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NewsTranscript
00:00I will go to the floor and go to the floor.
00:05I will be able to make an audience.
00:07I will be able to make a look.
00:12It's not correct.
00:16I will not be able to make a look.
00:18I will be able to make a look.
00:21You will have to get a look.
00:24That's right.
00:25I will take a look.
00:26I will show you how to do comedy.
00:33I don't know how to do a movie with R.M.S.T.
00:35I am not sure how to get a character.
00:38I am not sure how to do it.
00:43I don't know how to do it.
00:45I don't know how to play.
00:48So it's like every evening show or alternate night show.
00:55We're back with that.
01:02It's great to see you guys.
01:07When I told you, it was a good lighting for Claudia.
01:13It was a good lighting for the evening at 5.45.
01:20It was a good time to fix the cinema.
01:26So, this is a blessed project.
01:31If you are a gangster or a gangster or a gangster, you can do a remake.
01:37That's not the case.
01:39You can do a lot of work.
01:41You can do a lot of work.
01:43That's the benchmark of an artist.
01:47My name is Nathana.
01:48I'm Satsangarlu.
01:49I was gonna do a lot of work on this webinar.
01:51I really love you, I'm Satsangarlu.
01:53I'm Satsangarlu.
01:54I'm Satsangarlu.
01:55I'm Satsangarlu.
01:56I'm Satsangarlu.
01:57I want to take care of Nathana.
01:59I'm Satsangarlu.
02:00He's like a gangster.
02:01He's called Bahaabaji.
02:02His name is Bakudhi.
02:03I was Satsangarlu.
02:04I was spoken to him.
02:06I was a real name.
02:08He was kinda liked.
02:09He was a maestro.
02:10He's been elected to that country.
02:12I was a virgin.
02:13He was a female.
02:15You said my name, you said someone are going to tell me.
02:19No, no, I am serious.
02:22Your name is HAPPY.
02:23You can see me in the next year.
02:25I have a nice video.
02:27I have a great day.
02:29I've done the last year of the year.
02:31You've got a variation in the next year.
02:34You can see it as much.
02:36I have a great day in my life.
02:38I've never been able to explore.
02:40I want to thank you for coming to Kumar Rajas.
02:43He has been given a lot of thanks to Nalu.
02:47He has been given a director for his career.
02:53He has been given credit for his career.
02:56I am happy.
03:00But you can see a lot of credit for his career.
03:03If you have done a lot of credit for your career.
03:06That's his judgment.
03:08That's his credit.
03:10I think it's a curiosity.
03:14I think it's a curiosity.
03:17I think it's a bad guy.
03:22I think it's a bad guy.
03:27I think it's a bad guy.
03:29I think it's a bad guy.
03:33But Kumarajasar is a full dimension.
03:37That's Merlin.
03:40That's why Asian friends are in Hindi.
03:43That's why they are rich.
03:46I'm saying that they are rich.
03:49If I'm rich, I'm mean to be a creative mind.
03:54They are also associated with me.
03:56I'm saying that they are rich.
03:58Obviously, that's why the audience is coming.
04:01So finally, this is a very important one.
04:06Now, we have a tourist family in the theater.
04:10It's okay to have a feel-good experience in the company.
04:14But it's okay to have a comedy and emotional.
04:18There's a message that says a lot.
04:21They say a lot.
04:23They say a lot.
04:25They say a lot.
04:26They say a lot.
04:27How do you see it?
04:28How do you see it?
04:29This is what Abhi said.
04:31There are a million dollar productions or movies.
04:35They are very particular about the story.
04:41If they have a family audience,
04:43if they have a negative vision,
04:45if they don't have violence,
04:47if they don't have violence,
04:49if they don't have family.
04:52So, all of them are the same.
04:54They discuss about that.
04:56Then, I'm asking them to select them.
04:58So,
04:59I have a very difficult selection.
05:03I have a good night.
05:05I have no role in the lover.
05:08I'm not going to have a good night.
05:09I have no role in the lover.
05:11You can find them.
05:12Unfortunately, the dates and the clash
05:15are not done.
05:17I am going to have a small child.
05:19The ingredients is a great job.
05:20Our deadlines are solid.
