Approved | 56min | Western, Action | May 1937 (USA)
When Johnny and Mendez argue, the lights go out, and in the ensuing gunfight Johnny thinks he killed his friend Dick. Now refusing to wear a gun he crosses the border. But it is not long before he runs into Mendez and more trouble.
Director: Sam Newfield
Writers: E.B. Mann, Charles F. Royal
Stars: Johnny Mack Brown, Claire Rochelle, Syd Saylor
When Johnny and Mendez argue, the lights go out, and in the ensuing gunfight Johnny thinks he killed his friend Dick. Now refusing to wear a gun he crosses the border. But it is not long before he runs into Mendez and more trouble.
Director: Sam Newfield
Writers: E.B. Mann, Charles F. Royal
Stars: Johnny Mack Brown, Claire Rochelle, Syd Saylor
Category
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04:51You must be very tired, Blackie.
04:53Go get a drink.
04:54I'll relieve you.
05:08Well, gentlemen, what will it be?
05:11Make it draw.
05:21What do you say, gentlemen?
05:23I'll open.
05:24I'll say.
05:29He goes up.
05:31I'm up.
05:33That's fine, amigo.
05:35I see that.
05:37I'll say.
05:39I'll say.
05:41I'll say.
05:43I'll say.
05:45I'll say.
05:47I'll say.
05:48I'll say.
05:49He'll say, 정말.
05:51No, he says, and then he'll say.
05:54You have to be a good man, and then I ask you a favor.
05:59If you do a minute of that, and raise you five.
06:05I'm up.
06:06That beats me.
06:10Just for luck, up she goes again.
06:15That's very good, señor.
06:19I'm kind of inquisitive.
06:21I'll just call you.
06:25Cards, amigo.
06:29Two.
06:37And I will take two.
06:44Drop that card, Mendez.
06:45You've had it, Ponce, since you started dealing.
06:49You've had it, Ponce.
07:16Dig.
07:38Blackie.
07:39Wall card.
07:40Red.
07:41Lights.
07:44Stop, you fool.
07:45What you try to do?
07:46Get us into trouble?
07:58Oliver's dead.
07:59Si.
08:00But the gringo back there, he is dead too.
08:02Pronto, here.
08:04You help me, Blackie.
08:05You too, Red.
08:06Take him away.
08:34Well, you got me.
08:37What next?
08:38We do not want any more trouble with you or the police.
08:41You can go.
08:42You must go before the police come.
08:46Where's my partner?
08:47Your friend Vercaro is dead.
08:50What?
08:51He was there by the door.
08:53You spoke his name.
08:54He turned and shot.
08:56Perhaps because he too thought someone was playing a trick.
09:00You fired and he fell.
09:11Yes.
09:13I remember.
09:31Of course you could not help it, senor.
09:33It was an accident.
09:35No one here will talk.
09:37It would be wise for you to go before the police come.
09:49I brought you home, Dick.
09:51On our side of the border.
09:55I hope you'll forgive me, partner.
10:00Heaven help me.
10:02I'll never use a gun again as long as I live.
10:33Hi, Carlos.
10:34Good morning, Mr. Adams.
10:35And Mr. Johnson.
10:36How are things down there, Carlos?
10:38Captain, we had a killing last night at the American canteen.
10:41You do not say.
10:42It seems like they're always having some kind of a ruckus at Mendes, huh?
10:45Yes, but then your American cowboys are always quick on the trigger.
10:49It's not always Mendes who starts trouble.
10:52Maybe not.
10:53But that bunch of Americans working for Mendes is not so slow either.
10:58Say, Carlos.
10:59How do you account for Mendes hiring nothing but Americans instead of his own countrymen?
11:04Who knows?
11:05Perhaps, Mr. Mendes, he likes what you call efficiency of the Americans.
11:12What happened last night, Carlos?
11:14Two American cowboys shot in the die.
11:16One killed the other, and he takes the body over the border.
11:19Not true here, Carlos.
11:20That I already know.
11:22I follow his trail west of the border.
11:24Then come back here and ask your help, amigo.
11:26We're glad to lend a hand, Carlos.
