Category
📺
TVTranscript
00:00:00 Thank you.
00:00:07 Thank you.
00:00:14 Thank you.
00:00:21 Thank you.
00:00:28 Thank you.
00:00:35 Thank you.
00:00:42 Thank you.
00:00:49 Thank you.
00:00:56 Thank you.
00:01:11 Thank you.
00:01:21 Thank you.
00:01:36 Thank you.
00:01:46 Thank you.
00:01:56 Thank you.
00:02:06 Thank you.
00:02:16 Thank you.
00:02:26 Thank you.
00:02:36 Thank you.
00:02:46 Thank you.
00:02:56 Thank you.
00:03:06 Thank you.
00:03:16 Thank you.
00:03:26 Thank you.
00:03:36 Thank you.
00:03:59 Isabella, your scarf.
00:04:01 Thanks. Goodbye.
00:04:21 Goodbye.
00:04:31 Goodbye.
00:04:41 Goodbye.
00:04:51 Goodbye.
00:05:01 Goodbye.
00:05:11 Goodbye.
00:05:26 Goodbye.
00:05:36 Goodbye.
00:05:46 Goodbye.
00:05:56 Goodbye.
00:06:06 Goodbye.
00:06:16 Goodbye.
00:06:26 Goodbye.
00:06:36 Goodbye.
00:06:58 The sign seems to have come off again.
00:07:01 Want me to fix it?
00:07:03 No.
00:07:04 Not today.
00:07:06 Tomorrow.
00:07:16 Tomorrow.
00:07:26 Tomorrow.
00:07:49 Listen, Isabella hasn't turned up again.
00:07:52 I don't know what to do with that girl.
00:07:53 This is the third time.
00:07:55 All I suggest is a penalty.
00:07:57 Make her pay a fine.
00:07:59 It's all very well.
00:08:00 The next time she does it, I'm going to fire her.
00:08:17 Good night, madam.
00:08:18 Good night.
00:08:22 Nicole, look at this dress.
00:08:24 I wish you'd take care of the things you wear.
00:08:26 Tomorrow is the show.
00:08:27 Now look at this.
00:08:28 Yes, madam, I'm sorry.
00:08:30 Yes, you are sorry, especially when it's time to leave.
00:08:32 You have absolutely no mind for anything else.
00:08:37 What does she expect?
00:08:38 I'm not in mourning like her.
00:08:39 Poor thing, she hasn't been the same since her husband died.
00:08:51 (Screams)
00:08:53 Isabella!
00:09:16 (Screams)
00:09:24 How long were the lights out?
00:09:26 About ten minutes.
00:09:28 How long has the girl worked for you?
00:09:31 About two years.
00:09:33 Well, what was she like?
00:09:38 She was rather lively.
00:09:41 Perhaps lacking discipline.
00:09:43 Nothing seriously wrong with her.
00:09:46 Did she have many friends?
00:09:49 Well, inspector, I'm afraid I can't be of much help to you.
00:09:52 I suggest you ask the two girls who lived with her.
00:10:17 Inspector Sylvester, countess Christina Comor, the owner of our salon.
00:10:29 Good morning.
00:10:30 Good morning.
00:10:31 But we've already met, haven't we?
00:10:36 Oh, yes, I think so.
00:10:40 After my husband's death.
00:10:42 I remember.
00:10:44 The car accident.
00:10:47 You certainly can help me.
00:10:49 You surely know everything about these girls.
00:10:52 Inspector, I don't run a boarding school.
00:10:55 When the girls finish here, they're free to go and do as they please.
00:11:01 Well, I'll be in the studio, if you'll excuse me.
00:11:05 Please.
00:11:30 You say you went outside to repair the metal sign.
00:11:32 At what time was it?
00:11:34 About seven.
00:11:35 Madame Christina complained that the noise got on their nerves.
00:11:38 So I went out and I put up the sign again.
00:11:41 But I came back inside at once.
00:11:43 Mr. Marlin, I demand an explanation.
00:11:47 I hardly put my foot inside the gate.
00:11:49 When these two grabbed a hold of me.
00:11:51 Ask inspector.
00:11:52 Inspector, calm down and tell me why you're here.
00:11:55 Allow me.
00:11:56 Marquis Richard Morrel of Castle Friday.
00:11:58 All right, all right. Now answer my question.
00:12:00 He's here to see me.
00:12:01 He's my fiance.
00:12:05 Why are you laughing?
00:12:07 Because I live with him.
00:12:08 Did you know Isabella?
00:12:11 Isabella?
00:12:13 You introduced me to her, didn't you?
00:12:17 Yes, I can say I knew her.
00:12:19 Only slightly though.
00:12:20 Only slightly.
00:12:31 Well, you seem to be the only one who cares.
00:12:35 They were close friends.
00:12:37 The three of you live together?
00:12:38 Yes, until the...
00:12:39 What was she like?
00:12:41 Tell me who your friend went out with.
00:12:42 I don't know. I don't know.
00:12:44 Leave her alone.
00:12:45 Everybody knows who Isabella's lover was.
00:12:49 Who are you?
00:12:50 Cicero, sir. I'm a dress designer.
00:12:52 What about the other name?
00:12:53 Which?
00:12:54 The name of this lover.
00:12:56 Ascalo, Frank Scalo, the antique dealer.
00:13:04 Police, tell me where is inspector.
00:13:06 In there.
00:13:07 Thank you.
00:13:15 Would you excuse me for a moment?
00:13:20 They confirm.
00:13:23 Drugs.
00:13:25 I see.
00:13:26 Yes, sir.
00:13:36 So, what kind of a relationship was there with Isabella and you?
00:13:44 We were just friends.
00:13:45 Or lovers.
00:13:49 Well, I hope it doesn't become scandalized if I tell you.
00:13:52 I don't believe in permanent, exclusive relationships.
00:13:57 I see. I see.
00:14:03 Ever seen it before?
00:14:07 No. I don't know.
00:14:11 What is it?
00:14:12 Cocaine.
00:14:15 It was found in your friend Isabella's house.
00:14:20 Isabella?
00:14:21 You knew nothing about it?
00:14:24 No.
00:14:25 Never mind.
00:14:28 However, I must ask you to remain at my disposal.
