Combo Film
  • 7 months ago
Transcript
00:00:00 [birds chirping]
00:00:07 Peter Quint!
00:00:08 Peter Quint!
00:00:09 Peter Quint!
00:00:11 Quint, where are you?
00:00:14 [whistling]
00:00:20 Peter Quint!
00:00:22 Peter Quint!
00:00:24 Quint, where are you?
00:00:27 [whistle]
00:00:28 [WHISTLE BLOWS]
00:00:29 Whoa!
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00:32:19 Such shame.
00:32:23 Bullshit.
00:32:28 Had I but known in the beginning.
00:32:36 More bullshit.
00:32:39 You love as you find you can, love. And that's all.
00:32:45 But all that pain?
00:32:49 All the hurt, the dirtiness of it, Quint.
00:32:53 Well, what did you think when we started?
00:32:58 It was to be kind. It was to be gentle.
00:33:05 Do you believe it's not a pain when you're born?
00:33:08 Or it's not so when you die?
00:33:12 Do you think there's no hurt when you love?
00:33:17 Then you're a hypocrite.
00:33:23 Yes.
00:33:32 - Margaret. - Not Margaret.
00:33:35 Nor ever so intimate.
00:33:38 Nor that.
00:33:42 I cannot so give myself.
00:33:49 With what, then?
00:33:52 The want of you.
00:33:56 [BIRDS CHIRPING]
00:33:59 You must be thirsty, my dear.
00:34:12 The stopper was out of its company. I had replaced it.
00:34:15 - Of course. - Please, I...
00:34:19 I apologise.
00:34:22 My head, I thought perhaps a stiffener.
00:34:25 At half past nine in the morning.
00:34:28 I was not aware of the time.
00:34:32 You look at me as if it is a misdemeanour of such proportion.
00:34:38 As you surely must know, the morning is for work.
00:34:43 Well, tomorrow is the internment of the master and his wife.
00:34:50 The late master, I mean.
00:34:53 And the children should not attend the burial?
00:34:56 Well, you are the nanny, Miss Jettles, not I.
00:34:59 - It is your decision. - But they still should not go?
00:35:02 On the contrary. If you have prepared them, then...
00:35:05 No. No, I have not.
00:35:08 Well, what they do not know, they need not.
00:35:11 Yes. Yes.
00:35:14 Far be it for me to say what they should or they should not do.
00:35:19 You, of course, observe your duties.
00:35:22 And I, of course, observe mine.
00:35:25 Ah!
00:35:29 My dear.
00:35:32 My dear.
00:35:38 - I... I fell asleep. - No. No, stay.
00:35:42 Do forgive me.
00:35:47 I felt so dizzy a moment ago.
00:35:51 - I have already seen it. - Mm.
00:35:55 But why?
00:35:58 Why would you want to harm yourself?
00:36:01 If you could, Quint, would you marry Miss Jessel?
00:36:13 - Ah, I don't know. - Are you afraid to marry her?
00:36:17 No. But I'd never be fool enough to ask her.
00:36:21 I don't understand.
00:36:24 Well, she might tear me down.
00:36:27 Naturally, my dear.
00:36:38 We all think it is the end of the world and there is no future in it.
00:36:42 And there's nothing left but a futility.
00:36:46 But we conquer it.
00:36:48 Mrs. Grose, please leave me.
00:36:51 When I was young, I loved one man.
00:36:55 We lived in the Pennines. My father shone rays for the landowner.
00:37:00 I had one love.
00:37:03 But never having the courage to show it,
00:37:06 he opted and went to Ramsgate, where he met a Frenchy girl.
00:37:10 I cried for two whole days without stop.
00:37:14 Such a good man he was.
00:37:18 The Parsons' eldest boy.
00:37:22 Oh, how I cried.
00:37:25 You suggest...
00:37:31 You suggest that I'm heartbroken or miserable or sad.
00:37:35 I'm none of these.
00:37:39 Do you misconstrue?
00:37:42 Peter.
00:37:54 His name is Quint.
00:37:57 He made this?
00:38:05 I don't know.
00:38:07 - But you do. - Mrs. Grose.
00:38:09 - It is finished. - Perhaps the children asked him to make the dolls.
00:38:12 I will not say to him what I ought.
00:38:15 But I promise you, he won't come in this house anymore
00:38:19 if I have to appeal to the guardian myself in person.
00:38:22 - But... - He stays outside this house.
00:38:24 He stays down by the lodge gate.
00:38:27 And he is forbidden this house.
00:38:36 Quint, tell us a story about the time
00:38:38 when your father sold a horse to the gypsies.
00:38:41 Your father?
00:38:44 Well, the first thing I remember about him
00:38:50 was what a fearful crook he was.
00:38:53 We was always traveling around, you know,
00:38:56 and we was up near a place called Carrickfergus.
00:38:59 And that was it.
00:39:02 Well, he decides to steal this mangy old nag
00:39:06 and sell it to the gypsies, you know, at a price.
00:39:09 Well, he thought he knew a lot about horses,
00:39:12 but he didn't know as much as the gypsies, you know.
00:39:16 So he... he steals this damn thing
00:39:20 and he takes me in this old coffin dragger
00:39:23 over Belfast Solway to Brochield.
00:39:26 They was having a horse sale over there.
00:39:29 I... oh...
00:39:32 I'll never forget the day he tried to...
00:39:35 he tried to sell it.
00:39:38 He's got a big bag of oats, you know, he's pinched it.
00:39:42 And he puts in some soda powder and he mixes the whole damn thing up.
00:39:46 He feeds it to the horse, the gas it up, you know.
00:39:49 So the bones won't be sticking through.
00:39:52 The poor thing had bar patches on it, like that.
00:39:57 And he glues it up, you know.
00:40:00 And he cuts out some rabbit fur
00:40:03 and he sticks it on there and he ties it up with a brush.
00:40:07 To give it a dapple effect.
00:40:10 Oh, then he takes a handful of... no, no.
00:40:13 It was a piece of ginger, about like that, and hot.
00:40:17 (coughing)
00:40:20 He sticks it in the rear of the animal.
00:40:24 So it'll spark it up, it's time to go to church.
00:40:28 (laughing)
00:40:30 When he's first made it, he says, "Come on."
00:40:33 He says, "We'll go down to the river and wait for sunset."
00:40:36 "Well, why sunset?" I says.
