• 4 anni fa
Operation Caprice is a 1967 comedy-thriller film directed by Frank Tashlin starring Doris Day and Richard Harris.

Storyline: Patricia Foster, an industrial designer for Femina Cosmetics, owned by Sir Jason Fox, is arrested for trying to sell a secret formula to a rival company, May Fortune, owned by Matthew Cutter. After her release and her firing from Femina, Patricia is hired by Cutter. All of this is actually a scheme devised by Sir Jason for Patricia to steal the formula for a new water-repellent hairspray, invented by Dr Stuart Clancy, May Fortune's head chemist.
Christopher White, Cutter's right-hand man, convinces Patricia that he, too, secretly works for Sir Jason. Christopher eventually learns Patricia Foster is not her actual name.
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00:04:20Monsieur, this way please.
00:04:22♪
00:04:32♪
00:04:42♪
00:04:47Pardon me, mademoiselle, but I notice you are doing the, uh,
00:04:51New York news crossword puzzle.
00:04:53Would you know 14 down, a five-letter word meaning
00:04:57compensation for services?
00:04:59The word is money.
00:05:01You, of course, are stupid of me.
00:05:04And it's not 14 down, it's 23 across.
00:05:07Yeah, of course. May I join you?
00:05:09♪
00:05:19♪
00:05:39Take off your trousers.
00:05:42What do you mean?
00:05:44I must be sure you don't follow me.
00:05:47Follow me.
00:05:49Trousers or no deal.
00:06:17♪
00:06:41Would you have these pressed, please?
00:06:43Thank you very much.
00:06:45♪
00:06:52Miss Foster?
00:06:54Inspector Kopinski, friend sure a day.
00:06:56You are under arrest.
00:06:58♪
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00:07:34Afternoon, Sir Jason.
00:07:35Carter.
00:07:37Well, we caught her red-handed and flat-footed.
00:07:39Yes, I still can't believe it.
00:07:41Patricia Foster, one of my most trusted employees.
00:07:44Tell me, Carter, how did it happen?
00:07:46Well, I got the tip that she had some information to sell.
00:07:49I called the surrotate, they arranged the, uh,
00:07:51Eiffel Tower rendezvous. It was really quite simple.
00:07:53Yes, well, I appreciate it, Carter, I appreciate it,
00:07:55but I still don't understand it.
00:07:56Why did she do it?
00:07:58It couldn't have been for money.
00:08:01What in heaven's name was the reason, then, Patricia?
00:08:05Well, don't just stand there.
00:08:07Don't you realize the enormity of your crime?
00:08:09You were caught in the act of trying to sell
00:08:11the top-secret plans
00:08:13for our new Roland underarm deodorant.
00:08:21I want this woman prosecuted to the fullest extent of the law.
00:08:24Sir Jason, one moment, please.
00:08:26I want her put away for 20 years.
00:08:28Sir Jason, you don't understand.
00:08:30Uh, Sir Jason,
00:08:32it is most unfortunate,
00:08:34but here in France,
00:08:36industrial espionage is not a felony.
00:08:38You can only prosecute for simple robbery.
00:08:40And your maximum sentence is only five years.
00:08:43She should be put away for ten years at least.
00:08:45Sir Jason, permit me.
00:08:47If you prosecute, there might be adverse publicity.
00:08:50The idea of cloak-and-dagger spies
00:08:52stealing underarm deodorants
00:08:54could strike the public as pretty silly.
00:08:56I mean, our companies could be laughed out of business.
00:09:00Miss Foster.
00:09:02You don't deserve it,
00:09:04but Mr. Cutter here
00:09:06has prevailed on me not to prosecute.
00:09:08Good business practice
00:09:10forces me to yield to his argument.
00:09:12However, your contract with Femina Cosmetics is canceled.
00:09:15Beyond that, I intend to see to it personally
00:09:18that no other cosmetic firm in Europe ever engages you.
00:09:22You've been a great disappointment to me, Patricia.
00:09:30BELL RINGS
00:09:47Hello there.
00:09:49Free taxi, miss, sir?
00:09:51Best deal in Paris?
00:09:53Free taxi on a rainy night?
00:09:55Refreshments en route?
00:09:57Napa, Sonoma, Mendocino.
00:09:59Comes in blanc and rouge. That means white and red.
00:10:021967 was a great year for the Californian grain.
00:10:13Wait a minute. Let me introduce myself.
00:10:15I'm Christopher White. Take your hand off my arm.
00:10:18I consider your attitude towards a spy
00:10:20as being absolutely un-American.
00:10:22I said take your hand off my arm!
00:10:29BELL RINGS
00:10:43What are you doing here?
00:10:45Where's Christopher?
00:10:47He's amongst the flowers.
00:10:49I sent him to pick you up!
00:10:51We'll go to the airport and meet him there.
00:10:53Our plane leaves in half an hour.
00:10:55If another man takes my arm, I swear I'll...
00:10:57I'm not going to the airport.
00:10:59I'm going upstairs and go to bed.
00:11:01And I doubt if you'll get a big mention in my prayers tonight.
00:11:04There's nothing up there!
00:11:06I had all your clothes.
00:11:08Your personal things moved out.
00:11:10You did what?
00:11:12How dare you go into my apartment like that?
00:11:15I'm gonna call the police!
00:11:17What are you doing?
00:11:19Mustn't be unkind to Mr. Cutter.
00:11:21Watch the head.
00:11:23Let me out of here!
00:11:25I'm a man, Doctor Bastille.
00:11:27For what? An underarm deodorant?
00:11:29In some places,
00:11:31stealing an underarm deodorant is considered a capital offense.
00:11:34You are sabotaging the national armpit.
00:11:39I'm the spy who came in from the cold cream.
00:11:42I told you the reason for my interest.
00:11:44You need employment. I'm offering you employment.
00:11:47You were Sir Jason's top industrial designer.
00:11:50I'm offering you a job in the same capacity.
00:11:53Of course, there's an increase in salary.
00:11:55I don't think the old boy was really paying you enough.
00:11:58Mr. Cutter, Sir Jason said he was going to keep me from working.
00:12:03In Europe?
00:12:05He can't possibly stop you from working for me in the States.
00:12:08Is it a deal?
00:12:13With one stipulation.
00:12:15I will not divulge any of Sir Jason's plans.
00:12:18Of course not.
00:12:20Consider giving you a job if I thought you couldn't be trusted.
00:12:24Thank you very much.
00:12:26Welcome aboard. My name is Christopher White.
00:12:30How do you do?
00:12:50I'm a lawyer.
00:13:17Look who's come back to mother.
00:13:19Hi, baby. How was the trip?
00:13:21Hi, Chris.
00:13:23I've been waiting for you.
00:13:25Nice to see you all again.
00:13:27I've known them for years. They started in detergents.
00:13:30Oh, really?
00:13:50You see, once you've seen one studio, you've seen them all.
00:13:54I wouldn't miss it for the world.
00:13:58Whee!
00:14:00And you wanted to pass this up? You must be tired.
00:14:03I've got to pace myself. It's only Tuesday.
00:14:14Missed you much, old tall one.
00:14:20Hi, stranger. Welcome back.
00:14:25Здравствуй, красавец.
00:14:27Hi, team. Don't overtrain.
00:14:30She used to model tractors in boot camps.
00:14:32She defected, but she makes a... Excuse me.
00:14:35She makes an excellent goulash.
00:14:37Oh, really? What do the other two do? I mean me.
00:14:40All right, let's go for a drink.
00:14:42Hello, Chameron. I'd like you to meet Miss Foster.
00:14:45How do you do?
00:14:47Eyeshadow or lipstick?
00:14:49Our new industrial designer.
00:14:51Not a waste of talent. Thank you.
00:14:53Okay, Maddy, we're ready for you.
00:14:55Coming.
00:15:18Okay, quiet, please.
00:15:20Quiet! Okay, we're ready.
00:15:22Turn them.
00:15:24Take one. Mayfortune dusting powder commercial.
00:15:29Ooh.
00:15:31Oh, my.
