Not Rated | 1h 25min | Sci-Fi, Drama | 3 June 1965 (USA)
A Nazi scientist invents a time machine enabling him to go back to alter the events of WWII.
Director: Russ Marker
Writer: Russ Marker
Stars: Tim Holt, James Britton, Ann Pellegrino
A Nazi scientist invents a time machine enabling him to go back to alter the events of WWII.
Director: Russ Marker
Writer: Russ Marker
Stars: Tim Holt, James Britton, Ann Pellegrino
Category
🎥
Short filmTranscript
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00:01:10Well, there you have it, all you transistor radio bugs.
00:01:15How'd that one grab you? That one?
00:01:18♪
00:01:25Harry, for heaven's sake, it's almost dark.
00:01:30If you don't hurry up, we're gonna be late for the game.
00:01:34Margie, have you ever tried to fix a fuel pump to a rock and roll beat?
00:01:37Well, I'm sorry it made you nervous.
00:01:39I just thought it was a good chance to get in some practice.
00:01:43Okay, forget it.
00:01:45Nothing I can do anyway, at least not way out here.
00:01:49Well, I wish you hadn't taken this crazy nowhere shortcut.
00:01:53Boy, this is like Lostville.
00:01:56I know. I goofed.
00:01:59And I've got to get some help if we're gonna get there in time for the kickoff.
00:02:04Hey, didn't we pass the farmhouse about a mile or two back down the road?
00:02:08Yeah, that's right. Back around the curve.
00:02:12Come on, we'll be shorter through those woods.
00:02:19Oh, Howie, look. I don't think we ought to go on that property.
00:02:24Look, you want to get to the game, don't you?
00:02:26Of course I do. Come on.
00:02:29Come on.
00:02:55Howie, it's cold.
00:02:57It's so dark, we should have brought the flashlight.
00:03:00Ah, it isn't working. Batteries are down and I forgot to replace them.
00:03:58Seems like we've been walking for hours.
00:04:04Well, it can't be much further now.
00:04:07Hey, there's a light.
00:04:28Hmm.
00:04:31Huh, that's strange.
00:04:34A campfire way out here in the middle of the woods and nobody around.
00:04:39Kind of creepy, isn't it?
00:04:41Yeah.
00:04:42Hold it right there. Hold that.
00:04:45Hey, Dad, what are you made up for?
00:04:49I mean, what's the bit?
00:04:51Hey, now, don't point that thing at us. It could go off.
00:04:55Come on, now, who are you guys?
00:04:57What kind of a joke is this? I mean, out here in the middle of...
00:05:00Joke boy, you think this is a joke?
00:05:02Howie, I'm frightened.
00:05:05Well, look at him. It's got to be some kind of a gag.
00:05:08This can't be for real.
00:05:11Howie, what's it all about?
00:05:14I don't know.
00:05:17Honey, do as I tell you.
00:05:20You edge around behind me.
00:05:22Time between them and you.
00:05:24Then run like the devil.
00:05:25Howie, not alone.
00:05:26Do as I say.
00:05:29What are you two young'uns doing out here?
00:05:31Quick, don't let him get away.
00:05:36Run larger. Head for the car.
00:05:38Stop, boy. I'll shoot.
00:05:50I'll shoot.
00:05:53Margie?
00:06:22Margie?
00:06:52Oh, hello, Jim. What do you need?
00:07:06I need my ever-loving paycheck.
00:07:08What's the rush? Payday's tomorrow.
00:07:10I know, but Reed said you'd have it for me tonight.
00:07:12Oh, did he now?
00:07:13Yeah, that way I get a couple hours head start on my first vacation in three years.
00:07:18Relax, the girl's on her way up from accounting with it now.
00:07:22Where you going on this vacation?
00:07:23Someplace that can't be reached by telephone, telegraph, teletype, or carrier pigeon.
00:07:29You don't think we'd interrupt your vacation now, do you?
00:07:32Why not? You guys did it for the last two years.
00:07:36Jim, nice story you turned in. Well written. Had a lot of punch.
00:07:41When he talks like that, he wants something.
00:07:44As a matter of fact, there's one little favor I'd like to ask you to do before you leave.
00:07:47Uh-oh, here he comes.
00:07:49As a matter of fact, here it is.
00:07:54The accounting department is certainly coming up with much more interesting figures lately.
00:08:01Let's see you guys.
00:08:04Oh, come on, Jim.
00:08:06Now this will just take a few minutes.
00:08:08Not much out of your way.
00:08:09All you have to do is get a few details and phone them in from there.
00:08:13From where?
00:08:13Carver Street Hospital.
00:08:15Murphy called in from police headquarters.
00:08:18Some college kid was brought in with a gunshot wound.
00:08:21Here's his name.
00:08:22Why doesn't Murphy cover it?
00:08:23He's on police tonight.
00:08:24He's busy on the cat burglar story.
00:08:28Who shot the kid?
00:08:29That's what I want you to find out.
00:08:31May not be anything yet, but you never can tell.
00:08:34Okay, I'll do it.
00:08:36But afterwards, I'm leaving for my vacation.
00:08:38Definitely, irrevocably, and finally.
00:08:41Do you read me, great white fathers?
00:08:43Only two clear.
00:08:45Have a good time.
00:09:00Hello, blonde girl.
00:09:02Why, James Crandall.
00:09:04What brings you here?
00:09:05Now don't tell me.
00:09:07Let me guess.
00:09:09They sent you down for an eclectomy.
00:09:11A what?
00:09:12An egoectomy.
00:09:14They're going to cut out that big fat ego.
00:09:17Oh, that's funny.
00:09:18Funny, funny.
00:09:20I want some information.
00:09:22Like what?
00:09:23Like, uh, you got a boy here.
00:09:27Howard Ellison, college kid.
00:09:29In some kind of shooting scrape.
00:09:31That's the kid they brought in this evening.
00:09:34But I don't think he's having visitors.
00:09:37Well, could I speak to his M.D.?
00:09:39Mm-hmm.
00:09:40That would be Dr. Wilson Blake.
00:09:42Ah, yes.
00:09:43Blake of the Rusty Scabble.
00:09:45Oh, you know him?
00:09:46I should.
00:09:47He broke into me once and stole an appendix.
00:09:50Oh, funny.
00:09:51That's funny, funny.
00:09:54He's in his office.
00:09:55I don't worry about it.
00:09:55I'll take you later.
00:10:01Yes, that's all right with me, Dr. Thornton.
00:10:0410.30 will be fine.
00:10:06Yes, I think the whole administrative staff should be there.
00:10:10Fine.
00:10:12See you in the morning, doctor.
00:10:14Goodbye.
00:10:17Come in.
