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  • 2 days ago
An insidious music maestro uses his hypnotic powers to control the singing ability of the woman he is smitten with. However, he faces several challenges in his quest to win over his lady love.
Transcript
00:00:00The End
00:01:32Monsieur?
00:01:33Monsieur.
00:01:35Monsieur is composing.
00:01:39Oh, composing.
00:01:42You will wait.
00:02:00I'm sorry I've disturbed you I'm early on the contrary you are just in time I could hardly
00:02:26wait for this evening my days are so empty yeah leave should I know just how you feel I am empty too
00:02:39oh how can you be you have so many other pupils yeah not truly but no one who responds like you
00:02:50hey now what did we do last don't you remember I am speaking about music ah here yeah there
00:03:07now remember leggero e rubato leggero e rubato leggero e rubato
00:03:15come on come on
00:03:33ah ah we're all from the hunt when you hear from the glowing
00:03:41ah ah everyone has such fun when the tally goes glowing
00:03:49ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah
00:04:19Ha ha!
00:04:23Calli-ho!
00:04:25Cheerio!
00:04:27Here we call the playin'
00:04:29Everyone on the hunt
00:04:31We're on our way to the hunt
00:04:33Over hill, over dale
00:04:35Here the horse is layin'
00:04:37Here we go
00:04:39Calli-ho!
00:04:43We're on our way
00:04:47Never mind
00:04:49What's the matter?
00:04:51Nothing, darling
00:04:53It is beautiful
00:04:55But with such a delicate instrument
00:04:57It must not be strange
00:04:59Come now, we rest
00:05:01We rest
00:05:03There
00:05:05Now you
00:05:07You are comfortable, eh?
00:05:09Yes
00:05:11Because
00:05:13There is a little something I must tell you
00:05:15I have something to tell you
00:05:17Left my husband
00:05:19Huh?
00:05:21I left him
00:05:23For good
00:05:27And, eh
00:05:29How much has he left you?
00:05:33Do you think I'd take money from such a brute?
00:05:37I threw it in his face
00:05:39He gave you money
00:05:41And you threw it back at him?
00:05:43But he
00:05:45He bit me on the wrist
00:05:47And
00:05:48And kicked me
00:05:49Oh
00:05:51You have no idea what I've been through
00:05:55And you left your husband
00:05:57Without a settlement?
00:05:59Without a settlement?
00:06:04I've come to you
00:06:05Just as I am
00:06:07With no settlement at all?
00:06:11Nothing?
00:06:13Nothing
00:06:15Except me
00:06:17Except me
00:06:31Vengali
00:06:33You
00:06:35You don't want me
00:06:37But
00:06:39But
00:06:41But you promised
00:06:43That
00:06:45My voice
00:06:47It's yours now
00:06:49To make us both famous
00:06:51But you told me so often
00:06:55But
00:07:05But I've no other place to go
00:07:07There's only you left
00:07:09There's only you left
00:07:11Oh
00:07:13I worship you, Vengali
00:07:15I'll even die for you
00:07:41Oh
00:07:42Don't look at me like that, Vengali
00:07:45Don't look at me like that
00:07:47Don't look at me like that
00:07:51Take your eyes off me, Vengali
00:07:57Take your eyes off me
00:07:59Don't look at me like that
00:08:01Don't look at me like that
00:08:09Nooo
00:08:15Madame
00:08:27Honorine
00:08:28What about that?
00:08:29They have found her in the river
00:08:31Oh
00:08:33That is not possible
00:08:35In this weather
00:08:36But it is true, Maestro
00:08:38I just saw her body in the morgue
00:08:46In the morgue?
00:08:47Yes, Maestro
00:08:48Maestro
00:08:54Ah
00:08:56That is a pity
00:08:58She was very, very sweet
00:09:00Hmm
00:09:02But a bad businesswoman
00:09:04Mmm
00:09:06But a bad businesswoman
00:09:12Maestro
00:09:14I am worried about something
00:09:16What do you mean?
00:09:18Do you mind if I tell you?