00:14:33 I'll see you later.
00:14:49 Turn around.
00:14:51 All right, you can go. Hurry.
00:14:58 Well, Caesar, what is it?
00:15:00 I've been warned by poor Isabella.
00:15:02 Yes, of course.
00:15:03 Who shall I give it to?
00:15:04 Well, let me see.
00:15:05 Oh, Peggy, look. Here.
00:15:06 Please, no, not me. No, no, please. I thought that person...
00:15:08 Oh, for heaven's sake, stop that. You're going to ruin your makeup.
00:15:11 Greta, you model it.
00:15:13 Oh, no. I don't think I should wear it.
00:15:15 Look, don't be so silly.
00:15:16 It carries bad luck, I'm sure.
00:15:17 But, girl, someone's got to model it.
00:15:19 I'll wear the dress.
00:15:20 All right, now, come on.
00:15:21 What a cynic.
00:15:23 She doesn't believe in anything.
00:15:26 That's all right, you can go.
00:15:55 Turn around.
00:16:07 Walk.
00:16:09 All right.
00:16:13 Wait.
00:16:14 There's something missing.
00:16:17 The brooch.
00:16:18 The brooch goes there.
00:16:19 We'll soon put it right.
00:16:20 Where is it?
00:16:21 Well, it was Isabella's own.
00:16:23 Wait a minute, she kept it in one of the boxes.
00:16:25 Let's look for it.
00:16:34 Here it is.
00:16:43 Hey.
00:16:45 Look at this.
00:16:47 Isabella kept a diary.
00:16:56 This is a gold mine.
00:16:57 Listen, he's a man that awakens such deep feelings in me that afterwards I feel limp, empty.
00:17:05 Let me see.
00:17:07 I don't think we should.
00:17:09 Come on, you crazy.
00:17:11 This is hardly the moment.
00:17:12 I'm off with you, go on.
00:17:13 Go on and change.
00:17:19 This, you know, should be handed to the police.
00:17:21 I found it.
00:17:22 If you don't mind, I would like to give it to the police tomorrow.
00:17:29 As you wish.
00:17:49 I'm going to get it.
00:18:18 I'm going to get it.
00:18:47 Hello?
00:18:48 Hello, Frank?
00:18:49 Why haven't you come?
00:18:50 I'm just leaving, but I don't feel well.
00:18:51 I understand.
00:18:52 Come out here.
00:18:53 I've got some...
00:18:54 Listen, Frank.
00:18:55 I have found a diary.
00:18:56 Isabella's diary.
00:18:57 A diary?
00:18:58 Yes.
00:18:59 I'm going to give it to the police.
00:19:00 I'm going to give it to the police.
00:19:01 I'm going to give it to the police.
00:19:02 I'm going to give it to the police.
00:19:03 I'm going to give it to the police.
00:19:04 I'm going to give it to the police.
00:19:05 I'm going to give it to the police.
00:19:06 I'm going to give it to the police.
00:19:07 I'm going to give it to the police.
00:19:08 I'm going to give it to the police.
00:19:09 I'm going to give it to the police.
00:19:10 I'm going to give it to the police.
00:19:35 You are terribly ill, Frank.
00:19:38 Frank, can you hear me?
00:19:41 Nicole, I can hardly breathe.
00:19:44 If you've got to, I'll feel better.
00:19:46 Goodbye.
00:19:48 Goodbye.
00:19:54 Hurry up, girls.
00:19:55 Greta, you're next.
00:19:58 Everything all right, Marco?
00:19:59 Yes, madam.
00:20:00 Good.
00:20:06 Well, Caesar, where have you been?
00:20:07 Right here.
00:20:08 Well, then send them in.
00:20:09 Do I have to do everything myself?
00:20:17 Nicole?
00:20:19 You were wanted on the phone.
00:20:20 Me?
00:20:21 Yes, you.
00:20:27 Hello?
00:20:28 Hello.
00:20:29 Is that you, Nicole?
00:20:30 Yes.
00:20:31 Who's speaking?
00:20:32 Frank, I can't make it.
00:20:34 I feel too bad.
00:20:36 You come here, please.
00:20:38 I feel like I'm suffocating.
00:20:39 How can I come now?
00:20:42 Well, I will do my best.
00:20:45 I will come right away.
00:20:51 All right, hurry up, hurry up.
00:20:54 Frank feels bad.
00:20:55 He needs me.
00:20:56 I'll have to go over.
00:20:57 I can't wait anymore.
00:20:58 Please, send me your car.
00:20:59 How are you going to get away?
00:21:00 We're right in the middle of a show.
00:21:01 Who cares?
00:21:02 Please, give me your keys, but don't let anyone see you.
00:21:14 Peggy, what are you doing?
00:21:18 Nothing.
00:21:19 I was looking for a handkerchief.
00:21:25 Be careful.
00:21:26 The burglar is in the glove compartment, right at the back.
00:21:29 Sure.
00:21:30 Cover me.
00:21:31 I'm sorry.
00:21:51 Frank?
00:22:20 Frank?
00:22:40 Frank?
00:23:00 Frank?
00:23:20 Frank?
00:23:40 Frank?
00:24:00 Frank?
00:24:20 Frank?
00:24:40 Frank?
00:25:00 Frank?
00:25:20 Frank?
00:25:30 Frank?
00:25:40 Frank?
00:25:50 Frank?
00:26:00 Frank?
00:26:10 Frank?
00:26:30 Frank?
00:26:50 Frank?
00:27:10 Frank?
00:27:30 Frank?
00:27:50 Frank?
00:28:10 Frank?
00:28:30 Frank?
00:28:38 Frank?
00:28:48 Frank?
00:28:58 Frank?
00:29:26 Yes, I've just finished.
00:29:31 Miss Nicole hasn't come home.
00:29:33 No, she's gone to a party.
00:29:34 She'll be home later.
00:29:35 She's always mothering us.
00:29:37 Well, I'll be running along.
00:29:39 Oh, I left the dinner heating on the stove.
00:29:43 Oh, if Miss Nicole wants that meth of hers, she only has to warm it up.
00:29:47 Thank you, Clarice.
00:29:48 Good night.
00:29:49 I'll see you tomorrow.
00:30:00 Peggy, you just don't seem to understand.
