she woke up, so this will be Annie Haley's first conscious
18:31experience since the hanging.
18:35When she sees you, it's important your eyes be kind.
18:42Do you know how to make your eyes kind?
19:05You're okay.
19:30It's all right.
19:48So they locked away the extension cords and other dangerous items, so, you know, you should
19:55be safe.
19:57And if you want to focus on looking for happy numbers for a while, that's fine.
20:10Do you want to talk about it?
20:23We should hide inspirational handbook quotes around the office for her to stumble upon.
20:41She just needs to start earning perks, dude.
20:45I'd end my life if I didn't have any finger traps yet.
20:48You know what one of us should do is lend her our trap until she has one of her own.
20:54It's funny, though, because I already contributed the idea.
20:59It's only fair.
21:01Ms. Casey.
21:02I'm here to observe Haley R.
21:04Oh.
21:05I...
21:06No one told me.
21:08Ms. Cobell's orders.
21:09I'm to watch her for signs of sadness and verbally encourage her to forego further suicide
21:15attempts.
21:16Upon request, I can also perform a hug.
21:18You know, I've been exhibiting signs of sadness.
21:22Could I get one of those?
21:23No.
21:24No.
21:53Did you get all that?
21:57Are you upset?
21:59No.
22:00I'm...
22:02peachy.
22:06If you're upset, you can request a hug.
22:08A hug.
22:09I know.
22:10I'm good.
22:24I think maybe I can live with you.
22:25You don't give up with me.
22:27You really feel good enough to have two body off.
22:29So I don't know.
22:30Okay, then I'll
22:42see you in the next video.
22:44Well, yeah.
22:45We lose you again there, buddy?
23:15Earth?
23:17I have to go to O&D.
23:20Something's come up.
23:24And I'd like to seek Bert's counsel.
23:29Okay, fine.
23:33Just make a copy of that map in case we have to come find you.
23:45That's what I did.
23:53Hello?
23:58What?
24:03Oh, I'm sorry, Irving.
24:18We must have sent this print job here by mistake.
24:20You weren't supposed to see this.
24:21What are these?
24:24Nothing.
24:25A joke from Miss Cobell.
24:27It's the O&D crew, isn't it?
24:30The one that Dylan talks about.
24:33Huh?
24:33Did that actually happen, Mr. Milchick?
24:41Of course not.
24:43Nothing like that could happen here.
24:48It's proof.
24:49It is ironclad proof.
24:51Milchick says it didn't happen.
24:53And why would one department physically attack another?
24:56Newman wouldn't just then give them all the other department's resources.
24:59Does O&D know that?
25:00Are we even sure about it?
25:02Because with seven people, there is a lot that they could do to us.
25:07I could ask.
25:08Your new friend who lied to you about the size of his department?
25:11How do we know what else he isn't being kosher about?
25:14You ran a 2-6-6 on Irving B?
25:33Yeah.
25:34Just now.
25:35I thought it might dissuade him from spending so much time with Burt G.
25:47I'm sorry.
25:48Should I have consulted you?
25:49No, no.
25:53Good initiative.
25:54I saw Miss Casey down there.
26:01You're having her watch L.E.R.
26:05I am.
26:07May I ask why?
26:08The light of discovery shines truer upon a virgin meadow than a beaten path.
26:22I'm trying something new with Miss Casey.
26:26Keep it between us.
26:36Right.
26:37Okay.
26:52I'll see you in front of me.
26:54Bye.
26:55Bye.
26:59Bye.
27:00Hello, you are.
27:28Hi, Miss Casey.
27:30Please describe for me your time in the restroom.
27:33Oh, no!
27:36I'm so sorry, Miss Casey.
27:38I just... I turned and...
27:41I bet you're drunk.
27:42What'd your mouth taste like when you got in today?
27:45Heliar, you have to come with me to Distribution Supply.
27:49That's okay. I can watch Heliar while you're gone.
27:52It's only a few minutes, right?
27:54Distribution Supply is eight minutes.
27:56Round trip.
27:58You know, I got a Distribution Supply all the time, so I could, uh, if you...