11:28We've got to help each other.
11:29Ah, gracias, senor.
11:31How did you follow his trail?
11:33I have a very good description of this vaquero.
11:36I learned plenty at the cantina.
11:38Then it ought to be easy to trail him on this side.
11:40Si.
11:41Come on, Carlos.
11:42Let's see if we can locate that hombre.
11:54I reckon everybody will be in town for the dance tonight.
12:03That's Joan Williams and her boys from the sundown.
12:17Howdy, Yates.
12:18Howdy, Miss Williams.
12:38Going to shindig tonight?
12:40Yes, we're going to the dance, but we'll leave early.
12:43I hope your outfit don't cause any ruckus with that tin cup gang.
12:47Sundown never starts trouble, Yates.
12:49Besides, I've told my men to stay sober and to keep out of trouble.
12:54Tin cup outfit now.
13:11What's the big idea?
13:13A man playing a joke with a gun ought to be able to stand a little fun himself.
13:17Well, you can't shut me down like this and get away with it.
13:20Is this what you're looking for?
13:25Look at that.
13:39Look at that.
13:47Wait a minute, stranger.
14:01Maybe you think you can pull a play like that without paying for it.
14:05Well, you can't.
14:07I've heard that a dog goes blind when he's mad.
14:10I reckon it's the same with coyotes.
14:12Now, you ain't healed, huh?
14:14What's the matter with you, yeller?
14:16If you think so, go on and make your play.
14:18Hold on, Ray Stevens.
14:20Stranger's not healed.
14:32Not even a tin cup can get away with murder before a witness is even.
14:35You ought to know that.
14:37It's the right kind of you, miss, to lend a hand.
14:40But I'd appreciate it if you'd put up that gun.
14:45Go ahead, I say, and make your play.
14:47Or I'll gun whip you with your own arm.
14:50It takes nerve to kill a man when he's facing you.
14:53I knew you didn't have what it takes when you pulled that gun,
14:55knowing I wasn't healed.
14:58I said I'd gun whip you, but you're not even worth it.
15:05Thanks, that's the same, miss.
15:22Sounded like a fight.
15:24Were you in it, Brace?
15:26I'd hardly say Brace was in it.
15:28He was offered free admission, but he didn't like the party.
15:31Wasn't exactly a gun fight, just an exhibition of some fancy shooting
15:34and the development of a yellow streak.
15:37If you hadn't had your gun drawn on me, I'd have given that ombre plenty.
15:41Would have been just your style shooting at a man who had no gun.
15:45Why blame me?
15:46You saw me hold still my gun.
15:49Stranger outgamed you, that's all.
15:51Well, why don't you hire the pilgrim if you like his style so much?
15:55You'll be needing plenty of game ombres if you don't stop prospecting around Lonesome Canyon.
15:59That's probably a good suggestion about hiring the stranger.
16:03I'll be needing some extra men soon because I'm going to build a dam on Lonesome Canyon.
16:07You can't build a dam across there.
16:09That's tin cup grazing land.
16:11Too late to bluff me now, Stephen.
16:13I just had a letter from Washington giving me leave to build a dam on Lonesome Canyon.
16:17I'll give free water rights to any landowner, but I'm going to build that dam.
16:22The first sundown men that set foot on Lonesome will stay there.
16:26I got men there with the cattle, and I aim to protect the tin cup graze.
16:31I'm going to build a dam on Lonesome Canyon in spite of Hades over tin cups.
16:35And I'll dam it with lead if there's no other way.
16:40There's a girl that's got a lot of spunk.
16:43She sure has.
16:57Could I get a room?
16:58Yes, sir.
17:03Please sign here.
17:10Room 32.
17:11Thanks.
17:26I don't know you, amigo, but I like your nerve.
17:29Thanks, miss.
17:30I reckon you've got plenty yourself.
17:32Gerald Pilgrim looking for a job.
17:34You can ride for sundown, $75 a pound.
17:36I'm right sorry, miss.
17:38I'd admire to ride for you, but $75 a month is more than I'd be worth to you.
17:43Who's the best judge of that, you or me?
17:46I heard that war talk out there.