05:22I have nothing in the contract.
05:26The classes I've learned,
05:27and now we have to take over yourten.
05:30But for having to see,
05:32it is a great experience.
05:33In those ک 드,
05:34there are many past few years
05:36equations.
05:37The characters stand in the background.
05:38However,
05:38it's quite unpleasant.
05:39For the table to have night.
05:42During the movie vowing direction,
05:43the fantasy side.
05:45Night shoot, full night shoot, I'm going to show you the first time of the night.
05:50So, I'm going to show you two lights in one shot.
05:58Then, the cinematographer is Foxy.
06:01I'm going to show you the name of Foxy.
06:04Foxy is the name of Foxy.
06:06I'm going to show you some songs on the phone.
06:11We have to show you the name of Foxy.
06:16I'm going to show you the name of Foxy.
06:20Every artist is very important.
06:25Now, I'm going to show you the wife character.
06:29I'm going to show you the name of Foxy.
06:31I'm going to show you the name of Foxy.
06:35But, that is the name of Foxy.
06:38I'm not going to show you all the attention of the character.
06:41Wall Street is all the original action.
06:45But, they have been worked quite a long time.
06:48tied up in the era then gets reduced.
06:52The character is when I come to earlier...
07:05If you don't know how to do it, you're going to be afraid of it.
07:10That's not true, sir.
07:12My family members, friends and family are going to absorb it.
07:17That's not true, sir.
07:19It's heavy or tragedy, sir.
07:22I'm happy.
07:24See, this is my creation.
07:28Generally, I don't want to be able to absorb it.
07:33If you absorb it, I'm not a craft.
07:41I'm going to go into a flow or a dialect.
07:47I'm going to be able to edit it and edit it.
07:53It's not true.
07:55It's not true.
07:57I'm going to be able to improve it.
07:59You know, the limit is going to be able to do it.
08:02It's not very clear.
08:04It's not true.
08:05It's not true.
08:07It's not true.
08:08It's not true.
08:09It's not true.
08:11You know, I'm not going to be able to do it.
08:13You know, I'm not going to be able to do it.
08:16But I'm going to be able to do it.
08:18You know, I'm going to be able to cut it.
08:21But that's a sweet way of allowing the artist or the actor to go away.
08:32later I'm aware of any kind.
08:33I think we have to be able to move out and have a lot of local,
08:36the channel to do it.
08:38But no matter where he
08:48is, I'm going to find history,
08:49what we offer to do is be able to tell the character they are.
08:50It's a very good guy.
08:52But he's not a bad guy.
08:54He's not a bad guy.
08:56And he's a senior artist.
08:58Kumar Ovi, M.S. Basquiat,
09:00He's a great senior artist.
09:02He's a good guy,
09:04but he's a good guy.
09:06Amazing!
09:08I'm a close friend,
09:10but he's a good guy.
09:12But he's not a good guy.
09:14He's a good guy.
09:16He's a good guy.
09:18But in the writing,
09:20I think I have a conversation from the major scenes.
09:22Where we are,
09:24the major scenes.
09:26The play is a really good guy.
09:28And if you are sitting there,
09:30we'll be thinking about it.
09:32If we give a climax,
09:34we'll have an effect,
09:36but when we tell the story,
09:38we're talking about it.
09:40We can get them to know the story.
09:42But
09:44there's no treatment,
09:46But, overall, you can understand that you are happy with a scene
09:52and you will be able to make a scene like this.
09:55If you are able to make a scene like that, you will be able to make a scene like that.
10:00The roller coaster ride between these two,
10:03you are looking for a situation, tragedy, pain.
10:08You are looking for a person who is a pure character.
10:15But we rarely meet them in real life.
10:19But I think there is no one out there for this film.
10:22I am sure that I can make it.
10:26That's why he's coming to the Oscars and he's coming.
10:29You came to the Oscars, Kamala Asan, and you came to the Oscars?
10:32They came to the Oscars and came to the Oscars,
10:36and they made it.
10:39I said, I'm not sure how it is.
10:42I did it all, I did it all, it was a lot of fun, Simran and Sashisar, Sashisar also became a gem, gem of the people, and we deserve the success.
