Zenatorus
  • l’année dernière
Un film de l'an 01933 en version originale.
Transcription
00:00:00 [Music]
00:00:07 [Music]
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00:01:01 [Music]
00:01:08 [Indistinct chatter]
00:01:22 Only the bottles ain't, uh, I mean aren't quite so fancy.
00:01:26 Here is the paragraph.
00:01:28 Our local spaghetti.
00:01:30 Can you imagine spaghetti in bottles, Miss Zarconi?
00:01:34 It's better than the stuff we've been getting from that other outfit.
00:01:37 Come on. So the deal is off.
00:01:39 Hurry up.
00:01:40 Yeah?
00:01:44 Oh, Graham Gaines, eh?
00:01:46 Show him in.
00:01:48 Hello. How are you?
00:01:56 All right, Bruno.
00:01:57 Say, I just got a little slip there. Will you join me?
00:01:59 Don't mind if I do.
00:02:00 How's business?
00:02:02 Oh, not so hot, no.
00:02:04 I got in a thousand cases of champagne.
00:02:06 Any one stuff, too.
00:02:07 Can't move it.
00:02:09 Competition?
00:02:10 No, no.
00:02:11 Depression.
00:02:12 I had to close three of my own speakeasies last month.
00:02:14 Can you imagine that?
00:02:15 How are you with the district attorney?
00:02:19 Oh, all right.
00:02:20 His men raid my joints once in a while and I open up again, but that's his job.
00:02:24 It's the wise walk.
00:02:25 That's too bad.
00:02:27 What's too bad?
00:02:30 I thought you and the DA might be fighting.
00:02:34 Do you want us to fight?
00:02:36 Well, I could make it worth your while.
00:02:38 Fight to the finish?
00:02:41 To the finish.
00:02:43 Oh.
00:02:45 Well, that's a risky job.
00:02:50 But it could be done.
00:02:52 It'd be pretty expensive.
00:02:55 For instance, by the time I split down the line for a job like that, I'd be taking the short end.
00:03:02 I don't know.
00:03:03 Say, uh, 20 grand?
00:03:06 Yeah, I guess I could handle it for that.
00:03:09 Now, isn't that strange?
00:03:11 That happens to be just the amount I have in my pocket.
00:03:15 Now, ain't that odd?
00:03:18 Excuse me a minute, will you?
00:03:24 I've got a little business in my private office.
00:03:26 Got a little business in my private office.
00:03:28 Sure, Bruno, it's okay for 10 grand.
00:03:54 Yeah, Mac, for five jeans, it's in the bag.
00:03:57 Two grand's the price, Nick.
00:04:05 Yeah, all right.
00:04:07 For $1,000, he's done, my friend.
00:04:16 Sure.
00:04:19 [door opens]
00:04:20 Why hold out on me?
00:04:39 You break that story tomorrow, and the afternoon papers will scoop me like a white-winged shovel.
00:04:46 That's the way with these reporters.
00:04:48 Give 'em an inch, and they'll steal the yardstick.
00:04:51 Yeah, and that's the way with you district attorneys.
00:04:53 You get a fellow worked up to a certain point, and you back out just like a dame.
00:04:58 A full attorney would be good, Andy.
00:05:00 Yeah, sure.
00:05:01 Listen, pal, he's a clam, and you're his first cousin.
00:05:05 Have you told this sucker deputy of yours?
00:05:07 No.
00:05:08 Oh, then you watched this?
00:05:09 No.
00:05:10 My worthy roommate, I apologize.
00:05:15 Daddy, can I please play with my train?
00:05:20 Why, sure you can, Ralph.
00:05:22 Oh, goody, goody.
00:05:23 All you do is turn this little gadget, and away she goes.
00:05:27 Stop it, Daddy, stop it. I want on me.
00:05:30 All right, sonny buck, all right. Here we are. Now, wait a minute.
00:05:35 There you are.
00:05:36 You know, why don't I get on the front page pretty soon? I'm gonna fall out of my pants.
00:05:41 Break down. Give me a lead, will you?
00:05:44 I think I've uncovered another investment looting.
00:05:46 Another one?
00:05:47 Who's gonna take the rap this time?
00:05:49 The public, as usual.
00:05:50 Come on, spill it. What famous highbinders are getting away with what company's bankroll?
00:05:55 Aside from the men involved, just two men know that, Andy.
00:06:00 Myself and the examiner, whom they bribe to pass a falsified statement of the corporation's assets.
00:06:06 Daddy.
00:06:09 Oh, hello, sonny.
00:06:11 What's the matter? Don't you like your train?
00:06:13 I want to run it.
00:06:14 All right, boy. Come on, now. Sit down right here.
00:06:18 Now, there. Now. Now. No, no, no, no. There.
00:06:24 Gee, Daddy, it's my train.
00:06:29 Was Dad showing you how to run your train, darling?
00:06:32 Yes, Mommy. Andy was engineer first.
00:06:35 And I suppose Lila was engineer second, and Papa was engineer third.
00:06:39 Yes, Mommy. Were you watching?
00:06:42 No, sweetheart. A little bird told me.
00:06:44 I thought we were just watching.
00:06:46 If you engineers are finished playing, dinner is ready.
00:06:50 Best news I've had since lunch.
00:06:52 You're going to stay, aren't you, Lionel?
00:06:54 Well, I'll have to duck right after dinner. You see, Diane and I...
00:06:57 Diane, Diane. I get up with Diane, have two meals a day with Diane, go to sleep...
00:07:01 Well, skip it.
00:07:03 Imagine a beautiful young dev like Diane Cranwell falling for a mug like this.
00:07:10 Come on, Sammy Buck. Come on.
00:07:12 Gee, Daddy.
00:07:13 I have your favorite dessert tonight, Andy.
00:07:15 I hope it's ruff on rats.
00:07:17 Come along. Up we get.
00:07:20 Ah, the boy.
00:07:22 Daddy, I bet I'll close my train when you aren't around.
00:07:26 Is that my paper? Tell him I'm practically there.
00:07:31 Run along.
00:07:32 Run along.
00:07:33 Hello.
00:07:45 This is Avery Henderson speaking.
00:07:48 Who?
00:07:49 Miss Lamont?
00:07:51 No, I can't say I recognize the name.
00:07:54 Oh, in connection with Mr. Kemp.
00:07:58 I'm Harley Kemp's sweetheart, Mr. Henderson.
00:08:01 You told me you found out about that statement he passed for suburban utilities.
00:08:05 Oh, you can't send him to jail, Mr. Henderson. You can't.
00:08:08 I'm a clerk at suburban utilities, in the bond department.
00:08:12 Yes, Nino Lamont.
00:08:14 I have evidence which proves there are others involved besides Harley.
00:08:19 I'll give it to you if you'll just give him a chance.
00:08:22 Oh, please, Mr. Henderson, be a good sport about it, won't you?
00:08:26 Can I see you this evening, Miss Lamont?
00:08:28 Where do you live?
00:08:31 Yes.
00:08:32 Second floor, apartment five.
00:08:35 I'll be there about eight o'clock.
00:08:37 Yes.
00:08:39 Goodbye.
00:08:41 And when Andy turned the gadget, the train went around and around and around.
00:08:54 Gee, it was full of my daddy to bring me a train. Wasn't it, Mama?
00:08:58 It certainly was. You and Daddy are going to have lots of fun.
00:09:01 Especially Daddy.
00:09:03 I'll have to holly, dear.
00:09:07 You don't have to go back to the office.
00:09:09 I'm afraid I must.
00:09:10 That call completes the chain in the corporation booting I mentioned.
00:09:13 Me without a lead.
00:09:14 Take a crumb and be satisfied.
00:09:17 (Footsteps)
00:09:19 Miss Lamont?
00:09:29 Yes, Mr. Henderson, come in.
00:09:31 Oh, Mr. Henderson, you won't arrest Harley, will you?
00:09:39 Well, that depends.
00:09:41 You said something about papers. May I see them?
00:09:44 If I give them to you, what about Harley?
00:09:47 If they contain the information I want, I'll let him turn state's evidence.
00:09:52 You're a regular guy, aren't you?
00:09:55 (Footsteps)
00:10:24 (Gunshots)
00:10:26 Hiya, babe.
00:10:30 (Whistles)
00:10:32 A pair on ten, you know what?
00:10:36 All right.
00:10:38 Harley!
00:10:41 What's the matter, kid?
00:10:44 How do you spell...
00:10:46 Go ahead, you speak first.
00:10:48 Yeah, I just got here. Well, if he calls again, you tell him to go.
00:10:52 Oh, Andy. I couldn't tell him that.
00:10:57 Now, how do you spell...
00:11:00 Yeah, Susan.
00:11:05 Yeah, I know. I know I was supposed to take you to dinner, but I got tied up.
00:11:09 Yeah. I couldn't get to a telephone.
