Agha Majid Or Saleem Ne Bikhera Apni Awaaz Ka Jadu, Moseeqi Ke Saath Mazaq Kar gaya Sabko Beqabo
Agha Majid Or Saleem Ne Bikhera Apni Awaaz Ka Jadu, Moseeqi Ke Saath Mazaq Kar gaya Sabko Beqabo
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00:00 "Wake up, wake up."
00:02 Welcome back, viewers.
00:04 Our viewers insist on this a lot.
00:08 A lot of people from the audience have asked me
00:12 to sing a Ghazal for them.
00:14 Wow!
00:16 Mr. Arun, Mr. Agha's face is very decent.
00:22 But people will know who he is.
00:24 Mr. Agha, please sing.
00:27 "I am feeling sad."
00:30 I was thinking of singing this.
00:32 Why? Why should I sing this?
00:34 I am singing this. - I am singing a Ghazal.
00:37 You are not doing it properly.
00:38 Please don't disturb us.
00:41 It's not fun. - I am feeling sad.
00:44 There are some etiquettes.
00:46 What? - Mr. Arun, since you are saying it, I will sing it.
00:50 My throat is a little sore.
00:51 So I will sing it.
00:53 He thinks it's an etiquette to say
00:55 that his throat is sore.
00:57 I will listen to you and get you a chute.
01:00 A good singer shows his attitude first.
01:03 He doesn't say that his throat is sore.
01:06 A good singer shows his attitude first.
01:08 We are good.
01:09 Wow!
01:11 You should have said this earlier.
01:14 Yes. - You should have said
01:18 that you are back from the show and your throat is sore.
01:20 I should have said that.
01:22 You should have said that you are back from the show.
01:24 I don't like those people.
01:25 When you ask them to sing, they say that their throat is sore.
01:29 Believe me, I envy people
01:32 who sing well.
01:34 And you sing well.
01:37 You should envy them because you sing badly.
01:40 Yes.
01:41 When Mr. Arun sings, we feel that he is a hypocrite.
01:44 Why? - We have to say that.
01:47 What are you presenting today?
01:52 I.. - What?
01:53 He is presenting.
01:55 He is not presenting.
01:56 You should have brought the song.
01:57 We will give you the jacket.
01:58 Did you understand anything?
02:00 No.
02:01 I have understood that I have to sing in front of you for 26 hours.
02:05 No.
02:06 I know the place.
02:08 I know the place.
02:09 Tell us.
02:12 "The flowers are full of colours."
02:17 Wow!
02:18 "The spring has come after the autumn."
02:24 Wow!
02:26 "The wedding procession has left."
02:30 Wow!
02:31 "The wedding procession has left."
02:40 Wow!
02:42 "There is no place for me in the path of spiritual benevolence."
02:52 Wow!
02:54 "I have no one to call my own."
02:59 Wow!
03:00 "There is no place for me in the path of spiritual benevolence."
03:11 Wow!
03:12 "There is no place for me in the path of spiritual benevolence."
03:17 Wow!
03:18 "If I leave my beloved's well, I will go to the well."
03:31 Wow!
03:32 "The wedding procession has left."
03:46 Wow!
03:47 That's amazing!
03:48 Wow!
03:49 God has given him a beautiful voice and fulfilled all his shortcomings.
03:53 It is also similar to the fact that
03:57 who has kept the jacket in the entire neck.
04:00 "I think I have come out of your memories."
04:03 Wow!
04:05 I remember this.
04:06 When Khwaja Parvez wrote that
04:08 "There is a heart of solitude, your memories and loneliness."
04:10 After that, he was blocked.
04:13 He didn't get another chance.
04:14 Oh!
04:15 But he said that he liked this chance.
04:18 "There is a heart of solitude, your memories and loneliness."
04:21 He said that once he went to Kamran's wedding procession.
04:24 Someone told him not to go to the jungle.
04:26 There is a 'Tendwa' here.
04:27 He asked what is 'Tendwa'?
04:29 He said that 'Tendwa' is a black cheetah.
04:32 It takes a jack.
04:33 Oh!
04:34 So, it is said that "Black 'Tendwa', night and darkness."
04:37 I remembered that
04:39 "There is a heart of solitude, your memories and loneliness."
04:41 "Life is stuck in the arms of pain."
04:44 Wow!
04:46 Wow!
04:46 Faiz has said this.
04:48 Look at it beautifully.
04:50 "Faiz did not fit in any path."
04:53 "I could not live the life of a common man."
04:56 Wow!
04:57 "I could not live the life of a common man."
05:00 "I could not live the life of a common man."
05:04 "I did not accept anything in between."