10:56How did you think about Simran and Sashisar and Sashisar?
11:00No, no.
11:03When I was studying college, I was released in 1997-1997, at the time.
11:15I did it at MIT, so I did it all.
11:20So it's like every evening show or alternate night show.
11:26Okay.
11:28It's not super, that's why Ajit Sashisar is coming.
11:31That's why Simran and Sashisar is coming.
11:33Yes.
11:34If they see their performance, they can enjoy it.
11:41They also talk to me.
11:43They talk to me and recognize me and appreciate me.
11:47It's like a photo is coming.
11:50But if they talk to me, they don't know that moment.
11:56That's a blessing.
11:58Did you say that the family is coming?
12:01No, we can talk to them.
12:03We can talk to them.
12:04In the moment, that's a topic.
12:06I don't know if they talk to me.
12:08I don't know if they talk to me.
12:10Blessing.
12:11Yes.
12:12Charm, darlings, Sashisar, Simran.
12:15I know, I know that the family is coming.
12:18I know that the family is coming from the R&M,
12:20I'm telling you something negative.
12:24Everybody is coming from the project.
12:28I know that project is a very blessed project.
12:31I've been doing it for a long time.
12:33I've been shooting after the film.
12:35I was shooting in November December.
12:36and the climax sequence, all artists combination, 9 to 6 fix and shoot.
12:44The first night, weather report, 9 to 6 rain, complete rain.
12:51Then, Harrison told me, he was the director.
12:57He was the director of this.
13:01He said, he was the director.
13:08He said, he was the director.
13:13He said, we are the director.
13:14We told him, he was the director.
13:19He was the director of the studio,
13:22and he was the director of the studio.
13:27The timing was the director of the studio,
13:31and the director of the studio,
13:33and the director of the studio.
13:36So, this is a blessed project.
13:38But, you know, it's a blessed project.
13:40So, Twist family,
13:41you were the first time to talk about the show.
13:46You were the first time to talk about the show.
13:47What did you think about the show?
13:48How did you think about the show?
13:49Did you think this one scene,
13:50which was okay,
13:51so that you did not know the show.
13:53I was the first one.
13:54I was the first one.
13:55May I was the first release.
13:59I was the 30th one.
14:01It was the first one.
14:02That was the 28th.
14:03Sorry, the 28th.
14:04I was the second one.
14:05I saw that.
14:06I thought,
14:07I saw a lot of the screening.
14:08They saw reports,
14:10and people talked about the phone.
14:11I talked to you about it.
14:13It's very good.
14:15You have done it.
14:17I talked to you about it.
14:19It's a great experience.
14:23I saw it in the 28th.
14:27I'm very happy.
14:29I know that we shoot this scene.
14:33In fact,
14:35I'm sure I have known him as well.
14:37At the end of her scene,
14:39we have come to the scene.
14:43I saw her on the scene.
14:45What is this scene?
14:47She got out.
14:49I thought
14:50she showed her way.
14:53I thought
14:55I saw that
14:57I didn't feel quite angry.
14:59I thought
15:00they saw her
15:01They say,
15:03they are very proud of me.
15:06Actually, they don't know what to do.
15:08We don't know the twist there.
15:09The twist is a pattern.
15:11They don't know what to do.
15:13But there is a scene in our performance.
15:17There isn't a normal audience.
15:20There is no suspense play.
15:24If the audience is very disappointed,
15:27we can guess at the time.
15:29But there is a nuance.
15:31One of them is that they are not able to do anything on a long time.
15:39This is the effect.
15:41But they are not able to do anything.
15:45They are not able to do anything like that.
15:52There is a little dimension.
15:54I have two families, relatives,
15:58married, married, married,
16:00and married.
16:03There are nuances here.
16:06I have a total experience.
16:10I have a feel-good experience.
16:14I have a feel-good experience.
16:16I have a feeling.
16:26I have a feel-good experience.
16:28I have a feeling.
16:34I have a feeling.
16:36I have a feeling.
16:38I know.
16:40I have a feeling very well-known.
16:42I have a feeling.
16:44Yes.
16:45Total wash.
16:47Purely wash.
16:48Yes.