00:40:39 He says to me, "The damp wood that buys it won't see it plain until morning."
00:40:44 And he spies a big jibble coming down the back.
00:40:50 Huge man he was, like that.
00:40:53 "What'd he do with that?"
00:40:55 "Well, he should take the horse, did you know?"
00:40:58 And she walks over to him.
00:41:01 Oh, God, he was full of himself.
00:41:04 And he says, "Good evening to you, sir."
00:41:07 He says, "You know, you look like a man that knows about horses."
00:41:11 He says, "I can let you have this magnificent beast for only 5 shillings, silver."
00:41:17 He says, "It's just off the boat from Arabia."
00:41:20 Well, the jibble looks at him real quick, you know, like that, up and down.
00:41:25 Then he takes a look at the horse.
00:41:27 "He can't see the damp thing for the gloom, can he?"
00:41:30 (laughing)
00:41:36 Jibble says, "Do you think I'll give you a tool for it?"
00:41:40 "What do you mean?" "It takes the tool real quick, you know."
00:41:44 Well, the jibble jumps on the horse and he rides the damp thing straight into the water.
00:41:48 And no sooner is he in the water, he's just turning and, you know, bucking and kicking and farting.
00:41:57 I thought the British were coming.
00:41:59 (laughing)
00:42:03 Well, the rabbit fell off of it and the paint was running down his legs
00:42:08 and the bald patches were showing through.
00:42:11 And the piece of ginger flew out of the poor animal's ass
00:42:16 like it was shot from a cannon.
00:42:18 (laughing)
00:42:23 Well, when you send me down, you know, he's trembling and he's trying to fight his deficient and praying, oh God.
00:42:29 The first time he's like, "Where they take him?"
00:42:33 "Where they take him?" They tear his clothes off him.
00:42:37 They throw him in the river.
00:42:40 And, well, the damner drowned him.
00:42:44 But he gets to the other side and he runs off, you see.
00:42:48 And that's the last time I saw the dam fall from that day to this.
00:42:53 And it wouldn't light it.
00:42:55 So help me God.
00:42:58 Ah, well.
00:43:03 That's me father.
00:43:05 Hmm.
00:43:11 Now.
00:43:14 He's liking it, Flora.
00:43:16 Hmm.
00:43:18 Well, he's got one ear.
00:43:20 I broke it off, but I'll fix it for you.
00:43:24 Do you want it?
00:43:25 Please.
00:43:26 Well, give us a kiss then.
00:43:27 Come on.
00:43:29 All right.
00:43:32 Oh.
00:43:33 (laughing)
00:43:35 Come here.
00:43:37 There you are, darling.
00:43:40 You keep it.
00:43:46 (grunting)
00:43:51 There.
00:43:52 How does that feel?
00:43:53 Absolutely dreadful.
00:43:55 Why?
00:43:56 I can't move.
00:43:58 Well, that's the idea of it.
00:44:00 It is?
00:44:02 It is just possible that we've been doing it all the wrong way.
00:44:06 Miles, it hurts.
00:44:08 I think it's meant to.
00:44:10 Oh.
00:44:14 I think we're going to have to start all over again.
00:44:18 Miles!
00:44:19 No use shouting, Flora.
00:44:21 It's got to be as absolutely painful as possible.
00:44:23 Ow!
00:44:24 Quince says if it hurts, it is the truth.
00:44:27 I've made up my mind.
00:44:29 Well?
00:44:30 Take the shoes off.
00:44:31 Certainly not.
00:44:32 Take the dress off.
00:44:33 Never.
00:44:35 Flora, if you're going to behave like a baby--
00:44:37 I am not.
00:44:38 Flora, you agreed.
00:44:40 We are passionately in love and having an ecstatic love affair.
00:44:44 Ecstatic love affairs are boring.
00:44:47 Do you think it's tea time?
00:44:58 Oh!
00:44:59 I don't know why you make all this fuss.
00:45:01 We had a bath together last week.
00:45:03 Stop it!
00:45:04 Oh!
00:45:05 [GRUNTING]
00:45:10 Flora, stop!
00:45:11 This is not how sex is made!
00:45:14 [GRUNTING]
00:45:19 Flora, you'll be sorry.
00:45:28 [SCREAMING]
00:45:31 Leave!
00:45:32 Miles!
00:45:33 [GASPING]
00:45:35 Miles, leave!
00:45:37 Stop it!
00:45:38 Oh, leave me!
00:45:40 [SCREAMING]
00:45:42 [GIGGLING]
00:45:51 Miles!
00:45:52 Flora!
00:45:53 There's a rule in this house that nobody
00:45:55 enters the room without knocking.
00:45:57 I am forced to ask you what you think you are doing
00:46:00 and why was Miss Flora screaming?
00:46:03 I'll tell you exactly what we have been doing.
00:46:06 We have been doing sex.
00:46:08 [GIGGLING]
00:46:13 In the midst of life, we are in debt.
00:46:15 Of whom may we seek for succor but of thee, O Lord,
00:46:18 whom for our sins art justly displeased.
00:46:21 Yet, O Lord God most holy, O Lord most mighty,
00:46:26 deliver us not into the bitter pains of eternal death.
00:46:30 Thou knowest, Lord, the secrets of our hearts.
00:46:33 Shut not thy merciful ears to our prayer.
00:46:36 But spare us, Lord most holy, O God most mighty,
00:46:41 O holy and merciful savior, thou most worthy God of eternity.
00:46:46 Suffer us not at our last hour for any pain of death.
00:46:50 [MUSIC PLAYING]
00:46:59 There, Quince.
00:47:00 What did you say to her, Miles?
00:47:02 To meet Quince.
00:47:04 Don't you think, Quince, you should go to her?
00:47:06 Of course not.
00:47:07 But why tell her to go there, then?
00:47:10 Because that's how it's done.
00:47:13 What?
00:47:14 That's how you make love.
00:47:16 What is?
00:47:17 [SNAP]
00:47:19 Oh, shut up, Flora.
00:47:21 But, Quince, she loves you.
00:47:24 That's right.
00:47:26 But then you must go to her.
00:47:28 Often you've said, meet me, and she goes to the same place
00:47:31 and waits.
00:47:32 But you never go to her.
00:47:34 Why not, Quince?
00:47:36 It's hard to explain, Flora, why not.