00:09:20What do you mean?
00:09:22Do you mind if I tell you?
00:09:26Now what?
00:09:27How are we going to pay the rent?
00:09:29You promised by noon
00:09:31Ya
00:09:33Noon is a long way off
00:09:35In the meantime, my dear gecko
00:09:37I am very hungry
00:09:39I presume you are too
00:09:41Let me my coat
00:09:43We will go visit him
00:09:45Who
00:09:58Maestro
00:09:59Hey
00:10:00Maestro
00:10:01I don't know what we are going to do
00:10:02We have borrowed from everyone we know
00:10:04We can not go back to Panas
00:10:06He will throw us out
00:10:08Oh, possibly
00:10:10Possibly
00:10:11But there are other people
00:10:13other people? Our English friends, they have not enjoyed the fragrance of our society for
00:10:23a week. We will go there. What may is for the last time we were there? Mr. Taffy and
00:10:30Mr. Delair, anything? The little Billy. He is so kind. Now listen. You know, the trouble
00:10:39with you is you have not sufficient optimism. Little things discourage you. Remember, in the bright lexicon of youth, there is no such word as fail.
00:11:09Aspetti un momento chi lo sa without vilpan. Aspettan un momento.
00:11:24加入 Cleo
00:11:39These Englanders get dirty very quickly.
00:12:09Thank you, Maestro.
00:12:23Don't mention it.
00:12:27Heffy, who's there?
00:12:34It sounds like Svengali.
00:12:39Here, Taffy, hide my purse before his music melts my scotch heart.
00:12:46I didn't want to lie to him, but if I have any money on me, I cannot resist him.
00:13:09Hey, stop it, man! I'm shivering here!
00:13:24You're my patriotic friends. Are you up yet?
00:13:27Yeah, I'm up, and I want to be down, you Polish scavenger.
00:13:31Oh, is it my fault that you Englanders have to take a bath every morning?
00:13:37How long is it since you took one?
00:13:40Huh? Not since I tripped and fell in the sewer.
00:13:44How long?
00:13:45How long are you?
00:13:46I can't find a man!
00:13:48I can't find a man!
00:13:51It's the last time!
00:13:52He's the last time!
00:13:54I can't find a man!
00:13:56You can't find a man!
00:13:57Now that you're in the tub, you better make a good job of it.
00:14:11It's good for him.
00:14:14Stay there now.
00:14:16We'll see that he can't get out.
00:14:18Hey, and don't walk around here in the nude.
00:14:21Sometimes we have respectable callers.
00:14:24It's good for him.
00:14:27Gottsstraff England.
00:14:37Hey, you there, Vinnie.
00:14:39Vinnie, how you here?
00:14:40What are you with news, boys?
00:14:42The wonder of the world.
00:14:43Spengali's taking a bath.
00:14:46Spengali's taking a bath.
00:14:48He did not do it because he wanted to do it.
00:14:50He did it because we pushed him in.
00:14:52He can't get out.
00:14:53We have his clothes.
00:14:54I got an idea.
00:14:57Go to Carroll's school, bring the whole crowd over to see him.
00:15:00It's too good to miss.
00:15:02Boy, that's a good idea.
00:15:03We'll do it.
00:15:03Here we come.
00:15:04He let's go.
00:15:26Amen.
00:15:26You seem to have a full-time job.
00:15:28It is Monsieur Taffy's Sunday suit.
00:15:48Yeah, but it is very becoming on weekdays, huh?
00:15:52Monsieur Taffy!
00:15:54My dear Gecko, I have a pleasant surprise for you.
00:15:56Monsieur Taffy is a very large-hearted man.
00:16:01Yeah, he has been unusually generous.
00:16:04Look, ha!
00:16:06The rent for Madame Dinar, breakfast, dinner, supper, and the rest we will spend foolishly.
00:16:19Remember what I told you, Gecko.
00:16:21In the bright lexicon of youth, there is no such word as...
00:16:26Milk below!
00:16:30Milk below.