00:30:05 Of course I--
00:30:06 Peggy, I'm tired of trying to make you understand.
00:30:10 Now, I've told you a thousand times.
00:30:13 I've fallen in love with you.
00:30:17 I don't care what happens, but--
00:30:20 Calm down.
00:30:21 Sit here.
00:30:33 You see, I'm not well.
00:30:38 I know I look like a fool.
00:30:41 That's what makes me mad.
00:30:44 I'm ill and unlucky.
00:30:46 Don't be like that.
00:30:47 I understand you.
00:30:48 I'm your friend.
00:30:49 Come on, cheer up.
00:30:57 I'll get yours.
00:30:59 Don't touch it!
00:31:00 Don't touch it!
00:31:01 What's wrong?
00:31:02 I just wanted cigarettes.
00:31:03 What's wrong?
00:31:07 I'll get the cigarettes.
00:31:08 You're just untidying my bag.
00:31:27 Hello?
00:31:28 Good evening, Miss Peggy.
00:31:29 This is Inspector Sylvester.
00:31:30 I have to ask you something about your car.
00:31:33 Your car has been found abandoned.
00:31:36 I want to know if it has been stolen.
00:31:38 No, I lent it to my friend, Nicole.
00:31:41 Yes.
00:31:42 Yes.
00:31:43 She was in a hurry.
00:31:44 A friend of hers called to say he felt ill.
00:31:47 But has something happened?
00:31:50 We better talk about this in person.
00:31:52 I'll come over and see you right away.
00:31:54 Very well.
00:31:55 I'll be waiting.
00:31:56 What's up?
00:31:57 They found my car, but without Nicole.
00:32:00 My God, what could have happened?
00:32:02 Is he coming here?
00:32:03 Yes, he wants to talk to me.
00:32:06 Then I better leave.
00:32:09 I don't want the police to find me here.
00:32:11 Yes, it's best.
00:32:12 No one knows you've been here.
00:32:14 Yes, for me.
00:32:17 And especially for you.
00:32:18 I suppose so.
00:32:20 I'll see you tomorrow.
00:32:21 Tomorrow.
00:32:23 Tomorrow.
00:32:25 [footsteps]
00:32:28 [door opens]
00:32:31 [footsteps]
00:32:34 [footsteps]
00:32:37 [footsteps]
00:32:40 [papers rustling]
00:32:43 [door opens]
00:32:45 [door closes]
00:32:48 [footsteps]
00:32:51 [footsteps]
00:32:54 [footsteps]
00:32:57 [footsteps]
00:33:00 [footsteps]
00:33:03 October 16, I caught Peggy trying to steal $1,000 from my purse.
00:33:07 She began to cry and explained how much she needed it.
00:33:10 She was pregnant and not able to face the scandal.
00:33:13 I felt sorry and I loaned her the money.
00:33:15 It means that tomorrow I will ask him for $2,000.
00:33:19 [papers rustling]
00:33:22 [suspenseful music]
00:33:25 ♪ ♪
00:33:43 [footsteps]
00:33:46 ♪ ♪
00:33:51 [door creaks]
00:33:54 ♪ ♪
00:33:56 [door creaks]
00:33:58 ♪ ♪
00:34:04 [footsteps]
00:34:07 [footsteps]
00:34:10 [footsteps]
00:34:13 [door opens]
00:34:16 [footsteps]
00:34:18 [gunshot]
00:34:19 [woman screams]
00:34:20 [gunshot]
00:34:21 [woman screams]
00:34:22 [gunshot]
00:34:23 [woman screams]
00:34:24 [gunshot]
00:34:25 [woman screams]
00:34:26 [woman screams]
00:34:27 [gunshot]
00:34:28 [woman screams]
00:34:29 [woman screams]
00:34:30 [gunshot]
00:34:31 [woman screams]
00:34:32 [gunshot]
00:34:33 [woman screams]
00:34:34 [gunshot]
00:34:35 [gunshot]
00:34:36 [woman screams]
00:34:37 [gunshot]
00:34:38 [woman screams]
00:34:41 [gunshot]
00:34:42 [woman screams]
00:34:43 [gunshot]
00:34:44 [woman screams]
00:34:45 [gunshot]
00:34:46 [woman screams]
00:34:47 [woman screams]
00:34:48 [gunshot]
00:34:49 [woman screams]
00:34:50 [gunshot]
00:34:51 [woman screams]
00:34:52 [gunshot]
00:34:53 [woman screams]
00:34:54 [gunshot]
00:34:55 [woman screams]
00:34:56 [gunshot]
00:34:57 [woman screams]
00:34:58 [woman screams]
00:34:59 [woman screams]
00:35:00 [woman screams]
00:35:01 [woman screams]
00:35:02 [woman screams]
00:35:03 [woman screams]
00:35:04 [woman screams]
00:35:05 [gunshot]
00:35:06 [gunshot]
00:35:07 [woman screams]
00:35:08 [gunshot]
00:35:09 [woman screams]
00:35:10 [gunshot]
00:35:11 [woman screams]
00:35:12 [gunshot]
00:35:13 [woman screams]
00:35:14 [gunshot]
00:35:15 [woman screams]
00:35:16 [gunshot]
00:35:17 [woman screams]
00:35:18 [gunshot]
00:35:19 [woman screams]
00:35:20 [gunshot]
00:35:21 [woman screams]
00:35:22 [gunshot]
00:35:23 [woman screams]
00:35:24 [gunshot]
00:35:25 [woman screams]
00:35:26 [gunshot]
00:35:27 [woman screams]
00:35:28 [gunshot]
00:35:29 [woman screams]
00:35:30 [gunshot]
00:35:31 [woman screams]
00:35:32 [gunshot]
00:35:33 [woman screams]
00:35:34 [gunshot]
00:35:35 [woman screams]
00:35:36 [gunshot]
00:35:37 [woman screams]
00:35:38 [gunshot]
00:35:39 [woman screams]
00:35:40 [gunshot]
00:35:41 [woman screams]
00:35:42 [gunshot]
00:35:43 [woman screams]
00:35:44 [gunshot]
00:35:45 [woman screams]
00:35:46 [gunshot]
00:35:47 [woman screams]
00:35:48 [gunshot]
00:35:49 [woman screams]
00:35:50 [gunshot]
00:35:51 [woman screams]
00:35:52 [gunshot]
00:35:53 [woman screams]
00:35:54 [gunshot]
00:35:55 [woman screams]
00:35:56 [gunshot]
00:35:57 [woman screams]
00:35:58 [gunshot]
00:35:59 [woman screams]
00:36:00 [gunshot]
00:36:01 [woman screams]
00:36:02 [gunshot]
00:36:03 [woman screams]
00:36:04 [gunshot]
00:36:05 (door creaks)
00:36:07 (door slams)
00:36:09 (crying)
00:36:12 (gasps)
00:36:15 (gasps)
00:36:17 (footsteps)
00:36:19 (footsteps)
00:36:21 (footsteps)
00:36:23 (footsteps)
00:36:26 (footsteps)
00:36:28 (footsteps)
00:36:30 (door slams)
00:36:36 (footsteps)
00:36:40 (footsteps)
00:36:53 (footsteps)
00:36:55 - Miss Peggy.