00:47:40 You're not allowed in the house anymore, Quince,
00:47:42 Mrs. Grose says.
00:47:44 Oh, she does, does she?
00:47:48 Are you forbidden to see Miss Jessel, Quince?
00:47:51 Well, that's what they told me.
00:47:53 But she waits for you a while, doesn't she, Flora?
00:47:56 She loves him.
00:47:59 Quince, isn't it true all this love is just sheer agony?
00:48:05 I just hate to be in love.
00:48:08 All this boring.
00:48:10 All these problems.
00:48:16 Well, you know, sometimes when you hate, you're in love, Flora.
00:48:19 [music playing]
00:48:22 [birds chirping]
00:48:25 [rooster crowing]
00:48:49 [music playing]
00:48:52 [screaming]
00:49:13 [glass breaking]
00:49:15 [music playing]
00:49:18 [birds chirping]
00:49:21 [music playing]
00:49:24 [rooster crowing]
00:49:27 [music playing]
00:49:30 [rooster crowing]
00:49:33 [music playing]
00:49:37 [music playing]
00:49:40 [laughing]
00:50:05 [music playing]
00:50:08 Rats!
00:50:10 Rats in my kitchen!
00:50:12 It's Quince's job to keep them down.
00:50:14 Oh, I'm sure.
00:50:15 Where are Miles and Flora?
00:50:17 Are they not with you?
00:50:19 Not this morning.
00:50:20 Quince has a kite.
00:50:21 Oh, a grown man.
00:50:23 What a waste.
00:50:25 The children were so excited.
00:50:27 They went to the chalk pit, I think.
00:50:29 The chalk pit?
00:50:30 Hmm.
00:50:31 I have told them they must not play there.
00:50:33 It is dangerous.
00:50:35 But they're with Quince.
00:50:36 Oh, he has no care.
00:50:38 I shall go.
00:50:41 Will you not come with me?
00:50:43 I have some work.
00:50:45 I can't do it, Quince.
00:50:52 It won't work.
00:50:53 All right.
00:50:54 Twill so.
00:50:55 Come on.
00:50:58 Back away, Flora.
00:51:01 Grab this here now.
00:51:04 Now when I tell you to run, run like the wind.
00:51:09 Wait a minute, son.
00:51:11 Now run!
00:51:13 Faster!
00:51:15 Fast!
00:51:16 Run!
00:51:17 Keep running!
00:51:18 That's it!
00:51:19 Keep running!
00:51:21 Now, Flora, give me-- give me that.
00:51:25 Keep at it!
00:51:26 You've got it!
00:51:28 That's it.
00:51:29 Mine, the block!
00:51:30 Miles, Miles!
00:51:31 Dear God!
00:51:32 Miles!
00:51:33 Miles!
00:51:34 No!
00:51:35 Oh!
00:51:36 [HORN HONKING]
00:51:37 [SCREAMING]
00:51:38 [HORN HONKING]
00:51:39 Oh, dear.
00:51:40 [GASP]
00:51:41 [HORN HONKING]
00:51:42 [SCREAMING]
00:51:43 [HORN HONKING]
00:51:44 [SCREAMING]
00:51:45 [HORN HONKING]
00:51:46 [SCREAMING]
00:51:47 [HORN HONKING]
00:51:48 [SCREAMING]
00:51:49 [HORN HONKING]
00:51:50 [SCREAMING]
00:51:51 [HORN HONKING]
00:51:52 [SCREAMING]
00:51:53 [SCREAMING]
00:51:54 [HORN HONKING]
00:51:55 [SCREAMING]
00:51:56 [HORN HONKING]
00:51:57 [SCREAMING]
00:51:58 [HORN HONKING]
00:51:59 [SCREAMING]
00:52:00 [HORN HONKING]
00:52:01 [SCREAMING]
00:52:02 [HORN HONKING]
00:52:03 [SCREAMING]
00:52:04 [HORN HONKING]
00:52:05 [SCREAMING]
00:52:06 [HORN HONKING]
00:52:07 [SCREAMING]
00:52:08 [HORN HONKING]
00:52:09 [SCREAMING]
00:52:10 [HORN HONKING]
00:52:11 [SCREAMING]
00:52:12 [HORN HONKING]
00:52:13 [SCREAMING]
00:52:14 [HORN HONKING]
00:52:15 [SCREAMING]
00:52:16 [HORN HONKING]
00:52:17 [SCREAMING]
00:52:18 [HORN HONKING]
00:52:19 [SCREAMING]
00:52:20 [HORN HONKING]
00:52:21 [SCREAMING]
00:52:22 [HORN HONKING]
00:52:23 [SCREAMING]
00:52:24 [HORN HONKING]
00:52:25 [SCREAMING]
00:52:26 [HORN HONKING]
00:52:27 [SCREAMING]
00:52:28 [HORN HONKING]
00:52:29 [SCREAMING]
00:52:30 [HORN HONKING]
00:52:31 [SCREAMING]
00:52:32 [HORN HONKING]
00:52:33 [SCREAMING]
00:52:34 [HORN HONKING]
00:52:35 [SCREAMING]
00:52:36 [HORN HONKING]
00:52:37 [SCREAMING]
00:52:38 [HORN HONKING]
00:52:39 [SCREAMING]
00:52:40 [HORN HONKING]
00:52:41 [SCREAMING]
00:52:42 [HORN HONKING]
00:52:43 [SCREAMING]
00:52:44 [SCREAMING]
00:52:45 [HORN HONKING]
00:52:46 [SCREAMING]
00:52:47 [HORN HONKING]
00:52:48 [SCREAMING]
00:52:49 [HORN HONKING]
00:52:50 [SCREAMING]
00:52:51 [HORN HONKING]
00:52:52 [SCREAMING]
00:52:53 [HORN HONKING]
00:52:54 [SCREAMING]
00:52:55 [HORN HONKING]
00:52:56 [SCREAMING]
00:52:57 [HORN HONKING]
00:52:58 [SCREAMING]
00:52:59 [HORN HONKING]
00:53:00 [SCREAMING]
00:53:01 [HORN HONKING]
00:53:02 [SCREAMING]
00:53:03 [HORN HONKING]
00:53:04 [SCREAMING]
00:53:05 [HORN HONKING]
00:53:06 [SCREAMING]
00:53:07 [HORN HONKING]
00:53:08 [SCREAMING]
00:53:09 [HORN HONKING]
00:53:10 [SCREAMING]
00:53:11 [HORN HONKING]
00:53:12 [SCREAMING]
00:53:13 [HORN HONKING]
00:53:14 [SCREAMING]
00:53:15 [HORN HONKING]
00:53:16 [SCREAMING]
00:53:17 [HORN HONKING]
00:53:18 [SCREAMING]
00:53:19 [HORN HONKING]
00:53:20 [SCREAMING]
00:53:21 [HORN HONKING]
00:53:22 [SCREAMING]
00:53:23 [HORN HONKING]
00:53:24 [SCREAMING]
00:53:25 [HORN HONKING]
00:53:26 [SCREAMING]
00:53:27 [HORN HONKING]
00:53:28 [SCREAMING]
00:53:29 [HORN HONKING]
00:53:30 [SCREAMING]
00:53:31 [HORN HONKING]
00:53:32 [MUSIC PLAYING]
00:53:52 Miles?