00:11:12 What? Another girl?
00:11:15 Who, me?
00:11:16 Oh, no.
00:11:18 Hey, how do you spell...
00:11:20 Alien caught this afternoon.
00:11:22 No, but somebody did.
00:11:23 Bertha? Betty?
00:11:24 No.
00:11:25 Beatrice?
00:11:26 Yeah, that was it. Beatrice.
00:11:27 Okay, if Beatrice ever calls, I'm always in. Don't forget that, palsy.
00:11:29 Now, how do you spell Poughkeepsie?
00:11:31 Unravel that again, will you?
00:11:32 Poughkeepsie.
00:11:33 Oh, Poughkeepsie. Poughkeepsie. Poughkeepsie. Poughkeepsie. Poughkeepsie. Poughkeepsie.
00:11:37 Make it yonkers and let it ride, will you?
00:11:40 (Yelling)
00:11:41 Jack, come on out, Chief.
00:11:43 Come on, come on.
00:11:49 Ready for extra.
00:11:51 Hold it, Harry.
00:11:53 With you in a minute.
00:11:55 Why the hell don't you answer your phone?
00:11:57 Avery Henderson's been murdered.
00:11:59 Say, here.
00:12:01 Composing room.
00:12:03 Gunshot.
00:12:06 Left chest.
00:12:07 Heart, probably.
00:12:09 Whiskey on red.
00:12:14 Smells like bourbon.
00:12:18 Not bad.
00:12:19 Well, that's all.
00:12:22 Let's do the order of removal.
00:12:24 Yes, sir.
00:12:25 Friend of yours wasn't he, Andy?
00:12:35 I'll say he was a friend.
00:12:37 What time did it happen?
00:12:38 About an hour ago, the coroner said.
00:12:40 Who's that air-dare Nichols is talking to in the other room?
00:12:43 The guy with the glasses?
00:12:44 Yeah.
00:12:45 That's Collins' janitor. He found him.
00:12:46 How come?
00:12:47 He said Henderson sent him out for a pint of that stuff on the table there.
00:12:50 And when he came back with it, this is what he found.
00:12:53 I get it.
00:12:54 You didn't know who he was, huh?
00:12:59 No, sir. I'm telling you.
00:13:00 I had no idea he was a district attorney near the site entrance.
00:13:03 His wife was in a delicate condition.
00:13:06 He said she'd find it easier to come and go that way.
00:13:09 What else do you know about him?
00:13:11 Well, nothing much.
00:13:13 He said he was a traveling man.
00:13:15 Showed up about once a week, sometimes twice.
00:13:18 What did this wife look like?
00:13:19 I'll ask the question, Terrell.
00:13:21 Terrell, take Nichols. Give me a break.
00:13:23 What did she look like?
00:13:24 Well, she was about 24, with reddish hair.
00:13:28 She had a temper, too.
00:13:30 I heard them fighting two or three times,
00:13:32 and once I thought I'd have to call the police.
00:13:35 Unlike a lot of other people I've seen,
00:13:37 they're pulling each other's hair one minute
00:13:39 and billowing and cooling like a couple of newlyweds the next.
00:13:43 Any red hairs around?
00:13:44 None.
00:13:46 Did you find Henderson's briefcase?
00:13:48 What do you know about him?
00:13:49 He was at his house the night we left to come to this joint.
00:13:51 He had his case with him.
00:13:52 Did you see anything of a lawyer's bag around here?
00:13:54 No, sir, but I know what you're talking about.
00:13:56 He called it his sample case.
00:13:58 Murdered in Loveness!
00:14:00 I have papers, folks.
00:14:01 District attorney murdered in Loveness.
00:14:03 Extra.
00:14:04 Extra papers, folks.
00:14:05 Goodbye.
00:14:06 Yes, sir.
00:14:07 Extra.
00:14:08 Good.
00:14:09 Now, go on.
00:14:11 Better get out of there and wait a minute.
00:14:12 I'll take you home first.
00:14:13 No, I'll take a taxi.
00:14:14 It's still early.
00:14:15 Oh, thanks, dear.
00:14:16 Taxi!
00:14:17 Taxi!
00:14:18 Hey, Lionel!
00:14:23 I wonder if she knows.
00:14:29 No, the office tried to get her, but there wasn't any answer.
00:14:31 Well, the kid must have taken the receiver off the hook.
00:14:33 Yeah, I guess so.
00:14:34 Did you ring?
00:14:35 Yeah.
00:14:37 She's probably getting dressed.
00:14:41 Henderson wasn't like that, Andy.
00:14:43 You're telling me.
00:14:44 Somebody framed us and did a whole group job.
00:14:46 Oh, that's rotten.
00:14:47 It's worse than that.
00:14:49 I think that's her now.
00:14:53 Sandy and Lionel.
00:14:58 What?
00:14:59 Where's Avery?
00:15:00 What's the matter?
00:15:10 Is he hurt?
00:15:11 Lionel!
00:15:12 Andy, tell me!
00:15:15 It's going to be awful tough, Evelyn.
00:15:20 Is he dead?
00:15:23 How did it happen?
00:15:39 Tell me.
00:15:40 Oh, tell me!
00:15:43 It's here, Evelyn.
00:15:46 Andy and I want you to know that we don't believe it.
00:15:52 It's a lie.
00:15:54 You know, I was more than grateful to announce Suburban's regular dividend.
00:16:06 It's something to do these days.
00:16:09 Yes, our quarterly statement shows a very satisfactory condition.
00:16:13 Unusual, I'd say.
00:16:14 No more tonight, thanks.
00:16:16 I thought I had a good financial mind.
00:16:18 But since you boys have taken hold of it, well, I'm not so good.
00:16:22 I wouldn't say that.
00:16:24 Why, you've forgotten more about finance than we'll know for a long time.
00:16:28 That's all right, boys.
00:16:29 An old horse can pull the cart, but it moves slowly.
00:16:34 Big problem.
00:16:36 Boston is calling, Mr. Cromwell.
00:16:37 I'll take it in the library.
00:16:39 Excuse me, boys.
00:16:41 What's the matter with you?
00:16:55 Oh, just one of those days I feel shaky, uncomfortable.
00:17:00 Now's no time to get a case of nerves.
00:17:03 I'm a thief, and I don't like the feeling.
00:17:07 Oh, quit singing the blues.
00:17:09 Here.
00:17:11 There's nothing to worry about.
00:17:13 But if that probe of Suburban Utilities had gone through, we'd have had plenty.
00:17:17 But it didn't go through.
00:17:18 There'll be another district attorney.
00:17:20 Well, that's something to worry about later.
00:17:22 Too much to hope for that he'll have a gun shooting mistress.
00:17:24 Oh, anything might happen to a man who holds that office.
00:17:28 Are you sure this fellow Kemp is safe?
00:17:30 Ah, there you go, worrying about Kemp again.
00:17:32 He's absolutely under control.
00:17:34 Henderson was the only other person who knew him, thanks to a stroke of, well, we might say, fate.
00:17:39 He's out of the picture.
00:17:41 I can't get it out of my mind, Gaines.
00:17:43 We're crooks.
00:17:45 You talk as if you're just finding that out.
00:17:48 If Suburban's true condition ever comes out, the Cromwell Investment Corporation and every subsidiary it controls will collapse.
00:17:55 Our investors...
00:17:56 You're thinking of your own skin.
00:17:57 And the years you'll spend in prison if it does blow up.
00:18:00 I'm thinking about the public, too.
00:18:02 The thousands of people who...
00:18:03 Oh, the public, me damn!
00:18:06 You must worry.
00:18:08 Worry about yourself.
00:18:10 Hey, Al, this machine is crooked.
00:18:20 You're telling me.
00:18:22 Keep the rest for that case of gin.
00:18:24 I'll count 'em.
00:18:26 (laughter)
00:18:29 Hey, hey, slow down.
00:18:43 You're going through a village.
00:18:44 What happened?
00:18:45 Collins went out today.
00:18:46 Oh, so Collins went out today.
00:18:47 Where'd he go and who'd he see?
00:18:48 He wasn't in the janitor's clothes.
00:18:49 He was all dressed up.
00:18:50 Drove away from the apartment in a car.
00:18:52 Did you get his license number?
00:18:53 Gee, I forgot.
00:18:54 And you want to be my assistant.
00:18:55 Well, go on.
00:18:56 He went to the Golden Peacock.
00:18:57 Did you go in?
00:18:58 No, I waited until they came out.
00:18:59 Who came out?
00:19:00 Collins and a foreign-looking fellow.
00:19:01 Tall or short?
00:19:02 Tall.
00:19:03 That's Chris Bruno.
00:19:04 What else?
00:19:05 Well, I lost him in the traffic.
00:19:06 But I waited all day until they came back with another foreigner.
00:19:08 Tall or short?
