Charade -HD (1963)
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TVTranscript
00:00:00 [MUSIC PLAYING]
00:00:03 [MUSIC PLAYING]
00:00:06 [BIRDS CHIRPING]
00:00:21 [DOG BARKING]
00:00:26 [DOG BARKING]
00:00:30 [HORN BLOWING]
00:00:42 [HORN BLOWING]
00:00:51 [HORN BLOWING]
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00:03:40 Hola.
00:03:52 Don't tell me you didn't know it was loaded.
00:03:56 Sylvie!
00:03:59 Oh.
00:04:00 Can't he do something constructive, like start
00:04:01 an avalanche or something?
00:04:03 [SPEAKING FRENCH]
00:04:05 [MUSIC PLAYING]
00:04:08 When you start to it like this, something is the matter.
00:04:10 [MUSIC PLAYING]
00:04:14 Sylvie, I'm getting a divorce.
00:04:15 What?
00:04:17 From Charles?
00:04:18 He's the only husband I have.
00:04:20 I've tried to make it work, really, I have, but--
00:04:23 But what?
00:04:24 Oh, I can't explain.
00:04:25 It's just that I'm too miserable to go on any longer like this.
00:04:28 It is infuriating that your unhappiness
00:04:33 is so fat.
00:04:36 But I don't understand.
00:04:38 Why do you want a divorce?
00:04:40 Because I don't love him.
00:04:41 And he obviously doesn't love me.
00:04:43 That's no reason to get a divorce.
00:04:46 With a rich husband and this year's clothes,
00:04:48 you won't find it difficult to make some new friends.
00:04:51 Look, admit I came to Paris to escape American provincial,
00:04:53 but that doesn't mean I'm ready for French traditional.
00:04:56 I loathe the whole idea of divorce, Sylvie.
00:04:59 But if only Charles had been honest with me,
00:05:01 that's all I ask of anybody, the simple truth.
00:05:05 But with Charles, everything is secrecy and lies.
00:05:10 He's hiding something from me, Sylvie, something terrible.
00:05:14 And it frightens me.
00:05:16 Does he belong to you?
00:05:18 Well, it's hers.
00:05:19 Where'd you find him, robbing a bank?
00:05:21 He was throwing snowballs at Baron Rothschild.
00:05:23 Oh, thank you.
00:05:25 Do we know each other?
00:05:26 Why, do you think we're going to?
00:05:28 I don't know.
00:05:29 How would I know?
00:05:30 Because I already know an awful lot of people,
00:05:32 and until one of them dies, I couldn't possibly meet anyone else.
00:05:36 Well, if anyone goes on the critical list, let me know.
00:05:39 Quitter.
00:05:41 You give up awfully easily, don't you?
00:05:44 Viens, Jean-Louis, let us make a walk.
00:05:46 I've never seen a Rothschild before.
00:05:48 Clever fellow.
00:05:57 Almost missed me.
00:05:59 Thank you.
00:06:01 You're blocking my view.
00:06:02 Oh.
00:06:04 Which view would you prefer?
00:06:06 The one you're blocking.
00:06:07 Since my last chance, I'm flying back to Paris this afternoon.
00:06:10 What's your name?
00:06:11 Peter Joshua.
00:06:13 Oh, mine's Regina Lampert.
00:06:15 Is there a Mr. Lampert?
00:06:16 Yes.
00:06:16 Good for you.
00:06:17 No, it isn't.
00:06:17 I'm getting a divorce.
00:06:18 Please, not on my account.
00:06:20 Oh, no.
00:06:20 You see, I don't really love him.
00:06:22 Well, at least you're honest.
00:06:24 Is there a Mrs. Joshua?
00:06:26 Yes, but we're divorced.
00:06:28 Oh, that wasn't a proposal.
00:06:29 I'm just curious.
00:06:31 Is your husband with you?
00:06:32 Oh, no.
00:06:32 Charles is never with me.
00:06:33 What do people call you?
00:06:34 Pete?
00:06:36 Mr. Joshua.
00:06:38 I've enjoyed talking with you.
00:06:39 Now you're angry.
00:06:41 No.
00:06:41 No, I'm not angry.
00:06:42 I just have a lot of packing to do.
00:06:43 I'm going back to Paris, too.
00:06:44 Well, wasn't it Shakespeare who said,
00:06:45 when strangers do meet in far off lands,
00:06:47 they should ere long see each other again?
00:06:50 Shakespeare never said that.
00:06:51 How do you know?
00:06:53 It's terrible.
00:06:53 You just made it up.
00:06:54 Oh, well, it sounds right.
00:06:55 You going to call me?
00:06:56 Are you in the book?
00:06:57 Well, Charles is.
00:06:59 Is there only one Charles Lampert?
00:07:02 Lord, I hope so.
00:07:03 Goodbye, Sylvie, and thanks.
00:07:19 When you get your divorce, are you going back to America?
00:07:22 Well, don't you want me to stay?
00:07:24 Yes, of course, but if you went back and wrote me a letter.
00:07:27 You could have the stamps.
00:07:28 I'll get you some here, OK?
00:07:29 OK.
00:07:31 Goodbye.
00:07:31 [PHONE BUZZING]
00:07:34 Honorine?
00:07:58 Honorine?
00:07:59 Honorine!
00:08:05 [MUSIC PLAYING]
00:08:08 [MUSIC PLAYING]
00:08:11 [MUSIC PLAYING]
00:08:14 [MUSIC PLAYING]
00:08:17 [MUSIC PLAYING]
00:08:20 [MUSIC PLAYING]
00:08:23 [SCREAMING]
00:08:49 Madam Charles Lampert?
00:08:51 Yes?
00:08:52 I'm Inspector Edouard Grandpierre
00:08:54 of the police judicier.
00:08:56 Would you be so kind as to come with me, please?
00:08:58 [MUSIC PLAYING]
00:09:06 [MUSIC PLAYING]
00:09:09 Well, madam?
00:09:23 You're positive?
00:09:27 You love him?
00:09:31 I'm very cold.
00:09:36 [MUSIC PLAYING]
00:09:39 We discovered your husband's body
00:09:49 lying next to the tracks of the Paris-Bordeaux Railroad line.
00:09:54 He was dressed only in his pajamas.
00:09:57 Do you know of any reason why he might
00:09:59 have wanted to leave France?
00:10:01 Leave?
00:10:02 No.
00:10:04 Your husband possessed a ticket of passage on the Maranguapi.
00:10:09 It sailed for Venezuela this morning at 7.
00:10:12 I'm very confused.
00:10:14 He was American, your husband?
00:10:16 Swiss.
00:10:17 Ah, Swiss.
00:10:18 His profession?
00:10:20 He didn't have one.
00:10:21 He was a wealthy man?
00:10:23 I suppose so.
00:10:24 I don't know.
00:10:25 About how wealthy would you say?
00:10:27 I don't know.
00:10:28 Where did he keep his money?
00:10:30 I don't know.
00:10:32 Beside yourself, who is his nearest relative?
00:10:36 I don't know.
00:10:38 That's absurd, madam.
00:10:39 Totalment absurde.
00:10:41 I know.
00:10:42 I'm sorry.
00:10:43 It is all right?
00:10:45 I wish you wouldn't.
00:10:46 [SPEAKING FRENCH]
00:10:53 On Wednesday last, your husband sold the entire contents
00:10:58 of the apartment at public auction.
00:11:00 Everything.
00:11:02 The gallery paid him 1,250,000 new francs,
00:11:05 in dollars, a quarter of a million.
00:11:08 The authorities in Bordeaux searched his compartment
00:11:10 on the train.
00:11:12 They searched it thoroughly.
00:11:14 They did not find $250,000.
00:11:21 These few things are all that was found
00:11:23 in the train compartment.
00:11:24 There was no other baggage.
00:11:26 Your husband must have been in a great hurry.
00:11:29 One wallet containing 4,000 francs.
00:11:33 One agenda.
00:11:34 His last notation was made yesterday, Thursday.
00:11:37 5 PM, Jardin des Champs-Elysées.
00:11:40 Why there?
00:11:41 I don't know.
00:11:43 Perhaps he met somebody.
00:11:45 Obviously.
00:11:47 One ticket of passage to South America.
00:11:50 One letter, stamped but unsealed, addressed to you.
00:11:55 May I see it, please?
00:11:57 My dear Regina, I hope you are enjoying your holiday.
00:12:00 Mérgeve can be so lovely at this time of year.
00:12:02 The days pass very slowly, and I hope to see you soon,
00:12:05 as always, Charles.
00:12:07 P.S.
00:12:08 Your dentist called yesterday.
00:12:10 Your appointment has been changed.
00:12:12 Not much, is it?
00:12:14 We took the liberty of calling your dentist.
00:12:16 We thought perhaps we would learn something.
00:12:18 Did you?
00:12:19 Yes.
00:12:20 Your appointment has been changed.
00:12:23 Yes.
00:12:24 Your appointment has been changed.
00:12:27 One key to your apartment.
00:12:37 One comb.
00:12:39 One fountain pen.
00:12:42 One toothbrush.
00:12:44 One tin of tooth powder.
00:12:46 That is all.
00:12:50 You may take the things with you.
00:12:53 Is that all? May I leave now?
00:12:56 One more question.
00:12:58 Is this your husband's passport?
00:13:02 Yes.
00:13:05 And this?
00:13:07 I don't understand.
00:13:12 And this?
00:13:18 And this?
00:13:20 [♪♪♪]
00:13:23 [♪♪♪]
00:13:26 [DOORBELL BUZZING]
00:13:51 [PHONE RINGING]
00:13:53 Oh, I telephoned, but nobody answered.
00:13:56 Hello.
00:13:58 Hello. I wanted to tell you how sorry I am
00:14:01 and see if there's anything I can do.
00:14:03 How did you find out?
00:14:05 It's in the afternoon papers.
00:14:07 I'm very sorry.
00:14:09 Thank you.
00:14:11 I pressed the bell, but it isn't ringing, I guess.
00:14:15 I know. There's no electricity.
00:14:19 Well, where did everything go?
00:14:21 Charles sold it all at auction.
00:14:23 This is all I have left.
00:14:25 I love this room, but Charles never really saw it.
00:14:29 Only the things in it.
00:14:31 I think I prefer it this way.
00:14:34 What are you going to do?
00:14:38 Try and get my old job back at Juresco, I suppose.
00:14:41 Doing what?
00:14:42 I'm a simultaneous translator, like Sylvie.
00:14:45 Only she's English into French and I'm French into English.
00:14:48 Even before I married Charles.
00:14:50 The police probably think I killed him.
00:14:54 Instant divorce, you mean?
00:14:56 Something like that.
00:14:58 It's terrible it ended this way, though.
00:15:02 Tossed off a train like a sack of third-class mail.
00:15:05 Well, come on. You can't stay here.
00:15:07 I don't know where to go.
00:15:09 We'll find you a hotel.
00:15:11 It's nothing too expensive.
00:15:15 I'm not a lady of leisure anymore, you know.
00:15:17 Something clean and modest.
00:15:18 And near enough to Juresco so you can take a cab when it rains.
00:15:21 Okay?
00:15:22 Okay.
00:15:23 Not a very large turnout, is it?
00:15:44 Didn't Charles have any friends?
00:15:47 Don't ask me. I'm only the widow.