00:53:53 No, Quint!
00:53:56 You do not come in here.
00:53:58 What is to gain?
00:54:02 What is it you want of us?
00:54:05 Us?
00:54:07 Do you want money?
00:54:09 You take me for a thief?
00:54:11 Have us all dead.
00:54:13 Is that it?
00:54:14 You are forbidden in this house.
00:54:19 Pull the trigger.
00:54:28 Quint!
00:54:30 Pull it.
00:54:33 Are you afraid to kill me, Mrs. Gross?
00:54:44 I'll write to the master.
00:54:45 That'll be the last you'll see of her.
00:54:46 It is you.
00:55:08 You think I will scream.
00:55:09 You see?
00:55:10 I will not scream.
00:55:12 You see?
00:55:13 I will not.
00:55:14 Peter.
00:55:15 No.
00:55:16 Not Peter.
00:55:17 He is not coming.
00:55:18 He is told.
00:55:19 He cannot.
00:55:20 What he wants of thee.
00:55:21 He had you like a puppet.
00:55:22 You dance.
00:55:23 I was asleep.
00:55:24 And you would have allowed him.
00:55:25 Anything that he did not want, he would have allowed.
00:55:26 I have nothing to do with him.
00:55:27 I have nothing to do with him.
00:55:28 I have nothing to do with him.
00:55:29 I have nothing to do with him.
00:55:30 I have nothing to do with him.
00:55:31 I have nothing to do with him.
00:55:32 I have nothing to do with him.
00:55:33 I have nothing to do with him.
00:55:34 I have nothing to do with him.
00:55:35 I have nothing to do with him.
00:55:36 I have nothing to do with him.
00:55:37 I have nothing to do with him.
00:55:38 I have nothing to do with him.
00:55:41 I have nothing to do with him.
00:55:42 I have nothing to do with him.
00:55:43 I have nothing to do with him.
00:55:44 I have nothing to do with him.
00:55:45 I have nothing to do with him.
00:55:46 I have nothing to do with him.
00:55:47 I have nothing to do with him.
00:55:48 I have nothing to do with him.
00:55:49 I have nothing to do with him.
00:55:50 I have nothing to do with him.
00:55:51 I have nothing to do with him.
00:55:52 I have nothing to do with him.
00:55:53 I have nothing to do with him.
00:55:54 I have nothing to do with him.
00:55:55 I have nothing to do with him.
00:55:56 I have nothing to do with him.
00:55:57 I have nothing to do with him.
00:55:58 I have nothing to do with him.
00:55:59 I have nothing to do with him.
00:56:00 I have nothing to do with him.
00:56:01 I have nothing to do with him.
00:56:02 I have nothing to do with him.
00:56:03 I have nothing to do with him.
00:56:04 I have nothing to do with him.
00:56:05 I have nothing to do with him.
00:56:06 I have nothing to do with him.
00:56:07 I have nothing to do with him.
00:56:08 I have nothing to do with him.
00:56:09 I have nothing to do with him.
00:56:10 I have nothing to do with him.
00:56:11 I have nothing to do with him.
00:56:12 I have nothing to do with him.
00:56:13 I have nothing to do with him.
00:56:14 I have nothing to do with him.
00:56:15 I have nothing to do with him.
00:56:16 I have nothing to do with him.
00:56:17 I have nothing to do with him.
00:56:18 I have nothing to do with him.
00:56:19 I have nothing to do with him.
00:56:20 I have nothing to do with him.
00:56:21 I have nothing to do with him.
00:56:22 I have nothing to do with him.
00:56:23 I have nothing to do with him.
00:56:25 Straighten your arm.
00:56:26 Still.
00:56:27 Still.
00:56:28 Now let her go.
00:56:29 Good, good.
00:56:31 Oh dear.
00:56:33 No, it's not bad.
00:56:34 You know in China they say, Miles,
00:56:37 if you think about the target hard enough, you can hit it.
00:56:41 Blindfold.
00:56:42 Blindfold?
00:56:43 That's it.
00:56:44 How do they do it?
00:56:45 Well,
00:56:47 well first you close your eyes, you see.
00:56:51 Then, then you think real hard about the target.
00:56:54 And in your mind,
00:56:57 you see the arrow going into the bull's eye.
00:57:00 And then you fire it.
00:57:05 I did it.
00:57:10 For the love of God.
00:57:11 You are clever, Quint.
00:57:14 Flora.
00:57:20 Miss Jessel.
00:57:21 Shall we walk now?
00:57:23 May I talk to you about Peter Quint?
00:57:28 There's no point, Flora.
00:57:30 What good would it do?
00:57:31 I don't know.
00:57:32 But I do think you should see him.
00:57:34 I will not.
00:57:36 All right, Miss Jessel.
00:57:38 I understand.
00:57:39 Miles.
00:57:44 Will you do something for me?
00:57:46 Anything, Quint.
00:57:49 Well, I want to see Miss Jessel, but
00:57:51 I'm forbidden by old wrinkled ass, you know.
00:57:55 But I must see her.
00:57:57 You hate Miss Jessel, don't you, Quint?
00:57:59 Oh, I hate her.
00:58:00 In that case, if I understand you correctly, you love her.
00:58:04 That's right.
00:58:06 I do love her, lad.
00:58:08 That's easy. I can arrange anything.
00:58:11 You can do it?
00:58:12 Yes.
00:58:13 Good, lad.
00:58:14 Well, come on now. Push.
00:58:17 Push.
