Mughal-E-Azam चित्रपटातील गाणी बडे गुलाम अली यांनी सोन्याच्या भावाने गायली! | गोष्ट पडद्यामागची- ८२
'मुघल ए आझम'च्या चित्रीकरणाच्या प्रवासातील सुरवातीचे काही किस्से आपण मागील भागात जाणून घेतले. मागच्या भागात आपण पाहिलं की चित्रपट तीनवेळा बंद पडूनही के. आसिफ यांनी संकटांचा सामना करून चित्रपट पुन्हा सुरु केला. के आसिफ यांनी शूटिंगदरम्यान पृथ्वीराज कपूर यांना तापलेल्या उन्हात वाळवंटातून अनवाणी चालायला लावलं होतं? दिलीप कुमार 'मुघल ए आझम' चित्रपट अर्ध्यावर सोडून का जाणार होते? या प्रश्नांची उत्तरं जाणून घेऊयात 'गोष्ट पडद्यामागची'च्या या भागातून.... #mughaleazam #dilipkumar #madhubala #prithvirajkapoor #kasif
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'मुघल ए आझम'च्या चित्रीकरणाच्या प्रवासातील सुरवातीचे काही किस्से आपण मागील भागात जाणून घेतले. मागच्या भागात आपण पाहिलं की चित्रपट तीनवेळा बंद पडूनही के. आसिफ यांनी संकटांचा सामना करून चित्रपट पुन्हा सुरु केला. के आसिफ यांनी शूटिंगदरम्यान पृथ्वीराज कपूर यांना तापलेल्या उन्हात वाळवंटातून अनवाणी चालायला लावलं होतं? दिलीप कुमार 'मुघल ए आझम' चित्रपट अर्ध्यावर सोडून का जाणार होते? या प्रश्नांची उत्तरं जाणून घेऊयात 'गोष्ट पडद्यामागची'च्या या भागातून.... #mughaleazam #dilipkumar #madhubala #prithvirajkapoor #kasif
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NewsTranscript
00:00 In the last part, we saw that after facing many difficulties,
00:03 the film 'Mughlai Azam' was re-released.
00:06 But do you know that during the shooting,
00:09 K. Asif and Prithviraj Kapoor were being used in a conspiracy
00:14 to make them run wild in the scorching heat?
00:16 Was there a single incident where Dilip Kumar
00:19 threatened to leave the film halfway through?
00:23 And was there any such incident where K. Asif
00:26 wanted to put the previously shot film back in the trash
00:31 and shoot a new one?
00:33 If you want to know this, then you have to watch this video till the end.
00:37 After facing many difficulties, the shoot for this film started again.
00:48 Slowly, the film was getting shot.
00:50 Prithviraj Kapoor was not trying to complete this film.
00:55 But one day, K. Asif and Prithviraj Kapoor
00:59 had a big fight.
01:01 A set of paintings was set in a Jaipur garden.
01:04 The sun was burning the plants and the sun was burning the ground.
01:09 It was difficult to shoot.
01:11 There was no vanity van at that time.
01:14 There were four poles in the garden and the shoot was about to start.
01:18 Suddenly, a sound came from one of the poles.
01:20 Asif, you have gone mad.
01:22 This sound was of Prithviraj Kapoor.
01:25 Papa ji, you will give the shot as I want.
01:29 I will not wear shoes until your shot is okay.
01:33 In the script of the film,
01:35 in the scorching desert,
01:37 he had asked to walk barefoot,
01:40 this Akbar-e-Azam.
01:42 As if he was naked,
01:44 K. Asif showed him.
01:47 K. Asif was saying that Prithviraj Kapoor,
01:50 Akbar-e-Azam should give this shot without wearing shoes.
01:55 Prithviraj Kapoor was in a state of shock.
02:00 He entered the pond,
02:02 knocked the pot and in the spirit of meditation,
02:05 he started reciting the Gayatri Mantra.
02:08 After that, he came out of the pond for half an hour.
02:11 At that time, he was Shahenshah Jalaluddin Akbar.
02:14 When he came out of the pond,
02:16 K. Asif was seeing his Akbar.
02:19 Prithviraj started reciting in the scorching sun.