00:19:09 Short.
00:19:10 Fancy clothes?
00:19:11 Yes.
00:19:12 Fats?
00:19:13 Yes.
00:19:14 Gloves?
00:19:15 Yes.
00:19:16 Walk with a limp?
00:19:17 Yes.
00:19:18 You're a liar.
00:19:19 He didn't.
00:19:20 Well, maybe he didn't limp.
00:19:21 Then what?
00:19:22 They came out in about an hour.
00:19:23 Who came out?
00:19:24 A short guy at this address.
00:19:25 this address.
00:19:25 [BLANK_AUDIO]
00:19:35 [SOUND]
00:19:45 >> Hiya, Buck.
00:20:00 >> Hello, Randy.
00:20:01 Mark, where the antifa at?
00:20:03 >> I got a job for you.
00:20:04 >> All right, be with you in a minute.
00:20:06 [BLANK_AUDIO]
00:20:12 [SOUND]
00:20:13 >> Ooh, ooh.
00:20:14 >> Say, what's this?
00:20:15 >> Oh, blacks can't hurt you, sweetheart.
00:20:17 >> Oh, no.
00:20:18 Say, who's your friend?
00:20:20 >> The forgotten man.
00:20:21 >> Yeah?
00:20:22 Looks as though he's been shot.
00:20:23 >> If I hadn't made what he's got in him, I wouldn't be here.
00:20:26 >> Where'd you be?
00:20:27 >> Well, not where you think.
00:20:28 You see this?
00:20:30 >> Looks like a bullet.
00:20:31 >> Amazing, Watson.
00:20:32 Amazing.
00:20:33 You know what this is I got here?
00:20:35 >> A police microphotograph of a bullet.
00:20:39 >> Right again, Watson, right again.
00:20:41 I'll tell you what I want you to do.
00:20:42 All crowning aside, Buck, make me a photographic enlargement of this bullet to that size so I can compare them.
00:20:47 >> Okay, what's the big idea?
00:20:49 >> Learning how to be a detective and turning the lesson.
00:20:52 >> Meaning it's none of my business?
00:20:54 >> How about the forgotten man?
00:20:56 >> Forget him!
00:20:57 [BLANK_AUDIO]
00:20:59 >> Good evening, Mason.
00:21:00 >> Good evening, sir.
00:21:01 >> Did father leave?
00:21:03 >> No, Miss Cromwell.
00:21:04 >> He and the gentleman are still in the living room.
00:21:06 >> Oh, thank you.
00:21:07 Come on, dear.
00:21:08 >> All right.
00:21:09 >> It'll be a very good policy to follow.
00:21:11 >> Hello, everybody.
00:21:12 >> Hello.
00:21:13 >> No, come in.
00:21:14 Well, you remember Mr. Osman and Mr. Gaines, don't you?
00:21:17 >> Oh, yes, of course.
00:21:18 >> Glad to see you again, Hugh.
00:21:19 >> You ought to remember me.
00:21:20 I trimmed you in the THC tournament.
00:21:22 >> That's right, you did.
00:21:23 Well, I'll have to take you on again one of these days.
00:21:25 >> Any time you say.
00:21:26 >> Oh, Dad, we have the most wonderful news.
00:21:28 >> Yes?
00:21:29 >> Tell them, Lionel.
00:21:30 >> Well, you see...
00:21:32 >> Oh, now, don't be so modest.
00:21:34 With a shy embarrassment that won the instant admiration of his spellbound listeners, our
00:21:39 new district attorney...
00:21:41 >> My boy, congratulations.
00:21:43 >> I'm glad to hear it.
00:21:44 >> Congratulations.
00:21:45 >> When?
00:21:46 >> The governor's appointment arrived tonight.
00:21:48 >> Oh, I'm so proud.
00:21:50 >> So am I.
00:21:51 Oh, by the way, Lionel, any further developments in the Henderson affair?
00:21:56 >> Unfortunately, no.
00:21:58 >> Oh, that was a shame.
00:21:59 >> One of the rottenest things in the city's history.
00:22:01 >> Yes, it certainly looked like Henderson was pulling the wool over this town's eyes.
00:22:05 >> Why did he mean that?
00:22:06 >> It was a cut and dried case, according to police reports.
00:22:08 >> Well, what the police think and what I think are two entirely different matters.
00:22:11 >> Boys, boys.
00:22:12 >> I'm sorry, old man.
00:22:13 I didn't know you felt that way about it.
00:22:17 >> Avery Henderson was an old and dear friend of mine.
00:22:20 He was on the level with himself, his family, and his office.
00:22:23 >> You're in a better position to judge that than I am, of course.
00:22:27 >> Somebody wanted him out of the way because he was in the way.
00:22:30 Somebody paid to have that job done.
00:22:32 >> Come now, in a play, my boy, but not in real life.
00:22:36 >> Yes, it does seem a bit, well, fantastic.
00:22:40 >> Fantastic?
00:22:42 >> On the very night of Avery Henderson's death, he told me that he was on the verge of uncovering one of the most gigantic corporation lootings in this city's history.
00:22:50 Well, wouldn't those men have paid to avoid exposure?
00:22:54 >> Have you any idea who those men are, Arlion?
00:22:58 >> No.
00:23:00 No, but I'm going to find out.
00:23:04 The public looks to the law for protection from these leeches who have chiseled and gouged and swindled them out of their hard-earned dollars and given them nothing but death and misery in return.
00:23:13 If I had my way, I'd line them all up against a wall and shoot them.
00:23:17 But as long as the law doesn't permit that, I can at least send them away for as long as the law does permit.
00:23:22 That's what Avery Henderson meant to do, and that's what I'm going to do.
00:23:27 >> Who is it at?
00:23:45 >> Open the door or I'll kick you down.
00:23:47 >> Andy!
00:23:49 >> Hiya, Stacey. >> Well, a long time I don't see you.
00:23:53 >> How's it?
00:23:55 >> Still digging the dirt, eh? >> Gussing over? Oh, he's a literature, my friend.
00:24:00 >> Yeah. He's a capital sewer.
00:24:03 >> You, Andy, all the time you're making me laugh.
00:24:06 >> Maybe you won't think I'm so funny when you find out why I'm here.
00:24:09 >> Ah, at least he's not friendly, is he, Andy?
00:24:12 >> Oh, I hope to tell you, but it's going to cost you a lot of jack.
00:24:15 >> Oh, you wish to borrow money, eh?
00:24:17 >> Wrong again. You're going to give it to me.
00:24:20 >> For what, my friend? >> For a hot tip, my friend.
00:24:23 >> And what is it he's a thief?
00:24:25 >> Remember I told you I was saving up to buy a chicken farm?
00:24:28 It's going to cost me a grand. >> That is a whole lot of money.
00:24:31 >> What, it'll be worth a grand to save your neck from a six-inch stretch?
00:24:34 >> What do you mean by that?
00:24:37 >> Now, listen. You let me have some dough one time when I was in a tough spot, see, and I'm not forgetting it.
00:24:43 I just came from police headquarters and the bullet that knocked off our late lamented DA was fired from your gun.
00:24:48 Oh, don't get excited. DA had it coming to him.
00:24:51 All I'm asking for is a grand, a measly grand to help you skip town.
00:24:55 >> I did not kill Anderson. I have very good alibi.
00:24:58 >> I'm trying to give you a break.
00:25:00 If you don't take it on the lamb, you're going to find yourself in a hell of an embarrassing spot, I'm telling you.
00:25:03 >> I did not kill Anderson, understand?
00:25:06 >> I didn't say you did, but the police think so.
00:25:08 There's about a thousand dicks looking for you right now.
00:25:10 >> Is this on the level, Andy?
00:25:13 >> Me double-crossing anybody?
00:25:15 >> Very well, my friend. Believe me.
00:25:18 >> Okay, how about my grand?
00:25:20 >> I give him to you.
00:25:22 But if this is a double-cross...
00:25:24 >> No, there's no double-cross. I got a closed car in the alley, and as you say in Spaghetti, let's vamoose.
00:25:28 >> First time I call.
00:25:30 >> You keep fiddling around and something will happen to your neck.
00:25:39 >> Hello. No?
00:25:41 Very well, I call again.
00:25:43 All right, come on, Andy, we go.
00:25:47 >> Can you see me all right?
00:25:56 >> Hiya, DA.
00:25:57 >> Respect the dignity of my office, will you?
00:25:59 >> That's what I'm doing.
00:26:01 Well, I see the police are still trying to search Shale, our red-headed femme.
00:26:07 >> Well, they seem pretty well-sold on the idea.
00:26:09 >> Yeah, can you imagine?
00:26:11 >> Well, the thought of that train up certainly thought of everything.
00:26:13 Practically airtight.
00:26:15 >> Even to a lot of phony fingerprints.
00:26:17 Say, uh...