16:49But if you do something, you will be happy.
16:52That's a big issue.
16:57But in my opinion,
16:59if you have a first film director in my budget,
17:05that's what we did.
17:08A lot of artists can coordinate,
17:14but they never wasted a single moment.
17:19That's the brilliance.
17:21That's what we call a young team.
17:23Experience team is the default.
17:26Fresh team is the default.
17:29If you think about it,
17:32you can enjoy it.
17:36That's what we call it.
17:39Okay, okay.
17:40So, a tourist family is a success.
17:42That's what you did.
17:44You did a lot of characters.
17:46Yes.
17:47Gangers.
17:48You did a universal joint.
17:50You did a lot of work.
17:51You did a lot of work.
17:52You did a lot of work.
17:54You did a lot of work.
17:55Yes.
17:56That's a blessing.
17:58You did a lot of work.
17:59I did a lot of work.
18:00I actually did a lot of work.
18:02You did a lot of work.
18:04I did a lot of work.
18:06I did a lot of work.
18:07I just wanted to write in a lot of work.
18:09I didn't know anybody.
18:10I had to run a lot of work.
18:11When I asked Sundar see sir,
18:12I asked him for a first time and talked to me.
18:14And he said,
18:15he said,
18:16he said,
18:17he said,
18:19I'm an experiment.
18:20It's like, we have to experience this as a experience.
18:26It's like this.
18:28What we want to do is,
18:30I have two characters in the movie,
18:34you do this character and you do this character.
18:37I was going to pitch the story.
18:41Then, Sarito said,
18:43I'm not going to do this.
18:45Luckily, I'm happy.
18:47I'm not going to do this.
18:49Then, I'm going to do this character.
18:51I'm not going to do this character.
18:53I don't know if I'm a guy.
18:55Because I'm going to do this character.
18:59I'm not going to do this character.
19:01So, if you try it and meet it,
19:03you can sit in the chat.
19:05It's a very complex complex.
19:07I have to do this character.
19:09I have a connection to the character.
19:12You are also friends.
19:14You are always friends.
19:16close friend.
19:17On the one meeting, he said exactly the same time.
19:23He said exactly 4-5 years ago.
19:27Correct.
19:28He said exactly the same time.
19:32He said exactly the same time.
19:37That's why he said exactly the same time.
19:42One of them is a gentleman.
19:47I am a very small artist.
19:51But the team is fine, they are fine,
19:55they are fine, they are fine, they are fine,
19:58they are fine, they are fine, they are fine.
20:02I am very good.
20:05I am very genuine.
20:08No matter what they are, all the artists are fine.
20:12You are a bank manager.
20:18They are fine.
20:20They are fine.
20:22They are fine.
20:24They are fine.
20:26They are fine.
20:28They are fine.
20:30I am fine.
20:35But I was fine.
20:40That is why I thought about them.
20:43But I thought their interest is sincere,
20:47on the way they are.
20:49So, the team is telling me
20:51they want to talk about their constituents.
20:53What I told my constituents.
20:55What I told my constituents are going to be on a shot?
20:57What I told them about this scene?
20:59What they wanted to tell them about their constituents?
21:01If you ask him, I'll tell him.
21:05I'll tell you,
21:07I'll tell you,
21:08you can use many artists,
21:10you can use them,
21:11you can use them,
21:13you can use them,
21:15you can use them,
21:17you can use them,
21:19you can use them.
21:21But I don't know,
21:23they don't know who they are,
21:25they are a body of work.
21:28If people don't know who they are,
21:31they're still using them.
21:34If I use them,
21:36that's why we use them.
21:38However,
21:39I also haven't tried
21:40to share them,
21:41they can't say they could,
21:42in a late days and time to each question,
21:44see how much better to find them,
21:46or say vive key
21:48and you can not talk,
21:50share the number of them.
21:52And it's just for this reason,
21:54It's just that they have a wisdom, that kind of memories.
22:03If they share it with us, it's not that we can share it with them.
22:07That's why I am conscious of that.
22:13I am conscious of that.
22:15I am conscious of that.
22:18In fact, there are a lot of things in Delhi.
22:22But I didn't know that they were in Delhi as well.