00:10:19Jim Crannell.
00:10:20Hello, Will.
00:10:21How are you?
00:10:22Hey, number one, how about you, sir?
00:10:24No complaints.
00:10:25Can you spare a few minutes?
00:10:26Sure, sure, I can.
00:10:27Are you on duty?
00:10:28No, not really.
00:10:29I'm officially on vacation.
00:10:31Soda?
00:10:32Just straight, thanks.
00:10:35I bet you're here for a story on that Ellison boy.
00:10:38Good bet.
00:10:39Sit yourself down.
00:10:40So were some friends of yours.
00:10:42They left about an hour ago.
00:10:43Oh, the local gendarmes, huh?
00:10:45Right.
00:10:46Lieutenant Poitain and a couple of his men.
00:10:49They talked to the boy for about an hour and then finally...
00:10:51Wait a minute.
00:10:52Talked to him?
00:10:53You mean the Ellison kid's able to talk to him?
00:10:55Well, he's got a gun.
00:10:56He's got a gun.
00:10:56He's got a gun.
00:10:57He's got a gun.
00:10:57He's got a gun.
00:10:58He's got a gun.
00:10:58He's got a gun.
00:10:59He's got a gun.
00:10:59He's got a gun.
00:11:00Is he able to talk?
00:11:01Sure. He wasn't hurt too badly.
00:11:02The bullet didn't enter any of his vital organs.
00:11:04But the nurse said he couldn't have any visitors.
00:11:06Well, he can.
00:11:07At least not now.
00:11:08He was too tired after that session with Poitain.
00:11:11I want him to get some rest.
00:11:12Well, when can I see him?
00:11:14In the morning?
00:11:15In the morning?
00:11:15But talk.
00:11:16I got to phone something into the editor.
00:11:18I can't fool around on this thing.
00:11:20I leave on my vacation tomorrow.
00:11:22Well, I envy you.
00:11:23We're so short-staffed here at the hospital,
00:11:25there's no telling when i'll be able to take a vacation.
00:11:27What did the kid say when he talked? He told a real weird story. The police have
00:11:33a transcript of it. I'd rather hear it from you if you don't mind. I don't think
00:11:38I should repeat it. I imagine the lieutenant would rather tell you himself.
00:11:41Ah, come off it, Doc. You know Partain's not gonna give me anything till he's
00:11:46good and ready. All right. All I can do is repeat what the boy said, but I'll warn
00:11:51you, you won't believe it. Suppose you tried. Well, this Ellison kid is a student
00:11:56at the university, a cheerleader, an honor student, an all-around popular kid.
00:12:01Early this afternoon, he and this co-ed... Co-ed? You mean there was a girl with him?
00:12:07Yes, one of the majorettes from the band, a girl named Margaret DeMar. DeMar?
00:12:13Couldn't be related to Sandy DeMar, the nightclub thrush. As a matter of fact,
00:12:17yes, her sister. Well, that ends the dance of color. What about the girl? I'm getting
00:12:22to that. Now, do you want to hear this story or not? Okay, okay, go ahead. Well,
00:12:28early this afternoon, they left the university on their way downstate to that
00:12:31night game against Southern Tech. They had permission to drive down instead of
00:12:36going on the bus with the other students. They were running short of time, so they
00:12:41took a shortcut on one of those farm roads. Ellison's car started acting up and
00:12:45finally quit on them. They had to have help, so they started walking, trying to make it
00:12:50to a farmhouse.
00:12:55I said hold it right there!
00:12:59Hey, Dad, what are you made up for? What are you two young'uns doing out here?
00:13:05Quick! Don't let him get away!
00:13:10Run, Margie! Head for the car!
00:13:12Stop, boy! Or I'll shoot!
00:13:14He started running and that's when he got shot.
00:13:18He got up and he kept on running. He made it back to the car. He looked around for
00:13:23the girl and she wasn't there. After that, he blacked out. A passing motorist picked
00:13:28him up and brought him in and that's the story the way he told it.
00:13:32You sure weren't kidding when you called it weird. I've heard some screwy ones in
00:13:36my time, but this one takes the prize.
00:13:39Yeah, that was exactly my reaction at first.
00:13:43What do you mean at first?
00:13:45Well, sometimes I'm forced to alter my opinion by certain evidence. I don't know
00:13:51if you're aware of it, Jim, but my hobby is American military history. I collect
00:13:55historical military objects like some men called stamps, like this item that was
00:13:59brought in by a patient a couple of months ago.
00:14:03You know what that is?
00:14:05Well, it looks like some kind of raffle slip.
00:14:08Mm-hmm. I have a cigar box full of those at home. My brother and I used to find
00:14:13those in the woods and dig them out of trees when we were kids back in Georgia 30
00:14:18years ago. It was one just like the one you're holding now that I took out of
00:14:23young Ellison's body and gave to the police this evening. And if you ask me,
00:14:28they're going to have to dig a long way back in their ballistics file to find
00:14:32anything that matches that.
00:14:34Yeah?
00:14:35Yeah. You see, that's a mini ball, the kind of a bullet they used during the
00:14:41Civil War.
00:15:11¶¶
00:15:39¶¶
00:16:08¶¶
00:16:13¶¶
00:16:22Now, ladies and gentlemen, it is my privilege to present our heavenly little
00:16:25headliner and collector of two gold records, the girl with the orchid voice,
00:16:29Miss Sandra DeMar.
00:16:31Go on away and leave me alone, I want to be by myself when I cry.
00:16:55And there's gonna be some cryin' cause I just told my baby goodbye.
00:17:06Get out of here and leave me alone, I don't care whether I live or I die,
00:17:18Cause my life's already over, it ended when he told me goodbye.
00:17:29Why is it everything happens to me and my dreams all explode in my face?
00:17:35He was my own for a while but he's gone and I know no one can ever take his place.
00:17:45So go away and leave me alone, I've got a right to my own private cry.
00:17:57Comin' down with the sorrows cause I just told my baby goodbye.
00:18:15Why is it everything happens to me and my dreams all explode in my face?
00:18:35He was my own for a while but he's gone and I know no one can ever take his place.
00:18:43So go away and leave me alone, I've got a right to my own private cry.
00:18:57I'm comin' down with the sorrows cause I just told my baby goodbye.
00:19:09Cause I just told my baby goodbye.
00:19:39I'm comin' down with the sorrows cause I just told my baby goodbye.
00:19:49So go away and leave me alone, I've got a right to my own private cry.
00:19:59So go away and leave me alone, I've got a right to my own private cry.
00:20:09So go away and leave me alone, I've got a right to my own private cry.
00:20:19So go away and leave me alone, I've got a right to my own private cry.
00:20:29So go away and leave me alone, I've got a right to my own private cry.