00:26:19 What's the penalty for kidnapping?
00:26:21 That's life, isn't it?
00:26:26 >> Well, what do you think?
00:26:28 >> Approximately. Let's see.
00:26:31 I'm 34.
00:26:33 99-34.
00:26:37 Let's see.
00:26:38 9-4 is 13-1 to carry. 9-3 is 12-1 is 13...
00:26:42 13...
00:26:44 13...
00:26:46 Good Lord, today is the 13th.
00:26:52 >> What are you mumbling about?
00:26:54 >> If I had the wing...
00:26:58 >> Mr. Houston, 47th, this is Debbie speaking.
00:27:04 >> Mrs. Henderson, dear.
00:27:06 >> Oh, yes, sure. Send her right in.
00:27:08 >> Evelyn.
00:27:10 >> Welcome.
00:27:12 >> Hello, Andy. >> Hello, Evelyn.
00:27:19 >> How are you, Evelyn?
00:27:20 >> All right, Lionel, thank you.
00:27:22 >> Won't you sit down, dear?
00:27:23 >> No, thanks. I can only stay a moment.
00:27:25 >> How's Ralph?
00:27:26 >> He went back to school yesterday.
00:27:29 I heard Avery speak of a Mr. Kemp in connection with something on which he was working.
00:27:33 >> Mr. Kemp's name is on this piece of paper.
00:27:36 I thought it might be important.
00:27:38 >> Thank you, Evelyn.
00:27:40 >> There aren't any new developments about...
00:27:43 >> Not yet.
00:27:44 But there will be. We'll clear it up.
00:27:46 >> I'll say we will.
00:27:48 >> I hope you do. Soon.
00:27:52 [door opens]
00:27:54 >> Say, that guy must have a money stretcher.
00:28:16 >> Spending $34,600 on a $4,800 income is something I couldn't do myself.
00:28:21 And I'm pretty good that way.
00:28:23 >> I wonder if this is what Avery was talking about.
00:28:25 >> Smells like it.
00:28:27 >> Suburban Utilities is one of Cromwell's, uh...
00:28:30 What do you call them?
00:28:31 >> Subsidiaries?
00:28:32 >> Yeah, that's right.
00:28:33 >> They organized it about two years ago.
00:28:35 >> Mm-hmm.
00:28:36 >> And if it's sour, Cromwell's in bed, isn't he?
00:28:38 >> Yes.
00:28:40 Anything that you see or hear in this office is confidential, understand?
00:28:45 >> By any chance, you're not thinking of holding out on that dear public...
00:28:48 just because your girl's father seems to be involved?
00:28:50 >> This is no proof that anything's wrong.
00:28:52 >> You're in a tough spot.
00:28:54 >> Let's do it.
00:28:56 >> Get Conrad on the wire, will you?
00:28:58 >> Who's Conrad?
00:28:59 >> One of our new investigators.
00:29:01 [phone rings]
00:29:05 >> Hello.
00:29:07 Oh, yes, Conrad.
00:29:09 Uh, say, have Harley come to my office in the morning, will you?
00:29:12 I want to talk to him.
00:29:13 >> No, no, no, no. Just make it casual.
00:29:15 Yeah, thanks.
00:29:17 If there's anything to this hunch, and you played it right, you could collect a bankroll.
00:29:26 >> Yes.
00:29:27 Uh, what?
00:29:28 >> Oh, nothing. Just skip it.
00:29:30 >> Thank you.
00:29:31 >> How do you do, Mr. Carmo?
00:29:48 >> Glad to see you, Lionel. Sit down.
00:29:50 >> Thank you.
00:29:51 >> You caught me just in time.
00:29:53 Gaines and I are slipping away for golf.
00:29:55 >> Well, then I'll take as little of your time as possible.
00:29:57 >> No, no, I didn't mean that.
00:29:59 Come along with us.
00:30:00 >> No, not today. Thank you.
00:30:01 Oh, hello, Mr. Houston.
00:30:03 >> Well, hello, Mr. Gaines.
00:30:04 >> How are you?
00:30:05 >> Fine.
00:30:06 >> Join us. We'll get Osborne and make it a force.
00:30:07 >> Do. Glad to have you.
00:30:08 >> Some other time, thanks.
00:30:09 >> Well, what can we do for you?
00:30:12 >> Well, I stumbled into something which I think you gentlemen should know about.
00:30:15 >> What's that?
00:30:17 >> You know Harley Kemp?
00:30:18 >> Kemp, Kemp.
00:30:20 >> Oh, uh, he was the examiner on Suburban Statement last month.
00:30:23 >> Oh, yes, yes, yes.
00:30:24 >> So what about him?
00:30:26 >> Well, have a look at this, will you?
00:30:29 >> Oh, what is it?
00:30:31 >> A memo found in Avery Henderson's paper.
00:30:33 >> Appears to be a list of personal expenditures.
00:30:36 >> That's what it is.
00:30:38 Means there was a doubt in Henderson's mind as to the accuracy of Suburban's last statement.
00:30:43 >> Ridiculous.
00:30:44 >> But, boss, Suburban's one of our strongest companies.
00:30:47 >> I don't doubt that.
00:30:49 But Kemp was under suspicion, and this makes it necessary for me to question him, which I'm doing tomorrow.
00:30:53 >> And the state examiner is undoubtedly will ask for a recheck.
00:30:56 >> Immediately.
00:30:58 >> As they most logically should, of course.
00:31:00 >> Have Bledsoe, Homer, and Creel come in at once.
00:31:04 I'll instruct our auditors to lend every possible assistance.
00:31:08 >> That's right, Gaines.
00:31:09 >> Suburban's books will be available tomorrow.
00:31:11 >> It's too bad to place a doubt in the minds of our investors in these troubled times.
00:31:16 But thank God our assets are sound.
00:31:18 The best in the country.
00:31:20 >> Why, we could pay 100% this minute.
00:31:23 >> Gentlemen, this is Mr. Houston, the district attorney.
00:31:28 >> How are you doing, gentlemen?
00:31:29 >> Gentlemen.
00:31:30 >> A question has arisen in connection with Suburban's last statement.
00:31:34 You will cooperate with Mr. Houston to the fullest extent in establishing the fact that that doubt is without foundation.
00:31:41 That's all.
00:31:43 >> You make it very easy for me.
00:31:45 >> With a clear conscience, my boy, I'm glad to say that I can.
00:31:48 >> Good luck.
00:31:49 >> Goodbye. >> So long, Mr. Houston.
00:31:52 >> Goodbye, Mr. Houston. >> See you again.
00:31:53 >> Right.
00:31:54 >> I'll be with you in 15 minutes.
00:31:56 >> Put that call on this phone.
00:32:13 >> Oh, hello.
00:32:16 >> You know that little deal you fixed up for me a few days ago?
00:32:20 Well, I want another one just like it.
00:32:25 >> Oh, the fellow that got the job ain't so hot, eh?
00:32:28 Well, that's too bad.
00:32:30 Sure, you're right about that.
00:32:32 I can have the boy see him any time you say.
00:32:36 Tonight?
00:32:38 That's all right.
00:32:39 >> By the way, did you see those pictures in the paper this morning?
00:32:44 No, no, no, not that one.
00:32:46 The one where the truck crashed into the car.
00:32:49 Horrible, wasn't it?
00:32:51 Those jip racketeers won't stop at anything.
00:32:55 >> Yeah.
00:32:56 They are a lot of careless drivers.
00:32:59 Say, when you come up tomorrow, bring those steel engravings, will you?
00:33:04 I'll take 30 this time.
00:33:06 Now, 30.
00:33:08 Goodbye.
00:33:12 Give me the private line.
00:33:14 [Music]
00:33:29 >> Hiya, Chris.
00:33:30 >> Hello, Andy.
00:33:31 >> How's the exporting and importing business?
00:33:33 >> Fine.
00:33:34 Help yourself.
00:33:35 >> I did.
00:33:36 >> Meet Miss Kazimierz.
00:33:38 Miss Fenora, you know the boy.
00:33:40 >> Oh, yeah, girls.
00:33:41 >> You still got the same phone numbers?
00:33:43 >> West 4271.
00:33:44 >> North 3155.
00:33:46 >> Sounds like a bridge game.
00:33:48 But I got them.
00:33:49 >> Hey, I'll buy that book from you.
00:33:50 >> You want the bicycle, too?
00:33:52 Sell my work of a lifetime, can you imagine?
00:33:55 [Applause]
00:34:12 >> Not bad.
00:34:13 Who is she?
00:34:14 She's not in the book.
00:34:15 >> She's mine.
00:34:16 >> Oh, private property, no trespassing.
00:34:18 I get it.
00:34:20 >> Carmela, meet Andy Terrell.
00:34:23 Watch your English or you'll print your neck a candle, see that?