22:28It's like a kind of love.
22:31I'm talking now and they said,
22:33I don't know how to dance.
22:40They're the ones who are not, and they'll meet us.
22:46That's why I have to talk to them.
22:51But apparently we didn't see the show and we went on YouTube.
22:54Because my video was no matter now.
22:58There were two fans of the guy who took a couple of him.
23:03They took a couple of time from a few years.
23:06And the guy got the exact name.
23:12They got the name of the guy.
23:14They hit the shoot.
23:16And then they took a couple of 3s into a single movie scene.
23:20I asked him, what was going on?
23:25Or why were they going on?
23:26Why were they going on?
23:29Why were they going on?
23:30Why was they going on?
23:32Why did they do everything?
23:34Why would they prepare for their work?
23:36They have to take them on their own right?
23:39Why did they accomplish that?
23:41Why did they do everything?
23:43Why did they do it?
23:45The people who are free are not allowed to tell about this,
23:49but the people who are in the middle are not allowed to say,
23:52the people who are in the middle are not allowed to hug them.
23:57Sir, we have to go to the bridge and printer.
24:02We have to go to the bridge and printer.
24:05I know.
24:06I am not sure.
24:08You are not allowed to do anything.
24:11We will have to do anything.
24:13That's why you're doing it.
24:15It's a lot of emotion.
24:17It's love.
24:21It's a cinema.
24:23It's a win-win situation.
24:25It's a cinema.
24:27Pure love.
24:29I'm going to tell you.
24:33I've done this.
24:35Manny sir,
24:37Kumarajar sir,
24:39Hindila Vasanpala sir,
24:41I'm going to tell you,
24:43I'm going to tell you,
24:45I'm going to tell you,
24:47I'm going to tell you,
24:49I'm going to tell you,
24:51the way of expressing,
24:53making movie,
24:55the style is different.
24:57The passion towards cinema,
24:59the passion towards the craft man,
25:01people,
25:03artists,
25:05saying.
25:07Billions.
25:09I'm going to tell you,
25:11so,
25:13I have a few people,
25:15and I'm going to tell you,
25:17I'm going to tell you,
25:19I'm going to tell you.
25:21Okay.
25:22I'm going to be in the art department and location.
25:31I set everything and shoot first take and run.
25:37I'm going to go to the location.
25:40So, I'm not going to watch a performance.
25:43I'm going to watch a performance.
25:45I'm going to watch a performance.
25:48Okay.
25:50Next time we go,
25:53I'm going to watch a performance and see,
25:56I'm going to watch a performance.
25:58I don't understand that.
26:00I'm going to watch a performance.
26:02Here you are.
26:04So, I'm not going to watch a performance.
26:08Classics.
26:10Master.
26:12In the theatre, the manager of Venghat is a writer.
26:21He is a writer for 20 years.
26:25He is a dialogue writer, a screenplay writer.
26:28So, he is a writer.
26:34Then, he is a manon.
26:40He is the champion of the team, who is the leader of Venghat.
26:45We start with this dialogue.
26:46He is a 1-3-3-3-3 team.
26:48So, you can do that and we can continue the team.
26:51So, they are saying to him mind-wise,
26:55that's true.
26:57This is not the only thing he can do.
27:00He gets ressuscitate.
27:02And, although no one has to say,
27:04they react to this duration.
27:07Generally dubbing, but luckily in this video,
27:11it's a good way to fix mind-wise.
27:14That's why it's a reaction.
27:22It's impossible for another actor to reproduce that.
27:32It's impossible for another actor to make a remake.
27:37It's impossible for another actor to make a remake.
27:40It's impossible for another actor to make a remake.
27:43That's the benchmark of an artist.
27:47If you can make a remake,
27:49it's impossible to make a unique performance.
27:52If I say something about that,
27:55I'm an assistant director.
27:57I'm a scientist that I'm a part of a remake.
28:02What do you do?
28:03I'm a writer who can reject all the characters.
28:08I'm a big fan.
28:11I'm a fan.
28:13If you're a fan,
28:16I don't know anything about it.
28:18I mean, Ravi Tejas.
28:20Other than that, there is no replacement or duplicate to it.