00:20:59So go away and leave me alone, I've got a right to my own private cry.
00:21:09So go away and leave me alone, I've got a right to my own private cry.
00:21:19So go away and leave me alone, I've got a right to my own private cry.
00:21:29So go away and leave me alone, I've got a right to my own private cry.
00:21:39So go away and leave me alone, I've got a right to my own private cry.
00:21:49So go away and leave me alone, I've got a right to my own private cry.
00:21:59So go away and leave me alone, I've got a right to my own private cry.
00:22:09So go away and leave me alone, I've got a right to my own private cry.
00:22:19So go away and leave me alone, I've got a right to my own private cry.
00:22:49Lieutenant, we checked that house from top to bottom. Nothing there.
00:23:07Okay, Lasky. As soon as the boys are through, have them go in and get some rest.
00:23:11We've done everything we can do here.
00:23:13Maybe the sheriff and his bloodhounds will turn something up.
00:23:17Right.
00:23:42Lieutenant Bartain around?
00:23:43He's up in the woods someplace. Evening, ma'am.
00:23:45Has there been any news of my sister?
00:23:47You signed her to Marr?
00:23:48Here comes Bartain now.
00:23:57Lieutenant, have you found her yet?
00:24:00I'm afraid not. Randall, what'd you bring her out here for anyway?
00:24:03I made him bring me, Lieutenant. Can you tell me anything about Margie?
00:24:07No, ma'am. I think you both made a trip out here for nothing.
00:24:11Why don't you go home and get some sleep?
00:24:14He's right, Sandy. You should do as he says.
00:24:17Jim, somewhere out there in that horrible blackness is my sister.
00:24:24Those dreadful dogs. They sound so terribly ominous.
00:24:29Oh, Jim.
00:24:35Come on. We'd better get back.
00:24:51No, I'm going to check all the antique gun shops this morning. Soon as they open.
00:24:55How about the kid's parents? You contact them?
00:24:57Talk to Lieutenant.
00:24:59The Ellisons live in Denver.
00:25:01I tried all night to call them, but they weren't home.
00:25:04How about a cup of coffee, Jim?
00:25:05Yeah, I'd like it.
00:25:07What about the kids at the university? Ellison's fraternity brothers?
00:25:11I talked to everyone in the dorm. They like him.
00:25:15What do his professors say about him?
00:25:17Bright, popular boy. Good scholastic records. Level-headed, down to earth.
00:25:22Not the kind to make up wild stories.
00:25:26Well, that cracks another one of our little theories wide open.
00:25:31You just get in here? Some of the other fellas came in a couple of hours ago.
00:25:34Yeah, I was out with the sheriff and his bunch.
00:25:36And have we got a Lulu.
00:25:38Yeah, what is it?
00:25:39The girl's sweater.
00:25:41We found it out in the woods not far from a smoldering campfire.
00:25:44Go on.
00:25:45Well, we gave the scent to the dogs, and they took off like Moody's goose.
00:25:50Well, we followed them for about a mile or two, until they got through the woods and into a small open space.
00:25:56The dogs got about halfway through the open space, and then they stopped.
00:26:01Well, you've never seen so much confusion of tangled dogs in your life.
00:26:05They didn't know which way to go.
00:26:07The scent had stopped right in the middle of nowhere.
00:26:12It was as if the girl had just been snatched off the face of the earth into thin air.
00:26:17Wait a minute. You mean no footprints, no tire tracks, no nothing?
00:26:21Well, nothing but this.
00:26:25Yeah, so you found part of a costume.
00:26:28Costume?
00:26:29Uh-uh. This is the real article. I checked it out.
00:26:33What do you mean, checked it out?
00:26:35Look at the label on the inside. McCord Brothers.
00:26:38McCord?
00:26:40Outfitted to the military.
00:26:43Charleston, South Carolina.
00:26:45I checked with the Charleston department, and they gave me some very interesting facts from one of their newspapers.
00:26:52It says that McCord Brothers, the company that made that hat, burned to the ground in 1869 and was never rebuilt.
00:27:02It's been nonexistent for over a hundred years.
00:27:06This case is getting scurrier by the minute, don't it, though?
00:27:09Why don't you run this down to the lab and then go home and get some sleep?
00:27:15How about me, Lieutenant?
00:27:16Sure, sure. Go on home.
00:27:18We were under arrest.
00:27:22Well, what do you think?
00:27:25How was Mr. Marr when you left her?
00:27:27Shook up, naturally. She's spending the night with her girlfriend.
00:27:31Read about this whole mess. What's your opinion?
00:27:35I'm not paid to have opinions. I'm paid to put jigsaw puzzles together.
00:27:40But seriously, what do you think?
00:27:42I think there's a logical explanation to everything.
00:27:45Two men were in those woods in costume and makeup.
00:27:49Anyone knows there's lots of guys around nowadays who collect antique guns.
00:27:53They belong to clubs. They have meetings and shooting contests every so often.
00:27:58A couple of them got liquored up a little, wanted to have some fun and scare the kids.
00:28:02But something went wrong. It's as simple as that.
00:28:06My hunch is, as soon as they get up enough nerve, they'll come in, give themselves up.
00:28:11It's a nice theory, Jim, but what happened to the girl?
00:28:15Well, your guess is as good as mine.
00:28:19Jim, you know, this whole thing is... well, it's spooky.
00:28:23Reminds me of something that happened in Germany in 1945 towards the end of the war.
00:28:27Yeah? What was that?
00:28:29Our outfit liberated a small concentration camp near the Alsatian border.
00:28:34When we took it, we expected to find the usual half-starved, ragged inmates.
00:28:39You can imagine our surprise when we were greeted by about 50 young people.
00:28:44All a picture of perfect health.
00:28:47That sounds a little hard to believe after all I've read of Dachau and Auschwitz.
00:28:51Well, that's what made it hard to believe.
00:28:53Here were these kids, not over 21 and some as young as five, living in apparent luxury.
00:28:59Good food, complete recreational facilities, no forced labor.
00:29:04Reminded me of a bunch of calves being fattened up for the kill.
00:29:08You mean there were no old people in the camp?
00:29:10There were a few, but not alive.
00:29:13We found their bodies in the rooms next to the ovens.
00:29:16Apparently we'd taken the camp so fast they hadn't had time to dispose of the bodies.
00:29:21But before they left the night before, they blew up the largest building in the camp.
00:29:26It was some sort of a laboratory.
00:29:28And inside, amidst the rubble and blown into a million pieces,
00:29:32was the scurriest piece of machinery I've ever seen.
00:29:37Some sort of a crazy electronic apparatus.