00:15:50 If Charles had died in bed, we wouldn't even have him.
00:15:53 At least he knows how to behave at funerals.
00:16:00 Have you no idea who could have done it?
00:16:10 Until two days ago, the only thing I really knew about Charles was his name.
00:16:14 Now it seems I didn't even know that.
00:16:17 He must have known Charles pretty well.
00:16:38 How can you tell?
00:16:40 He's allergic to him.
00:16:42 Bless you.
00:16:48 Do you know him?
00:16:50 Never seen him before.
00:16:52 Come on.
00:16:53 [door opens]
00:16:54 [door closes]
00:17:00 [door creaks]
00:17:01 [door closes]
00:17:05 [footsteps]
00:17:31 A rivet or a cheat, Charlie?
00:17:34 Miss Lampert, ma'am?
00:17:41 Ah, Miss Lampert, ma'am.
00:17:45 Charlie had no call of doing it that way.
00:17:49 No siree.
00:17:51 [gunshot]
00:18:00 [gunshot]
00:18:01 [gunshot]
00:18:28 [gunshot]
00:18:29 Ah, what next?
00:18:31 [sniffs]
00:18:33 [speaking French]
00:18:37 Merci.
00:18:38 [speaking French]
00:18:41 Who's it from?
00:18:47 The American Embassy.
00:18:49 [music]
00:18:51 I bluffed the old man out of the last pot with a pair of deuces.
00:19:05 What's so depressing about that?
00:19:06 Well, I mean, if I can do it, what are the Russians doing to him?
00:19:09 [door opens]
00:19:12 [footsteps]
00:19:15 [door closes]
00:19:16 Hello?
00:19:22 Hello?
00:19:24 Is there anything wrong, Miss Tompkins?
00:19:27 Uh, Miss Tompkins isn't here.
00:19:30 Oh, I'm sorry. My secretary must have gone to lunch.
00:19:36 Uh, you are, uh...
00:19:38 Mrs. Lampert, Mrs. Charles Lampert.
00:19:40 Oh, yes. Uh, please.
00:19:43 Uh, come in, Mrs. Lampert.
00:19:45 Excuse me for a moment, Mrs. Lampert.
00:19:48 It's a stubborn little devil.
00:19:51 Dry-cleaning-wise, things are all filed up.
00:19:56 I had a good man, a really excellent man, on the Rue Ponto.
00:20:01 But HQ asked us to use the plant here in the building to ease the gold outflow.
00:20:07 Mr. Bartholomew, are you quite sure you know who I am?
00:20:10 You're Charles Lampert's widow, yes?
00:20:12 I'm very sorry.
00:20:14 Last time I sent out a tie-only, the spot came back.
00:20:18 Well, uh, as they say.
00:20:21 Won't you sit down, Mrs. Lampert?
00:20:24 I've got something here.
00:20:29 I've got liverwurst, liverwurst, chicken, and liverwurst.
00:20:33 No, thank you.
00:20:35 Mrs. Lampert, do you know what CIA is?
00:20:40 I don't suppose it's an airline, is it?
00:20:42 Central Intelligence Agency, CIA.
00:20:47 You mean spies and all that?
00:20:50 Only we call them agents.
00:20:52 We? You mean you?
00:20:53 Someone has to do it, Mrs. Lampert.
00:20:55 It's just I didn't think people like you were supposed to admit...
00:20:58 No, I'm not an agent.
00:21:00 I'm an administrator.
00:21:02 A desk jockey.
00:21:03 Trying to run a bureau of overworked men with under-allocated...
00:21:09 funds.
00:21:11 Congress seems to think that all a spy needs...
00:21:14 Agent.
00:21:15 Yes.
00:21:18 That all he needs is a code book, a cyanide pill, and he's in business.
00:21:23 What's all this got to do with me, Mr. Bartholomew?
00:21:27 Your husband was wanted by the United States government.
00:21:30 May I have a sandwich, please?
00:21:35 Chicken or liverwurst?
00:21:37 Chicken.
00:21:38 To be more specific, Mrs. Lampert, your husband was wanted by this agency.
00:21:42 So that was it.
00:21:44 Yes.
00:21:45 We, of course, knew him by his real name.
00:21:47 Voss.
00:21:48 Charles Voss.
00:21:50 All right, Mrs. Voss.
00:21:54 Now, I'd like you to look at this photograph here for a moment, please.
00:21:59 Tell us if you recognize...
00:22:01 Oh.
00:22:03 By the way, have you seen this one?
00:22:06 Scott, Kathy, and Ham, Jr.
00:22:08 Very sweet.
00:22:10 Aren't they?
00:22:11 All right, Mrs. Voss.
00:22:13 Please stop calling me that.
00:22:15 Lampert's the name on the marriage license.
00:22:17 Oh, I'm terribly sorry.
00:22:18 Mrs. Lampert, would you look at that photograph and tell me if you recognize anyone, please?
00:22:23 Now, just a moment.
00:22:24 Have a good look.
00:22:25 It's Charles.
00:22:30 Very good.
00:22:32 He looked so young when was this taken?
00:22:33 1944.
00:22:35 Next, please.
00:22:36 The man who was at the funeral yesterday.
00:22:39 A tall man in a corduroy suit.
00:22:41 Does the name Tex Penthollow mean anything to you?
00:22:44 No.
00:22:45 Would you like some wine?
00:22:47 Oh, thank you.
00:22:48 Next, please.
00:22:49 He was there, too.
00:22:51 A little less hair, but it's the same one.
00:22:53 Do you know him, Mrs. Lampert?
00:22:55 Leopold W. Gideon?
00:22:57 No.
00:22:58 The last one, please.
00:22:59 That's a face you don't forget.
00:23:03 He was there, too.
00:23:04 Herman Scobie.
00:23:06 You've never seen him before, either?
00:23:07 No, thank heaven.
00:23:09 Mrs. Lampert,
00:23:12 I'm very much afraid that you are in a great deal of danger.
00:23:16 Why should I be in any danger?
00:23:18 You're Charles Voss's wife.
00:23:20 Now that he's dead, you're their only lead.
00:23:23 Mr. Bartholomew, if you're trying to frighten me,
00:23:26 you're doing a first-rate job.
00:23:29 Please do what we ask, Mrs. Lampert, if you please.
00:23:32 Gladly, but I don't know what you want.
00:23:34 You haven't told me.
00:23:35 Oh?
00:23:37 I haven't?
00:23:39 Well, it's the money, Mrs. Lampert.
00:23:42 The money.
00:23:43 Of $250,000 Charles Voss received from the auction.
00:23:48 Those three men want it, too.
00:23:49 They want it very badly.
00:23:50 But that's Charles's money, not theirs.
00:23:53 Oh, Mrs. Lampert, I'd like to see you try and convince them of that.
00:23:56 Oh, boy.
00:23:58 But then whose is it?
00:23:59 His or their?
00:24:01 Ours.
00:24:02 Oh.
00:24:05 Charles Voss stole $250,000 from the United States government.
00:24:09 I'm afraid we want it back.
00:24:11 But I don't have it.
00:24:13 That's impossible, Mrs. Lampert.
00:24:16 You're the only one who could have it.
00:24:18 Mr. Bartholomew, if I had a quarter of a million dollars,
00:24:22 believe me, I'd know it.
00:24:24 Nevertheless, Mrs. Lampert, you've got it.
00:24:26 You mean he's just lying around?
00:24:29 You mean he's just lying around somewhere?
00:24:31 All that cash?
00:24:32 Or a certified check, a safe deposit key, baggage claim.
00:24:37 You look for it, Mrs. Lampert. I'm quite sure you'll find it.
00:24:39 Look for it.
00:24:40 Look just as hard and as fast as you can.
00:24:43 You may not have a great deal of time.
00:24:46 Those three men know you've got the money just as surely as we do.
00:24:50 You won't be safe until the money is in our hands.
00:24:53 Is that clear?
00:24:54 Now, here's where you ought to call me.
00:24:57 Day or night.
00:24:58 Day or night.
00:24:59 It's a direct line to both my office and my apartment.
00:25:04 And please don't tell anyone about coming to see us today.
00:25:06 It could prove fatal for them as well as yourself.
00:25:09 As I said, Mrs. Lampert, I'm afraid you're in a great deal of danger.
00:25:12 I regret very much having to say this, but...
00:25:15 please remember what happened to your husband.
00:25:18 (Music)
00:25:33 Hello.
00:25:35 Hello, Peter.
00:25:36 Now, didn't you telephone me to meet you on that corner over there?
00:25:40 I'm sorry. I heard the children laughing.
00:25:43 Do you understand French?
00:25:46 Not a word.
00:25:47 I'm still having trouble with English.
00:25:49 The man and the woman are married.
00:25:52 Oh, I can see that. They're batting each other over the head.
00:25:55 (Screaming)
00:26:02 Who's that with the hat?
00:26:03 That's the policeman.
00:26:04 He wants to arrest Judy for killing Punch.
00:26:07 (Screaming)
00:26:10 What's she saying now?
00:26:11 That she's innocent.
00:26:12 She didn't do it.
00:26:16 Oh, she did it all right.
00:26:18 I believe her.
00:26:20 Well, who was that?
00:26:23 That's Punch, of course.
00:26:25 Punch, of course? I thought he was dead.
00:26:27 He's only pretending to teach her a lesson.
00:26:30 Only he is dead, Peter. I saw him. He's not pretending.
00:26:35 Somebody threw him off a train.
00:26:38 Charles was mixed up in something terrible.
00:26:41 What am I going to do?
00:26:44 I wish you'd let me help you.
00:26:45 It doesn't sound like the sort of thing a young woman can handle by herself.
00:26:48 How about making me vice president in charge of cheering you up?
00:26:56 Starting tonight?
00:26:59 Bonsoir, messieurs-dames, good evening, ladies and gentlemen.
00:27:09 Buona sera, signori e signori.
00:27:11 Ce soir, comme tous les autres soirs d'ailleurs,
00:27:14 vous savez très bien qu'ici, au Black Sheep Club,
00:27:17 l'attraction, c'est vous!
00:27:19 Alors, approchez-vous, messieurs-dames.
00:27:23 Venez-y, step right up, ladies and gentlemen.
00:27:25 What's going on?
00:27:26 Fun and games, evidently. We're the floor show. Come on.
00:27:29 What, you and me?
00:27:31 Everyone.
00:27:32 Avanti, avanti, signori e signori.
00:27:36 Ecoutez-moi bien, messieurs-dames, les règles du jeu sont très simples.
00:27:38 Alors, écoutez-moi.
00:27:39 Alors, il y a deux équipes.
00:27:40 There are two teams.
00:27:42 Et pour chaque équipe, il y a une orange.
00:27:44 For every team, there is one orange.
00:27:46 Une orange.
00:27:48 Une apple zuny.
00:27:50 Vous mettez l'orange sur le moteur comme ça,
00:27:52 you put the orange on the engine like so.
00:27:53 Vous passez l'orange à la personne derrière vous.
00:27:55 You pass the orange to the person behind you.
00:27:57 Mais sans vous servir les mains.
00:27:59 Without the use of your hands.
00:28:01 Are you ready?
00:28:02 Un, deux, trois.