00:58:18 Can I keep it to practice with?
00:58:29 We'll look after you, then.
00:58:32 The Chinese Quint.
00:58:45 They first see the target,
00:58:47 then they pretend they have hit it,
00:58:49 because they think hard about it.
00:58:51 That's right.
00:58:52 Then they close their eyes.
00:58:54 And fire.
00:58:55 Miles!
00:59:09 That could be very dangerous.
00:59:12 I was never a child as you are.
00:59:14 Such a grand house.
00:59:16 Able to have any dress or toy you like.
00:59:19 Who was your father, Miss Jessel?
00:59:21 Well, Mr. Jessel, of course.
00:59:23 And what did he do, Miss Jessel?
00:59:25 He was the church sexton.
00:59:27 Such a timid man.
00:59:30 So gentle.
00:59:31 And my mother loved him.
00:59:33 Why, Miss Jessel?
00:59:35 They were married five years after I was born.
00:59:39 He was not my father, you see.
00:59:41 He was just a...
00:59:43 kind little man.
00:59:45 I understand.
00:59:46 Do you like kind and gentle people, Miss Jessel?
00:59:49 Not anymore, Flora.
00:59:53 When Mr. Jessel died, my mother killed herself.
00:59:56 She loved him that much.
00:59:58 He was so calm and nice.
01:00:01 But when he was dead, my mother knew the truth.
01:00:04 The truth.
01:00:07 The truth.
01:00:08 The world is a very violent place.
01:00:11 Nothing is truly calm.
01:00:16 Even when you are dead, you bring pain.
01:00:19 Flora, no, don't!
01:00:21 Flora!
01:00:23 It's all right, Miss Jessel.
01:00:24 Why have you turned white?
01:00:26 I cannot swim.
01:00:29 And I thought...
01:00:31 I was afraid.
01:00:34 It's all right, Miss Jessel.
01:00:35 I can swim and I would have saved you.
01:00:37 Quint says he doesn't want to see you again, ever.
01:00:47 And that it's all over, he says.
01:00:49 Miles, don't!
01:00:51 He says that he doesn't care anymore.
01:00:53 And that you ought to rot.
01:00:54 Miles, don't hit the ball again like that.
01:00:57 So as far as he is concerned, he has...
01:01:00 or he says, washed his hands of you.
01:01:02 What do you say to that, Miss Jessel?
01:01:04 You had no right to hit my ball into the hedge like that.
01:01:08 But what do you say?
01:01:10 About Quint?
01:01:12 I don't believe it.
01:01:14 He doesn't care about you anymore, Miss Jessel.
01:01:17 If that's true, he should tell me so.
01:01:22 To my face.
01:01:24 Catch!
01:01:25 That's easy.
01:01:27 I can arrange everything.
01:01:31 Everything.
01:01:32 Quint!
01:01:50 Quint!
01:01:52 Well, what are you doing here?
01:01:58 I came to see you.
01:01:59 To see old Quint?
01:02:00 To tell you that I'd see Miss Jessel.
01:02:02 She loves you.
01:02:05 Get your rude ass out of here.
01:02:06 She loves you, Quint.
01:02:08 Who?
01:02:09 Miss Jessel.
01:02:10 She told me to tell you.
01:02:11 And that she thinks of nothing but you.
01:02:13 And the day when you'll be together.
01:02:15 You wouldn't like to?
01:02:17 Oh, no.
01:02:19 And that you must meet her and she'll forgive you.
01:02:22 Oh, Jessel.
01:02:24 And be kind and gentle.
01:02:25 She loves you with all her being.
01:02:28 Oh, how pretty you make the words.
01:02:29 What else did she say?
01:02:31 What other lies did she tell you?
01:02:33 Mrs. Grouse, I'll help you up.
01:02:43 Oh, dear.
01:02:52 I'm terrified of heights.
01:02:55 Give me your hand, Mrs. Grouse.
01:02:56 It's quite safe.
01:02:58 Give me your basket.
01:03:01 Here we are.
01:03:03 You go on up, Miles.
01:03:07 I think I'm all right now.
01:03:09 I'll follow you up.
01:03:11 Oh, you can be such a charming young man when you want.
01:03:17 Inviting me into the tree house.
01:03:19 Thank you very much.
01:03:23 On the contrary, it's my pleasure.
01:03:24 There we are.
01:03:26 Isn't it nice in here?
01:03:34 Quint built it for us.
01:03:36 It took him four months.
01:03:38 Is Miss Flora to join us?
01:03:40 I'm sure she is.
01:03:42 I remember as a child when we would...
01:03:44 What was that?
01:03:52 There are squirrels here, you know.
01:03:53 But I did hear something.
01:03:57 It could be just that...
01:04:02 What?
01:04:04 I'll go and look.
01:04:06 Right.
01:04:08 Can you see anything?
01:04:12 Miles, be careful.
01:04:16 Right.
01:04:18 Where are you going?
01:04:21 Where are you, dear?
01:04:22 Just a moment.
01:04:24 Be a good boy, Miles.
01:04:29 And come back and finish your tea.
01:04:31 That I surely will.
01:04:33 Now, what do you think you're at, Miles?
01:04:40 Miles?
01:04:43 Miles!
01:04:46 Dear God, he's taken the ladder away.
01:04:49 Miles!
01:04:51 Miles!
01:04:52 Miles!
01:04:54 Oh!
01:04:55 Miles!
01:04:56 Miles!
01:04:57 [MUSIC PLAYING]
01:05:00 [MUSIC PLAYING]
01:05:03 [MUSIC PLAYING]
01:05:07 [MUSIC PLAYING]
01:05:10 [MUSIC PLAYING]
01:05:13 [MUSIC PLAYING]
01:05:16 [MUSIC PLAYING]
01:05:20 [MUSIC PLAYING]
01:05:23 (sad music)
01:05:26 (sad music)
01:05:28 (sad music)
01:05:30 (coughing)
01:05:47 (sad music)
01:05:49 (sad music)
01:05:52 (sad music)
01:05:54 (sad music)
01:05:57 (sad music)
01:05:59 (sad music)
01:06:01 (sad music)
01:06:04 (sad music)
01:06:06 (sad music)
01:06:08 (sad music)
01:06:11 (sad music)
01:06:40 - Good evening, Quint.
01:06:41 - Good evening, lad.
01:06:42 - You're here.