00:29:40And half buried underneath it amidst the rubble,
00:29:43still strapped to a table, was an old, old man.
00:29:46Just barely alive.
00:29:48Our medics tried to save him, but they couldn't.
00:29:51Now here's the weird thing.
00:29:53This is the part we could never understand.
00:29:56In trying to identify him, we checked the camp records with a prison number tattooed on his arm.
00:30:02According to those records, that old man should have been an 18-year-old boy.
00:30:08What about the other bodies?
00:30:10Same thing.
00:30:11Their numbers indicated they all should have been kids.
00:30:14What type of experiments were they conducting there?
00:30:18We never found out.
00:30:19Even the young inmates weren't aware of why they were there.
00:30:22They never found the commandant of that camp to bring him to trial with the rest of the Nazi brass.
00:30:27His name was Ernst von Hauser.
00:30:31Did you ever hear of him?
00:30:33He was a German physicist.
00:30:35Contemporary of Einstein's.
00:30:37I don't follow you.
00:30:39You mean you think there might be some connection between all that and what happened here last night?
00:30:44I'm not saying that, no.
00:30:46But just suppose, for the sake of argument,
00:30:49the Ellison kid did see two men out of the past of a hundred years ago.
00:30:53That would mean somebody around here is tampering with time.
00:30:57Somebody was also tampering with time in that concentration camp.
00:31:00Now wait a minute.
00:31:01Let me get this straight.
00:31:03You think that the machine found in that concentration camp was some kind of time machine
00:31:08and that there may be another one like it around here.
00:31:11Is that what you're saying?
00:31:12I'm not saying anything.
00:31:13I'm just supposing.
00:31:15After all, they never found von Hauser.
00:31:18Lieutenant.
00:31:19Yeah, Walt.
00:31:20Captain wants to see you in his office.
00:31:22Wants you to bring the file on the Maddox case.
00:31:24Be right there.
00:31:27How am I ever going to turn in a story like that?
00:31:31That's your problem.
00:31:50Hello?
00:31:51Give me the city desk.
00:31:54Hello, Reed.
00:31:56Randall again.
00:31:58Would you tell Shaw I'd like to postpone my vacation and stick with the Ellison story?
00:32:02Yeah, that's right.
00:32:04You know that Pulitzer Prize you're always kidding me about?
00:32:08Well, if this thing turns out to be what it looks like, I just might win it.
00:32:13No, nothing new at the moment.
00:32:16I'll keep you posted.
00:32:18Yeah, I've got a little research to do in the library.
00:32:21Then I'm going to the hospital to interview the kid.
00:32:24Right. Talk to you later.
00:32:38All right, Howie, you can go on with your story.
00:32:43That's about it, Mr. Crandall.
00:32:45I remember reaching the highway and Margie wasn't there.
00:32:50And then I blacked out and the next thing I knew I was here at the hospital.
00:32:54And you really don't think, Howie, that those guys were just a couple of kooks in Civil War costumes?
00:33:01Mr. Crandall, I don't know how to explain it.
00:33:04But I got the distinct feeling that these guys were for real.
00:33:08I mean like something straight out of Gone with the Wind.
00:33:12Howie, what's your idea of what happened to Margie?
00:33:15Do you think these two guys grabbed her?
00:33:17I don't know, Mr. Crandall.
00:33:19I don't know.
00:33:20That's what's bugging me out of my skull.
00:33:25Nurse, is Mr. Ellison awake?
00:33:27Yes, he is. He has another visitor, but you can go on in.
00:33:40Sandy!
00:33:41Hello, Howie. How are you?
00:33:43Hello, Jim.
00:33:44Good morning. Have you heard anything from Margie?
00:33:46Not yet.
00:33:47I brought you some flowers.
00:33:49Thank you, Sandy.
00:33:52I'm sorry about all this. I mean...
00:33:55It's all right, Howie. Now don't you worry.
00:33:57Whatever happens, I know it wasn't your fault.
00:34:00Jim, have the police found out anything yet?
00:34:04No new developments.
00:34:05I'm going up there in a little while to have a look around myself.
00:34:08I want to see the place in the daylight.
00:34:10Would you mind if I went with you?
00:34:11Of course not. I'd enjoy your company.
00:34:13Howie, would you forgive us if we ran off right away?
00:34:17Sure. I understand.
00:34:19I'll drop back in later.
00:34:21Bring me some magazines.
00:34:22Yeah. True Confessions and Lady's Home Journal.
00:34:25Gee, thanks, Mr. Crandall. Those are two I never miss.
00:34:28See you later, Howie.
00:34:43Howie.
00:35:13Howie.
00:35:43Howie.
00:35:45Hmm.
00:36:10Looks like the typical haunted house, doesn't it, Jim?
00:36:13Yeah.
00:36:14The meadow where they found the cap and where Margie's trail ended
00:36:18is supposed to be nearby.
00:36:20Do you think this old place has anything to do with her disappearance, Jim?
00:36:24I don't think so.
00:36:25They searched it and didn't find anything.
00:36:28Her sweater was found somewhere in those woods.
00:36:33I think I'll have a look around.
00:36:44Hmm.
00:36:45Hmm.
00:37:15Hmm.
00:37:45No!
00:37:46Jim!
00:37:47Jim, help!
00:38:15Jim!
00:38:32Let's get out of here.
00:38:45Let's go.
00:39:15Let's go.
00:39:38Ah!
00:39:39Hmm.
00:39:46What happened?
00:39:48I don't know, but we better get back to the car.
00:40:00Jim!
00:40:01The car!
00:40:02It's gone!
00:40:10Jim, someone must have stolen it.
00:40:12I would have heard the motor start up.
00:40:14Besides, I have the key in my pocket.
00:40:16Well, this must be the wrong place.
00:40:18This isn't where we left it.
00:40:20This is where we left it, all right.
00:40:25But it looks different here.
00:40:27There are more trees than there were before.
00:40:29And that fence, that wasn't here when we came down the road.
00:40:35And the barbed wire fence is gone.
00:40:38Jim, we're lost!
00:40:41I don't think so.
00:40:42I don't think so.
00:40:43At least, not the way you mean.
00:40:46Jim, I'm frightened.
00:40:49It's, it's all right.
00:40:51Let me think a minute.
00:40:53This road was paved.
00:40:55And now it's dirt.
00:40:58And there isn't a telephone pole in sight.
00:41:01I know, I know.
00:41:03Jim, what is it?
00:41:04What's happening?
00:41:06I don't understand it.
00:41:07Where's the car?
00:41:08Where are we now?
00:41:09Jim, I know you know what's happening to us and you won't tell me.
00:41:12But why not?
00:41:14What's going on?
00:41:16Fantastic.
00:41:18Incredible.