00:28:04 [Whistle]
00:28:07 [Music]
00:28:11 [Music]
00:28:15 [Music]
00:28:18 [Music]
00:28:27 [Music]
00:28:42 [Music]
00:28:45 [Music]
00:28:55 [Music]
00:29:08 [Music]
00:29:11 [Music]
00:29:22 [Music]
00:29:32 [Music]
00:29:35 Mrs. Lampert.
00:29:45 Who are you?
00:29:46 Didn't Charles tell you, Mrs. Lampert?
00:29:48 Tell me what?
00:29:49 It doesn't belong to you.
00:29:50 You do know that, don't you?
00:29:51 I don't know anything.
00:29:52 Mrs. Lampert!
00:29:54 Any morning now, you could wake up dead, Mrs. Lampert.
00:29:58 Leave me alone.
00:29:59 Dead, Mrs. Lampert, like last week's news, like Charles.
00:30:02 Mrs. Lampert.
00:30:03 Stop it!
00:30:04 What's the trouble?
00:30:07 You stepped on my foot.
00:30:09 Forgive me.
00:30:10 Wait here, I won't be long.
00:30:11 It was quite unintentional, I'm sure.
00:30:13 [Music]
00:30:17 [Music]
00:30:20 Mr. Bartholomew, this is Regina Lampert.
00:30:34 Mr. Bartholomew, I just saw one of those men...
00:30:36 Mr. Bartholomew, can you hear me?
00:30:39 Mr. Bartholomew, this is Regina Lampert.
00:30:43 I just...
00:30:45 [Music]
00:30:48 Howdy.
00:30:51 What do you want?
00:30:52 Now, you must be kidding.
00:30:54 No, I'm not.
00:30:55 Now, come on now, Mrs. Lampert.
00:30:57 You know what it is?
00:30:59 You're gonna get it for me, too.
00:31:01 'Cause you know I ain't fooling around here.
00:31:03 No sirree, Bob.
00:31:13 Stop that, please stop!
00:31:15 Now, don't make too much noise, Mrs. Lampert.
00:31:17 It could get a whole lot worse, you know.
00:31:20 That belongs to me, Mrs. Lampert.
00:31:24 And you're gonna get it for me.
00:31:27 Or your life ain't gonna be worth the paper it's printed on.
00:31:30 Stop!
00:31:31 Now, you say what I'm saying to you?
00:31:32 Stop! Stop! Please stop!
00:31:34 Now, you go home and take it over real careful right now.
00:31:36 You're insane, you're absolutely insane!
00:31:42 [Gasping]
00:31:44 [Screaming]
00:31:47 What's the matter?
00:31:50 What are you doing in here?
00:31:53 I'm having a nervous breakdown.
00:31:57 Now, hold it.
00:32:10 I've waited long enough. What happened back there?
00:32:12 I'm not sure if I'm supposed to tell you or not.
00:32:16 What does that mean?
00:32:17 He said if I told anybody, it could prove fatal for them as well as for me.
00:32:22 Who said?
00:32:23 That's what I'm not supposed to say.
00:32:25 Now, stop that nonsense!
00:32:30 Stop bullying me. Everybody's bullying me.
00:32:32 I'm not bullying you.
00:32:33 Yes, you were. You said it was nonsense.
00:32:35 Being murdered in cold blood is not nonsense.
00:32:38 Why don't you try it sometime?
00:32:40 Would you mind seeing me to the door?
00:32:45 Of course not.
00:32:46 It's a good place for making friends.
00:32:50 You said this afternoon your husband was mixed up in something.
00:32:57 How do you shave in there?
00:32:59 What was it?
00:33:00 What was what?
00:33:02 What your husband was mixed up in.
00:33:04 Look, I know he's asking you to stretch your imagination,
00:33:07 but don't you think you could pretend just for a moment that I'm a woman?
00:33:10 Now, listen, I could already be arrested for transporting a minor above the first floor.
00:33:14 Here you are.
00:33:18 Where?
00:33:19 On the street where you live.
00:33:21 How about once more around the park?
00:33:23 How about getting out of here? Come on, child, out.
00:33:25 Won't you come in for a minute?
00:33:29 No, I won't.
00:33:30 I don't bite, you know.
00:33:33 Unless it's called for.
00:33:36 How would you like a spanking?
00:33:38 How would you like a punch in the nose?
00:33:40 Stop treating me like a child.
00:33:43 Well, then stop behaving like one.
00:33:45 Now, if you want to tell me what's troubling you, fine.
00:33:48 If not, I'm tired, it's late, and I want to go home to bed.
00:33:50 Oh.
00:33:52 Do you know what's wrong with you?
00:33:55 No, what?
00:33:57 Nothing.
00:34:00 Where is it, Lee?
00:34:01 I don't know.
00:34:03 I want it.
00:34:14 Give it to me.
00:34:17 I want it.
00:34:19 I want it.
00:34:21 I want it.
00:34:23 I want it.
00:34:25 I want it.
00:34:28 Give it to me.
00:34:29 It's mine.
00:34:31 Peter!
00:34:35 Peter!
00:34:36 A man tried to kill me.
00:34:39 Peter!
00:34:40 Peter?
00:35:04 Peter?
00:35:08 Peter, are you all right?
00:35:10 Oh, Peter, are you hurt?
00:35:14 I sprayed my pride.
00:35:16 How are you?
00:35:18 Scared.
00:35:20 You'll be all right.
00:35:21 Where did he go?
00:35:23 Out the window, I guess.
00:35:25 Well, lock the door.
00:35:26 Don't let anyone in except me.
00:35:28 And close these windows after me.
00:35:30 Be careful.
00:35:31 You just took the words right out of my mouth.
00:35:34 I'm sorry.
00:35:35 Alistair!
00:36:00 What is it now, Pamela?
00:36:03 It happened again.
00:36:04 Another strange man peered in the window at me and then went away.
00:36:08 Bad luck, Pamela.
00:36:31 That was a dumb move, Herman.
00:36:33 And then some.
00:36:34 He'd only let us know he was going up to a room.
00:36:37 We could have done something to keep him busy.
00:36:39 Sneaking off up there that way by yourself.
00:36:42 Man, what did you expect him to do?
00:36:44 Walk up and shake you by that hand of yours?
00:36:47 A dumb move, Herman. A dumb move.
00:36:49 Yes, it was a dumb move, Herman.
00:36:52 What is the matter with you?
00:36:54 Do you want some more?
00:36:55 Never mind that.
00:36:56 Did you get the money?
00:36:58 How could I with the three Marx Brothers breathing down my neck?
00:37:01 I thought we had an agreement.
00:37:04 Now, the girl trusts me.
00:37:08 If she's got the money, I'll find out about it.
00:37:10 But you just leave me alone.
00:37:12 We took all the chances.
00:37:14 The money belongs to us, not to him.
00:37:17 Now, don't be piggy, Herman.
00:37:19 A third of nothing is nothing.
00:37:22 Just think about that.
00:37:24 But make up your mind.
00:37:25 She's waiting for me.
00:37:27 I don't see how another 24 hours could hurt anything.
00:37:31 Shoot? No, not after all these years.
00:37:33 Then he gets it out of your share.
00:37:36 Not mine.
00:37:38 Not mine.
00:37:43 Either one of you got the room next to her?
00:37:47 Yeah, I have. Why?
00:37:49 Give me the key. Get yourself another room. I want to use it.
00:37:52 Hmm.
00:37:53 If you do find that money,
00:38:02 you ain't gonna forget to tell your buddies about it, are you?
00:38:06 Don't worry.
00:38:07 Oh, no, I ain't worrying.
00:38:10 You see this little fella here?
00:38:12 Oh, he worries.
00:38:14 And he's even meaner than I am.
00:38:18 I'm gonna go get it.
00:38:20 Who is it?
00:38:43 It's me, Peter.
00:38:45 (door opens)
00:38:46 There was no trace of him.
00:39:03 Why don't you confide in me?
00:39:07 And tell me what this is all about.
00:39:09 There are three men. He's one of them.
00:39:13 They think I have a quarter of a million dollars that belongs to them.
00:39:16 Go on.
00:39:20 That's all.
00:39:21 No, it isn't.
00:39:23 Where's the money?
00:39:24 I don't know.
00:39:26 They killed Charles to get it, but he must not have had it with him on the train.
00:39:29 So they think he left it with you?
00:39:32 But he didn't. I've looked everywhere, and if I don't find it, they're gonna kill me.
00:39:35 No, they won't. I won't let them.
00:39:41 Peter, help me. You're the only one I can trust.
00:39:44 I'll help you.
00:39:47 I told you I would. Come on.
00:39:50 Oh, I'm so hungry. I could faint.
00:39:53 And I've got your suit all wet.
00:39:56 That's all right. It's a drip dry.
00:39:58 Wipe your eyes.
00:40:02 Promise me you'll never lie to me the way Charles did.
00:40:07 Why do people have to tell lies?
00:40:10 Usually it's because they want something.
00:40:12 They're afraid the truth won't get it for them.
00:40:14 Do you tell lies?
00:40:16 Hello?
00:40:28 Mrs. Lambert, it's me. The man who was in your room a few minutes ago.
00:40:31 What do you want?
00:40:34 Who is it?
00:40:36 It's the man you had the fight with.
00:40:38 It's Dial with you.
00:40:40 Who?
00:40:41 The man I had the fight with, lady. Dial. That's his name.
00:40:46 What's wrong? Is he still there?
00:40:49 Yes.
00:40:53 That's right.
00:40:55 What's he saying?
00:40:57 Don't trust him. Don't tell him anything.
00:41:01 He's after the money.
00:41:03 What's he saying?
00:41:04 What was all that about?
00:41:15 He...
00:41:17 He said if I don't give him the money, he'll kill me.
00:41:20 Oh, don't take it seriously.
00:41:22 He's just trying to frighten you.
00:41:25 I believe what he said.
00:41:28 No, no. It's just a lot of words.
00:41:30 Words can hurt.
00:41:33 I know.
00:41:34 Try to get some sleep. You'll feel better.
00:41:36 Don't worry. I've arranged to take the room next door to you.
00:41:40 So you'll be all right.
00:41:44 If you want anything, just bang on the wall.
00:41:48 Better lock the door after me.
00:41:50 Good night.
00:41:53 [door slams]
00:41:54 [door slams]
00:42:22 But I am calm, Mr. Bartholomew.
00:42:24 What I'm trying to say is that...
00:42:25 is that there's someone else.
00:42:27 What?
00:42:28 Someone who wasn't in that photograph you showed me today.
00:42:30 He says his name is Peter Joshua, but it isn't. It's Dial.
00:42:34 Are you still there, Mr. Bartholomew?
00:42:37 Yes, yes, Miss Lampert.
00:42:39 I don't know who this Mr. Dial is,
00:42:42 but it's just possible we were wrong about who killed your husband.
00:42:45 You mean he might have?
00:42:50 Mr. Bartholomew, I'm catching the next plane out of here.
00:42:52 I'm not going to sit around for somebody to make chopped liver out of me.
00:42:56 Now, take it easy, Miss Lampert. Take it easy.
00:42:58 Where are you now? Can you meet me at the market?
00:43:01 At Liao?
00:43:02 Yes, opposite San Eustache.
00:43:04 I'll meet you there in 15 minutes.
00:43:06 All right, I'll be there in 15 minutes.
00:43:08 15 minutes.
