'गदिमां'च्या सुरेल आठवणी जपणारं त्यांचं निवासस्थान पंचवटी!| गोष्ट पुण्याची भाग-१०१ | G.D.Madgulkar
'गदिमां'च्या सुरेल आठवणी जपणारं त्यांचं निवासस्थान पंचवटी!| गोष्ट पुण्याची भाग-१०१ | G.D.Madgulkar
'नाच रे मोरा' सारखं बालगीत असो किंवा 'कानडा राजा पंढरीचा' सारखं भक्तीगीत असो; कविवर्य ग. दि. माडगूळकर हे नाव मराठी माणसाच्या मनात कायमस्वरूपी असेल यात शंका नाही. 'गदिमां'च्या गीतरामयणासारख्या रचनेमुळं त्यांना आधुनिक वाल्मिकी म्हणूनही संबोधलं जाऊ लागलं. नुकताच म्हणजे १ ऑक्टोबरला गदिमांचा जन्मदिवस झाला त्याचंच निमित्त साधत आज 'गोष्ट पुण्याची'च्या भागात आपण गदिमांचे निवासस्थान असलेल्या 'पंचवटी' ला भेट देणार आहोत. #gadimadgulkar #gdmadgulkar #pune #punetravel #punetouristplaces #punetourism #knowyourcity #pune #punecity #marathisong #geetramayan
'नाच रे मोरा' सारखं बालगीत असो किंवा 'कानडा राजा पंढरीचा' सारखं भक्तीगीत असो; कविवर्य ग. दि. माडगूळकर हे नाव मराठी माणसाच्या मनात कायमस्वरूपी असेल यात शंका नाही. 'गदिमां'च्या गीतरामयणासारख्या रचनेमुळं त्यांना आधुनिक वाल्मिकी म्हणूनही संबोधलं जाऊ लागलं. नुकताच म्हणजे १ ऑक्टोबरला गदिमांचा जन्मदिवस झाला त्याचंच निमित्त साधत आज 'गोष्ट पुण्याची'च्या भागात आपण गदिमांचे निवासस्थान असलेल्या 'पंचवटी' ला भेट देणार आहोत. #gadimadgulkar #gdmadgulkar #pune #punetravel #punetouristplaces #punetourism #knowyourcity #pune #punecity #marathisong #geetramayan
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NewsTranscript
00:00 A rickshaw stopped in the courtyard
00:02 Babasaheb Purandhare and Dama Mirajdhar got down immediately
00:06 Babasaheb got down and shouted from there
00:10 "Give me alms"
00:12 But a bus stopped in Mumbai at night
00:15 And the entire team of Varahachi Varah came down from that bus
00:19 And who was that?
00:21 But Mangesh Padgaonkar was also with them
00:23 Many songs in the Gita Ramayana
00:26 Are sitting on this cot and are swinging on the floor
00:29 And Gadima is sitting in the front cot
00:32 And in their cot, someone else was sitting
00:34 I said, "Oh my God! How did this happen?"
00:37 So I saw that it was Acharya Atre
00:40 Sitting on this dining table
00:43 Acharya Atre, Balasaheb Thakre, Pula Deshpande
00:47 All of them sitting on this table
00:51 Have given the blessings of Sukhra Sampak done by Vidya Tai
00:57 [Music]
01:08 Namaskar! Welcome to the special episode of Ghost of Pune
01:12 Friends, whether you are a child like Nacre Mora
01:16 Or a devotee like Kanada Raja Pandhari
01:19 Radhi Madhbulkar are always in the hearts of Marathi people
01:23 They are, are and will be
01:26 Because of their songs and Ramayana
01:28 They have started to feel the fire of love
01:31 Why am I telling all this?
01:33 Just because, on 1st October
01:35 Gadima's 104th birthday was celebrated
01:38 And because of that, today in the episode of Ghost of Pune
01:42 We are going to meet his Panchavati who lives in Pune
01:46 We are going to remember her music
01:48 So, let's start today's episode
01:51 [Music]
02:14 So, this is Gadima's Panchavati Bungalow
02:19 This is the road that runs from Mumbai to Pune
02:24 And this bungalow is almost 3,000 sq. ft.