00:41:20I never really believed it.
00:41:23Tell me, tell me what's happening!
00:41:25Sandy!
00:41:26What's going on, what dreadful thing is happening?
00:41:27Sandy!
00:41:28Tell me, tell me!
00:41:31It'll be all right.
00:41:33Everything's going to work out.
00:41:35But we have to keep our heads.
00:41:38I believe our best bet is to follow this road and see where it leads.
00:41:43Come on.
00:42:37Jim, his clothing.
00:42:47I know.
00:42:48Ours are just as strange to him.
00:42:50Especially your short skirt.
00:42:56Friend, what year is this?
00:43:03Where are we?
00:43:05Witchcraft!
00:43:06Witchcraft!
00:43:15Jim.
00:43:18Honey, I don't know how to explain it.
00:43:20But somehow we've been set back in time.
00:43:23But Jim, that's impossible.
00:43:25Impossible.
00:43:26I know it's supposed to be impossible.
00:43:28But it seems to have happened.
00:43:32Well, let's not try to figure it out now.
00:43:35We've got to get somewhere to find some help.
00:43:37Some way.
00:43:57Jim, I'm sorry.
00:43:59But I don't think I can go any farther.
00:44:01I simply have to rest.
00:44:03All right.
00:44:05We'll stop for a while.
00:44:25Welcome, my friends, to our little workshop.
00:44:31Do not be alarmed or cause unnecessary commotion.
00:44:34You are in no danger.
00:44:36At least, not for the moment.
00:44:41Don't you please step out?
00:44:49I am Dr. Ernst Mannhauser.
00:44:51These are two of my assistants.
00:44:55Manfred and Wolf.
00:44:58Where are we?
00:44:59I told you.
00:45:01We are in my little workshop.
00:45:03And I tell you again.
00:45:05Please do not be alarmed.
00:45:07What time is this?
00:45:08What century are we in?
00:45:10Does it matter, my friend?
00:45:12There really is no such thing as time.
00:45:15Except as a relative measuring device in your own mind.
00:45:20We're not interested in double talk.
00:45:22What happened to Margaret Damar?
00:45:24What have you done with it?
00:45:25Please, Mr. Crandall.
00:45:27You will please remain calm.
00:45:29What have you done with my sister?
00:45:32Your sister is completely safe, Mr. Mannhauser.
00:45:34And I assure you, I did not bring her here on purpose.
00:45:38She certainly did not come here of her own free will.
00:45:40I did not say that.
00:45:42I brought her here to keep her from harm.
00:45:45Then where is she? Let me see her.
00:45:47But of course.
00:45:48Didyama!
00:45:50Come here.
00:45:51Quickly!
00:45:55Didyama.
00:45:56Bring Fraulein Damar to her sister.
00:46:02Welcome.
00:46:07No need for alarm, Mr. Crandall.
00:46:09She'll be all right.
00:46:11She'll be able to freshen up.
00:46:13We will even furnish her a change of clothing.
00:46:22I noticed you were intrigued by my servant girl, Didyama.
00:46:27And there you might be.
00:46:29Just a few thousand years ago,
00:46:32she was serving in the court of Tonka Memzies,
00:46:36one of the great pharaohs of Egypt.
00:46:39And now, she is serving me.
00:46:44Quite an experience, is it not?
00:46:48This is like a fantastic nightmare.
00:46:51I don't understand any of it.
00:46:53How did you get Margie here?
00:46:55I was conducting an experiment
00:46:58with a pair of gentlemen from the past.
00:47:01And the girl and her boyfriend
00:47:04wandered into the machine's field of materialization
00:47:08and encountered them.
00:47:10They shot the boy.
00:47:12They might have killed the girl
00:47:15had I not teleported her here very quickly.
00:47:18And the two red soldiers?
00:47:20I sent them back to Shiloh, Mr. Crandall.
00:47:23But it doesn't matter.
00:47:25They probably died there anyway.
00:47:28Fantastic.
00:47:30Absolutely fantastic.
00:47:32Tell me, doctor, why did you send Sandy and me back to...
00:47:36To 1789?
00:47:38I admit I took advantage of you
00:47:41to conduct a little experiment.
00:47:43Oh, you are a little dangerous,
00:47:45but you see, no harm has come to you.
00:47:48Super-spectronic relativity?
00:47:52I believe that's what you once called it.
00:47:54Oh, then you are familiar with my work.
00:47:57To some degree, yes.
00:47:59I read up on you this morning in the library
00:48:01after talking with the police.
00:48:03Oh.
00:48:05And what did you learn about me?
00:48:08Quite a bit.
00:48:10I know of your early career
00:48:12and some of the brilliant discoveries you made
00:48:14in the field of physics.
00:48:16And that you were expelled
00:48:17from the International Congress of Physicists
00:48:19because of your theories.
00:48:21Oh, that was a humiliation
00:48:24which will soon be avenged, Mr. Crandall.
00:48:27But for what?
00:48:29What else did you learn of me?
00:48:31Well, I know that you were a friend
00:48:33and sponsor of Adolf Hitler,
00:48:35that you helped elevate him to power in the 30s,
00:48:37and became the organizer and administrator
00:48:40of his Department of Scientific Warfare.
00:48:43That's another thing that puzzles me here, doctor.
00:48:46Why a man of your brilliance
00:48:48should identify himself
00:48:49with a fanatical madman like Hitler?
00:48:51How dare you refer to Adolf Hitler as a madman?
00:48:55He was a great genius ahead of his time.
00:48:59The world in its ignorance
00:49:01was not ready to accept him.
00:49:03The world did not accept him
00:49:04because he was a lunatic
00:49:06bent on enslaving it.
00:49:08You call a man who is responsible
00:49:09for the mass murder of millions
00:49:11a great man, a genius?
00:49:13Anyone with enough intelligence
00:49:15to examine history
00:49:16knows there are times
00:49:18when lives must be sacrificed
00:49:20for the benefit of future generations.
00:49:23And he was willing to do this
00:49:25in order to lead his people into...
00:49:28Into darkness.
00:49:29Into oblivion.
00:49:30That's where he was leading them.
00:49:32And like all other power-crazed dictators
00:49:34before him, he failed.
00:49:36Thank God there were people in the world
00:49:38with enough courage
00:49:39to resist and to conquer him.
00:49:41What do you know
00:49:43in your stupid pecking little mind?
00:49:51You will forgive me, Mr. Crandery,
00:49:53for my outburst of temper.
00:49:56You are, of course,
00:49:58entitled to your own opinion
00:50:00for whatever small purpose it may serve you.
00:50:05Let me enlighten you, Mr. Crandery,
00:50:08on a few things of which you
00:50:10and the rest of the world
00:50:12are unafraid.