00:43:10 [♪♪♪]
00:43:13 [♪♪♪]
00:43:16 [♪♪♪]
00:43:19 [♪♪♪]
00:43:25 [♪♪♪]
00:43:43 [♪♪♪]
00:43:46 [SPEAKING FRENCH]
00:43:58 Sweet base of taxi.
00:44:10 [♪♪♪]
00:44:13 Were you followed?
00:44:16 Yes, by Dial, but I lost him.
00:44:19 I'm beginning to think women make the best spies.
00:44:21 Agents.
00:44:23 He has a gun, Mr. Bartholomew.
00:44:25 No.
00:44:26 But I saw it.
00:44:28 No, that's not Carson Dial.
00:44:30 Carson?
00:44:31 There's only one Dial connected with this affair, Mrs. Lampert.
00:44:34 That's Carson Dial.
00:44:35 You mean you've known about him all along?
00:44:38 It's enough to make you a vegetarian, isn't it?
00:44:41 It's just lucky that I'm not hanging next to one of those things right now.
00:44:45 Why didn't you tell me you knew about Dial?
00:44:49 I didn't see any point. Dial's dead.
00:44:51 Mr. Bartholomew, what is all this about?
00:44:56 In 1944, five members of the OSS, the military espionage unit,
00:45:03 were ordered behind the German lines for the purpose of delivering
00:45:08 $250,000 in gold to the French underground.
00:45:13 The five men were, of course, your husband Charles,
00:45:17 the three men who showed up at his funeral yesterday,
00:45:20 and Carson Dial.
00:45:21 Oh.
00:45:22 Instead of delivering the gold, they stole it.
00:45:25 How?
00:45:27 By burying it, then reporting the Germans had captured it.
00:45:31 All they had to do was come back after the war,
00:45:34 dig it up, and split it five ways.
00:45:36 A quarter of a million dollars with no questions asked.
00:45:41 May I have a cigarette, please?
00:45:43 I can't stand those things.
00:45:46 It's like drinking coffee through a veil.
00:45:49 Everything went smoothly enough until after the gold was buried.
00:45:53 Then before they could get out, they were ambushed by a German patrol.
00:45:58 A machine gun separated Scobie from his right hand
00:46:02 and caught Carson Dial full in the stomach.
00:46:05 [stammering]
00:46:07 What's wrong with that one?
00:46:10 Nothing, I guess.
00:46:12 What happened then?
00:46:14 Have you any idea what these things cost?
00:46:17 Please go on, Mr. Bartholomew.
00:46:19 What happened then?
00:46:20 Carson Dial was dead, but Scobie was able to travel.
00:46:27 [speaking French]
00:46:30 Where was I?
00:46:43 Carson Dial was dead.
00:46:44 Yes, Carson Dial was dead.
00:46:45 The others finally got back to the base and waited for the war to end.
00:46:48 Only Charles couldn't wait quite as long as the others.
00:46:51 He beat them back to the gall, took everything for himself, and disappeared.
00:46:55 It's taken Gideon, Tex, and Scobie all this time to catch up with him again.
00:47:00 But if they stole all that money, why can't you arrest them?
00:47:03 Shh.
00:47:05 We know what happened from the bits and pieces we were able to paste together.
00:47:10 We still have no proof.
00:47:12 What's this got to do with the CIO?
00:47:15 CIA, Mrs. Flapper.
00:47:22 An extension of the wartime OSS.
00:47:25 It's our money, and we want it back.
00:47:28 I'm sorry, Mr. Bartholomew, but nothing you've said has changed my mind.
00:47:31 I'm leaving Paris tonight.
00:47:34 Wouldn't advise that, Mrs. Flapper.
00:47:37 Better consider what happened to your husband when he tried to leave.
00:47:40 Those men won't be very far away, no matter where you go.
00:47:43 In fact, I don't even see any point in your changing hotels.
00:47:46 Now, please help us, Mrs. Flapper.
00:47:49 Your government is counting on you.
00:47:52 I suppose if I'm going to die, I might as well do it for my country.
00:47:55 That's the spirit.
00:47:57 Here's what I want you to do.
00:47:59 We're anxious to know who this man is, the one calling himself Dial.
00:48:03 I want you to find out.
00:48:05 Why me?
00:48:07 You're in an ideal position. He trusts you.
00:48:10 Besides, you yourself said women make the best spies.
00:48:15 Agents.
00:48:18 Agents.
00:48:20 Oh, pardon.
00:48:34 [music]
00:48:57 Fraulein. Fraulein!
00:48:59 What are you doing following me? It's going to look like a parade.
00:49:02 Stop it!
00:49:04 How are you? How nice to see you.
00:49:12 When did you arrive? It's lovely down to stay.
00:49:14 Are you having a good time? So many things to see.
00:49:17 My line.
00:49:24 My line.
00:49:26 If you don't stop following me, I'll call the police.
00:49:32 Taxi!
00:49:34 [phone ringing]
00:49:56 Dial, please. D-Y-L-E.
00:49:58 Yes, Mr. Dial, I remember.
00:50:00 No, I'm sorry, Mr. Dial. Nothing today.
00:50:07 Thank you.
00:50:09 Mr. Dial, please. Your one and only telephone.
00:50:12 Mr. Dial, cabin four.
00:50:14 Mr. Dial, cabin four, please.
00:50:17 Yes?
00:50:26 Good morning, Mr. Dial.
00:50:28 Reggie?
00:50:31 It's the only name I've got. How about you?
00:50:33 No cat and mouse. You've got me. What do you want to know?
00:50:35 Why you lied to me.
00:50:37 I had to.
00:50:39 I knew you were in on the whole thing.
00:50:41 I'm trying to find out who you are.
00:50:43 But you know my name. It's Dial.
00:50:45 Carson Dial is dead.
00:50:47 Yes, he is. He was my brother.
00:50:49 Your brother?
00:50:53 The army thinks he was killed in action by the Germans.
00:50:55 I think they did it.
00:50:57 Tex, Gideon, Scoby and your husband.
00:50:59 Because my brother wouldn't go along with their scheme to steal the gold.
00:51:02 I think he threatened to turn them in, and they killed him.
00:51:05 I'm trying to prove it.
00:51:07 They think I'm working with them.
00:51:09 But I'm not, Reggie. I'm on your side.
00:51:11 Just believe that.
00:51:13 How can I? You lied to me, just the way Charles did.
00:51:15 After promising you wouldn't.
00:51:17 Oh, I want to believe you, Peter.
00:51:19 I can't call you that anymore, can I?
00:51:22 It'll take me a while to get used to your new name.
00:51:24 What is it?
00:51:26 Hello?
00:51:30 Hello?
00:51:32 If you do anything funny or try to talk to anyone, I'll kill you, Dial.
00:51:49 You'll wreck your raincoat.
00:51:53 Take the next car, please.
00:51:55 Look out.
00:52:13 I didn't want you to bump your head.
00:52:15 Now get in there.
00:52:20 [car engine starts]
00:52:22 All right, turn around.
00:52:31 Now sit down.
00:52:43 [car engine starts]
00:52:45 Now what?
00:52:55 We wait, with our mouths shut.
00:52:58 I'm sorry about that.
00:53:09 [grunts]
00:53:11 Okay, up there.
00:53:22 Do I knock or something?
00:53:33 Open it.
00:53:35 And keep right on going.
00:53:37 The view, it better be worth it.
00:53:39 Very pretty.
00:53:55 Now what?
00:53:57 I was afraid of that.
00:54:05 I'll give you a chance, Dial.
00:54:07 Which is more than you'd give me.
00:54:09 Where's the money?
00:54:12 Is that why you dragged me all the way up here, to ask me that?
00:54:17 She has it.
00:54:19 And I say maybe you both have it.
00:54:21 One more time, Dial.
00:54:24 Where is it?
00:54:27 Supposing I had it, which I don't.
00:54:32 Do you really think I'd just hand it over to you?
00:54:35 Step back.
00:54:40 Back where?
00:54:45 That's the idea.
00:54:48 Now, now, just a minute. Take it easy.
00:54:52 [gunshots]
00:54:56 [gunshots]
00:54:58 [grunts]
00:55:00 [grunts]
00:55:04 [whimpers]
00:55:10 [grunts]
00:55:17 [gunshots]
00:55:19 [grunts]
00:55:28 [gunshot]
00:55:34 [gunshot]
00:55:45 [gunshots]
00:55:47 [grunts]
00:55:53 [gunshot]
00:55:58 [gunshot]
00:56:15 [gunshots]
00:56:17 [screams]
00:56:29 Heaven?
00:56:40 What?
00:56:42 [laughing]
00:56:44 How you doing?
00:56:46 How do you think?
00:56:48 If you get bored, try writing "Love thy neighbor" a hundred times on the side of the building.
00:56:53 Monsieur, next time, please.
00:57:06 Use the keyhole.
00:57:09 [door creaks]
00:57:11 Is that you?
00:57:23 Yeah.
00:57:24 You gonna open up?
00:57:26 Sure, wait a minute.
00:57:28 Don't you know it's impolite to leave someone holding the phone?
00:57:32 What happened?
00:57:34 Oh, I met a man with sharp nails.
00:57:37 Scoby?
00:57:39 Mm-hmm.
00:57:41 I left him hanging around the American Express.
00:57:44 Come in.
00:57:46 I've got something that stings like crazy.
00:57:48 Now, you're the kind of girl that'd have something like that.
00:57:50 Sit down.
00:57:52 Wait a minute. What is that stuff?
00:57:55 Marvelous stuff.
00:57:57 It's gonna hurt you much more than it's gonna hurt me.
00:57:59 Oh, Bill.
00:58:01 Did you hear something rip?
00:58:02 No.
00:58:03 Oh, that's odd.
00:58:04 [grunts]
00:58:06 Listen, I only came in for an estimate.
00:58:09 Sit still.
00:58:11 It's not too bad.
00:58:12 You won't be able to lie on your back for a few days.
00:58:15 And you can lie from any position, can't you?
00:58:17 Oh, ho, ho, ho.
00:58:19 Does it hurt?
00:58:20 What, what?
00:58:21 Does it hurt?
00:58:22 Oh, are you kidding?
00:58:23 Have you got a bullet like a bite like they do in the movies?
00:58:26 Are you really Carson Diles, brother?
00:58:29 Now, would you like to see my passport?
00:58:32 Passport? What kind of a proof is that?
00:58:35 Oh, would you like to see where I was tattooed?
00:58:37 Yes.
00:58:38 All right, we'll drive around that way.
00:58:40 [laughs]
00:58:42 Could at least tell me what your first name is these days.
00:58:46 Alexander.
00:58:49 Okay, Alexander.
00:58:51 You're done.
00:58:52 Good.
00:58:54 You're a new man.
00:58:56 I'm sorry the old one couldn't tell you the truth.
00:58:59 But I had to find out your part in all this.
00:59:02 Is there a Mrs. Dile?
00:59:04 Yes.
00:59:06 But we're divorced.
00:59:09 I thought that was Peter Joshua.
00:59:11 I'm just as difficult to live with as he was.
00:59:15 Alex, how can you tell if anyone's lying or not?
00:59:19 You can't.
00:59:20 There must be some way.
00:59:22 No, no, there's no riddle about two tribes of Indians.
00:59:25 The white feet always tell the truth and the black feet always lie.