01:06:48 It does look tidy.
01:06:50 - Do you like it?
01:06:51 - I told you I'd arrange everything.
01:07:04 Good luck, Quint.
01:07:05 (sad music)
01:07:07 - They're up there.
01:07:12 (whistling)
01:07:19 (whistling)
01:07:22 How smart you look.
01:07:36 So clean.
01:07:39 You see, I didn't believe for one minute
01:07:44 that you care nothing for me.
01:07:45 It was just a lie, wasn't it?
01:07:46 - Lies.
01:07:47 Harvard lies.
01:07:49 - You had to see me.
01:07:50 - That's right.
01:07:53 - And you didn't risk losing the work here,
01:07:56 isn't that true?
01:07:57 And you know that all that Mrs. Grose has to do
01:08:05 is to write one note to the master,
01:08:08 and you're finished here.
01:08:10 You know that.
01:08:11 - I'm sorry, Mrs. Grose.
01:08:15 (birds chirping)
01:08:17 - That doesn't suit you.
01:08:19 Looks uncomfortable.
01:08:23 How hot you are.
01:08:27 Have you been running?
01:08:34 - Not running, Margaret.
01:08:45 - I'm not frightened, Quint.
01:08:47 I know what you want, and it's all right.
01:08:51 How strong you are.
01:08:59 Is that how you like to appear?
01:09:12 Dark and cold as if you're about to be evil.
01:09:15 Yes?
01:09:18 And all I would have to do,
01:09:26 did you ever think on that?
01:09:28 Was to scream out but once,
01:09:30 or to run down to the village, the policeman there.
01:09:33 It would have meant jail, Quint.
01:09:38 Years.
01:09:40 I could have done anything to you
01:09:41 for what you did to me in the beginning.
01:09:43 - No.
01:09:54 - Why not?
01:09:55 What have I gained by my silence?
01:09:58 - Myself.
01:10:00 - But you've just told Miles.
01:10:04 You care nothing, but you'd end it now.
01:10:08 (birds chirping)
01:10:12 And this is the last of it, isn't it?
01:10:14 Tonight.
01:10:15 - As you wish.
01:10:17 - Oh, I do.
01:10:19 Look, I have no fear.
01:10:25 I am free.
01:10:28 It is done.
01:10:30 (thunder rumbling)
01:10:34 Secret.
01:10:39 How little it matters.
01:10:41 - I need you with me, Margaret.
01:10:51 I need you to stay with me.
01:10:56 - To live with you in your pigsty.
01:11:00 (dramatic music)
01:11:04 (dramatic music)
01:11:07 - I'll give you a pigsty.
01:11:20 (Margaret grunting)
01:11:24 (Margaret grunting)
01:11:27 (dramatic music)
01:11:32 (Margaret grunting)
01:11:37 (dramatic music)
01:11:45 (thunder rumbling)
01:11:48 (dramatic music)
01:11:53 (gentle music)
01:12:00 - Who's down there?
01:12:07 Who is it?
01:12:08 - Peter Quint.
01:12:13 - Quint?
01:12:15 Quint!
01:12:16 Get me down from here at once.
01:12:17 Do you hear me?
01:12:18 You'll pay for this, my man.
01:12:21 Quint!
01:12:22 Oh, it's you, Master Miles.
01:12:25 Hold me down, I pray you.
01:12:28 - Never fear, Mrs. Grose.
01:12:29 I'll have you down immediately.
01:12:31 - Goodbye.
01:12:32 - Miss Jessel?
01:12:40 Miss Jessel?
01:12:41 Miss Jessel.
01:12:44 I have looked everywhere this morning
01:12:46 for Master Miles and Miss Flora.
01:12:48 - They were up early.
01:12:50 They went to the lake for something.
01:12:53 - I want you to know, Miss Jessel,
01:12:54 that I am sorely worried about them,
01:12:57 their general behavior,
01:12:59 and what they did to me yesterday.
01:13:01 And though I was told not to contact the Master,
01:13:05 I feel that I must.
01:13:09 - I think Miles' behavior outrageous,
01:13:12 what he did to you.
01:13:13 But you must see it in the light of a prank,
01:13:16 don't you think?
01:13:17 - Are your eyes weak this morning, Miss Jessel?
01:13:22 - No, why?
01:13:23 - I was just wondering why.
01:13:25 - Why what?
01:13:26 - Why you should need to wear a veil in the house.
01:13:32 (glass shattering)
01:13:35 - You slut.
01:13:40 And it was all a trick against me.
01:13:43 (screaming)
01:13:46 (glass shattering)
01:13:49 (screaming)
01:13:54 (screaming)
01:13:58 (glass shattering)
01:14:01 (screaming)
01:14:03 (glass shattering)
01:14:06 (screaming)
01:14:11 (footsteps tapping)
01:14:14 (screaming)
01:14:19 - The devil!
01:14:20 The devil is in both of you!
01:14:22 God forgive you!
01:14:24 - Let go!
01:14:25 - Don't you understand what I see with my own eyes?
01:14:27 You nearly killed Flora, you little dog!
01:14:30 - I'm your toad, you stop me, you infuriate!
01:14:33 - Flora!
01:14:34 - You stopped it, you stopped it,
01:14:35 and you interfered, Miles was right!
01:14:37 And it's, damn you!
01:14:39 The point was, which you don't understand,
01:14:42 it was a game!
01:14:44 I was meant to die!
01:14:45 - A game, to die?
01:14:47 - Then you ruined it!
01:14:49 - And you wanted to die?
01:14:51 - Oh yeah!
01:14:52 (crying)
01:14:57 (footsteps tapping)
01:14:59 - Well?
01:15:00 - What to say?
01:15:02 - They saw you last night, with him.
01:15:05 - Yes.
01:15:06 - They repeated exactly what you did.
01:15:10 - No!
01:15:11 - Oh yes they did, everything.
01:15:13 They, they cannot copy everything,
01:15:16 because they cannot know that...
01:15:18 They are still children.
01:15:22 They cannot possibly understand
01:15:24 that whatever I have done,
01:15:26 if you like, whatever wickedness I have done,
01:15:29 it was with a love.
01:15:32 And think you now,
01:15:35 now you have seen with your own eyes what comes of it,
01:15:38 it is still love.
01:15:40 - I beg you not to...