00:16:33You know it would be a pity to let such hospitable friends starve.
00:16:39Get the milk, Peche, Gecko.
00:16:41But we must hurry!
00:16:58May I come in?
00:16:59Are you Monsieur Taffy?
00:17:10No.
00:17:11The lead, then?
00:17:13No.
00:17:14Who are you?
00:17:15Who are you?
00:17:16Me?
00:17:17I'm a model.
00:17:17I work for Durian upstairs.
00:17:19He sent me down for Monsieur Taffy in the lead to look at.
00:17:22A model, huh?
00:17:25For a moment, I thought you were a gendarme.
00:17:27Oh, hyposen these.
00:17:30Hi-ya.
00:17:32Gecko, wait outside.
00:17:34But, maestro...
00:17:35So we will not miss our friends.
00:17:37But...
00:17:37You need a model?
00:17:40All the artists say I have a very classic figure.
00:17:42Durian, mallow...
00:17:43My dear young lady, I don't doubt it.
00:17:45As far as I can see...
00:17:47Shall I show you?
00:17:50Well, uh...
00:17:51Oh, I'd be glad to.
00:17:53Perhaps you can use me sometime.
00:17:57Well, uh...
00:17:58That's what I had in mind.
00:18:00Well, where shall I change?
00:18:01Oh, in there?
00:18:04Oh, that is as good a place as any.
00:18:06Very well.
00:18:07I'll be right out.
00:18:08I can hardly wait.
00:18:13There is a mob coming here that'll make a fool of you.
00:18:42Just as I am about to enjoy myself artistically...
00:18:48There is that face.
00:18:50Oh, maestro, come, please.
00:18:52Oh, please.
00:18:52Come.
00:18:53Oh, don't you remember...
00:18:58Sweet Alice and so...
00:19:03Sweet Alice with hair so dry...
00:19:09...and a diaper.
00:19:13Fabulous.
00:19:14People with voices like that you've not seen.
00:19:16I can't go.
00:19:17I am a fool that shows you no nothing.
00:19:21The roof of her mouth...
00:19:24...must be like the dome of a cathedral...
00:19:28...to push out sounds like that.
00:19:30Come, come, maestro.
00:19:31I can't go.
00:19:32I can't go.
00:19:33I can't go.
00:19:34I can't go.
00:19:35Come, come, come.
00:19:36Quick, maestro.
00:19:37Come, come, come.
00:19:38Wonderful.
00:19:39Did you hear the volume gecko?
00:19:41But the tone is terrible.
00:19:43Ah!
00:19:44Will you arrest I am in this?
00:19:45It's like a piece of coal.
00:19:46I've got to find out about that room.
00:19:48I've got to find out how I...
00:19:49It seems the joke's on me.
00:20:04And your new suit's on here.
00:20:06You should have the scotch forethought I had...
00:20:08...and hid your suit like I hid my bus.
00:20:12Uh, by the way, where did you hide my bus?
00:20:19I put it safely away.
00:20:21In the pocket of those trousers.
00:20:24Oh!
00:20:43Hello.
00:20:45Hello.
00:20:53Where's the fire?
00:20:58Not exactly a fire.
00:21:00I was looking for Svengali.
00:21:02Svengali?
00:21:03Yes.
00:21:04He was here taking a bath.
00:21:06Oh, I'm sorry, I...
00:21:08Oh, that's all right.
00:21:09But there's been no one taking a bath while I've been here.
00:21:11No.
00:21:12He's a tall creature.
00:21:14Polish or something.
00:21:15Oh.
00:21:16So that's Svengali.
00:21:19Well.
00:21:20I've been looking for that artist myself.
00:21:22Artist?
00:21:23Oh, he's not an artist.
00:21:24That is, not in the sense of a painter.
00:21:26He's a singing teacher and a pianist.
00:21:30Well, that's one on me.
00:21:32I'll get even with that fellow.
00:21:34Why?
00:21:35Oh, it's nothing.
00:21:36I'll see him again.