00:59:28 So one day you meet an Indian, you say, "Hey, Indian,
00:59:31 what are you, a truthful white foot or a lying black foot?"
00:59:34 He says, "I'm a truthful white foot."
00:59:36 Well, which is he?
00:59:40 Well, why couldn't you just look at his feet?
00:59:42 Because he's wearing moccasins.
00:59:44 Well, then he's a truthful white foot, of course.
00:59:46 Well, why not a lying black foot?
00:59:49 Which one are you?
00:59:51 A truthful white foot.
00:59:55 Come in.
00:59:57 Sit down.
00:59:58 All right, you want to look at my feet?
01:00:00 Yes.
01:00:04 Uh-oh.
01:00:05 Knock it off.
01:00:06 Now, come on, Reggie, listen to me.
01:00:07 Oh, here it comes, the fatherly talk.
01:00:09 You forget I'm already a widow.
01:00:11 So was Juliet at 15.
01:00:13 But I'm not 15.
01:00:14 Well, that's a trouble.
01:00:15 You're too old for me.
01:00:16 Can't you be serious?
01:00:18 Oh, you just had an horrible word.
01:00:19 What did I say?
01:00:21 Serious.
01:00:22 When a man gets to be my age, that's the last word he ever wants to hear.
01:00:25 I don't want to be serious.
01:00:27 And I especially don't want you to be.
01:00:29 So just sit around all day long being frivolous.
01:00:31 How about that?
01:00:35 Reggie, cut it out.
01:00:37 Okay.
01:00:39 Well, now what are you doing?
01:00:40 Cutting it out.
01:00:41 Who told you to do that?
01:00:43 You did.
01:00:44 Oh, I'm not through complaining yet.
01:00:46 Oh.
01:00:51 Now cut it out.
01:00:53 I think I love you.
01:01:00 I need a telephone for you.
01:01:01 Never mind.
01:01:03 Whoever it is won't give up.
01:01:04 And neither will I.
01:01:05 Just a minute here.
01:01:07 Go on, take it.
01:01:10 Hello.
01:01:13 I'm sorry.
01:01:14 I was just nibbling on something.
01:01:18 I'd appreciate it mighty highly if you'd wiggle on over to room 46 and chew the fat for a spell.
01:01:24 Could you give me one good reason why I should?
01:01:26 Yeah.
01:01:27 The little one, about six or seven, keeps calling for Aunt Reggie.
01:01:34 Ain't that cute?
01:01:36 They've got Jean-Louis.
01:01:39 I'll be right there.
01:01:44 Hey, Tex, do something with this kid, will you?
01:01:47 My leg's going to sleep.
01:01:49 I'm so dizzy.
01:01:51 Are you here, cowboy?
01:01:53 Yeah, sure am, kid.
01:01:55 So where's your gun?
01:02:00 Will you put that thing away?
01:02:03 Jean-Louis.
01:02:06 Got her, Miss Lampert?
01:02:08 No, who invited him?
01:02:10 Well, Herman, see you had a happy landing.
01:02:12 I must call Sylvie right away.
01:02:14 I'm afraid that'll have to wait, Mrs. Lampert.
01:02:17 But it's his mother.
01:02:18 She won't be anybody's mother unless you answer some questions.
01:02:21 This ain't no game, Miss Lampert.
01:02:22 I want that money now.
01:02:24 Why don't you keep quiet and stop threatening the child?
01:02:28 He hasn't got the money and neither has Mrs. Lampert.
01:02:31 Then who does?
01:02:33 I don't know, Herman.
01:02:34 Maybe you do.
01:02:36 Me.
01:02:38 Or you.
01:02:39 Or him.
01:02:41 Why, that's the most ridiculous thing I ever--
01:02:44 Now listen to this man.
01:02:45 I'm going loco.
01:02:46 Now hold it.
01:02:48 Suppose one of you found Charles here in Paris.
01:02:51 Even bumped into him by accident.
01:02:54 Followed him when he tried to run out again.
01:02:56 Coined him on the train.
01:02:57 Threw him out the window and without bothering to tell the other two,
01:03:00 took all the money for yourself.
01:03:02 If one of us did that, he wouldn't hang around here waiting for the other two to figure it out.
01:03:05 But he'd have to, don't you see?
01:03:07 If he left, he'd be admitting his guilt.
01:03:09 Whoever it is has to wait here pretending to look for the money.
01:03:12 Waiting for the rest of us to give up and go home.
01:03:15 He's just trying to throw us off.
01:03:17 They got it, I tell you.
01:03:19 Why don't we search their rooms?
01:03:23 That's all right with us.
01:03:25 What are we wasting time for?
01:03:26 Let's go.
01:03:27 While we're waiting, we'll search yours.
01:03:29 Not my room.
01:03:31 Well, Herman, you have something to hide.
01:03:37 Then there are no objections.
01:03:40 All right, here's my key.
01:03:41 I'll take that.
01:03:42 My room's open.
01:03:44 Stay with me.
01:03:48 Now, you two just make yourselves to home here.
01:03:53 Now, let's get busy.
01:03:55 Come on, John Dewey.
01:03:56 Come along.
01:03:57 Oh, that's fine.
01:03:58 Who gets your vote?
01:04:00 Scolby, he's the one who objected.
01:04:02 All right, I'll take Texas Rue and Gideon's.
01:04:05 You take John Dewey with you and bolt the door from inside.
01:04:08 Come on, John, we will have a treasure hunt, okay?
01:04:10 Come on.
01:04:13 Tex?
01:04:18 And it's Charlie's stuff.
01:04:20 Looks like it.
01:04:21 You going to call Herman?
01:04:23 What for?
01:04:24 If it's not here, why bother him?
01:04:27 And if it is?
01:04:29 Why bother him?
01:04:38 Sure there's nothing missing here?
01:04:40 No, everything's here.
01:04:41 The police have kindly provided us with a list.
01:04:46 Sure ain't nothing here worth no quarter of a million dollars.
01:04:48 Not unless we're blind.
01:04:51 I keep telling myself we've stolen a great deal of money,
01:04:54 but up to now I've yet to see a penny of it.
01:04:57 You think maybe we're fishing up the wrong stream?
01:05:02 Meaning what?
01:05:04 Suppose one of us has it, you know, like the man says.
01:05:07 Now, that'd be mighty distasteful.
01:05:10 Us being veterans of the same war and all.
01:05:13 Well, you'll know I tell you if I had it.
01:05:17 Oh, naturally, just like I'd tell you if I had it.
01:05:21 Naturally.
01:05:22 And that goes for Herman, too.
01:05:25 Naturally.
01:05:32 He's all right, Sylvie, honestly.
01:05:34 Just hurry over as soon as you can.
01:05:36 Okay, goodbye.
01:05:39 Now, if you had a treasure, where would you hide it?
01:05:44 I would bury it in the garden.
01:05:46 Well, swell, but this man doesn't have a garden.
01:05:49 Oh, neither do I.
01:05:50 You don't?
01:05:51 Well, if you had to hide it in this room, where would you put it?
01:05:55 Up there.
01:05:56 On top of that cupboard?
01:05:58 You know something?
01:06:00 You may be right.
01:06:05 Oh, I hope I don't find any hairy little things living up here.
01:06:10 Hey, there is something.
01:06:12 It's heavy.
01:06:13 I found it, I found it, I found it, I found it.
01:06:15 If you think you're getting credit for this, you're crazy.
01:06:18 We won, we won, we won, we won, we won, we won, we won, we won, we won, we won.
01:06:25 We found it, we found it.
01:06:28 Did you find it?
01:06:29 No.
01:06:30 What do you mean, no?
01:06:31 The kid was yelling there.
01:06:32 Up there, it's up there.
01:06:35 Believe me, there's nothing up there.
01:06:38 Yeah?
01:06:43 Oh.
01:06:57 Oh, jumping free-haulers of Herman Spare.
01:07:04 Where is he?
01:07:06 He's over in my room.
01:07:25 You better take the boy out in the hall.
01:07:35 Oh, now who would have done a mean thing like that?
01:07:42 I'm not quite sure.
01:07:44 Well, this ain't my room.
01:07:46 Mine neither.
01:07:47 Oh, the police aren't gonna like this a bit.
01:07:51 We could dry him off and take him down the hall to his own room.
01:07:55 He really doesn't look too bad.
01:07:57 Oh, poor old Herman.
01:07:59 Seems like him and good luck always was strangers.
01:08:03 Well, maybe now he'll meet up with his other hand someplace.
01:08:13 (Screams)
01:08:16 A man drowned in his bed?
01:08:18 Impossible.
01:08:20 And in his pajamas.
01:08:21 The second one in his pajamas.
01:08:24 C'est trop stupide.
01:08:25 Stop lying to me.
01:08:27 This nose tells me when you are lying.
01:08:30 It is never mistaken.
01:08:32 Not in 23 years.
01:08:34 This nose will make me commissaire of police.
01:08:37 Mr. Dial or Mr. Joshua.
01:08:40 Which is it?
01:08:41 Dial.
01:08:42 And yet you registered in Mezhev as Mr. Joshua.
01:08:46 Didn't you know it was against the law to register under an assumed name?
01:08:50 No, I didn't.
01:08:52 It's done in America all the time.
01:08:55 None of you will be permitted to leave Paris until this matter is cleared up.
01:09:00 Only I warn you, I will be watching.
01:09:04 We use the guillotine in this country.
01:09:07 I have always suspected that the blade coming down causes no more than a slight tickling sensation on the back of the neck.
01:09:16 It is only a guess, of course.
01:09:18 I hope none of you ever finds out for certain.
01:09:23 (Groans)
01:09:28 Who do you think did it?
01:09:31 Gideon?
01:09:32 Possibly.
01:09:34 Or Tex?
01:09:35 Possibly.
01:09:36 You're a fat lot of help.
01:09:38 That's right.
01:09:39 Can I have one of those?
01:09:40 One of what?
01:09:41 I think Tex did it.
01:09:42 Oh.
01:09:43 Vanille chocolat, s'il vous plaît.
01:09:44 Why do you think Tex did it?
01:09:46 Because I really suspect Gideon, and it's always the person you don't suspect.
01:09:50 Do women think it's feminine to be so illogical, or can't they help it?
01:09:54 What's so illogical about that?
01:09:56 Well, you just said that it's always the one you don't suspect.
01:09:59 And you suspect Gideon, so therefore it must be Tex.
01:10:01 But on the other hand, if you suspect Tex, it must be the other fellow, Gideon.
01:10:04 Uh...
01:10:06 I guess they just can't help it.
01:10:08 Hmm? Who?
01:10:09 Women.
01:10:10 Oh.
01:10:12 You know, I can't help feeling rather sorry for Scobie.
01:10:16 Wouldn't it be nice if we were like that?
01:10:18 What, like Scobie?
01:10:20 No, Gene Kelly.
01:10:21 You remember when he danced down here by the river in America and Paris without a care in the world?
01:10:25 Hmm.
01:10:27 You know, this is good. Want some?
01:10:29 (Groans)
01:10:31 No, thanks.
01:10:33 Oh.
01:10:34 And I guess you don't, do you?
01:10:36 I'm sorry.
01:10:39 Alex, I'm scared.
01:10:43 Yes, I know.
01:10:44 I can't think of any reason why he was killed.
01:10:48 Well, perhaps someone thought the four shares were too many.