00:37:14 (footsteps)
00:37:21 (footsteps)
00:37:49 (footsteps)
00:37:51 (door slams)
00:37:55 (dramatic music)
00:38:08 (tires screeching)
00:38:11 (dramatic music)
00:38:13 (liquid pouring)
00:38:37 - Good evening.
00:38:39 I must ask you to excuse me.
00:38:40 There's no time to be visiting,
00:38:42 but it's a rather urgent matter.
00:38:43 - Please, make yourself comfortable.
00:38:46 Why did you come here?
00:38:47 Charles, you may go, please.
00:38:51 Well then?
00:39:03 - A little while ago, I,
00:39:05 I found a coat lying in my shop.
00:39:07 She's been murdered.
00:39:09 - Oh my God.
00:39:10 - I'd gone to the salon to pick up Nicole.
00:39:14 Remember?
00:39:18 I met you there at the time.
00:39:20 I looked for her everywhere, but I couldn't find her.
00:39:23 Then I went back to my shop.
00:39:26 And believe me, I,
00:39:28 I've never seen such a mess.
00:39:30 - You'll pardon me,
00:39:31 but why have you come here instead of calling the police?
00:39:36 - Nicole was my girlfriend.
00:39:38 She was murdered in my shop.
00:39:40 The police will be accusing me of it.
00:39:43 That ain't an alibi.
00:39:45 And you've got to help me.
00:39:47 - Me?
00:39:48 What have I got to do with it?
00:39:50 Me?
00:39:51 - You're just as much to blame for it as I am.
00:39:54 We've got to tell the police
00:39:57 that we were always together at the salon.
00:39:59 Right to the end.
00:40:00 - I'll back you up.
00:40:02 - You do the same for me.
00:40:04 It's best for both of us.
00:40:06 - But you're mad.
00:40:07 The police have no reason to accuse me of anything.
00:40:10 You're the one who's in trouble.
00:40:12 You really could have killed her.
00:40:14 No, no.
00:40:15 Call the police at once.
00:40:17 Or I'll have to.
00:40:18 - All right, go right ahead.
00:40:20 But don't forget to tell them about your bad debt.
00:40:22 - What debts?
00:40:23 - You signed IOUs to Isabella
00:40:26 for a loan of several thousand dollars.
00:40:28 And couldn't pay the money back.
00:40:30 - Is it true?
00:40:32 Richard, you're lying.
00:40:33 Is it true?
00:40:34 Richard, you never told me.
00:40:35 Is it true?
00:40:36 My God, my God.
00:40:40 - You, my dear Marquis,
00:40:41 don't have a single dollar to your name.
00:40:43 You're absolutely flat.
00:40:44 And afraid of a scandal.
00:40:46 Which is a good enough reason for,
00:40:49 for killing Isabella.
00:40:51 At the same time,
00:40:52 eliminating the possibilities of her diary
00:40:54 being read by the police.
00:40:56 Who knows?
00:40:57 Perhaps a,
00:40:58 a diary had the dates on which the payments were due.
00:41:01 - Which diary?
00:41:02 - I know nothing of it.
00:41:03 - Don't lie, Richard.
00:41:04 I told you, Nicole had found Isabella's diary.
00:41:07 - As you see,
00:41:08 we sink or swim together, Mr. Morales.
00:41:11 And if you don't want the police meddling around
00:41:14 in your private affairs,
00:41:15 I suggest you take my advice.
00:41:18 Go on back to my shop now and call the inspector.
00:41:22 I'll tell him that we were always together.
00:41:26 All right?
00:41:27 Good evening.
00:41:29 (dramatic music)
00:41:33 (dramatic music)
00:41:37 (dramatic music)
00:41:41 (dramatic music)
00:41:45 (dramatic music)
00:41:48 (dramatic music)
00:41:52 (dramatic music)
00:41:56 (dramatic music)
00:42:00 (dramatic music)
00:42:04 (dramatic music)
00:42:08 (dramatic music)
00:42:13 (dramatic music)
00:42:16 (dramatic music)
00:42:20 (dramatic music)
00:42:24 - You've got to believe me.
00:42:26 I burned it.
00:42:27 I tell you, I burned it.
00:42:28 There was something about my private life
00:42:30 I didn't want anybody to know about.
00:42:32 You've got to believe me.
00:42:33 I burned it.
00:42:34 (Nicole crying)
00:42:36 (Nicole crying)
00:42:42 Please believe me.
00:42:43 I burned it.
00:42:44 You've got to believe me.
00:42:46 I burned it.
00:42:47 (Nicole crying)
00:42:50 (Nicole screaming)
00:42:54 (Nicole crying)
00:43:00 No.
00:43:06 No.
00:43:07 (Nicole crying)
00:43:11 No.
00:43:12 No.
00:43:13 No.
00:43:14 No.
00:43:15 No.
00:43:17 (Nicole crying)
00:43:20 (dramatic music)
00:43:23 (Nicole screaming)
00:43:28 - How do you think this girl got in here?
00:43:37 - She had a key.
00:43:39 - How come?
00:43:40 - I'd given it to her.
00:43:42 She used to come and see me now and then.
00:43:45 - Her too?