01:15:41 - Had Miss Flora died,
01:15:43 and by Miles' hand,
01:15:45 Margaret, have you thought...
01:15:52 I could have pitied you once,
01:15:54 but now...
01:15:57 I shall write to London.
01:16:00 Either you must go, and never come back,
01:16:04 or surely you will be sacked from here.
01:16:08 Oh, the ignominy.
01:16:13 (crying)
01:16:15 (door slams)
01:16:22 (door slams)
01:16:24 - There are no lessons today, Flora.
01:16:41 I'm afraid...
01:16:43 - And why not?
01:16:44 Are you ill, Miss Jessel?
01:16:46 - I'm tired.
01:16:47 - I notice that nothing is written on the blackboard.
01:16:50 - Flora!
01:16:51 - And that your eyes are red and puffy as if you've been crying.
01:16:55 - What have I had?
01:16:57 - May I ask you, are you in great pain?
01:17:01 Let me help you.
01:17:03 - Too late, Flora.
01:17:05 - But why?
01:17:06 - Because I am ill.
01:17:09 - But I am not.
01:17:11 You love him.
01:17:15 - No.
01:17:17 - Please, you do.
01:17:20 - I hate.
01:17:21 - Then, then you do love.
01:17:24 - But you cry, Miss Jessel.
01:17:28 And you hurt so.
01:17:30 - Don't worry so for me.
01:17:32 - But I do.
01:17:34 - Oh, if only you could understand
01:17:38 how cruel I have been to you.
01:17:40 And that I did not know I was to mislead you.
01:17:44 - But you haven't at all.
01:17:47 - On the blackboard I write the grammar and the spelling
01:17:50 and all the nice words.
01:17:52 I did not mean to show you something else.
01:17:56 - You mean Quint.
01:17:58 - I'm so ashamed.
01:18:02 - You see, I can help you.
01:18:04 - No.
01:18:06 It will all end.
01:18:07 - Let me help you.
01:18:09 Won't you let me?
01:18:11 - I will go.
01:18:13 - Go, Miss Jessel.
01:18:15 You must not go, you must stay.
01:18:17 - I can arrange anything.
01:18:20 I can tell Quint and he will meet you.
01:18:22 - No.
01:18:23 - Just once before you go.
01:18:25 - I love Quint, but you cannot help me.
01:18:27 (door slams)
01:18:30 - Come, you're cold.
01:18:32 Come catch me.
01:18:33 - Come on now.
01:18:36 - Catch me.
01:18:39 (laughing)
01:18:44 - I'll eat your life.
01:18:45 - Miss.
01:18:46 - Come on now.
01:18:47 - Got it.
01:18:48 - I'll be happy.
01:18:49 - Run.
01:18:50 - I'll get you now.
01:18:51 Got you now.
01:18:54 Oh God.
01:18:57 - It's my turn now.
01:18:58 - Oh no, come on.
01:19:00 Forgot the rest of it.
01:19:01 - What did you say about dying, Quint?
01:19:06 - What, what?
01:19:08 - Where did the dead go, Quint?
01:19:11 - The dead?
01:19:13 They don't go nowhere.
01:19:15 They can't know where to go.
01:19:17 - But how do you meet them?
01:19:24 - If you want to meet them, you'll have to die yourself.
01:19:28 - So the dead people meet each other?
01:19:31 - That's right.
01:19:32 - But do they love each other?
01:19:34 - Sure, of course they do.
01:19:36 - But live people love each other too.
01:19:42 - Well, I suppose so.
01:19:45 But sometimes it's hard to tell.
01:19:48 Well, you see, if you love someone, you want to kill them.
01:19:55 - Please, say that again, Quint.
01:19:59 - Well, if you really...
01:20:02 If you really love someone, sometimes you...
01:20:07 You really want to kill them.
01:20:09 (somber music)
01:20:12 (birds chirping)
01:20:15 (coins jingling)
01:20:30 (somber music)
01:20:33 - I've ordered a driver.
01:20:51 I'm sending all this up to London in advance.
01:20:58 By tomorrow I shall be gone.
01:21:00 (somber music)
01:21:10 (gun firing)
01:21:18 (gun firing)
01:21:22 (gun firing)
01:21:26 (gun firing)
01:21:28 (gun firing)
01:21:31 - I'll put the cases on the couch, madam.
01:21:34 - Thank you.
01:21:35 (somber music)
01:21:39 - You stay here and I'll give you the signal from the tower.
01:21:44 (somber music)
01:21:49 (footsteps thudding)
01:21:52 (chain rattling)
01:22:03 (somber music)
01:22:06 (chain rattling)
01:22:09 (door clicking)
01:22:24 (somber music)
01:22:34 (somber music)
01:22:37 - Quint.
01:22:48 (somber music)
01:22:52 (knocking)
01:22:59 (water splashing)
01:23:03 (water splashing)
01:23:06 (water splashing)
01:23:11 (somber music)
01:23:22 - Oh, Peter, did you think I would leave you?
01:23:29 Without a word.
01:23:31 (somber music)
01:23:34 (Peter gasping)
01:23:36 Peter, Peter!
01:23:37 Please, help me, help me, Peter!
01:23:42 (Peter screaming)
01:23:45 (Peter screaming)
01:23:48 Peter, help me, help me!
01:23:50 (Peter gasping)
01:23:54 (Peter gasping)
01:23:57 Oh, we don't want you to go.
01:24:00 (Peter gasping)
01:24:03 (somber music)
01:24:05 We want you to stay with us.
01:24:07 (somber music)
01:24:10 You see, you must stay.
01:24:13 (water splashing)
01:24:16 We love you.
01:24:19 (somber music)
01:24:23 (knocking)
01:24:28 (somber music)
01:24:31 - Ah, you've got the lake.
01:24:51 - It's the wrong shape.
01:24:52 - It will do.
01:24:53 - All of these are the trees, then.
01:24:56 - They go all round the lake.
01:24:58 - You put the island in the middle.
01:25:00 - These are the reeds.
01:25:04 - Doesn't look much like reeds to me.
01:25:06 - Use your imagination.
01:25:08 - The boat, it's got a hole in it.
01:25:11 What's the use of a boat with a hole in it?
01:25:13 - So it will sink.
01:25:14 - What's this?
01:25:16 - Give it to me.
01:25:18 This is Miss Jessel.
01:25:22 I made it.
01:25:25 - Oh.
01:25:26 - She's drowning.