17:48A $75 job is me more than cow hunting.
17:51And I don't pack a gun.
17:53If I hadn't seen what you did, I'd think you were afraid.
17:56But I did see it, and I know you've got nerve.
17:59Why aren't you healed?
18:00I reckon that's my business, miss.
18:03Well, probably I shouldn't have asked.
18:06Mind telling me your name, though, or is that your business too?
18:09John Darrow.
18:10Well, John Darrow, you should change your mind.
18:13Your job's waiting for you.
18:15Thanks, miss.
18:19Ah, señorita.
18:20Why, Manuel.
18:23It's nice to see you.
18:24I'd like to have you meet Mr. Darrow.
18:26Mr. Darrow, this is señor Manuel Mendez.
18:28Oh, we have met before, without introduction.
18:32Eh, señor Darrow?
18:34Yeah.
18:35I think I'll go.
18:37Oh, no, no, no, no.
18:38I did not mean to intrude.
18:39It is I who shall go, and at once.
18:42I'll see you tonight at the dance, Manuel.
18:45Oh, I have come, señorita, only for the pleasure of a dance with you.
18:54You and Manuel were not exactly friends, I take it.
18:57Just acquaintances.
18:59You known him long?
19:01For quite a while.
19:03How well do you know him?
19:05Well enough to have him propose marriage every time we meet.
19:08If that means anything.
19:10I see.
19:11I'll see you again tonight at the dance?
19:13No, I don't think so.
19:15I'm not much of a hand at dancing.
19:17Well, remember my offer, Darrow.
19:20Darrow, remember my offer, Darrow.
19:23Uh, have you a match, señor?
19:50Gracias, señor.
20:15Oh, stranger.
20:24Eat smalls, my handle.
20:26I'm foreman for the sundown.
20:28After what you've done to Stevens, I might be proud to shake your mitt.
20:33I might be proud to know you too, small.
20:35I hope Stevens and his tin cup outfit don't get too ornery with you.
20:39Oh, those orneries are not hard to handle.
20:42But what is this row between him and your sundown outfit?
20:45Well, it ain't no secret.
20:47We lose a lot of beef.
20:49Same as other brands.
20:50Some think Brace Stevens knows something about it.
20:53But there's no proof.
20:55Well, if you did have proof against Stevens,
20:57that would save Miss Joan a heap of grief, wouldn't it?
21:00Yeah.
21:01But Stevens is a cuddle number.
21:04There ain't much chance of that.
21:06What's his interest in Lonesome Canyon?
21:08Don't know.
21:09It's just a worthless splash.
21:11And he goes on the pride, huh?
21:13Yeah.
21:14That's what we ain't been able to figure out.
21:17Far from the border?
21:19Oh, a couple of miles, I reckon.
21:21But it'd take a mountain goat to climb over the peak.
21:24So that ain't no solution.
21:26No, I guess not.
21:30Well, I'm mighty glad to have met you, Mr. Small.
21:33Me too.
21:42Hi, Johnny.
21:44Hi, Oscar.
21:46Well, well.
21:47What are you doing here?
21:48I was looking for you.
21:50You left me behind.
21:52I'm sorry.
21:53With things like they were, I plump forgot about you.
21:56Aren't you going to the dance tonight?
21:58No, I don't think so.
22:00Oh, everybody will be there.
22:03Oh, I see.
22:04Well, I'll see you there.
22:06See you there.
22:08Oh, everybody will be there.
22:11Except me.
22:12I aim to get an early start in the morning.
22:21What's up, Brace?
22:23Manuel just rode in.
22:24His men are bringing a bunch of cross in the morning.
22:27How many this time?
22:28Seven of them.
22:29Now, you two will have to ride over to Lonesome Canyon and meet him.
22:32When?
22:33At sunup.
22:34You fellas keep sober tonight and slip out in the morning without anybody seeing you.
22:47Kind of interesting, ain't it?
22:49Now, what do you suppose is due to arrive at Lonesome Canyon at sunup?
22:53The cows.
22:54Seven cows?
22:56They don't need two chaperones for seven cows.
23:00Two of those armories look like the two you tangled with today.