00:15:33And how do we like our little pad?
00:15:35Oh, it's marvelous, Christopher.
00:15:38Oh, I won't want to work, I'll tell you that much.
00:15:41Oh, you'll adjust. It's nice to see you smile again.
00:15:44For a while back there, I thought that you were rather unhappy.
00:15:47Unhappy? When?
00:15:49When you saw the brunette with the dusting powder,
00:15:52I thought you might have known her.
00:15:54The brunette with the dusting powder?
00:15:56Oh, you mean the model?
00:15:58Oh, no. No, I didn't know her.
00:16:00Oh, I think I'm just tired.
00:16:02I haven't adjusted to the time change, you know.
00:16:05Jet lag. Neither have I.
00:16:07Besides, it's midnight in Paris.
00:16:09Is it really?
00:16:11Yes, you'll feel better when you've had some food.
00:16:13What are you doing? I know a little bistro.
00:16:15The chef is a great friend of mine.
00:16:17I love your bistro.
00:16:19And the chef.
00:16:21Considering I learned to cook on a cricket scholarship.
00:16:26You know, for an Englishman, you make a good brew.
00:16:29Oh?
00:16:31To Lady Bird.
00:16:33Oh.
00:16:35Thank you.
00:16:37To Grandpa Bird.
00:16:42PHONE RINGS
00:16:49Christopher.
00:16:51It's none of my business,
00:16:53but the phone has rung eight times during dinner.
00:16:55And I haven't answered it.
00:16:57Yes. I mean, no.
00:16:59Oh, I see. You don't want me to spend the entire evening
00:17:01talking to other people when I could be talking to you.
00:17:03You see, when I'm out with a woman,
00:17:05she has my complete attention.
00:17:08Your complete attention?
00:17:10Complete.
00:17:12How do you ever get anything done?
00:17:14Done?
00:17:16Hmm. I mean, giving all your women such complete attention.
00:17:20You certainly can't find much time for anything else, can you?
00:17:24Hmm. You mean the models?
00:17:26They're just friendly.
00:17:29I didn't say they weren't.
00:17:31To be honest, it is rather easy for an Englishman in this country.
00:17:34It seems that most American girls like Englishmen.
00:17:37Hmm?
00:17:39They watch Sir Lawrence's movies in the late show,
00:17:41they play the Beatle records,
00:17:43and they think that all Englishmen are as charming as they are.
00:17:46Except smart girls like you, of course.
00:17:51It so happens I find you very charming.
00:17:54Tell me something.
00:17:56In Paris, why did you try to pick me up?
00:17:59Hmm?
00:18:02Will you see?
00:18:06I have this little problem.
00:18:09That's why I try to make it with a perfect stranger.
00:18:12I'm as insecure as any civilized man.
00:18:15Look, I don't know about you,
00:18:18but that phone is making me very nervous.
00:18:21It is also making me nervous.
00:18:23Let me take you away from all this.
00:18:25I have a room without a phone, where I study.
00:18:29You're kidding.
00:18:35Does it swing?
00:18:37It's a swinging bed.
00:18:39I believe it.
00:18:42Try it. Come along.
00:18:44What are you doing?
00:18:46Relax, relax.
00:18:48Would you just wait a minute?
00:18:50Now, now.
00:18:52I just can't.
00:18:55Would you just wait a minute?
00:18:57Now, now. Just try it.
00:18:59Christopher, you're rushing me.
00:19:03I always wait at least an hour after eating.
00:19:06I saw you stifle three yawns during dinner.
00:19:08Remember, it's dawn in Paris now.
00:19:10So come along. Don't fight it.
00:19:12Just relax, relax.
00:19:25Is it dawn in Paris?
00:19:29Christopher?
00:19:31Hmm?
00:19:32Did you ever go to Les Halles for onion soup
00:19:35and eat with the truck drivers
00:19:37just as the sun was breaking through?
00:19:40I was one of the truck drivers.
00:19:43And you?
00:19:45I was one of the truck drivers.
00:19:48And you?
00:19:50I was one of the truck drivers.
00:19:53Sure you were.
00:19:55You know, I have a feeling that you don't quite trust me.
00:19:58You're right.
00:20:00But I trust Sir Lawrence.
00:20:02To be or not to be, that is the question.
00:20:06Whether it is nobler in the mind
00:20:08to suffer the slings and arrows of outrageous fortune.
00:20:11That's very good.
00:20:14To take arms against a sea of troubles
00:20:17and by opposing, end them.
00:20:20I'm enjoying your performance, Richard.
00:20:22But, oh, it's late.
00:20:24To die, to sleep,
00:20:27to sleep no more
00:20:30but chance to dream, I.
00:20:34There's the rug.
00:20:44For in that sleep of death
00:20:46what dreams may come when we have shuffled off
00:20:49this mortal coil must give us pause.
00:21:02I'm going to ask you questions
00:21:04and you will answer them truthfully, won't you, Patricia?
00:21:07When you worked as a trusted assistant to Sir Jason,
00:21:11you had full knowledge of all plans and production secrets,
00:21:15hadn't you, Patricia?
00:21:18Is it not true that feminine cosmetics
00:21:21contemplate putting a new glamour wig on the market?
00:21:23Yes.
00:21:25What prompted Sir Jason to go into the glamour wig field?
00:21:30The development of a new formula.
00:21:33What does the formula do?
00:21:35Formula 4X361
00:21:38changes the consistency
00:21:41of inexpensive animal hair
00:21:44to the consistency of the finest human hair.
00:21:49What does the formula consist of?
00:21:55Formula 4X361
00:21:59is a lanolin-based preparation.
00:22:02First, the cholesterol compounds
00:22:06are treated with a weak solution of alkali and emulsion.
00:22:14Well, that's it, Mr. Cutter?
00:22:16Man, I'll say that's it.
00:22:18Well, you have an assignment, White.
00:22:20I want you to stay with Operation Foster.
00:22:22I want you to be her friend, her pal, her buddy,
00:22:25wine her diner, be her lover.
00:22:29The fun I could have if I were only working for me.
00:22:45Good morning, my dear.
00:22:47Good morning.
00:22:49Sir Jason, you didn't tell me
00:22:51you had a 707 Superjet private office.
00:22:54It's only a charter.
00:22:56Besides, it's the only place I could find
00:22:58to conduct business in private.
00:23:00Of course, there are those who think
00:23:02that I'm a little theatrical.
00:23:04They're jealous because your theatrics are successful.
00:23:07And you have the job with Cutter?
00:23:09Yes.
00:23:11Good. I knew he'd tumble for it.
00:23:13We're all set.
00:23:15When I go to the movies, I go all out.
00:23:18Movies? Oh, no, thank you.
00:23:20I've just had a big breakfast and an even bigger line,
00:23:23served to me by Mr. Cutter's assistant.
00:23:26Yes, Christopher White is rather good at that sort of thing.
00:23:29Mmm.
00:23:30Oh, now you're going to see
00:23:32the biggest advance in the cosmetic industry.
00:23:38Forgive the poor film quality.
00:23:40My cameramen were hiding behind some rocks in Malibu.
00:23:47Now watch this.
00:23:49And remember, this is happening in salt water.
00:23:52There!
00:23:54Have you ever seen anything like that?
00:23:56Never.
00:23:57She came out of the water and her hair was dry.
00:24:00Watch closely.
00:24:11Well, it has to be one of your new wigs.
00:24:14It's not a wig. It's a new hairspray.
00:24:16A hairspray?
00:24:18A water-repellent hairspray.
00:24:20Which means that when a girl sets her hair,
00:24:22it's going to stay like that come rain, sleet, snow or any other act of God.
00:24:26Really? It's just fantastic.
00:24:28Fantastic.
00:24:30But unfortunately, a development of the May Fortune Company.
00:24:34Which means that once it's put on the market,
00:24:37all existing hairsprays will be obsolete.
00:24:39That's why I had to put you through those elaborate machinations
00:24:42to get you inside their plant.
00:24:44I must have that formula, or at least a lock of that Chinese girl's hair.