00:34:26 >> You don't mind if I dance, do you?
00:34:27 >> I didn't think you would.
00:34:29 >> Come on, Carmela.
00:34:30 [Music]
00:34:41 >> I got something to tell you, baby.
00:34:43 >> I can say yes or no right where we are.
00:34:46 >> The proposition comes later.
00:34:48 [Music]
00:34:52 >> I got a message for you from the state.
00:34:54 >> Raymond?
00:34:55 >> Sure, Raymond.
00:34:56 >> Where is he?
00:34:57 Why didn't he phone me today?
00:34:58 >> That's what I'm trying to tell you.
00:35:00 >> Come on, let's get out of here.
00:35:01 >> Okay, baby.
00:35:02 [Music]
00:35:20 >> Wait a minute, Tycone.
00:35:22 You said something about Raymond.
00:35:24 >> Lady, you make me forget everything, even my mom.
00:35:26 >> Yes, but what about Raymond?
00:35:28 >> He took it on the land, which is a swell reason for you and me to get better acquainted.
00:35:32 >> He left town, huh?
00:35:33 >> Sure, the cops wanted to question him about the sudden and unexpected death of the DA.
00:35:37 Because the spigot in me, if ever one side tipped him off.
00:35:40 He told me not to mention his name, Raymond from the crest.
00:35:44 >> It's all Greek to me.
00:35:46 >> Oh, and I thought I was speaking English.
00:35:48 >> I don't understand it.
00:35:50 >> You understand this?
00:35:55 >> You know, I like you, Cyclone.
00:36:02 >> Oh, I don't know what it is, baby, but I certainly have got that something.
00:36:08 Oh, is that your number?
00:36:09 >> No, Angel.
00:36:10 My number is South 8665.
00:36:13 I'm dated up with Chris tonight.
00:36:16 >> Damn, that's you.
00:36:19 Give me those shoes, will you, Cyclone?
00:36:21 >> Sure, baby.
00:36:30 >> Say, what's coming off here?
00:36:33 >> The lady's heel.
00:36:41 >> Oh, don't be like that, Chris.
00:36:44 I just came in to use the phone.
00:36:46 >> Yeah?
00:36:47 Well, fix your necktie.
00:37:05 Don't try two-timing me, sweetheart.
00:37:10 >> You do love me, don't you, Chris?
00:37:12 >> You're damn right I do.
00:37:13 >> Then pull in your horns.
00:37:18 >> Hello, Susie.
00:37:19 Give me the vest.
00:37:26 Okay, baby, I'll wait.
00:37:30 See you later, Chris.
00:37:39 Oh, you got a call for me?
00:37:40 >> Find out who it is.
00:37:43 >> Who's calling, please?
00:37:44 Will you repeat it, please?
00:37:46 It sounds just like you're saying Olsen.
00:37:49 >> That's what I'm saying.
00:37:51 Olsen.
00:37:52 Sure, Olsen from the old sailor's home.
00:37:55 >> Well, just a minute, Mr. Olsen.
00:37:57 I'll see if Mr. Taylor's in.
00:38:00 >> Yeah?
00:38:03 Olsen at the old sailor's home?
00:38:05 >> Oh, don't be long.
00:38:07 >> Oh, Mr. Olsen.
00:38:11 >> Zell, this isn't Olsen.
00:38:13 This is Kohn.
00:38:14 You should tell him for me.
00:38:18 >> He's awfully mad, Andy.
00:38:20 He says he's going to sue you.
00:38:22 >> Well, tell him to sue in one hand and fake in the other and see which gets spoke quicker.
00:38:32 >> Uh-uh, here we are.
00:38:34 >> Oh, there's the queen's crown.
00:38:37 >> And here's the king's leg.
00:38:41 >> Oh, and here's a piece I've been looking for for hours.
00:38:45 >> Goodness, two o'clock.
00:38:49 >> Oh, now it'll be hours putting it together again.
00:38:52 >> Not tonight, darling.
00:38:53 You're going home.
00:38:57 >> I wonder what the devil is keeping that guy.
00:38:59 >> It must be a dam.
00:39:01 >> What time is it?
00:39:02 >> Who cares?
00:39:11 >> Good night.
00:39:12 >> Good night, dear.
00:39:30 >> Let's go.
00:39:33 [ Engine ]
00:39:42 [ Engine ]
00:39:52 [ Engine ]
00:40:02 [ Engine ]
00:40:12 [ Engine ]
00:40:22 [ Engine ]
00:40:36 >> Boy, Lady Luck sure must have been midwife when you were born.
00:40:39 >> It was a pretty narrow escape.
00:40:42 >> Thanks.
00:40:53 >> I fix them, you mix them.
00:40:54 >> I mix them, you'll fix them.
00:40:56 >> Sometimes you're very funny.
00:40:57 >> All right, Alpha Gamma, run along and buy your spinach.
00:40:59 >> You want spinach?
00:41:00 I'll get them.
00:41:03 >> You know, if Alpha Beta Gamma had another brain, he'd be half wooded.
00:41:07 >> If that car of yours would have been a cow, we'd have hamburgers.
00:41:11 >> Dog, anybody can have a automobile accident.
00:41:15 >> And you're the district attorney.
00:41:17 >> Say, let me tell you something.
00:41:21 You've cut the turtle races, you've amputated seven zip brackets, you've gassed a bookie joint, you've performed a cesarean operation on two fly-by-night investment corporations, you sent three gangs to Zephyr's throat operations, and I think you're on the spot.
00:41:30 >> Oh, dog.
00:41:31 >> Okay, baby.
00:41:34 There, Diogenes, take your gun.
00:41:36 >> Oh, well, if it'll make you any happier.
00:41:38 >> Smith and Weston make all men equal.
00:41:40 And equality is the basis for all true democracy.
00:41:43 >> Oh, and speaking of democracy, I'm giving Alpha Beta Gamma a night off.
00:41:47 And you keep away from the joint, too.
00:41:49 I'm showing a friend my stamp collection.
00:41:51 [phone ringing]
00:41:53 >> I'll get it.
00:41:54 >> All right.
00:42:02 >> Yeah?
00:42:04 >> Who?
00:42:06 Oh, all right.
00:42:08 >> Conrad.
00:42:09 >> Oh.
00:42:12 What does he want?
00:42:14 Thanks.
00:42:16 Hello.
00:42:17 Yeah.
00:42:20 What?
00:42:22 When?
00:42:25 Oh.
00:42:27 Murder, suicide, or childbirth?
00:42:31 >> Suicide.
00:42:32 >> Harley Kemp just blew his brains out.
00:42:35 >> That's the guy who went to prison at Suburban State, isn't it?
00:42:37 >> Yeah.
00:42:38 >> All tied together, doesn't it?
00:42:40 >> Meaning what?
00:42:42 >> Anderson knew about Suburban.
00:42:43 He's dead, isn't he?
00:42:44 Kemp knew about Suburban.
00:42:45 He's dead.
00:42:46 One and one make two, and he'll make three.
00:42:47 They're after you.
00:42:48 >> Talking like an idiot.
00:42:49 >> And you're acting like one.
00:42:50 Those two guys were rubbed out because they knew too much.
00:42:55 Did you set anything that outfit?
00:42:57 >> Yes, I did.
00:42:58 The Cromwells.
00:42:59 >> Anybody else?
00:43:00 >> Well, Gaines is there.
00:43:02 Oh, we're talking like a couple of imbeciles.
00:43:04 >> All right.
00:43:05 Have it your way, Solomon.
00:43:12 >> Al Fadella.
00:43:13 >> They sent him for spinach.
00:43:15 >> Yes, and he went for spinach.
00:43:17 >> Well, he'll eat it.
00:43:26 >> Well, greetings.
00:43:27 >> Andy, wet liners.
00:43:35 >> Are you all right, dear?
00:43:36 >> My boy, you should have let us know.
00:43:38 >> There's nothing to worry about?
00:43:40 >> When I saw in the paper you'd been in a smash-up.
00:43:42 >> Love conquers all.
00:43:44 Will you join me in a cup of jam, Mr. Cromwell?
00:43:50 >> Oh, die if you love him.
00:43:52 Keep him off the streets after dark.
00:43:54 >> What does he mean by that?
00:43:56 >> Oh, don't pay any attention to him, darling.
00:43:58 He's always like that until he's had his coffee.
00:44:00 >> Oh, that's good to see.
00:44:20 >> Won't let it rain.
00:44:21 >> But maybe it's my dressmaker.
00:44:27 Hello?
00:44:28 >> Hello.
00:44:31 >> Why, Mrs. Dawkinson, I was just thinking of you.
00:44:34 >> Oh, yes.
00:44:35 This is Miss Dawkinson.
00:44:37 Regards from all the little Dawkinsons.
00:44:40 What's the matter?
00:44:41 Has Daddy come to my nest listening in?