01:25:27 - And the ducks, please, Flora.
01:25:30 - I wasn't going to use them.
01:25:32 - And why not?
01:25:33 - You made them wrong.
01:25:35 - I did not.
01:25:36 - Ducks are white.
01:25:38 - There is no white.
01:25:39 - The green and red duck is out of the question.
01:25:42 - Lot of rot, I made them.
01:25:43 - I hate them!
01:25:44 - Flora!
01:25:45 (Flora crying)
01:25:46 Flora!
01:25:47 - Now you've spoiled it.
01:25:51 - Oh no.
01:25:52 Oh no.
01:25:53 - Quince!
01:26:17 Get up!
01:26:21 Quince!
01:26:22 You will go, Quince, and today,
01:26:24 because I have written!
01:26:26 And that's the end of it.
01:26:29 - Now that I have told you all I know,
01:26:45 it is imperative that you go down to Bly House immediately.
01:26:49 - Yes, sir.
01:26:50 - As the former young woman left so suddenly,
01:26:53 I believe it was in answer to an urgent call from her family.
01:26:57 - A relative who'd been taken suddenly sick.
01:27:00 - The children are left alone, virtually.
01:27:03 But the housekeeper and the gardener...
01:27:06 - I understand.
01:27:07 - Have you any questions?
01:27:11 - Unless the children are taken very sick indeed,
01:27:13 or there has been an accident in the house,
01:27:16 I must on no account get in touch with you.
01:27:18 - On no account.
01:27:19 - And the welfare and tutoring of the children remains in my care.
01:27:22 - It does.
01:27:23 In total.
01:27:24 - But you will require a report of the...
01:27:26 - From time to time.
01:27:27 If you like, every six months.
01:27:29 I am a busy man, and...
01:27:32 - Forthwith, then.
01:27:33 - I am so grateful.
01:27:35 But I will see you out.
01:27:38 (music)
01:27:41 (music)
01:27:45 (music)
01:27:49 (music)
01:27:53 (music)
01:27:57 (music)
01:28:01 (music)
01:28:05 (music)
01:28:08 (music)
01:28:12 (music)
01:28:40 (music)
01:28:43 - Here, Miles.
01:29:07 Here are your prunes.
01:29:08 - Yes, Mrs. Grose.
01:29:10 - We don't often sit here, do we?
01:29:13 - No.
01:29:16 - A special occasion.
01:29:18 - We don't understand.
01:29:20 - Well, Miles, Aunt Laura,
01:29:22 now, firstly, as you already have gathered,
01:29:25 Miss Jessel has suddenly left us.
01:29:27 - She has?
01:29:28 - Yes, Miles.
01:29:29 All of a sudden, she had to leave to see a relative
01:29:31 who has become very ill.
01:29:33 - She had?
01:29:34 - Why weren't we told of this, Mrs. Grose?
01:29:37 - I...
01:29:38 She didn't want to upset you.
01:29:40 She wanted to just leave.
01:29:43 Well, you know how very fond she was of you both.
01:29:46 And that is why she didn't say goodbye.
01:29:49 - Very well.
01:29:50 - She asked me to convey to you
01:29:52 her most sincere good wishes, and for the future.
01:29:55 - Are we to understand she will never come back?
01:29:57 - True, Flora, but...
01:29:59 - How perplexing.
01:30:00 - What is, my dear?
01:30:02 - Because she will come back.
01:30:04 - Oh, on the contrary.
01:30:05 - She has to.
01:30:06 - Flora...
01:30:07 - She has nowhere to go.
01:30:10 Therefore, she can only stay.
01:30:12 Therefore...
01:30:13 - A new governess will be arriving in her stead.
01:30:16 - Therefore, Miss Jessel has...
01:30:17 - What was that you said, Mrs. Grose?
01:30:19 - I said, Master Miles, you are to meet a new tutor.
01:30:22 - I don't believe it.
01:30:24 Miss Jessel would not allow it to happen.
01:30:26 - Miss Jessel has gone.
01:30:34 - Would you be so kind? I'd like some more prunes.
01:30:38 - Cheese for me, please.
01:30:42 (liquid pouring)
01:30:45 (triumphant music)
01:30:52 (triumphant music)
01:30:55 (triumphant music)
01:30:58 (crunching)
01:31:02 (triumphant music)
01:31:05 (crunching)
01:31:16 (triumphant music)
01:31:19 (triumphant music)
01:31:47 (triumphant music)
01:31:50 (people chattering)
01:32:10 (triumphant music)
01:32:13 (triumphant music)
01:32:34 (triumphant music)
01:32:37 (birds chirping)
01:32:55 (leaves rustling)
01:32:58 (thudding)
01:33:14 (groaning)
01:33:16 (breathing heavily)
01:33:19 (groaning)
01:33:21 - I'm sorry, Quint.
01:33:37 Please keep still.
01:33:41 It won't be long.
01:33:43 Miss Jessel's waiting.
01:33:48 (groaning)
01:33:51 (thudding)
01:33:53 (triumphant music)
01:34:04 (triumphant music)
01:34:13 (triumphant music)
01:34:16 - Come along, children.
01:34:26 Come down.
01:34:27 - Good.
01:34:33 - Welcome to Bly House, my dear.
01:34:40 - Thank you.
01:34:41 - You'll be very happy here.
01:34:42 - Sure I will.
01:34:43 - The journey, was it, darling?
01:34:45 - Yes, I was very pleased.
01:34:48 - Well, well, well, well.
01:34:50 And here we have Miss Flora and Master Miles,
01:34:55 your new governess, my dears.
01:34:58 You could not hope to meet in all your life
01:35:02 more exquisite young angels as are Miles and Flora.
01:35:06 - Good afternoon.
01:35:07 Was it a pleasant journey you had?
01:35:09 - Thank you, Flora.
01:35:10 It was.
01:35:11 - Miles, dear.
01:35:14 - Hello.
01:35:21 Shake my hand, please.
01:35:23 Hold it very tightly.
01:35:24 (screaming)
01:35:26 (dramatic music)
01:35:29 (dramatic music)
01:35:58 (bells ringing)
01:36:02 (bells ringing)
01:36:05 (bells ringing)
01:36:08 (bells ringing)
01:36:11 (bells ringing)
01:36:14 (bells ringing)
01:36:17 (bells ringing)
01:36:20 (bells ringing)