00:50:14Blame for the loss of the war
00:50:16cannot be laid to Hitler
00:50:19or his doctrines.
00:50:22It was I who failed him.
00:50:26Me and the general staff.
00:50:29He called for weapons,
00:50:31super-weapons,
00:50:32to turn the tide of war
00:50:34in those last few days.
00:50:37Because of my inability
00:50:39to deliver those machines soon enough,
00:50:43we were defeated.
00:50:47It might interest you to know
00:50:49that during those last few months of the war
00:50:52we had almost perfected weapons
00:50:55so far in advance
00:50:57of anything that had gone before them
00:51:00as to make modern warfare
00:51:01in all its forms
00:51:03completely obsolete.
00:51:06We had only had time
00:51:08for further experiments.
00:51:11I know of some of your experiments,
00:51:13like the ones carried out
00:51:14in a certain concentration camp.
00:51:16Oh, then you know about
00:51:18the agent machine.
00:51:20Yeah.
00:51:21We had almost perfected that one
00:51:24when the war ended.
00:51:26Oh, but that machine
00:51:27was one of the more primitive devices,
00:51:30like the jets and the rockets
00:51:32that we reused so briefly.
00:51:34We were in the final stages, Mr. Crandall,
00:51:37of perfecting weapons
00:51:39that were truly astounding
00:51:41and against which you would have had
00:51:43no defense.
00:51:45A cannon that killed with sound waves
00:51:48yet was completely silent.
00:51:51A giant generator gun
00:51:53that could electrocute
00:51:54whole armies in the field.
00:51:56Oh, and more, many more.
00:51:59We'd have only had a few more months
00:52:02to perfect those weapons.
00:52:04We could have brought victory
00:52:06from the jaws of defeat.
00:52:08The Third Reich would have endured,
00:52:11not for a thousand years
00:52:13as the Führer dreamed,
00:52:15but forever.
00:52:17But the fact is
00:52:18that you failed here, Doctor.
00:52:20Failed and lost.
00:52:22But you are forgetting one thing,
00:52:24Mr. Crandall.
00:52:26That was 20 years ago.
00:52:29Since then,
00:52:30I have perfected and even improved
00:52:33on my original weapons.
00:52:35And we have conquered time.
00:52:40Dr. Einstein's so-called fourth dimension.
00:52:45Hitler will return, Mr. Crandall.
00:52:48And soon,
00:52:49your victory
00:52:51was but a temporary one.
00:53:01Margie, baby!
00:53:03Sandy!
00:53:05Honey, are you all right?
00:53:06Did they hurt you?
00:53:07Oh, Sandy, I didn't think
00:53:08I'd ever see you again.
00:53:10I'm all right.
00:53:13Let us out of here.
00:53:14Open this door.
00:53:15Let us out.
00:53:17Please, don't let them keep us here.
00:53:25I'm sorry.
00:53:27I'm sorry.
00:53:29I'm sorry.
00:53:31I'm sorry.
00:53:33I'm sorry.
00:53:35I'm sorry.
00:53:37I'm sorry.
00:53:39I'm sorry.
00:53:42I have my own underground
00:53:44atomic power supply.
00:53:46Here are the master controls,
00:53:48and here are the selectors.
00:53:50With this dial,
00:53:52I can control the century
00:53:54I wish to deal with.
00:53:56These other dials, of course,
00:53:58are for the selection of the year,
00:54:01the month, the day,
00:54:03even the hours and minutes
00:54:06and even seconds.
00:54:09These are the acceleration switches
00:54:12with which I can control
00:54:14the velocity or speed
00:54:16of the passage of certain
00:54:18relative segments of time,
00:54:21just as you would increase
00:54:23or decrease the speed
00:54:25of an automobile.
00:54:27Is that too difficult
00:54:29for you to grasp, Mr. Crandall?
00:54:31Frankly, I'm beginning to doubt
00:54:33my sanity.
00:54:34You needn't.
00:54:35After all,
00:54:36there are very few people
00:54:38in the world who can understand
00:54:40even Dr. Einstein's
00:54:42theory of relativity,
00:54:44and my theories go far beyond his.
00:54:47But you are an intelligent man,
00:54:49Mr. Crandall.
00:54:50Perhaps I can explain it
00:54:52a bit more simply.
00:54:59Even let this line
00:55:01represent the world.
00:55:03Let a line here
00:55:05represent the equator,
00:55:07and a mark here,
00:55:08and a mark here
00:55:09for the north and south poles.
00:55:12If an aircraft starts here,
00:55:15this side of the equator,
00:55:17and starts going up
00:55:18and up and up,
00:55:20it is going north
00:55:22toward the north pole.
00:55:24But the instant it passes
00:55:27over the pole,
00:55:29it is no longer going north.
00:55:32It is going south.
00:55:34And yet, it has not turned
00:55:37or changed its direction
00:55:39in any way.
00:55:41Now that is the simplest way
00:55:42I know of
00:55:44to make you understand
00:55:46how my theory
00:55:47of superspectronic relativity
00:55:50was first developed.
00:55:52It has long been established
00:55:54that time and space
00:55:57do not exist
00:55:59except in relation
00:56:01to each other.
00:56:02Therefore,
00:56:03they are inseparable,
00:56:05indivisible,
00:56:07a space-time continuum.
00:56:10The faster we travel in space,
00:56:13the faster we travel in time.
00:56:16Now,
00:56:17let me use this
00:56:19short vertical line
00:56:20to represent
00:56:22an instant of time
00:56:24on this horizontal arrow
00:56:26to represent velocity
00:56:29or speed.
00:56:30Now then,
00:56:31scientists have long held
00:56:33that light
00:56:35is the top limiting velocity
00:56:38in the universe.
00:56:40In other words,
00:56:41there is nothing in the world
00:56:43faster than light.
00:56:46And yet, it is known
00:56:48that beta particles
00:56:49ejected from the nuclei
00:56:51of radioactive substances
00:56:53can attain velocities
00:56:55up to 99%
00:56:58of light.
00:57:00Now, I have always
00:57:01based my theories
00:57:03on the premise
00:57:04that there is no limit
00:57:07to space.
00:57:08The universe is limitless!
00:57:11Well,
00:57:12if there is no limit to space,
00:57:14then there is no limit to time
00:57:17and
00:57:18no limit
00:57:20to velocity.
00:57:22Therefore, I thought
00:57:24there must be something
00:57:25in the universe
00:57:27that was faster than light.
00:57:30Oh!
00:57:31The years of frustration
00:57:33and failure
00:57:35before I finally had to submit
00:57:37to the one irrevocable fact
00:57:40there is nothing in the universe
00:57:43faster than light.