23:04How did you know?
23:05Oh, folks told me about it.
23:10Come to think about it, I haven't been to a dance in quite a spell.
23:14Mind if I could go along?
23:16Not at all.
23:18Oscar, I'd rather folks up here didn't know about what happened in the cantina last night.
23:23Oh, well, Johnny, I'm not much of a talking man.
23:26I'm for you.
23:28Thanks.
23:30After what's happened today, don't you think you'd better carry a good gun?
23:35No.
24:20Will you pardon me, please?
24:21Certainly.
24:22Hello.
24:23Welcome to our fiesta.
24:24Thanks.
24:25But, senor, in my country, if a woman becomes troublesome, she is punished,
24:30or she learns that love, not war, is a woman's business.
24:36Now, maybe your ideas would work with your senoritas,
24:39but this Joan Williams is a lot different.
24:41She's a wildcat.
24:46Scared of her, senor?
24:48No.
24:49She'll never build that dam across Lonesome Canyon.
24:52I'll take care of that.
24:54Then what's troubling you, senor?
24:56Somebody's liable to get wise to our game,
24:59and if they do, you'd pull out on me and leave me holding the bag.
25:04You're right, senor.
25:06I would leave you holding the bag if I could,
25:10but you would kill me if you dare.
25:14Men like you, senor Stephens, see what is only before the eyes,
25:18while men like me seek out ways that are hidden.
25:22Yeah, but all your talk ain't gonna stop that sundown outfit.
25:25That bunch is just itching to make trouble with lead.
25:39May I have a look down here, Joan?
25:53Enjoying the shindig?
25:55Yeah, I reckon so.
25:57Now, uh, what would happen to the sundown rancho
26:03if the senorita Joan was removed?
26:07Well, I reckon Small would run the outfit as before.
26:11Then if the senorita did not come back,
26:14no one would want the dam built, eh?
26:17Then if the senorita did not come back,
26:20no one would want the dam built, eh?
26:22If she didn't come back, you mean kill her?
26:25Oh, no, no, no. Not kill.
26:28Teach her to love.
26:31Don't worry, senor.
26:33One way or the other, the senorita Joan will be out of the way by tomorrow.
26:39All you have to do is to see that her men are thrown on the wrong track.
26:48You and Miss Joan sure do dance fair to middle and together, eh?
26:53Ain't aiming to steal her heart by any chance, are you?
26:57What gives you that idea?
26:59Oh, I don't know. Maybe it is just an idea.
27:02But I aim to warn you that we ain't letting no one
27:05take Miss Joan from the sundown without some sort of an argument.
27:08Oh, I see.
27:10Whoever gets her will have to have no care for her men.
27:13That it?
27:15Right.
27:39Reckon Mendez would make her a good mate?
27:42Reckon Mendez would make her a good mate?
27:45Maybe the sundown outfit would put her okay on him.
27:48But me? I'd see that she'd never marry that coyote.
27:52Even if I had to kidnap her to stop her.
27:59Say, if you're heading a little rather early,
28:01ain't you better be a little early even?
28:03That's right, doctor. First thing in the morning.
28:06You wouldn't mind if I took the trail along with you?
28:08No.
28:09Come along.
28:13APPLAUSE
28:16CHATTER
28:39Say, Damio, you cannot evade my question forever.
28:43When will you become Signora Mendez?
28:46Why, Manuel, you're so impetuous.
28:48But, Chiquita, I am in love.
28:50Me too.
28:52But I didn't realize it until you mentioned it.
28:54Then you will marry me?
28:56No, man.
28:58But, uh, what you said...
29:00I'm in love.
29:02But with somebody else.
29:04You are in love with whom?
29:07Miss Daryl, that was?
29:09Well, does it make any difference who it is?
29:12Believe Damio,
29:14you could not love a man who has murdered his best friend.
29:18Manuel, is this another one of your murder jokes?
29:22No, no, no, it is not.
29:24But you would not expect him to advertise, would you?
29:27I won't believe you, Manuel. I won't.
29:29I didn't expect you to.
29:31You are impetuous.
29:33You would not care to even see proof.