28:27Think about that kind of performance.
28:30Chacharaj, sir.
28:31If we have the value of our artists, we don't have the value.
28:42Just like that, we cross that time.
28:46That's what we know about.
28:54We share and express.
28:58If we don't talk about it, we don't talk about it.
29:04That's a deadly silence.
29:10We don't talk about it.
29:14Yes.
29:15I'm trying to do it.
29:17I've seen a lot of 4 stars in the theater.
29:21I've seen a lot of 4 stars in the theater.
29:24I've seen a lot of 4 stars in the theater.
29:28Okay.
29:29Yes.
29:30After I stop my career, I have seen a lot of emotions,
29:35I have seen a lot of me,
29:37I have seen a lot of things
29:39and now, I'll talk about it.
29:42I don't know.
29:46You didn't know that.
29:48I was kind of told you to speak to me.
29:50Sorry, you don't know.
29:52I was kind of told you to tell you.
29:54It's not the timing.
29:56I was like...
29:58Charles.
30:00Charles!
30:02Charles!
30:04He is going to be like...
30:06A singer?
30:08He was like...
30:10If you pick his name,
30:12he will come back to the name.
30:14I thought I was going to take a look at that.
30:17I thought I was going to take a look at that.
30:20Then I said,
30:22I'm going to take a look at that.
30:27It's so funny.
30:29We did a rehearsal.
30:31We had that fun.
30:36Lifetime memory.
30:40That's what we did.
30:42How did you talk about your character?
30:46No.
30:47I don't know if I was an actor.
30:53I was going to introduce myself.
30:56I was going to take a look at that.
31:01I was going to take a look at that.
31:03I was going to take a look at that.
31:07I was going to take a look at that.
31:13When I was a shooting,
31:14I was going to take a look at that.
31:18I thought,
31:19I didn't care.
31:21In fact, that is a team work.
31:26If you have a scene like this idea,
31:29or if you want to talk about it,
31:33or if you want to talk about it,
31:35that is a team work.
31:36If you have a lady artist,
31:40you will be a lady artist.
31:43You will be a lady character.
31:47That is not.
31:48If you want to talk about it,
31:51there is an idea,
31:53but the idea is...
31:57I don't know why it is.
32:00If you want to talk about it,
32:02you will complain about it.
32:04There is a comedy.
32:06It is a comedy.
32:07If you want to talk about it,
32:09then you will talk about it.
32:11I am going to talk about it.
32:14Amitabh Mama is a get up.
32:17There is a lady get up.
32:20Unfortunately,
32:21I am not going to talk about it.
32:25That is why the idea is
32:26that I am going to talk about it.
32:28I am going to talk about it.
32:31I am going to talk about it.
32:36I am going to talk about it.
32:39I am going to talk about it.
32:40It is like...
32:41In fact,
32:43who is waiting,
32:44they are booked for tickets.
32:46They are going to go to the night
32:48and they are coming to my call.
32:48I am going to shoot.
32:50I am going to shoot.
32:51Call is not.
32:51Two people will shoot.
32:52They are going to go to the ticket.
32:54They are going to go and say,
32:55that was the one thing.
32:56What you want to give them,
32:58I am going to send the ticket.
32:59Sir, I am happy.
33:01I am going to say,
33:02Don't do anything like that.
33:07No sir.
33:08That lady is very fun.
33:12But if we go to our house, it's not a bonus.
33:16I didn't do it sir.
33:18Okay.
33:19Then I tested it.
33:21I went to the park and put it in a dress.
33:25I got a wig.
33:27I got a wig.
33:29I got a wig.
33:31I came to the park.
33:35That's the Vikram Veda.
33:37You don't have to go to the Kao.
33:39That's right.
33:40You don't have to go to the park.
33:42I got to go to the park.
33:45But I got to go to the park.
33:48So I got to go to the park.
33:50It's like being part of the park.
33:55I know it's not a big deal.
33:57It's a hard work actually.
34:08Now, if you duplicate it, you can do a thin line, you can do a rough screenplay.
34:19You can do it. It's not a style, it's a character.
34:28If you fix it, you can do it.
34:31Now, I'm talking to you.
34:35Then, you can do it.