00:21:37He lives here.
00:21:38Oh, no, he doesn't.
00:21:39Nobody lives here but Taffy and the Laird.
00:21:40I just come in the studio to paint.
00:21:42There's Billy, slaving away his art.
00:21:44The overwork will be his ruin yet.
00:21:46Look out now, Billy.
00:21:47Now, hold on.
00:21:48Don't.
00:21:49Don't.
00:21:50These are the gentlemen you came to meet, Miss, um...
00:21:53Sugar O'Farrell.
00:21:54Miss O'Farrell, let me present Taffy and the Laird.
00:21:58Now you've met the three musketeers with a brush.
00:22:01Hello.
00:22:02Durian, send her down.
00:22:03Oh, you sit to him?
00:22:04Oh, yes.
00:22:05Modeling's my business.
00:22:06Head, hands, feet, everything.
00:22:07Especially feet.
00:22:08Isn't that a pretty foot?
00:22:09It is, that.
00:22:10It's very pretty indeed.
00:22:11It is, isn't it?
00:22:12Everyone says it's the most beautiful foot in Paris.
00:22:13It's very pretty.
00:22:14There's only one that can match it.
00:22:15Ah, and where's that?
00:22:28Oh, what time is it?
00:22:29Oh, it's about, um, quarter past ten.
00:22:33What time is it?
00:22:34Oh, it's about, um, quarter past ten.
00:22:44Yes, Monsieur Durianne, I'll be right up.
00:22:46Well, there you are.
00:22:48Work, work, work.
00:22:49But what's the difference?
00:22:50So long as you're happy.
00:22:51Well, goodbye to you all.
00:22:54You're coming back.
00:22:56Of course.
00:22:57There's several reasons why I must come back.
00:22:59What are they?
00:23:00Well, first of all, this place looks like a pig pen and needs a feminine touch.
00:23:07Hey, a pig pen?
00:23:09Ah, keep quiet.
00:23:10What's the real one?
00:23:15This place looks like a pig pen and needs a feminine touch.
00:23:21That girl has a wee bit of scotch in there, I bet.
00:23:24I think she's a wee bit of the devil, isn't I?
00:23:26I think you're right.
00:23:28I think she's lovely.
00:23:31Oh, no, you don't.
00:23:32No, you don't, no, Billy.
00:23:33You're just fooling when you say that.
00:23:34He doesn't really mean that.
00:23:36No.
00:23:37Yes, I do.
00:23:39She's lovely.
00:23:40Oh, but all fooling aside,
00:23:43she did have a foot like an angel.
00:23:47Aye.
00:23:48She had that.
00:23:49She's lovely.
00:23:50She's lovely.
00:23:51She's lovely.
00:23:52She's lovely.
00:23:53She's lovely.
00:23:54She's lovely.
00:23:55She's lovely.
00:23:56She's lovely.
00:23:57She's lovely.
00:23:58She's lovely.
00:23:59She's lovely.
00:24:00She's lovely.
00:24:01She's lovely.
00:24:02She's lovely.
00:24:03She's lovely.
00:24:04She's lovely.
00:24:05She's lovely.
00:24:06She's lovely.
00:24:07She's lovely.
00:24:08She's lovely.
00:24:09She's lovely.
00:24:10She's lovely.
00:24:11She's lovely.
00:24:12She's lovely.
00:24:13She's lovely.
00:24:14She's lovely.
00:24:15Do you realize the light's going and you haven't worked on your canvas all day?
00:24:25I know.
00:24:26I don't believe you've touched it for a week.
00:24:28No, and I don't intend to until you give me your answer.
00:24:30Do you mean to tell me you'd leave me out there on that cold canvas unfinished forever?
00:24:35Forever and ever until you give me your answer.
00:24:39Well, I suppose I must answer sometime.
00:24:49In the interest of art.
00:24:58Truby, oh, but I saw it.
00:25:01You do love me.
00:25:03You do mean it.
00:25:04Don't you know, haven't I been telling you for a week?