00:24:48We can make it out from that.
00:24:50Now, you'll have access to every part of the May Fortune plant.
00:24:53That man you saw wearing the cap,
00:24:56he's the inventor, Dr Stuart Clancy.
00:24:59He's their chief cosmetic chemist.
00:25:01Here's his dossier.
00:25:03I want you to get to know him well.
00:25:07Bring me that formula,
00:25:09and you shall receive a bonus that you can retire on.
00:25:12Okay.
00:25:14I just hope I don't crack.
00:25:16You won't.
00:25:18Well, if I do,
00:25:20you can name a freckle remover after me.
00:25:37Good morning.
00:25:39For me?
00:25:41Oh, how sweet.
00:25:43And you've kept them in water.
00:25:45Thank you, Christopher.
00:25:47Really, it was very thoughtful of you.
00:25:50Really, it was.
00:25:52And I am sorry that you can't spay,
00:25:54but feel free to call me if you need anything.
00:25:56Thank you, Christopher.
00:25:58I'll see you tomorrow.
00:26:00Good night.
00:26:02Good night.
00:26:04And I am sorry that you can't spay,
00:26:06but feel free to call any time.
00:26:34Good night.
00:26:50But, Dr. Clancy, is it really safe
00:26:52to keep your secret formulas in that index file?
00:26:55I should think that a steel vault would...
00:26:57I think it's safe.
00:26:59Walk in there once, Miss Foster.
00:27:01What do you mean?
00:27:03Can I walk in here?
00:27:05Uh-huh.
00:27:07Oh!
00:27:11I hope it didn't frighten you, Miss Foster.
00:27:13Oh, well, I may faint, but I think I'll live.
00:27:16When anyone gets within three feet of the index,
00:27:18they break an electronic beam
00:27:20which causes the door to come down.
00:27:25And if anyone should invent an electronic can opener
00:27:29and steal this worksheet
00:27:31and steal the new face cream we're bringing out next year,
00:27:34it still wouldn't be much help to them, would it?
00:27:36Oh, electronic ciphers.
00:27:38No, it wouldn't, not without the electronic decoder.
00:27:40Which is kept under guard in another building.
00:27:43You're kidding.
00:27:45No, no, no.
00:27:47You can see why my secrets remain secrets.
00:27:49Indeed I can, Dr. Clancy.
00:27:55You know, it's really kind of funny.
00:27:57What's funny, Miss Foster?
00:27:59That steel door slamming down in there
00:28:02and the electronic ciphers
00:28:04and the electronic decoder being guarded in another building.
00:28:07All of these things guarding an insignificant thing like a face cream.
00:28:11You have to admit that's pretty funny, right?
00:28:13Insignificant?
00:28:15Well, you know.
00:28:17I mean, the way your formulas are being guarded,
00:28:19you'd think that you had invented a sort of miracle drug.
00:28:23My cosmetics are miracles.
00:28:25Come in, Miss Foster.
00:28:30Sit down, here.
00:28:32Here, over here.
00:28:34Sit where the genius sits
00:28:36when he creates his insignificant miracles.
00:28:38Oh, Dr. Clancy, I was...
00:28:40Oh, never mind, here. Sit back, sit back, relax.
00:28:52You would think they were miracle drugs if they didn't exist.
00:28:55Here we have a woman who believes my cosmetics are miracles.
00:28:59Look at what her husband has the privilege of waking up beside every morning.
00:29:03Do you wonder that his secretary looks good to him?
00:29:06Hell, Miss Foster, the bus driver would look good to him after that.
00:29:09Women like that make a man want to end his life. Bang, bang.
00:29:12You get the idea, Miss Foster? Bang, bang.
00:29:15Oh, yes, Dr. Clancy, bang, bang.
00:29:17Now watch the miracle I created around her eyes.
00:29:19Dr. Clancy, I'm sorry. I thank you very much, but I do have...
00:29:22When I have finished, Miss Foster, sit down.
00:29:27Well...
00:29:29Sit down!
00:29:34How's that for eyes, Miss Foster?
00:29:36Now for those pale, cracked lips.
00:29:39You know her husband can't wait to get back home after a hard day
00:29:42and cover them with kisses.
00:29:44Damn it, Miss Foster, he'd rather kiss the bus driver.
00:29:46Voila.
00:29:49Hmm. If this keeps up,
00:29:51her husband won't want to leave for work in the morning.
00:29:53Eh, Miss Foster?
00:29:56Then with my depilatory cream,
00:29:58I removed her mustache and the hair from her cheeks,
00:30:00changed her skin from leather back to skin again,
00:30:03shampooed her hair, and as a final touch,
00:30:05perfumed her all over.
00:30:09And, as they say, before and after.
00:30:12She's beautiful.
00:30:14Now, think of the future, Miss Foster.
00:30:17When I can give women a permanent makeup,
00:30:20a new face that cannot be wiped off,
00:30:23a lifetime beauty mask.
00:30:25That, Miss Foster, is why I take precautions
00:30:27and guard my future plans.
00:30:29I don't want anyone stealing them.
00:30:31Dr. Nancy, I really do understand.
00:30:34And I want you to know that I find it incredible
00:30:36that one person could create all those remarkable preparations.
00:30:40Thank you very much.
00:30:43Who finds it incredible?
00:30:45I do.
00:30:47You said that it's incredible that only one person
00:30:49is responsible for these products.
00:30:51Are you insinuating that it's not so?
00:30:53Of course not, Dr. Clancy.
00:30:55Is that what Matt Cutter thinks?
00:30:57Is that what he wants you to find out?
00:30:59That's why you've been asking me all these questions today.
00:31:02Matt Cutter sent you to spy on me, didn't he?
00:31:05Dr. Clancy, that's ridiculous.
00:31:07I'm just here to orient myself.
00:31:10Dr. Clancy, are you all right?
00:31:12What?
00:31:14Oh. Oh, Sue. Yes.
00:31:17Well, then open the door.
00:31:19My secretary.
00:31:21She'll hate you for upsetting me.
00:31:23Hi. Hi.
00:31:30What's the matter with you?
00:31:32Nothing. I'm all right.
00:31:33You don't look all right.
00:31:35You can take one of your pills and that's that.
00:31:37Now tell me, what was it that got you all upset again?
00:31:40Uh, nothing. Nothing.
00:31:42You know, what you need is a little vacation.
00:31:44Why don't you go away?
00:31:45What I need is to be left alone.
00:31:50You scared me.
00:31:52Something wrong?
00:31:53No, I'm fine, thank you.
00:31:54I've been looking all over for you.
00:31:56Have you?
00:31:57Well, you probably didn't recognize me without my bathrobe.
00:32:03By the way, your flowers are doing very nicely.
00:32:05And I'm sorry about all that water.
00:32:07I'll accept your profuse apologies over lunch.
00:32:12Oh, uh, I'm sorry, Christopher.
00:32:15I made an appointment.
00:32:17Uh, dinner then?
00:32:19I'd love it. Uh-huh.
00:32:21What time?
00:32:22About 8 o'clock.
00:32:24Good. See you then. Bye-bye.
00:32:26Bye-bye.
00:32:27I got the whole day off.
00:32:29Oh, Sue, that's great.
00:32:31I just can't wait.
00:32:33I could only get one day off.
00:32:35You two are happy.
00:32:37Your boy's getting married, isn't he?
00:32:39You should see this woman.
00:32:41Well, if you call that red with the hair,
00:32:43there's black news that day.
00:32:45Oh, I know what you mean.
00:32:46Oh, what a drag.
00:32:57I know somebody who's really good for you.
00:32:59I thought you were supposed to get married this winter.
00:33:03Okay, I was supposed to get married.
00:33:05What happened?
00:33:07Three kids in a month.
00:33:09I have to call in.
00:33:11I have to get an appointment.
00:33:39¶¶ ¶¶
00:34:09¶¶ ¶¶
00:34:20That's me.
00:34:22Hey, you want to come out, Tiny?
00:34:25Tiny.