34:38You can do it.
34:40You can do it.
34:41You can do it.
34:44I'm talking about Bucks.
34:49But, you can do it.
34:55But I'm talking about my friend.
35:00If you analyze it, you can do it.
35:06He will play football or play football.
35:11He will play football or play in the – in the north.
35:15He said, he won't play in the way he will play in the way he will play in the way.
35:23It's like if you have to go to a room or wait for him.
35:27It's a creative style.
35:32If you want to do all the process, you can jump all the time.
35:36If you want to shoot all the scenes, you can jump all the time.
35:40That's brilliant.
35:42I'm sure I'm sure you're doing something like this.
35:47My friend is a script writer, scene universe.
35:53I'm going to take a look at the chance to get to the stage.
35:56I'm going to take a look at that.
35:58I'm going to get to the Madras.
36:03It's a big deal.
36:06I'm going to take a look at B&C.
36:09That's the magic.
36:12I'm going to take a look at the truth.
36:15I'm going to say this,
36:19but it's true.
36:22If they share their work moments, you are happy.
36:27I am happy.
36:29Enjoy.
36:34That's great.
36:36I regret it.
36:43I was a young man.
36:45He was a young man.
36:47He was a young man.
36:49He was a young man.
36:51He was a young man.
36:53He was a young man.
36:55Imagine the kind of experience I might have.
36:59Are you doing this?
37:01I don't think we missed any experience.
37:04But, okay.
37:06At least,
37:08it's coming.
37:10I'm blessed.
37:12He was a co-director.
37:15He encouraged me.
37:17I'm going to go to the retake.
37:21How do you do this?
37:23How do you do this?
37:25You can't do this.
37:27It's all out of love.
37:31It's all out of love.
37:41It's all out of love.
37:42It's all out of love.
37:44It's all out of love.
37:46It's a wonderful team.
37:48It's teamwork.
37:50It's all out of love.
37:52It's all out of love.
37:53It's all out of love.
37:54It's all out of love.
37:55You know,
37:57it's all out of love.
37:58In the past,
37:59it's all out of love.
38:01What will happen?
38:03I forgot to do it.
38:04It's all out of love.
38:05I wouldn't be able to do this and share it again.
38:08If I could give a video of some advice, I think it was our best advice.
38:12If I could give a video of those of you, this is how I will go.
38:16I can't take the video of these things because I think so.
38:18I can't take a video of that, but I will never let you know.
38:24That's what I can tell.
38:27For I would like, if this is what I should do.
38:30If I would like to keep the video of the video, I would like to do them.
38:32Very tough.
38:34When you say that,
38:37you can do comedy,
38:39you can do comedy.
38:40Rarely, Mamannan, Michelle.
38:43Why can't you do it?
38:45Repeat?
38:48They were very clear to repeat.
38:53It's not a good thing.
38:57They are conscious.
38:59I'm not sure what they are doing.
39:02In fact, I'm not sure what they are doing.
39:07I'm not sure what they are doing.
39:11They are not just one character.
39:14They are not just one character.
39:16What I'm sure is,
39:18every take,
39:19every take,
39:21be one.
39:23Where we are,
39:25another character,
39:27make-up person,
39:28touch my neck.
39:30The Biddyans,
39:32the strain
39:33when they are doing comedy,
39:35you can't do comedy.
39:36You can't do comedy.
39:38When you have a comedy,
39:39people are going to live.
39:40Here,
39:42you are going to go to the four or five.
39:44You are going to go to the four or five.
39:46Sometimes,
39:47you are going to go to the nine.
39:48They are not going to go.
39:50Director and monitor.
39:52He's a little bit.
39:54If you don't know,
39:58you can tell them,
40:00if you don't know who's going to be able to do it,
40:02we can't do it.
40:04He's a little bit.
40:06That's why we're doing comedy.
40:08We're doing comedy.
40:10We're doing it.
40:12But we're doing comedy.
40:14We're talking about how it's been.
40:16How can we do it?
40:18That's why it's the first customer.
40:20Then, you can work with each other.
40:23That's why it's the first customer.
40:25Then, you go to the hospital.
40:27That's right.
40:29That's right.