00:25:15Bonsoir, mes amis!
00:25:18Is anybody here?
00:25:20Everybody's who?
00:25:22Ah, there seems to be the odor of baking in the air.
00:25:29Good?
00:25:45Delicious.
00:25:48Good as mother makes.
00:25:49Oh, I can't be as good as all that.
00:25:51Oh, yes you are.
00:25:54You're wonderful.
00:25:55You're the sweetest thing I've ever known.
00:26:01When we're married, I want to take you to England and to my mother.
00:26:05She'll be proud of you, Truby.
00:26:07Proud of you as I am.
00:26:08Tell me, what's England like?
00:26:21Oh, England's beautiful.
00:26:24Green fields and hedgerows and hollyhocks, primroses.
00:26:29And fog, and pneumonia, and shopkeepers, and flat feet, and boiled beef and cabbage.
00:26:42Truby in England would be like a butterfly in mutton soups.
00:26:47Got it.
00:26:48Billy.
00:26:53Tarts for supper.
00:26:54Yes, and you won't get any if you don't come and play for them.
00:26:57Hey, I don't feel like playing the piano.
00:27:01No, no, no.
00:27:02I don't feel like playing it now.
00:27:03I want to talk to you seriously.
00:27:06Yeah, I want to talk to you about your voice.
00:27:09Oh, that's a good one.
00:27:11While you tell me next, I wonder.
00:27:12Ah, you don't understand.
00:27:14I look for you everywhere today.
00:27:16I went to durian, mayo.
00:27:18There is no trilogy.
00:27:20Where you been, huh?
00:27:21Oh, I had one of my funny headaches and didn't work all day.
00:27:24Headache?
00:27:25Yes, but don't tell anyone.
00:27:27They'd send me home.
00:27:28Ah, poor Liebshan.
00:27:30Oh, it's nothing.
00:27:31It'll go away like it always does.
00:27:33Possibly.
00:27:34I can take it away for you right now.
00:27:36Oh.
00:27:37I mean it.
00:27:38It is so easy.
00:27:42Sit down.
00:27:43I'll show you.
00:27:43Can you really take the pain away?
00:27:49Yeah, now.
00:27:50Now, you sit there quietly and do just as I tell you, huh?
00:27:54Now, you look.
00:27:56You look at pretty Svengali.
00:27:58Looking at you is a funny way to cure my headache, Svengali.
00:28:02Yeah, yeah, I know.
00:28:04Now, don't be afraid.
00:28:10Look me right in the eyes, Liebshan.
00:28:13Right in the eyes.
00:28:15If you can really cure my head.
00:28:16You shall see nothing, hear nothing, dream of nothing.
00:28:46But Svengali.
00:28:52Svengali.
00:28:56Svengali.
00:28:59Svengali.
00:29:03Svengali.
00:29:07Svengali.
00:29:09Yeah.
00:29:12That is right, Liebshan.
00:29:15Now, Slee.
00:29:23Slee.
00:29:27Slee.
00:29:27Slee.
00:29:28Slee.
00:29:28Slee.
00:29:28Slee.
00:29:45Open your mouth, Liebschen.
00:29:59Why?
00:30:02I was right.
00:30:05A soundboard like an angel.
00:30:08The roof of her mouth is like the dome of the Pantheon.
00:30:30What's happening there?
00:30:38What's the matter, Trilby?
00:30:49What have you done to her?
00:30:52Trilby!
00:30:54Trilby!
00:30:57Wake her up!
00:31:00Are you asleep, Trilby?
00:31:04No.
00:31:05Then open your eyes and say you're all right.
00:31:09Can you open your eyes, Trilby?
00:31:14No.
00:31:16She's hypnotized her.
00:31:17Bring her out of it at once!
00:31:18At once, do you hear me?
00:31:20Can you hear me, Trilby?
00:31:23Yes.
00:31:26Then open your eyes.
00:31:28Why, what's happened?
00:31:32Are you all right?
00:31:33Why, yes.
00:31:35My headache's gone.