02:23 Behind Akbar's army and the army,
02:26 Queen Jodhabai's elephant was walking slowly.
02:31 K. Asif and his group were standing in the open jeep.
02:36 Shahenshah's gentle walk, which Asif wanted,
02:40 Prithviraj showed in the first shot.
02:44 The half-hour walk was captured and the shot was okay.
02:48 Prithviraj looked at him with respect,
02:51 Asif was walking in silence from the jeep.
02:55 Prithviraj had never met such a director in his long career.
03:00 After that, in every struggle,
03:02 Prithviraj Asif was standing behind him.
03:06 It's been many years since the Mughal Emperor was ready.
03:15 In this, Dilip Kumari's Madhumati and Yahudi,
03:19 Even if the film comes and goes,
03:21 It was a silver jubilee,
03:23 But this film was running at the feet of Mungi.
03:26 So once, Dilip Kumari and K. Asif,
03:31 Threatened to leave the film.
03:33 I'm not doing it, I'm leaving Salim.
03:36 Dilip Kumari threatened.
03:39 Dilip Kumari's other films,
03:41 He said that Salim's role was getting less attention.
03:46 And the film was taking so long to be completed.
03:51 K. Asif was asking to increase the role.
03:55 But K. Asif didn't want to change his writing.
03:59 On the contrary, he ran to them.
04:01 He said, "Why would you leave such a good role?"
04:05 "Will you leave such a good film?"
04:07 "Then why are you doing drama all the time?"
04:09 "I'm not going to be Salim, I'm going to be Moghul."
04:12 "You already know that."
04:14 Such a tension was coming on the set many times.
04:18 But finally, Prithviraj Kapoor,
04:20 The film was crossing its middle stage.
04:23 Actually, one thing was destroying Dilip Kumar.
04:27 Once the film was complete,
04:29 What you see on the screen,
04:31 It will be all-pervasive.
04:33 It was necessary to complete this film.
04:37 K. Asif has another story, which is very famous.
04:40 Asif was in a hurry.
04:43 He was eager to sing the song of Tansen in the film.
04:47 "Bade Gulam Ali Khans Haved"
04:49 He was sitting in a hurry.
04:51 But Kha Saheb refused to say the film song.
04:55 "You will sing the song, sir."
04:58 "Just tell me your price."
05:00 Asif said to him, "Bade Gulam Ali Khans"
05:05 Music director Noshad was heartbroken.
05:09 "Bade Gulam Ali Khans Haved"
05:12 He said, "I will charge Rs. 25,000 for one song."
05:21 At that time, Yashaswi Parashu Gayak
05:25 Was getting Rs. 500 for one song.
05:29 But 25,000 is a lot of money.
05:36 "Your price is more than that."
05:39 Noshad was heartbroken.
05:42 He said, "I will charge Rs. 50,000 for two songs."
05:46 K. Asif was very happy at that time.
05:56 Mughal-e-Azam was in trouble.
06:00 The film was half-finished.
06:03 And a big problem came up.
06:07 Doctors told Madhubala that he had a heart attack.
06:12 And everyone was shocked.
06:14 Madhubala was exhausted.
06:17 He was in a lot of pain mentally.
06:21 K. Asif was busy making the film.
06:25 In the book "Story of Cinema"
06:28 Abhijit Desai says,
06:30 "At that time, the film was going on."
06:35 "The scene of the fight between the two"
06:40 "Was a very difficult scene."
06:43 "This film will never be completed."
06:46 Many people said.
06:48 One day, K. Asif was in a big trouble.
06:52 He said, "I am shooting the film on a cinema scope."
06:57 "It will be fun."
06:58 "But no one listened to me."
07:01 "The producer, Shahpurji, was very upset."
07:05 "He will shoot the film for another 10 years."
07:10 "He was very angry."
07:13 "The remaining scenes were shot."
07:16 "On 5th August, 1960, Mughal-e-Azam"
07:20 "The film was a huge success."
07:23 How did you like the journey of both the parts of the film?
07:28 Tell us in the comments.
07:30 Like, share, subscribe to Lok Satta Online.
07:34 And don't forget to watch "Ghost Pardya Maakchi".
07:37 See ya.
07:38 [MUSIC PLAYING]