00:43:46 - Inspector, please don't think that I...
00:43:49 Nicole was the reason why I left Isabella.
00:43:51 - And how many other people had a key to your door?
00:43:55 - No one else, except myself, naturally.
00:43:58 - Naturally.
00:44:00 (dramatic music)
00:44:07 - Did you take drugs with her too?
00:44:09 - What do you mean, Inspector?
00:44:12 - Come, come, come, Scarlo.
00:44:14 Don't try to fool me.
00:44:17 You've got the habit.
00:44:20 It's written all over your face.
00:44:22 If you like, I'll even tell you where you get the stuff.
00:44:25 And, uh, as for the girls who,
00:44:30 who shall we say, keep you company,
00:44:33 they either try to get you to drop the habit like Isabella
00:44:36 or join you in it like this one, for example.
00:44:39 - All right.
00:44:41 Perhaps.
00:44:43 But that doesn't make me a murderer.
00:44:46 Besides, I, I've got an alibi.
00:44:49 I was with...
00:44:50 - I haven't asked you, for the time being.
00:44:52 We'll go on with it later.
00:44:55 - When?
00:44:57 - In my office.
00:44:58 Come along.
00:45:00 (dramatic music)
00:45:05 (dramatic music)
00:45:08 (car engine rumbling)
00:45:19 (car engine rumbling)
00:45:22 - Is this the one?
00:45:42 - Yes.
00:45:44 - Are you sure?
00:45:45 - Oh, yes.
00:45:46 Wait a minute.
00:45:47 I wrote down the first number.
00:45:49 Uh, 453.
00:45:51 You can see.
00:45:52 - Did you see a man or a woman?
00:45:56 - A man, I am sure.
00:45:58 He's dressed in black, but he seemed to not have a face.
00:46:01 - Perhaps he was wearing a mask.
00:46:05 - Perhaps. I don't know.
00:46:06 I was distracted by the horn.
00:46:08 - Which horn?
00:46:09 - The horn of this car, Inspector.
00:46:11 I know it.
00:46:12 I've serviced it.
00:46:13 It blew for a time, and then it stopped.
00:46:17 (car engine rumbling)
00:46:19 - Has this car got a burglar alarm, Sergeant?
00:46:22 - Yes, it's here, in the glove compartment.
00:46:33 - How long did it blow?
00:46:35 - I don't know.
00:46:36 I told you, it wasn't for long.
00:46:39 - This long?
00:46:40 (alarm buzzing)
00:46:42 - Stop. Not longer than that.
00:46:44 If you don't know where it is,
00:46:46 it would take quite a while to find it.
00:46:48 - We've wasted enough time on this.
00:46:52 Let's go to the office.
00:46:54 (car engine rumbling)
00:46:56 (keyboard clacking)
00:47:13 (keyboard clacking)
00:47:15 - Come in, please.
00:47:27 - Thank you.
00:47:29 - Look at them carefully.
00:47:40 Have you ever seen any of them in Miss Peggy's car?
00:47:43 - Good morning, Mr. Morland.
00:47:45 - Morning, Clarice.
00:47:46 - Have you seen him in the car?
00:47:48 - Certainly she's seen me before,
00:47:50 in the car, on more than one occasion.
00:47:52 - What's so strange about that?
00:47:54 - And who said there was?
00:47:56 Let's continue.
00:47:59 - Him? I've seen him in the car.
00:48:01 - Of course she's seen me.
00:48:02 What does it prove?
00:48:04 This is all so ridiculous.
00:48:06 - Be quiet.
00:48:08 You didn't see only me, did you?
00:48:10 Open your eyes, you idiot.
00:48:12 Look at him.
00:48:13 Haven't you ever seen him?
00:48:15 - Inspector, do you only want to know
00:48:17 if I saw them in the car?
00:48:19 - Why?
00:48:20 - Because this gentleman came into the flat
00:48:25 with Miss Peggy last night.
00:48:27 - We're beginning to see the light now.
00:48:30 - You swine, what are you getting at?
00:48:32 You want to ruin me?
00:48:33 I'll kill you, I'll kill you!
00:48:37 Why don't you confess?
00:48:39 Confess!
00:48:40 Confess!
00:48:42 You're the murderer.
00:48:43 Inspector, look at his face.
00:48:45 He hates women.
00:48:46 Look at him.
00:48:47 He's the killer, I tell you.
00:48:48 He's the killer.
00:48:49 He killed them all because he couldn't go with any of them.
00:48:52 Why don't you tell the inspector
00:48:54 that your wife left you for that very reason?
00:48:57 - My pills.
00:48:59 My pills!
00:49:01 (man screaming)
00:49:04 - Try to hold him still.
00:49:08 He could hurt himself.
00:49:09 Take him to the hospital.
00:49:11 Didn't any of you know he was an epileptic?
00:49:21 - No, I didn't.
00:49:23 - You can go home now.
00:49:29 - Goodbye, Clarice.
00:49:31 I'm sorry,
00:49:34 but I'm afraid I'll have to ask you to stay here, Mr. Morlan.
00:49:38 You too, Mr. Lazar.
00:49:40 - What do you mean, stay here?
00:49:41 - I mean I shall have warrants made out for your arrest.
00:49:45 Pardon me, Inspector,
00:49:46 what exactly is the reason behind this?
00:49:49 Miss Nicole's murderer had used Peggy's car on other occasions.
00:49:57 That's why he knew exactly where the burglar alarm was hidden.
00:50:01 - Can I go now?
00:50:02 - And me?
00:50:03 - No.
00:50:04 You both stay too.
00:50:06 - But that's ridiculous.
00:50:08 I got an alibi.
00:50:10 The Marquis has confirmed it.
00:50:12 - It's true.
00:50:13 We were together.
00:50:14 - Oh, don't worry.
00:50:16 I haven't forgotten it.
00:50:17 You both were at his house till 11 o'clock
00:50:20 while Miss Nicole was murdered at 10.
00:50:22 - So what do you want with us?
00:50:24 - Well,
00:50:25 when I called Miss Peggy to say that I had found her car,
00:50:30 it was about 11.30.
00:50:32 About 15 minutes later, I was at her apartment.
00:50:35 She wasn't there.
00:50:37 And her apartment had been ransacked.