00:31:37How on earth did you do it?
00:31:39I told you!
00:31:40It is so easy!
00:31:41What's the matter?
00:31:52Huh?
00:31:55Your headache is here in my heart.
00:31:58Oh, I'm sorry.
00:31:58Ah, it's nothing.
00:31:59I will keep it as a souvenir.
00:32:04You're with the pain in your heart.
00:32:05Come on.
00:32:06Come on.
00:32:07Gentlemen, no violence.
00:32:09No violence.
00:32:13And no dinner.
00:32:14What'd he do?
00:32:18He hypnotized you.
00:32:19Hey, and don't you ever let him do it again.
00:32:21Those fellas can make you do anything and say anything you want.
00:32:24Lie, steal, anything.
00:32:25And then they make you kill yourself when they're done with you.
00:32:27Hey, they do that.
00:32:28But he took my pain away.
00:32:29I'd rather have the pain than have it cured like that.
00:32:35Trilby, don't forget what I told you about the headaches.
00:32:42Gentlemen, it might be as well to remember.
00:32:49There are more things in heaven and earth than I dreamt of in your philosophy.
00:32:58Oh, God, I'm sorry.
00:33:11Oh, God.
00:33:19Oh, God.
00:33:23Oh.
00:33:24Oh.
00:33:26ORGAN PLAYS
00:33:56ORGAN PLAYS
00:34:26ORGAN PLAYS
00:34:56ORGAN PLAYS
00:35:26ORGAN PLAYS
00:35:43Come in, my dear.
00:36:13I... I'm sorry to trouble you.
00:36:20I shouldn't have come at this hour.
00:36:26Oh, it is no trouble at all.
00:36:29It is never too late to trouble Svengali.
00:36:38I thought I had to come.
00:36:43But I...
00:36:49I think...
00:36:55I think I better go now.
00:37:09Without telling me what is troubling you?
00:37:11Oh, it's nothing.
00:37:14Really.
00:37:16Nothing at all.
00:37:18Except...
00:37:20Except?
00:37:22Did it come back?
00:37:27The headache.
00:37:28Yes.
00:37:29I woke up with it.
00:37:30And you thought I could help you, huh?
00:37:34Yes.
00:37:35That's why I came here.
00:37:36Yeah, yeah.
00:37:37Svengali told you whenever you were in pain, to come to him, and he would take it away from you.
00:37:52My dear child is the most natural thing in the world.
00:37:58Come in, my dear child. It's cold out here.
00:38:01Come.
00:38:02Come.
00:38:03Don't be frightened.
00:38:04Huh.
00:38:05Sit down.
00:38:06Here.
00:38:07Here.
00:38:08Hey.
00:38:09You comfortable?
00:38:10Hmm?
00:38:11Yeah.
00:38:12Oh, poor Klein.
00:38:13All your nerves are jumping like this.
00:38:14Oh, poor Klein.
00:38:15All your nerves are jumping like this.
00:38:18Yeah.
00:38:19But...
00:38:20And your skin?
00:38:21There.
00:38:22Oh...
00:38:23What?
00:38:24God...
00:38:25Come in?
00:38:26Sit down.
00:38:27Here.
00:38:29Yes.
00:38:30You comfortable?
00:38:31Hmm?
00:38:32Yeah.
00:38:33Oh, poor Klein.
00:38:37All your nerves are jumping like that.
00:38:42Yeah.
00:38:43But...
00:38:44And your skin.
00:38:46your skin oh it's hot like fire. Poor Liebchen.
00:38:55Oh look at me. Come look me in the eyes Liebchen.
00:39:16No. No. Please take your eyes off me. Let me go. Let me go.
00:39:27But the pain leaves you. No no it's gone now.
00:39:46Truby.
00:40:11Truby.
00:40:18Truby.
00:40:41Truby.
00:40:48Truby.
00:40:55Truby.
00:41:02Truby.
00:41:17Truby.
00:41:18Truby.
00:41:20Truby.
00:41:21Truby.
00:41:22Truby.