00:57:45But,
00:57:46I discovered
00:57:48a new ray in the spectrum
00:57:50with a wavelength
00:57:52infinitely shorter
00:57:54even than that
00:57:55of the cosmic ray.
00:57:57This ray I called
00:57:59the minus ray.
00:58:02I'm afraid you lost me, Doctor.
00:58:04Well, in other words,
00:58:06while I discovered
00:58:08that the velocity of light
00:58:10is indeed
00:58:11the top velocity
00:58:12in the universe,
00:58:14that velocity
00:58:16need not remain
00:58:18constant.
00:58:20I discovered
00:58:21that through minus rays
00:58:23velocity could actually be
00:58:25accelerated.
00:58:27Let me illustrate in this way.
00:58:30This line
00:58:31represents an instant
00:58:34in time.
00:58:35An instant, that is,
00:58:36in relation to our immediate vicinity
00:58:39in space.
00:58:40Now,
00:58:42if you enter a dark room
00:58:44on Flipper's Ridge,
00:58:47that room is instantly
00:58:49flooded with light.
00:58:52That is because
00:58:53that light
00:58:54traveling at its great velocity
00:58:56takes hardly any time at all
00:58:59to cover that small area
00:59:01of a room.
00:59:02It is immediate,
00:59:04instantaneous.
00:59:06Now,
00:59:07if that light
00:59:09had traveled any faster,
00:59:12it would have come on
00:59:14before
00:59:16you flipped the switch.
00:59:18Are you beginning
00:59:19to understand?
00:59:21I think so.
00:59:23Fine.
00:59:24Now then,
00:59:25just as I illustrated
00:59:27a moment ago
00:59:28with the airplane
00:59:29flying up
00:59:31over the world,
00:59:32heading north
00:59:34until it passed
00:59:35over the North Pole,
00:59:36then its direction
00:59:38became south,
00:59:39the same thing is true
00:59:41in a sense
00:59:42of time.
00:59:44If the velocity
00:59:45of ordinary light
00:59:47represented by this arrow
00:59:49should be accelerated,
00:59:52then it will pass
00:59:53beyond the instant
00:59:55represented by this
00:59:56vertical line
00:59:58and no longer
00:59:59be moving in the direction
01:00:01of the future,
01:00:02but it will be moving
01:00:04in the direction
01:00:05of the past.
01:00:07It will no longer be going
01:00:09forward in time,
01:00:11but backward.
01:00:13The greater the velocity,
01:00:15or I should say
01:00:16the greater the acceleration,
01:00:18the further back in time
01:00:20it will travel.
01:00:22In other words,
01:00:23if a guy left New York
01:00:24for Los Angeles
01:00:25and traveled fast enough,
01:00:27he'd get there
01:00:28before he started.
01:00:29You've joked,
01:00:30Mr. Crandall,
01:00:31but crudely expressed,
01:00:34that is exactly
01:00:35what would happen.
01:00:39Why are you telling me
01:00:40all this?
01:00:42To impress upon you
01:00:44the superior
01:00:45scientific knowledge
01:00:47that we possessed,
01:00:48my friend,
01:00:50and to illustrate
01:00:51why we would have won the war
01:00:53if we had only had
01:00:54a few more months.
01:00:57We were the slaves
01:00:58of time then.
01:01:00Time was our master.
01:01:02But I,
01:01:03I have changed all that.
01:01:06Now we are the masters
01:01:08and time is our servant.
01:01:12Ah, you Americans
01:01:14are an egotistical,
01:01:16arrogant lot.
01:01:18How proud and superior
01:01:20you felt
01:01:21as you strutted through
01:01:22the ruined streets
01:01:23of our cities,
01:01:25the proud conquerors
01:01:27claiming the spoils of war.
01:01:31But that is only temporary,
01:01:33my Yankee friend.
01:01:35Soon Hitler will return.
01:01:38We will rewrite history.
01:01:40And the Third Reich
01:01:41will endure,
01:01:43not for a thousand years
01:01:45or a hundred thousand years,
01:01:48but forever.
01:01:52Immortality,
01:01:54the age-old dream of man,
01:01:57is ours.
01:02:00The rest of the world
01:02:01will follow our feet
01:02:02and we shall rule
01:02:04for all eternity.
01:02:08Ah, Wolf,
01:02:10did you make
01:02:11the young ladies
01:02:12comfortable?
01:02:13Jawohl, Herr Doktor.
01:02:14And Manfred,
01:02:16did you see that
01:02:17Mr. Maher
01:02:18had a change of clothes?
01:02:20Jawohl.
01:02:21Good.
01:02:23The lecture is over,
01:02:24Mr. Klander,
01:02:25and you look tired.
01:02:27If you will follow
01:02:28Manfred and Wolf,
01:02:29they will show you
01:02:30to your quarters.
01:02:32We weren't planning
01:02:33on staying.
01:02:34We want out of here now.
01:02:36I'm afraid
01:02:37that is impossible,
01:02:38Mr. Klander.
01:02:39I must insist
01:02:40that you accept
01:02:41my hospitality.
01:02:42Now, wait a minute.
01:02:44Get your hands off me!
01:02:45Wait!
01:02:46Hauser,
01:02:47you can't get away with this!
01:02:57Jim.
01:02:59Jim!
01:03:01Sandy, are you all right?
01:03:03Yes, we're all right.
01:03:05Why are they
01:03:06locking us up?
01:03:07What are they
01:03:08going to do with us?
01:03:09Nothing.
01:03:10If I have anything
01:03:11to do with it...
01:03:12Oh, don't hurt him!
01:03:13Oh, don't hurt him!
01:03:15Oh!
01:03:34Jim!
01:03:35Jim!
01:03:45Jim!
01:04:03Sandy! Sandy!
01:04:05Sandy, answer me!
01:04:08We're here, Jim.
01:04:10We're all right.
01:04:11How about you?
01:04:12Just a minor headache, honey.
01:04:15Is Margie still with you?
01:04:17Yes.
01:04:18She's asleep.
01:04:19Jim, I'm scared.
01:04:21What do you think
01:04:22von Hauser intends
01:04:23to do with us?
01:04:24I don't know.
01:04:25But I do know one thing.
01:04:27I've got to figure
01:04:28a way out of here.
01:04:31Sandy, honey,
01:04:32I'm sorry about everything.
01:04:33I shouldn't have brought
01:04:34you with me this morning.
01:04:36It wasn't your fault.
01:04:37I asked to come along.
01:04:39After all we've been through,
01:04:41you must be beat.
01:04:42Have you had any sleep?
01:04:44No, I was worried about you.
01:04:46Well, try to get some rest
01:04:47while I do some thinking.
01:04:49Okay.