00:50:39 Someone could have killed her and hidden her body in the meantime.
00:50:43 And as far as that goes, gentlemen,
00:50:45 your alibi isn't really worth much.
00:50:48 [dramatic music]
00:50:51 - Nine o'clock.
00:51:08 [dramatic music]
00:51:14 [door slams]
00:51:16 - Why must we sit in the dark?
00:51:28 As if we weren't scared enough already.
00:51:30 - Do what you want, but please try to keep calm.
00:51:34 - How are we supposed to keep calm?
00:51:36 Doesn't what's happening bother you?
00:51:39 - I'm frightened too.
00:51:41 - Don't think I'm not.
00:51:43 But getting hysterical doesn't help.
00:51:46 - If only the men would come back.
00:51:49 We're all women left alone.
00:51:51 [phone rings]
00:51:53 [phone rings]
00:51:57 - Hello?
00:51:59 Oh, Mr. Morlan at last.
00:52:02 What happened?
00:52:04 - What?
00:52:10 But...
00:52:12 But how can they?
00:52:15 I mean... I mean, on what grounds?
00:52:18 I see.
00:52:26 All right.
00:52:29 All right.
00:52:33 Of course.
00:52:35 All right, don't worry.
00:52:38 Goodbye.
00:52:40 - They are holding all five of them.
00:52:50 - But why?
00:52:52 - The police obviously think one of them is the murderer.
00:52:57 - I thought so.
00:52:59 Madam?
00:53:03 Please, can we go?
00:53:05 - Oh. Oh, yes, yes, go.
00:53:07 - Goodbye.
00:53:09 - Good night. - Good night, madam.
00:53:12 - How I envy them. They live together.
00:53:17 At least they keep each other company.
00:53:20 - I must go, madam.
00:53:22 - All right.
00:53:24 - Wait.
00:53:29 Listen, why don't you come home and sleep with me?
00:53:32 - What? I live a few yards from here.
00:53:34 - You live a few yards from here, and you want me to come out into the countryside?
00:53:38 - Then I could come and stay at your place.
00:53:41 No, I'm sorry, but I'd rather be alone.
00:53:44 Anyway, you'd be even more afraid at my house.
00:53:47 - But aren't you afraid?
00:53:49 Isabella and Peggy lived with you.
00:53:51 Isabella's been killed, and Peggy...
00:53:54 - Yes, I know.
00:53:56 But I don't think anything would happen tonight.
00:54:00 All the men are under arrest.
00:54:03 And I'm sure the murderer is one of them.
00:54:06 - Goodbye, madam. - Good night.
00:54:12 - Madam, I'm not going home.
00:54:15 I'll sleep here.
00:54:17 - No, you won't, dear. You're going home just like the others.
00:54:20 - I'm all alone. I live out in the country, not here in town.
00:54:24 - Now, Greta, listen to me. Tomorrow we have a very hard day ahead of us.
00:54:27 The show must go on, you know.
00:54:29 Now, look.
00:54:31 Isabella and Nicole were mixed up in some ugly business
00:54:34 that has nothing to do with the rest of us.
00:54:36 So we have nothing to be afraid of. Do you understand?
00:54:40 Go now. Don't worry.
00:54:43 - Thank you. Good night, madam. - Good night.
00:54:47 [footsteps]
00:55:15 - Good night.
00:55:17 Be careful.
00:55:20 [footsteps]
00:55:22 [door slams]
00:55:50 [growling]
00:55:52 [gasps]
00:55:57 [growling]
00:56:18 [door opens]
00:56:20 [door slams]
00:56:23 [door slams]
00:56:27 [music]
00:56:30 [music continues]
00:56:33 [music continues]
00:56:36 [music continues]
00:56:38 [music continues]
00:57:02 [music continues]
00:57:04 [door slams]
00:57:22 [door slams]
00:57:26 [tires screech]
00:57:30 [tires screech]
00:57:32 Good evening, miss.
00:57:36 The marquis rang to say he'd be detained in town by an engagement.
00:57:40 - I know. I'll dine alone. - Immediately, miss.
00:57:44 [growling]
00:57:47 [growling]
00:57:49 [door slams]
00:58:09 [growling]
00:58:11 [screams]
00:58:22 [music]
00:58:24 [music continues]
00:58:27 [door slams]
00:58:36 [door slams]
00:58:38 Hello. Hello!
00:58:42 [door slams]
00:58:48 [music]
00:58:55 [music continues]
00:59:03 [music continues]
00:59:05 [music continues]
00:59:23 [music continues]
00:59:25 [thud]
00:59:50 [gasps]
00:59:52 Your tea, miss.
01:00:01 Just a moment, please.
01:00:03 [gasps]
01:00:05 [gasps]
01:00:32 Come in.
01:00:34 It's all right, Charles. I'll take care of the rest.
01:00:56 Yes, ma'am.
01:00:58 [panting]
01:01:00 [gunshot]
01:01:18 [gunshots]
01:01:26 [gunshot]
01:01:28 [groans]
01:01:53 [groans]
01:01:55 [music]
01:01:58 [music continues]
01:02:01 [music continues]
01:02:04 [music continues]
01:02:06 [music continues]
01:02:20 [music continues]
01:02:22 [music continues]
01:02:34 [music continues]
01:02:48 [music ends]
01:02:50 [knocking]
01:03:00 [groans]
01:03:08 [groans]
01:03:18 [screams]
01:03:20 [groans]
01:03:23 [groans]
01:03:27 [groans]
01:03:34 [screams]
01:03:37 [screams]
01:03:46 [groans]
01:03:48 [music ends]
01:03:59 [music]
01:04:05 Look at how the murderer tortured her.
01:04:14 He must have used a red-hot poker. He must have been a madman.
01:04:18 Or a sex maniac in homicidal fury.
01:04:21 Against beautiful women.
01:04:23 Yes.
01:04:25 Perhaps the sight of beauty makes him lose control of himself and kill.
01:04:29 We'll have to start all over again.
01:04:32 Excuse me, sir. If you want to see the footprints we found in the garden, we're ready now.
01:04:39 [music]
01:04:41 Let's look at those footprints.
01:04:49 The killer drove up to here.
01:04:51 The footprints show that he started here, got out and walked up the embankment to the farm.