29:36Why, this is ridiculous.
29:38If you have proof, why not call along?
29:41Well, unfortunately, this happened below the border.
29:44Prepare to visit me.
30:02What a wish to stop in here for.
30:04We are waiting for a couple of men
30:06that are going to guide us to Lonesome Canyon.
30:10Come on.
30:40Come on.
31:10Come on.
31:34Did you hear anything?
31:36Why, no.
31:38Before I heard a noise.
31:40Oh, I reckon you're jumpy, Badger.
31:42Forget it.
31:49Hey!
31:50Hey, you!
31:52You!
32:00Hiya, Red.
32:01Is everything set?
32:03Yeah, the chair is over across on the other side of the mountain.
32:07Did Mendez find anything else?
32:09Yeah, it's down below with Mike.
32:11All right, let's get him across.
32:27So that's why Stevens is against irrigation.
32:30Yeah.
32:32Building a dam here would bar his private door to the border.
32:37Well, it looks like Mendez was working with Stevens.
32:41Working both ways.
32:43Two-legged stock coming in and four-legged stock going out.
32:46It's a sundown ranch that's been missing in a beat.
32:49It's been going down this canyon.
32:59Looks like they've got a right profitable business.
33:02Well, what do you intend doing?
33:05I don't know yet.
33:08I wonder what Joan Williams would say
33:10if she knew that Mendez was working with Stevens.
33:15I'm going into town.
33:16You stay here and watch what's going on.
33:18Who, me?
33:19Yes, you.
33:20And keep your eyes open until I get back.
33:22Oh, but Johnny, maybe you better stay.
33:24No, I've got to mark the trail leading here.
33:26So you'll have to stay.
33:36I can't understand what in the world is happening.
33:38Why can't anybody tell?
33:40There's a horse.
33:41Looks like they found out their lady boss has disappeared.
33:54What's all the fuss about?
33:55Got any idea where Miss Joan is, Stevens?
33:58Me?
33:59How should I know?
34:00Why?
34:01She's gone.
34:02She's gone.
34:03It ain't like her to go places without telling us where.
34:07Somebody's took her away.
34:09That's what.
34:10Look here, men.
34:11At times like this, personal grudges don't count.
34:14If some hombre's taken Miss Joan away,
34:16why, me and my men are with you.
34:19Got any idea who might have done it?
34:21No.
34:22Last I saw her was last night at the dance.
34:25She was with that Daryl stranger, but I don't reckon that he'd...
34:28That's the hombre.
34:29Last night he told me something about kidnapping her.
34:33Here he comes now!
34:42Come off the horse, Daryl.
34:43We got you.
34:44Any special reason why you want me?
34:46Funny you're riding in like this.
34:48But now that you're here, where is she?
34:51Where is who?
34:52Where'd you take her?
34:53If you're talking about Miss Joan,
34:55I haven't seen her since I left the dance last night.
34:57What's happened?
34:58Since you're playing innocent, I'll tell you.
35:00She disappeared.
35:01Also, I happen to remember what you said last night about kidnapping her.
35:05Now, where is she?
35:06Listen here, Small.
35:07If Miss Joan has disappeared, I know nothing about it.
35:10Why, darn it, old man, I...
35:14You're barking up the wrong tree, Small.
35:16And if you didn't take her,
35:17where are your friends since you were at the dance last night?
35:19I'll tell you about that when it's time.
35:22Hurry, men!
35:28Hit leather, men!
35:58I'll tell you about that when it's time.
36:28There's his tail!
36:29Come on!
36:58Where is she?
36:59The sundown gang are on my heels.
37:00They think I kidnapped Joan Williams.
37:01Joan Williams?
37:02Why, she came through here right after you left.
37:03M-M-Mendez had her.
37:04Mendez?
37:05What did you do?
37:06N-Nothing.
37:07Why, you fool, why don't you see?
37:09Where is she?
37:10The sundown gang are on my heels.
37:11They think I kidnapped Joan Williams.
37:13Joan Williams?
37:14Why, she ca-came through here right after you left.
37:16M-M-Mendez had her.
37:18Mendez?
37:19What did you do?