02:29 Gadima bought this bungalow 52 years ago
02:32 20 years before that, this bungalow was built
02:38 Before we came here, this bungalow was called Pant Nivas
02:44 There is a small story behind this
02:46 Once, a student of Pant Baharat Balekundari, who lives near Belgaum
02:56 He used to come here and sit for meditation
03:01 So, the previous owner of this bungalow, Patihal
03:06 He decided to give this bungalow to Gadima
03:13 Before giving, he filled my mother's mouth with coconut
03:20 And told her not to touch anything in this house
03:26 One is the photo of Balekundari Maharaj
03:28 And the Tulsi Vrindavan in the backyard
03:31 And my mother, the student, saw the word he had given her all her life
03:37 This is the top floor of this bungalow
03:40 And there was a big courtyard outside
03:44 This courtyard was reduced by the municipality
03:50 So, we had to build a building in the courtyard
03:54 So, half the plot has been reduced
03:57 But the structure of the bungalow has been completely reduced
04:02 If I tell you a little bit about this courtyard
04:06 During summer, our green garden used to be here
04:10 Beautiful water used to flow in the courtyard
04:12 The soil used to smell good
04:14 And the 17 big buckets used to be placed in the courtyard
04:19 And in summer, their evening meeting used to be in the courtyard
04:23 And many people used to come here to chat with them
04:28 I remember once, it was a moonlit night
04:32 I don't know if it was a very beautiful night
04:34 But a bus stopped in Mumbai at night
04:37 And the entire team of the Varaharaj team came down from the bus
04:41 I don't know why, but Mangesh Padgaonkar was also with them
04:45 And after all the people who were sitting in the courtyard, sat and relaxed
04:49 They were very happy
04:51 And they were able to chat with each other till midnight
04:56 [Music]
05:14 Another memorable memory of this courtyard is
05:17 Once, in the courtyard, in the open air
05:21 They were sitting peacefully, it was morning
05:24 A rickshaw stopped in the courtyard
05:26 And from that rickshaw, Baba Purandhare and Dama Mirajar got down
05:33 And Baba Saheb, who got down and cried out from there
05:37 "Give me alms"
05:39 In the loud voice of his mother
05:42 He was sitting in the courtyard, writing something
05:44 And he got very angry
05:46 And he saw it
05:47 He said, "What is this Baba Saheb?"
05:49 "First tell me, you have given me alms"
05:51 "Otherwise, the Brahmins will come again"
05:53 "No, tell me, first tell me you have given me alms"
05:56 "Okay, I have given you alms, what do you want?"
05:59 "Nothing, like the Gita and Ramayana"
06:01 "You should write a beautiful poem on the life of Shivaji Maharaj"
06:06 "That is all I want"
06:08 There are many memories of the courtyard
06:10 Now, let's come a little inside
06:12 In this bungalow
06:14 This blue cloth that you see
06:16 This is of Gadim
06:18 I have a feeling that
06:20 For the last 50 years
06:22 Even before coming to this bungalow
06:24 He had that cloth with him
06:26 One of his friends
06:28 Had bought this cloth in a auction
06:30 And Gadim had got it for Rs. 50
06:34 The style of that cloth has changed over time
06:37 But it was Gadim's favourite cloth
06:40 Meaning, always Gadim had
06:42 A producer, a music director
06:45 They were sitting on the coach in front of him
06:48 And the coach he was sitting on
06:50 Was sitting on that coach
06:52 He was called the seat of prosperity
06:55 He used to say
06:57 "This coach has come with my progress"
07:01 Once, I am telling you a joke
07:04 I came back from college
07:06 In the 60s, 65s, something like that
07:08 And I was sitting in the coach in front of Gadim
07:12 And there was someone else sitting in his coach
07:15 I said, "Oh my God, how did this happen?"