00:44:43 >> Yes.
00:44:44 The gown was cut too low in the front.
00:44:47 >> Oh, the gown was cut too low in front.
00:44:49 Fancy that.
00:44:51 >> Say, listen, if I'm going to be a dressmaker, how about a fitting, baby?
00:44:54 >> Well, of course, if you insist on a fitting, I suppose it can be arranged.
00:44:59 Is your home?
00:45:00 Yes, I believe that would be more convenient.
00:45:02 >> And ripe with possibilities if I do say so myself.
00:45:05 What do you want, a skater or a jockey?
00:45:08 >> Oh, yes, the latter kind of would be more effective.
00:45:10 >> Okay, MJ.
00:45:12 My yelling is able to pick you up at seven bells, and you better be on time, baby.
00:45:14 Those taxi mules haven't recognized the pressure.
00:45:16 >> I'll be fitting you.
00:45:22 >> Girl.
00:45:23 Oh, you mean that girl.
00:45:25 Now, don't breathe a two-a-soul, and I'll tip you off or something.
00:45:28 I'm a special agent number five on cage 23.
00:45:31 [Whistles]
00:45:33 Okay, America.
00:45:36 >> Okay, America.
00:45:39 I don't believe it.
00:45:53 >> A registered special, Mr. Houston, delivered to a dressy only.
00:45:56 >> Well, it must be important.
00:46:02 >> Right here, please.
00:46:10 >> Hello?
00:46:11 >> Right.
00:46:13 [Paper rustling]
00:46:22 [Paper rustling]
00:46:32 [Paper rustling]
00:46:54 >> I can't imagine what's keeping Warren.
00:46:56 We're half an hour late right now.
00:46:58 >> He'll be along, sweetheart.
00:47:00 District attorneys don't punch time clocks.
00:47:06 >> Good evening, Mr. Houston.
00:47:07 >> Good evening, Mason.
00:47:10 >> Never mind.
00:47:11 I'm not staying.
00:47:13 >> Well, there he is now.
00:47:21 Well, Lionel, you're not dressed.
00:47:23 We're supposed to go to the Green Wall dinner.
00:47:25 >> Darling, something of the utmost importance has come up.
00:47:27 I must talk with your father.
00:47:29 >> Why, of course.
00:47:31 Dad?
00:47:32 >> Yes?
00:47:33 >> Lionel wants to see you.
00:47:36 I'll phone him.
00:47:37 We can't make it.
00:47:38 >> Thank you, darling.
00:47:39 >> Then after you talk to Dad, we'll hurry up.
00:47:40 >> Good evening, Lionel.
00:47:41 >> Good evening.
00:47:42 >> Lionel, what's this?
00:47:43 >> Aren't you going?
00:47:44 >> No.
00:47:45 I'd like to talk with you.
00:47:46 >> Certainly, my boy.
00:47:47 >> I'll phone.
00:47:48 >> Thank you.
00:47:56 >> Well, Green Walls will be disappointed.
00:47:59 >> Yes.
00:48:00 >> Sit down, my boy.
00:48:02 Have a cigar?
00:48:03 >> No, thank you.
00:48:06 >> What's on your mind?
00:48:12 >> An hour ago, I received a letter from a dead man.
00:48:15 >> Dead man?
00:48:16 >> Harley Kemper.
00:48:18 >> Oh, speak up.
00:48:19 What is it?
00:48:20 >> The letter concerns you.
00:48:21 >> Me?
00:48:23 >> The Cromwell and the corporation.
00:48:24 >> In what way?
00:48:26 >> You don't know?
00:48:29 >> What the devil are you driving at?
00:48:31 >> Kemper's letter accused you.
00:48:33 >> Accuses me of what?
00:48:35 >> This is no time to hide behind evasions.
00:48:37 >> Then don't you.
00:48:38 >> Kemper's confession says that your company has been systematically looted for the past two years.
00:48:43 >> It's a damn lie.
00:48:44 >> I wasn't suspected that Harley Kemper confessed it.
00:48:46 >> You accuse me of robbing my own company?
00:48:49 >> You signed papers, okayed reports, passed statements.
00:48:52 Could the condition have existed unless you were a party to it?
00:48:54 >> Why, I...
00:48:55 >> Oh, you're crazy.
00:48:57 >> The truth now would make it a great deal easier for both of us.
00:48:59 >> You...
00:49:00 >> The investigation will take a day to get underway.
00:49:01 You have 24 hours in which to cover the shortage.
00:49:04 Not that I'm trying to save you, I'm not.
00:49:06 But I'm thinking of the people that you've fleeced and robbed, the thousands who lose everything, every penny they have in the world.
00:49:12 >> Get out of my house.
00:49:15 Get out!
00:49:16 >> Why, dad, lie a little.
00:49:19 >> This idiot accuses me of being a thief.
00:49:25 He has the nerve to stand there and tell me that I've robbed my own company.
00:49:29 >> Why, are you mad?
00:49:31 >> It's the truth.
00:49:33 >> You accused my father of being a thief.
00:49:37 >> This is a copy of the letter which proves it.
00:49:43 >> You take that man's word against my father's.
00:49:46 >> Well, how would I do...
00:49:47 >> Please leave.
00:49:57 Oh, dad.
00:50:00 >> Never mind, sweetheart.
00:50:02 If he's that big a fool, you don't want him.
00:50:07 >> No.
00:50:10 No.
00:50:24 [phone ringing]
00:50:29 >> Hello?
00:50:30 Anderson.
00:50:31 Let me speak to Mr. Gaines.
00:50:34 How soon do you expect him?
00:50:36 I'll tell him I want to see him.
00:50:38 At my home.
00:50:40 As soon as he comes in.
00:50:42 Yes, this is Mr. Cuomo.
00:50:44 And tell him it's very important.
00:50:47 Very good, sir.
00:50:49 I'll tell Mr. Gaines.
00:50:59 >> You need a haircut, type, huh?
00:51:01 >> Sure.
00:51:02 I'm saving up to get one just for you, baby.
00:51:05 >> Yeah?
00:51:06 >> Yeah.
00:51:08 Hey, give me that snipe.
00:51:10 What do you want to do?
00:51:11 Set that joint on fire.
00:51:13 >> Hey.
00:51:15 >> Okay, baby.
00:51:17 Okay.
00:51:21 How long you been working with a spade?
00:51:23 >> What you want to know for?
00:51:25 >> Oh, I don't know.
00:51:26 I just thought if he had a fresh mortgage on you,
00:51:28 I didn't want to chisel in.
00:51:30 >> Now, of course you don't.
00:51:33 Whoopee!
00:51:34 >> Calm down, will you, Angel?
00:51:36 >> I want to see.
00:51:37 >> What are you trying to do, compromise me?
00:51:39 >> Oh, you're cute, Cyclone.
00:51:42 >> You don't know the half of it.
00:51:43 >> Is that a threat or a promise?
00:51:45 >> That's a promise, brown eyes.
00:51:47 And a tarot word is as good as a tarot bond.
00:51:52 >> Wouldn't it be funny if Raymond walked in here now?
00:51:55 >> Yeah.
00:51:56 I'm laughing at myself to death.
00:52:02 >> Hey, don't have them death sickle issues.
00:52:04 Say, you're going to quit?
00:52:06 >> All right, Cyclone.
00:52:10 >> Say, what would you do if this pig was stepping out on you?
00:52:15 >> I'd go boom, boom, boom, and somebody fall down.
00:52:18 >> I don't want to set any funerals, but he's here two times my dear baby.
00:52:21 >> Is that right?
00:52:22 >> With a redhead too.
00:52:23 >> Is that right?
00:52:24 >> Mm, that's right.
00:52:26 >> Is that right?
00:52:27 >> I wouldn't kid you, that's right.
00:52:31 >> Who is this Cyclone?
00:52:33 >> Oh, I don't know.
00:52:34 I thought maybe you knew.
00:52:36 >> How should I know?
00:52:37 >> You saw the help this pig had on that job, didn't you?
00:52:40 >> Sure.
00:52:41 >> Oh, you know.
00:52:44 >> Sure, I know.
00:52:49 >> You sure pulled it in neat.
00:52:52 >> What?
00:52:53 >> What?
00:52:54 >> What?
00:52:56 >> Oh, you need another drink, baby.
00:52:59 >> Here was his girl, but she done him wrong.
00:53:02 >> Hey, can I get something on that one?
00:53:09 >> Oh, I wish Raymond was here.
00:53:12 >> Oh, Anna, wasn't that nice?
00:53:14 >> Oh, you know what I mean.
00:53:16 This is different.
00:53:17 >> Oh, yeah?
00:53:21 >> I bet you I know what time it is.
00:53:23 >> We got plenty of time, baby.
00:53:25 >> I bet you it's 8.30.
00:53:27 >> 8.30, 2 and a quarter.