01:10:51 What makes you think that this someone is going to be satisfied with three?
01:10:54 He wants it all, Alex.
01:10:56 That means we're in his way, too.
01:10:58 That's right.
01:10:59 We've got to do something.
01:11:01 Any minute now, we could be assassinated.
01:11:04 Would you do anything like that?
01:11:06 What, assassinate someone?
01:11:08 No, swing down from there on a rope to save the woman you love.
01:11:11 Like the hunchback of Notre Dame.
01:11:13 That... Huh?
01:11:16 Oh, who put that there?
01:11:21 Hurry up and change.
01:11:23 I'm starved.
01:11:24 Let me know what you want to eat so that I can pick out a soup that matches.
01:11:27 Oh, ha, ha, ha, ha.
01:11:38 Ah!
01:11:40 What do you want?
01:11:41 It's the house, detective.
01:11:43 Why don't you have a girl in there?
01:11:45 Aren't you a pest?
01:11:46 Can I come in?
01:11:48 No, I'd rather take a bath.
01:11:51 Oh, wouldn't it be better if you did it in here?
01:11:53 What for?
01:11:54 Well, I wouldn't want to use that tub.
01:11:57 And anyway, I don't want to be alone, I'm afraid.
01:11:59 Go on in next door and bet anything happens, holler.
01:12:05 Ah!
01:12:09 Reggie?
01:12:10 Got you.
01:12:13 Did you ever hear the story of the boy who cried wolf?
01:12:16 The shower's in there.
01:12:18 Oh, come on, Reggie, open the door.
01:12:21 This is a ludicrous situation.
01:12:22 I can think of a dozen men who are just longing to use my shower.
01:12:25 Why don't you call one of them?
01:12:27 I dare you.
01:12:29 Oh, you're a nut.
01:12:34 What are you doing?
01:12:35 Taking off my shoes.
01:12:36 What do you think I'm doing?
01:12:37 Did you ever hear of anyone taking a shower with their shoes on?
01:12:43 I usually sing a medley of old favorites when I'm in the shower.
01:12:46 Oh, any requests?
01:12:48 Shut the door.
01:12:49 Oh, I'm afraid I don't know them on this.
01:12:52 Well...
01:12:54 Shut the door.
01:12:55 Why? Come in and watch.
01:13:09 Drip dry.
01:13:13 How often do you go through this little ritual?
01:13:15 Oh, every day the manufacturer recommends it.
01:13:18 I don't believe it.
01:13:20 Oh, yes, it's... Wait a minute.
01:13:25 Look at the label. Look, look at the small print.
01:13:29 Wearing this suit during washing helps protect his shape.
01:13:41 Waterproof.
01:13:50 Actro-nylon. Fibrous resistance. Plastic, rustproof, flyproof, proof-proof.
01:13:57 You're the nut.
01:13:58 Nutproof.
01:14:04 Yes?
01:14:05 Miss Slappett, Bartholomew.
01:14:07 I spoke to Washington, Miss Slappett.
01:14:10 Go ahead, Mr. Bartholomew. I'm listening.
01:14:12 Well, I told them what you said about this man being Carson Dial's brother.
01:14:17 I asked them what they knew about it, and they told me.
01:14:20 You're not going to like this, Mrs. Slappett. Carson Dial had no brother.
01:14:27 Miss Slappett?
01:14:28 Are you sure there's no mistake?
01:14:30 None whatsoever.
01:14:31 Please be careful, Mrs. Slappett.
01:14:34 Bye.
01:14:44 I left all my drip-dry dripping.
01:14:46 Is that all right?
01:14:48 What's the matter? Something wrong?
01:14:51 Oh, you're probably weak from hunger. You've only eaten five times today.
01:14:55 I'll get someone to fix up my suit quickly and take you out to dinner.
01:14:58 Let's go somewhere crowded. I feel like a lot of people.
01:15:11 Hey, you know this thing is still damp?
01:15:18 You haven't spoken a word for 20 minutes.
01:15:21 I was thinking about Charles and Scobie and who's going to be next.
01:15:25 Me?
01:15:26 I don't suppose you know who the murderer is, do you?
01:15:29 No, not yet.
01:15:31 Whoever's left alive at the end will pretty much have sewn up the nomination, don't you think?
01:15:36 What are you trying to say, that I might have killed Charles and Scobie?
01:15:39 What do I have to do to satisfy you? Become the next victim?
01:15:42 It's a start anyway.
01:15:44 Oh. I can't understand you at all.
01:15:47 One minute you're chasing me around the shower room, and the next minute you're accusing me of murder.
01:15:52 Carson Dial had no brother.
01:15:59 Oh, I can explain that if you'll just listen.
01:16:02 Well, I can't very well leave without a pair of water wings, can I?
01:16:05 All right, get set for the story of my life.
01:16:08 Fiction or non-fiction?
01:16:10 Why don't you shut up?
01:16:11 Well.
01:16:12 Are you going to listen?
01:16:14 Go on.
01:16:15 All right.
01:16:17 Now, when I was a young man, my father expected me to go into his business.
01:16:22 Umbrella frames, that's what he made.
01:16:25 Oh, a sensible business, I suppose, but I didn't have the sense in those days to be sensible.
01:16:29 I suppose all this is leading somewhere.
01:16:32 Well, it led me away from umbrella frames for one thing.
01:16:35 But that left me without any honest means of support.
01:16:38 What do you mean?
01:16:40 Well, in this highly competitive world, when a man has no profession, there isn't much choice.
01:16:45 So I began looking for people who had more money than they needed, including some they'd barely miss.
01:16:51 You mean you're a thief?
01:16:54 Well, that's not exactly the term I'd have chosen, but it sort of captures the spirit of the thing.
01:17:00 I don't believe it.
01:17:04 I can't really blame you now.
01:17:06 But I do believe it. That's what I don't believe.
01:17:09 So it's goodbye Alexander Dial and welcome home Peter Joshua.
01:17:13 Sorry, the name's Adam Canfield.
01:17:16 Adam Canfield?
01:17:19 Wonderful.
01:17:21 Don't you realize you've had three names in the past two days? I don't even know who I'm talking to anymore.
01:17:26 Well, man's the same, even if the name isn't.
01:17:29 No, he isn't the same. Adam Canfield is a crook and I want to know why.
01:17:32 Well, it's simple. I like what I do. I enjoy my work.
01:17:35 There aren't many men in the world who love their work as much as I do.
01:17:38 You can look around sometime.
01:17:41 Is there a Mrs. Canfield?
01:17:44 Yes, but we're divorced.
01:17:47 That's right, now go and eat your dinner.
01:17:49 Oh, I could eat a horse.
01:17:51 I think that's what you ordered.
01:17:53 Don't you dare be civil with me after leading me on like this.
01:17:56 How did I lead you on?
01:17:58 Oh, that marvelous rejection.
01:18:00 You knew I couldn't resist it and now it turns out all you're interested in is the money.
01:18:04 That's right.
01:18:06 What would you like me to say?
01:18:08 That a pretty girl with an outrageous manner means more to an old pro like me than a quarter of a million dollars?
01:18:13 I don't suppose so.
01:18:15 Well, that's a toss-up, I can tell you that.
01:18:18 What?
01:18:21 Hasn't it occurred to you that I'm having a tough time keeping my hands off you?
01:18:25 Oh, you should see your face.
01:18:31 What's the matter with it?
01:18:34 It's love, there.
01:18:37 Now what's the trouble?
01:18:39 I'm not hungry anymore, isn't it glorious?
01:18:43 Adam!
01:18:45 It's all right, come and look.
01:18:48 ♪ Romeo came
01:18:53 ♪ And it was closing night
01:19:01 ♪ The ending of...
01:19:06 Hey, you don't look so bad in this light.
01:19:08 Why do you think I brought you here?
01:19:10 I thought maybe you wanted me to see the kind of work the competition was turning out.
01:19:15 Pretty good, huh?
01:19:17 I taught them everything they do.
01:19:19 Oh, did they do that kind of thing way back in your day?
01:19:24 Sure.
01:19:26 How do you think I got here?
01:19:28 Not allowed to kiss back, huh?
01:19:35 Oh, no.
01:19:36 Doctor said it was bad for my thermostat.
01:19:44 ♪ ...and your head
01:19:50 Well, when you come on, you come on, don't you?
01:19:57 Well, come on.
01:19:59 ♪ Romeo came
01:20:04 Yeah.
01:20:17 Hmm?
01:20:18 In the lobby?
01:20:26 Are you out of your mind or something? It's 3.30 in the morning.
01:20:30 You mean it?
01:20:33 All right, all right, I'll be right down. Wait a minute.
01:20:40 ♪ Romeo came
01:20:44 ♪ Romeo came
01:20:48 ♪ Romeo came
01:20:53 ♪ Romeo came
01:20:57 Hey, hey, turn on the lights!
01:21:22 ♪ Romeo came
01:21:26 Hey, I stopped the thing!
01:21:30 (sneezes)
01:21:33 (sneezes)
01:21:35 (sneezes)
01:21:36 (screams)
01:21:38 ♪ Romeo came
01:21:44 ♪ Romeo came
01:21:48 Three of them, all in their pyjamas?
01:21:53 C'est ridicule.
01:21:54 What is it, some new American fad?
01:21:56 And now, your friend who lives here,
01:21:58 the one from Texas, he's disappeared.
01:22:01 Into thin air.
01:22:02 Where is he?
01:22:03 I wish I knew.
01:22:05 Madame?
01:22:06 Tell me, Mr. Dial, where were you at 3.30 a.m.?
01:22:12 In my room, asleep.
01:22:14 And you, Mrs. Lampert?
01:22:16 I was, too.
01:22:17 In Mr. Dial's room?
01:22:19 No, in my room.
01:22:21 Obviously, you're telling the truth.
01:22:24 For why would you invent such a ridiculous story?
01:22:28 And if I were you, I wouldn't stay in my pyjamas.
01:22:33 Good night.
01:22:35 Well, that wraps it up.
01:22:38 Tex has the money.
01:22:40 You go to bed. I'll let you know when I found him.
01:22:42 You're gonna go looking for him now?
01:22:44 Well, if the police find him first,
01:22:45 they're not going to turn over that quarter of a million dollars to us.
01:22:48 Oh, Adam!
01:22:49 You as I tell you, go to bed and bolt your door.
01:22:51 (phone buzzing)
01:22:54 Yeah?
01:22:59 Now, you listen to me, Dial.
01:23:01 Look, I know who's got that money, man.
01:23:03 And I want my share.
01:23:05 Seems to be growing and growing every day.
01:23:07 Well, I ain't disappearing until I get it.
01:23:09 Where are you, Tex?
01:23:11 Come on, man.
01:23:12 Look, my mama didn't raise no stupid children.
01:23:15 Look, I'll tell you what.
01:23:17 You want to find me,
01:23:19 well, you just look over your shoulder.
01:23:21 'Cause from now on, I'm gonna be right behind you.
01:23:24 Open up.
01:23:38 (door opens)
01:23:40 I think I was wrong about Tex having the money.
01:23:44 Why?
01:23:46 I just heard from him. He's still hungry.
01:23:48 That means killing Gideon didn't get it for him.
01:23:51 So he's narrowed it down to us.
01:23:53 You've got it.
01:23:55 But I've looked everywhere. You know I have--
01:23:57 Where's the airline's bag?