07:18 So I looked and it was Acharya Atre
07:21 And Gadim uncle and Papa said
07:25 "Baba, do Namaskar"
07:27 I said a standing Namaskar
07:29 "Not like that, touch the feet and do Namaskar"
07:32 And in this way
07:34 I also got the touch of that great man's feet
07:38 There are many stories of this coach
07:41 And I know that many songs in the Gita Ramayana
07:44 Are written by Gadim himself sitting on this coach
07:48 Babuji used to get very angry
07:51 Or send Prabhakar Jog
07:55 And Prabhakar used to sit on that coach
07:58 And when Prabhakar Jog came in on his cycle
08:01 He used to jump from the seat
08:03 "Here comes the messenger of Rama"
08:06 Which means
08:07 "Now whatever you feel, you have to sing"
08:11 There are many such memories of this coach
08:15 From there we came to know that this is Madla Hall
08:18 We call it a hall
08:20 But to be honest, it is a junction of many doors and windows
08:25 A funny thing is that this is an octagon
08:28 And at that time
08:30 Our Sharat Pilgaonkar
08:32 I mean, Sachin Pilgaonkar's father
08:34 Decided to make a movie called Madhuchandra
08:37 In that he decided that
08:39 We have to make a set of the same hall as Gadim's
08:43 And if you have seen that movie today
08:46 The house of Shrikant Moghe in that movie
08:48 Which he has shown as a bungalow
08:50 That hall is exactly like our Panchavati Hall
08:55 The funny thing about this hall is
08:57 That the next door and the door behind us
09:00 It is windy all day
09:03 So on a summer day
09:05 Gadim would be resting here with his chess
09:09 Another memory is
09:11 Gadim would be sitting here to play carrom with his friends
09:15 He would play carrom very well
09:17 But he would get very angry if he lost
09:20 So we would try to avoid playing with him
09:23 Then Babu Borkar would play with him
09:26 Our Nirmate Govindrao Ghanekar would play with him
09:29 And we would be sleeping here in the summer
09:33 Another funny thing about that hall is
09:35 We seven Bhavandas
09:37 We seven Bhavandas
09:39 Would be sleeping in a big mosquito net
09:42 In that hall
09:44 And there was a cupboard on the side
09:48 And on that there was an old radio called
09:50 'Americal Hotpoint'
09:52 Which was available in those days
09:54 I am telling you from the 50s
09:56 The first song in the Gita Raman
09:59 Was heard on that Hotpoint radio
10:02 There was a bedroom of Gadim's in the right side of the hall
10:07 And my uncle's room was in the left side
10:10 And if we come straight to the back
10:13 There is Tulsi Vrindavade
10:16 (Music)
10:39 You must be knowing the story of Tulsi Vrindavade
10:43 That Gadim used to write a song for Ram Navami
10:47 And he left Mumbai in the morning
10:51 And came to Pune in the afternoon
10:53 He used to write that song and give it to Babuji
10:56 So he had a meeting at Tulsi Katte
10:59 There was a beautiful Ashoka tree
11:02 A thick trunk
11:04 He sat on that trunk and had a meeting
11:08 And he sat there
11:10 But the funny thing is that it was evening
11:13 And it was getting dark
11:15 But there was not a single letter on his paper
11:18 It was a sunny day
11:21 And my mother was sleeping in that room
11:25 At 1.30 in the night
11:27 Gadim had put a bulb somewhere
11:30 And she was sitting in the light of that bulb
11:33 She looked up and she was still sitting there
11:37 And there was nothing written on the paper
11:40 So she asked with a laugh
11:42 "What happened? Is Rama born or not?"