00:53:29 Curse be the eternal talk of what's coming.
00:53:33 Sure is a shame the way Bruno takes advantage of the speak.
00:53:38 You and he take all the chances, and Bruno gets all the joe.
00:53:43 >> Oh, I don't know.
00:53:45 >> You don't know what, brown eyes?
00:53:47 >> Hey, that's right.
00:53:48 >> Well, didn't you?
00:53:50 >> Hey, you talk just like a copper.
00:53:52 >> Oh, mine's so...
00:53:54 >> Well, what do you want to ask so many questions for?
00:53:57 >> Well, I don't know.
00:53:59 I just got a large bundle of curiosity.
00:54:01 >> Curiosity killed the cat.
00:54:05 >> But let all of Bruno's cats have.
00:54:08 >> All right.
00:54:10 [ Laughter ]
00:54:28 >> Hey, I lost my earring.
00:54:30 Turn on the light.
00:54:32 >> I'll find it for you.
00:54:34 >> Hey, what are you doing?
00:54:36 >> I'm finding your earring.
00:54:38 >> Well, you look somewhere else.
00:54:40 >> Okay, baby.
00:54:41 Okay.
00:54:44 >> Well, why don't you turn on the light?
00:54:46 >> Oh, we don't need any lights, baby.
00:54:49 >> Turn on a light.
00:54:54 >> Hello, Andy.
00:54:57 Well, I thought I had you tied up.
00:55:01 I do tweaks.
00:55:02 >> We have time for a little kiss.
00:55:05 >> Oh, a little one, now.
00:55:10 Well, if I'm not seven different kinds of a sap.
00:55:13 >> 57.
00:55:15 >> You're not mad at me, are you, sucker?
00:55:17 >> Oh, no.
00:55:19 Come home at once, daughter.
00:55:20 All is forgiven.
00:55:22 Here come Chris.
00:55:27 Hello, Chris.
00:55:29 How are you, darling?
00:55:31 >> Well, I'm not so good.
00:55:33 I've got kind of a funny feeling here in my stomach.
00:55:36 >> Oh, we'll fix that up for you.
00:55:38 What does he know?
00:55:39 >> Nothing.
00:55:40 >> Oh, it's too bad.
00:55:41 Andy, I always sort of liked you.
00:55:44 Where's Houston?
00:55:45 >> I don't know.
00:55:46 >> Well, telephone Cromwell's house.
00:55:47 If he's there, you tell him you're sick.
00:55:49 And make him believe it.
00:55:50 >> Sure, and get him put on the spot.
00:55:52 Nuts to you.
00:55:53 >> Don't be a fool, Taro.
00:55:55 >> Well, I'm that already.
00:55:56 Why make a heel out of me?
00:55:58 >> Well, it'll work out just the same.
00:55:59 All we got to do is wait.
00:56:01 He'll show.
00:56:02 >> Okay, Raymond.
00:56:03 >> I'll make it.
00:56:07 >> Andy, I know I like to do this.
00:56:12 >> All right, I'll phone.
00:56:41 [phone ringing]
00:56:46 >> Hello, Gaines?
00:56:48 What?
00:56:50 No, Houston is not here.
00:56:54 >> Well, now what?
00:56:56 >> Call his office.
00:56:57 A private wire.
00:57:23 >> Well, we got time.
00:57:25 We can wait.
00:57:29 Smart girl.
00:57:33 >> Hey, Chris.
00:57:34 >> Yeah?
00:57:35 >> You ever read the Decameron?
00:57:36 >> No, who wrote it?
00:57:38 >> One of the Spigs' ancestors.
00:57:40 >> Andy, all the time you make funny cracks.
00:57:45 >> Don't answer that.
00:57:47 >> Maybe it's Houston.
00:57:48 >> Let it ring.
00:58:03 >> He doesn't answer, Mr. Blair.
00:58:05 >> Well, keep trying until you do get him.
00:58:34 >> All right, let's try him again.
00:59:00 >> Hello.
00:59:04 >> Yeah, it's me.
00:59:05 I'm home.
00:59:07 I don't know.
00:59:08 I'm sick as a fool.
00:59:10 Yeah, I got a...
00:59:12 No, on the level.
00:59:13 I'm not drunk, I'm sick.
00:59:16 I came home about 6.30 and I went right to bed with...
00:59:19 The hot water bottle.
00:59:21 >> What the devil are you talking about?
00:59:23 You're in some speakeasy drunk.
00:59:25 >> I'm home, I tell you.
00:59:27 And I'm sick.
00:59:29 >> Tell him to call you back and see.
00:59:31 >> If you don't believe me, call me back.
00:59:48 >> Well, I hope you're satisfied.
00:59:50 >> Why don't you go to sleep?
00:59:52 >> No, honestly.
00:59:54 I'm so weak I'm about to pass out.
00:59:57 I can hardly hold a phone.
01:00:00 >> Oh, well, all right.
01:00:16 Hello.
01:00:17 >> Oh, Mr. Houston, this is Miss Diven.
01:00:19 Can you tell me where Andy is?
01:00:21 >> Well, yes, he's home.
01:00:22 I just talked to him.
01:00:23 >> Oh, but Mr. Houston, he isn't home.
01:00:26 >> Why, because I've been minging there every few minutes for, well, nearly half an hour.
01:00:43 >> Good evening, Mr. King.
01:00:45 Mr. Cromwell is in the library.
01:00:54 >> What's happened?
01:01:06 >> Then it's true.
01:01:10 >> How bad is it?
01:01:13 >> Beyond vocal saving.
01:01:15 There's nothing left.
01:01:18 >> Nothing of any value?
01:01:20 >> But our stocks.
01:01:22 Our securities, millions.
01:01:26 >> I don't understand.
01:01:29 >> Then I'll tell you.
01:01:31 They're gone.
01:01:33 Exchanged for securities that aren't worth the paper they're printed on.
01:01:37 >> Why did you do it?
01:01:39 >> Have you ever heard of pyramiding?
01:01:42 Well, that's what I've...
01:01:47 That's what everybody else was doing.
01:01:50 Trying to make $10 out of one.
01:01:54 It was easy to start.
01:01:56 Impossible to stop.
01:01:58 >> But our investors...
01:01:59 >> Oh, damn our investors!
01:02:01 I'm worrying about myself.
01:02:03 This means indictments for me, for you.
01:02:06 Your signatures behind everything I've done.
01:02:10 Why, I...
01:02:12 I...
01:02:14 I can't think.
01:02:38 >> James.
01:02:39 >> Yes?
01:02:41 >> I don't want to go to prison.
01:02:44 >> Well, neither do I.
01:02:48 >> There's a way out for both of us.
01:02:50 Over a million dollars in gold arrived today.
01:02:53 >> That foreign shipment.
01:02:54 >> Are you certain?
01:02:55 >> I signed for it.
01:02:57 We can get it tonight.
01:02:58 Lead the country on your yacht.
01:03:00 >> Well, that's good sense.
01:03:02 Come on.
01:03:03 >> Oh, I must leave a note for Diane.
01:03:04 >> Hurry up.
01:03:05 I'll get your hat and coat.
01:03:17 Oh, Mason.
01:03:19 >> Yes, sir?
01:03:20 >> Get Mr. Cromwell's hat and coat.
01:03:21 Hurry.
01:03:22 [Helicopter]
01:03:51 [Helicopter]
01:04:11 >> Be careful.
01:04:40 [Helicopter]
01:05:00 >> Mason!
01:05:01 Mason!
01:05:02 Mason!
01:05:03 Where's my father?
01:05:05 >> He and Mr. Gaines left some time ago.
01:05:07 >> Did they say where they were going?
01:05:09 >> I don't know.
01:05:11 >> Look.
01:05:12 >> What?
01:05:13 >> Look.
01:05:14 >> What?
01:05:15 >> Look.
01:05:16 >> What?
01:05:17 >> Look.
01:05:18 >> What?
01:05:19 >> Look.
01:05:20 >> What?
01:05:21 >> Look.
01:05:22 >> What?
01:05:23 >> Look.
01:05:24 >> What?
01:05:25 >> Look.
01:05:26 >> What?
01:05:27 >> Look.
01:05:28 >> What?
01:05:29 >> Look.
01:05:30 >> What?
01:05:31 >> Look.
01:05:32 >> What?
01:05:33 >> Look.
01:05:34 >> What?
01:05:35 >> Look.
01:05:36 >> What?
01:05:37 >> Look.
01:05:38 >> What?
01:05:39 >> Look.
01:05:40 >> What?
01:05:41 >> Look.
01:05:42 >> What?
01:05:43 >> Look.
01:05:44 >> What?
01:05:45 >> Look.
01:05:46 >> What?
01:05:47 >> Look.
01:05:48 >> What?
01:05:49 >> Look.
01:05:50 >> What?