00:34:28¶¶ ¶¶
00:34:42Hi, it's me.
00:34:44Hey.
00:34:46I can make it tonight.
00:34:48Oh, don't worry about him.
00:34:509 o'clock at the cafe theater.
00:34:52Bye.
00:34:57¶¶ ¶¶
00:35:18¶¶ ¶¶
00:35:46¶¶ ¶¶
00:35:56¶¶ ¶¶
00:36:06¶¶ ¶¶
00:36:15Tiny, are you okay?
00:36:17¶¶ ¶¶
00:36:19Tiny.
00:36:21¶¶ ¶¶
00:36:26Tiny, what did you find, Tiny?
00:36:28Nothing, right?
00:36:30Come on, let's go, baby.
00:36:32¶¶ ¶¶
00:36:44¶¶ ¶¶
00:37:04¶¶ ¶¶
00:37:05Tiny.
00:37:07Quiet, Tiny.
00:37:09¶¶ ¶¶
00:37:19¶¶ ¶¶
00:37:29¶¶ ¶¶
00:37:42Tiny.
00:37:44What's the matter with you?
00:37:46Hi, beautiful.
00:37:48Hello there, Tiny, how are you?
00:37:51¶¶ ¶¶
00:37:59¶¶ ¶¶
00:38:01I thought of you here all alone in that bikini, and I said to myself, what am I doing at the office?
00:38:08Especially after the time I've had with the latest idiot they've hired.
00:38:12She doesn't know the first thing about cosmetics or...
00:38:15Don't upset yourself, you'll get one of your headaches again.
00:38:19I've got one of my headaches again.
00:38:21That fool woman gave me a beaut.
00:38:23Insignificant thing like a face cream.
00:38:26That bitch!
00:38:28¶¶ ¶¶
00:38:39Have you everything set up?
00:38:41¶¶ ¶¶
00:38:43I will have her there in one hour.
00:38:46Here she's coming now.
00:38:48¶¶ ¶¶
00:39:09Hello there.
00:39:11I didn't know we enjoyed mountain climbing.
00:39:14We ought to try it together sometime.
00:39:16Poor Patricia, you've had a rather rigorous day.
00:39:19First you run afoul of Dr. Clancy, then you sneak down the side of a mountain.
00:39:24Too bad you didn't steal the water repellent hairspray you could have used.
00:39:28What are you doing here?
00:39:30Oh, we do look a mess, don't we?
00:39:33Come along.
00:39:34Ah, no, karate this time.
00:39:36I'll tell Sir Jason.
00:39:38Sir...
00:39:39Sir Jason.
00:39:41I don't know what you're talking about.
00:39:43I can't quite understand why Sir Jason pictured over that dress, for instance.
00:39:47I could spot you from Sunset Boulevard.
00:39:49I neglected to tell you something.
00:39:52I am also on the payroll of Sir Jason.
00:39:55Oh, you can trust me.
00:39:57You see, I'm the most reprehensible, the most obnoxious of spies.
00:40:00I am a double agent.
00:40:02Only my loyalties are with Sir Jason.
00:40:06In we go.
00:40:08Madam.
00:40:11Sir Jason didn't think that you'd quite trust me.
00:40:13So he gave me his private phone number where you can reach him
00:40:16and verify everything that I have said.
00:40:19I'll take you to lunch at Century City.
00:40:22The restaurant's in the open where we can talk safely.
00:40:26And now I'll drive you to your car.
00:40:41Hmm?
00:40:52Crazy.
00:40:53Is this table all right? Is there enough light?
00:40:56Wave if it's okay.
00:41:06How about you, Carter? Do you read me?
00:41:09Honk your horn two times, if so.
00:41:12Driving. I'll honk your horn twice.
00:41:18I'm gonna put this film on in place of a regular Tuesday night TV show.
00:41:22Can you imagine?
00:41:24Millions of TV viewers actually seeing an undercover agent of Sir Jason's
00:41:27trying to steal our cosmetic secrets.
00:41:40One, two, three, testing.
00:41:42I've been expecting your call, Patricia.
00:41:44It's true. Christopher White is in my employ.
00:41:47But he works for Matt Cutter.
00:41:49Don't worry about Mr. Cutter. Don't worry about Mr. White.
00:41:52Mr. White can be trusted. Goodbye, Patricia.
00:41:55But Sir Jason's a good man.
00:41:57He's a good man.
00:41:59He's a good man.
00:42:01He's a good man.
00:42:03He's a good man.
00:42:05He's a good man.
00:42:07Goodbye, Patricia.
00:42:09But Sir Jason, I'm not sure of Christopher.
00:42:20Well, it's like you said.
00:42:23We're in this together.
00:42:26Just the two of us.
00:42:28Then let's work together.
00:42:31What do we intend to do?
00:42:37Well, I would like something to eat first.
00:42:40Shall I have something to eat, waitress?
00:42:45Yes, sir.
00:42:47Thank you.
00:42:49I'm really kind of hungry.
00:42:51Oh, my.
00:42:53Um, I think I'll have some potato chips, please.
00:42:57Potato chips?
00:42:59Yes, please.
00:43:02What kind of a dyer are you on, Pat?
00:43:05Forget a dyer, will you?
00:43:07Just get her to tell you she's a spy for Sir Jason.
00:43:10Let's get down to business, shall we?
00:43:13As you said, two heads are better than one.
00:43:16Oh, indeed they are, Christopher.
00:43:19You see, when Sir Jason...
00:43:22Sir Jason wants me to steal...
00:43:25Set, all of you, set.
00:43:29Set, all of you, set.
00:43:31Uh, no, sir.
00:43:33Banging a spoon or something.
00:43:35Banging a spoon.
00:43:37But why are you so nervous, Pat?
00:43:40She's nervous.
00:43:42I'm sorry, Christopher.
00:43:44Tell me, what did you intend to achieve at May, May, May, Fortune?
00:43:48You all right?
00:43:50Oh, fine, fine.
00:43:52Oh, my lunch. Good. Thank you.
00:43:55Uh, I'd like to have some coffee, too, please.
00:43:59Um, well, I'll tell you.
00:44:02Here it comes. Here it comes.
00:44:04The beginning of the end for Sir Jason.
00:44:07I am there for just one thing, and that is...
00:44:14I am turning over to Sir Jason.
00:44:16Mm-hmm.
00:44:18Now, he'll put the spray out
00:44:20almost as soon as my cutter does.
00:44:22Don't you want one?
00:44:23They are crunchy and fresh.
00:44:27No, thank you.
00:44:28Just one.
00:44:29They are quite fattening.
00:44:31Dammit, ask her the $64 question!
00:44:33Now, Patricia, tell me, when did Sir Jason decide
00:44:37that you should steal the formula for the water-repellent hairspray?
00:44:41Attaboy!
00:44:42Oh, get every word she says now.
00:44:44Yes, sir.
00:44:45Um, well, it all happened this way, Christopher.
00:44:48You see, I was hired...
00:44:51And Sir Jason hired me as a spy
00:44:54to infiltrate the May Fortune Company.
00:44:56Um, um, now that you're employed by May Fortune,
00:44:59what does, um...
00:45:01Sir Jason expects?
00:45:03Well, Sir Jason expects...
00:45:05Sir Jason expects me to earn the money that...
00:45:11And the best way that I can do that
00:45:13is to steal everything I possibly can
00:45:15from the May Fortune Company.
00:45:21Christopher, I think I'd better be going.
00:45:23Don't let her go!
00:45:24Now, oh, please, don't go yet.
00:45:26It's... um...
00:45:27Oh, but tell me about you and Sir Jason.
00:45:31Excuse me.
00:45:32Uh, well, Christopher,
00:45:34all I can tell you is,
00:45:36if it... if it weren't for Sir Jason,
00:45:39I wouldn't be a spy.
00:45:45Dammit!
00:45:47Well, cheers.
00:45:56Oh, dear.
00:45:58Well, I really have to get going now, Christopher.
00:46:01Oh, please, don't.
00:46:03Why, why, I...