01:23:59 In the wardrobe?
01:24:00 Get it.
01:24:02 Lord, you're obstinate.
01:24:04 Charles must have had it with him on the train
01:24:06 when Tex killed him. Thanks.
01:24:08 Everybody and his Aunt Lillian
01:24:12 has been through that bag, including me.
01:24:15 Okay, we'll do it again.
01:24:17 I've been into it at least once a day.
01:24:19 Somebody would have seen it.
01:24:21 It's there, Reggie.
01:24:24 We're looking at it right now.
01:24:26 Something on that bed is worth a quarter of a million dollars.
01:24:29 But what?
01:24:31 I don't know. I don't know.
01:24:33 Four passports.
01:24:36 Steamship ticket.
01:24:38 Anything in there?
01:24:42 Nothing.
01:24:44 Wallet.
01:24:46 Phone?
01:24:48 No.
01:24:50 A fountain pen.
01:24:52 What about that key?
01:24:57 To the apartment. Matches mine exactly.
01:24:59 Oh.
01:25:02 I bet you don't really need those.
01:25:05 You need them.
01:25:08 Well, it still doesn't make sense.
01:25:12 But it is worth a quarter of a million dollars, I don't know.
01:25:15 Wait a minute.
01:25:19 The tooth powder.
01:25:21 What about it?
01:25:22 Could you recognize heroin just by the taste of it?
01:25:31 Heroin.
01:25:33 Peppermint-flavored heroin.
01:25:35 Well, I guess that's it.
01:25:39 Dead end.
01:25:41 Well, go to bed.
01:25:43 You've got to get up and go to work in the morning.
01:25:45 There's nothing more we can do tonight.
01:25:47 I love you, Adam.
01:25:49 Yes, you told me.
01:25:53 No. The last time I said I love you, Alex.
01:25:56 Oh.
01:25:58 Oh.
01:26:00 [Speaking Italian]
01:26:02 Hold it. They're recognizing Great Britain.
01:26:13 What a bus.
01:26:15 Mr. Chairman, fellow delegates, my distinguished colleague from Italy.
01:26:19 Her Majesty's delegation has listened with great patience to the Southern European...
01:26:23 Oh, are you on?
01:26:25 No, it's all right. What's wrong, Adam?
01:26:27 Nothing's wrong. I think I found something.
01:26:29 I was in Charles's room and came across this in the wastebasket.
01:26:31 I stuck it together again.
01:26:33 That's the receipt Grandpierre gave me for Charles's things.
01:26:36 I don't see how that's going to...
01:26:37 No, you're not looking.
01:26:38 Last night when we went through the airline's bags, something was missing.
01:26:41 An agenda.
01:26:42 That's an appointment book, isn't it?
01:26:44 It wasn't there.
01:26:46 That's right.
01:26:48 I remember Grandpierre looking through it, but there was nothing in it.
01:26:50 At least nothing the police thought was very important.
01:26:52 Can you remember anything in it at all?
01:26:54 Well, he did say something about Charles's last appointment.
01:26:58 With whom? Where?
01:26:59 I think it only said where.
01:27:01 Come on, Reggie, think. Think.
01:27:03 This may be what we're looking for.
01:27:05 Adam, that money doesn't belong to us.
01:27:07 If we keep it, we'll be breaking the law.
01:27:09 Nonsense. We didn't steal it. There's no law against stealing stolen money.
01:27:12 Of course there is.
01:27:14 There is?
01:27:15 Yes.
01:27:16 When did they pass such a silly law?
01:27:17 Now think, Reggie. What was in that appointment book?
01:27:19 Oh, it was a place or a street corner or something.
01:27:21 Watch it. I'm on.
01:27:23 Messieurs les délégués,
01:27:25 my distinguished colleague from Great Britain,
01:27:28 the problem that presents itself
01:27:30 influences in a vital way
01:27:32 the most important proposal
01:27:34 of the Western Hemisphere Conference.
01:27:36 Of the Western Hemisphere Conference...
01:27:40 Of the Western Hemisphere Conference held on March 22nd...
01:27:45 No, wait!
01:27:47 It was last Thursday, 5 o'clock,
01:27:49 at the Jardin des Champs-Elysées.
01:27:51 That's it, Adam, the garden!
01:27:53 Well, it's Thursday today and it's almost 5 o'clock,
01:27:55 so come on.
01:27:57 Oh, it's all right, gentlemen. Carry on.
01:27:59 Now what?
01:28:04 5 o'clock, Thursday, the garden.
01:28:07 There must be something around here.
01:28:09 Charles's appointment was last week.
01:28:11 Yes, I know, but this is all we've got left.
01:28:13 You're not kidding.
01:28:14 Ten minutes ago, I had a job.
01:28:16 Well, now you've got another job,
01:28:18 so stop grumbling and start looking.
01:28:20 I'll take that side. You poke around over here.
01:28:22 (music playing)
01:28:25 (music playing)
01:28:27 (children laughing)
01:28:39 (car horn honking)
01:28:48 (children laughing)
01:28:51 (children laughing)
01:28:53 It's hopeless. I don't even know what we're looking for.
01:29:05 I don't think Tex does either.
01:29:08 Tex? Is he here?
01:29:10 Look.
01:29:12 I'm going to see what he's up to.
01:29:17 You stay here.
01:29:19 Be careful, Adam. He's already killed three men.
01:29:22 (children laughing)
01:29:27 (chatter)
01:29:36 (chatter)
01:29:38 (train horn blaring)
01:30:00 (train horn blaring)
01:30:02 (explosion)
01:30:07 (explosion)
01:30:10 (explosion)
01:30:13 (explosion)
01:30:16 (train horn blaring)
01:30:19 (explosion)
01:30:23 (explosion)
01:30:27 (explosion)
01:30:29 Wait! Wait!
01:30:31 Tex!
01:30:33 Look out!
01:30:35 (music playing)
01:30:41 All right, where's the letter?
01:30:55 The letter, huh?
01:30:57 It ain't worth nothing.
01:30:59 You know what I mean.
01:31:01 The envelope with the stamps on it. I want it.
01:31:03 You greenhorn.
01:31:07 Why, you thick-skulled, harebrained, half-witted greenhorn.
01:31:12 And they was both too smart for us.
01:31:14 What are you talking about?
01:31:16 First her husband, now her.
01:31:18 She batted all of them big eyes at you,
01:31:21 and you fell for it like an egg from a tall chicken.
01:31:25 You want the envelope?
01:31:27 There.
01:31:29 You take it. It's all yours.
01:31:31 (laughing)
01:31:33 You kill all three of them for nothing.
01:31:37 (laughing)
01:31:39 You greenhorn.
01:31:42 You block-headed jackass.
01:31:45 You knee-cum-poop.
01:31:50 Sylvie, what are you doing here?
01:31:52 I'm waiting for Jean-Louis.
01:31:54 Oh.
01:31:56 What's he up to?
01:31:57 He was so excited when he got the stamps you gave him this morning.
01:32:00 He said he'd never seen any like them.
01:32:02 I'm glad.
01:32:03 What's all this?
01:32:04 The stamp market. It's there every Thursday afternoon.
01:32:07 That's where Jean-Louis trades his stamps.
01:32:09 Good Lord, where is he?
01:32:12 What's the matter, chérie?
01:32:13 The stamps. They're worth a fortune.
01:32:15 What?
01:32:16 A fortune. Come on.
01:32:19 (indistinct chatter)
01:32:21 I don't see him anywhere.
01:32:28 We'll separate. You look over there.
01:32:30 Okay.
01:32:31 Jean-Louis!
01:32:37 Jean-Louis!
01:32:40 Jean-Louis!
01:32:44 (indistinct chatter)
01:32:46 Jean-Louis!
01:32:52 Jean-Louis!
01:32:54 Reggie!
01:32:55 Reggie!
01:32:57 Jean-Louis, thank heaven, do you have the...
01:33:03 What's this?
01:33:05 A man gave me all those for only three.
01:33:08 A man? Oh, no, Jean-Louis. Who?
01:33:11 Where?
01:33:13 Vite, mon chéri, vite!
01:33:17 LÃ -bas! Come on!
01:33:21 Oh, but he's gone.
01:33:26 I don't blame him.
01:33:27 (knocking)
01:33:28 Entrez.
01:33:30 Monsieur Felix?
01:33:32 Oui.
01:33:33 I was expecting you.
01:33:37 I knew you would come.
01:33:39 Look at them, madame.
01:33:41 Have you ever in your entire life seen anything so beautiful?
01:33:45 I'm sorry, I don't know anything about stamps.
01:33:47 I know them as one knows his own face, though I had never seen them.
01:33:51 This one, a Swedish four shilling,
01:33:54 called the Gula Firas Killingen,
01:33:56 printed in 1854.
01:33:58 What is it worth?
01:34:00 Well, the money is unimportant.
01:34:02 I'm afraid it's very important.
01:34:04 In your money, perhaps $85,000.
01:34:08 May I sit down?
01:34:09 Yes.
01:34:10 And the blue one?
01:34:11 Oh, it's called the Hawaiian Blue.
01:34:13 In 1894, the owner was murdered by a rival collector who was obsessed to own it.
01:34:19 And what is its value today?
01:34:21 $65,000.
01:34:23 And the last one?
01:34:25 Ah, the best for last.
01:34:27 Le chef-d'oeuvre de la collection, the masterpiece.
01:34:31 It's the most valuable stamp in the world.
01:34:33 It's called the Gazette Moldave.
01:34:35 It was printed by hand on colored paper and marked with the initials of the printer.
01:34:40 Today, it has a value of $100,000.
01:34:44 I'm not a thief, madame.
01:34:47 I knew there was some mistake.
01:34:49 You gave the boy a great many stamps in return.
01:34:56 Are they for sale now?
01:34:57 Oh, let me see.
01:34:58 350 European, 200 Asian,
01:35:01 175 American, 100 African,
01:35:04 and 12 Princess Grace commemorative,
01:35:07 which comes to 10 francs.
01:35:09 And don't forget these.
01:35:13 Thank you.
01:35:15 I'm sorry.
01:35:17 No, for a few minutes they were mine.
01:35:20 That is enough.
01:35:21 Adam?
01:35:28 Adam?
01:35:30 Adam?
01:35:32 Adam?
01:35:34 Adam?
01:35:36 Adam?
01:35:37 Adam?
01:35:39 Adam?
01:35:41 [SIREN]
01:35:43 [TELEPHONE RINGING]
01:36:07 [TELEPHONE RINGING]
01:36:09 Hello?
01:36:14 Mr. Bartholomew?
01:36:15 Yes?
01:36:16 Tex is dead.
01:36:18 Smothered.
01:36:19 And Adam did it.
01:36:24 He killed them all.
01:36:26 Are you sure?
01:36:27 Yes, I'm sure.
01:36:29 Tex wrote the word "Dial" before he died.
01:36:36 He's the murderer, I tell you.
01:36:38 Now, wait a minute.
01:36:39 Just a minute, Mrs. Lampert.
01:36:40 You better give that to me again.
01:36:42 It was the stamps on the letter Charles had with him on the train.
01:36:45 They were there in plain view all the time,
01:36:47 but no one bothered to look at the envelope.
01:36:49 Now, Mrs. Lampert, listen to me.