01:04:56 They match the footprints we found at Morlan's villa.
01:04:59 Are you sure?
01:05:01 Absolutely. We have the proof in the plaster cast.
01:05:04 [music]
01:05:06 I could have sworn that the murderer was one of the five suspects we have.
01:05:18 Do we have to let them go?
01:05:20 Of course.
01:05:22 This time they've got a really foolproof alibi.
01:05:25 [chuckles]
01:05:26 I gave it to them.
01:05:28 Morrel, Richard.
01:05:30 That's me.
01:05:31 You want to check it?
01:05:32 Of course I'll check it.
01:05:34 Max, Morlan.
01:05:41 [music]
01:05:47 [music]
01:05:50 [music]
01:05:52 [music]
01:06:10 [music]
01:06:12 [music]
01:06:18 [music]
01:06:24 [music]
01:06:28 [music]
01:06:37 [music]
01:07:05 [knocking]
01:07:06 Yes? Come in.
01:07:08 Mr. Morlan, I would like to speak to you for a moment.
01:07:12 Yes, darling. Come in.
01:07:14 [door slams]
01:07:15 Mr. Morlan, I'm a calm person. I'm not nervous.
01:07:24 But the thought that a sex maniac is prowling around your fashion house...
01:07:28 Well, I don't like it.
01:07:31 I'd like to take a short holiday.
01:07:35 I have already booked a flight to Paris for tomorrow.
01:07:38 To Paris?
01:07:40 Very well, dear.
01:07:41 Thank you.
01:07:42 By the way, uh, you still live with the Countess?
01:07:46 Yes, why?
01:07:47 Oh, nothing.
01:07:48 Except a short while ago while the Count was alive.
01:07:52 I visited there frequently. Lovely place.
01:07:55 You know, from the terrace you can see all of Rome.
01:07:58 Yes. I'd rather see the roofs of Paris at the moment.
01:08:01 I understand. Have a nice time. Bye-bye.
01:08:04 Goodbye.
01:08:05 [door creaks]
01:08:11 [door opens]
01:08:13 [door closes]
01:08:14 [door opens]
01:08:22 [door closes]
01:08:24 [door opens]
01:08:26 [music]
01:08:28 [music]
01:08:29 [door opens]
01:08:45 [door closes]
01:08:51 [music]
01:08:53 [footsteps]
01:08:54 [footsteps]
01:09:03 [footsteps]
01:09:14 [footsteps]
01:09:16 [footsteps]
01:09:17 [door opens]
01:09:31 [door closes]
01:09:35 [footsteps]
01:09:37 [footsteps]
01:09:45 [footsteps]
01:09:46 I burnt Peggy's clothes.
01:09:49 There's nothing left to show that she was here.
01:09:52 Then I had to do something else. I had to get her out of here.
01:09:56 To give you an alibi.
01:09:59 And then I killed Greta.
01:10:02 Perfect.
01:10:03 Perfectly awful.
01:10:06 I don't know how I did it.
01:10:09 As if it wasn't bad enough to find Isabella in the wardrobe.
01:10:14 Oh, I nearly fainted.
01:10:17 I wanted to tell you about it, but I couldn't.
01:10:21 By the way, how did you manage to carry Peggy to Morales' farm?
01:10:27 Well, I, I didn't...
01:10:30 I...
01:10:31 somehow got her into the car.
01:10:34 And Greta did the rest.
01:10:36 Why did you pick on Greta?
01:10:38 Well, uh...
01:10:40 she was alone in the house, that's why.
01:10:44 Well done.
01:10:46 The police think it's the work of a sex maniac.
01:10:51 [door slams]
01:10:52 [music]
01:10:56 First, second, third, fourth.
01:11:03 [laughs]
01:11:04 Stop it.
01:11:05 [laughs]
01:11:10 Oh, oh darling, darling, what's the matter?
01:11:14 Kiss me.
01:11:16 What's the matter, darling?
01:11:30 What a mess.
01:11:32 All because of that idiot.
01:11:35 That witch.
01:11:36 Isabella.
01:11:37 The blackmail.
01:11:39 Money she wanted.
01:11:41 Money, money, too much money.
01:11:44 She should have realized when she found out about...
01:11:47 that my husband's death wasn't an accident.
01:11:52 That it was dangerous and unwise to ask for that money, but no, no, no.
01:11:59 The more that we would give her, the more she wanted.
01:12:03 She asked for it, she did.
01:12:07 She was on top of it.
01:12:09 Too hard, my darling, she squeezed too hard.
01:12:12 Mmm, and the diary, that damn diary.
01:12:18 If it hadn't been for that damn diary.
01:12:22 [laughs]
01:12:24 [screams]
01:12:26 It is done now, and we have nothing to worry about, my darling, nothing to worry about.
01:12:34 No, you're wrong, you're wrong.
01:12:37 We'll never have any peace.
01:12:39 Until we've given the police their murderer.
01:12:42 Peace?
01:12:44 [laughs]
01:12:46 Cris, listen to me.
01:12:48 We'll never get away with it, unless they find the maniac they're looking for.
01:12:53 Never.
01:12:54 Until they do, they'll keep their eye on us.
01:12:57 You must remember, all the victims worked for us, but while they have no evidence against us,
01:13:03 the whole thing has blown sky high. The press, the scandal, the salon being closed down.
01:13:08 We've got to find a way out.
01:13:11 What are we going to do?
01:13:16 Ah, I know, darling. We're going to fly to the moon.
01:13:22 We've got to act again, one more time.
01:13:29 You've got to do it.
01:13:32 [sighs]
01:13:34 Oh, no.
01:13:35 Yes. I'm still being shadowed.
01:13:38 Now, don't worry, darling. We'll find an alibi for you. Now, don't worry.
01:13:43 Oh, no, Max, no. You can't ask me to do a thing like that. I can't do it, I can't do it, you know.
01:13:50 You've done it before.
01:13:52 I've done it before.
01:13:54 I've done it before, but that was different, you know.
01:13:57 Because you were in danger, I had to do it.
01:14:00 Do it because, unless I hadn't done it, everything would have been lost forever.
01:14:06 [sighs]
01:14:08 Only my love for you gave me the strength.