28:13Well, that's one less horrible thing.
28:18For eight minutes, anyway.
28:22Heli, I just realized I haven't shown you where we keep the extra pen caps.
28:28It's not far. Do you mind?
28:30I'm good, thanks.
28:34No, you're right.
28:36Shouldn't go anywhere without Miss Casey.
28:46Careful out there, boss.
28:48Other than Miss Casey.
28:49Let me see, he says to the bar...
29:13So, where are all these pen caps at?
29:24How are you doing, Ellie?
29:27Did you make up the pen caps to ask me that?
29:29I just wanted to talk.
29:33I'm really bad, Mark.
29:36Thanks for noticing.
29:40Come here.
29:43Come on.
30:03Here.
30:07Petey's map.
30:09Yeah, since you've been kind of been trying to recreate it on my lunch breaks.
30:12I thought maybe if we work on it together, we can...
30:19Yeah.
30:22I'm not your new Petey.
30:23Ellie.
30:36Ellie.
30:40Ellie R?
30:43Mark took her to look at pen caps.
30:44Where?
30:46Now.
30:47They're fine.
30:48Just at the end of the storage wing.
30:56Bert G is in the conference room.
30:57He's in the conference room.
31:15Bert.
31:18Harvey.
31:20What are you doing here?
31:22You know...
31:26I was turned around.
31:28Actually, I...
31:30I was looking for you.
31:32I hadn't heard from you.
31:38Well, I...
31:39Well, I...
31:40I mean...
31:41Ah!
31:42I'm stealing!
31:43Oh, my God!
31:44Erving!
31:45What are you doing?
31:46He was coming at you!
31:47Let him out!
31:48Let him out!
31:49Let him out!
31:50What the fuck is he here?
31:51You saw that painting?
31:52You want to get disemboweled today?
31:53Hey, where's your friends?
31:54Plural.
31:55As in the six fucking people you've been hiding from us.
31:57Oh, my word.
31:58I...
31:59I need a manager!
32:00Erving, wait.
32:01I...
32:02I know what you're up to.
32:03What is wrong with you?
32:04Manager!
32:05Open the door!
32:06Open the door!
32:07We need a manager!
32:08Erving!
32:09We need a manager!
32:10Erving!
32:13Heli?
32:20Heli?
32:23Heli?
32:24Where the fuck are we?
32:31Look.
32:32Don't you wanna at least...
32:33I told her I wanted out and she told me I wasn't a person.
32:37My own self told me that.
32:39Yeah.
32:40And-and that's horrible.
32:41But don't focus on her.
32:44What do you want?
32:46In here.
32:49What I want...
32:51Is for her to wake up while the life drains out of her.
32:54And to know it was me who did it.
33:08If I could just explain.
33:09Save it, Marauder.
33:10I checked the whole storage wing.
33:11No sign of him or Heli.
33:12Oh, shit.
33:13O and D's probably killed them already.
33:15Erving, what?
33:16Oh.
33:17Our department chief and new hire have gone missing.
33:20Do you know where they are?
33:21No.
33:22I-I just came to see you.
33:23And the rest of your department?
33:25They're back in O and D, Erving.
33:26I know.
33:27I said it was just police.
33:28If you came here to see me, then why are you in the conference room?
33:32Why not come right to the office?
33:33I didn't know why you hadn't been back and I didn't wanna scare you again.
33:37Like with the hand thing.
33:39You didn't scare me.
33:41Or embarrass you.
33:42Look.
33:43I was working out a joke.
33:44A joke?
33:45To say when I got in.
33:46Prove it.
33:47Tell it.
33:48I hadn't worked it out yet.
33:49Why did you lie about the number of people in your department?
33:59Because we don't trust you guys.
34:04You, the king of fucks, don't trust us?
34:06I do.
34:07But people just talk about MDR, stupid old stories, jokes even.
34:12What do you mean?
34:13I...
34:14It's literally silly.
34:17Like they say you all have pouches.
34:20Pouches?
34:21Like to carry young?
34:23Yes.
34:24According to some.
34:25You each have a larval offspring that will jump out and attack if we get too close.
34:31That's fucking psycho.