01:05:51 >> Look.
01:05:52 >> What?
01:05:53 >> Look.
01:05:54 >> What?
01:05:55 >> Look.
01:05:56 >> What?
01:05:57 >> Look.
01:05:58 >> What?
01:05:59 >> Look.
01:06:00 >> What?
01:06:01 >> Look.
01:06:02 >> What?
01:06:03 >> Look.
01:06:04 >> What?
01:06:05 >> Look.
01:06:06 >> What?
01:06:07 >> Look.
01:06:08 >> What?
01:06:09 >> Look.
01:06:10 >> What?
01:06:11 >> Look.
01:06:12 >> What?
01:06:13 >> Look.
01:06:14 >> What?
01:06:15 >> Look.
01:06:16 >> What?
01:06:17 >> Look.
01:06:18 >> What?
01:06:19 >> Look.
01:06:20 >> What?
01:06:21 >> Look.
01:06:22 >> What?
01:06:23 >> Look.
01:06:24 >> What?
01:06:25 >> Look.
01:06:26 >> What?
01:06:27 >> Look.
01:06:28 >> What?
01:06:29 >> Look.
01:06:30 >> What?
01:06:31 >> Look.
01:06:32 >> What?
01:06:33 >> Look.
01:06:34 >> What?
01:06:35 >> Look.
01:06:36 >> What?
01:06:37 >> Look.
01:06:38 >> What?
01:06:39 >> Look.
01:06:40 >> What?
01:06:41 >> Look.
01:06:42 >> What?
01:06:43 >> Look.
01:06:44 >> What?
01:06:45 >> Look.
01:06:46 >> What?
01:06:47 >> Look.
01:06:48 >> What?
01:06:49 >> Look.
01:06:50 >> What?
01:06:51 >> Look.
01:06:52 >> What?
01:06:53 >> Look.
01:06:54 >> What?
01:06:55 >> Look.
01:06:56 >> What?
01:06:57 >> Look.
01:06:58 >> What?
01:06:59 >> Look.
01:07:00 >> What?
01:07:01 >> Look.
01:07:02 >> What?
01:07:03 >> Look.
01:07:04 >> What?
01:07:05 >> Look.
01:07:06 >> What?
01:07:07 >> Look.
01:07:08 >> What?
01:07:09 >> Look.
01:07:10 >> What?
01:07:11 >> Look.
01:07:12 >> What?
01:07:13 >> Look.
01:07:14 >> What?
01:07:15 >> Look.
01:07:16 >> What?
01:07:17 >> Look.
01:07:18 >> What?
01:07:19 >> Look.
01:07:20 >> What?
01:07:21 >> Look.
01:07:22 >> What?
01:07:23 >> Look.
01:07:24 >> What?
01:07:25 >> Look.
01:07:26 >> What?
01:07:27 >> Look.
01:07:28 >> What?
01:07:29 >> Look.
01:07:30 >> What?
01:07:31 >> Look.
01:07:32 >> What?
01:07:33 >> Look.
01:07:34 >> What?
01:07:35 >> Look.
01:07:36 >> What?
01:07:37 >> Look.
01:07:38 >> What?
01:07:39 >> Look.
01:07:40 >> What?
01:07:41 >> Look.
01:07:42 >> What?
01:07:43 >> Look.
01:07:44 >> What?
01:07:45 >> Look.
01:07:46 >> What?
01:07:47 >> Look.
01:07:48 >> What?
01:07:49 >> Look.
01:07:50 >> What?
01:07:51 >> Look.
01:07:52 >> What?
01:07:53 >> Look.
01:07:54 >> What?
01:07:55 >> Look.
01:07:56 >> What?
01:07:57 >> Look.
01:07:58 >> What?
01:07:59 >> Look.
01:08:00 >> What?
01:08:01 >> Look.
01:08:02 >> What?
01:08:03 >> Look.
01:08:04 >> What?
01:08:05 >> Look.
01:08:06 >> What?
01:08:07 >> Look.
01:08:08 >> What?
01:08:09 >> Look.
01:08:10 >> What?
01:08:11 >> Look.
01:08:12 >> What?
01:08:13 >> Look.
01:08:14 >> What?
01:08:15 >> Look.
01:08:16 >> What?
01:08:17 >> Look.
01:08:18 >> What?
01:08:19 >> Look.
01:08:20 >> What?
01:08:21 >> Look.
01:08:22 >> What?
01:08:23 >> Look.
01:08:24 >> What?
01:08:25 >> Look.
01:08:26 >> What?
01:08:27 >> Look.
01:08:28 >> What?
01:08:29 >> Look.
01:08:30 >> What?
01:08:31 >> Look.
01:08:32 >> What?
01:08:33 >> Look.
01:08:34 >> What?
01:08:35 >> Look.
01:08:36 >> What?
01:08:37 >> Look.
01:08:38 >> What?
01:08:39 >> Look.
01:08:40 >> What?
01:08:41 >> Look.
01:08:42 >> What?
01:08:43 >> Look.
01:08:44 >> What?
01:08:45 >> Look.
01:08:46 >> What?
01:08:47 >> Look.
01:08:48 >> What?
01:08:49 >> Look.
01:08:50 >> What?
01:08:51 >> Look.
01:08:52 >> What?
01:08:53 >> Look.
01:08:54 >> What?
01:08:55 >> Look.
01:08:56 >> What?
01:08:57 >> Look.
01:08:58 >> What?
01:08:59 >> Look.
01:09:00 >> What?
01:09:01 >> Look.
01:09:02 >> What?
01:09:03 >> Look.
01:09:04 >> What?
01:09:05 >> Look.
01:09:06 >> What?
01:09:07 >> Look.
01:09:08 >> What?
01:09:09 >> Look.
01:09:10 >> What?
01:09:11 >> Look.
01:09:12 >> What?
01:09:13 >> Look.
01:09:14 >> What?
01:09:15 >> Look.
01:09:16 >> What?
01:09:17 >> Look.
01:09:18 >> What?
01:09:19 >> Look.
01:09:20 >> What?
01:09:21 >> Look.
01:09:22 >> What?
01:09:23 >> Look.
01:09:24 >> What?
01:09:25 >> Look.
01:09:26 >> What?
01:09:27 >> Look.
01:09:28 >> What?
01:09:29 >> Look.
01:09:30 >> What?
01:09:31 >> Look.
01:09:32 >> What?
01:09:33 >> Look.
01:09:34 >> What?
01:09:35 >> Look.
01:09:36 >> What?
01:09:37 >> Look.
01:09:38 >> What?
01:09:39 >> Look.
01:09:40 >> What?
01:09:41 >> Look.
01:09:42 >> What?
01:09:43 >> Look.
01:09:44 >> What?
01:09:45 >> Look.
01:09:46 >> What?
01:09:47 >> Look.
01:09:48 >> What?
01:09:49 >> Look.
01:09:50 >> What?
01:09:51 >> Look.
01:09:52 >> What?
01:09:53 >> Look.
01:09:54 >> What?
01:09:55 >> Look.
01:09:56 >> What?
01:09:57 >> Look.
01:09:58 >> What?
01:09:59 >> Look.
01:10:00 >> What?
01:10:01 >> Look.
01:10:02 >> What?
01:10:03 >> Look.
01:10:04 >> What?
01:10:05 >> Look.
01:10:06 >> What?
01:10:07 >> Look.
01:10:08 >> What?
01:10:09 >> Look.
01:10:10 >> What?
01:10:11 >> Look.
01:10:12 >> What?
01:10:13 >> Look.
01:10:14 >> What?
01:10:15 >> Look.
01:10:16 >> What?
01:10:17 >> Look.
01:10:18 >> What?
01:10:19 >> Look.
01:10:20 >> What?
01:10:21 >> Look.
01:10:22 >> What?
01:10:23 >> Look.
01:10:24 >> What?
01:10:25 >> Look.
01:10:26 >> What?
01:10:27 >> Look.
01:10:28 >> What?
01:10:29 >> Look.
01:10:30 >> What?
01:10:31 >> Look.
01:10:32 >> What?
01:10:33 >> Look.
01:10:34 >> What?
01:10:35 >> Look.
01:10:36 >> What?
01:10:37 >> Look.
01:10:38 >> What?
01:10:39 >> Look.
01:10:40 >> What?
01:10:41 >> Look.
01:10:42 >> What?
01:10:43 >> Look.
01:10:44 >> What?
01:10:45 >> Look.
01:10:46 >> What?
01:10:47 >> Look.
01:10:48 >> What?
01:10:49 >> Look.
01:10:50 >> What?
01:10:51 >> Look.
01:10:52 >> What?
01:10:53 >> Look.
01:10:54 >> What?
01:10:55 >> Look.
01:10:56 >> What?
01:10:57 >> Look.
01:10:58 [BLANK_AUDIO]