00:41:23Truby.
00:41:24Oh don't go Liebchen. It's been so long since I've seen you.
00:41:29But I...I must I...
00:41:31Ah?
00:41:32Ah, you've been crying.
00:41:38Poor Trinity.
00:41:40You know, perhaps I can cure a pain in the heart
00:41:44just as easily as one in the head.
00:41:48Nobody can cure this pain.
00:41:51It's for someone, someone else, whom I've hurt.
00:41:55Ah, I see.
00:41:58Oh, come, tell old Svengali all about it, huh?
00:42:04Yeah, he'll understand.
00:42:07You know, when human beings are unhappy,
00:42:12there's always something to do about it.
00:42:15Come on now, tell me.
00:42:18Tell me all about it.
00:42:22Well, it's Billy.
00:42:25Today, today I posed at Corral School.
00:42:29And he saw me there, before all those men.
00:42:33Oh, you won't understand.
00:42:35But I'm so ashamed.
00:42:38Ah, but I do understand.
00:42:41Yali, Billy is not like the others.
00:42:47Ah, my poor Trinity.
00:42:49Do your eyes reflect the virtue that he sees in you?
00:42:56Look in your mirror.
00:42:59Do you think you should be on such a high pedestal?
00:43:05After all the other artists you have known?
00:43:11What do you mean?
00:43:14Does he, uh...
00:43:17Does he know about Durian?
00:43:20Durian?
00:43:22What is there to know about him?
00:43:25Only what all the rest of us know, my poor Trinity.
00:43:31Except the innocent little Billy.
00:43:34I won't listen to you any longer.
00:43:40How could I help being kind to a man who had been so kind to me?
00:43:43Oh, kindness is a virtue undeniably.
00:43:46But, hmm, to be so very kind.
00:43:49I am good, I tell you.
00:43:50I'm not like those others.
00:43:51I'm not, I'm not.
00:43:57Ah, poor Trinity.
00:43:59Poor little Billy.
00:44:02Surely you are good.
00:44:04You are good like a little bird.
00:44:07Like a lark that must sing in the sunlight.
00:44:12But, are you good enough to face little Billy's mother as his wife?
00:44:22After...
00:44:25Durian, the sculptor.
00:44:29Mayo, the painter.
00:44:32La Marche.
00:44:37Come, come, Billy, lad.
00:44:38There's nothing to worry about.
00:44:39I don't know.
00:44:40We drop and Dorison will have Truby back in your arms within an hour.
00:44:44Aye.
00:44:45What are you standing there for, man?
00:44:46Get the washky.
00:44:47I'll get the glasses myself.
00:44:49I'll get the glass guests here.
00:44:50Just go.
00:44:51I'll do my if I want to Ney not.
00:44:52I'll don't leave there.
00:44:53I will be here now.
00:44:55I will give you what I want to do.
00:44:56Come here.
00:44:57Come here let me go.
00:44:58Come here, Jim.
00:44:59Let me know one more thing you should say...
00:45:00Come here.
00:45:02steal away from me.
00:45:03I want to do some things you need to do.
00:45:05I won't get the money my way out.
00:45:08Come here!
00:45:09Don't make me use my będziemy there.
00:45:10He'll be there if I come back to you.
00:45:12good news, I'm not going to buy him.
00:45:13Don't make me may...
00:45:14Jerry, you know it, I'm not always doing my hero.
00:45:15Nobody start going.
00:45:16I will be there.
00:45:17I will get away from where I am.
00:45:18What's the matter laddie what is it Billy
00:45:37She says she's not good enough for me, but I saw today as she really isn't
00:45:43She's going away and never see me again, but Billy she tells you that she loves you never see me again
00:45:57Never again
00:46:00Or anybody else she says stop her find her really really boy
00:46:13Do you know Trilby or Faro are these her clothes?
00:46:27We found them on the bank of the scene
00:46:33Where is she in the morgue if they found her body by now
00:46:38I'm afraid you will never find her monsieur. The river is too high to drag
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