34:33I mean, it's a joke, of course, but I don't know.
34:36The sentiment, you know, somehow holds.
34:38People are weird.
34:39Though I'd be remiss not to say that in this theory, the larva eventually eats and replaces you.
34:48Oh.
34:49Which Irving would solve the mystery of your youthful energy.
35:03Irv?
35:04Irv!
35:05Where are you going?
35:06Yes.
35:07Yes.
35:08Are you sweet on this guy?
35:13You disapprove?
35:14I do.
35:15I do disapprove.
35:16Certainly the handbook forbids taking heart to other employees.
35:20Brad, fuck the handbook.
35:22This guy's O and goddamn D who are duplicitous snakes to a one.
35:25It's not safe.
35:26It's not safe.
35:56They're not ready.
36:22You can't take them yet. They're not ready.
36:28It isn't time.
36:33Get the hell out of here.
36:35Go!
36:43The grim barbarity of optics and design.
36:46That's what it said.
36:48There's definitely no painting by that name.
36:51What kind of barbarities were we enacting?
36:54It doesn't matter. I don't think it was real.
36:57I mean, I'll have to confer with my lava, of course.
37:05I'm sorry you had to do this.
37:09It's all right.
37:11I mean, you know that relationships beyond the platonic are frowned upon anyway.
37:22Is that what we are?
37:24Well, Bert G., at this time, I formally release you from MDR's supervision.
37:37As Keir said, be ever merry.
37:43Would you like to come in?
37:45There is something in the storeroom I'd like to show you.
37:51And Dylan, of course.
37:58The courtship of Keir and Emogen.
38:02He met his wife, while a steel man, in an ether factory.
38:08Damn dumb being here.
38:11She was a swab girl.
38:13My hand wolf just says they were bonded by the spirit of industry.
38:18I know, but if this interpretation is correct...
38:22They met as colleagues.
38:24Took heart to each other as colleagues.
38:35Makes you wonder how something could be wrong if Keir or so...
38:40Get away from him!
38:41Dylan, what?
38:42You lying fuck!
38:43Dylan!
38:44He claims he doesn't know about this painting.
38:45Meanwhile, it's sitting right there on his shelf.
38:47That isn't.
38:48Irv, we need to go now.
38:50It's not the same.
38:52What?
38:53Look.
38:54Look at the badges the Raiders are wearing.
38:57That's not O and D, Dylan.
39:00It's us.
39:02This one's never gone into the hallway rotation.
39:05It's called the Macro Data Refinement Calamity.
39:08Okay, but we've never done anything like that.
39:09Why the hell would there be two versions of the same painting?
39:14I mean, what if the goats are the numbers?
39:28Like, we're deciding which goats live and which ones...
39:30Oh, God.
39:31I doubt it's that.
39:33Look, um...
39:35I know you don't want to be here.
39:38But...
39:39I'm glad you are.
39:42And...
39:44I'm sorry that this is the best I can do right now.
39:48If you give me the map, I'll clean it up.
39:53Your drawing is shit.
40:03Oh, hi, uh, Miss Casey.
40:05We were just heading back from our mental health walk.
40:08You're both unhurt.
40:09We...
40:10We are.
40:11I'm glad.
40:12I was...
40:13scared.
40:14I'm sorry.
40:15I forgive you.
40:17Okay, then.
40:21You're aware what MDR is up to right now?
40:49I thought that's what you were paid for.
40:53You're not stopping it.
40:55The shortest way to tame a prisoner is to let him believe he's free.
41:00There's a cure quote for everything.
41:02How many more departments are you gonna let them find?
41:04I'll have a word with Mark.
41:06I would be careful.
41:08Upstairs wouldn't look kindly on this.
41:10Yes, Daddy.
41:16You can talk to me when you figure out who hacked Kilmer's chip.
41:29Excuse me, everyone.
41:31I want to introduce you all to Irving and Dylan.
41:37They're from MDR.
41:40And they're friends.
41:43They're attached to me.
41:44I don't know.
42:00What do you think was that true?
42:01Say you come across time, because it was you...
42:02or you would make a tent?