00:46:06You haven't even touched your coffee.
00:46:09Oh, I completely forgot.
00:46:13That's right.
00:46:14That's right.
00:46:15Well, let's see.
00:46:17One lump.
00:46:29Oh, no!
00:46:44Oh, no!
00:47:00Oh!
00:47:01Oh!
00:47:02Oh!
00:47:03What are you doing?
00:47:05You said you wanted to be awakened.
00:47:07What's the matter with you?
00:47:08You saw her or something.
00:47:10Or something.
00:47:11We had a date tonight.
00:47:13Get away.
00:47:141269 Leona Drive.
00:47:18Get dressed.
00:47:21Get dressed?
00:47:24Aren't you reversing things?
00:47:27I wouldn't have minded
00:47:29if it had been some French dame
00:47:31instead of that broad you brought back.
00:47:34She was hired by the company.
00:47:36I know.
00:47:37The great industrial designer.
00:47:39Get dressed.
00:47:41Oh, I know all about her.
00:47:43Except when I knew her.
00:47:45Her name wasn't Patricia Foster.
00:47:51Oh, maybe she got married since then.
00:47:56And since when does getting married
00:47:58change your first name, smarty?
00:48:01Well, Miranda, you tell me all about her.
00:48:05Oh, I forgot.
00:48:08You wanted me to get dressed.
00:48:11Get dressed.
00:48:28Would you cancel that cab to Leona Drive, please?
00:48:42You gonna buy me good seats?
00:48:44Best in the house, Barney, baby.
00:49:11© BF-WATCH TV 2021
00:49:41© BF-WATCH TV 2021
00:50:11© BF-WATCH TV 2021
00:50:42© BF-WATCH TV 2021
00:51:04What are you doing?
00:51:05You hit my boyfriend.
00:51:07I hit his hand on my knee.
00:51:09Barney!
00:51:18Lady, you're sitting on my hat.
00:51:21I'm sorry about that.
00:51:23You've been so nice.
00:51:40Yeah?
00:51:41Well, you finally decided to answer the phone.
00:51:45Where have you been?
00:51:48Busy.
00:51:49What do you want?
00:51:50I want that girl on film and tape.
00:51:53That's what I want.
00:51:54And I want you to set her up someplace
00:51:56where she don't turn the tables on us again
00:51:58and make us look like idiots.
00:52:00I want that girl on film and tape.
00:52:02That's what I want.
00:52:03And I want you to set her up someplace
00:52:05where she don't turn the tables on us again
00:52:07and make us look like idiots.
00:52:09That, as long as you've asked me, is what I want.
00:52:13And where was the fastest syringe in the West yesterday?
00:52:18In jeopardy for May Fortune, Mr. Cutter.
00:52:21Oh, really?
00:52:23And where is our Miss Foster today?
00:52:269.30.
00:52:28She's not in her office.
00:52:30And not in her hotel either.
00:52:33I gave you an assignment, White!
00:52:35I want you to stay on top of that girl and not play games!
00:52:39Now, you go out and find her, you hear?
00:53:05I love you.
00:53:35I love you.
00:54:05I love you.
00:54:36I love you.
00:54:37I love you.
00:54:49All right, buddy.
00:54:51Yo, bingo!
00:54:57I knew you'd be here.
00:55:00You and your karate.
00:55:02She was passed out when I got here.
00:55:04How did you get in?
00:55:06With my counter-spy key and antidepressant capsule.
00:55:15Give me that!
00:55:16You put me down!
00:55:17Put me down!
00:55:19Let me go!
00:55:26One false move out of you and I'll tell Sir Jason
00:55:28your real name is Philippa Fowler.
00:55:32Do you hear?
00:55:33One false move, Miss Fowler.
00:55:37Mandy told you.
00:55:39Most of it.
00:55:40The rest, I dug up myself.
00:55:41Now we must speak.
00:55:42Where at Century House?
00:55:44Out in the open where it's safe.
00:55:46After this, you may choose the place.
00:55:47In the middle of the ocean, if you wish.
00:55:59Sue, Sue, it's me.
00:56:00Open the door.
00:56:01Sue, open the door.
00:56:03Something funny going on in there.
00:56:05What?
00:56:06I called the police.
00:56:07They'll be here any minute.
00:56:09Called the police?
00:56:09What for?
00:56:10There's a strange man in there.
00:56:12I saw him dragging a girl.
00:56:17Sue.
00:56:20Sue.
00:56:24He's murdering her.
00:56:26Sue, Sue, open the door.
00:56:27Open the door.
00:56:29Jason, leave him alone.
00:56:34Oh.
00:56:35Hey, hold on up there.
00:56:38Stay where you are.
00:56:41Hey, come on, give me your hand.
00:56:43Oh, my hat.
00:56:45Get your hat.
00:56:46But it's new.
00:56:46Sue, it's new.
00:56:47Come on.
00:56:49Oh, I just want it.
00:56:52You take the stairs, I'll take the elevator.
00:56:54They can't get away.
00:56:55Right.
00:56:58Woo!
00:57:03Perfect timing.
00:57:04Downstairs.
00:57:05Are you kidding?
00:57:06The cops are down there.
00:57:07We have to go upstairs.
00:57:17Quick.
00:57:18In here.
00:57:20Darling, I need you.
00:57:24Darling, will you fasten my...
00:57:27Darling?
00:57:28Darling?
00:57:30Ah!
00:57:31Police!
00:57:32There's a peeping Tom!
00:57:36Okay, peeper.
00:57:37Peeper?
00:57:38No, no, I wasn't peeping.
00:57:39Shut up.
00:57:40In accordance with the recent Supreme Court decision,
00:57:42you're entitled to know that you're charged with voyeurism.
00:57:46Out, out.
00:57:49He won't bother you anymore, ladies.
00:57:50Thank you, officer.
00:57:51Get out now.
00:57:52Don't do a thing like that, you peeper.
00:57:53Ah!
00:57:55Police!
00:57:56Officer, there's a strange man in my apartment.
00:58:01That's the second woman to call you strange.
00:58:02Ever since I met you, I've been strange.
00:58:05All right, police!
00:58:10Stop or I'll shoot!
00:58:29Oops!
00:58:29Sorry, lady.
00:58:31I'm gonna get my hair before I call a cop!
00:58:40Woo!
00:58:47Why didn't you row out further?
00:58:50Then I could have drowned getting to you.
00:58:51You told me to pick a safe place, right?
00:58:54It was easier working for the CIA.
00:58:58Very good.
00:59:02Once I get my breath back, I'll climb into the boat.
00:59:06Oh, no, you don't.
00:59:08You don't think I've got a microphone
00:59:09hidden down here, do you?
00:59:10I think you might have one in your navel.
00:59:12But as long as you're underwater, dear, I'm safe.
00:59:15This is your old English buddy, remember?
00:59:18Champagne, candlelight.
00:59:21I feel something down here.
00:59:22It might be a shark.
00:59:24It isn't a shark.
00:59:25Sharks don't come in this close to shore.
00:59:27Are you sure?
00:59:28Were you really with the CIA?
00:59:30Yes, only industrial espionage
00:59:32was a more fitting employment for a coward.
00:59:35Remember, I'm being paid both by Mr. Cutter and Sir Jason.
00:59:38Since you know that my real name is Philippa Fowler,
00:59:41you probably also know that my father, Robert Fowler,
00:59:44was killed in Switzerland.
00:59:46What was he doing there?
00:59:47He was on the trail of a narcotics ring.
00:59:49But he had come to the conclusion
00:59:51that the handcuffs were the only thing
00:59:52But he had come to the conclusion
00:59:54that the head man was really a woman.
00:59:57The next day, he was killed.
00:59:59And you think that she killed him?
01:00:01Yes, I do.
01:00:02But I have no proof.
01:00:04Tell me, how did you ever fool a wise old bird like Sir Jason?
01:00:07What do you mean, fool him?
01:00:09Well, you were after this woman,
01:00:10and somehow I believe it led you to Sir Jason.