01:36:50 You're not safe as long as you have these stamps.
01:36:52 Now, let's see.
01:36:54 Do you know the Cinegarden at the Palais Royale?
01:36:56 Yes, the colonnade?
01:36:57 Yes, by the colonnade.
01:36:59 As fast as you can get there.
01:37:00 Hurry, Mrs. Lampert.
01:37:01 I'm leaving right away.
01:37:02 Goodbye.
01:37:04 [♪♪♪]
01:37:06 Reggie!
01:37:18 The stamps, where are they?
01:37:19 Reggie, wait!
01:37:20 Why, so you can kill me too?
01:37:22 Tex is dead. He wrote "Dial" on the cartridge.
01:37:24 I'm not "Dial." You knew that.
01:37:25 Tex didn't know it. You're a murderer.
01:37:27 Reggie, I want those stamps.
01:37:29 [SPEAKING FRENCH]
01:37:32 [SPEAKING FRENCH]
01:37:33 [SPEAKING FRENCH]
01:37:34 [♪♪♪]
01:37:36 [♪♪♪]
01:37:38 [♪♪♪]
01:37:40 [♪♪♪]
01:37:42 [♪♪♪]
01:38:11 [SPEAKING FRENCH]
01:38:12 [♪♪♪]
01:38:15 [♪♪♪]
01:38:17 [♪♪♪]
01:38:27 [♪♪♪]
01:38:40 [♪♪♪]
01:38:43 [♪♪♪]
01:38:45 [♪♪♪]
01:38:57 [♪♪♪]
01:39:07 [♪♪♪]
01:39:10 [♪♪♪]
01:39:13 [♪♪♪]
01:39:15 [♪♪♪]
01:39:42 [♪♪♪]
01:40:10 [THUD]
01:40:11 Oh!
01:40:16 [♪♪♪]
01:40:30 [BUZZING]
01:40:32 [♪♪♪]
01:40:37 [BUZZING]
01:40:40 American Embassy.
01:40:41 American Embassy?
01:40:43 Uh, Mr. Bartholomew's office, please.
01:40:47 Would you speak a little louder, please?
01:40:49 I can't speak any louder.
01:40:51 Mr. Hamilton Bartholomew.
01:40:54 I'm sorry. Mr. Bartholomew has left for the day.
01:40:57 But someone's trying to kill me.
01:41:00 What?
01:41:01 Kill me!
01:41:03 You've got to get word to him right away.
01:41:05 He's in the center garden of the Palais Royal near the colonnade.
01:41:09 Tell him I'm trapped in a phone booth right below him in the metro station,
01:41:12 and the name's Lampert.
01:41:14 [GUNSHOT]
01:41:18 [GUNSHOT]
01:41:24 [♪♪♪]
01:41:35 [♪♪♪]
01:41:37 [PHONE RINGING]
01:41:56 Hello?
01:41:59 Hello, Mr. Bartholomew?
01:42:01 Yes?
01:42:02 There was a call for you just now, Mr. Bartholomew.
01:42:04 It sounded quite urgent. A Mrs. Lampert.
01:42:07 Lampert? I don't know any Mrs. Lampert.
01:42:10 She says she's trapped in a metro station, and someone's trying to kill her.
01:42:14 Trying to kill her?
01:42:16 Who does she think I am, the CIA?
01:42:19 All right, I guess you better call the French police.
01:42:22 [♪♪♪]
01:42:24 [GUNSHOT]
01:42:27 [♪♪♪]
01:42:30 [♪♪♪]
01:42:32 [♪♪♪]
01:42:42 [♪♪♪]
01:42:44 [♪♪♪]
01:43:01 [♪♪♪]
01:43:03 Mr. Bartholomew! Mr. Bartholomew!
01:43:16 Help me!
01:43:17 Hey, you! Stop!
01:43:19 That man is Carson Dial.
01:43:21 We all know Carson Dial is dead, Mrs. Lampert.
01:43:26 I tell you, he's Carson Dial.
01:43:28 Now, you're not gonna believe him.
01:43:30 Just bring those stamps over here. He's trying to trick you again.
01:43:33 Tex recognized him. That's why he wrote "Dial."
01:43:36 If you take him those stamps, he'll kill you, too.
01:43:39 Mrs. Lampert, if I'm who he says I am, what's preventing me from killing you right now?
01:43:44 Because he'd have to come out to get the stamps. And he knows he'll never make it.
01:43:48 Mrs. Lampert, he wants the money for himself. That's all he's ever wanted.
01:43:52 He's with the CIA. I saw him at the embassy.
01:43:55 I tell you, he's Carson Dial.
01:43:57 That's right, Mrs. Lampert. That's right. I'm a dead man. Look at me.
01:44:02 Oh, I don't know who anybody is.
01:44:08 Reggie, I beg you. Just trust me once more.
01:44:12 Why should I?
01:44:14 I can't think of a reason in the world why you should.
01:44:17 Stop right now, Mrs. Lampert, or I'll kill you.
01:44:26 I won't get you the stamps, Dial. You'll still have to come out to get them.
01:44:29 And I'm not likely to miss at this range.
01:44:31 Maybe not, but it takes a lot of bullets to kill me.
01:44:34 They left me there with five of them in my legs and my stomach.
01:44:37 Mrs. Lampert, they knew I was still alive, but they left me there.
01:44:40 I spent ten months in a German prison camp with nothing to stop the pain.
01:44:43 They left me there, Mrs. Lampert. They deserve to die.
01:44:46 But I had nothing to do with it. You've got the money now. It belongs to me.
01:44:50 Mrs. Lampert, they knew I was still alive, but they left me there.
01:44:53 That's why I had to kill them, all four of them.
01:44:56 Please believe me, Mrs. Lampert. I'll kill you, too. It won't make any difference.
01:45:00 It's no use. You're running out of time.
01:45:05 I've come too far to turn back. I swear I'll kill you.
01:45:08 Make up your mind, Mrs. Lampert, now.
01:45:13 I have you!
01:45:16 (Gunshots)
01:45:19 (Gunshots)
01:45:23 (Gunshots)
01:45:26 (Gunshot)
01:45:29 (Hooves thud)
01:45:32 (Hooves thud)
01:45:59 (Door opens)
01:46:03 (Footsteps)
01:46:06 (Door opens)
01:46:18 (Footsteps)
01:46:24 (Footsteps)
01:46:53 (Footsteps)
01:46:56 (Footsteps)
01:46:59 (Footsteps)
01:47:20 (Footsteps)
01:47:23 (Door opens)
01:47:37 All right. I know you're in there, Mrs. Lampert. Come on out.
01:47:48 (Footsteps)
01:47:51 Do you hear me? Come on out!
01:48:02 I don't want to kill you, but I will.
01:48:17 (Footsteps)
01:48:20 Come on out!
01:48:25 (Footsteps)
01:48:46 (Footsteps)
01:48:49 The game is over, Mrs. Lampert.
01:49:13 (Screams)
01:49:16 (Gunshot)
01:49:19 You didn't have to chase me so hard.
01:49:38 That one's done. Do this one.
01:49:41 I'm sorry I thought you were the murderer.
01:49:44 How was I to know he was as big a liar as you are?
01:49:47 Is that all the gratitude I get for saving your hide?
01:49:50 You're rubbing your own dicky foot.
01:49:52 The truth now. Was it my hide or those stamps?
01:49:55 Well, what a terrible thing to say. How could you think that?
01:49:58 Then prove it to me.
01:50:00 Tell me to go to the embassy first thing in the morning and turn in those stamps.
01:50:04 I said tell me to go to the embassy first thing...
01:50:09 I heard you, I heard you, I heard you.
01:50:11 Then say it.
01:50:13 Now, Reggie, listen to me.
01:50:15 There's something I'd like to explain...
01:50:17 Never mind. I'll go by myself.
01:50:19 What makes you think they're even interested?
01:50:21 It's only a quarter of a million dollars.
01:50:23 It'll cost more than that for them to fix up their bookkeeping.
01:50:25 Now, as a taxpayer...
01:50:26 Who's a taxpayer? Crooks don't pay taxes.
01:50:28 Excuse me, soldier.
01:50:30 Marine, ma'am.
01:50:31 Oh, forgive me.
01:50:32 Who would I see regarding the return of stolen government money?
01:50:35 Well, you might try the Treasury Department, ma'am.
01:50:37 Room 217, second floor, Mr. Crookshank.
01:50:39 217, thank you, Marine.
01:50:41 Uh, uh, do you mind if I don't go in with you?
01:50:51 The sight of all that money being given away might make me break out.
01:50:54 Mr. Crookshank, please. My name is Lampert.
01:51:00 Yes.
01:51:01 Mr. Crookshank?
01:51:03 Uh, Miss Lampert...
01:51:04 Mrs. Lampert to see you.
01:51:07 Yes, sir.
01:51:08 Go right in.
01:51:09 Thank you.
01:51:10 Of all the mean, rotten, contemptible crooked...
01:51:28 Crooked?
01:51:29 I didn't think you'd be glad to find out I'm not crooked.
01:51:31 You can't even be honest about being dishonest.
01:51:34 Why didn't you say something?
01:51:36 You were not allowed to tell.
01:51:38 Now, come on. Give me the stamp.
01:51:39 Hmm.
01:51:40 Wait a minute.
01:51:42 How did Carson Dyer get an office in this building anyway?
01:51:45 Well, when did you meet him?
01:51:46 One time a day, I mean.
01:51:47 About one?
01:51:48 The lunch hour.
01:51:50 Probably worked it out in advance.
01:51:52 Found an office usually left open and just moved in for the time you were here.
01:51:55 Then how do I know this is your office?
01:52:00 Mrs. Foster, take a memo to Bartholomew and Security recommending that...
01:52:04 Bartholomew.
01:52:06 Recommending that embassy offices be kept locked during the lunch hour.
01:52:09 Hmm. Starting with his own.
01:52:12 I'll give you the stamps. Come on.
01:52:13 And what's your first name today?
01:52:15 Brian.
01:52:16 Brian Crookshank.
01:52:17 Serves me right if I get stuck with that one.
01:52:19 Well, who asked you to get stuck with any of them? Come on.
01:52:21 Is there a Mrs. Crookshank?
01:52:23 Yes.
01:52:24 But we're divorced.
01:52:26 No.
01:52:28 Oh.
01:52:29 My mother. She lives in Detroit. You'd like her. She'd like you, too.
01:52:35 Come on. Give me those stamps.
01:52:36 Not until you prove to me that you're really Brian Crookshank.
01:52:40 All right. One day next week. I'll put it on the marriage license. How about that?
01:52:43 Quit stalling. I want some identification now.
01:52:45 I wouldn't lie on a license.
01:52:46 You can't prove it till the beginning. You're still trying to...
01:52:48 Marriage license?
01:52:51 Did you say marriage license?
01:52:54 Now, don't change the subject. Just give me the stamps.
01:52:56 Oh, I love you, Adam Alex Peter Brian, whatever your name is.
01:53:02 Oh, I love you.
01:53:04 I hope we have a lot of boys and we can name them all after you.
01:53:08 Well, before we start that, may I have the stamps?
01:53:10 Yes.
01:53:12 (SIREN WAILING)
01:53:15 (GUNSHOTS)
01:53:17 (GUNSHOTS)
01:53:18 (rock music)
01:53:20 you