01:04:50As soon as Margie wakes up,
01:04:52I will.
01:05:15Jim!
01:05:20Jim!
01:05:22Sandy, what is it?
01:05:24I don't know.
01:05:25He wants to take Margie.
01:05:27Come on, see here,
01:05:28front line.
01:05:29No.
01:05:30No.
01:05:31Sandy, don't let him take me.
01:05:33Come on, see here.
01:05:34No.
01:05:35No.
01:05:36Sandy.
01:05:37No, leave her alone.
01:05:38Take your hands off her.
01:05:40Don't let him take me, Sandy.
01:05:42Don't let him take me.
01:05:43Sandy, don't let him take me.
01:05:45Turn her loose.
01:05:46Let go.
01:05:47Sandy, who is it?
01:05:49What's going on?
01:05:50No.
01:05:51No.
01:05:52What's going on in there?
01:05:54What's happening?
01:05:55What?
01:05:56Stop it.
01:05:57Let me go.
01:05:58No.
01:05:59What is it?
01:06:00Let me go.
01:06:01What are you doing?
01:06:03Stop.
01:06:04Stop.
01:06:07Margie.
01:06:09Margie.
01:06:14Margie.
01:06:38So you see, my dear,
01:06:39there was no reason for all that hysteria.
01:06:42You've really nothing to fear.
01:06:45While I have never before tried sending anyone into the future,
01:06:49there is no reason to believe that the experiment will not be successful.
01:06:54And if something should go wrong,
01:06:57it will happen so quickly,
01:06:59you'll never feel a thing.
01:07:12Didyama.
01:07:27It is time you eat now.
01:07:29You speak English?
01:07:30Many others before you, they teach me talk.
01:07:33You mean there have been other prisoners here?
01:07:35Many.
01:07:36Are there any others here now?
01:07:38They all disappear.
01:07:40You eat now.
01:07:42It is all they give me for you.
01:07:47It's all right.
01:07:48At least it's better than nothing.
01:07:50Didyama, you've got to help us.
01:07:52You're our only hope.
01:07:54No.
01:07:56I cannot help you.
01:07:58But you've got to.
01:07:59You're the only one.
01:08:00If you could get hold of the keys.
01:08:01No.
01:08:02No.
01:08:03They'll kill me.
01:08:04I cannot help you.
01:08:05Please, Didyama, listen to me.
01:08:07No.
01:08:08We'll never get out of here if you don't help us.
01:08:09Please, Didyama.
01:08:10Please.
01:08:17I bring you food.
01:08:19You eat.
01:08:22Sandy, see if you can persuade her to help us.
01:08:24It may be our only hope.
01:08:29Someone's come.
01:08:30I must go now.
01:08:33What is going on?
01:09:03Stay away from me.
01:09:17Sandy.
01:09:26Sandy.
01:09:36Sandy, are you all right?
01:10:00Can you hear me?
01:10:12Sandy, honey.
01:10:13Thank God you're safe.
01:10:15Quick, get his keys.
01:10:23Oh, Jim, it was awful.
01:10:26He strangled her.
01:10:28It's all right, honey.
01:10:29Try to get hold of yourself.
01:10:31We've got to get out of here.
01:10:32I'll be fine.
01:10:44I told you, Mr. Marr, this struggle is useless.
01:10:47You will only tire yourself needlessly.
01:11:17You've got that machine on you.
01:11:34Switch it off, Doctor.
01:11:47Jim, look, Margie.
01:11:52Reverse the machine, Doctor.
01:11:53Bring her back.
01:11:55I cannot guarantee that, Mr. Crandall.
01:11:58I have never experimented with the future before.
01:12:02You insane sadistic...
01:12:05If you don't bring that girl back,
01:12:07I'll empty this gun into that warped brain of yours.
01:12:27Margie.
01:12:28Darling.
01:12:30Margie.
01:12:42It's too bad, Mr. Crandall,
01:12:44that you are not interested in science.
01:12:49But you Americans are so impractical anyway.
01:12:57Jim, look out!
01:13:06Just don't you try anything, honey.
01:13:08Don't try anything.
01:13:13That should cut down on your time travel, my good Doctor.
01:13:24How about the attic?
01:13:25You searched that, didn't you?
01:13:26Yes, sir.
01:13:27That's where we found the Nazi soldiers and the radar equipment.
01:13:31Then this house has some connection.
01:13:33Crandall's car was found not too far from here.
01:13:36Von Hauser's headquarters must be around here somewhere.
01:13:58Lieutenant?
01:14:01Yeah?
01:14:07What is it, Finley?
01:14:19Jim, and the DeMars?
01:14:27Where in the devil did you three come from?
01:14:29Von Hauser's country place, Fred.
01:14:31We spent a very interesting night there.
01:14:33Where is Von Hauser?
01:14:34Down there in his laboratory.
01:14:37Listen!
01:14:38What's that sound?
01:14:39That's the machine.
01:14:40You'd better stop it before he gets away.
01:14:44Lasky, you come with me.
01:14:45Finley, you stay here with them.
01:14:49What machine?
01:14:50The time machine.
01:14:53The what machine?
01:15:00All right, Professor.
01:15:01Hold it right there.
01:15:03Get away from that machine.
01:15:24If I hadn't seen it with my own eyes, Lieutenant, I wouldn't believe it.
01:15:34I know, I know.
01:15:39Lasky, if you ever tell anyone what I'm about to do, I'll have your job so hell.
01:15:43Is that clear?
01:15:46Lieutenant, I ain't seen nothing.
01:15:50I don't know what makes this contraption work, but...
01:15:54I think I know a darn good way to shut it off.
01:16:21Only if it's jammed.
01:16:35Watch that.
01:16:49What happened down there, Fred?
01:16:56Forget it.
01:16:57Finley, call Miller at headquarters.
01:16:58Have him send some of the boys out.
01:16:59Are you two all right?
01:17:00Everything's fine.
01:17:01Thank you, Lieutenant.
01:17:04Why don't you take the two ladies home?
01:17:06Come on, Lasky.
01:17:14The machine?
01:17:16Mangled beyond repair or recognition.
01:17:18Too bad the big brass didn't get a chance to look it over, isn't it?
01:17:22But why, Fred?
01:17:23You had no right.
01:17:26No right, huh?
01:17:28Listen, the way I figure it's like this.
01:17:31Sooner or later, some other joker's gonna invent a machine just like it.
01:17:35Maybe by then the world will be ready for it.
01:17:38God only knows we aren't now.
01:17:40Hydrogen bombs are enough for people to worry about.
01:17:44Yesterday should be left alone.
01:17:46Because today the world has enough problems just trying to make sure we'll have a tomorrow.
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