05:06 Wow!
05:07 I think that in the beginning of the 20th century
05:10 because this is the country of songs.
05:12 Barre Sagheer.
05:13 People used to hear a lot of 'Taan'.
05:15 Yes, like this.
05:16 What happened, Saleem?
05:20 He is taking his place.
05:21 'Taan'.
05:23 It is very difficult to hear this.
05:25 The song with screams.
05:26 People used to hear this.
05:28 After that, people started listening to 'Sitar' and 'Tabla'.
05:32 There were no words in it.
05:34 There was only one example.
05:35 It was sung repeatedly.
05:38 What was that example?
05:39 Like, "I brought a flower for you."
05:41 Yes.
05:42 It was sung repeatedly.
05:43 It was sung in different ways.
05:44 It was sung in different ways.
05:46 People used to hear this.
05:47 Sing it in different ways.
05:49 In different ways.
05:50 "I brought a flower for you."
05:53 "My dear, my dear."
05:56 "My dear, my dear."
05:57 "My dear."
05:58 People used to hear 'Tabla' and 'Sitar' at that time.
06:04 When KL Sehgal came into power.
06:05 Yes.
06:06 When SD Burman came into power, people started listening to words.
06:09 Then, in the 80s, people started listening to beats.
06:13 Disco beats.
06:14 Nazia Hassan and others.
06:15 Yes.
06:15 After that, people started listening to 'Jhankar'.
06:19 Yes.
06:19 He is like a handi-pukka.
06:21 Earlier, there was only 'Ustai'.
06:23 There was no 'Antara'.
06:25 There is a person..
06:27 Mr. Salim, the reason was that
06:29 it was written separately for singing.
06:31 It was written separately for poetry.
06:33 Oh.
06:34 When these two things came together,
06:36 when Shora was told to think about it.
06:40 If someone feels bad about it,
06:42 he will say that it is a good poem.
06:44 "My heart is lonely, I miss you."
06:46 "Life is in the arms of pain."
06:49 You can read the rest of the poem.
06:51 There is no poem in this.
06:53 Mr. Haroon, there is a difference.
06:54 Poetry is something else.
06:56 Lyrics are something else.
06:57 I didn't mean that.
06:58 Poets think that they can become lyricists.
07:00 There is a difference.
07:02 Okay. I will tell you.
07:04 A poet becomes a poet when he writes his first poem.
07:08 Absolutely.
07:09 He has written his first poem.
07:10 Okay.
07:10 You have to think about the same weight.
07:12 Absolutely.
07:13 You have to find the same capacity.
07:14 You have to find the same rhythm.
07:15 He gets helpless. He gets stuck.
07:17 The first poem is creativity.
07:18 After that, everything is forced.
07:20 It is forced.
07:21 But when it was written for singing..
07:23 You have to write on the melody.
07:24 You have to write on the melody.
07:25 Why do you write a poem first?
07:28 You have to pay for it.
07:29 It is a big deal to write a good poem for the world of literature.
07:33 Like Siraj Aurangabadi.
07:35 "Khabre tahiyur ishq sun."
07:37 He has written no other poem.
07:38 Look at his poem.
07:40 "Tundiye baade mukhalif se na ghabraaye ho kab."
07:43 "Ye to chalti hai, tujhe uncha vada."
07:44 He has written only one poem in his life.
07:47 Malaika is saying that one poem is fine.
07:49 He has written one poem in a box.
07:51 Wow.
07:52 But Khwaja Pravesh has written a very good poem.
07:55 Very beautiful.
07:56 Give us a example.
07:57 Mr. Ibani.
07:58 We can't even do that.
08:00 He will be like Chudrani.
08:03 Mr. Salim, give us an example.
08:05 May I? - Yes.
08:07 I will start with your knees.
08:09 "Kadhiya mil saawal yaar ve."
08:17 Wow.
08:17 "Kadhiya mil saawal yaar ve."
08:23 "Mere noon ek pukaar ve."
08:30 Wow.
08:31 "Kadhiya mil saawal yaar ve."
08:38 "Meri jindari hoyi udas ve."
08:44 "Mera maahi aas na paas ve."
08:50 "Mujhe milna chaar kahaar ve."
08:56 Wow.
08:58 "Kadhiya mil saawal yaar ve."
09:03 Wow.
09:05 Very nice.
09:06 Very nice.
09:07 Look at his health and how difficult the task is.
09:10 Look at his love.
09:11 If you love someone so much, you should ask for medicine.
09:14 Yes.
09:15 This was today's show.
09:18 We will meet you in the next show.
09:20 Take care.
09:22 Goodbye.
09:23 [MUSIC PLAYING]