11:45 Gadim looked up and said
11:47 "No one is born here in Madhgulkar"
11:50 "Prabhu Ramachandra is going to be born"
11:53 "He will take time"
11:55 This is the fun of Tulsi Vrindavade
11:58 Another specialty of our bungalow
12:00 Because it is related to this
12:02 Before we came, this bungalow was full of thieves
12:06 Many times thieves used to come
12:08 On the next side was the road
12:10 And on the other side was the railway line
12:12 So it was very difficult for them to escape
12:14 So many times when Gadim and Bhavik uncle were sleeping
12:18 Thieves used to jump on their bodies and escape
12:21 Such incidents have happened on this Tulsi Ghatt
12:25 So we came back to the hall
12:28 And decided to go to the upper middle
12:30 And this Jina
12:32 I personally say that this is a very slow cow in my life
12:38 In the upper hall, there was a gathering of Gadim's writers
12:43 And that gathering of writers
12:45 Was a beautiful, clean gathering of Gadis
12:48 On both sides of the hall
12:52 In front of one Gadi, there was a desk
12:55 With papers kept
12:57 They used a very heavy pen
12:59 And they were expected to be given by the film producer
13:03 And many film producers used to fill it
13:08 All such documents were kept there
13:10 And then the gathering of writers
13:12 The gathering of writers, the gathering of music
13:15 Was happening in that hall
13:17 Everyone used to come there
13:19 And Sudhir Phadke, Datta Daudegar
13:22 Or Ram Kadam
13:24 This group was always there
13:26 I remember, at that time, no one had any vehicles
13:31 Datta Daudegar used to load the boxes in the rickshaw
13:34 And when the procession started
13:36 Gadim used to sit on the seat of prosperity
13:39 If Datta Daudegar's name was mentioned, he would have given it right away
13:43 He had to be thinking of something like this in his free time
13:46 So, I have something to tell you
13:49 Sudhir Phadke has written many songs
13:53 I have heard them sitting on that seat
13:56 Because, we didn't have the courage to sit on that seat
14:01 Because Gadim was a typical father of Jallipeet
14:06 So, he had a different image
14:08 The places where Poole has written
14:10 I have become his elder brother after getting to know him
14:14 So, Thorle Bhau was his birth brother
14:18 This is the upper hall
14:20 And in that hall, he has written all the scripts
14:24 Daukhe Barahat, which is a Hindi film
14:27 Daukhe Barahat, Naurang, Achal, Karigar
14:31 Atishek or Gunjuti Senai
14:33 All these are the scripts written by Gadim
14:37 All these are written in this hall
14:39 And with that, in Marathi, there are innumerable songs, innumerable scripts
14:44 And Gadim had a specialty
14:46 That while writing, if there is a situation of a song, he would write it
14:51 Many times, if he doesn't like a song
14:53 He would write it in the title of the song and then move on
14:57 Now, let's come down again
14:59 And this is our dining hall
15:01 Where I am sitting and talking to you
15:03 This dining hall also has a very important name
15:07 Pooba Bhave, that place table
15:10 That's what they always say
15:12 Because, sitting on this dining table
15:15 Acharya Atre, Balasaheb Thakre, Pula Deshpande
15:20 Sudhir Phat, all the Maharashtrians
15:23 I would say, on the basis of their great love
15:26 At some point or the other
15:28 Sitting on this table
15:30 Vidya Tai has given the blessing of Sukhra Swayamvaka
15:35 And on this table, my mother used to sit and cook
15:40 She loved it very much
15:42 And another specialty of this table
15:46 How do people drink a cup of tea in the morning?
15:49 And we go to work
15:51 We had a session in our Panchavati
15:57 Especially, when Gadima was in Pune
16:00 She would have a cup of tea
16:03 And while drinking that, she would chat with all the boys
16:06 And she would be in Mumbai for a week
16:09 She would come to Pune on the 1st of January
16:11 And she would be in Pune for a couple of days
16:13 She would describe what happened in Mumbai
16:16 In a very interesting way
16:20 And then, if she had to talk about Yashwant Rao
16:24 She would talk about him in his style
16:27 She would imitate the person who she was talking about
16:34 In a very beautiful way
16:36 I have heard this once
16:38 That Gadima was not in a good mood because of a play
16:43 And she had to cancel the play
16:45 This is such a table
16:48 And on this table, there was a lot of discussion
16:52 We have seen many fights among the friends
16:57 I remember once
16:59 A Padgaonkar had written
17:02 "Chandan Hota Dol Bhur"
17:05 I have seen many fights between Gadima and Padgaonkar
17:12 Because of this word, Padgaonkar and Gadima would not leave their topic
17:17 I know that the form of Kala is going to change
17:22 Today, Panchvati is in this form
17:24 Maybe she will not stay in this form tomorrow
17:26 Maybe 25 years later, there will be something else
17:30 The form of Kala changes everything
17:33 But in my heart, in the hearts of our friends
17:38 The happiness we have got from the cast
17:40 The pleasure we have got from the play
17:44 And the play that has given us a moment of peace
17:51 That Panchvati will always remain in our hearts
17:58 [Music]
18:11 Friends, even today, Gadima Panchvati is remembered
18:16 In the literary history of Pune
18:18 And in the cultural atmosphere
18:20 It is still in the mind
18:23 Let's stop here at the Ghost of Pune
18:25 And meet you in the next episode
18:27 In a new place
18:29 [Music]
18:31 you