01:00:13And you let him believe you were working for him
01:00:15instead of your real purpose.
01:00:17I have never let anything interfere
01:00:19with my work for Sir Jason.
01:00:21He wanted me to get the water repellent hairspray,
01:00:23and that's exactly what I did.
01:00:24You mean you've got the water repellent hairspray?
01:00:26Yes, I have.
01:00:27Right here.
01:00:28I stole it from the Chinese girl's apartment.
01:00:30Christopher, get in the boat.
01:00:32Quickly.
01:00:33Get in the boat.
01:00:35It's a shark.
01:00:36Get in the boat.
01:00:39Christopher, get in the boat.
01:00:41I'm trying desperately.
01:00:46Monster.
01:00:47Get out of here.
01:00:48Get out of here.
01:00:51Get out of here.
01:00:53Oh, Chris.
01:00:56Oh.
01:00:57And what were you swinging at?
01:00:58There was a shark.
01:00:59Shark? Sharks don't come in that close.
01:01:02Oh, if anything had happened to you.
01:01:08What does it say?
01:01:10Schweitzer Kronen.
01:01:11It's a company in Lausanne.
01:01:12They manufacture the best atomizer bottles.
01:01:16And May Fortune uses their bottles?
01:01:18Too expensive.
01:01:19I thought he uses a cheap spray can
01:01:21manufactured over here.
01:01:24Well, then why would Clancy put his secret spray
01:01:26in a Swiss bottle?
01:01:28I don't know.
01:01:29Who can understand a man like Clancy?
01:01:32Well, I'm sorry for being so damn clumsy this afternoon.
01:01:36It was my fault.
01:01:37Putting you in flipper-infested waters.
01:01:50Why would Clancy use a Swiss bottle?
01:01:53I do believe you have just changed the subject,
01:01:56and not too adroitly.
01:01:59Now, Clancy seems to prefer just about everything Swiss.
01:02:03He even married a Swiss girl.
01:02:07He's married?
01:02:08Was.
01:02:10His children go to school there.
01:02:12He visits them, and to ski.
01:02:16He could have been a champion skier
01:02:18if he wasn't a bigger champion in the cosmetic field.
01:02:20But let's stop talking about Clancy,
01:02:21and I'll take you to dinner.
01:02:23Hmm?
01:02:25Oh, fine.
01:02:26But I can't go like this.
01:02:27Why not?
01:02:28I'd look a mess.
01:02:30Yes, you do.
01:02:34You may pick me up at 8.
01:02:35OK.
01:02:36Good afternoon, Dr. Clancy's office.
01:02:43I'm calling from Bullock's department store.
01:02:46Someone purchased a gift for the children
01:02:49of a Dr. Stuart Clancy, and we'd like
01:02:52to make sure that we have the correct address
01:02:54in Switzerland.
01:02:55Would you give me that, please?
01:03:02The address is 36 Ruthy Alpine, LeBlanc Village, Switzerland.
01:03:07Thank you so much.
01:03:09You're welcome.
01:03:10Who were you giving my children's address to?
01:03:12Bullock's.
01:03:13Someone ordered a present to be sent to your children.
01:03:15They wanted the address.
01:03:29There we are, my dear.
01:03:31Thank you.
01:03:33It was so nice of you to give me a lift.
01:03:35It's all right.
01:03:36I was on the way to Paris anyway.
01:03:38Cheers.
01:03:39Cheers.
01:03:40But Switzerland, are you going to ski?
01:03:43Hmm, hardly.
01:03:45I'm working for you, remember?
01:03:47I'm your secret agent.
01:03:50I promise not to pry.
01:03:52Oh, Sir Jason, I just thought of something.
01:03:54Would you have your Paris lab analyze these ashes, please?
01:03:58Ashes?
01:03:59Of course.
01:04:00Thank you.
01:04:02Please don't continue to astonish me, Patricia.
01:04:06I can resist anything except that.
01:04:10Cheers.
01:04:13Cheers.
01:04:45Cheers.
01:05:01Hello?
01:05:04Je suis Madame Piasco.
01:05:06Madame, I'm interested in this lovely bottle.
01:05:12Excuse me, please.
01:05:14Come in, please.
01:05:16Thank you.
01:05:20I'm working on a new formula for eyeshadow.
01:05:24I hope it will be a success.
01:05:26Oh, please sit down.
01:05:29Do you make your own cosmetics?
01:05:31Bien sûr.
01:05:32Everything I sell is made right here in this old laboratory.
01:05:37Since my grandmother first made a cream
01:05:42to protect the faces of her children
01:05:45from chafing during the winter months,
01:05:49that first cream was made of goat's milk.
01:05:53It was very good, and soon other parents
01:05:56had her making it for their children.
01:06:00And so my grandmother's good barn became this laboratory.
01:06:03Madame, I was attracted to this.
01:06:06Ah, yes, caprice.
01:06:08So this is another of my little concoctions.
01:06:13It is merely a water-repellent air spray.
01:06:18I developed it for myself some years ago.
01:06:24You see, I do a lot of skiing.
01:06:29You do?
01:06:32I do, too.
01:06:33Then you will keep this bottle of caprice.
01:06:36It is a must for women like us.
01:06:38It keeps the wind and humidity from ruining our hair.
01:06:41Thank you.
01:06:51If it'll do all that, I should have a half a dozen.
01:06:55That will not be necessary.
01:06:57In another month, you will be able to purchase
01:06:59caprice in America.
01:07:01May Fortune is bringing it out.
01:07:04May Fortune, uh-huh.
01:07:05Their head cosmeticien is my son-in-law.
01:07:09He manufactures all my little preparations.
01:07:13Grand-mère, grand-mère, grand-mère!
01:07:16Grand-maman, on peut aller chez Pierre?
01:07:18On reviendra bientôt.
01:07:21You see, we have a guest.
01:07:24As I was saying, I gave the water-repellent air spray
01:07:27formula to Stuart, and you can see the lovely grandchildren
01:07:34he has given me.
01:07:36Now, Janet, and you too, Jacques, say to mademoiselle,
01:07:39welcome to our village.
01:07:42Welcome to our village, mademoiselle.
01:07:45Would you show me exactly where it is, please?
01:07:47It is right here that the Interpol agent was killed.
01:07:52His name was Fowler.
01:07:53He was an American.
01:07:55Oh!
01:07:57We never talk of the killings in these mountains.
01:07:59It's bad for business.
01:08:01You want to go there?
01:08:02Why?
01:08:04Well, you know us American tourists.
01:08:05We're nosy.
01:08:06Oh, it's all right to be nosy, but be careful.
01:08:09That part of the mountain, it's not good for skiing.
01:08:12The mountain drops off steep.
01:09:34Oh!
01:10:04Oh!
01:10:34There she is.
01:11:05Grab it, Pat!
01:11:17Grab it!
01:11:18Oh!
01:11:19Oh!
01:11:20You'd better get out of this rain.
01:11:34Oh!
01:11:48She'll go over the cliff.
01:11:49Lower down!
01:11:50Forget it.
01:11:51I'm not getting shot at.
01:11:52I said, lower down, or you'll wish you was shot at!
01:12:34I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
01:13:04Monsieur White. Yes Lieutenant, any luck? It got too dark, but we'll continue the search as soon as there is morning light. Very good, good night. Good night.
01:13:20How is she Doctor? With a good night's sleep, she'll be back to normal. She Doctor will never be normal. I'll see her tomorrow. Good night. Good night Doctor.
01:13:34Hello. Hello. And how are we? Fine thank you. I have an idea to save my life. Routine. I couldn't stand being stood up. Male ego. I'm sorry about that. You're a pretty good detective, say that.
01:14:03Right. You see I noticed your sudden interest when I told you that Clancy came here to ski. And somehow in that mad amateur agent brain of yours, you somehow tied that in with your father being killed in a ski run here.
01:14:20I took the first available flight. In Zurich I telephoned this hotel. They told me you had gone skiing and I hired a helicopter.
01:14:28And why did you come in such a hurry? You think Clancy is dangerous too. Nutty, but he is not dangerous. Christopher, I think he tried to kill me today.