01:14:11 But it was horrible.
01:14:15 Horrible!
01:14:17 [screams]
01:14:19 Now, listen to me, you little idiot.
01:14:25 Listen.
01:14:27 There's more danger now than even before.
01:14:30 More!
01:14:32 If you don't listen to me, everything, this horrible nightmare, everything, useless.
01:14:41 Useless!
01:14:56 [screams]
01:14:59 [water bubbling]
01:15:02 [water bubbling]
01:15:05 [water bubbling]
01:15:07 [water splashing]
01:15:33 [water bubbling]
01:15:35 [breathing heavily]
01:15:49 [water bubbling]
01:16:01 [water bubbling]
01:16:03 [water splashing]
01:16:29 [water bubbling]
01:16:31 [water splashing]
01:16:45 [water bubbling]
01:16:47 [water bubbling]
01:16:51 [water bubbling]
01:16:57 [water bubbling]
01:16:59 [alarm clock ringing]
01:17:13 [gasps]
01:17:23 [alarm clock ringing]
01:17:25 [gunshots]
01:17:28 [alarm clock ringing]
01:17:43 [gasps]
01:17:47 [alarm clock ringing]
01:17:52 [alarm clock ringing]
01:17:54 [gunshots]
01:18:10 [gunshots]
01:18:14 [gunshots]
01:18:18 [alarm clock ringing]
01:18:20 [alarm clock ringing]
01:18:31 [alarm clock ringing]
01:18:40 [alarm clock ringing]
01:18:42 [screams]
01:18:58 [water bubbling]
01:19:05 [water bubbling]
01:19:07 [water bubbling]
01:19:23 [alarm clock ringing]
01:19:34 [alarm clock ringing]
01:19:36 [alarm clock ringing]
01:19:45 [alarm clock ringing]
01:20:01 [alarm clock ringing]
01:20:03 [alarm clock ringing]
01:20:13 [alarm clock ringing]
01:20:25 [alarm clock ringing]
01:20:54 [gunshots]
01:20:56 [gunshots]
01:21:04 [alarm clock ringing]
01:21:22 [alarm clock ringing]
01:21:24 [alarm clock ringing]
01:21:26 [alarm clock ringing]
01:21:28 [alarm clock ringing]
01:21:30 [footsteps]
01:21:33 [footsteps]
01:21:35 [footsteps]
01:22:03 [gun cocks]
01:22:05 [gunshot]
01:22:07 [alarm clock ringing]
01:22:17 [alarm clock ringing]
01:22:32 [gun cocks]
01:22:34 [baby cries]
01:22:41 [alarm clock rings]
01:23:00 [baby cries]
01:23:02 [baby cries]
01:23:09 [baby cries]
01:23:26 [baby cries]
01:23:28 Are you...
01:23:34 Are you surprised to see me alive, Max, my love?
01:23:38 Sure.
01:23:41 Your plan was ingenious.
01:23:43 The shop awning.
01:23:55 Broke my fall.
01:23:57 Please.
01:23:59 Silence.
01:24:01 I know what you planned to say.
01:24:04 That you didn't do it.
01:24:06 But I know you did.
01:24:08 I know you did.
01:24:09 Because you knew that I would be passing by the ledge.
01:24:12 If there was any danger, remember?
01:24:14 Remember you told me to?
01:24:16 You told me to?
01:24:18 Oh, please, you must listen to me.
01:24:23 You must listen.
01:24:25 Yes.
01:24:29 Yes, you had an ingenious plan.
01:24:31 If the police found my body, everything would have been solved.
01:24:36 Everything.
01:24:37 And you would have been free.
01:24:39 Now I understand why we had to get married.
01:24:43 In secret.
01:24:44 In such a hurry.
01:24:46 You were so much in love.
01:24:48 So much in love.
01:24:51 Yes.
01:24:52 But with my house.
01:24:54 The apartment.
01:24:55 The salon.
01:24:56 The money.
01:24:57 You loved everything I had.
01:24:59 Everything.
01:25:02 But me?
01:25:08 Chris, listen to me.
01:25:09 You're wrong, my darling.
01:25:11 I want you.
01:25:13 I love you.
01:25:16 It's been a terrible shock for you, my darling.
01:25:21 Terrible.
01:25:22 Christina, I love you.
01:25:26 To you it was an accident.
01:25:29 Trust me.
01:25:30 Very soon, my darling.
01:25:33 We'll go away.
01:25:35 Together.
01:25:36 Just the two of us.
01:25:37 Like we always planned.
01:25:39 Like we always planned.
01:25:40 No.
01:25:41 No.
01:25:42 No.
01:25:43 No.
01:25:44 No.
01:25:45 No.
01:25:46 No.
01:25:47 No.
01:25:48 No.
01:25:50 No.
01:25:51 No.
01:25:52 No.
01:25:54 No.
01:25:56 No.
01:25:57 No.
01:25:59 No.
01:26:00 No.
01:26:01 No.
01:26:03 No.
01:26:05 No.
01:26:06 No.
01:26:07 No.
01:26:08 No.
01:26:10 No.
01:26:11 No.
01:26:13 No.
01:26:15 No.
01:26:17 No.
01:26:18 No.
01:26:19 (suspenseful orchestral music)
01:26:23 (groaning)
01:26:27 (groaning)
01:26:29 (suspenseful orchestral music)
01:26:59 - Police.
01:26:59 I want...
01:27:02 I want inspector.
01:27:05 (sobbing)
01:27:08 (groaning)
01:27:15 (groaning)
01:27:17 (sobbing)
01:27:20 (groaning)
01:27:22 (suspenseful orchestral music)
01:27:26 (suspenseful orchestral music)
01:27:30 (suspenseful orchestral music)
01:27:34 (suspenseful orchestral music)
01:28:00 (suspenseful orchestral music)
01:28:04 (suspenseful orchestral music)
01:28:08 (suspenseful orchestral music)
01:28:12 (suspenseful orchestral music)
01:28:15 (suspenseful orchestral music)
01:28:19 (suspenseful orchestral music)
01:28:23 (suspenseful orchestral music)
01:28:27 (suspenseful orchestral music)
01:28:31 (suspenseful orchestral music)
01:28:35 [BLANK_AUDIO]