37:20N-Nothing.
37:21Why, you fool, why don't you see?
37:22Well, I...
37:23I don't need help.
37:24Round up the sundown gang and tell them where I've gone.
37:26Where you going?
37:27Over the border, after Mendez.
37:28just stop them well I don't need help round up the sundown gang and tell them where
37:32I've gone we're going over the border after Mendes.
37:59Reckon he must have given us a slip.
38:01He couldn't have come this way, that's sure.
38:04Tell you what, Small, you take your men and go that way and we'll spread out this other way.
38:08All right.
38:29All right, hold it, fellas.
38:33I guess this will be far enough.
38:35Badger and Jordan, you stay with me.
38:37The rest of you fellas head on back to town.
38:41Maybe Harris or one of the other men got Daryl.
38:44Let's go.
38:58What do you want, Humbery?
39:18Well, speak your piece if you've got anything to say.
39:21Stephen sent me here to see if Manuel and the girl got through all right.
39:25So you're working for Brace now, huh?
39:27Well, I don't suppose you'd recognize me or you wouldn't try to pull a whizzer like that.
39:31I was in town yesterday when you made that play.
39:34I'm working undercover, see?
39:36That play yesterday was all a bluff.
39:38I've got a note here for Manuel that's got to go through pronto.
39:41First you're working for Brace.
39:43Now you want to see Manuel.
39:45And you're riding John Williams' horse.
39:47I suppose you're working for her, too.
39:50I kind of had to leave town in a hurry.
39:52I got in a jam with the sundown gang and had to grab the first horse I could.
39:57Keep your hands down.
39:59Now, don't be a fool.
40:00I haven't got a gun.
40:02But I have got a note for Manuel that'll prove what I told you.
40:05Well, I'll give it here.
40:21Buenos arriba.
40:22Pronto.
40:30Quien es este hombre?
40:31I've got a message for Manuel.
40:33Oh, you have message for el patron, eh?
40:37Don't be a fool.
40:38He's a spy, I tell ya.
40:40But, caramba, maybe it's true what he says.
40:43This man must be taken to Manuel.
40:46If he's a spy, Manuel will kill him.
40:49But if he has message and we help him, Manuel will kill us.
40:53I'm not a fool.
40:55I know Manuel.
40:57Well, go ahead, then.
40:59I'll take you to him.
41:01But if you lie...
41:06Sorry I jumped you, partner.
41:26Lead the way, amigo.
41:27We got to get there pronto.
41:58Anybody been here?
42:00Well, yeah, Brace.
42:01That fellow Darryl.
42:02Well, where is he?
42:03Well, it was like this.
42:09You see this being Manuel's side of the spread, I'll let Rodriguez take him over there.
42:13What'd you let him do that for?
42:14Well, he ain't carrying a gun.
42:16Rodriguez can take care of him all right.
42:17Yeah, maybe he can and maybe he can't.
42:20Come on, we got to try and stop him.
42:36Well, men, I guess we might as well turn back.
42:39Hey, look.
42:43That's that stutterer number that was with Darryl last night.
42:46Hey, you!
42:49Hold it!
42:56Where's Darryl?
42:57Over the border.
42:59Where?
43:00The man that hit you talked to me.
43:03We've got to stop him before he crosses over.
43:05Come on!
43:07Hey, wait!
43:08I should show you the way.
43:11I'll show you the way.
43:42I'll show you the way.
43:52I'll show you the way.
44:21But you will not have to remain here much longer, Querida Mio.
44:39Soon I shall offer you the hospitality of my hacienda.
44:43We will go so soon as the priest arrives.
44:47The priest?
44:48Who's Senorita?
44:49I am a man of honor.
44:51And what if you won't?
44:53But you will not, Senorita.
44:58You see, Chiquita, a husband has certain rights.
45:02Now, that sundown rancher, it is very valuable to me.
45:07With it, I could dispense with Senor Stevens, for example.
45:13Why should I share my profits with him?
45:17Yes.
45:18I shall marry you.
45:20Are you not grateful?
45:22Why, I'd kill myself before I married you, Mendez.
45:25If the lady says no, I reckon you'd better change your plans, Mendez.