01:14:39I think you're delirious. It couldn't possibly have been Clancy. Look, this town is Snowdin. The only way to get here is by helicopter. I checked with the landing field and only two people have arrived here today from the Blanc. Both women. You and someone else. No Clancy.
01:15:00That's enough conversation for one evening. Good night.
01:15:04Christopher, here's the bottle of water repellent hairspray for you to give to Sir Jason.
01:15:11And you can also tell Sir Jason that this bottle can be purchased openly in this little Swiss village for $1.25 and that it was invented by a woman who just happens to be Clancy's mother-in-law. How about that?
01:15:25How very interesting. Good night. If you need me, I'm down the corridor. Room 5.
01:15:55Oh, yes. Stupid. Idiot.
01:16:25Hello. And how are we? You big pony.
01:16:55It didn't surprise you one bit when I told you that bottle of hairspray could be bought for $1.25, did it? And why didn't it surprise you? Because you didn't want it in the first place, did you? And if you didn't want it, then Sir Jason didn't want it either, did he? So from the start, he's had me chasing around after something he never really wanted at all.
01:17:12Bullseye.
01:17:13Then what's the reason for all of this, darling?
01:17:17I'll explain to you as soon as I slip into a...
01:17:20Oh.
01:17:23Hairspray.
01:17:30Of course, if you had trusted and cooperated with me in the first place, you would not have had so much trouble.
01:17:37Oh, really?
01:17:38Please sit down.
01:17:39Oh.
01:17:40Ten years ago, Dr. Clancy was the chief cosmetic chemist for Sir Jason.
01:17:45Sir Jason.
01:17:51You're kidding.
01:17:52Only all his creations were imitation of other companies' products. Sir Jason fired him, he went to work for May Fortune and became their chief cosmetic chemist. And strange things began to happen.
01:18:04He became successful.
01:18:07Everything he created became successful. And now the water repellent hairspray.
01:18:12Sir Jason knew that Clancy couldn't have created all these things and that somebody else must have been behind him doing the job. And he wanted that somebody working for him.
01:18:22You mean that Sir Jason didn't know that Madame Piasco was behind Clancy?
01:18:27He doesn't even know it yet.
01:18:29I know it sounds all so unrealistically simple now that you have discovered that Clancy's mother-in-law was the cosmetic genius. You have done a good job for Sir Jason.
01:18:40But tell me, how does Madame Piasco fit in as your mystery woman?
01:18:46I don't know what fits in where. I am too tired to even think about it.
01:18:52Well, stop thinking and back to bed with you.
01:18:56Ah, I'm so happy this job is over.
01:18:59It is not quite over yet.
01:19:01Well, it is as far as I'm concerned. I found the hairspray and whether he wants it or not, that was my job.
01:19:07Uh, I want you to do me one favor before we get Sir Jason out of our lives forever.
01:19:19Our lives?
01:19:21I've decided you need someone to take care of you.
01:19:24And by a unanimous vote of one, I've elected myself to the post.
01:19:31It's a unanimous vote of two.
01:19:51There he is now.
01:19:53Clancy?
01:19:55Clancy!
01:19:57I told you he was here.
01:19:59He only got in this morning. He couldn't possibly have shot at us yesterday.
01:20:03Look, would I let you walk into any kind of trouble?
01:20:06I'm afraid not.
01:20:08I'm afraid I'm not.
01:20:10I'm afraid I'm not.
01:20:12I'm afraid I'm not.
01:20:14I'm afraid I'm not.
01:20:16I'm afraid I'm not.
01:20:18I'm afraid I'm not.
01:20:21Now look, I've told him you wanted to speak with him.
01:20:24Me?
01:20:27Christopher, what would I talk about?
01:20:30Tell him that you're an agent for Femina Cosmetics.
01:20:38Christopher, I'm nervous about this.
01:20:41Look, not a footprint. No one's been out here. You're quite safe.
01:20:45Now go on.
01:20:50Go on.
01:21:21Good morning, Miss Foster.
01:21:23Good morning.
01:21:25I understand you met my charming mother-in-law yesterday.
01:21:28Yes, I did.
01:21:30I suppose you intend to blackmail me. Keep your mouth shut if I pay off?
01:21:33On the contrary, Dr. Clancy.
01:21:36You see, I'm an agent for Femina Cosmetics.
01:21:39And I have been authorized to offer you the position of head chemist with Sir Jason.
01:21:45At double your salary.
01:21:47With an under-the-table bonus of a quarter of a million dollars.
01:21:50Miss Foster, you are offering me a quarter of a million dollars?
01:21:55Yes, I am.
01:21:56Under the table? Now isn't that illegal?
01:21:59Oh, it's a handsome offer.
01:22:01But I'm very happy working for Matthew Cutter.
01:22:03I have no intention of leaving no matter how much you offer me.
01:22:06And by the way, I've already told Mr. Cutter that it is Madam Piasco who is the real inventor.
01:22:12So, if Mr. Cutter doesn't care whether it's my mother-in-law or me, I don't care either.
01:22:17I don't care either.
01:22:19Good day, Miss Foster.
01:22:28Perfect! That's it! Exactly what I wanted.
01:22:32With this film, we're going to put Sir Jason out of business.
01:22:35Good job, Chris. Good job.
01:22:38How'd you do it, huh?
01:22:41Get her to fall in love with you?
01:22:43That's four women for you. Always tripping over their hearts.
01:22:45Call the prefecture. Get Inspector Kapinski to pick her up.
01:22:49I don't know where she is right now.
01:22:51Why?
01:22:53Relax. We'll pick her up when she leaves Sir Jason's tonight.
01:23:00Miss Foster is here, sir.
01:23:02Come in, my dear.
01:23:04Good evening, Sir Jason.
01:23:07You look very busy.
01:23:09Busy and excited.
01:23:11What do you think of this new bit of antiquity that is just arriving?
01:23:15This little lady is from 525 B.C.
01:23:19Before cosmetics.
01:23:22Beautiful, isn't she? Without face creams, antiperspirants or nail polish.
01:23:27I usually prefer these replicas to their living counterparts.
01:23:32Come and have a drink, my dear.
01:23:34No, thank you.
01:23:36I wanted to see you to extend my sincere thanks for a job well done.
01:23:46Yes, it was a job well done.
01:23:48But first, let us get on to my glad tidings.
01:23:51Congratulate me.
01:23:53I have just assigned Madame Piasco as my head chemist.
01:23:56I don't believe it. She would never leave her...
01:23:59Yes, Honey Law. But she did.
01:24:01It all came to me while I was in my sauna.
01:24:04What could possibly induce Madame Piasco to turn her back on him, I asked myself.
01:24:09At first, I seriously thought of buying her a Swiss Alp and naming it after one of her herringes.
01:24:15And then it struck me.
01:24:17I promised to have her presented at court and that did it.
01:24:20You see, the Swiss are essentially snobs.
01:24:23They invented democracy, but they're rather ashamed of it.
01:24:27Apparently, everyone has a price, Sir Jason.
01:24:30Yes, my dear. A human frailty that keeps the wheels of commerce humming.
01:24:37What I'm about to tell you may come as something even more of a jolt.
01:24:41The lab report on the ashes you wanted me to have analyzed.
01:24:44The residue contains a powerful narcotic.
01:24:50I know.
01:24:52You know? Then why did you have me?
01:24:55I told you about my visit to the Chinese girl's apartment.
01:24:58At the time, I thought she was drunk.
01:25:00She wasn't drunk. She was doped.
01:25:02I found a box of face powder and some ashes on her table.
01:25:06So I took some of the ashes and had them analyzed.
01:25:09If you already knew this, why did you have me repeat the analysis?
01:25:14Oh, of course.
01:25:16You had to consider everyone a suspect in your father's murder, including me.
01:25:21Yes, I did.
01:25:25And if you had denied that those ashes contained a narcotic,
01:25:29then I would have had every reason to hold you responsible, wouldn't I, Sir Jason?