45:34I wouldn't go for that gun if I were you.
45:46Yes.
45:52Yes.
45:57Yes.
46:02Yes.
46:06Yes.
46:15Yes.
46:23So I rode your horse here.
46:24I wondered how you knew the temple, mean.
46:26You came alone?
46:27Yep, and we'll be lucky to get back.
46:29Oh, whether we do or not, you know I'm very grateful.
46:31We'd better get started.
46:32The place was empty when I came in, but it may not be now.
46:35We've got to take a chance.
46:45They don't want to let go of taking away man or one of the. Hold on.
47:04I think we better go back and see manual about that.
48:15I don't know.
48:16I don't know.
48:17I don't know.
48:18I don't know.
48:19I don't know.
48:20I don't know.
48:21I don't know.
48:22I don't know.
48:23I don't know.
48:24I don't know.
48:25I don't know.
48:26I don't know.
48:27I don't know.
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50:35I don't know.
50:36I don't know.
50:37I don't know.
50:38I don't know.
50:39I don't know.
50:40Well, Carlos, it looks like it's our turn to ask for a favor now.
50:59It's time to take you on my side.
51:29Let's get out of here!
51:58Hey, you ride on.
52:03What about you?
52:04I'm going to get me a couple of coyotes.
52:27Good work, Daryl.
52:52Miss Jones has been explaining things.
52:54I hope you'll forget what's happened.
52:56That's all right.
52:57I guess you put yourself in right with the sundown outfit.
53:10Just in time, boys.
53:11Here's a couple of coyotes for you.
53:13That's right.
53:14Kidnapping, rustling, smuggling, and a few other things I can name.
53:18You can thank Daryl here for the whole job.
53:20Do you ever carry a toadstabber, Daryl?
53:23Me?
53:24Carry a knife?
53:25I should say not.
53:27I bet this hombre here knows how to use one.
53:35Well, I guess that fits, Carlos.
53:38You've used this knife once too often, Rusty Walker.
53:42What'd you say, senor?
53:43Ah, you can cut that Spanish disguise, Walker.
53:46Disguise?
53:47Walker?
53:48You have the wrong identity, senor.
53:52I am Manuel Mendez, says you.
53:56But I say that you're Rusty Walker, American outlaw, wanted in Montana for murder.
53:59I've been trailing you for a long time.
54:02You can't get rid of that tattoo any more than you can get rid of these fingerprints.
54:08Well, all right.
54:14I'm Rusty Walker.
54:15What are you going to do about it?
54:18Senor Walker, I charge you with the killing of the Americano Dick Martin.
54:23No.
54:24No, you ain't going to railroad me on that charge.
54:28There's the hombre that killed Dick Martin.
54:31Not me.
54:32He's right.
54:33I shot him.
54:36Oh, no, you didn't.
54:39Your partner wasn't killed by a bullet.
54:41We found his grave and discovered that he was stabbed in the back.
54:44With this knife, most likely.
54:46And you did it, Walker.
54:48Oh, yeah?
54:50Nice story, if you can prove it.
54:52We can.
54:53With an eyewitness, too.
54:54Yeah?
54:55Who?
54:56Me.
54:57I'll tell exactly what I saw, how you and your gang put Dick Martin in place of another
55:08armory that Johnny shot in self-defense.
55:12And don't forget, I won't stutter when I get on a witness stand.
55:15Well, why didn't you tell me?
55:17Well, I couldn't.
55:18I was working undercover, trying to get evidence on Mendes and the rest of his gang.
55:23Am I grateful to you, Johnny?
55:26Without your help, we might have had a tough time of it.
55:30I reckon you'll change your mind about going around on the hill now, huh?
55:34I've changed my mind about riding for the sundown, too.
55:38Is that job still open?
55:40Right.
55:41Yes, it's waiting for you, Johnny.
55:45She means she's waiting for you.
55:48Well, get going, you old smoker.
55:49I'll be hiring a new foreman.
55:51Shucks.
55:52Appears to me like you got one already.
55:55Come on, men.
55:56Get them out of here.
56:04G-g-g-g-good luck.
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