01:25:34Lovely deduction.
01:25:36You really are rather an enigma, Patricia.
01:25:40But even enigmas can be arrested.
01:25:42I suggest you go quickly.
01:25:44What do you mean, arrested?
01:25:46My private grapevine tells me that Matt Cutter has informed the Paris police
01:25:50that he has in his possession motion picture films
01:25:53of your attempt to bribe Dr. Clancy.
01:25:55That's impossible.
01:25:57No one could have photographed us. We were in the middle of nowhere.
01:26:00You're wrong. You see, I didn't want to get involved.
01:26:02We were in the middle of nowhere.
01:26:04You're wrong. You see, and this is where you were a fool.
01:26:06You trusted Christopher White.
01:26:08Of course I trusted Christopher White.
01:26:10He wouldn't do a thing like that. He couldn't have.
01:26:13He would, and he did.
01:26:15You don't suppose that I told him to shoot the film, do you?
01:26:18If this film is shown on TV, as Matt Cutter intends doing,
01:26:21my company will be ruined.
01:26:23Sir Jason, Christopher White works for you. Why would he...
01:26:26Why would he ruin me?
01:26:28For money, my dear.
01:26:32You've got this coat on. You really have to go.
01:26:34I'm expecting him here at any moment
01:26:36to tell me that he has uncovered some personal filth on Matt Cutter,
01:26:39that he will offer to sell me
01:26:41so that I in turn can blackmail Cutter from showing the film.
01:26:44And as usual, our Mr. Christopher White
01:26:49will collect from both ends
01:26:51in the free enterprise tradition of the double dealing, double agent.
01:26:56I can't believe it.
01:26:59Are you comparing your tawdry disillusionment
01:27:02to mine?
01:27:05What could he have been to you
01:27:07except a cheap opportunist?
01:27:09I lost an empress.
01:27:11Couldn't you have guessed that?
01:27:14And you settled for a cockney version of James Bond.
01:27:18I settled for nothing less than justice.
01:27:21Justice?
01:27:23And I'm going to keep that double dealing, double agent
01:27:25from turning a profit.
01:27:27I'm going to recover that film from Matt Cutter's office tonight.
01:27:33Taxi!
01:27:36Taxi, take me to...
01:27:38Mother Mouse Transportation. Go on.
01:27:40Oh, I'm glad you're here.
01:27:42Glad? I'm here to arrest you.
01:27:44You can't arrest me.
01:27:46Call Monsieur Aubert at Interpol.
01:27:48He'll explain everything to you.
01:27:50Aubert?
01:27:51Yes, please call him now.
01:27:57What are you doing?
01:27:59Let go of me!
01:28:00Let go of me!
01:28:10Let go!
01:28:14Come on.
01:28:16Come on, don't argue. Faster!
01:28:18Let go!
01:28:31What are you doing?
01:28:33I'm keeping you out of jail.
01:28:35Don't be a hero!
01:28:37I'm an anti-hero.
01:28:39Is that why you photographed Clancy and me?
01:28:41I'm not going to let Cutter put you away.
01:28:43Now, come on. I love you.
01:28:46I love you!
01:28:50I could hate you for this,
01:28:52for forcing me to tell you the truth.
01:28:54You wouldn't know the truth if it came with a syringe.
01:28:57How can I get the girl at the end?
01:28:59Unless I'm a good guy.
01:29:05It is my understanding that the narcotic
01:29:07is hidden in the face powder
01:29:09and is not injurious to the skin.
01:29:15But,
01:29:17when set in the face powder,
01:29:19it is not injurious to the skin.
01:29:21But,
01:29:23when set in the face powder,
01:29:25when set afire
01:29:30and burned
01:29:43and reduced to ashes,
01:29:46it becomes a powerful hallucinogenic
01:29:49distributed all over the world
01:29:51in that innocent Mayfortune box.
01:29:52The only face powder in the world
01:29:54to send you on a trip.
01:29:56Ingenious. Buy the powder for a dollar,
01:29:58sell the ashes for thousands.
01:30:00It's no wonder that Mayfortune face powder
01:30:02is number one seller.
01:30:04You bet it is.
01:30:06And if you check the big buyers
01:30:08of that face powder in every country, monsieur,
01:30:10you will have the local head to the drug syndicate.
01:30:12We want a top man,
01:30:14and that man must be Matthew Cutter.
01:30:16Matthew Cutter isn't smart enough.
01:30:18I'm sticking with my father's hunch
01:30:20that it's a woman.
01:30:23One, two, three.
01:30:25One, two, three.
01:30:27I'm in Matt Cutter's office right now.
01:30:31Hey, wait a minute.
01:30:33I heard something down the hall.
01:30:35Hold on.
01:30:53It's okay.
01:30:55It was just the cleaning woman.
01:31:08Oh, madame.
01:31:10Uh, madame, you can go.
01:31:12It is not necessary to clean in here.
01:31:14Vous pouvez partir, madame.
01:31:16Madame.
01:31:18Madame.
01:31:20Madame.
01:31:22Vous pouvez partir.
01:31:25Ce n'est pas nécessaire.
01:31:28What are you doing?
01:31:31Good evening, Miss Fowler.
01:31:36Good evening, Dr. Clancy.
01:31:38That vacuum isn't moving.
01:31:47I usually dress a bit more fashionably.
01:31:49I suspect your father was really taken with me.
01:31:52When we made our date to go see.
01:31:54No, no, no, no, no.
01:31:56Up, upstairs.
01:32:02I figured you got wise to me
01:32:04when I gave you my cosmetic demonstration.
01:32:06I was wise to you before I met you.
01:32:08How interesting.
01:32:10Yes, but what was really interesting
01:32:12was the dossier I had on you, Dr. Clancy.
01:32:14All photographs of you with your women.
01:32:17What do you mean?
01:32:19Usually a man who has so many women
01:32:20is trying to prove something, isn't he?
01:32:23But what he really likes
01:32:25is to go around dressed in women's clothes.
01:32:27Shut up, you dirty...
01:32:42Anne, is that you?
01:32:51Anne!
01:33:03Anne!
01:33:05Don't answer him, my dear.
01:33:08Come, quietly.
01:33:16Damn fool, that Clancy.
01:33:18Always a touch of melodrama.
01:33:20You're not surprised to see me?
01:33:22Not at all.
01:33:24You told Clancy I was here
01:33:26just as I intended you should.
01:33:28I knew that's what you wanted.
01:33:30It also afforded me an excellent opportunity
01:33:32to have him kill you or you to kill him.
01:33:51What are you doing?
01:33:58As a final tribute,
01:34:00I will name my frequent remover after you.
01:34:02After all, you always were my favorite puppet.
01:34:05Your favorite puppet
01:34:07has told the authorities all about your face powder.
01:34:09The May Fortune face powder.
01:34:11Poor innocent Matthew Cutter.
01:34:13He'll go to jail for narcotic smuggling
01:34:16and he doesn't even know
01:34:17that Clancy put the dope in the powder.
01:34:20His company will be ruined.
01:34:22Please get in, my dear.
01:34:25And I will have the cosmetic field all to myself
01:34:27after your short trip across the English Channel.
01:34:48Christopher!
01:34:50Help me!
01:34:52Christopher!
01:34:54What do I do?
01:34:59Help me!
01:35:01Help me!
01:35:18Help me!
01:35:32She made the perfect landing.
01:35:34I die to sleep no more
01:35:38and by sleep to stay we end
01:35:42the heartache and the thousand natural shock
01:35:45that flesh is heir to.
01:35:49It is a consummation,
01:35:51devoutly to be wished.
01:36:05I'm going to ask you some questions, Christopher,
01:36:08that you will answer truthfully.
01:36:10Won't you, love?
01:36:11Do you promise to give up spying?
01:36:15Do you promise to give up all women?
01:36:18Except me.
01:36:42And turns you upside down
01:36:48And from here you start
01:36:54Fancies of the heart
01:36:59Open up your arms
01:37:02And you will see
01:37:07All the lovely things
01:37:10Caprice can be